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contrast-firestormzine · 2 years

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A Post Mortem

From September 15th, 2019 until now, this zine took nearly three years to get out the door. This post will give you the summary as to why this happened, in part because I’m sure some people are wondering, and also as a warning to anyone who wants to do a zine and has not before! Don’t be me!

The tl;dr is to not do a zine solo... At least not without having participated in mod roles for other zines first.

So when I started this project, I had a lot! of excitement! about VRAINS and TakeYusa and as someone who, in theory, has gotten through much more difficult life projects, I thought to myself that I could strongarm my way through a zine, how hard could it be to keep all the organizational ducks in a row, learn how to format a zine, make sure prose got edited, make sure art was the correct file types, get the book printed and do all of this in a timely fashion? I’ve made video games! This surely can’t be harder than that!

Boy howdy, this was WAY HARDER. For a number of reasons!

Firstly, I was very much in a position of not knowing enough to even KNOW that I didn’t know enough. Keeping track of as many moving pieces as this, I got overwhelmed, I freaked myself out and avoided the problem instead of asking for help. I could do it! I will do it tomorrow! Tomorrow, tomorrow, tomorrow oh no, it’s been a month.

I kept in touch sporadically with contributors, and ultimately did accept that I had a problem, and I had to do SOMETHING to get this out the door. So I hired a professional editor friend of mine to edit the prose to clean up grammar and all of that, and Erin (imaginarystormz) came to my rescue in so many different ways I owe her my LIFE.

Erin was able to get the books formatted and ready for print, she made the digital versions, I had a printer recommendation from a friend so I got in contact with them, sent off the files... and ultimately stalled out several more times because they would ask me a question I didn’t have the answer to, and I would just shut down.

Eventually, I get through this (Erin, again, to the rescue) and the books are ORDERED. I RECEIVE THE BOOKS. They are BEAUTIFUL. I have also ordered my bubble mailers at this point, gotten a postage scale, gotten everything ready to get these books shipped! At this point, I had enough sense to enlist the help of a local friend who was able to help me quality check the books and also help me put together the packages to ship out contributor copies.

If you are a contributor reading this and you HAVE NOT received your copy, please email mybloodtypeisc AT gmail DOT com at your earliest convenience and I WILL get you sorted out!

So I ship out all the packages, the postal service decides to eat one of them, but as far as I can tell the rest of them all made them to their destinations. I post the above aside JUST in case.

So now I just need to finish up the shop right? I just need to make the listing, I need to punch in a price, I need to punch in shipping information... and here we go again! I get overwhelmed and shut down and Erin has to fix it for me fo the fiftieth time. This was six months ago.

And then there’s like two things I have to do and my brain fails on me again, and here we are today! I finally did those tiny things!

It is ridiculous that it took me so long, even with help, to get this out the door. I can say that within the past few months, I was diagnosed with a mental health condition that explains not only my entire life, but also all my issues with this project in particular. So okay, I have an explanation, but it unfortunately does not allow me to go back in time and resolve this.

In between all of this, there were of course Life Adventures as one has but really, 90% of this was me getting overwhelmed and shutting down and just handling it poorly. COVID certainly contributed to my stress, but that was only part of it.

So if you’re reading this and thinking to yourself “Wow I don’t think I could ever trust Pachi to run another zine in any fandom” I do have good news: I am not going to! I severely underestimated the amount of work involved, and I am never touching another zine. I am never managing something like this again in general!

And to make sure these all get SHIPPED in a timely manner, I will be going to said local friend’s house each Saturday that I have any orders to get them packed up and RIGHT out the door.

There’s not really anything else I can say. I felt bad about this the entire time. I feel bad about it now. I should not have done my contributors like this, and it will not be something that happens again.

If you are thinking to yourself “I want to do a zine!” for the love of all that is holy and everything else, do not do it solo. You might pull it off, more power to you, but you’re more likely to just overwhelm yourself like I did and have 99 problems along the way.

If you read all of this, thank you for your time! I don’t get alerts on the askbox here, so if you have any comments or concerns you want to make sure I see, please email mybloodtypeisc AT gmail DOT com.

Quick note on the price of the books

I have not pulled together the full details of that yet but I can quickly note that the books were a little over $1000 to print because of the fancy cover effect with the foil, there were 100 books produced, a small number of them were just dinged enough that I didn’t want to sell them. I paid for domestic and international shipping out of pocket for each contributor, and each contributor got two books. That leaves me with 70ish books to sell. The cost of each book is roughly $15 BEFORE I add in what I spent on shipping to contributors, packing supplies, editing, etc.

So regardless of how many of these actually sell, buyers will get them at less than it cost to produce them when all is said and done. I do want to share the cost breakdown for educational purposes, but I didn’t want to delay things AGAIN by waiting until I had THAT done to do all of the rest of this.

#update #mod post

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phillipshinrichsen21 · 29 days

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7 Phrases You Can't Say In Sales

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admingreys · 2 years

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Quickshift kits

Quickshift kits how to#

Quickshift kits install#

There are several reason why cutting fuel is preferred over cutting spark. For fuel injected engines fuel cut is the preferred method of cutting power. For carbureted engines there is no easy way to cut fuel so spark cut is the preferred method of cutting power. The power cut can be accomplished by cutting fuel and/or cutting spark (aka ignition) to the engine. A power cut during a downshift can interfere with throttle blipping and for this reason an inline quickshifter is the preferred type to use.Ī power cut is essential to a quickshift. During a downshift the inline quickshifter will not cut power. During an upshift the inline quickshifter will trigger a power cut. An important feature of inline quickshifters is that they are able to respond differently to upshifts and downshifts. The clutch can still be used to feather shifts if the rider chooses.Īn inline quickshifter is a device that installs inline with the shift rod that connects the shift lever at the foot to the shift lever at the engine. This power cut allows the current gear to release so that the next gear can be engaged. The rider still uses their foot to shift but relies on electronics to momentarily cut power to the engine. If your TAX ID number is required we will contact you prior to dispatch, or to speed up this process please include this information in the order notesįor more information about our deliveries please see the link below.A quickshifter is a device that allows a rider to upshift without clutching or backing off the throttle. Once your order has been processed and booked for dispatch you will receive automatic notification from DHL with your tracking/waybill number and the link to monitor delivery progress, so please monitor your email inbox/junk folder.įor delivery to some countries (such as Brazil, Peru, India) we require your TAX ID or National ID number to include with the shipment booking.

All Domestic (UK) and International Deliveries (all weights) are sent with our partner courier DHL who offer a quick and fully trackable service straight to your door.

You will see your shipping charge before processing payment. Please add the parts into your Cart, shipping charges are calculated at the checkout stage and based on final order weight and location. *Please note that unfortunately we are unable to deliver to PO Boxes, APO or FPO addresses, so when ordering please supply a valid residential or commercial delivery address. We would hope to be able to satisfy our customers wherever they may be in the world*. Just wished you were in India so I could get more stuff from you. Awesome product Shabs and thanks for bringing this to us. You need to now get used to the super short throw. I strongly recommend these to all Defender owners. Will be adding a new spring as the old one is a little weak. I usually only use my Landy on the weekends but from this Sunday I have not touched the other cars. The shifts are fantastic and thanks to Shabs now this kit has transformed my Def 110 totally. After a nice long drive I got used to it and now wonder why LR did not do this in the first place. At first test drive with the kit, the shifts felt so different that it got a little getting used to such short precise shifts. WOW! What a bloody difference it has made.

Quickshift kits install#

Got the kit in 2 weeks & just this Sunday I decided to install it on my own. Placed an order with Shabs and it was a pleasure doing business with him. Ok here goes! Saw this on FB and said why should I not get the slick shift kit for my Def 110 1991 model. Registered with the Intellectual Property Office Setting Bias Springs Video – useful video on getting the setup perfect!

Quickshift kits how to#

2 spanner difficulty rating USEFUL VIDEOSįitting Video – a quick video on how to fit the Slickshift (note that the new version of the Slickshift has 1 thicker annodised plate, not 2 as shown in the video) Also included in the kit is a new CNC nylon cup to replace your old worn out one.įor Defender LT77 & R380 ONLY (inc TD5 Defender) You’ll only need a pair of circlip pliers, a screw driver, 17mm, 13mm, and 10mm spanners for fitting. Included in the kit is the custom design CNC machines pivot pin and anodised aluminium spacer plate as well as 4 new BZP 8mm bolts. The Slickshift from Syncro Gearboxes is a direct replacement for the existing pivot pin. Within thirty minutes you can have a more modern feeling Defender, with gear selections similar to newer vehicles. The Syncro Gearboxes’ Slickshift is easy to fit and allows you to use your original gear stick. A new innovative design exclusive to Syncro Gearboxes, the Land Rover Defender LT77/R380 Slickshift improves gear change by reducing sloppiness and minimising travel, as well as neatening shifts giving smoother gear changes.

#Quickshift kits

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gunterfan1992 · 3 years

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Interview with Half Shy (the songwriter of “Monster”)

For the last few months, I’ve been collecting information for a second edition of Exploring the Land of Ooo that will also cover the production of Distant Lands. This means that I’ve started to look into the new songs that we have been graced with this year, and this of course includes “Monster,” the beautiful track from the masterpiece that is “Obsidian”. And so I reached out to the song’s writer, Half Shy, who was kind enough to chat with me via email about the songwriting process!

(Photo courtesy of Half Shy)

In many ways, Half Shy is living the creative Adventure Time fan’s dream: She got asked by Adam Muto himself to write a song for “Obsidian” after he heard her music through Bandcamp! (I’ve dabbled in fan music before, and the fact that someone from the show might listen to it just blows my mind.) What an opportunity; I am so excited for her!

Since a second edition of my book won’t be coming out until after all the Distant Lands episodes air, I thought it would be best to share my Half Shy interview now. Read on for the fascinating behind the scenes story of how Half Shy and “Monster” came to be..

GunterFan: What is your origin story? How did you get involved in music, and how did the Half Shy project come to be?

Half Shy: I’ve been making music pretty quietly since I was in high school with a keyboard and guitar. I played one or two shows a year after college when I could find a friend or my brother to get up on stage with me, but I don’t really have that performer gene in me naturally. I get too much in my head and forget what the lyrics are to the song I wrote, or what the next chord is. Total brain freeze. So that whole experience is a bit of a mental drain. It’s something I think I’d like to dig into and figure out, but right now I’m really enjoying the time writing.

Even playing a song for my friends I still get pretty nervous. That’s where the name Half Shy comes from. I’ve always been interested in making things that by their nature draw a bit of a spotlight, but at the same time, I am just really quite nervous about the attention.

I recorded my first songs under my old name Hey V Kay in my bedroom and started putting them up online one at a time. When I got enough I thought about packaging it up into an album, but then got really distracted by learning how to fix up motorcycles and going to automotive tech school. When I eventually got back around to it I named the album Gut Wrenching.

After a few years I realized that I didn’t want the day-in-day-out life of a mechanic, I just wanted to know how to fix cars for myself and to have that knowledge in my back pocket. I got back into making music but grew frustrated at the process of writing and recording songs. I felt like I wasn’t able to capture the ideas I had in my head. Like trying to draw on your computer with a mouse. Doable, but it’s not going to come out like you’d hoped.

So these last couple of years I’ve focused more on learning the technical aspect of it, from the initial ideas and lyrics, to the recording and mixing. During that process I put out Bedroom Visionaries, and while writing I happened upon the name Half Shy in an old Thesaurus which felt instantly right. Learning all of that has been fun, I even went as far as to create my own book to solidify a daily writing routine (lyricworkbook.com). All that has been a bit of a tangent from actually making much music though. I should be getting my books in December from the press so I’m really looking forward to getting back into making more music instead of dealing with printing presses, setting up websites, and sourcing ribbon suppliers.

GF: What is the story behind "Monster"? How did the show get in contact with you?

HS: I keep a log of “Song Starters” with neat things I’ve heard in the world, and I would look through it every now and then and notice just how many came from Adventure Time. Eventually I thought well, I have to make a song about this show that just keeps breaking my heart. It was around the time I was nearly done with the first [Adventure Time-inspired] song “In My Element” that I got an email from Bandcamp saying “someone bought your album (Bedroom Visionaries).”

I get maybe one or two of these a month at most so I love to go in and say hi to the person and say thanks, be curious about who they are, [and] what they’re all about. Turns out it was Adam Muto, the executive producer of the show. (I asked and he has no idea how he happened upon my stuff. He guessed that I must have tagged something #adventuretime and he just happened to see it.) So I sent him an email saying, “Hey wow thanks for checking out my tunes. Also... holy crap you’ve made the best show I have ever seen in my life.” [I] played it real cool like. After finishing up writing my second [Adventure Time-inspired] song “Betty” I couldn’t help but fangirl real hard [and I sent him another message saying], “I’m sorry this is probably awkward, but I really love your show and I wrote these songs about it.” He was incredibly kind and shared them with his Twitter Universe, and a while after that I got a random email from him saying basically, “Hey, I’m working on this thing I can’t talk about, would you be interested?” I was like… well you know I’m pretty busy working at a sign shop so I’m gonna have to pass on this once in a lifetime opportunity (J/K. Obviously I fan-girl squealed and said yes immediately).

We chatted a bit about what the project was going to be and the direction. He mentioned there [would be] two Marceline songs in the special, [and he asked if I] would I be interested in giving the love song a try? Trying real hard to suppress my instant imposter syndrome I was like, “Yea, totally I’d be into giving that a shot!” So I read through the story and loved the idea of the dragon mirrored in Marceline, thinking through how they’ve both built up a protective shell, how she grew tough for a reason, but now she can open up and be vulnerable with PB.

From there I wrote the initial demo with the first two verses mostly intact and we went back and forth a few times editing it down into the final version. I recorded the final parts for the show in my little home studio in Seattle.

GS: When you were writing the song, what emotions, thoughts, or ideas were you channeling? Was there any sort of memory of event that you were trying to artistically "catch" or "recreate" with the lyrics or music?

HS: As far as channeling an emotion, generally I’d say just the experience of existing as a human. It can be so hard to open up and be vulnerable. I can remember that feeling even as a young kid—getting really excited about something and having someone completely trash it or look at you like, “Why are you so interested in that? It’s dumb.” [It causes us to grow] a little more weary to share ourselves because we know that hurt and embarrassment. The pain of being misunderstood is something I think a lot of us can relate to. Then having to decide whether to keep sharing those vulnerable parts of yourself or think, “They’re just not going to get it, I’m going to get hurt, so why bother?” and then stop putting yourself out there. You lose a lot with that thick armor though. You might feel protected, but you’re not feeling a whole lot of anything else other than the weight and chafing of it (I had a whole lot of armor-related metaphors that I didn't end up using.).

I struggle with this in songwriting too. I’m not the bolt-of-lightning type. There are pages and pages of cliches, total garbage, bad jokes, and cheesy lines that I have to get through in order to get to something that I am excited to put out there into the world: “Here I did this thing, I know it’s a little (this or that), but I made it... What do you think?” It’s hard to open yourself up to hearing the other end of that question.

I filled about 5 little pocket notebooks just thinking through the story, ideas, and trying to get this song right. I wanted it to feel familiar and honor the past songs of the show ([e.g.,] using the ukulele and referencing a few of the familiar chords from “I’m Just Your Problem”) but also be pretty open and vulnerable and different for [Marceline]. [I wanted to] show that she’s going through some tough emotions but also figuring herself out and growing.

GF: I feel like “Monster” is, at its core, an ode to the “Bubbline” ship. How do you feel about your song being intimately connected to one of the most famous LGBTQ+ relationships in animation? Do you have any general thoughts on Marcy and PB, Bubbline, etc.?

HS: Oh, I’m a total fan girl of Bubbline. The whole story of how Rebecca Sugar and Muto slowly morphed it into this deeper relationship is just great. As a part of the LGBTQ community myself it really means so much to see the representation of characters like yourself portrayed in an intelligent way. Growing up I was too young to fully understand what was going on but I saw Ellen getting cancelled, and [I] heard people around me saying they’d never watch her show again after she came out. That stuff sinks in as a kid and so to have these characters who are not only intelligent, but funny, complex, and unapologetically strong who also happen to be queer is really great. I love that the story here isn’t about their orientation, but that they’re people struggling with how to be open and vulnerable in a relationship.

It feels like something sci-fi and animated shows do so well—to show that ridiculousness of limiting who a person should and shouldn’t love. Marceline is a 1000+ year old half-demon/vampire and PB was born from the Mothergum of an apocalyptic radioactive world, but you’re going to get hung up on them loving each other? It sort of brings it into perspective in a really interesting way.

GF: Do you have any other thoughts about the experience that you'd like to share?

HS: Just how lucky, thankful, and honored I feel to be a part of my favorite show, writing a song for one of my favorite characters. It’s also incredibly cool how the people on the show are so willing to connect and collaborate with their fandom. Everyone [on the production crew] was very open and a real joy to work with.

I’d like to give a huge “Thank you!” to Half Shy for agreeing to participate in this interview; she really was quite amiable! If you’d like to hear more of her music, check out her website and her Bandcamp. You can also follow her on Instragram here and on Twitter here. And of course, here is Half Shy’s awesome video of “Monster”.

#adventure time #atimers #adventure time distant lands #atdl #half shy #monster #bubbline #marceline #marceline the vampire queen #bubblegum #princess bubblegum #pb #adam muto #interview

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hawksugarbaby · 3 years

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Bakudeku- tongue tied

Lime + Tattoo/piercer Au

A/N: TO BE CLEAR. I don't ship toxic bakugo who told Deku to kill himself with baby deku who can't stand up for himself. I ship emotionally mature, developed, redeemed bakugo who is helping deku become a hero (more evidence in the manga than anime right now) with a strong independent deku who can stand on his own feet now.

It was a slower day for the parlour today than typical but this early in the year less people were interested in getting tattoos or piercings since it was cold and people would be wearing fleecy layer over layer and covering every stretch of skin on their bones to keep warm. What was the point in permanently altering a part of you if most of you was covered up?

Of course the tattoo side of the department had it harder than the piercing side as the piercers had enough options on the face and ears to keep them going. And that was where the great Katsuki Bakugo came into play. Hovering around the parlour like a moth waiting for the lights to flicker on, the annoying buzz of his angry voice that never shut up infiltrating Izuku's ears without of a choice making him unwillingly blush whenever he said anything that caught the freckled boy off guard.

The blonde barged into the shop like he owned the place and tapped his foot at the front desk ringing the bell for service continuously until someone paid attention to him. Izuku looked at his colleagues who all turned around and pretended to work, drawing scribbles on their page for new designs which looked like toddlers artwork until it was refined and then, if they felt like it, coloured.

The green haired boy stood begrudgingly from his desk and sauntered over to the front desk to greet his most common customer. "Afternoon Kacchan" he faked a smile and ran his hand through his curly emerald locks grabbing a pen from the pot, flicking the cap off so forcefully it flew across the room like a rocket for someone else to deal with. "It's evening deku" he argued and leaned his bulging arms on the counter smiling irritatingly at izuku. "Sure whatever. What are you here for" he asked, chewing the end of his pencil and glancing from the blonde's face to his muscular arms without a second thought.

Bakugo stuck his tongue out laying it flat against his chin and stared seductively into Izuku's green eyes. His face lit up red and he closed his eyes ignoring the taller man's angry flirtations. "A t-tongue piercing then?" he stuttered, turning around to face the wall and scribble on the clipboard. "Date of birth" he asked, not looking back at the angry customer being ignored by the reason he was there in the first place. "20th of april 2037" "making you 22" Izuku muttered filling in the information on the sheet. He knew Bakugo's phone number and email by heart by now, in case the courage ever took over to message him.

"Sign here" izuku said, turning and handing the clipboard to bakugo who was cracking his fingers as if it was a time killer and pointed to the line for bakugo to sign his loopy name on. For such an aggressive personality his handwriting was saccharine, it felt ungenuine watching the way his wrist flicked so smoothly with each curve connecting every consonant and vowel. "Can I get a hole in my tongue now or?" he asked placing the board on the desk and leaving the question open ended.

"Is everyone else busy!?" izuku shouted to his coworkers who all shouted yes back not wanting to deal with bakugo's attitude when he wasn't being pierced or tattoo'd by izuku. Izuku didn't have a problem around Bakugo, the problem arose when he couldn't focus on the work because his customer was seemingly attempting to seduce the poor artist. His insistence to be with Izuku was also an issue because god forbid he be with another customer when he came in, the indistinguishable groan when he was told to wait was enough to make the customers waiting to book flee the establishment.

"I guess it'll have to be me then" he sighed and walked to the back of the shop expecting bakugo to just follow behind (which he did). Izuku spun a wide leather seat towards the blonde and slapped the seat making a loud thump and he rolled his neck cracking the bones like loud enough you'd assume they broke. "Y'know for someone who's done this too me a bunch of time's i thought i'd know you better" bakugo sighed slumping into the seat while Izuku stretched a pair of latex gloves over his thick fingers, pinging the band against his wrist then pulling the other one on fiddling with the blue rubber.

Izuku his his blooming cheeks unable to tell if bakugo meant for his words to have a double meaning or if Izuku's mind was just all the way in the gutter. "What could you possibly want to know?" he grumbled looking to bakugo from his peripherals. The red eyed male fiddled with his ash blond locks of hair trying to spike them back up but they were flopping down and plastering to his forehead. Izuku's mini studio was ludicrously warm for the beginning of the year when it's supposed to still be winter, but his box felt like a trip to hawaii! "I dunno, why'd you start tattooing and piercing and shit" he asked gulping nervously at the needles laying out on the metal counter.

Izuku turned with the clamp looped on his fingers, a sure way to shut him up and scooted his own chair forward. "Tongue out" he ordered and bakugo smirked leaning forward "very demanding of y-" Izuku rolled his eyes and caught bakugo's tongue while his mouth was open talking and pulled it out by the clamp. "Eenngg! he huuh?" ("heey! The fuck?") bakugo began to gripe incoherently and izuku pressed harder making bakugo gasp and wave his hand "eh ehh ohay ohay" ("eh ehh okay okay"). He stopped attempting to talk but rested his warm hand's just above izuku's knee's making the green haired boy burn pink.

He fiddled with the needle and held his hands in front of him until they stopped shaking and held the clamp firmly grasped on bakugo's tongue "I started tattooing because my mum was struggling with money and I wanted to help her so I found an apprenticeship. Piercing just came easy after tattooing" izuku explained thinking about his mothers partially impressed, mostly shocked when izuku came home with his first tattoo. But she never stopped him if it was what he enjoyed. "Then you became obsessed with me and now I can't leave" he chuckled.

Bakugo's eye's rounded at the sound of Izuku's sweet laugh he'd never heard before. He would have smiled if he could have but there was a needle encroaching slowly. The tip of the sharp metal balanced on his tongue and izuku checked the placement again and nodded to himself "okay i'm going to count to 3 and on three take a deep breath through your nose okay" he quirked an eyebrow and the blonde nodded hesitantly.

"Okay 1... 2... 3 deep breath" he instructed and katsuki inhaled sharply as the needle went through the pink flesh a tiny dribble of blood and izuku switched in the jewellry so quick bakugo hadn't even realised the needle went through. "And you're done. You can exhale now by the way," izuku said, keeping the clamp on his tongue for longer than he needed to just for the satisfaction of silence but of course he had to take it off sooner rather than later.

"Did' ethen hur. Fuck i hath a lithp" he rolled his eye's and wiped away the drool at the corner of his mouth. "Hard to be sexy with a lisp," Izuku threw him an icy bottle of water he barely caught before the words caught up to him. "You think i'm thexy?" "not right now I don't" he laughed and sat back in the chair leaning over the back and hanging his arms over the armrest. "In about 5 minutes when your not afraid of moving your tongue, probably" he glimpsed at the blushing blonde and sighed. "Not afraid" he mumbled "then why do you have a lisp?"

Silence.

"Exactly." izuku retorted quickly and pushed bakugo into the leather seat climbing onto it himself and sitting between bakugo's thighs and grabbing his face. "I hate you you know that" the green haired male pushed bakugo's hair out of his face giving him a clear view of his sparkling red eye's and leaned into him pressing his soft lips against bakugo's rough, cracked ones. Bakugo's hand's hovered around izuku but izuku's gloved hands pushed them down so they rested on his waist gently.

He kissed back softly trying to pull izuku back so neither were in danger of falling of the chair and nothing could be heard except the heavy breathing and their hearts hammering rapidly in their ears. Izuku pulled away resting his forehead against bakugo who was intoxicated by his lips. "I really hate you" the freckled boy muttered and put his hands on bakugo's chest separating them slightly. "Can I come back for a tattoo?" bakugo mumbled not sure what to say and Izuku snorted sliding off the chair and standing up putting his blue gloves in the bin. "Just a tattoo?" he flirted and bakugo, still trying to reboot his brain just blinked and nodded dumbfoundedly.

"Sure come back for a tattoo" izuku laughed and showed him to the door trying too brush his hair down so he wouldn't draw any attention from his coworkers. Bakugo finally formed coherent thoughts and at the door leaned next to izuku's ear "you know why I really got my tongue pierced?" izuku shook his head and bakugo dug his hand into his pocket pulling out a pill sized piece of metal and held it in front of izuku's eye's. Clicking a button on his phone it started to buzz lightly and izuku shoved him out the shop. "GO. NOW. HERE'S YOUR CARE PACKAGE" he shouted shoving a small poly-bag in his hands and slamming the door shut behind him, hard enough an earthquake line ran up the glass.

His brunette coworker bounced up to him, "SOOO" her sweet voice started and izuku shoved her away jokingly. "Get away!"

#bnha #mha fanfiction #my hero academia #bnha fanfiction #boku no hero academia #wattpad #boku no hero fanfic #mha #bakudeku #katsuki bakugou #izuku midoriya #bakugo x deku #bakugo x midoriya #izuku x katsuki #deku x kacchan

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publiccollectors · 3 years

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From the discussion “Towards A Self Sustaining Publishing Model” hosted by Printed Matter.

Some things I have learned in over 30 years of publishing since my teenage days as a zine maker, administrating my project Public Collectors, and from working in the group Temporary Services and our publishing imprint Half Letter Press.

I have just ten minutes to speak. If only one or two things that I share are useful, that’s plenty! It took me decades to understand some of this stuff.

Use every exhibition invitation with a budget to print something. Use the whole budget to print something. Make something in a large enough print run so that you have something to give away and surplus that you can sell. Your publication can be a folded sheet of paper, a booklet, a newspaper, a poster, a book, or anything in between.

Be able to print at least something at home. Buy a cheap laser printer or inkjet printer, find a used copy machine, buy a RISO or some other duplicator, carve something into a potato or a piece of foam and print it. Being able to do at least some of the printing and production at home—even if it’s on a tiny scale—will compel you to print things that you might have convinced yourself not to send out or bring to a professional printer. Hopefully the ability to print impulsively and compulsively will result in good work. Figure out how to keep making things on every scale. Look for cheap used printing equipment on Craigslist. Team up with friends and buy equipment together that you can share. Start a printing collective in your basement.

Ideally your publication should cost 1/5th or 1/6th of the retail price to make. If you sell a $10.00 publication through a store, you are probably only going to make $6.00 or less after the store takes its cut. So ideally your $10.00 book costs $2.00 or less to make. Don’t aim to just break even. Aim to make a profit so you can keep making more publications and pay for your life. Publishing will probably never be your sole income but don’t lose money on purpose. Make things that are priced fairly and look like they justify what they cost to buy. The fact that you didn’t find a more affordable way to print something is not an excuse to sell something that feels cheap and shitty for a ridiculous sum of money. Good cheap printing is easier to find than ever before. Do your homework.

Figure out the cheapest and least wasteful ways to do everything. Ask other publishers where they get their work printed. Look for local printers so you can avoid shipping fees. Ask local printers if you can pay in cash for a discount. Ask printers if there is a cheaper way to do what you want to do by adjusting the size of your paper or the paper stock or some other small shift in form. If you print things yourself, buy the paper that is on sale. Design a publication around the paper that you found for cheap. Discount warehouses sometimes have good paper. Even dollar stores sometimes have good paper. I’ve even bought paper at flea markets. Costco sells an 800 sheet ream of 24 lb paper for $6.99. I use it all the time. It rules. I also recommend getting your jugs of organic olive oil there, but you can’t print with that.

Free printing is good printing. If you have access to free printing, use it. Free printing is like free food at art openings and conference receptions. It is one of those pleasures in life that never gets old. Come up with an idea that is based around the aesthetics of whatever free printing you have access to and make the publication that way. Eat the cheese and bread. Drink the wine. Make the copies at work.

Buy bulk shipping mailers on eBay. Find bubble wrap and other packing materials in the trash. Look out for neighbors who just bought new furniture—it’s usually wrapped in miles of packing material you can use for shipping books. Boycott terrible right wing fuckers like ULINE. Seriously, they give money to everyone horrible. Trump? Check. Ted Cruz? Check. Scott Walker? Check. ROY FUCKING MOORE? CHECK FUCKING CHECK! Tear up their catalogs and use them as packing material to protect your books. Make publications that have a consistent size so you can purchase cardboard mailers in bulk and get a discount on them. Buy packing tape in bulk. Buy everything in bulk. You can store your extra reams of paper under your bed or on top of your kitchen cabinets if necessary. Be like a wacko survivalist prepper, but for office supplies. Go to estate sales and look for the home office in the house. Buy the dead person’s extra tape and staples and rulers and scissors. I’ve been using some random dead person’s staples for years because I bought their staple hoard. Staples aren’t like meat and milk. They don’t expire.

I’m against competition. Try to avoid competing with other artists for resources. If you don’t truly need the money, don’t ask for it. Artists should have a section on their CV where they list grants they could have easily gotten but didn’t apply for because they are privileged enough that they don’t need the money as much as someone else. I almost never apply for anything but the one thing I do apply for and get every year is a part-time faculty development grant from Columbia College Chicago where I teach. It pays adjuncts up to $2,500 a year to fund their projects and seems to be completely non-competitive. My union negotiated to get us more money. I have used that grant to make over a dozen publications. The value of the publications I make and sell with each grant is about three or four times the value of the grant itself. Some years I make more from the grant than I do from the limited number of classes I teach. But I don’t depend on this grant to be a publisher and I’d still be able to make things without it.

Make things in different price ranges so everyone can afford your work, but also so that you can sustain your practice. Make a publication that costs $2.00, that costs $6.00, that costs $20.00, and make something special for the fancy ass institutional libraries that have a lot of money to spare and can buy something that costs $300.00. Likewise, make things in all different size print runs. Is there something you can print 1,000 of that you can keep selling and giving away for years, to enjoy that quantity discount that comes with offset printing a large number of publications?

Collaborate with people and pay them with publications (if they are cool with that) that they can sell on their own. Sometimes this ends up being better pay and more useful than an honorarium, and it helps justify a larger print run. But see what they need—don’t assume. Barter with other publishers and sell each other’s work and let each other keep the money. This helps with distribution. Sometimes it’s easier to sell their work than it is to sell your own. Help others expand the audience for their publications.

Fund your publishing practice by asking your friends who teach to invite you to talk to their college classes about your work. Use those guest speaker fees to print something. I sometimes tell people on social media: If three or four people will invite me to speak to their class, it could fund the entire next issue of X booklet series that you like so much. This has often worked. Also, sometimes their students end up ordering publications. Sometimes lectures about publications generate more income than the publications themselves.

Have an emailing list and write newsletters to announce new publications. Stay in touch with people who like what you do. Expect to spend a ton of time corresponding with people. Have some cheap things and cool ephemera on hand that you can send people for free when they mail order your publications. Reward people who support you directly with something nice that they didn’t expect. People like handwritten notes. It’s okay if they are very short but sign the packing slip and at least write “Thank you!”

Above all, know that publishing is a life journey and not a get rich quick scheme, or even a make very much money scheme. Enjoy the experience of meeting and working with others, trade your publications with other publishers and build up an amazing library of small press, hard to find artist books. Get vaccinated and travel and sleep on each other’s couches. Be generous with your time, knowledge, resources, and work. Tell Jeff Bezos to fuck off by never selling anything you make through Amazon. Find the bookstores that you love and work with them forever. It’s nicer to have deeper relationships with fewer bookstores than surface level interactions with dozens of shops run by people you don’t know.

Think about your publishing family. Bookstore people are your family. People that organize book fairs and zine fests are your publishing family. Other publishers are your family. People who follow your work for years on end are your family. Printers and binderies are your family. The postal workers that know you by name and that you know by name are your family. The person who doesn’t care if you make the free copies at work is your family. Over thirty years later, I’m still in contact with people I exchanged zines with through the mail when I was a teenager. In some cases I still haven’t met them in person. It’s fine! They are my family. Your students are your family—particularly once they graduate or drop out, as long as they continue making books and zines. Your family is your family, particularly if they value and support your publishing practice. And for this reason, this talk is dedicated to my late father Bruce Fischer, who let me use the company copier and postage meter when I was in high school, and to my mom who sat on the floor with me and helped me hand collate and staple my zines.

That’s what I’ve got for now. Stay in touch and with luck, and enough vaccines and masks and hand sanitizer, maybe I’ll see you at a book fair. – Marc Fischer • Thank you to Be Oakley of GenderFail for the invitation to present, to the other presenters Vivian Sming, Yuri Ogita, and Devin Troy Strother, and to the wonderful people at Printed Matter for hosting this! You should be able to find the video archived on Printed Matter’s YouTube Channel. Presented on April 2, 2021

#Public Collectors #Publishing #Printed Matter #Be Oakley #Sming Sming #Coloured Publishing #GenderFail

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putschki1969 · 3 years

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My Experience with Japanese Online Shops, International Shipping and Proxy Services

In the last few months I have ordered from many different Japanese online stores and I have made use of a bunch of new international shipping and proxy services so I thought it would be a good idea to sum up my experiences and write a little review so everyone knows what to expect. Without further ado, let’s get to it.

Content

tenso

Buyee

WorldShopping

HMV International Shipping

CDJapan

Amazon.co.jp

1. tenso.com

A staple for everyone who wants to register for various Japanese services (e.g. fan clubs, streaming platforms, etc) or enjoys shopping in Japanese online shops. It cannot be said often or loud enough how indispensable tenso is for fans of anything Japanese, their service is a true lifesaver! The H-el-ical// Online store even recommends using them! These days many Japanese sites accept foreign payment methods but one thing that’s still almost always required is a Japanese address. And that’s where tenso comes in. They will provide you for free with a Japanese address and phone number which you can use to register on almost any site. You can have your fan club stuff and purchased items sent to that address (the tenso warehouse) and they will then ship it to you. There are not a whole lot of shipping options available but that’s fine. Air Mail is definitely their best offer but if your package is too big you will end up having to choose EMS (which is quite pricey but typically very fast - not during the pandemic tho, at least not for Austria). A big advantage is the possibility to edit the package description. You can lower the value of your items to avoid import taxes and custom fees in your country. Please note that tenso does require an identity verification which might act as a deterrent but I can assure you, they are totally trust-worthy and reliable. I get a LOT of use out of them. Of course I have all my FC related stuff sent to their warehouse but tenso also came in handy for my orders on Tower Records Online, Animate Online and the Universal Shop/H-el-ical Shop/mu-mo Shop.

※ With the exception of the Universal Shop, I was able to pay at all the above mentioned stores with my foreign VISA.

2. Buyee

Another staple and the very first proxy service I ever used. You will need them in all those places that do not accept foreign payment methods (there are still too many out there unfortunately). Their customer service is impeccable and I have never had issues with them. They have gone as far as to contact Japanese stores on my behalf even though it is not part of their usual service. They offer a very wide range of features and shipping options, their service fees are also not too high (although I will admit that they have slightly increased throughout the years). They operate on so many different Japanese online shops, it’s rare to find a big store that does not collaborate with them. Also, if you want to thrift Kalafina related items, THIS is your go-to service. Be it Yahoo Auctions, Mercari or Suruga-ya, you can use Buyee on all those sites. They even have their own English user-interface for some of the major Japanese online stores and you can take advantage of their browser add-on which makes shopping a lot easier. The only downside is that they will not allow edits to the package value so if you live in a bureaucratic country like myself with very strict tax and custom regulations, you will have to make sure to send your packages wisely or just expect to pay quite a lot of fees. This time I used them to order my Wakana cover album copies from Rakuten Books (I REALLY wanted their tokuten). Since Buyee offers the biggest variety of shipping options, I got these copies before anything else, they were here super fast.

※ It’s funny how I am able to register my credit card for Rakuten Pay in order to purchase music on mora.jp but I cannot use that very same credit card to actually buy stuff on Rakuten.

3. WorldShopping

A fairly new service as far as I know but it seems like they are quickly expanding and trying to give Buyee a run for their money. Their banner has been popping up on almost all Japanese sites I have visited in the past few months but up until recently I wasn’t really feeling like trying a new service (I am always hesitant when it comes to new stuff). At least until I found myself in dire need of the Sofmap store specific tokuten for Wakana’s cover album XD. Unfortunately Sofmap does not accept foreign payment methods and Buyee also does not operate on their site so I took a leap of faith and made my purchase through WorldShopping since their banner looked so inviting. It was surprisingly straighforward since they are providing their own interface on the Japanese sites. I didn’t even have to go to the WorldShopping main page to register or anything before using the service. Their fees are acceptable but not exactly low. I was a little wary because I didn’t have a proper account but they did provide a link in the initial email where I could more or less keep track of everything. It took VERY long for my purchased item to be registered at their warehouse (for tenso and Buyee it takes around 1 day) and I didn’t get a notification email that it had arrived so those are not the best aspects of their service. The only shipping method they seem to offer is EMS (which again, is very pricey). Anyways, at the end of the day, my package arrived unscathed in Austria (including the tokuten) so I am a happy camper. While I will probably not be using their service regularly in the future I can still recommend WorldShopping to you with a clear conscience. But please keep in mind to check your status link regularly!

※ Please note that the WorldShipping interface in Japanese online shops overrides the site’s very own purchasing option so if you want to make an order using your own account with your tenso address and a domestic shipping method (let’s say in the mu-mo shop for example) you will have to deactive all WorldShopping services on the page.

4. HMV & BOOKS Online International Shipping

Another first for me. I had no idea they offered international shipping so when I saw the little button on KEIKO’s Lantana page, I couldn’t resist. Since Amazon.co.jp is no longer an option for me, I was desperate to find other stores that offered international shipping and tokutens. Unfortunately, their international shipping service is not a very good replacement for Amazon.co.jp since it takes VERY long. I registered as a guest and made my order without any trouble. I expected them to ship the item on the release day (or the day prior) but that was not the case. I am almost entirely sure that they use a “hidden” proxy service but still promote it as direct shipping. Which is why the process is taking so long. I think it wasn’t until the fifth day after the release date that I finally received the shipping confirmation. Also, don’t get thrown off by weird phrasing in their e-mails. They kept saying that they had shipped “the first part of my order” when in fact there was only one part. Since they only offered EMS as shipping option it once again took quite a while for the package to get to me even though the shipping fee was very high (please note that EMS is typically very fast but as I mentioned earlier, COVID-19 has changed everything). Overall, I can’t really complain about their service, if you are willing to wait a while, HMV International Shipping is definitely worth a try. HMV always have some of the best tokutens so be sure to check it out.

※ I originally tried to register properly but that turned out to be quite complicated so I recommend registering as a guest just like I did.

5. CDJapan

The first site I ever used to order Kalafina-items. I have never had issues with them. They are very reliable and of course the best thing is that they ship directly to your country. However, these days I hardly ever shop at CDJapan anymore because they rarely have tokutens. Also, items you purchase on their site will not be calculated into the daily and weekly sales data for Oricon music charts so that sucks. As you know, I want to support my girls as best as possible (and that means contributing to their chart numbers). Sometimes CDJapan do offer tokutens so they are definitely a viable option for foreign fans. They have lots of payment and shipping methods to choose from and typically their packages arrive very quickly. I bought Hikaru’s RE of “disclose” (only the LE came with tokutens) and one of my “Lantana” copies (CDJapan did in fact have a tokuten for that. YAY).

※ If for some reason, CDJapan isn’t your cup of tea or doesn’t work for you I think YESASIA is a good alternative. However, I haven’t used their service yet so I am not sure how reliable they are. They offer free shipping if your order total exceeds a certain amount so that’s definitely pretty neat!

6. Amazon.co.jp

Amazon.co.jp has been very reliable for the past few years but this year they have really let me down. Just like HMV they do offer an international shipping service but theirs is actually a DIRECT shipping service and it’s SUPER fast. Also they estimate the import/customs fees of your respective country and they charge a deposit which they can use to pay the customs office to speed up the shipping procedure. If this doesn’t happen, packages will usually end up being stuck at customs for a very long time until they have been processed. Last but not least, they often have some of the coolest and most unique tokutens. These are all reasons why I loved to use them but it seems like the pandemic screwed things up for many foreign fans. When I was logged in and checking the product pages of the Kala-solo-releases, they would either show me that everything was out of stock from the get-go or no longer shippable to my country. However, when I wasn’t logged in and checked the Japanese version of the product page I saw that there were in fact still copies available. Now that the pre-order period is over they seem to have restocked a little bit and some versions have finally become available again for foreigners. For example, I could now technically order the LE of “Lantana” with a tokuten. I really wonder why that stuff wasn’t there when I needed it *grumbles*

※ I am not 100% sure if the pandemic caused all these issues but I kinda hope that was the reason because that would mean that next year things will hopefully work fine again. Let’s keep our fingers crossed.

#kalafina #review #tenso #buyee #worldshopping #cdjapan #amazon.co.jp.#shopping in japan #proxy service #international shipping #wakana #keiko #hikaru

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fioletowa-krowa · 3 years

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So I’ve had to deal with the absolute worst customer in my entire working career ever this past week. (It’s Rose at the Notre Dame university bookstore in case anyone was wondering) apologies in advance, it’s going to be long

So for this school we have two “titles” that are basically just boxes of lab equipment. There’s a lock, goggles, a lab coat, a notebook, and an access card for the online book. These are shipped as individual boxes since there’s a good amount of materials. This is different from what we usually send to stores, which would be boxes of multiple notebooks. I mention this bc the store manager, Rose made such a damned big deal about it.

So the whole ordeal started at the beginning of the month when my boss CC-ed me on an email conversation with Rose letting her know that she was going to be out of town so to contact me with any questions or requests for her order of the two bundles we had for the school. She ended the email with “hopefully things go smoothly this year” so already I have a bad feeling that this is going to be difficult.

Rose emails me to let me know that this is a time when they receive a lot of deliveries at their store (she specifically mentioned receiving football equipment in addition to books and school supplies) so she wanted to make sure that their order of nearly 1000 bundles could be split into smaller orders with only one order arriving per day to make sure that they weren’t overwhelmed at the store. A bit of an annoying request, but not impossible for us to attempt to accommodate. The only thing being that once an order leaves our warehouse we have zero control over how long it takes to deliver or when it gets delivered so I told Rose that I was putting notes on her orders so that they would hopefully ship on different days and then be delivered on different days. And she again reminded me that they needed the orders to arrive just as she specified. Okay, fine, I’m doing what I can.

Now, unfortunately, we’ve been having delays it’s getting materials and books in stock on time this season bc our printers are all short staffed and they can only print and ship so much at a time. So the bundles are already going to be a little later than expected. We had a team of people putting the boxes together at our satellite warehouse last last week so we could get them shipped out last week.

So we finally get things together and get the first order shipped out Tuesday. This first order was for 85 boxes of one title (11181) and 150 copies of the other (11171) and the manager at the satellite warehouse gets it shipped out Tuesday last week. On Wednesday I send Rose an email with the tracking information (I had to wait for our regular warehouse manager to get me the info bc the satellite manager was out all of last week after Tuesday) and at 4:56 Wednesday evening I get the following email from Rose:

“Beth, do you realize we already got three skids today? You sent a skid of 11181 when we only wanted 85 and two skids of 11171. Please do not send any more of 11181 and I will write up everything tomorrow and you can arrange a call tag to pick up the others. This is a hot mess and the paperwork the driver had was wrong and we have damaged cases as well. Way to go..........................”

So I was about to lose my mind at this. Not only was it at the end of the day, but she was incredibly rude over something that was genuinely a mistake and moreso, not my fault! The editor in charge of the projects wanted to respond to her that evening, but I told her that, quite frankly, I was off for the day and Rose didn’t deserve any of my unpaid time. Plus i wanted to hear back from the warehouse to see their end in case something happened so they sent out more than they were supposed to or if Rose was just stupid and we did what we said we would and it just wasn’t exactly what she was expecting. So the editor sent Rose a message saying that I’d get back to her in the morning with more information and I went to dinner w my parents and papa so that I wouldn’t punch a hold thru a wall in anger

So Thursday morning I get in to an email from our main warehouse manager (since the satellite manager was out the rest of the week) letting me know that we had sent three skids for the order. Because each skid holds 96 boxes. So, since the order was for 235 boxes, it physically had to ship as three skids. I was fucking giddy as I typed my response to Rose, spelling out why she received three skids and letting her know that I would be holding her remaining four orders for 150 of 11171 each until I got the go-ahead from her that she was okay with the fact that the orders would be one and a half skids each.

Well, Rose emails back that we actually sent three full skids instead of one full and two partials. She included the phrase “believe it or not, I can count” and then after reiterating how she wanted her orders sent said, “My next suggestion would be to fulfill my orders as requested going forward.” And asked if they’d be getting another order that day. So I typed up a very off-color response to her informing her how obnoxious and cunty I thought she was being and how her attitude was helping exactly zero people and quite honestly making me feel less inclined to be helpful at all. And then I typed up a nicer response and asked my boss for read it over to make sure that it was professional and appropriate. In my email i let her know that we only had the paperwork to go off of as the warehouse manager who put the shipment out was out of the office, so we legitimately did not know that she received more than what was on her order and that, no I had held her other orders to make sure that she was okay with how they were going to be shipped, but I could put them in and hopefully get the next one shipped out that day or Friday.

At that point, she got the other manager at their store involved who emailed Friday morning to ask me to confirm they’d be getting the rest of their order that day as they had students arriving on campus who would need them. I informed her that no, we hadn’t shipped anything else yet and said that it was bc our satellite warehouse was short staffed (which is essentially true. There’s one person who works in that warehouse— the manager— and he’d been out all week) so Rose jumped back in to say “Just to make certain I understand correctly, there hasn't been another order shipped since the first delivery? We need to get on the ball with this order short staffed or not folks!!”

At that point i was beyond pissed. They were asking for something above and beyond what we do normally, and we were doing everything we could to keep them placated, including shipping the rest of their orders for free, but there’s literally only so much we can do with the staff that we have. So, after venting into an empty word doc, I responded with “That is correct. We wanted to make sure that we wouldn't overwhelm you with multiple orders in a day, like you asked, and since the first shipment went out incorrectly, we wanted to be sure that it didn't happen again. Unfortunately that means that we aren't able to schedule a pickup from the shipper until Monday as it took some time to confirm that the rest of the shipments were okay to go forward per your instructions. The remaining shipments will be going out all of next week, but if you need us to send more than one order at a time, please let me know and I can coordinate with our warehouse team to make sure that happens.” (Also I’m now realizing that rose never actually confirmed that we could/should ship the rest of the orders so that’s a fun thing) as this was going on, I was trying to coordinate with our warehouse manager to see if we could get the next order out and (as my dad who works in that warehouse told me) they were basically running around asking every shipper who came by that day if they could take the order bc the store’s preferred shipper wasn’t available to pick it up. But we finally managed to get it picked up and shipped around 1 Friday afternoon

So, Rose, in all of her Karen-ness responds “In what world would it be, as the buyer, my fault for making and having confirmation of shipping directions the reason why your company has failed??” Funnily enough, that email sent me passed pissed off to just calm and I’d started typing a response when a message from my boss (who had been CC-ed on the entire conversation) popped up saying “take a minute, step away from your computer, then respond” so I laughed to myself and explained to Rose that I wasn’t trying to blame her (yes I was) but that I was only trying to explain why I was being so cautious and why there would be a gap in their shipments. Of course, then I get an email from the other store manager saying that she wished we had communicated the delay in shipments ahead of time and that if that had happened they would have been able to tell us that it mattered more that they received the boxes on time, not that they were received separately as originally requested, ending with “I would have thought this would be a logical conclusion on your part, so the mistake was mine in thinking that.”

And that’s when I realized that this manager (Becky) hadn’t been informed of everything that actually had happened and most likely just got the bitching from Rose that we’d messed up and it was all our fault that they wouldn’t be getting the boxes on time. So I got to inform her that I had told Rose immediately that we were going to be holding the remainder of her orders until we got the ok from her to ship since she’d been so upset with how the first shipment had arrived.

So once I’d gotten that all explained and smoothed out, I got an email from the freaking Macmillan rep for the area who’s been “filled in” on the situation and wanted to make sure that we were going to be able to get the store what they needed and when 🙄 and she followed up this morning to make sure that we’d done what we said. So we got the order delivered today, another one that’s either been delivered since or is being delivered tomorrow, a third that’s either tomorrow or Wednesday, and the last order that’s shipping tomorrow being delivered Wednesday or Thursday depending on shipping times.

Behind the scenes, I wasn’t aware, but my boss’s boss and his (new) boss had also been filled in about the situation and my boss had explained our half of the story, so I got a message from my boss’s boss thanking me for handling the situation and that he thought it had handled the situation well and professionally and that it was “100% the fault of an extremely difficult customer”

I’m just so Done with this and I hope to God I don’t ever have to deal with this store in the future

#beth rambles about her life #Beth rambles about her job #I legit did a shot in the middle of the day Friday bc I was so fed up with everything #bc on top of dealings with this store #I’ve got like 50 other stores and schools placing orders and getting info all day long #on the other side of the coin #I have a different store that wanted to order a total of 1100 of our spiral bound notebooks over two orders #that they’d placed one two weeks ago one last week #but I’d been a little late in putting the first order in and by the time I got to it we were out of that notebook #which is another stupid story #so we were completely out of the notebook and won’t be getting more for at least a week probably more #but we do have another of the same binding and page count #just that the original copy is tear-out instead of the copy page #and she was so nice to me #saying that she’d be okay with the sub and that it’s not the end of the world that the shipments won’t go out until today #it’s like freaking night and day between her and how Rose handled things

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pinkgirl94 · 3 years

Text

Investigation of Dazai's Dangerous Dating - Part 1

Hi! As you guys can see, this is my second BSD fanfic & I wanna write something laidback or, to be precise, what if the members try to investigate their colleague's shenanigans. Hope you enjoy reading it!

Bright blue sky. The sun shines above the clouds. A ship blew its horn, signaling its presence. Busy streets around the city. These are the signs of the normal and peaceful port city, Yokohama. That is what Atsushi thought.

“Today’s another pleasant day, right Kyoka-chan?”

“Yes,” replied Kyoka in her usual nonchalant way.

Atsushi and Kyoka were on their way to their workplace, the Armed Detective Agency. They reached the building, went inside, and took a lift to the fourth floor. After reaching the floor, they headed towards the detective agency’s door. As Atsushi’s hand reached and turned the doorknob, this was what their usual routine looked like.

“Good morning, every-”

“Kunikida-kun, look around. We’re finally in the underworld! Isn’t it amazing? A flying pink elephant, waterfalls pouring upward to the sky, strange-looking trees with lollipops grew out… an incredible place, right?”

“Yeah, sure,” replied Kunikida with his usual stern look while focusing on his work.

What Atsushi saw is his senior Dazai spouting nonsense about the view of the underworld while standing at his table.

“Good morning.”

“Morning.” Both Kyoka and Kunikida greeted each other normally, ignored Dazai’s shenanigans like a ghost.

“Um… what happened to him?”

“You know what it is, Atsushi. The usual.”

“Another suicide attempt?”

Dazai’s suicide attempts never stop. No matter where at or in any situation, he tried them all the entire day nonstop. He sometimes lazy or never coming to work according to his feeling. Kunikida tried to make him a proper working man but failed. In the end, he lets him do whatever he wants as long as his works were done.

“Though you thought that way, this is a bit different. Look at his book.”

Atsushi goes to Dazai’s table and took a book. He reads the content and found out about the types of poisonous mushrooms. There are various kinds of lethal ones that should never eat. The picture of the mushroom he reads right now, however, looks a bit different from the one he bit.

“A delusional mushroom type?”

“Yes, though he knew since he did the same two years ago.”

“Then why did he eat it again?”

“He said something about confirming whether the vision he saw the other day was real.”

“What…”

Dazai turned his head towards Kunikida. His delusional eyes became wider as he found something valuable.

“Would you look at that? A giant golden bug! This will cost an enormous fortune if I sell it. Atsushi-kun, help me catch it.”

“Wait, Dazai-san! That’s not a bug. It’s Kuni-” Dazai made a sudden jump at Kunikida, who he thought was a golden bug. He was about to get strangled, but his hand quickly grabbed his shirt collar.

“This giant golden bug wants you to shut up and stay down!!!”

“UWAAAAAAAHHHH!!!!”

Kunikida easily threw Dazai up and floating until he pulled him down hard. Dazai was no longer in the underworld as he finally returned to reality. But what Dazai was looking at right now the world is spinning around, finding it difficult whether he is back or transported to another world. Finally, he knocked out.

After that, the entrance door opened. Three young people are coming in for reporting their duty. They then greeted everyone in the office. Atsushi turned around and found the familiar faces.

“Oh! Tanizaki-san, Naomi-san, Kenji-kun, good morning.”

Those people are Tanizaki, his sister Naomi and Kenji. Tanizaki found Dazai lied on the floor. So he asked Atsushi.

“Atsushi-kun, what happened to Dazai-san? Why is he sleeping on the floor?”

“Well, Kunikida-san threw and knocked him down because of his usual attempt. He’s going to be like that for a while.”

“I see…”

“Kenji, go tied Dazai up and put him in the storage room.”

“All right!” said Kenji with a smile as bright as the sun. He then really did what Kunikida ordered as if it is a normal thing to do. Dazai, though unconscious, keeps blabbering about the things he saw from his hallucination. The door slowly closes as the darkness comes, leaving him from the bright world to repent his blunder.

Soon after that, Yosano comes, followed by Ranpo. All the employees returned to their seats and continue their work. Kunikida and Yosano started looking at today’s works and revising previous requests. Atsushi, Tanizaki, and Kenji looked up their emails and files for any recent case. Ranpo just sat on his chair, takes out his snacks, and eat them. Others like the clerks were ready to receive calls from the clients and make arrangements.

Time passed by in a flash, and lunch break starts. Atsushi and the others go out of their office and took a lift down to the ground floor. When they step out of the building, the sun is already above them. So bright, but also hot at the same time. There was no cloud to be seen. Just the clear blue sky along with the sea breeze. They headed towards a door that has a sign written ‘Uzumaki’ hanging above and swung it.

As the bell rings, the members entered a familiar venue. The aroma of coffee floating around the entire place along with jazz music. A set of antique coffee makers displayed on the table. The classic-themed interior designs, both the furniture and walls.

The cafe was the agency’s favorite spot to relax. Not just because of its delectable food, but they enjoyed drinking the finest coffee made by the cafe’s manager who has many years of experience in making coffee.

“Welcome! Take any seat you like.” The person who greeted the members was Lucy Montgomery. A former Guild member and currently working as a part-timer.

Everyone chose two tables right beside the window. They then started ordering their food and drinks. Later, they started their lunch after the food was served.

After the members finished eating, Lucy approached them, wanting to ask something.

“I wanna ask you guys. What’s with the ruckus at your office this morning?”

“Oh, that? It’s Dazai-san’s.”

“And he’s…”

“Stayed inside the storeroom for a while. That must have been disturbing you and other staff members working here. Sorry about that.” Tanizaki and Atsushi both bowed down for their apology.

“Well, there’s no need for it since it’s his usual high jinks but…”

Lucy put a bunch of letters on the table. Her hand was holding them for a while. The senders were from various women and they were all for Dazai.

“We usually get those whenever the women came here.”

“We usually get those whenever the women came here. It's fine, by the way, since we can send them to you guys. But there're a few problems.”

Atsushi got curious about what could it be regarding Dazai and his habit. The members knew him a lot, from his approach towards the women, his smooth-talking, to his peculiar relationship with them.

"At one time, one woman came here and waited for Dazai, but then, another one appeared for the same reason as the first. Those two got into a fight after they noticed it."

"That must've been hard on you, Montgomery-chan."

"Oh no. There's more. Remembered that last week a crazy woman made her attempt something crazy and shouted in front of this building?"

"You mean that time..."

The woman carried a knife for threatening Dazai to date her and her only. It was chaotic.

Among many women he dated so far, some of them were already broke up and never seen each other again. But there are also some are a possessive type that they brought a great pandemonium.

"That's why I'm requesting you, as your client, to stop him from dating women. Or else, more women will come here and cause commotions and scare our customers."

"Stopping Dazai-san from dating? Easy for you to say but...." Atsushi cannot find any words to reply that Lucy's request is impossible to fulfill and does not want to sound rude.

"Listen, Lucy. I respect your demand of wanting Dazai to stop dating to prevent ruckus done by the women he dated. The problem is that Dazai's a slick man like a snake can crawl through the traps. We previously tried to tie him when he was about to go out but he was gone before we knew. Even if we can put a tracker on him to know where he's going, that guy's smart as if he can read what we're doing to him." Kunikida answered Lucy after he finished his lunch, stood up, and went to her and Atsushi.

"Demand?! I didn't say demand; I request you. Re-qu-est. If you can't do that, then at least investigate why he keeps dating women."

Both Atsushi and Kunikida are in silence for a moment until Atsushi spoke to Lucy.

"Well, we can investigate him but, like what Kunikida-san said, Dazai-san's a very smart person that he will know immediately if we try it."

"You won't know unless you try. You guys are Armed Detective Agency members, right? You're part of an establishment that handles cases that none the police nor military force can handle."

"..."

The jazz music from the LP recorder stopped and fell silent. The scent of coffee almost fades since there is no one else to order it. Thus, begin an investigation of Dazai's date.

#nakajima atsushi #izumi kyouka #dazai osamu #kunikida doppo #tanizaki junichirou #tanizaki naomi #miyazawa kenji #lucy maud montgomery #bsd fanfic #my fanfic #bungou stray dogs

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geekxgoddess85 · 4 years

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Very Bad Things

~PROLOGUE~ How It Began

“Are you sure a-about this Armin?”

“Of course, I’m sure. You trust me, right?”

Eren bit his lip, giving his childhood best friend a worried look. The two were currently on summer break from Trost University, going into their senior year. For Eren, junior year was a nightmare. If he was to be honest with himself, he had been slacking for the past two years so, when junior year came, he had to buckle down and keep his nose in the books in order to be able to pass the necessary courses to complete his credits. For college, staying an extra year on the count of not passing a course or lack of credits was more normal than one would think. But for Eren, he wanted to make sure he graduated the same time his friends did.

It was one week into summer break and Eren still felt the stress from taking his finals. It was the reason Armin was in his bedroom at the moment, making an account on—on behalf of Eren— on an adult live cam site called Strip ‘N Chat. Eren didn’t know how to feel about it. It was one thing to watch porn videos, but to actually interact with a person via webcam was kind of unnerving. Armin mentioned it was a great way to let off steam and when his best friend brought the idea to him, Eren was a bit…perturbed about it all. It was ironic, though. During their entire lives, Armin had been the conservative, stick-in-the-mud prude who used to balk at the very thought of sex, while Eren was the extroverted, loudmouth rebel. Three years into their college career and look at how the tables turned. Eren was still…well…Eren, but he found himself as the prude. The crazy thing was, Armin lost his virginity their freshman year during a frat party to Jean, of all people, while Eren was still a virgin. After his little tryst with Jean (and a couple of times afterwards), Armin began to blossom and open up in all ways, including sexual. He was openly gay and sexually active. And fucking proud of it all too.

The shit was crazy.

“Okay. Done.” Armin smiled and sat back in his chair. “You’re all signed up and I got ya’ logged in. Here’s your username and password.” He grabbed Eren’s sketch pad and began writing the information down. “Username is SlickxJagger and your password is Sk8terB0i30.”

Eren raised his eyes. “Slick…x…Jagger?”

“Yeah, corny, but cool, huh?”

“No!” He argued. “I sound like a washed up 90’s porn star!”

Armin shrugged and blinked his eyes innocently. “It’s a porn site, Eren. Everyone’s username sounds like a washed up 90’s porn star. Now, you’re all set! I loaded up that pic of you at Krista’s pool party.”

Eren sighed. He knew what picture Armin was speaking of. He posted it on his Instagram and had gotten a ton of likes. He didn’t think it was anything special. It was just him, with his red and white swim trunks on, holding up the hem of his shirt with his teeth, exposing his abs and various fake tattoos. He had grown his hair out—almost to his shoulders—and was a damp mess of a bird’s nest. Because of that and his long bangs, his face was pretty much hidden, though the sun light had shone just right on his sea green eyes, which caused them to sparkle and almost glow. “What do I do now?” He blinked owlishly.

Sitting forward, Armin clapped his hands onto the top of his knees. “Fill in your profile and filter out what you’re looking for. Then you can pick which Cam Model you like and subscribe to them. Every time they go live or post a pic or video, you’ll get a notification. Remember, some of that shit, they charge you tokens. It’s usually the more risqué stuff. The amount is based on their own discretion. And if you want one-on-one’s, you definitely have to pay out the ass with tokens.”

Biting his lip, Eren looked at his profile. He filled in the basic information about his age, height, and build, and his likes and dislikes. He answered everything to the best of his ability and honestly. The only thing he lied about was his name. Instead of his real name, he decided to use ‘Jagger’ as being his first name. He didn’t provide a last name. His preferences came next. He started clicking the various boxes. “Um….okay, I like brunettes. Height doesn’t really matter to me. A muscular body would be nice. Don’t care about ethnicity…..” He continued to click away, with Armin helping him on certain things. “Is that all? Did I miss anything?”

“Yes, you sure did,” Armin replied, with a devilish grin. “And I know exactly which to pick out of Twink or Daddy. Click on Daddy.”

Eren winced. “Ew!”

Rolling his eyes, Armin sighed. “Not that kind of Daddy, Eren. Duh! Daddy kink.” He watched his buddy blink cluelessly at him. “I can’t believe you don’t know what that is. Even I know, dude. It’s when a younger male twink is enticed by an older male ‘Zaddy’. That’s the gist of it. If ya’ wanna know more, google it!” Standing, Armin slapped his hands down on Eren’s shoulders, before wrapping his arms around Eren’s neck, hugging him from behind. “I gotta go. Mikasa asked me to fill in for her at the Café. Did you talk to Annie about your schedule?”

Eren raised his own arms up and behind him, awkwardly wrapping them around Armin’s waist…or trying to as much as he could while sitting in his red and black gamer chair. “Yeah. I have the same schedule as you now so that I can catch a ride with you.”

“Great! I’ll see you tomorrow night.” Armin kissed the top of Eren’s head, before taking his leave.

Eren gave his buddy a lazy wave goodbye with a lopsided grin. When his bedroom door closed, his smile died down and was followed by a heavy sigh. He still didn’t know about this whole cam thing. But he was always up to trying new things. And if Armin liked it, then maybe it couldn’t be that bad.

Over the next hour, he had gone through dozens of pages of so-called Daddies. That process was a little more frustrating that what it should have been. Eren was picky when it came to who and what he found attractive. Not that it was a thing with him anyway, but he didn’t pick based on looks. He couldn’t because all models were required to wear masks for anonymity sake. He thought that was kind of neat. It gave the models a sexy, mysterious look to them. He had to go off based on their profiles and preferences. He had to weed out a lot of douche-bags but narrowed it down to two: The Captain and Dr. Pain. He was kind of skeptical about Dr. Pain. He looked to be into BDSM and while Eren didn’t have anything against it, he had never done anything like that. But Dr. Pain was 6”2, with impeccable styled blonde hair and chiseled features from what he could tell through the mask. They had a few of the same likes and dislikes. Overall, the guy sounded pretty normal, despite liking ‘a little pain with his sex’ (his own words). The Captain…well…there was something about him. He was a shorty, standing only at 5”3. Eren was a full five inches taller than he was. Not that it mattered. He didn’t think their was a height requirement to being a Daddy, but when he googled it, the norm was the Daddy was always taller and bigger than the Twink. They shared a lot of the same likes and dislikes, but what struck a chord in Eren’s heart was The Captain’s eyes. Even through his white, red, and black mask, Eren could see a pair of piercing blue-gray eyes. Almost a light cobalt. They pulled him in as if he were in a whirlpool, being sucked into the abyss.

‘What the hell?’

Blinking back into reality, Eren shook his head and walked to the kitchen. His stomach was roaring at him angrily to feed it. “Mikasa, are you hungry?” He called out to silence. Armin was gone to work, and it seemed like Mikasa had left to go some place too. So, he was alone.

Sighing, he kicked his door closed with his toes and plopped down on his bed. A sandwich and soda sounded real good right now and that’s exactly what he was chowing down.

It was a couple of minutes before ten when a notification sounded out. He thought it was his phone, but when he checked it, he saw that it wasn’t, he furrowed his brows. “Hm—oh! My laptop!” Scrambling off the bed, Eren rushed to the laptop and pressed on the ‘enter’ key to wake his system up. Checking his email, he saw one new message and blinked slowly. “It’s from Strip N Chat.” Biting his lip, he cautiously opened up the notif; reading every single letter that made up all the words.

“The Captain is now online.”

Swallowing hard, he clicked the link that took him straight to The Captain’s page. It was a simple page. There was a large blank box in the middle of the screen that said ‘The Captain’s Quarters’. The chat was at the bottom. There his stans already there talking to each other, waiting for The Captain to show.

And when he made his entrance, it was pandemonium.

“Hello Darlings, it’s your Captain speaking. Did you miss me?" Leaning forward, resting his chin on the backs of his fingers, he winked on cobalt blue eye. "Have I got a story for my horny little Ship Mates tonight.”

Eren watched a grin spread across his face, which he couldn’t see much of it. Like all the models on the site, The Captain wore some kind of masquerade looking mask that covered majority of his face. Only his eyes, hair, and his lips and chin were seen, as far as his face goes. His body…well that was another story.

“Wow….” Eren whispered, mesmerized by the guy’s body. His shoulders were broad, and his arms were toned. And as bright as day, he sported a winged tattoo on his chest, with what looked to be a matching one on his left hip. “That’s so hot,” he whispered. Eren had a thing for tattoos. He wanted some of his own but was too afraid of needles to get any. But fucking A if this guy didn’t look hot wearing his.

“…but first, looks like we got some virgins in the house.” He smirked; a pink tongue coming out to wet his bottom and top lips. “Come on.” His voice deepened, dropping one octave. “I don’t bite.....unless you beg me for it.”

Those very words and the way he said them sent a shiver down his spine and an electric shock to his dick.

“Crew, say hello to our newest Shipmates RainMan95, PoisonedL0v3r, and…SlickxJagger. Mmmm….hey Slick….just how slick is that tight, little hole of yours?”

“Fuck. Me.” Eren’s eyes went blind. He was caught. Hook, line, and sinker or whatever the fuck it was called. The guy had him. Him and his aching dick that was standing on end, making a tent in his sweatpants.

“Speaking of holes mmmm, wait until you hear this one. It about a cute, little Twink with a bubble butt that I ate. All. Fucking. Night. Long. When I was done with him he had a…Slick…hole too, Jagger.” Captain grinned widely. “Wanna hear the story, Crew?” He lowered his voice and his tone. Sitting back in his chair, he reached into his pants and pulled out his enormous, leaking cock and began to stroke it lazily. “Get out your dicks, my lovely little perverts. Come stroke with me down memory lane.”

‘Oh no…’

Eren was fucking hooked.

#VBT #Very Bad Things #Levi #Levi Ackerman #Levixeren #Levi x Eren #Ereri #Riren #Ereri Snk #Levi x Eren Fan #Fan Fiction #Fan Fic #Fanfiction #snk fanfiction #AOT Fanfiction

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luthien-t · 4 years

Text

The Sun Will Shine. (Chapter 5)

Summary: Thanos invaded the asgardians ship & Thor called for back up. Being a liable paramedic, you gather your tools and went to space. You end up being injured during battle but Thanos was defeated, what will you do when you find out your lover, Loki suffered more than just a few battle scars? But then again, no one is ever really gone.

Chapter Summary: You followed the signs to where Loki promised to be there waiting for you, after a month and a half of searching, will you finally reunite with your love?

warning: very sad-ish

wordcount: 2.6+K

A/N: Hellooo, yes I know this story is going way too slow even for my liking, but I just dont know where it will go after a certain scene, but if anyone has any ideas or even how they think it will end, please tell me, I could use some inspiration here, Happy reading!!

You grabbed your laptop to check the current weather for the location Loki wrote for you, to prepare yourself for the trip you’re about to go to. You also stumbled upon your email and it was flooded with messages from Tony, sending you emails for any meeting and any party they were having. It made you frown knowing that he is still trying to include you as if you’re still there around them, you bit your lips and read through every single one of them, in some emails he was just checking up on you and asking about your whereabouts and checking if you’re doing okay and a certain email was talking about Bruces birthday today and they’re having a party to celebrate, you sighed as you started typing about how your last month was like, what you were doing and how difficult it was to decipher the journal. You still left out the details about Dr strange and the answers you found, you decided that you will tell him when you head back at the tower with Loki.

You sent the email and got out of bed, checking the time, you knew you had an hour to go see Stephen before the time you both agreed on. You got ready and headed towards the Sanctum, you were more than ready for this search to end.

“Are you ready?” Strange stood in front of you, waiting for your respond so he can open a portal for you.

You sighed softly and nodded, watching him as he moved his hands in a circular motion for a portal to open next to you. You take one last glance at him before smiling and going through.

“Two hours! You have two hours before I come and get you two!” He smiled while pointing a finger at you. You nodded happily at the mention of ‘you two.’

“See you in two hours!” You waved at him before walking forward and away from the portal before he closes it behind you.

The snow was piling around your feet, it wasn’t deep but it was enough for you to hear the crunch with every step you take, you look around you, it was quite, empty and peaceful, the sun just started rising in Ice Land and the horizon was beyond beautiful, you start to understand why Loki chose this place out of all the places you had on your list, he always talked about how landscapes like this remind him of Jutonheim, and he always fit perfectly around the snow, even sometimes if it was cold enough, his blue would start to show and glow softly under the sunlight, defining every curve on his skin.

You found a large rock that resembled a chair and sat on it, counting the time in your head.

55 minutes, 56 minutes, 57…

Almost an hour past and no sign of Loki, you start to wonder if you misunderstood anything from the journal and cursed yourself for not bringing it with you. Maybe he meant 10AM Ice Land time? Or maybe he meant 10PM? You kept waiting and waiting and your negative thoughts kept growing and growing. Is it possible that Loki wrote that journal and forgot? Or just simply, is it possible that his plan actually failed? Maybe he really is gone? Maybe this was all to distract me and stop me from mourning for him because he always told me to move on if something does happen to him. You shook your head and look around, you heard a rustling sound and turned your head towards it with a smile.

“Took you long enough” Your smile fell flat when you noticed that it was Stephen looking at you through the portal he just opened from his side of the world.

“It’s been 2 hours, y/n.” He said with a frown on his face, he must have noticed that you are still sitting alone with no one around you. You shake your head as tears start to threaten to fall. “No, Steph, we have to wait a bit longer, maybe he meant a different time” You look away from him and wipe your face from the cold tears falling down your cheeks.

“It’s okay, y/n.” He sighs quietly and walked through the portal to you, a blanket in his hands. “It’s time to let go.” He wrapped the blanket around you and helped you get up on your feet, you wanted to protest, to stand your ground and to not leave until Loki decides to stop playing this stupid game. You were starting to get angry. “This is stupid. Why did you agree on doing this with me?” You look up at Stephen and he shrugs. “Because I believed you, but Loki proved us both wrong” He said as he helped you step through the portal before closing it behind him.

Unbeknownst to you, Loki was there and was waiting for you there, he was beyond happy seeing you again, you still look the same, you still took his breath away, after two months of not seeing you he was ready to run towards you but seeing Dr Strange helping you with his teleporting stopped him from moving from his spot behind the rock. He never wanted to drag any of the Avengers with you, no one was supposed to know about this but you, if anyone knew he was still alive, words will reach Thanos minions and it will backfire at you, they will use you as bait to drag him back to where he was before New York happened. He had to find a way to leave, he never meant for it to be like this, he only wanted to reassure you that he is fine and maybe ask you to leave this planet with him, he misses you and wants you back in his life, but he can’t risk anything when people still want him dead. He decided to teleport back to his hiding place and hope that one day you two will be reunited again.

You feel stupid, you feel like the world was pressing around you and it was getting harder to breath, the reality of Loki being gone was finally starting to hit you and you finally understand that this was always a game to Loki, he never wanted you to mourn, he never wanted you to feel bad about him being gone, he only did this to entertain you. But at what cost? You were ignoring the people who were looking out for you while hiding in some apartment, and you dragged Stephen with you on a ridiculous treasure hunt.

“I feel like a child.” You say as you sit down on the chair and look up at Stephen.

“You’re not. He was the God Of Mischief. Of course he would refuse dying without one last game.” He sat on the chair opposite of you and handed you a cup of tea.

He was the God Of Mischief.

It was all coming down on you, the realisation that he really is gone. All of your hard work is just thrown out of the window. You’ve learnt Juton for nothing and you’ve learnt Asgardian for no reason, and you were going back to the Tower empty handed, defeated.

You drank your tea in silence as you stared out the window, it was beginning to rain, in the middle of June, how ironic.

“Are you sure you’re going to be alright?” Stephen interrupted your thoughts, you turn your head towards him and shrug with a weak smile on your face.

“I can’t really avoid the inevitable, there is nothing left to do but move on.” You sigh and suddenly get up. “I’m gonna head back home to move back to the tower.” You look down at him and he nods. “Thank you, Stephen, for everything. You helped me with more than you can imagine, I learn a new thing every time I come into this Sanctum” and with that he smiled up at you and nodded again. “I’m glad for doing so, now if you are going to the Tower, I guess I will be seeing you tomorrow for Bruces party?” You chuckle softy and nod before walking towards the door.

“Guess I’ll be seeing you tomorrow” You bow your head and leave to go back to your apartment.

You unlocked the door and headed to your room, the window was open and there was a crow standing on the edge of the frame, you raise an eyebrow and move your way towards the crow slowly. “Hey there little guy” You said in a singsongy voice, you grab the closest thing to you to shush the crow back out of the window.

“I am not in the mood.” You say to the crow and wave a book towards it to leave the room but it wont budge, did not even flinch. You sigh and sit on the bed. “Whatever, I am leaving this place so the landlord will have a talk with you.” You say as you shove everything back in your bag, you never unpacked your stuff because you were too busy with the journal you had, so distracted by the game that you forgot about your actual life for a minute.

You grabbed everything that was yours and left the room, the crow was still standing this with his held tilted at you, watching you as you were watching him. You were confused as to how a crow can be so calm around humans but shrugged it off and left. You have bigger things to focus on than some random crow. You have to head back to the tower and go back to your normal life. You can’t keep getting distracted by every little thing anymore. It is time to move past this.

Your walk back to The Tower was quite, the rain stopped long before you left the apartment and your shoes were wet from the water on the pavement, you feel defeated and the weight of Loki being gone kept hitting you harder and harder with every step. You reached the tower and went straight to the elevator. You sighed happily when no one entered the elevator with you and pressed on the button to the living area you shared with the team.

The elevator door opened and you were greeted by Tonys back while he was busy ordering people on where to put the cake and rearranging the furniture. You walked towards him and cleared your throat. “Oh thank goodness Pepper you’re back, can you he-“ His sentence was cut short when he turned around and saw you.

“Y/n!” He smiled wide and walked towards you. You smiled lightly.

“We’ve missed you” He wrapped his arms around you in a tight embrace and kissed the top of your head. “How have you been?” He mumbled against your head. His question wasn’t supposed to hurt you like this but it did, you tighten your hug and buried your head in his shoulder, you can’t say he was shocked by the sudden tightness but he held you closer and sighed, as if he understood the words you couldn’t say. You wanted to pull away and apologise but you simply couldn’t let go. You needed this.

“You were right.” You mumbled against his shoulder and nodded. “I know, kid. Don’t beat yourself, you needed this to get your closure.” He said as he rubbed your back. You did not notice your tears but the dampness of his shirt under your breath gave it away to you, causing you to pull away and sniff. “Oh god I’m sorry” you say as you pat the wet patch on his shoulder and let out a small chuckle, he just watched you with a smile. “I’m just glad you’re back, y/n.” He said before pulling away from you. “Everyone is currently busy and getting the place ready to party! You don’t have to join if you don’t feel like it” He reassures you and you shake your head. “I’ll be fine, besides, I’ve missed you guys and a party never hurt no one” You say and pull your bag up, waving at him to get back to what he was doing and head back to your previous quarter.

You can’t say you’re exactly happy to get back to this place, it was still filled with memories of Loki, but you knew that in order to move on you have to face it. Opening the door, you walk into the room and Lokis smell immediately invaded your lungs, everything is exactly where it was since you left a month and a half ago. You sigh deeply and head to the curtains, sliding them for the sun to enter the room, everything had a layer of dust on it and you have a lot of cleaning to do, you look around not sure what to do with Lokis stuff, you know that you are going to keep some of it but you also cant hold on to everything if you want to move on.

tap, tap, tap.

You hear a tapping noise on the window and turn your head towards it, there he is again, that crow from the apartment, you raise your eyebrows and walk to the window, approaching the crow slowly. “How-“ you were interrupted by someone opening the door and calling your name, looking back at the door you see Thor and smile widely before glancing quickly back at the window and the crow was gone, you sigh quickly and put your thoughts aside to go greet him.

“Thor!” you yelped as he gave you one of his famous tight hugs.

“It’s so good to see you, Lady y/n!” He pulled away to look down at you and you smile at him, your smile slowly fading as you notice his beard grew longer than he likes and his eyes were framed with dark circles, you frown and cup his face. “What have you been doing to yourself, Thor?” you say in a soft whisper and he smiles slightly to you.

“I’m doing fine, you shouldn’t worry, I came from New Asgard as soon as Tony informed me that you’re back in the tower” He pulled away and sat on your bed, avoiding your eyes.

“That quickly?” You chuckle.

“Well, thanks to Tony and Bruce, we discovered a new way to create a portal similar to the one we had in asgard before, you know…”

You sighed and sat next to him, you start feeling selfish for leaving him to mourn and suffer his brothers loss on his own, you were so busy and distracted by that stupid journal that you forgot that not only did you lose your love, but Thor also lost his brother. You rest a hand on his knee. “I’m sorry for everything, I should’ve checked up on yo-“

“Nonsense! I know you’ve been looking for him, I know how my brother can be sometimes.” He chuckle and looks down at you.

“But I didn’t..” You look up at him with tears in your eyes. “I didn’t find him, Thor. You were right, everyone was right, and I’m sorry.”

“Lady y/n, It’s all right, what matters is that we’re all here now. We have to celebrate Hulks birthday!!” He tries to change the subject and got off the bed. “We will be seeing you in the party, correct?” He bows his head so he is at eye level with you and smiles, you nod at him and get up. “Yes, I’ll be there, I promise” You smile and watch him leave the room.

Your eyes couldn’t help but drift back to the window, and as if on time, the crow flew back again, standing on the balconies grill behind the window and it hits you.

“Loki..?”

#loki fic #loki fanfic #Loki Laufeyson #loki odinson #loki x reader #loki x y/n #loki x you #loki laufeyson x reader #loki odinson x reader #loki odinson x you #loki #marvel fanfiction

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newstfionline · 3 years

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Monday, April 5, 2021

Coming out of the cave: As life creeps back, some feel dread (AP) Dinner reservations are gleefully being made again. Long-canceled vacations are being booked. People are coming together again, in some of the ways they used to. But not everyone is racing back. For some, even small tasks outside the home—a trip to the grocery store, or returning to the office—can feel overwhelming. Psychologists call it re-entry fear, and they’re finding it more common as headlines herald the imminent return to post-pandemic life. “I have embraced and gotten used to this new lifestyle of avoidance that I can’t fathom going back to how it was. I have every intention of continuing to isolate myself,” says Thomas Pietrasz, who lives alone and works from his home in the Chicago suburbs as a content creator. Pietrasz says his anxiety has grown markedly worse as talk of post-vaccine life grows. He says he got used to “hiding at home and taking advantage of curbside and delivery in order to avoid every situation with people.”

Vaccine passports are latest flash point in COVID politics (AP) Vaccine passports being developed to verify COVID-19 immunization status and allow inoculated people to more freely travel, shop and dine have become the latest flash point in America’s perpetual political wars, with Republicans portraying them as a heavy-handed intrusion into personal freedom and private health choices. They currently exist in only one state—a limited government partnership in New York with a private company—but that hasn’t stopped GOP lawmakers in a handful of states from rushing out legislative proposals to ban their use. Vaccine passports are typically an app with a code that verifies whether someone has been vaccinated or recently tested negative for COVID-19. They are in use in Israel and under development in parts of Europe. But lawmakers around the country are already taking a stand against the idea. “We have constitutional rights and health privacy laws for a reason,” said Pennsylvania House Majority Leader Kerry Benninghoff, a Republican. “They should not cease to exist in a time of crisis. These passports may start with COVID-19, but where will they end?” Benninghoff said this week his concern was “using taxpayer money to generate a system that will now be, possibly, in the hands of mega-tech organizations who’ve already had problems with getting hacked and security issues.”

Facebook data on more than 500M accounts found online (AP) Details from more than 500 million Facebook users have been found available on a website for hackers. The information appears to be several years old, but it is another example of the vast amount of information collected by Facebook and other social media sites, and the limits to how secure that information is. The availability of the data set was first reported by Business Insider. According to that publication, it has information from 106 countries including phone numbers, Facebook IDs, full names, locations, birthdates, and email addresses. Facebook has been grappling with data security issues for years.

In Myanmar, Easter eggs a symbol of defiance for anti-coup protesters (Reuters) Opponents of military rule in Myanmar inscribed messages of protest on Easter eggs on Sunday while others were back on the streets, facing off with the security forces after a night of candle-lit vigils for hundreds killed since a Feb. 1 coup. In the latest in a series of impromptu shows of defiance, messages including “We must win” and “Get out MAH”—referring to junta leader Min Aung Hlaing—were seen on eggs in photographs on social media. Young people in the main city of Yangon handed out eggs bearing the messages of protest, pictures in posts showed.

With Swarms of Ships, Beijing Tightens Its Grip on South China Sea (NYT) The Chinese ships settled in like unwanted guests who wouldn’t leave. As the days passed, more appeared. They were simply fishing boats, China said, though they did not appear to be fishing. Dozens even lashed themselves together in neat rows, seeking shelter, it was claimed, from storms that never came. Not long ago, China asserted its claims on the South China Sea by building and fortifying artificial islands in waters also claimed by Vietnam, the Philippines and Malaysia. Its strategy now is to reinforce those outposts by swarming the disputed waters with vessels, effectively defying the other countries to expel them. The goal is to accomplish by overwhelming presence what it has been unable to do through diplomacy or international law. And to an extent, it appears to be working. “Beijing pretty clearly thinks that if it uses enough coercion and pressure over a long enough period of time, it will squeeze the Southeast Asians out,” said Greg Poling, the director of the Asia Maritime Transparency Initiative at the Center for Strategic and International Studies in Washington, which tracks developments in the South China Sea. “It’s insidious.”

Nearly 20 arrested in alleged plot against Jordan’s King Abdullah II (Washington Post) Jordanian authorities on Saturday arrested as many as 20 people and sought to restrain the movement of a former crown prince amid what officials called a threat to the “security and stability” of a country long regarded as a vital U.S. ally in the Middle East. Prince Hamzeh bin Hussein, the eldest son of the late King Hussein and his American-born fourth wife, Queen Noor, was told to remain at his Amman palace amid an investigation into an alleged plot to unseat his older half brother, King Abdullah II, according to a senior Middle Eastern intelligence official briefed on the events. The move followed the discovery of what officials described as a complex and far-reaching plot that included at least one other Jordanian royal as well as tribal leaders and members of the country’s political and security establishment. One official cited unspecified evidence of “foreign” backing for the plan. Biden administration officials were briefed on the arrests, which come at a time of heightened economic and political tension in a country long regarded as a bulwark of stability and an essential partner in U.S.-led counterterrorism operations.

Cairo’s mummies get a new home. And a grand procession on the way. (Washington Post) It was a parade unlike any other this city has seen. A procession of 22 ancient Egyptian royal mummies streamed Saturday from downtown Cairo, where revolutionaries rose up to topple autocrat Hosni Mubarak a decade ago, to a new museum three miles away that represents Egypt’s future as much as its past. At 8 p.m., the mummies—18 kings and four queens—left the famed ochre-hued Egyptian Museum near Tahrir Square, where they had rested for decades. They were each atop specially decorated gold-and-blue-hued vehicles resembling boats. Or perhaps the symbol of a winged sun, an ornament worn by Egypt’s ancient rulers and seen as providing protection. Each of the 22 vehicles was emblazoned with the name of the royal mummy it carried. The multimillion-dollar affair—called the Pharaohs’ Golden Parade—had been promoted for months. Egyptian authorities are seeking to attract tourists, a key source of foreign currency, and alter the course of an economy battered by the coronavirus pandemic, Islamist attacks and political chaos in past years. The highly choreographed ceremony was also a nationalist vehicle to highlight Egypt’s place in history. The nation’s authoritarian president, Abdel Fatah al-Sissi, who himself is often referred to as “a new pharaoh” for his ambitious projects and iron-fisted rule, presided over the ceremony.

Confronting late-stage pandemic burnout (NYT) Like many of us, the writer Susan Orlean is having a hard time concentrating these days. “Good morning to everyone,” she tweeted recently, “but especially to the sentence I just rewrote for the tenth time.” “I feel like I’m in quicksand,” she explained by phone from California, where she has been under quasi-house arrest for the last year. “I’m just so exhausted all the time. I’m doing so much less than I normally do—I’m not traveling, I’m not entertaining, I’m just sitting in front of my computer—but I am accomplishing way less. It’s like a whole new math. I have more time and fewer obligations, yet I’m getting so much less done.” Call it a late-pandemic crisis of productivity, of will, of enthusiasm, of purpose. Whatever you call it, it has left many of us feeling like burned-out husks, dimwitted approximations of our once-productive selves. “Malaise, burnout, depression and stress—all of those are up considerably,” said Todd Katz, executive vice president and head of group benefits at MetLife. The company’s most recent Employee Benefit Trends Study, conducted in December and January, found that workers across the board felt markedly worse than they did last April. The study was based in part on interviews with 2,651 employees. In total, 34 percent of respondents reported feeling burned out, up from 27 percent last April. Twenty-two percent said they were depressed, up from 17 percent last April, and 37 percent said they felt stressed, up from 34 percent.

#headlines #news

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saiyanhajime · 4 years

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My First Artist Alley at a Comic Con… What I’ve Learnt

I’ve thought about selling my wears in artist alley for something like ten years now… And aside from feeling like my stuff isn’t good enough to compete until relatively recently, the main reason I hadn’t given it a whirl until now was the cost. I couldn’t understand how it would be financially viable, and if you’re here to find the quick answer to that same burning question, the answer is it’s not - at least for me. But if I’m being honest and perhaps a little harsh, I can’t really see how it could be what I would consider truly “worthwhile” for all but the most successful artists in the alley when you factor in all expenses.

But would I do it again? Hell yes. Did I have fun? Absolutely! Was there value in networking, making friends and social media gains? Yes, yes and yes!

I went to London Comic Con Spring run by Showmasters. I choose this con because of a few reasons, namely that it was the next local con with tables left when I started seriously obsessing over wanting to do this.

The stall was very reasonable at £80 (but I paid an extra £30 for an additional person to help out.)

This convention is a lot more Film and TV focused than was ideal for what I thought my audience would be - with their main highlight being their guest signings. I knew this going in and my assumptions were right, I think. That said, the “small press” section of the event was wildly varied, but it did feel like actual comic creators were doing the best of us all.

The Expenses

The costs add up, fast. A £ here and there and you’ve racked up £500 or so worth of expenses before you’ve even factored in potential travel, food and hotels… Let alone time. I know you’re probably thinking you wouldn’t spend that much, but believe me - if you record EVERY cost related to getting your stall together, you’ll be shocked how fast it accumulates. You’ll find yourself looking at all the £3-5 you spent on bits n bobs wondering how the final sum is so high.

I know what you’re thinking… You can do it cheaper. I just didn’t try hard enough to get these costs down. But believe me, I did.

I spent way more time than was worthwhile researching costs - these prices include VAT & they include shipping - I wanted the most accurate picture of the hard cash I would actually have to spend up front… And the oddly expensive ones like the postcards cost so much because I effectively paid a premium to have multiple designs. My logic was to try lots of different things, learn as much as possible, but have few in quantity of each design. That way, the flops hurt less. You pay more per item for that privilege, but what’s the use in having 100 of something that won’t sell? I’d rather learn from x10 of something even if I’m making half the profit “per item”.

That’s a mistake a think so many businesses make - don’t think of profit per item, think of it in profit on entire expenses. I made a huge loss, just like I expected. :) My 100 postcards for example costing £50 makes them 50p each, and selling at £1.50 means £1 profit per postcard. That’s £100 profit! Except I only sold 10 - that means a £35 loss for the time being. It’s not a profit until you recoup the whole cost. And I thought of the whole cost as that £550 sum from the get go. Only once I cover all accumulated costs am I making a profit.

But most of these costs are reusable… I could go to another con tomorrow and only pay an additional £150 or so for the table, travel, etc. and have enough stock and a decent display. And that’s my intention - don’t give up, do a few, then evaluate. THEN give up. :)

So realistically, you need to be willing to waste £800+ to find out if this game is for you. That’s a big chunk of money not to be sniffed at and you should be aware of that before you jump in.

The Products

What should I take? Who should I order it from?? How much stock do I need???

These are unanswerable questions because they are highly personal. I see soooo many “where should I get prints from??” with people expecting an easy answer. There isn’t one. But I can try and explain why there isn’t one. I think a lot of newbies assume creators don’t want to share their suppliers because they’re being protective or don’t want the competition - nonono, it’s that the answer is different for everyone. An established, popular and successful artist in the alley is likely ordering huge bulk orders from a supplier that has a minimum order of hundreds or thousands. What good is that information to us newbies? It’s useless.

Prints

In the end, I took 7 print designs…. All fanart, with 4 of the designs being Dragon Ball, 2 of the designs Sonic the Hedgehog and one of GLaDOS from Portal 2. Two of the designs were on A3 and the rest on A4.

I ordered A4 and A3 prints from different suppliers, as they were cheaper this way, EVEN with the postage factored in - which is absolutely ridiculous I know, but you begin to see why “x company is best for prints!” is a useless piece of advice. But sit tight, cuz it gets way worse.

I ordered as few as possible, but a couple of websites had the same price for 5 as the other did for 10, etc. so I went with the one that offered more for the same, obviously. I had x6 (including the display print) of each A4 print and x10 of each A3 - not because I thought they would sell twice as much, just because that’s the least I could get for the cheapest price! And to make matters even more complex - I made those orders based on coupons I had found and you often can’t see the total inc postage until you’ve got everything in your basket and entered your address and email. I looked at maybe 20 suppliers. Imagine how long that took, just for prints. And if I did the same thing tomorrow, it wouldn’t be the same suppliers who were cheaper - coupons and offers change the game, quantity required changes the game. Getting 30 A4 prints might be cheaper on one site, but it might be better to get them from another if you’re after 40, and it definitely will be if you’re wanting them to be all the same - then you can probably get 100 for less than I paid. Nightmare. And you find yourself going “but I can get 100 of the same print for £17 - maybe it’s worth the investment…” Maybe? Who knows! Probably not though.

I don’t think I’d bother with ordering A3 again anytime soon - the main reason is that A3 cellophane bags and carrier bags big enough for such a large print are quite a considerable added expense… And a lot of potential buyers commented how they loved a print but just don’t have the wall space. I also couldn’t find a supplier that would offer to print less than 10 A3 prints in one design. One buyer commented that they would get one of my other prints if it was larger - but would they? I know from experience selling online that people often say “oh man I’d so get a ____ if you did one!” and you do and you even link it to them and then silence. Don’t take what potential customers say too seriously, unless you’ve got a decent number of them telling you the same thing. But for me, 3 people telling me that on top of my other reasons for disliking A3 is enough to go, ok… Forget A3.

Perhaps my best piece of advice is to sign up to every supplier's newsletter. I get emailed deals almost daily now and if you’ve got the time to play with, it’s worth getting your stuff ready for print and just sitting and waiting for that coupon to drop. 15-20% off can make a huge difference to your margins. I purposefully waited until January to place my orders, expecting a post Christmas assortment of deals, and I was right. Bare in mind that many suppliers can take a while to get stuff to you and it might not be right - so don’t cut it too late to order things. I ordered everything just under two months ahead of the con and had plenty of time to then play with and practise setting up how I was going to display things.

So, how did the prints do? I sold out of the Sonic and Shadow print - including the display, which I sold at a marked down rate. I sold 2 of each A3 print - Great Ape Vegeta vs Goku and GLaDOS… 1 of Majin Vegeta, 2 of Fleetway Super Sonic. None of Gogeta or Shenron.

So, Dragon Ball wasn’t so hot, Sonic absolutely was. Is that a long term trend, or just this con? Hell if I know.

I didn’t have a portfolio book with my prints in on the table - I thought that was a waste of space if I can fit them all up on my display - but with hindsight, you get two types of people... Those who aren’t interested in artist alley stalls and pass through at a distance and a print up high MIGHT catch their eye and bring them over. But the vast majority of people you’ll sell to have their eyes down at the tables as they pass. This was the most important thing I learnt - I’d read so much about how important it is to use “vertical” space and tried to get as much off the table as possible, but by day 2 I was spreading more out on the table until every inch of it was covered. I often had to tell people about my prints and they would look up having not noticed them! I had read that people recommend having a portfolio book for people to thumb through - but I hadn’t really understood the benefit of that. Having people touch and interact with stuff on the table is such a valuable interaction that sparks natural conversations. It’s really important to have physical stuff ON the table, perhaps more so than getting a fancy vertical setup. If you’re strapped for cash - ditch the idea of grid cubes or similar completely. Just lay stuff out.

Postcards

When my postcards arrived I immediately realised I’d made a stupid mistake. I was obsessed with getting the display vertical and having lots of different designs. Having so many different postcards to display was a nightmare that I think impacted the whole setup. The wall they created took light away from one side of the display, they were really quite oppressive! - and I knew this before I even went to the show, but I didn’t know how else to display them. I don’t think I would order postcards again, they barely sold… But the 90 I have leftover will be displayed in a photo album on the table next time for sure. Seems so obvious now! They were a HUGE waste of money - they’re expensive for what they are to get made and the retail price of them is abysmal. But, there were a couple of times when people who didn’t have the money for a big print maybe wouldn’t have bought anything, but I had something cheap and cheerful to offer, which was nice. The other cool thing about them is you can have your website on the back and it doesn’t seem out of place or weird.

The main problem with finding a postcard provider was I couldn’t find anywhere that would do small print runs to allow me to order several designs, so I ended up going with the one company I knew who’d do that - Moo. But man are they expensive - I could have got 500 postcards of one design for less than half what I paid for 100 of 25 diff designs - but again, having the variety mattered to me.

Postcards are a pain and not worth it, which explains why I so rarely see them for sale. Lesson learned!

If you have a decent inkjet printer, postcards are super easy to make and I used to do this before I lost patience with inkjet home printers and switched to laser. Just get thick photo paper, already the correct size!

Stickers

I had a mix of kiss-cut and die-cut stickers that by day two I was spreading out on the table and absolutely getting more sales as a direct result… They still didn’t do exceptionally well, but I don’t regret having them. They’re a solid low-retail-price staple of the artist alley table. Pieces of art with a purpose, especially in the age of reusable water bottles. A couple of fellow artists noted that my stickers were very cheap priced at £1.50 and I kind of agree. I think next time they will be £2 and this won’t negatively affect sales. There’s a common fallacy that making something cheaper will increase sales - the likelihood is that it won’t, and when you think how many more sales you have to make to gain the same profit, you realise this is the case. Just that small difference of 50p would mean you have to sell 25% less stickers to make the same amount of money. Isn’t that insane? When you think of it this way, pricing your items right really matters.

I also had sticker sheets - the Baa (from Dragon Ball) ones I only sold one of, to a child who I’m not sure even knew what they were from, but the Sonic sheet did pretty well! I didn’t see many other artists rocking Sonic stuff - or even much Sonic stuff on the wider show floor - which is surprising given the recent film release. I guess I just tapped into a niche, but it’s hard to tell.

Several suppliers of stickers offer multiple designs as standard, or a small surcharge for having multiple designs. Shop around. Stickers are overpriced from many suppliers. The popular choice of Stickermule often run deals where you can get 50 for £19, but even this deal price is quite expensive for x50 of the same sticker. They are by far the best quality stickers, to be fair to them… But you don’t need x50 of one sticker for the purpose of artist alley. I’ve jumped on Stickermule promos in the past where they charge £1 for 10 stickers. That’s a great opportunity to try out design you’re really not sure about. I can’t stress enough how important newsletter signup to suppliers is!

Honestly, Zap Creatives are the only company I’ve used that I would recommend without a second thought. Their customer service is exceptional, their postal packaging is not only environmentally friendly but also adequate (I had a lot of issues with other suppliers packaging and items arriving to me damaged! Another reason you need to order far in advance.) and their prices are transparent and extremely good value. They have free postage (globally, I believe!), which makes it so easy to see how much you’ll be spending at a glance. They have detailed “how to” pages for setting up your files. They’re a dream come true. Sign up to their newsletter, follow them on socials, give them your money - they deserve it. Not sponsored, just genuinely impressed.

Comic

Back at Uni a friend and I made a little comic, and I got some more copies made and took it along because, why not… It is COMIC con after all, and this convention actually calls the artist alley “small press”. It sold pretty well for an independent original to a wide variety of people, young and old. It made me really happy to see an original work sell! You’d be surprised how cheap getting a book printed can be - but be willing for the pages to be slightly misaligned and the paper quality eh. But if you just want a cheap comic printed or a zine, it is very doable in small runs even as low as 10. Remember that stuff doesn’t need to be perfect. Don’t stress over imperfections. I wouldn’t recommend the supplier I used because their delivery was an abysmal royal shit-show, but their customer service made up for it and then their re-delivery was only a slightly less abysmal royal shit-show on the second attempt. So, I won’t mention them.

On that note - if a supplier isn’t good enough, get in touch with their customer services and be nice but tell them it’s not good enough. Give them a chance to fix things.

Traditional Art Originals

I took a lot of traditional media original artworks with me, mostly because I had them already. I sold one low value original.

This was a little heartbreaking because the sale of just one high value original would have pushed the worthwhileness a long way - but it is a lot of money to expect people to spend and is a luck of the draw situation, for sure.

However, the larger ones definitely attracted attention to my stall and created conversation - so I’d say if you have larger originals or small low value quick drawings, they’re worth bringing, but I wouldn’t make any for the intent of selling in the future.

I don’t think a single person thumbed through my plate rack of originals. It was a poor display idea. Don’t recommend it at all. But I can’t think of a better idea other than individual easel displays which take up valuable table space better used for spreading out other items flat.

How could I have done better?

I think having more variety of franchises in my prints was the only HUGE mistake that I kinda knew before I arrived might be an issue. The reason I didn’t was I was worried about space and this could have been avoided had I just listened to the advice I read and had a portfolio out - I even have an A4 portfolio book! Stupid. I’m stupid.

Would I have done enough better to make a profit? No way haha.

How did other people seem to be doing?

It didn’t seem like anyone was doing particularly well… But without knowing peoples numbers, it’s hard to say. And I doubt many people keep the obsessive books I do.

I am pretty sure a lot of convention artists don’t realise the amount they are spending vs the amount they aren’t making… But I could be wrong. There’s a lot of talk of “making table” which I did make back, but I came nowhere close to making back all associated costs. I think for it to be legitimately financially “worthwhile”, you’d have to take about £2k over a weekend - to account for the time and all expenses and paying yourself a decent wage. And if your prints are £10 each, that’s more than 10 prints sold an hour. No one was anywhere near this busy. No way.

A few artists told me this isn’t the most amazing show in the first place and they’ve done worse than they did at this same show last year, even if it seemed physically busier at times this year. A lot of this game is luck of the draw - who’s turning up, how much do they have to spend, what's the weather doing, etc. etc…

Do I need a card reader?

My sales were about 50/50 cash and card… But I ran out of exact change at one point, so being able to take card payments saved the sale. I have a Sum Up reader as it was the cheapest to buy up front and I had no issues with it the whole weekend. At £20 it was a bargain. I think I would rather have that than the cube display grid, for example.

Do you have any cost shaving tips?

Oh hell yeah!

First up - like I said before - sign up to every single potential supplier newsletter. Some of them send out coupons almost weekly.

I bought very little in the way of display equipment and salvaged the rest...

I borrowed some plate stands from my nan, I took empty cardboard displays from ASDA and Sainsbury's (I’d try Walmart or Target in the USA). These were great because they fold down flat for transporting, are light and FREE! Keep your eyes peeled when you’re out shopping for ones which might be the right size for your products. Often times you can transfer the one or two items left in them to another box in the store, or they’re simply empty. I found ASDA best for having completely unbranded boxes. I also made some stands for my small originals from thick card rather than by expensive display racks that are heavy to transport and cost a bomb.

Pick local shows if you can and research thoroughly your transport options and the cost. Parking, trains, hotel costs and eating out can be extortionate additions to your overall expense that are easily forgotten.

Make sure you can carry your setup and don’t need to spend additional money on an Uber or something to help you move shit around!

Use what you have. Don’t buy storage boxes and suitcases and trolleys if you don’t have to. Sure, they might make your life slightly easier, but maybe wait and see how your first few cons go.

Any other tips or things you wish you’d known?

One thing that was kinda stressing me out was leaving stock overnight, but I realised there’s a whole show floor of high value figurines down there...

Leaving the stall unattended isn’t a big deal, either. Obviously take your money with you, but your neighbors can let potential customers know you’ve popped to the loo and I saw several “Back Soon!” signs throughout the day. I took a friend mostly as company, but I would confidently do a con alone having seen how much of a non-issue this is. Having a friend is great for chatting and having a chance to have a look around the show and chat to other artists, though!

I’m not sure carrier bags are necessary. They’re a pretty substantial extra expense you can skip.

Check all your stock as soon as it arrives in the mail. I had an order of cello bags for A4 prints where about 50% of the pack were unusable as the bottom seal with just... open.

Oh! And the “Sundays are always quieter” rhetoric? My Sunday was twice as good as Saturday, despite being quieter on the show floor.

Overall...

I really enjoyed myself. I loved everything. Chatting to customers, chatting to artists, seeing what people were selling, people watching, eating junk, setting up, tearing down and having a friend to chat with and chill the whole time. I gained a pretty significant Twitter follower boost over the weekend and gave away approximately 150-200 business cards as well as meeting some awesome new friends.

I’m not sure if I will be back for the same show next year - we’ll see. I’d like to try a bunch of different shows with different audiences. Many overlap in terms of being around the same time of year. And all the while I’m carrying limited stock to see what works and what doesn’t, I’m reluctant to book two close together.

I’m lucky enough to live in London - so I have access to several big conventions throughout the year on my doorstep.

I have a table at Hyper Japan in July. A very different con to this one with a table almost half as big. So I suspect most of what I’ve learnt won’t even apply! But that’s kind of exciting. My logical brain tells me not to make more stuff, but I think I’ve got the con bug now and just wanna make more profits!

I hope this has been slightly useful to anyone toying with the idea of doing a convention. I recommend checking out @howtobeaconartist here on Tumblr as well as Ben Krefta’s incredibly detailed experiences of being a UK convention artist.

Another thing I found helpful was to watch youtube video walk-arounds from previous years at the same show - see what people are selling, their set-ups, get a feel for space, see if you see the same people returning year after year. Here’s a video from the show I’ve just done! Artist alley starts at around 7:50.

#artist alley #my art #saiyanhajime art #saiyanhajime #conventions #comic con #lccspring #london comic con

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bigskydreaming · 4 years

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Speaking of Riley and other friends who are excellent, allow me to take a moment to pimp some of their books if anyone’s got some spare coin and is looking for good reads while on lockdown.

Noteworthy by Riley Redgate

It’s the start of Jordan Sun’s junior year at the Kensington-Blaine Boarding School for the Performing Arts. Unfortunately, she’s an Alto 2, which—in the musical theatre world—is sort of like being a vulture in the wild: She has a spot in the ecosystem, but nobody’s falling over themselves to express their appreciation. So it’s no surprise when she gets shut out of the fall musical for the third year straight. But then the school gets a mass email: A spot has opened up in the Sharpshooters, Kensington’s elite a cappella octet. Worshiped . . . revered . . . all male. Desperate to prove herself, Jordan auditions in her most convincing drag, and it turns out that Jordan Sun, Tenor 1, is exactly what the Sharps are looking for.

Rio’s got two other books you should also check out, I just grabbed this one at random because they’re all great (though its actually ‘7 Ways We Lie’ that’s my personal fave because Reasons).

Forest of Souls by Lori M Lee

Sirscha Ashwyn comes from nothing, but she’s intent on becoming something. After years of training to become the queen’s next royal spy, her plans are derailed when shamans attack and kill her best friend Saengo.

And then Sirscha, somehow, restores Saengo to life.

Unveiled as the first soulguide in living memory, Sirscha is summoned to the domain of the Spider King. For centuries, he has used his influence over the Dead Wood—an ancient forest possessed by souls—to enforce peace between the kingdoms. Now, with the trees growing wild and untamed, only a soulguide can restrain them. As war looms, Sirscha must master her newly awakened abilities before the trees shatter the brittle peace, or worse, claim Saengo, the friend she would die for.

This one is the start of a new duology and doesn’t actually come out until June 23rd, but Lori’s got a couple other books out already that are also worth the read. Her Infinite series starts with Gates of Thread and Stone and has the first two books out, there will be a concluding third volume still to come. But I’m lucky enough to have gotten to read Forest of Souls in advance cuz Nyah nyah (I’m so mature, phear my age and wisdom) and its by faaaaar my favorite of hers to date, including more than just the other two books she’s had published so far, and just look at that cover. Ugh. I love it so much.

(It wasn’t her original cover, actually, they originally wanted to go with this cover of Suck that made me go umm how do you say “Eww” in polite, and authors have little to no feedback they can give on the cover, but Lori took a shot and sent in some examples of other cover artists she really liked and thought had styles fitting her image of the book better, and they picked one of the ones she sent and commissioned a whole new cover, and voila, ended up going with the above cover in all its spooky, thematically ominous glory.)

On The Edge of Gone by Corinne Duyvis

A thrilling, thought-provoking novel from one of young-adult literature’s boldest new talents. January 29, 2035. That’s the day the comet is scheduled to hit—the big one. Denise and her mother and sister, Iris, have been assigned to a temporary shelter outside their hometown of Amsterdam to wait out the blast, but Iris is nowhere to be found, and at the rate Denise’s drug-addicted mother is going, they’ll never reach the shelter in time. A last-minute meeting leads them to something better than a temporary shelter—a generation ship, scheduled to leave Earth behind to colonize new worlds after the comet hits. But everyone on the ship has been chosen because of their usefulness. Denise is autistic and fears that she’ll never be allowed to stay. Can she obtain a spot before the ship takes flight? What about her mother and sister? When the future of the human race is at stake, whose lives matter most?

Cory is actually one of my oldest friends lmao, like, I first met her through another writing friend when we both roleplayed on this messageboard X-Men: Evolution RPG over fifteen years ago, and just....somehow never lost track of each other through all our various hyper-fixations and divergent fandoms and even with years-long ‘vanishing from the internet’ periods by yours truly (I am was mysterious and enigmatic, hear me roar). This is actually her third published novel? Or maybe second, I forget the order....her first, Otherbound, is great too, she’s written a Guardians of the Galaxy tie-in novel for Marvel, and she’s got her next book, “The Art of Saving the World” coming out this September, and its soooo good and head-trippy and the premise is so mindfucky that I have no idea how she pulled it off as well as she did and its great and you will love it or you will answer to me (lol no you won’t, I am all talk, I bruise like a peach, don’t doxx me yo). But On The Edge of Gone remains my personal fave of hers, Denise is an in-text disabled autistic black girl and suuuuuuch a fantastic main character, and her love for her family against the backdrop of an apocalypse actually in its on-going stage, no post about it, is like.....unfortunately a little too prophetic in various ways, lolol, but like, timely as hell and resonates.

Not Your Sidekick by C.B. Lee

Welcome to Andover, where superpowers are common, but internships are complicated. Just ask high school nobody, Jessica Tran. Despite her heroic lineage, Jess is resigned to a life without superpowers and is merely looking to beef up her college applications when she stumbles upon the perfect (paid!) internship--only it turns out to be for the towns most heinous supervillain. On the upside, she gets to work with her longtime secret crush, Abby, whom Jess thinks may have a secret of her own. Then theres the budding attraction to her fellow intern, the mysterious “M,” who never seems to be in the same place as Abby. But what starts as a fun way to spite her superhero parents takes a sudden and dangerous turn when she uncovers a plot larger than heroes and villains altogether.

I actually met C.B. on tumblr here, via this account, thanks to a mutual mutual, which just goes to show you never know who you might end up meeting on tumblr dot hellsite dot org, and only after that fact did we find out that we had various other mutual friends from our writing/publishing circles of friends, including Cory, lolol, so y’know....small world. But this series has three books out, with a fourth to come, and its such awesome fun, with superpower hijinks galore, an Asian protag and tons of LGBTQ+ supporting characters, trans superheroes, and compelling plots. She’s also writing Ben 10 comics for Boom! Studios, a comic book company that does original content but also publishes a ton of licensed properties like various other cartoons like Ben 10, the Power Rangers, etc, etc. And this reminds me there’s a certain story she was working on the last time we met up for coffee like, lololol probably three years ago now, which means I am way overdue to bug her about it and ask “Is it done yet is it done yet can I read it yet is it done yet” because I am a paragon of patience and a bastion of self-control, obvsly.

Anyway, here endeth the pimping of my friends, go forth and buy ye their novels, verily and such. Or y’know. Don’t. If you don’t want to be cool, I guess. Nerds. (LOL no but if you like my content and posts and topics I think you stand a better than average likelihood of enjoying at least one of the books by the aforementioned ladies, and you’d be supporting LGBTQ+ authors as there’s nary a straight among them. LOL, like I would ever have straight friends, hahahaha could you imagine, what would we even do).

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shochmonster · 4 years

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84 Questions

original: https://fuckyeahsurveys.tumblr.com/post/61049002526/84-questions

Put your music player of choice on shuffle and list the first 10 songs Guns of Brixton - The Clash Holiday in Cambodia - Dead Kennedys Chainsaw - Nick Jonas California - Joni Mitchell Make It Wit Chu - Queens of the Stone Age This Woman’s Work - Kate Bush The Bad Thing - Arctic Monkeys Between the Bars - Eliot Smith Drown - The Smashing Pumpkins Different People - No Doubt

If you could spend a week anywhere in the world, where would it be and why? Would you take anyone with you? I’d take @duoloopo to the UK. I’d like to see places other than London.

What is your preferred writing implement? (eg. Blue pen, pencil, green pen) I use my iPad stylus the most, but I have this heavy mechanical pencil I really like for drawing.

Favourite month and why? October. I just love the fall vibe.

Do you have connections to any celebrities (even minor)? List them. I went to undergraduate school with Rebecca Sugar. We used to ride the bus between NYC and DC together on holidays.

Name 3 items you could pick up from where you are. Can of seltzer, pencil case, stack of bills

What brand logo is closest to you currently? REAL Skateboards

Do you ever play board games or other non-computer games? Got any favourites? I love Small World and Munchkin.

A musical artist you love that isn’t well known Laura Stevenson and the Cans

A musical artist you love that is well known Red Hot Chili Peppers

What is your desktop background currently? Thomas Barrow on the beach in the Season 4 Christmas Special

Last person you talked to, and through what you talked to them @duomaxwell02 with my face :O

First colour name you can think of that isn’t in the rainbow White

What timekeeping devices are in the room you are currently in? Two wall clocks, though one is very old and doesn’t wind anymore. I also have a clock @duoloopo ‘s dad made for me. It’s on the piano.

What kind of headphones do you use? JBL Bluetooth, noise canceling

What musical artists have you seen perform live? Foo Fighters (3x), Incubus (3x), Red Hot Chili Peppers, Smashing Pumpkins, Beastie Boys, Audioslave, Justin Timberlake, Troy Sivan, Arctic Monkeys, The Rolling Stones, Eric Clapton, Queen (but with Roger Daughtry, not Freddy... for obvious reasons.). Probably a whole bunch of others I’m blanking on.

Does virginity matter to you? Not really.

What gaming consoles do you or your family own? PS4, PS2, PS1, XBox 360, N64, Gamecube, Wii, NES, SNES, various Gameboys, Nintendo DS, PSP

What pets do you have? What are their names? Two cats, Hemingway and Renji

What’s the best job you’ve ever had? I like freelance art gigs the best. As for ‘normal people jobs’, I once was a sign painter for Whole Foods. That was pretty fun, minus the work drama.

What’s the worst job you’ve ever had? Food service.

What magazines do you read, if any? I’ll pick up Time once in a while

Inspiration behind your URL? My classic original URL was LinkWorshiper and had been since AIM first existed. I picked it because Zelda was the first fandom I ever joined. Now I’ve changed all my handles (except on AO3) to reflect my actual name, as my literary agent thinks it’s more professional.

Inspiration behind your blog title? Mean Girls. I always chuckle imagining Thomas and Jimmy as some Edwardian version of the Plastics.

Favourite item of clothing? My Downton livery waistcoat. And the stiff bosomed shirt and collars I have to go with it.

Are you friends with any exes? Nah. By the time I felt comfortable enough to possibly try, I also didn’t care enough to.

Name at least one book you loved as a child. His Dark Materials (the trilogy by Philip Pullman). I still love them and am jazzed that he’s writing more these days.

What’s your native language? If that language has distinct regional variations, which variation? (eg. AU English, US English) US English, mostly a northeastern dialect/accent

What email service do you use? Gmail

Is there anything hanging on the walls of the room you are currently in? So much stuff. I have a mood board full of Downtons stuff over my desk, various DA posters and memorabilia, plus some artwork I’ve done, and some of my JC Leyendecker collection. The aforementioned wall clocks, a San Francisco cable car bell, Sailor Moon and a few other little knickknacks, like my hamsa. To name a few lol.

What’s your favourite number, and why? 212 because it’s Manhattan’s area code and also because it used to be the notation for one of my favorite ships in an old fandom.

Earliest moment in your life you can remember? Sitting under the table and looking at my grandma, who was wearing a Cruella Deville dress she’d knit herself. Like, it had the actual Disney character on it. Pretty cool to a little guy, I guess!

What did you have for dinner yesterday? Quesadilla

How often do you brush your teeth? Whenever they feel gross

What’s your favourite candy/chocolate? Lately, I’ve been into Junior Mints.

Have you had other blogs on Tumblr? Do you have any other blogs currently? This blog used to have my old handle, linkworshiper. I did a small Whole Foods blog when I worked with them, but it never went anywhere.

If you were suddenly really hungry, what would you choose to eat? Sushi

What fandoms would you consider yourself a part of? Downton Abbey, though lately I’ve been crazy busy and not as active as I once was. Casually still poking at old fandoms like Zelda and Gundam Wing to name a few.

If you could study anything, what would it be? More art education can’t hurt. Maybe some formal history education.

Do you use anything on your lips? (eg. Chapstick, gloss, balm, lipstick) Chapstick

How would you describe your sense of humour? Seinfeld

What things annoy you more than anything else? Mouth noises

What kind of position are you in at the moment? Sitting

Do you wear much jewellery? Nope

Who is the leader of your country, currently? Any other levels of government with leaders? (State, region, province, county, district, municipality, etc) Three supposedly equal branches of government, currently being run into the ground by a clown

Last 3 blogs on your dashboard, not including any of your own @halcyondaze @mab1905 @lavender-hued-melancholy

What do you carry your money in? I try to never carry cash, but I carry a small wallet

Do you enjoy driving? Why or why not? I like it but sometimes it feels like a chore, especially during a commute. @duoloopo thinks I’m a shit driver so she tries to drive whenever she can, which has pluses and minuses.

Longest drive you have ever been on? Savannah GA to San Francisco, CA in a UHaul

Furthest away from home you have ever been? Germany

How many times have you moved house? God, I don’t even know. More than ten.

What is on the floor of the room you’re currently in, not including furniture? Cat toys, unused canvases

How many devices do you own which can access the internet? Phone, computer, iPad, various game consoles

Is there is anything that is guaranteed to always make you happy? Thomas and Jimmy <3 <3

Is there anything that always makes you sad? Thinking too hard about being a failure

What programs do you currently have open? I just rebooted, so only Chrome, Spotify and Photoshop

What do you associate the colour red with? This line in the Kate Bush Song Blue Symphony, which goes, ‘I associate love with red, the color of my heart when she’s dead.’

Last strong smell you can remember smelling? The Greek food I ordered in for dinner

Last healthy thing you ate? Roasted veggies

Do you drink tea or coffee, and how much per day? I prefer tea, and I drink coffee for energy, though sometimes I think it just makes me crash harder.

What do you associate the colour blue with? The sky

How long is the closest ruler you can find? 12 inches

What colour pants/skirt/etc are you currently wearing? Dark blue

When was the last time you drank water? About a minute ago

How often do you clear your browser history? Rarely

Do you believe nude photos can be artistic, rather than erotic? Yes

Ever written fanfiction for anything? Oh God, yes. You can still find it under Link Worshiper on AO3, though some of my ‘classics’ have been removed since I turned them into original manuscripts

Last formal event you attended My cousin’s wedding

If you had to move your birthday to another date, which one would you choose and why? Maybe inch my birth year up just by two so that I’d stop being called a damn millennial. At my age, I really just don’t relate to the generation even though technicalities make me a part of it.

Would you prefer to be at a beach or in the countryside? Beach

Roughly how many people live in your town? 52,000

Do you know anyone with the same birthday as you? Leonard Nimoy :D

Favourite place to shop? Can be a certain store or a place where there are multiple stores I haven’t really gone shopping since the pandemic. Right now, it feels like the only place to buy anything is Amazon XD

Do you have a smartphone? What kind? If you don’t, do you want one? Samsung. It’s not a Galaxy but is a new model and a fraction of the price.

What is your least favourite colour, and why? I don’t think I dislike any colors honestly.

How do you spell grey/gray? Grey. I’ve got too many British online associates to ever go back.

Go to your dashboard and describe the image shown in the radar section (below the “Find blogs” link) It’s Umbrella Academy fanart of Klaus. He’s in black and white with this hands over his eyes and the background is red. It’s very graphic.

What difference is there between how many followers you have, and the number of blogs you follow? 736

How many posts do you have? 8,859

How many posts have you liked? I can’t find the stat D:

Do you post mainly reblogs, or your own content? Mainly reblogs but I pepper in my own content when I can. Lately, I haven’t had time to do as much fanart though, and I kind of feel like it’s not worth bothering to post my original stuff. Nobody follows my blog for that.

Do you track any tags? No.

What time is it currently? 7:33 PM CMT

Is there anything you should be doing right now? Waking up @duoloopo. TIME TO JUMP ON THE BED.

tagging, if they feel like it: @abbys-little-whippersnapper @bumblebarrow @irrationalgame @downtoncat @mab1905 @duoloopo

and everyone who I’ve forgotten

#personal #about me #questions

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