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#just rewatched four weddings and I love her more than ever
itspileofgoodthings · 7 months
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guys I hate to say it but Zara’s story (four weddings a funeral) finds Keeley’s (Ted lasso) dead.
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reiderwriter · 8 months
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More Than Words
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Pairing: Spencer Reid x Female BAU!Reader
Requested: yes
Summary: After telling a white lie to your family about your relationship status, your forced to beg your coworker Spencer to pretend to be your boyfriend for a weekend wedding.
Warnings: Light smut at the end, penetrative sex, creampie, mentions of Spencer's childhood.
A/N: Thank you for the request on this one! Ever since I rewatched Season 7 and saw Spencer dancing with everyone at JJ's wedding I've been thinking non-stop about him just holding you close like that and I'm going to shut up now because 8k words of that is more than enough lmao.
You can find my masterlist here, and I just started posting all my stuff on AO3 as well, so if you prefer to read there, check it out!
Despite knowing about your brother’s impending nuptials for the last 18 months, it was in the final two-week stretch that you actually started panicking about getting the date that you’d promised them. It was one sweet little white lie that you had made that had just spiraled out of control, but you’d yet to actually manifest the secretive boyfriend who was “very real actually, mom, he’s coming to the wedding actually.”
It was that statement that had sealed your fate, and always one to wear your emotions on your face when you weren’t on a case, it wasn’t long before someone noticed your building anxiety and guilt.
“Okay, spill Y/N. You look like you just witnessed your favorite author kick a puppy or a kitten or something,” Penelope said when you dropped some files off in her room that morning, spinning around on her chair to face you as soon as she caught your reflection in her monitor.
“It’s this wedding I have to go to,” you sighed dramatically, falling into one of the other chairs in the room kept for visitors.
“Want me to help you get out of it?” Penelope offered, patting your hand comfortingly.
“I’m not sure my brother would be too pleased about that, since it’s his wedding and all. My mother would drag me down all the way from here herself if she had to.”
“Okay, so a no-show is a no-go. Then what gives, my sweet avenging angel? There has to be something serious to get you looking all glum.”
You sighed and ran a hand through your hair before straightening up and leaning into Penelope more, creating an air of secrecy.
“Promise you won’t tell?”
“Oh sweetie, if only you knew the secrets these four walls held,” she replied dramatically, pulling a laugh from you.
“Last year, I was so, I don’t know, jealous I guess, of all the attention my brother and his fiancee were getting because of the wedding, and it just felt like every time my mom called me, she would only want to talk about them because of the wedding. I felt left out, and I already live so far away anyway, so it’s hard to have that connection with people back home, so I might have told a small, tiny, inconsequential lie that now actually has consequences?” Your face flushes at the confession, and you can see Penelope trying her best not to blurt out her thoughts, intent on letting you continue.
“I told her I was seeing this guy. He’s amazing, he works in the FBI just like me, and he’s smart, and he takes me on dates to these amazing places, like museums and interesting restaurants and to book fairs. I told her he was handsome and that he looked at me like I put the stars in the night sky, and he just doesn't exist, Penelope. And now I have to disappoint my mother again by turning up to my brother's wedding without a date.”
“Oh sweetheart,” was all she said for a minute, and the sympathetic look on her face made you want to run out of there immediately.
“I know, I know, I need to tell her the truth, but I don’t want to do it at the wedding and spoil her happiness. She loves weddings.”
“And this fake boyfriend is supposed to be your plus-one?” she asked.
“My invitation read ‘To our darling sister and her mystery man,’” you groaned, wondering how you could have been so childish in the first place. You’d acted like any child on a playground would, inventing lies to make yourself seem more important and cooler.
“I think I have the perfect solution for you, angel, but you might not like it,” Penelope grinned from her chair, leaning back and playing with the pen in her hands nefariously as if she’d been waiting for this chance her whole life. You didn’t trust that look, but you had no other option, so you took a deep breath and listened to her plan.
–X–
Three days later, and you were suddenly pacing the hallways with a coffee and a croissant, poised and ready to kidnap an FBI Agent the second he passed you.
At first, you’d laughed at the suggestion she’d made, outlandish as it was. But 72 hours of reflection, and a timely phone call from your mother, and suddenly you were on board and ready to lock on to your target. You stopped pacing when you heard the elevator ding, signaling the arrival of Spencer Reid. You were thankful that his schedule was so regular and timed down to the minute that you had just enough time to ambush him in the hallway before any other member of your team noticed.
“Spencer! Here I bought you coffee and a croissant from that cafe I mentioned a while back,” you panicked, unloading the gifts into his arms quickly, taking him off guard, before checking left and right before pushing him into the nearest empty room and shutting it behind you.
“Good morning to you, too, Y/N. Is there a reason we’re in a closet right now?” he asked, looking down at you with knitted eyebrows.
“Yes,” you gumped, afraid to say anymore.
“Are you going to tell me what the reason is?”
“I need you to be my boyfriend for a weekend,” you finally blurted out.
“You need me to… Just for a weekend?” He looked confused, and you felt your cheeks flame up, as you tried your best to explain the situation for him.
“My brother is getting married in LA this weekend, and I need a date. I told my mom last year that I was in a relationship with a really great guy who also works for the FBI.”
“Oh. So, you broke up with him and don’t want to tell your mom?”
“No, he never existed. Long story, I can explain on the plane, but I really need you to come with me! I’ll pay for everything, and I’ll even get you this coffee and any pastry of your choice every day for a month, please, please, please!” You begged him, so desperate that you were moments away from dropping to your knees and grabbing his leg, refusing to move until he acquiesced. You didn’t have to in the end.
“Oh, sure, I’ll go. When did you say it was?” Your jaw fell open in shock, and it took a few seconds to pull yourself back together as you reacted to his words.
“This weekend? The flight is tomorrow at 6 a.m.” You smiled sheepishly as his eyes bugged out of his head.
“This weekend? What were you going to do if I said no?” He laughed at you a little, taking a sip of the coffee you bought him.
“Honestly? Plan B was to cry, and plan C was to kill off my mystery man in a freak accident.”
“Wow, we just started fake dating and you’re already trying to bump me off.” His smile made you burn hotter than before, as you playfully hit his arm in response.
“Stop saying we’re dating. I pulled you in here to ask you privately because I didn’t want weird rumors circulating in the office,” you pouted.
“Then you better let me out of the closet, Y/N, before people think we’re doing something we shouldn’t be. At least three people saw you drag me in here, you know.”
With that, you rush to open the door and run out, shouting a reminder back at him.
“Just be ready, okay. I’ll see you at the airport at 6 a.m.”
–X–
The flight, despite being ridiculously long, was altogether quite pleasant, and you made it back to California in one piece, Spencer trailing behind you like a lost puppy for a while, letting you take up the role of “airport dad” as you guided him through the airport and to the hotel where the wedding was being held.
“So what’s our cover story?” He asked in the taxi on the way there, breaking the comfortable silence.
“What cover story?” you asked, looking up at him from your phone, still focused on just getting to the destination.
“Where did we meet, how long have we been dating, how much do they know about me?” He listed off the possible questions that his parents were absolutely going to interrogate him with soon. “I need to prepare so we don’t get caught out, right?”
“Oh, right. Based on what I told them, we met at work and we’ve been seeing each other casually for about a year now. I didn’t give them a name yet, which annoys my mom to no end, but I was always pretty private as a child so she didn’t find it all that suspicious. Other than that, they don’t know that much about my mystery boyfriend apart from the things we’ve done together.” He listened attentively as you spoke, taking each of your words in and committing them to memory.
“What was our first date?” He asked.
“Coffee shop. That place I got you the coffee from earlier, it’s called Flondon. I’m a regular there, so it made sense to use it in my story.”
“What else have we done together?”
“There was a book fair in New York a few months back that we, uh, spent the weekend at. You surprised me for my birthday with the tickets.”
“Wow, so I’m a really great boyfriend then.” He joked a little, and you let out another groan of annoyance at his teasing. You didn’t get the chance to finish your conversation though, as the taxi finally pulled up to the hotel.
You climbed out of the taxi after paying the driver, Spencer having already left to grab your bags, before walking into the foyer of the hotel.
“Y/N, just one last thing before we go in,” he stopped you at the door, grabbing you by the arm gently. “Are we… the, um. Hotels tend to get booked up pretty early for weddings, and I’m sure your family will be suspicious if we don’t share a room so…”
He didn’t have to finish voicing his thoughts before you were cursing, not having made the connection before.
“Shit, you’re right. My brother made the booking for me months ago. We just have to go in and get the room key but I totally forgot… It’s fine, right? We’ve roomed together on cases, haven’t we?” You asked, looking up at him.
“No, we haven’t. 67% of our motel bookings allow for single occupation rooms for Agents, I end up sharing a room with Morgan for 15% of overnight stays where double occupation is necessary, Hotch for another 17%, and the remaining 1% is made up of outliers where I had to share with Rossi or Prentiss, but we…we haven’t shared before.” He gestured between the two of you for a moment there, letting the facts sit with you.
“Spencer, it’s okay with me, is it okay with you? I understand if you’re not comfortable with it. We can just turn around now if you want.”
“No, no it’s totally fine. I just wanted to make sure you’re comfortable with it. Morgan says I snore, so I guess I’m not the best roommate in the world.” He smiled at you then, reassuringly, and moved his hand down your arm until it reached your hand.
You looked down at where his hand had entwined with yours and your heart gave a little jolt. Spencer didn’t like physical touch, and you knew that. You tried not to initiate any contact with him, despite being a touchy person, but there had been times after particularly tough cases and with close calls where you’d thrown yourself into the nearest person's arms, and he always happened to be near.
But those hugs had been thoughtless, natural reactions to stressful situations and this was intentional, and more importantly, he’d started it.
“Sorry, I just assumed we should get used to, uh, touching each other, I guess? We’re going to be doing it all weekend, you know, might as well start now.” He gave you an awkward closed-lip smile, and you giggled at his awkward explanatory tone. Squeezing his hand a bit, you grabbed your suitcase again in your free hand, and pushed open the door with your shoulder, pulling Spencer in behind you.
The lobby was filled with people arriving for the wedding, and you instantly spotted three cousins and two aunts from across the room, giving them a little smile as you made your way to the reception desk, Spencer right at your side.
“Hi, reservation for Y/N L/N, please.”
“Sister of the groom, right? Your mother asked me to give her a call when you arrived. Please wait one minute.” She handed you your key, and you felt yourself go pale, turning around to Spencer for reassurance.
“Oh god, she’s coming now, what do we do?”
“Y/N, calm down, it’s okay, we knew we were going to have to see your mom tonight at the reception anyways.”
“You’re right. Okay, right. Okay.” You breathed out, as Spencer wrapped his other arm around you, holding you in a closer embrace while keeping your hands locked together.
“One of my aunts is looking at us. She looks like she wants to say something. Oh god, she’s coming over, Spencer act natural,”
“Saying act naturally is actually counter-active-” but he didn’t have time to finish before you had turned to greet the older woman, disentangling yourself from Spencer’s arms as you hugged the woman warmly.
“It’s so good to see you, Y/N, you know how we all worry about you doing that job of yours. The other week we saw you on the news about that tragedy with the young girl…” she trailed off, giving you a worrying look before quickly shifting her gaze to her actual target, Spencer.
“I think I saw you too, young man. You must be Y/N’s boyfriend,” she smiled at him, waiting to hear a response so she could return to the other matrons with the gossip.
“Yeah, nice to meet you, I’m Spencer.” You could tell he was thankful that the woman hadn’t stuck her hand out to shake his, as he positioned himself mostly behind you, keeping his hands occupied by letting one settle on your hip and the other keeping a hold of your suitcase.
“Spencer? Spencer Reid?” You heard your mother before you saw her, turning around in your place to finally see her, as Spencer whipped his head around as well. “I’ve heard so much about you. It’s so wonderful to finally meet you.”
Your mother had none of the restraint of your aunt, and unfortunately, you’d inherited your clingy side from her, which is why she immediately swooped in to give Spencer a hug. To his credit, he greeted her warmly as well and didn’t avoid the touch, but he kept it short and polite nonetheless.
“Mom, how did you know…”
“You tell me about your coworkers all the time, I’m just surprised I didn’t work it out sooner. I always said that you talked about that Spencer with a fond tone, you should ask your father, he’ll tell you that I did.” You rolled your eyes at your mother’s words, doing your best to avoid Spencer’s gaze. He’d fallen back into place by your side as you greeted your mother.
“It’s so nice to finally meet you, You know, Y/N has been keeping you as this big secret for the last year, and it’s so nice to see that you’re actually real. You’re here!” She sounded so excited for you that your heart almost broke under the weight of your guilt, knowing that you’d have to come clean at some point after the wedding. As it was, you were already going to have to try really hard to avoid the photographer and videographer throughout the night so you didn’t have to be constantly reminded of your idiocy whenever your mother got the photo albums out,
“Sorry, the two of you are probably exhausted after that flight, right? Go and get yourself unpacked. The rehearsal dinner is at 8 p.m. so we’ll catch up then, sweetheart.” She left in a whirlwind, having deposited you next to the elevators, and left you with no other option but to do exactly as she said, making your way to your space for the weekend.
–X–
The following few hours had been a little awkward, to say the least. You’d awkwardly pulled away from one another in the elevator up to the room, apologizing for invading each other's personal space. The room was a decent size, but still small enough that you’d be constantly tripping up over one another the entire weekend if you weren’t careful.
Reid carefully unpacked his tuxedo when you got into the room, and then quietly informed you that he’d need a shower. You’d unpacked your own things while he did, trying not to listen to the water flowing over his body in the next room. His earlier touch had ignited something in you, and your heart was beating at his every gesture now, something that you were sure it hadn’t done before.
What was it about weddings that made you so open to even the possibility of romance that even someone so off-limits could become the object of your affection?
So you tried not to listen, not to wonder why it was taking the man so long to just take a shower, not to let your mind wander to a place where it was perfectly acceptable to wonder what he looked like in that shower, and you unpacked and organized your things.
“Hey, Y/N, I’m really sorry but I forgot to bring my clothes with me,” he called awkwardly through the door a few minutes after you heard the water turn off, and you turned to the bathroom, not expecting the sight before you.
You’d assumed from the quiet volume of his voice that he was calling from within the bathroom itself, but instead, he stood awkwardly in front of you, a towel wrapped around his waist and torso, held together desperately in one hand.
“Oh shit, sorry, I’ll just turn around, I guess,” you stumbled over the words, dragging your eyes back up to his face as you did so, whipping yourself around to stare ahead of you.
“No, no, it’s my fault. I was so hasty I forgot my outfit for tonight. It’s okay.” You heard him fumble for his clothes and return to the bathroom quickly with another mumbled apology, finally allowing you to let out a deep, almost dreamy sigh, startling yourself. Mentally chastising yourself once again, you finished your organizing and let yourself fall onto the bed in the middle of the room sleepily while you waited for him to come out again.
You must have dozed off a little because you woke with a jolt when you felt a soft touch on your arm. There he was above you, a soft and concerned look on his face as he woke you up as kindly as he could.
“Y/N, it’s 7 p.m. We need to get ready for the rehearsal.” He whispered as if he weren’t too bothered if you didn’t want to go down at all, content to let you sleep. But you forced yourself upright anyways, and nodded at his words, swiftly moving yourself towards the bathroom he had since departed.
“Thanks for waking me, Spence,” You rubbed the sleep out of your eyes, gathering your towels and change of clothes before turning back to him. In the four hours you’d apparently been dead to the world, he’d managed to dry his hair, change his clothes, and, from the looks of the book on the bedside table, read through an entire book twice.
He noticed you looking and cleared his throat. “Sorry, you looked so tired I didn’t want to wake you, so I just sat here and read while you got some sleep.”
“It’s okay, Spence. I guess I was pretty tired. I’m gonna go…” you gestured towards the shower and stepped towards it with an awkward smile, not letting him answer before you had closed the door between you and taken a deep breath, setting thoughts of him aside for the night before you focused on getting yourself ready to face your lies.
An hour later, you were making your way back down to the lobby, having received a text from your brother that that was where everyone was gathering before making their way to the dining room. Spencer offered you his arm in the elevator on the way down.
“Here, grab my arm.” He said softly down to you, a sweet smile playing on his lips.
“Oh yeah that makes sense,” you said distractedly, looping your own through his and leaning into him.
“It’ll also stop you from picking your nails,” he joked.
“I don’t pick my nails!”
“You so do. You do it when you’re nervous and when you lie about something. Last month on that case in Chicago when that officer asked for your number, you told him you had a boyfriend and started picking your nails,” he laughed down at you, enjoying your pouting face a bit too much as he profiled you.
“You’re one to talk. The last time a woman asked you out, you started rambling about the linguistic history of the phrase “go out,” in the romantic sense. She stood there for five minutes before she gave up.”
“Wait, when did that happen? I don’t remember any woman trying to ask me out.”
“Then you’re even denser than I realized, Doctor Reid, because they do it constantly.” Your back and forth ended there, though, as the elevator doors finally opened into the lobby. You smoothed out your dress and tried your best to act natural as the two of you made your entrance.
“Y/N! Over here,” you heard your brother and saw him wave at you from the other side of the room, his fiancee next to him receiving guests.
“It’s been so long since I saw my kid sister. Get over here,” he smiled at you, beckoning you over, and you released your hold on Reid to give your brother a warm hug.
“Now who is this kid sister you’re talking about because last I checked you’re only 18 months older than me.”
“18 months, 18 years, all that matters is that I am, in fact, the older one,” he released you from the bear hug and glanced up to Reid, standing awkwardly watching the scene waiting for an invitation to the conversation. “Holy shit, you’re real.”
“Hey! Be nice. This is Spencer, he’s my… he’s my boyfriend, we work together.” You felt your cheeks flame as you introduced the two of them, your brother looking at Spencer through knitted eyebrows, taking on a faux protective stance.
“Spencer, hey. Mom mentioned you were here earlier, but I didn’t think you’d be so gangly… It’s my wedding, and I’ve been told I have to keep all threats to a minimum, but if I see you getting all handsy with my sister, just know that I have a blackbelt in jiu-jitsu.”
“No, you don’t. You have a yellow belt in karate at most, and you got that at age 10.” You laughed at the man.
“And whose fault is that?”
“Oh my god, it’s been almost 20 years, I already apologized!”
“Apologised for what?” Spencer finally managed to butt in, watching your sibling bickering as if it were a tennis match.
“This little rodent,” your brother said, scruffing up your hair as he spoke, “broke my wrist when she was 8 and I was 10.”
“It was self-defense! You were trying to use your karate moves on me and I panicked!”
“And now, you’re a hot-shot FBI Agent and you get to break bad guys wrists all the time.” He finished for you and you laughed, suddenly glad to be back around family.
“So, Spencer, you’re an FBI Agent, too? I thought my mom mentioned something about you being a Doctor earlier.”
“I am. A Doctor. And an FBI Agent, uh, they’re PhD’s not medical degrees, though. Three of them, Math, Chemistry and Engineering. I also have Bachelor's Degrees in Psychology, Philosophy, and Sociology.” He answered, and you looked up at him proudly, taking his hand as you noticed him growing slightly uncomfortable with the attention from your brother.
“Wow,” was all your brother said, until he finished the statement with “All those degrees and my sister was the best you could do, huh?” You punched him in the arm after that, and you felt Spencer physically relax a bit, twinning your fingers with his as you chastised your brother.
“Anyway, thanks for taking the time to come to our, hopefully, lovely wedding, the reception will be starting soon. The dining hall is just through there.” You hugged your brother again, and, with a breath of relief, led Spencer down the hall to the dining hall.
“That went well, I think?” you whispered to him, conspiratorially.
“Your family is nice,” he replied. “Does he always act like that, or is it the wedding spirit possessing him somehow?”
“If you’re referring to my brother, I think he’s probably partaken in a few flutes of champagne already this evening. But yes, he’s always like that. They all like to treat me like a baby when they see me.”
“I think it’s nice. They care about you a lot,” his words were warm, but his eyes were sad, and you remembered what you’d been told of Spencer’s own childhood and felt your heart ache for him. His mom loved him a lot, but Spencer had needed to grow up much too fast. You squeezed his hand, still clasped in yours and before you knew it you were pushing onto your tiptoes to press a kiss to his cheek.
“Thank you, Spencer. For being here,” you said as his now flushed face met yours. You didn’t let him respond though, simply pushing forward into the dining hall, ready to live in the fantasy of your own making for the evening.
–X–
“Spencer, you were amazing!” You giggled, walking down the hall to your room, stumbling slightly in your excitement and haste.
“Those magic tricks? The little babies couldn’t get enough of you,” you spun around, wrapping your arms around the man’s neck and pulling him in close to you, letting him hold you against the door to your room. He laughed a little at your antics as he pulled out the key card.
“Y/N, are you drunk?” he asked, one hand firmly planted on your waist to steady you now.
“No! I’m just happy. And if that happiness was caused by an array of cocktails forced into my hands by distant aunts and cousins who all wanted to know about my absolute catch of a boyfriend, then that is simply secondary to the feeling itself. And furthermore-” He pushed the door behind you in on itself, and your words were cut off by your legs giving out beneath you.
You were so sure you were about to take a tumble to the floor that you shut your eyes tight and braced for an impact that didn’t come. Opening them again slowly, you saw Spencer closer than before, his face mere inches from your own as he held you in an improvised dip, having caught you just before you’d hit the ground.
“Sorry. I… Shit, maybe I am drunk,” you breathed out, not letting your eyes drift from his own, knowing that if you ever considered a glance down at his lips at that moment, you wouldn’t be able to stop yourself from closing the measly distance separating you.
“You should use the bathroom first,” he told you, but without making any move of his own, stuck in that pose with you as if he was content to stay there for as long as he could hold you. “You should take your make-up off. We have a long day tomorrow, right?”
You were the first one to move, letting your feet find a more solid footing beneath you and twisting up from his grip. His hands didn’t leave your body as you became more upright though, still keeping you in that close embrace.
“Yeah, I should… I should go wash up.” You said, and he nodded, still looking at you with the same intensity as before.
“Spencer, that means you need to move,” you whispered quietly, and he jumped back as soon as the words were out of your mouth.
“Sorry. I’ll just… I’ll just be over there,” he held his hands up in surrender before moving further into the room, leaving you next to the bathroom.
Fifteen minutes later, you emerged from the bathroom and were ready to sleep once again. Thankfully, you of earlier that day had managed to store your pajamas in the bathroom ready for their use. Upon exiting the bathroom, you saw that Spencer was getting ready to sleep too, slacks and a shirt having been replaced by a pair of flannel pants and a very old and beaten-up CalTech sweater, looking perplexedly down at the bed.
“Spence, what’s wrong?”
“We didn’t speak any further about the sleeping arrangements…” he mumbled and you looked at the bed in front of you, still confused at his meaning. “Y/N, we have to share the bed.”
“Oh.” You knew you probably sounded dumb, but after the amount of alcohol thrust upon you that night, that was all you could muster at this point.
“I can sleep on the floor if that makes you feel more comfortable. It’s probably no worse than some of the motel beds we’ve stayed on before,” he offered, but you instantly shook your head.
“No, I dragged you out here, I’m not making you sleep on the floor as well,” you sighed and made your way to the side of the bed you’d slept on earlier, beginning to pull the covers down so you could get in.
“What are you doing?” Spencer asked, perplexed by your somehow contrasting words and actions.
“I’m getting ready for bed. It’s late.” You replied, not looking up at him again, for fear that he’d spot the blush on your face. “You should too,” you continued, patting the other side of the bed, gesturing for him to get in, too.
“Oh.” It was his turn to stand there shell-shocked in the moment, and you almost let out a giggle but held back thinking that would be too much for him to take in at that moment.
“Come on, Spence, I’m tired, I’m sure you’re tired. We’re just sharing a bed, it’s not like you have to marry me after this.” You climbed fully into the bed, making sure that your nightgown covered you decently before pulling the covers up around you. Spencer mumbled something that you didn’t catch, but he acquiesced and climbed in after you. You turned your head over on the pillow to face him, turning onto your side as you watched him turn his head to you as well.
“What?” he smiled, noticing your stare.
“Nothing. Good night, Spence,” you smiled, finally letting your eyes drop closed.
“Good night, Y/N.” He whispered, and the sound of his voice carried you off to sleep.
–X–
You weren’t sure if it was the light streaming in through the window or the rise and fall of a chest that wasn’t your own was the first thing to wake you in the morning, but nonetheless, you woke from the comfortable warmth of sleep and found yourself wrapped around your fake boyfriend.
To be fair to yourself, he was also wrapped around you. Your head had gravitated from your pillow to his chest, his left arm wrapped up and around your back. Your leg had also risen in the night, pulled up over his waist, held in place by his other arm, which was, almost embarrassingly, cradling your ass, pulling you in closer to his core. Unsure about how to go about disentangling yourself, you resigned yourself to just waking the man up.
“Spencer… Spencer,” you whispered, letting the hand that had fallen onto his chest tap him slightly. He stirred a little and then cracked an eye open, looking confused with the situation.
“Y/N, is it time for the wedding?” He asked through half-lidded eyes, evidently wanting nothing more than to fall back into whatever dreams he was having. You shifted uncomfortably in his arms then, suddenly growing stiff in the position you’d probably held for hours, and found your nightgown had risen dangerously high on your body, his hand on your near bare ass.
“No, no, it’s just…” You rolled your hips against his in discomfort, and the movement had his eyes breaking open as he finally took in your positions.
“Shit, I’m….Sorry, I don’t know what happened, I must’ve grabbed you when we were sleeping,” he said, reluctantly slipping his hands away from your body, trailing his hand around your leg, and letting it fall onto his stomach. The movement sent a shiver up your spine, as you finally had enough room to lift your torso up, not quite ready to relinquish the proximity of your entire body yet.
“It’s okay, I think it was probably me who started it in the first place. Those pillows weren’t that comfortable…” you tried to explain, the hand on his chest rubbing slow circles into his skin before you could realize what you were doing.
He pushed himself up into a sitting position then as well, clumsily. With your legs still wrapped around his waist, you had no choice but to move with him, suddenly finding yourself straddling him, the bedsheets suddenly pressed away from your body. If he looked down, he’d see a lot more than you planned for him to see, your panties on clear display as your nightgown twisted itself up into the sheets.
“Shit sorry,” he moaned out again, as you steadied yourself with hands on his shoulders.
“No, it’s okay, I didn’t move quick enough.” You quickly pulled your dress down again, and extracted yourself from the bed, lifting your leg up and off of him and finally pushing off the bed, leaving him sat there.
His hands fell into his lap and you started gathering things around the room, readying yourself for the busy day ahead.
“I have to be in the bridal suite at 11, so we have about… two hours to kill before then. Do you want to grab a shower first, or should I?”
“You first,” he mumbled quickly, before clearing his throat and trying again. “You should go first. You probably have more to do today, right?” You nodded at his words and made your way to the bathroom again. Out of the corner of your eye though, as you let the door close behind you, you watched his hands come up to cradle his flushed face, as he let his head fall back again into the pillow.
–X–
The morning was so busy after that, you barely had any chance to talk to Spencer again. You spent the early afternoon in the bridal suite with the wedding party, welcoming your new sister to the family, then made your way to the aisle space set up outside, checking up on last-minute details and helping to flower girls into position. You weren’t walking down the aisle yourself, but you could see that the extra help was letting the very stressed-out Maid of Honour get some well-needed respite. And more importantly, it stopped your wandering thoughts from letting you fantasize about Spencer.
You’d woken up in bed next to people before, of course, but it had never felt so comfortable. In fact, other people you’d slept with said you were pretty distant in your sleep, choosing to move as far away from physical touch as you could get, but you knew with no doubt that you had been the one to move in first, to touch him first. That he’d pulled you even closer had your heart singing, and you wanted to be wrapped up in him all over again, suddenly desperate to seek him out. So you distracted yourself, not wanting to make any mistakes you would regret when you were no longer wrapped up in your own fantasy.
So you kept your distance as the ceremony started. Then the wedding march was playing, and you were holding back tears as his hand slipped into yours, your head falling onto his shoulder as you watched your brother marry the love of his life.
You kept your distance as you reached the reception hall, watching all the old ladies on both sides fawn over him, asking him questions, and watching from his side as he blushed at the attention. You swept the hair out of his eyes as the couple was announced, and you took your seat for the wedding meal and the speeches, his hand falling to your back to guide you to your chair, pulling it out for you like a true gentleman.
You kept your distance as your new sister tossed the bouquet, and despite your low effort and the ravenous looks of the bridesmaids, it fell neatly into your hands as if it belonged there. You ran excitedly over to him to show him and he lifted you into a hug, caught up in your own excitement.
You kept your distance until you realized you’d not kept your distance at all, physically unable to keep yourself away from the man who had somehow stolen your heart in the middle of the night.
“I know that look,” your brother said, somehow sneaking up on you later into the night as you watched Spencer perform even more of his magic tricks for the smaller guests.
“What look?” you asked, not for one second letting your eyes drift from Spencer.
“You’re in love with him,” he said, taking a swig of the drink in his hand.
“He’s my boyfriend,” you said reflexively, turning to the drinks table behind you and picking up one for yourself.
“No, he isn’t. Or at least he wasn’t before this weekend,” your brother said, as your eyes finally snapped up to him.
“Oh, don’t act all surprised, Miss FBI Profiler. You may be good, but I’ll always be your older brother, and contrary to popular opinion, I do in fact pay attention to things.” You sighed and leaned back against the table.
“How’d you figure it out?”
“You were picking your nails the entire way through the reception dinner when the aunties were asking you about your relationship. You did that when we were younger too, when you tried lying to Mom and Dad about how I broke my wrist. Doesn’t take two PhD’s to figure that out.”
“Three.”
“Three what?”
“Three PhDs. He has three of them.” You sighed dreamily and ran a stressed hand through your head.
“He’s just my coworker. I didn’t want to disappoint Mom by coming alone after telling her all those stories, but now…” You tried to explain yourself but words were escaping you in that moment.
“You should tell him, trust me. He definitely feels the same.”
“How are you so confident about that? How did you manage to end up with all of the confidence between the two of us, when I can barely work up the courage to tell my own mother I’m still single?”
“Y/N, look at me. You got the brains, I had to have something. And no man flies to the opposite side of the country on a few day's notice for a girl who is just a friend, okay? That’s more logic than confidence, and that’s supposed to be your strong suit.”
You considered his words for a second, turning back to look at Spencer. Evidently, he’d finished his magic show and was beginning to say goodbye to the children, but he felt your eyes on him somehow and met your gaze. He brought his hand up into a shy wave before a little girl grabbed his attention again, and he looked at her seriously, nodding along to each word she was saying.
“Fuck, what do I do, I’m not good with… any of this.” You turned back to your brother, but he’d left you there, stranded in your own thoughts as you let yourself hope, let your brain dream that one day this would be your wedding and the man by your side would be Spencer Reid.
“Ladies and gentlemen, the bride and groom request the presence of all the couples on the dancefloor for this next song.” You saw your brother again, next to his wife, whispering his explanations in his ear as she turned to look at you and winked as well. God, they were going to be a force to be reckoned with together now, you thought, as people started pushing past you to make their way to the dancefloor.
You recognized the song of course, and it was almost so on the nose you almost rolled your eyes. More Than Words by Extreme. Perfect.
“Y/N, may I have this dance?” He had somehow snuck up on you from behind as you watched your brother, and held his hand out to you. You put your drink down and took it, letting him lead you to the dance floor.
“I didn’t think you danced, Dr. Reid,” you teased him as he pulled you in, letting his hands rest on your waist, as yours came up around his neck, gently letting him sway you side to side in time with the music.
“I don’t really, but it seemed wrong not to,” he smiled. “I’m at a wedding, with the most beautiful girl on my arm, and the couple made it very clear that we should be dancing, so here I am.” You blushed at his words as he spoke. He removed his hands from your waist, instead grasping one of yours in his own as he pulled you closer.
You stared up at him with a soft smile for a few more seconds before letting your head fall back to his chest.
“I know I’ve said it a lot this weekend, but thank you, Spencer.” You said into his shirt, letting him hold you close as the song went on.
“You don’t have to thank me, Y/N.” He insisted, and you looked up at him again. “Actually… I didn’t exactly agree to this with the best of intentions.”
Your heart lept to your throat as you stared up at him, hoping that he would take your silence as a means to continue.
“I’ve been… I thought that maybe…” he struggled to get the words out, his face aflame with the effort.
“You promised me those coffees right?” He finally stuttered out, and you were left confused and a little disappointed.
“Yeah, Spence, it’s okay, I’ll get you those coffees for the month, just like we promised.” You couldn’t help the sad smile that played on your lips as you answered him, so sure that he was about to say something else.
“No, I mean… Y/N I don’t want the coffee. I want this. I want us to go home, and make everything that you made up come true. I want to take you on a date to that coffee shop. I want to be a boyfriend you can call and tell your mom about because it’s serious and it’s going to work out between us. I even… God, I even spent the morning looking up book fairs in New York City so I could make that come true as well,” he rambled the words out and you could feel the tears forming in your eyes.
“Spencer,” you said softly, trying to get him to focus on you, but he’d started speaking and he wasn’t going to be stopped so easily.
“And if any of that creeps you out, just say the word and I’ll never mention it again. Because I know I’m not good with this, and when I feel something, I tend to feel it overwhelmingly, and Derek tells me I can be really oblivious sometimes, which I don’t really get, but-”
“Spencer,” you put a bit more force into your words this time, punctuating them with a hand on his face.
“Spencer, kiss me.” And he does. He takes your head in both of his hands, and he draws you up to him perfectly, letting your hands fall to the lapels of his suit jacket as he steals your breath away one more time. The kiss is lingering, but short, and he hesitantly backs away, looking around to spot witnesses. But you don’t care and you pull him back down for another, and another, until you’re just two lovers on the dance floor that cannot get enough of each other, gasping for breath between chaste kisses as you let him hold you there, gently swaying.
“Spencer,” you whisper finally, forehead resting on his, as the song finally draws to a close.
“Yes?”
“Spencer, take me to bed.” You tell him, and he nods. He leads you over to the bride and groom where you offer each of them a hug and a happy future before making your excuses and running away with Spencer back into the hotel like two love-drunk teenagers, a mess of giggles and stolen kisses as you stumble up to your room for the second time that weekend.
But this time, you don’t hesitate, don’t pull away. He backs you into the door and you let him hold you there, his mouth on yours, your tongues entwined as he fumbles for his key card. You fall together into the room, laughing and smiling the entire way, not letting him escape your touch.
“May I?” He asks, playing with the zipper of your dress as you kiss his cheek, his jaw, his neck, anywhere you can reach, nodding and moaning your consent. The moment the zip is pulled down, he lets you go for a second, and the dress falls straight to the floor. You're practically bare in front of him, chest exposed, neck littered with the beginning of love bites that he’s about to absolutely build upon.
“You’re beautiful.” He says, softly, wrapping his arms around you again, lifting you up so your legs can wrap around him as he delivers one more soul-crushing kiss to your lips. Your brain is a mess of emotions, your only solid thought is that you will never let him go again. You both eagerly worked on unbuttoning his shirt together, a desperate mess of breaths as he finally laid you on the bed. His hand fell to your core, tracing a finger over your sensitive nub as you begged him for more, needing to feel all of him, to devour his very existence.
He pulled himself out of his remaining clothes, lips still attached to yours, climbing over you and holding you tenderly, his arms wrapping around your body as his legs came to settle between your own. Dropping his forehead to yours, he finally spoke again, his hand dropping between the two of you to line himself up.
“Is this… are you sure?” You heard the restraint in his voice, the desperation, the love, the overwhelming lust as he held himself back, needing to hear your consent.
“Spencer, I love you,” you whispered, and he finally pushed himself into you, joining the two of you together in a moment of bliss. You shared another sweet kiss, letting him swallow each and every one of your moans as he began thrusting into you, your hips rising to meet him in your delirious pleasure.
He whispered sweet nothings in your ears, brushing the hair off your face every now and again to tell you how beautiful you looked, and how well you were doing.
“You’re so perfect, Y/N, you’re doing so good for me,” he pressed kisses against your neck with each word, keeping his pace steady as you chased your inevitable high, already clenching around his thick cock.
“Spencer, I love you,” you let the words drop from your tongue like a prayer, repeating them over and over with each thrust as small tears welled up out of your eyes. He kissed them away from your cheeks, listening to each confession as your stomach tightened and your climax spilled over you. He grabbed your waist then, leaving one hand cupping and stroking your cheek as his own thrusts grew sloppy, finally spending himself fully inside you.
“I love you, too,” he whispered into you then, unwilling to let you go for even one second. You spent the rest of the night whispering the words back and forth to one another, waiting with bated breath for the fantasy to break, for the magic of the wedding to wear off.
It never did.
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forestshadow-wolf · 5 months
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Just real quick! Something not soapghost (sorry)
I was rewatching httyd 2 (one of my favorite movies btw)
And I remember the first time I watched it, when Stoic was singing to Valka, I hated when Gobber kept interrupting. I thought it was annoying, and didn't belong.
But watching that scene again and I actually kind of like it now. And to properly explain this I just want to put an image in your head.
So imagine this - you, a fresh-faced young viking, has grown up next to his best friend your entire life. He's been beside you through thick and thin, and has never once left your side. Now you yourself have nevr seen any lady that's caught your eye, but your best friend? Oh He's got his heart locked on one. He's quite the fella, has no shortage of women that he could wed. But no, he want the kind-hearted woman who refuses to harm a dragon.
You think maybe she's too soft for this life. She doesn't belong. But you're best friend loves her, and you're his best friend for a eason so you don't say anything.
At first you leave them alone, the waves of love that radiate from them are sickening. They can't keep themselves away from eachother for a second. So you let them be.
Imagine around this time that perhaps you realize lads catch your eye more than lasses do (this is canon btw, and the VA for gobber is also gay)
At some point, after a few moon cycles of your best friend and his lady being together, the three of you start hanging out. You realize this lady is quite nice, still too kind, but you can see why your friend likes her.
At some point you can't keep it in anymore, and confide in your friend that you won't be looking for a lass, but rather a lad. Your friend claps you on the back, and says he's with you always, and it's like a weight has lifted off your shoulders. But then you hear a noise behind you, and you whip around. Standing before you is your friend's lady, and you freeze, but she gives you a nice smile and says she won't say anything. She says the village won't think anything of it, but regardless she won't say anything.
A few moon cycles later and you really do like this lady now. She may not harm dragons, she may fight to save them, but she is just as fierce as any viking you've ever met. And through it all you're best friend and his lady are tag teaming you, trying to set you up with other lads.
These are your best friends, you couldn't imagine your life without them. You do everything together. They never left your side, even when you lost your leg. They've been with you through everything, and you them.
It's been years now. And your best friends are still just as in love now, as they were when they met, in fact they might be even more so. They're married now. They're still trying to set you up with a few guys. You have dinner every night at their house. You cook because like a perfect matching pair, neither of them can cook. And you all laugh and sing together, and you know that no matter what happens it'll all be okay as long as they're here.
They have a baby together, it's a wee little thing. The lady worries something's wrong with him, but your best friend says he's gonna be the greatest chief there ever was.
Then imagine one night there's an especially bad attack, you see your best friends' house catch fire, that's where the baby is, and quiet possibly the lady. You're too far to do anything. But your best friend isn't. He races to the house.
The next thing you know a dragon busts from the roof with the lady in its clutches. Your best friend bursts from the house, little bundle of furs in hand.
After thay day everything changed. It was the same just... less happy. Less kind. But it can be kind of okay with three out of four pieces.
You watch the little boy grow up. Your best friend he's happy, but he worries. He never sings anymore, that's sad. He won't put him in dragon classes because he's scared of losing him too.
Eventually you convince him to allow it. And it goes great until it doesn't. And your best friend disowns his own son for befriending the very beasts that took his lady, the boy's mother.
And then you see that very beast save your best friend's kid's life. And your with your best friend through all of that. Life and death, thick and thin.
And then imagine you find the lady! Or well the kid did. And all of the sudden, this light that died in your best friend's eyes lights up again. And then for the first time in over 2 decades you hear your best friend singing again. Just once. And it's been so long. And then you hear the lady! And now it's like everything is better, just like old times, and you can't help but sing along.
So there! Now you all know some (probably) useless knowledge :)
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lesbiangummybearmafia · 11 months
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Spoilers season 1 Finale
My thoughts under the cut...
I have to say I really enjoyed the season 1 finale. I finally was able to sit down and watch it, from beginning to end it was fantastic. After last week's I was feeling rough with everything that happened but the finale definitely bought it altogether in a seamless way that flowed really well from one scene to the next. Which I have say some episodes do feel disjointed this one didn't. Where to start I did like Jane and Susan kinda working together again. The way they did the race was brilliant, I like the location of unused race tracks. I know it's meant to be California but it feels more tropical to me like maybe the coast of Georgia or Florida. But what I really love is that it's Jane and Susan that end up driving in the race. It was such a surprising chance of events however I was super excited about. I was literally yelling at my phone for Jane to win. 😁 I did so love that Olivia came even though she stayed out of sight.
Oh I like the T-birds and Pink Ladies "borrowing" parts from the Principles car and Ms. McGee just pretending like she doesn't see a thing, just too good lol.
I love Cynthia being up Nancy's butt about how she's treating Potato. I also love when Nancy comes to check on Cynthia to see why she hasn't been herself lately. And Cynthia tells Nancy about her feelings for Lydia. That was such a great scene. I was in tears, because I personally know how that feels. Not just basically coming out to a friend, which back than a million times scarier but also telling them you have feelings for someone. It was really brave of Cynthia to put herself out there like that. Then Nancy was super supportive and open hearted to be there for her friend. Just love it.
Hazel waking up Jane to talk her about her boy problems. That was such a sweet scene bewteen them. Jane all being I don't have clue really. That scene flowing smoothly into them all being at the Frosty Palace discussing not being friends with Olivia anymore, Hazel being you can still be friends with ever if she gets married. Of the Pink Ladies stopping the wedding well you all can guess how I feel about that! If not I was so overjoyed, ever Olivia's mom over there going we shouldn't of said yes. Than Jane making that heartfelt speak to Olivia, Olivia understanding that she does have Jane and the other Pink Ladies even with her brother gone that she isn't alone. She has four ride or die friends. Oh my favorite part of that scene I swear Nancy was channeling my emotions when she turned back around, ran up on Mr. Daniels slapping him across the face and reminded him Olivia is just a child. So so so fucking good!! I'm a little embarrassed how many times I rewatched that but it was just so satisfying cause there's so many times I want to slap that bastard.
Olivia did look pretty in her dress, I liked her and Jane at the Carnival together, they were so cute.
I love Cynthia and Lydia in mirror house together, Cynthia singing to her omg so romantic. Just love that scene. When Nancy came in at the end awww. 😍
I am a bit curious what's going to happen with Buddy now that he's not going to live with his father? He is a good kid and deserves better than a power hunger father!
I was so hoping for awhile now they'd make Hazel a Pink Ladies. So when that scene came up I was like are they really going to do!?! The whole musical scene was great that went along with it. I just love we have a new Pink Lady!
I almost forgot getting to see Frenchy and Rizzo again is just too cute. I rewatched the original Grease a couple of days ago. It's remarkable how much Madison Elizabeth Lagarestha that plays Frenchy now sounds like Didi Conn that played Frenchy in the original movie. I also wondered while watching the movie who made the Pink Ladies jackets now? After Nancy goes away to college or what have you who takes over making them? 🤔 Strange little things my mind thinks about.
Of course the cliff hanger... so is that Danny's brother, Frankie Zuko? Truthfully do we need another boy thrown at Jane?
I'm really hoping they get renewed for a 2nd season, I definitely think the series deserves it. It's because one my personal favorites. I really like the characters I don't want to see them go away anytime soon!!
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filmthoughtsbyfinn · 2 years
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They Didn’t Live Happily Ever After: La La Land and My Best Friend's Wedding
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The dragon is slayed, the damsel is saved. The hero and damsel rode off into the sunset and lived happily ever after.
But this isn’t reality, this is fairytales.
Recently I rewatched My Best Friend’s Wedding, mostly because of one specific scene(those who know, know) but I noticed how much better I liked it than the first time. The next day my mom called me down to watch La La Land as a way of calming down following a final and even though I loved that movie so much the first time, I loved it even more after watching My Best Friend’s Wedding.
For those who haven’t watched I'll give you guys a brief description of both, but be warned there will be major spoilers so be warned.
Childhood friends Julianne(Julia Roberts) and Micheal(Dermot Mulroney) made a deal in college to get married if they were both single at 28. With four more days until Julianne’s(Jules) 28th birthday Micheal calls with news that he will be marrying the 20 year old, drop-dead-gorgeous Kimberly(Cameron Diaz). With this news Jules suddenly realized she is in love with her best friend, and with only three more days until the wedding she makes a plan to stop the wedding no matter what, which might be hard as she is the Maid of Honor.
In one of my favorite scenes in the movie Jules pronounces her love to Micheal on the day of the wedding as Kim watches. When Micheal realizes that Kim saw he begins to chase after her(Kim), Jules chases after Micheal. As Jules is chasing after Micheal’s sports car in a semi-truck she is calling her best friend, George. Here it is:
George: “Micheal is chasing Kimmy?”
Jules: “Yes!”
George: “You’re chasing Micheal?”
Jules: “YES!”
George: “Who’s chasing you…nobody, get it? There’s your answer. It’s Kimmy.”
This scene is amazing, it is the realization moment of the movie, it is when we know that this movie will not have the happy ending of others of its time. Julianne is not going to win Micheal. He has chosen Kimmy, and she is going to have to live with the mistakes she has made and have to live without him.
La La Land is a 2016 film that ended up winning multiple awards(Academy Award for Best Actress, Academy Award for Best Director, Academy Award for Best Cinematography, etc.) The movie follows Sebastian(Ryan Gosling) and Mia(Emma Stone) as they are drawn together with the common dreams of doing what they love. However, as their passions begin to succeed the two have to make a choice between loving each other or doing what they love. Similar to in My Best Friend’s Wedding there is a scene of realization between the two. As Mia makes her big break for a movie in Paris and Sebastian needs to stay in LA for his jazz club the two talk in the park outside the Griffith Observatory a place which was previous where their love had blossomed. The two discuss their lives and what they will do. And another one of my favorite parts occurs.
Sebastian: When do you find out?
Mia: They said the next couple of days... But I'm not expecting to find anything out.
Sebastian: You're going to get it.
Mia: No, I'm not.
Sebastian: You are. I know these things
Mia: I mean -- where are we?
Sebastian: I know… I don't know.
Mia: What do we do?
Sebastian: I don't think we can do anything. Because when you get this --
Mia: If I get it this...
Sebastian:  When you get this -- you've got to give it everything you've got.
Sebastian (CONT'D): It's your dream.
Mia: What are you going to do?
Sebastian:  I've gotta follow my own plan. Stay here. Get my own thing going. You know...
Sebastian: I guess we're just going to have to wait and see.
Mia: You know I'm always going to love you.
Sebastian: I'm always going to love you too.
At this moment they both acknowledge that this is the end of this story. That at this point in their lives, even though they still love each other, it is time to go their separate ways.
I think both of these movies illustrate the need for unhappy endings. That love is not always going to work out and sometimes it won’t be reciprocated. I feel like especially in this age of easy to access media it is easy to assume that movies are like reality, that the guy will get the girl and everyone will be happy. But I do think that it is important to also show that life isn’t always what it is in the movies. A counter argument to this is that movies are used as escapism and that to have an unhappy ending is to not provide catharsis. I would disagree with this, the media we consume often translates to the way we live our lives and if we are solely watching movies based in fantasy it is likely we will set up false expectations for ourselves and it will only lead us to more heartbreak.
I find that having an unhappy ending in itself relays a bittersweet hope, that even though things may not have ended up the way we wanted them to, they did eventually end. And by reaching this end we were able to reach catharsis.
Catharsis is a medical term for purging or cleansing. To Plato and Aristotle however, it more so in the symbolic way, that through tragedy we are able to move on. An example of this is in from Aeschylus when Agamemnon states, "But Justice turns the balance scales, sees that we suffer and we suffer and we learn.  And we will know the future when it comes." This purging of pain we see in unhappy endings enables us to instead of just being satisfied with yet another happy ending, to seek relief and to know that we can persist.
So the next time you watch these movies don’t see them as a unsatisfying ending see them instead as a chance to grow, a chance to be more and a chance to see beyond the false reality of the Hollywood Fairytale.
Citations: 
- https://clip.cafe/my-best-friends-wedding-1997/michaels-chasing-kimmy/
- https://imsdb.com/scripts/La-La-Land.html
- https://webpages.uidaho.edu/engl257/Classical/tragedy_as_catharsis.htm
- https://www.imdb.com/list/ls054336709/
- https://www.imdb.com/list/ls000006543/
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1025cherrystreet · 3 years
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reasons
harry and y/n exchanging vows on their wedding day
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a/n: i was listening to music and feeling real lonely tonight, so i basically just wrote everything i want to hear from someone one day :) i never know how to end stories, soz! hope y'all like it, any feedback is appreciated!!
warnings: none, just fluff <3
The white chairs are filled with their family and friends. Gemma, Michal, and Anne sit on the groom's side while Y/N's parents and brother sit on her side of the aisle in anticipation. They didn't expect to be the people who have big weddings, and it's not even that big, but everyone they know is in attendance. James Corden and his family are in the audience, Louis, Liam, Niall, Zayn, and their dates all sit to watch their friends get married. Smiles adorn everyone's faces as the couple take platform at the front while Jeff (who got ordained just for their wedding!) reads off statements of marriage.
Y/N's best friend Claude is her bridesmaid (or 'bridesman' as his boyfriend, Frankie, liked to call it) and Mitch stands next to Harry as his best man. Everyone in shades of beige and sage green as it's Y/N and Harry's favorite colors.
"Y/N you can start with your vows, now." Jeff smiles at her, gesturing with his head, signaling Claude to take her handwritten promises out of his suit jacket pocket and hand it to the bride.
She mouths a watery, thank you, to Claude before turning back to face her fiancé standing in front of her. Even on her wedding day, she gives a bashful smile to Harry before clearing her throat.
"Harry." She starts nervously, "You are my person. You look at me as if I hung the stars and I can only hope you know I feel as devoted to you as the moon. The way you shined your bright light on my life is something I will never take for granted. You are my every reason. You are my lifelong dream to go to Italy and you are the endless praises I've always craved." Her hands shake in both exhilaration and trepidation.
"You are good books on long evenings... You are flowers in the middle of spring, you're long night car rides with blaring music, and you are the smell of rain on a cool evening in June. You're the cold side of my pillow in the middle of a hot summer night... the feeling of warm sun-kissed skin from showering after a beach trip...and the split second of silence when it's raining as you drive under the overpass on the interstate... You are 'that part' of a good song and the moment it would rain at school and everyone would just stop and stare out the window," She says, stray tears rolling slowly down her face, trying to ignore the way she can feel everyone's eyes on them in that moment.
"You are a pinky promise I hold so deeply... You are laughing so hard to the point of pain and you're rediscovering bagels every five months." Y/N smiles and glances up at him from her paper just quick enough to catch his chuckle as he knuckles the trapped tears in his green eyes. The last line gaining laughs from family and friends in the crowd.
"You are all of my reasons to live, H. Both the big dreams I've had my whole life and the little things I appreciate in my day-to-day. Of all these reasons to live though, most importantly.. you are Harry. My Harry. There's not enough words in the English language to convey my love for you, but I would spend the rest of my life searching for the right ones if that meant I got to spend it with you." She pauses to look her love in the eye, Harry staring right back at her with so much adoration for the girl in front of him.
She looks back down at the papers, tears catching on the edges. "So, with that, I vow to be your person. I vow to be your every reason to live another day and every small encounter that brings you even an ounce of joy. I vow to be your best friend and your indescribable love, if that's what being your person entails. I will be anything you need and everything you want, if it means we could happily grow old together."
"I love you, Harry Styles... and I can't wait to be your wife." Y/N finally lets the tears flow freely from her eyes as she stares up at her soon-to-be husband, Harry raises his hand to gently wipe them from her face with a breathtaking smile on his lips.
Tears of his own fall down, Y/N reciprocating the loving action. The two of them smile at each other for a moment, taking each other in. Harry has never felt more loved in his life, feeling honored to even be that person to someone, let alone his girl. He takes her hand and raises it to his cherry stained lips, pressing a kiss to her knuckles.
"That was beautiful, Y/N," Jeff whispers with a grin and turns to Harry, "Now, Harry you can now read your vows."
Harry drops her hand to retrieve the hand-written pages from his blazer pocket, quickly unfolding it and taking Y/N's hand once again. He glances at her before clearing his own throat and starting.
"Y/N, I want t'start off saying I love you. I love you so much it scares me."
"Y'have no idea what y'mean to me and what all y'have done for me. Y'keep me sane when my life tries t'drive me crazy. Y'make me feel normal when my job gets too much t'handle. You make me feel loved when it feels like everyone is out t'get me and y'make me feel like Harry when the whole world wants me t'be Harry Styles," He says, glancing up from the paper ever so often, his hands shaking in turn.
"I used t'resent being known as Harry Styles. My name became a bad taste in my mouth and sounded like nails on a chalkboard. I felt like Harry Styles always had t'be polite and put together and had no room t'make mistakes. It was exhausting trying t'be perfect all the time, I started t'lose myself... But you. You, Y/N, made me want t'become someone I wasn't ashamed of anymore. Y'showed me what it was like t'feel safe and content, and y'taught me t'never be anythin' but authentic because you said Harry Styles was just as capable at love and acceptance as Harry... You made me fall in love with myself again, and f'that I could never repay you. I love you so much that I can't even explain it, but f'your sake, I'll try, so here goes..." Y/N smiles at him with glassy eyes.
"I love how y'are so kind and loving t'everyone you meet. I love how you're a hugger from the first encounter and how y'always ask people if they are okay twice, just to make sure they know y'really care and will listen if they need it. I love how y'throw spilled salt over your shoulder and believe in the stars as some form of higher power. I love how y'decide to have a dance party two in the morning 'just cause' and sing songs at the top of your lungs f'the world t'hear. I love how y'have 86 spotify playlists because 'you need one for every memory or feeling'. I love when y'show me new music and bring me t'find a new appreciation t'my craft and others'. I love how y'look at the smallest moments in life and cherish them. I love how y'take nothing for granted and live everyday as if it's your last. I love how y'always choose t'view life for its beauty and child-like innocence, than for its deception and cruelty, first."
"I love you...Truly, Madly, Deeply," He chuckles out and Y/N laughs out loud, shaking her head at him playfully. Four loud wooo!'s sound out, the rest of their loved ones laughing at the cheeky reference. "I love everythin' about you and everythin' that has made y'who you are today...I love you, Y/N. My Y/N." He proclaims with a boyish grin.
"So, I vow t'be your husband always. I vow t'be your husband when you're angry at me f'messing up the laundry and when you're crying over not feeling enough f'people. I vow t'be your husband and love you when you get tired of rewatching The Notebook every time we have a movie night. I vow t'be there for you, even if you may not want me anymore-" She scowls and swats his arm for him even thinking that, making their guests let out a good chuckle.
"And, lastly, I vow t'be your best friend and lover 'til the day we die. You are not my Allie, you are so much better. You are my Y/N and I can't wait t'create my own movie with you."
Salty tears flow down their faces as they stare lovestruck at each other, the eyes of their family and friends all fade away and it's only the two of them in that moment. Hands intertwined, lost in each other's gaze, the only thing they comprehend is the, you may now kiss one another, that comes from Jeff's mouth.
'Awes' and coos sound from the crowd, Niall and Louis cheer the loudest, the other boys smiling at the newly-weds. Gemma and Anne are bawling their eyes out, just like Y/N's parents are. But, neither of them notice any of it as Harry wraps an arm around her waist, the other cupping her tear stained cheek and pulling her in to kiss her passionately.
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ckneal · 3 years
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About a month ago, I had a fairly random revelation that Lilith was to Lucifer what Adam was to Michael. Not in the sense that she was ever his vessel, as all humans capable of serving that role are purportedly descended from Adam and Eve, and, while it’s never specifically confirmed to be true for the Supernatural universe, most lore surrounding Lilith sets her up as being too old for that.
And I also don’t necessarily mean that Lucifer and Lilith were in love—Lucifer is too egotistical and arrogant for me, personally, to believe he’s capable of a true romantic bond, and it is twice stated that he lost his virginity to Kelly Kline, in settings that leant themselves toward his credibility on this subject (musing aloud to an uncomprehending Kelly in the privacy of their bedroom, and awkwardly grappling for something to say in his first unplanned meeting with Jack, respectively)—leading me to believe that the recognizable sleazy substitute for love (lust) was not present between these two either. But, I do think that there was a connection there, and I do find myself curious about it.
After all, Lilith was willing to die to set Lucifer free from the cage. And yes, I am aware that she had made a deal with Michael to help set off the apocalypse, and she was obligated to carry out her part, but has anyone ever wondered what exactly Lilith got out of the bargain? She’s not exactly written like Eve, from season 6. She is not mothering toward demonkind. I can’t see her sharing Michael’s motivation to bring God back. The one who stood to benefit from her sacrifice, was, in fact, Lucifer. (And Michael, obviously.)
I think that the bond Lilith and Lucifer formed was a bit similar to what Adam and Michael had, in that it came from a lack of choice. I firmly believe that Lilith and Lucifer spent a decent amount of time together in Hell, just the two of them. Likely for a much longer period of time than Michael and Adam did in the cage. We don’t know exactly when Lucifer made Lilith, but we do know that he was out and moving around for awhile after the apple incident that Gadreel was incarcerated for—after all, Cain was a grown man when he caught Lucifer circling Abel and agreed to take the Mark. And bible ages are a little strange, but let’s say that that’s a good couple of decades in earth time. That’s much longer in Hell. Assuming that Lilith was turned prior to Cain, that’s a long time with Lucifer and Lilith being the only two occupants of Hell. (Well, except for Ramsey and her hellpuppies; remember she was pregnant when Lucifer saved her from extinction.)
And I wonder if in that time, the two of them could have developed a begrudging sort of friendship? Just from the forced proximity—Michael was clearly capable of decimating Lilith on sight if she went back to earth, and there weren’t exactly a lot of humans wondering around that early on in the species to provide her with cover—not to mention a meatsuit. She was pretty much stuck there, while Lucifer was presumably laying low, while he got his schemes together. Setting up the horsemen, binding Death, somehow getting and hiding the demon tablet, creating the Princes of Hell, and such. . .Just a lot of stuff, and where he used to have a vast multitude of siblings to talk to, he now just had this snarky little corrupted human soul, and I think—I think—they became friends.
And Lucifer considers this to be the filthiest thing that he’s ever done—on par with the most torrid, disgusting affair that anyone has ever had, and he still hates everything about it to this day. That’s why Lucifer never once talks about Lilith. He is nauseated by the fact that they were the original frenemies, completely disgusted and powerless to resist their intense conversational chemistry, and if they saw each other tomorrow there’s a tiny part of him that will still light up because no one has ever been more thoroughly on his level.
And it’s fucking mutual. If they saw each other tomorrow, they would exchange the most vehement of insults, maybe even physically attack one another, shouting their hatred at full volume—and then a few hours later be spotted at a coffee shop, passionately talking trash on Sam Winchester, and set terrible, terrible plans in motion that will plague Sammy’s life for the next several years. When they part ways, they would both feel intensely dirty, telling themselves that this will never happen again—but Lucifer has never been one to resist temptation, and at 3am finds himself sending that text message he knows he’ll regret later. . . “So what are your thoughts on Dean? ;)” And off they go again, all night long.
And that’s why Lilith was willing to lay down her life to set Lucifer free. And it’s also why she had her moment of doubt, when she nearly got Sam to agree to that demon deal. She had a moment of realizing that she was about to die for an asshole she doesn’t even like.
I personally like to think that Michael was the archangel who nearly came blasting in to defend Chuck that night, when Dean pulled the plug on the deal Sam was about to make (and before you try to tell me that wasn’t a real deal because Lilith was planning a trap—rewatch that scene, Sam was the one who played dirty by reaching for the demon-killing knife; Lilith was busy eyeing his crotch through his jeans and feeling up his chest). After Lilith smoked out of her meatsuit, I like to think that Michael followed her and gave a kind of prep talk, telling her that it’s important that they remember their motivations, shameful though they might be
At which point, Lilith just bursts into tears, crying, “Oh god, you’re right. . .He’s my best friend—how did this happen? How did this—Oh god, oh god, oh god, I’m going to be sick!”
Lilith sobs into Michael’s wings, while Michael is just sort of stuck standing there, because Lilith is gripping one of his four heads with both hands as she cries, while the other three are looking around for help, intensely confused because he, of course, was talking about bringing God back, and now he has no idea what to do to get out of this uncomfortable social situation that he does not understand.
And thinking about Lucifer and Lilith and Michael and Adam as parallels, it gets me asking these questions about how things would go if the roles were reversed. Would Adam willing lay down his life to free Michael from the cage? As a fanfiction writer, I enjoy the idea of saying yes.
In fact, I’m a little enamored with the idea of a parallel world where everything is flipped. Where it’s Michael in the box, and Adam running around breaking seals, Adam on that final, fateful night—after having had his moment of doubt in which he’d lured Ramiel into a secluded spot and offered to stand down and nearly banged Ramiel’s brains out in the bargain—but that’s all past, and now he’s firm in his resolve. Adam standing in front of a mirror—but instead of the white gown that Lilith wore, Adam’s in a black suit, dressed as if it were his wedding day, though he’ll never see his groom. And Raphael appearing at his elbow, looking concerned—instead of some random follower of Lilith’s, and Adam telling Raphael to be happy. Everything is going to be okay.
And it’s Adam reclining against the alter, all serene anticipation as Ramiel—the second Prince of Hell, who rejected his place in the succession because all he wanted was to live out a quiet life with his fishing gear, well away from the Pit and the Life—comes storming into the church with Zachariah at his side, assuring Ramiel that he’s trained for this, he can do it—only to have Azazel come bursting in behind them, shouting, “NO, RAMMY! IT’S WHAT HE WANTS!”
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dtrhwithalex · 3 years
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TV | Leverage (Season 1, Rewatch)
Rewatch of the first season of TNT's LEVERAGE (2008-2012), created by John Rogers and Chris Downey together with Dean Devlin and his production company Electric Entertainment.
In anticipation of the show's reboot / revival / sequel LEVERAGE: REDEMPTION coming to IMDbTV on 09 July this year, I am rewatching the original 77 episodes and writing about my favourite moments and things from each episode, season by season.
(Just a note, this first season was aired out of order, so the dates won't actually form a chronology, since I'm going with the intended order rather than the one they were aired in.)
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101: THE NIGERIAN JOB
D: DEAN DEVLIN. W: JOHN ROGERS & CHRIS DOWNEY. Original Air Date: 07 December 2008.
I have lost count of how many times I have seen this episode (or any episodes of this show to be completely honest), but it holds up every single time. It is one of my favourite, if not the favourite TV pilot episode I have ever seen.
The way this pilot sets up who the main characters are and what the core of this show is, is simply perfect. The introduction of Nate at the bar being approached by Dubenich, then the intercut between him convincing Nate to do the job and the actual job happening -- just wonderful. The same goes for the individual introductions of the other players. Nate's comment about Parker ("no, but Parker is insane") which plants a thread for the rest of the show already, the flashbacks of each character to exemplify who they and what their talents are, combined with the episode then showing you those talents and what Nate can do with them -- which is, of course, his talent -- sets up this whole show so well.
So many seeds that come to fruition throughout the show are already planted right here. Nate's mentoring of Parker to become his eventual successor as Mastermind ("Haircuts, Parker, count the haircuts" -- "I would've missed that"), Eliot's role as protector, the iconic overhead shots and the gloating, the alternate revenue streams, "Hardison dies in Plan M" -- it's all already right here in this episode. A brilliant piece of writing. Hats off to Rogers and Downey, no questions asked.
Rewatching this episode made me think of what this show is about, in its essence. Yes, it is about standing up for those who can't do so themselves, taking on the bigger bad, showing how corrupt and terrible the world can be, but also how much good there is to still find in the world. But also, this show is about a lonely man being actively bullied into the family he didn't know he needed or wanted, but will eventually come to realise is the one thing, the only thing that is keeping him alive. LEVERAGE is the story of a man and his crusade to avenge the death of his child, but is is very much also the story of a man who finds a reason to keep getting up every morning in the four people who are on this crusade with him. And this pilot episode already holds the seed and the potential of all of that. And that is why this show is to this day still my favourite show of all time, because it is utterly perfect in every way.
102: THE HOMECOMING JOB
D: DEAN DEVLIN. W: JOHN ROGERS. Original Air Date: 09 December 2008.
I absolutely love how John Rogers was like okay first episode, some greedy asshole who does whatever he wants for his own gain, we'll take him down a notch. Episode two? Hmm, oh yeah, the government is completely corrupt, filled with rich greedy assholes who do whatever they want for their own gain and always get away with it. Not on my watch (I love him very much, thank you).
This episode, once again, so good. The re-introduction of every character in this new reality of Nate's crusade is just as brilliantly done as the original introduction of them all. Sophie at an audition (love the John Rogers cameo here) completely butchering it once again, Eliot beating up some thug, Parker stealing valuable art, and Hardison doing what he does best: creating a beautiful office-slash-home space for the team, putting his all into their backstories, the equipment, the behind-the-scenes workings of what they need to get the job done. My man.
The message of this particular episode is also just something I am very fond of. The rehab facility doctor's words in the beginning, and then in the end again -- "people don't just show up to help. that's not the way the world works" -- as well as Nate's ultimate answer to her, "so change the world." That right here is the message of this show. It's already right here, all up in your face, episode two.
I completely adore what this episode does for the character dynamics already. The detail Hardison puts into the other's backstories, the interactions around the conference table, Eliot sharing his knowledge, Nate explaining the money laundering scam, the whole thing about laws being in a wooden box, Sophie elaborating why she knew Congressman Jenkins was lying to her -- they don't just work together, they already start giving the others insight into their talents and their knowledge and share that. It's beautiful. I especially adore the shot of them at the end, everyone leaning against the car while watching Corporal Perry and the other veterans debating what to do with the money. They are already so comfortable and at ease with each other, leaning into each other's spaces. They're family. You can see it here already.
Absolutely fantastic episode. For a long time, whenever I thought about The Homecoming Job, I somehow associated a more negative emotion with it than with other episodes, but I don't quite know why, because this is a brilliant episode and I love watching it.
103: THE WEDDING JOB
D: JONATHAN FRAKES. W: CHRIS DOWNEY. Original Air Date: 13 January 2009.
We love Jonathan Frakes in this house and every single time his name shows up with the director tag on this show, I know that I will enjoy every last second of the episode I am about to watch. Frakes directed the hell outta this thing. The Wedding Job is an absolutely excellent episode. Dan Lauria as our main baddie Nicky Moscone is perfect casting and there are so many great comedic beats in the scenes with him and Nate. Everyone, generally, is so weirded out by Priest!Nate, but Moscone just takes the weirdness in stride. This episode holds a very special place in my heart because it contains the introduction of my favourite FBI duo -- McSweeten (McSweetheart, as we call him) and Taggert. I adore these two bumbling fools so much, and I am so glad they kept being brought back, because they are both just so lovely. McSweetheart especially is very dear to me because of the D.B. Cooper Job from the last season (where, I ask, do I start my McSweetheart for Leverage: Redemption campaign?). Overall just such an excellent episode, really. So many great moments between our main characters--Sophie and Nate and their little "relationship" problem, Hardison and Eliot talking about marriage, Parker pretending she was waiting in the screening room to have sex with Hardison, Hardison appreciating Eliot's cooking. I also absolutely adore the beginning, the four of them convincing Nate that Teresa is definitely the type of client they take on. And Nate's resigned "Yeah, okay, yeah. Let's go rob Nicky Moscone. A guy who kills people and lives in our city. Yeah, let's go do that" as if they weren't going to go above and beyond any of that in the five years they will spend together on this crusade of his. You're so precious, Nathan. Of course, the ending of this episode is beyond brilliant, and lives both in my heart and my head rent free. It is such a magnificent found family moment. Getting Teresa the restaurant back, the news footage regarding Ray's appeal, and of course, Eliot cooking for them all, and them celebrating together, all of them. It is such a beautiful moment.
104: THE SNOW JOB
D: TONY BILL. W: ALBERT KIM. Original Air Date: 27 January 2009.
I adore what the client says to Nate in the beginning of the episode: "You work hard, you play by the rules, but when you need help, you really need help? They let you hang. They let you hang and it's your kid who pays the price." This show hammers home its message so many times in such great character moments and it makes watching these brilliant people take on these greedy bastards and robbing them for all they've got that much sweeter. It is such a satisfying thing to watch. Especially because they're all so damn good at this.
This is a great episode but it is infinitely funnier if you know and speak German, because it makes the scenes between Sophie and Eliot absolutely hysterical. And the delivery of the line that Ute Ausgartner says when she discovers they replaced her with Sophie is just wrong enough to crack you up.
Again some wonderfully brilliant comedic beats -- the Frakes cameo in the hospital waiting room, Parker casually hanging off the ski lift, Hardison and Eliot arguing over who puts dye in the dead body, Eliot carrying off a pissed of Parker, and so many more.
This episode also, for the first time, really gives insight into Nate's drinking problem. We had the one moment in The Homecoming Job, but this episode starts to explore it more in depths. And something that I've always appreciated about this show is that it never glorifies the drinking, but Nate is also never vilified for it. It is a fact of Nate's life and they explore different aspects of it, and everything is done with such care (which does not surprise me one bit since this is John Rogers' show).
The ending of this episode is also, once again, so beautiful and nicely done. It is just so incredibly satisfying to watch these greedy bastards get what's coming to them, and to see the clients be compensated beyond anything they'd ask for.
105: THE MILE HIGH JOB
D: ROB MINKOFF. W: AMY BERG. Original Air Date: 20 January 2009.
Another fantastic episode (you will realise that I will say this about every single of the 77 episodes this show has)! Amy Berg wrote some excellent stuff for this show, and this episode is one of them. Always a lot of great character relationship moments, and absolutely brilliant comedic beats.
I am very fond of the fact that here, in the early days, we have the whole team present around the table during the client meeting. We see all their reactions and inputs here already, and not later when Nate or Hardison (usually) relays the information of their next job to the rest of the gang. It's a very lovely moment.
I am also very fond of the entire recon bit at the GenoGrow office. Sophie's French rave-girl act, the others having to climb stairs, Hardison's absence, the cut from Parker's bomb to the microwave at the HQ, Nate, Eliot and Parker yelling "Oh it's right behind us, it's chasing us!" and grabbing Sophie on the way out, meanwhile the security guys completely buying it. Absolutely brilliant, all the way through.
Both Hardison's adventure at GenoGrow as well as the others on the plane contain so many great comedic moments. Hardison's Spanish maintenance guy act, his interactions with both Cheryl and Steve (talking into the cupboard? His fake meeting and getting Steve to take a dive? The whole birthday thing? A+ all around. Amy Berg, everyone) and of course the reaction he has to the plane safely landing on the highway ("lord I was so scared, I wanna cry and call my momma" I love him so much, y'all). I also have big feelings about Nate's pep talk to Hardison, "you can do this, I trust you ... the only guy I can count on in a situation like this." Sir, I am experiencing an emotion alright.
The sequences on the plane are of course also absolutely fantastic. Nate and Sophie's domestic, Parker's day job and her interactions with Marissa, Eliot being a big softie who holds Marissa's hand all the way up to the in-flight bar and hugs the woman he sat down next to when they safely land (womaniser, big softie. tomayto, tomahto). Also big shoutout to the fake names Nate and Sophie have. We love our DOCTOR WHO references in this show. I love these nerds very much, thank you.
106: THE TWO HORSE JOB
D: CRAIG R. BAXLEY. W: MELISSA GLENN & JESSICA RIEDER (GRASL). Original Air Date: 16 December 2008.
This episode also holds a very special place in my heart because it contains the introduction of our dearly beloved antagonist, Mr Jim Sterling, the absolutely amazing Mark Sheppard. We love Sterling in this house, yessir (again, where do I have to address my Jim Sterling For Leverage: Redemption campaign to?). Every moment he is in is fantastic, but I especially adore the conversation he has with Nate at the race track (especially the "Nathan Ford is a common criminal" -- "Common. That's just hurtful" bit of it).
This, of course, is an episode by our wonder twins, Glenn and Rieder (now Grasl), which they ended up naming the in-universe safe company after. Always fantastic work when the two of them are involved. Some amazing character moments again here.
We get to see some of Eliot's backstory with Aimee which in turn gives us two fantastic moments with him and the women of the team. I love his interaction with Sophie at the racetrack: "I like Aimee, I do. I mean it, I like you both, Eliot. I just, I don't know what comes of chasing the past, you know." -- "Well Sophie, sweetie, I don't think you and Nate get to serve me that particular meal." Just fantastic moment between these two, who I like to call The Conference of Mom Friends whenever they are in scenes together. The other interaction is with Parker in the car: "We need you to do this. I need you to do this." I adore Eliot and Parker's relationship and this already is a very early glimpse at the dynamic they develop which will eventually lead to beautiful moments like that in the ice cave in The Long Way Down Job in season four.
I also love how it is Hardison and Parker's discussion about horses that ultimately reminds Nate of the Lost Heir con. Aldis' delivery of "Wilbur loved Mr Ed! He loved him like a second cousin twice removed" is absolutely brilliant. Unsurprisingly, however, my favourite interaction of this episode is the one Eliot has with Aimee at the end: "You're never gonna be the kind to settle down, but I'm glad you found a family." -- "Th-those guys?" Yes, Eliot, those guys. You might not know it just yet, but that is absolutely your family, and the fact that an outsider already comments on it this early is simply perfect. My deepest gratitude to you, wonder twins.
107: THE BANK SHOT JOB
D: DEAN DEVLIN. W: AMY BERG. Original Air Date: 30 December 2008.
Amy Berg on the typewriter once again (typewriter? Alex what are you talking about this was 2008...)! I really like this episode a whole lot. An excellent one for Nate/Sophie, as well as Hardison/Parker. I have a huge soft spot for my crime children pretending to be law enforcement. Any combination of them is good, but Parker and Hardison as FBI agents especially is just exquisite.
This episode is also just fantastic for illustrating some of the small town criminal activity that happens from the top down. Judge Roy's entire bit about how "these little people" will do and say whatever he tells them to do and that, because he is the law in the town, he gets to decide what is actually true and what is not. To then have Hardison fake security footage and them turning the story against Judge Roy is of course poetic justice. I adore the moment when the bank manager Frank decides that sticking with the false facts these random people have come up with is the better choice than having the judge remain in charge.
I also really love the interaction Derrick has with Sophie and then later with Parker, as well as the moment of uncertainty in-between. His "I don't know what to do with that" when Sophie tells him she's a thief is so funny and so good. The turn of "but they're criminals....then again" when he looks out of the window on the way to Parker is also just a nice moment to illustrate exactly what Parker then later says, "sometimes bad guys are the only good guys you get." Ethics and justice are such muddy concepts and especially in situations like Derrick is currently in, there is no way of knowing who is actually good, who is bad, and who is just trying their best. It is a lovely moment and once again, one of those great instances of "important message within character moment" that this show does so well.
Of course, I am also very fond of Hardison's mention of DOCTOR WHO, his "Geek power baby, stay strong" line, Eliot's fight scene with the crack dealers ("stay in the car!"), Hardison's bullshitting the demands at the bank (Hall & Oates!) and, of course, last but not least, the return of my favourite FBI fools, McSweetheart and Taggert, getting yet another win laid in their lap by the Leverage crew. This episode is filled to the brim with greatness.
108: THE MIRACLE JOB
D: ARVIN BROWN. W: CHRISTINE BOYLAN. Original Air Date: 23 December 2008.
An absolutely excellent Nate-centric episode! We finally get a bit more of a view into Nate's past, aside from the ever-present flashback to Sam's death at the hospital. I really like the relationship of Nate and Father Paul, which I think is very interesting and so well done. Through Paul we get another side of Nate, which may have stayed hidden otherwise. I am also very fond of how Maggie is introduced here. She doesn't get a voice yet, but we learn about her through Nate, Sophie and also Paul, and I quite like that. It sets up expectations for her appearance in the finale, which is really intriguing.
This episode has so many great comedic beats as well, and I barely even know where to begin. From the team's inability to deal with Sophie's acting talents (or lack thereof) to the whole "It's not Santa" gag, the amazing faces Sophie pulls when the mark tells her about Bibletopia, Hardison's "God will smite us" thing -- there is just too much good stuff in this episode.
One of my favourite interactions in this episode was on the construction site, after Grant takes what he thinks are his meds.
Sophie: What is that you just took? Grant: Xanax. For my nerves. Parker: Actually caffeine. With a dash of dextroamphetamine. Eliot: You have him speed? Hardison, shrugging: He beat up a priest!
The look Eliot gives them then with a half-shrug, an expression which cannot be described as anything but "aight, fair enough" -- just absolutely excellent.
What I also really loved about this episode, is that we get to see more of the HQ than just the conference room. We have the team meeting in Nate's office, we see Sophie picking through her mail, Hardison making space so he can build fake Saint Nick statues. Added to that, the team is setting into such a nice familiarity with each other. Eliot brings Sophie a cup of coffee to the meeting in Nate's office. The fact that they all do get mail at the office. This is their space. I love it so much.
What this episode also gives us, is a first instance of the con possibly going side-ways because of how convincing it is. I adore that their possible downfall will never be incompetence, but rather over-competence. They are so good at what they do that sometimes their talent comes to bite them in the ass. We see this again, a bit different, in The Juror #6 Job.
The ending of this episode is very dear to me. It is a very lovely moment between Nate and Paul, but also Nate and the team. It creates such a beautiful moment of intimacy between these characters, which I think is done with extreme care, and it shows. This episode also very nicely sets up a nice sort of grounded-ness for the next episode, which I think the subject matter really deserves and needs.
109: THE STORK JOB
D: MARC ROSKIN. W: ALBERT KIM. Original Air Date: 06 January 2009.
This one and the next episode are excellent Parker-centric plots and this one in particular also has some wonderful Parker/Hardison content. Nate, also, is just very good in this episode as well. Keeping the tone the last episode established especially toward the end, this episode has such a nice grounded-ness to it. Nate's first meeting with the client is so careful in a way, and we don't always see that. Generally, Nate is careful and considerate in this episode, I think. Even when Parker goes rogue, he is so good with Parker (I attribute the brashness entirely to his director role here). It meant so much that he doesn't shoot down the idea of coming back for the other orphans, he knows how important this is to Parker (and Hardison).
With this episode we learn that both Parker and Hardison have grown up in the foster system. I really adore the conversation they have at the van after they find out about the orphanage -- Hardison telling Parker about his Nana, Parker's fear that foster system will be cruel to those children, Hardison's "I like how you turned out" -- it is such a lovely and meaningful moment. This and the "we're a team" / "a little more than a team" moments are such great instances that highlight the importance of these characters and their relationships in this show. It isn't just some crime procedural where every characters is replaceable at any given moment -- this show is about people, and about these specific people.
On a lighter note, I also really adore Nate and Sophie's dynamic in this. How they coach Parker and Eliot individually but at the same time, while also arguing about Sophie conning Nate back in the day, is just brilliant. Their "delightful banter" as Hardison calls it, is so good, and I absolutely love that Nate figures out the way to con Irina is the same way he would have to con Sophie. It's just too good.
David S. Lee as Nicholas is also incredibly good, although since watching THE LIBRARIANS I always expect him to swoon over a blonde and call her Duchess any minute.
110: THE JUROR #6 JOB
D: JONATHAN FRAKES. W: REBECCA KIRSCH. Original Air Date: 10 February 2009.
The lighter of the two Parker-centric episodes, but a brilliant one nonetheless. This episode also brings us the introduction of Peggy played by the lovely Lisa Schurga. We love Peggy in this house and, once again, I ask: where do I address my Peggy For Leverage: Redemption campaign to?
This episode is great for many different reasons, one of course being that Hardison is so good at what he does, that Parker's alias has to go to jury duty. What a talent, we absolutely have no choice but to stan. I love him so much. Other fantastic things that make this episode absolutely excellent are
- Nate's "there is not some evil conspiracy lurking behind the curtain of every routine civic activity" speech which he then has to retract,
- Sophie teaching Parker about persuasion with the help of Eliot who is absolutely precious in this interaction,
- Eliot's friend Donnie, who poses as another employee from the company Sophie pretends to be from, who then turns out to be Scottish,
- Nate and Sophie sending the kids off to work at the door, with a briefcase and handshake for Hardison and a snack and high-five for Parker,
and Hardison's entire act as a lawyer. He is so good. Of course his stalling is brilliant, but the turn-around once he has to actually try and win the trial? A masterpiece. I love how he tears the doctor apart for his drunken airplane misconducts, but what takes the cake by miles is of course his closing statement. He is just, so good, and such a goodhearted, wonderful person. I love how he directly addressed Parker. Hardison is full of sunshine and I love. him. so. much.
And I would be remiss not to mention how incredibly fond I am of the rest of the team watching the feed of the jury room from the HQ with such proud looks on their faces as Parker leads the other jury members and they vote in favour of the plaintiff. This is their girl and she's done so well. What a brilliant episode. My love to Becky Kirsch, honestly.
111: THE 12-STEP JOB
D: ROD HARDY. W: AMY BERG & CHRIS DOWNEY. Original Air Date: 03 February 2009.
Another episode, another instance of me asking the question: Where do I address my Hurley for Leverage: Redemption campaign to? We love Hurley! Drew Powell is absolutely fantastic, I adore him. Also huge shoutout to Joseph LoDuca for that absolute banger of a song that plays during the intro and the credits.
This episode has some fantastic Eliot/Hardison moments that are very dear to me. The two of them looking for Hurley and fighting over Hardison's slushy spill is just lovely. The whole car bomb sequence is also just completely brilliant. It's such a step in their relationship and I love it so much. The moment of "D'you want me to kick it?" / "God, I'm gon' die" is a wonderful comedic beat in this tense situation, but it is the bit after that I really adore. Hardison figuring out how to trick the bomb and then,
Eliot: What's our margin of error here? Hardison: 'bout half a second. Eliot: Run the ba-bag of bricks by me again? Hardison: Are you ready? Eliot: No.
I am just, so fond of these two. Also the fact that Eliot's hand shakes when he reaches for the cables and waits for Hardison's signal always puts me all up in my feelings about him. I also of course adore the scene at the rehab facility with Hardison's "I'm with him. No, I am with him. See, he thinks the flirting makes me jealous, but it doesn't. But if you was like Brad Pitt or Denzel or somebody, oh girl it would be on." It love it so much.
Nate, of course, is also just great in this episode. His entire experience in rehab is another wonderful insight into his character, his issues, how he sees himself and so on. The hallucination of Sterling says so much about him. I think this also very nicely sets up how Nate behaves in the finale double episode.
I also really want to mention Parker here, because Parker in rehab is also something I am very fond of. I love the moment where she pickpockets the Koreans searching for Hurley and then so innocently comes to Nate to confess what she's done and tells him in this tiny voice "I didn't meant to, it was just instinct." I love her so much. And her, at the end of the episode, skipping along and then running toward her people, jumping on Eliot while tossing her stuff at Nate, and then going to hug Hardison, is such a lovely moment. I love how the three of them then walk toward the car arm in arm, too. I love these kids.
112: THE FIRST DAVID JOB
D: DEAN DEVLIN. W: JOHN ROGERS. Original Air Date: 17 February 2009.
First half of the first finale! I gotta say I really love the David Jobs very much. It is such a fantastic first finale. I really adore how the opening of this episode is mirrored in the opening of the second half.
Given the set-up of the previous episode, I really like how for a first time watcher, this opening sequence very much looks like Nate is completely off the rails doing his own thing getting revenge on the man who, basically, killed his son. It isn't until Blackpoole introduces Nate to 'Portia' and we see Sophie turn around that it becomes clear that we're on the con, which I think is done very nicely. Only then giving the viewer the "how we got here" part is just great.
This episode of course also brings us, finally, Maggie (yes, I'll ask again: where do I address my Maggie For Leverage: Redemption campaign to?). I absolutely love how she is introduced here as Eliot's date. I also love how absolutely terrified Eliot looks once he realises that she isn't just anyone, but Nate's ex-wife. Maggie is such an excellent character, and I adore her. I also am very appreciative that this episode holds the singular moment of jealousy Sophie has toward Maggie. After her momentary outburst as Maggie tells Nate she hasn't stopped caring about him, we never see it again. Even better, once Maggie learns about Nate's crew, Sophie and her even become friends. And it is lovely.
We also have some great Parker/Hardison moments in this episode as well. I adore Parker and her enthusiasm for their "little naked man" and Hardison being weirded out about it (and turning the little David around so Parker can change in private). I, of course, absolutely love the kiss (and Eliot's grinning question at Sophie who of the two of them Parker had kissed) and then the theft of the First David. Hardison is so in awe of Parker and it is a sight to behold.
I also quite enjoy the "downfall" in this episode. Sterling showing up (we love the bastard), the fight between Eliot and Mr Quinn, the conversation about Sophie conning them on the roof, and then of course the final confrontations on that same roof as well as the HQ. This whole thing of "and then I asked myself, what would Parker do?" / "but then I thought, what would Hardison do?" is just brilliant and lovely. It shows how far they have all come throughout this first season and how much they have learned from each other already. I am very fond of it.
I am sad about the offices being blown up, though. As much as I love both McRory's pub and Nate's apartment in Boston, as well as the Brewpub in Portland, I've always really liked the LA offices as well. It was their first home and it was lovely. I am however very happy that Old Nate made it out unscathed.
113: THE SECOND DAVID JOB
D: DEAN DEVLIN. W: JOHN ROGERS & CHRIS DOWNEY. Original Air Date: 24 February 2009.
And the last episode! As I've said above, I adore how this opening sequence mirrors that of The First David Job. Similarly, I also love how until Sophie notices Parker's laser pointer and Eliot sees Hardison, as a viewer you assume they are on the job together, which is again the reversal of the first half of the finale. Just lovely storytelling, I adore it. Speaking of mirrors, the scene in the MC Hammer mansion where Nate inconspicuously manages to get them all thinking about the con together and putting their differences aside once more, also mirrors one of my favourite scenes from the first episode of season two, where the team does the same to Nate.
This episode on the whole I also just marvellous. Eliot's awkward date with Maggie, Nate finally telling Maggie about Blackpoole's involvement (or lack thereof) in Sam's death, the team involving Maggie in the planning of the con and her, precious as she is, questioning Nate's ability to just get people to do what he wants -- it is all just so good. I love Maggie on the con, too. Sophie coaching her, how good Maggie is at it immediately. Just lovely.
Then, of course, the entirety of the con from the moment Nate shows up at the museum. Sterling hurrying all over the place trying to figure out what Nate's plan is, finding out about the mummy, the release of the gas, the evacuation, the David statue replicas, them finally getting in and finding Nate alone in the exhibit room. I adore that shot of him leaning against the display case with the two Davids still inside, only highlighted from the open hatch in the roof. It is such a beautiful shot. I really enjoy Nate and Sterling's dynamic here, too. And I am very happy that Maggie gets to punch Blackpoole just like Nate got to in the episode before. They both deserve to give this man hell.
The ending of this episode and therefore this season always has me in all of my emotions. If I didn't know there would be more after this, I would just go lie down and weep for a while after watching it. The trademark overhead walkaway shot is of course a must, but the fact that they stop, that all of them hesitate, thinking about turning around, thinking about changing their minds. And then it cuts to black, and if this had been it, we would've never known! Ah, what a show, what a first season. I am completely in love with this show, as pretty much everyone knows, but I just -- this show is so damn good. It gets me every single time. Every time.
[image taken from the electricnow website]
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New Author of The Month: July 2021
Our featured “new” artist this month isn’t exactly new, though she is what could be called “new adjacent.” And she was nominated for Breakthrough New Author in the 2020 Moonshine Awards! After stepping away from fandom for a few years, she’s back with some amazing contributions: it’s @sheriffandsteel​ (or @lumierelalune​ ) !
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sheriffandsteel can be found on both AO3 and FFN under the same penname.
When asked what got her into the Bethyl fandom and what it means to her, she said:
I was a casual fan of TWD until season 4. After Beth and Daryl’s interaction at the end of 4x01 I felt like there was something there and when they left the prison together, I needed fics to get me through the hiatus. It was the first ship I was ever truly invested in and the first one I started writing for regularly.  Bethyl is a huge creative outlet for me and the feedback I’ve gotten for my writing has shaped me into a better and more confident writer. I left the fandom for several years after Beth was shot, she is a character I really love and relate to and it just got to be too painful to watch the show without her there. I recently started rewatching TWD because I want to watch the last season as it airs and when I hit season 4 Bethyl sucked me right back in again. Coming back and writing for this fandom has been like coming home. There are so many amazing writers and stories out there and such wonderful people in this fandom. Thank you everyone who writes and reads for this pairing and keeps this ship going!  
For her personal fic rec list, she recommends:
(Everything these authors write is amazing and I recommend all of their fics but these are my stand out favorites.)
Rocky Mountain One Shots by VeeCWS
it's going to take you people years to recover from all of the damage by wandering_gypsy_feet 
Kaleidoscope by nouveaulove  
She's breathing by burningupasun 
Relativity by seren23 
Where the tracks meet by PunkyNemo (TheVampireCat)  
even when you wake up by wellthatdepends 
We Can Be Good Again by Schwoozie 
You’re the Only Thing I See by sunken_ships
Ticking Clocks by Abelina
sheriffandsteel’s Works & Personal Thoughts:
between the beginning and the end Summary: When Daryl signed on to be up and coming country singer Beth Greene’s bodyguard, he had figured it'd be a pretty easy gig, just watch out for overzealous fans and not let the girl get into any trouble. He hadn’t counted on the insane hours, her obsessed stalker, or Beth herself. He sure as hell didn’t count on four months later the whole world going to shit. Thoughts: This is my favorite thing I have ever written. It contains two timelines which is turning into a bigger undertaking than I was expecting but it is so much fun to write. My only regret is that I started posting it before I got caught up with TWD (I only just reached season 8) I would have included more show characters and less OCs. The response to it has been so kind and I'm so happy people are taking a chance on it. 
Come Back to Me Summary: He has to leave her body behind when the walkers come. He has just turned away and closed his eyes when hers snap open. Thoughts: I wrote this immediately after Beth died and it helped me get through my grief over her demise.  
Side Effects of Consuming Moonshine  Summary: Moonshine is an extremely strong drink and the side effects of drinking moonshine are not to be taken lightly. Thoughts: I always enjoy fics that are written different than just prose and this was my first try at writing one. I’m really happy with how it turned out.  
the difference between living and surviving Summary: Unable to find any other survivors Beth and Daryl head out alone and begin to learn how one can bear to live in this new world. Thoughts: this is the first multi-chapter fic I ever wrote and while it is not a story I would write now it will always hold a special place in my heart. It is one of my most popular fics and I still get sweet comments on it which means a lot to me. 
I don’t, but I will Summary: Admittedly agreeing to be Beth's plus one to her sister's wedding was probably not the smartest decision Daryl had ever made. But boy were the consequences worth it. Thoughts: I’m not a big fan of non-ZA AUs for this pairing, I’m too big of an apocalypse fan. This is one of the few AUs I’ve written and it's my favorite because of the fluff and everyone is alive.  
Reunion  Summary: The town of Terminus was no stranger to reunions, but some always stood out in people's minds. Thoughts: I wrote this before the show reached Terminus and I just really like it as a soft what could have been even though it is nowhere close to what happened on the show.
Although she’s certainly no stranger to Bethyl fanfiction, we are so glad to have her back and see new content from her! Keep an eye out for more from this author, and in the meantime, make sure you catch up on her older pieces!
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brilliantt · 4 years
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Gangster in Distress
Summary: Tommy was only interested in Y/N to seal a deal with her father. He thought she was a spoilt, rich girl... until a mishap with some thieves makes Tommy reconsider.  
A/N: I just rewatched the movie Ever After with Drew Barrymore and let’s just say it heavily inspired this fic....
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It was often that Tommy would sacrifice his own family to ensure a deal or stop a war. A key example being when he convinced John to marry Esme, preventing a battle with the Lee family. Tommy was rather good at pushing his family to the forefront of his problems. Now though? Now it was Tommy’s turn. 
Tommy desired to extend his gin business through London and beyond. The only issue being a Mr Walter Brown. Mr Brown ran an immensely successful distillery in the heart of London and Tommy knew striking a deal with him was his only route to a new found fortune. He had met with the man once at his home, the house exceeding even Tommy’s manor. They had spent a long time coming to a suitable deal. The man had no need for money nor protection, although Tommy tried to persuade him. It was a lost cause; the man’s fine suit and multiple men lingering by the door could have told him that. There was nothing the Peaky Blinders could offer him that he didn't already have, Tommy still persisted.
The meeting had lasted three hours before Tommy watched the man stand up and glance out the window behind him, the view obscured from Tommy. Mr Brown rubbed his white moustache and sighed, resting his gaze back on Tommy. He explained to him that he had a daughter who he wished to see married, and to a financially secure man. Of course Arthur and John were out of the question and Finn was too young for the woman. This left Tommy to take the bullet. It certainly felt like a bullet when the daughter had slammed the door, storming out of her father’s study just after she was told the news. Perhaps it would be for the best, he would have some company and Charlie a mother figure. Not forgetting their union would make Tommy very rich. 
The deal was settled and they would be married the next month, giving Y/N and Tommy some time to get to know each other. He made frequent trips to London to become acquainted with his bride-to-be, the two of them left alone in one of the parlour rooms. The first few times she had sat like a petulant child, ignoring his attempt at conversation, and not being afraid to tell him what she thought of the arrangement. Her expensive gowns and shiny jewellery reminding him of the two different worlds they came from. It was on the fourth visit when he became impatient and decided to move their relationship forward and to try and seduce her. His hands on her waist and wandering lips warranted a red cheek and a view of Y/N’s back as she huffed out of the room. 
The next time he came, he made sure to bring Charlie. She would have to meet him eventually and he could only hope she wouldn’t bring up his actions with a child in the same room. It was fair to say she much preferred the boy’s company, immediately grinning Charlie and bringing out a story book to share with him. It was this moment where Tommy couldn’t completely resent the arrangement. Charlie liking her was more important than him liking her. And after Y/N had taken him to the stables to meet her horses, Charlie would barely release the woman. It was there where Tommy had attempted to apologise for his behaviour the previous visit (not really because he was sorry, but more to remain on good terms with her father). It was also here that when Y/N had distracted Charlie with her most beautiful mare, told Tommy if he tried anything again she wasn’t afraid to use the hunting gun and shoot it at his unmentionables. 
---
The wedding hadn’t been anything special to Tommy. He had already had his dream wedding with Grace and Y/N had refused to have a big attendance, although this didn't stop her from wearing a very extravagant dress. The ceremony was limited to only Y/N’s father, Charlie and Aunt Polly.  Polly had returned to Birmingham the same afternoon, after their lunch, with Charlie. Mr Brown had retired to his room which left the newly weds alone. Except their anticipated wedding night consisted of Y/N leading Tommy to a guest room and shutting herself into her bedroom. 
Tommy spent the next few days, finalising some business and plans with his new father-in-law, while Y/N was busy packing her bags to move into Tommy’s manor with him and Charlie.
The rain was heavy on the day they were to drive back. Despite still being angry at her father, she gave him a tight hug before rushing into the vehicle, out of the rain. It was a long car journey back to Birmingham and Y/N had taken to sulking with her arms crossed, staring out of the window for the first hour. 
Tommy sighed and pursed his lips, “We should at least try to be civil, you know.” By the look on Y/N’s face, he knew his words would cause them to argue. He didn't care though, arguing would be better than sitting in silence for the rest of the trip. He also couldn’t take another minute of watching the woman fidget in her seat, he knew she was itching to speak.
Y/N kept her gaze out of the window, “You and my father dealt me off like i’m a fucking horse. I don’t have to be nice to you.” 
Tommy clenched his jaw, feeling desperate for a cigarette. ”Your father wanted what was best for you.” He heard Y/N let out an amused huff.
“Oh and you’re my knight in shining armour? Lucky me.” Tommy turned to look at her before focusing back on the road. He chose not to say anything, “I don't even see why I had to marry in the first place. I was fine staying with my father.’”
This time Tommy felt amused, “Hmm and doing what exactly? Perching on your little pedestal and looking pretty?" He hid his smirk when Y/N turned to look at him with an annoyed expression. He quite liked riling her up. 
“I’m not just some spoiled little girl, so stop treating me like one.” She crossed her arms again and huffed.
“If you didn’t act like one, perhaps I wouldn’t treat you like one.” Tommy retorted.
"Your perception of women is abhorrent. Just because I'm pretty and like to dress nicely, does not mean you can belittle me. And if you continue to do so, we are going to have problems." Tommy raised his eyebrows. "Besides, you ought to tread carefully, you are looking at the future owner of the Brown distillery. My father may have made a deal with you that doesn't mean i can't change it when i'm in charge."
Tommy felt a smile growing on his face, "You would deny your own husband?" It widened when all Y/N did was smirk at him. The silence grew again before Tommy asked, "You think you can handle running the business?"
Y/N smoothed down her hair that had gone fluffy from the rain, "You may think i just sit around, but I am very much involved in the distillery. I'm more than capable of running the business."
Tommy quickly glanced at her again, finding a sense of respect he didn't expect to feel. 
When Tommy didn’t reply, Y/N scrunched her nose up, "I do hope you're not a husband who will deny me of such a job.” Tommy rolled his eyes and shook his head. “Good, because I wouldn't have listened anyway."
"And what shouldn't a husband deny you of?" Tommy questioned in a teasing tone.
"Hmm,” Y/N grinned. “A good husband should let me do exactly as I please. He will let me work, go to the market, run through the garden without shoes, gallop through the field on a horse, or do absolutely nothing all day."
"And, what about a good wife?"
Y/N stroked her chin in thought and looked at Tommy "Well, I guess that's for you to decide."
Tommy didn’t answer her. "You like horses?" He said a few moments later. 
"Love.” Y/N smiled and looked out the window dreamily, the rain still hitting the window. “I grew up with my grandparents in the countryside, they were from my mum's side, who, well, were not rich like my dad’s. We spent all our time on the farm and from the moment I first laid my eyes on the beautiful horses, that was it."
Tommy smirked, "So the city girl is actually a farm girl?" Y/N’s response was a roll of the eyes.  "The horses you showed Charlie were incredible." His words seemed to divert Y/N back into her bratty state, she crossed her arms again and glared at the man, raising an eyebrow at him. "And I had to leave them behind."
Before Tommy could respond, the car jolted. He lost control for a moment before managing to stop the car. Trees surrounded the pair and Tommy recognised the road built through the forest. He wasted no time to jump out and check each wheel, finding the problem on Y/N’s side, a small hole visible. Y/N rolled down the window, "What happened?”
"The tyres burst, I must have hit a stone or something." He stood back up wiping down his suit. "Come on." He opened the door to her side and gestured for her to get out. 
"What?"
"The house isn't far from here, we can go by foot." Y/N looked at him in shock.
"It's raining and muddy!" She made a motion to her dress, to which Tommy rolled his eyes. He grabbed her arm and pulled her out, dragging her to the boot of the car. He pulled out one of the smaller luggage bags and pushed it in her arms before looking at her pointedly, "You said you grew up on a farm." 
"Past tense, Thomas!" She huffed and re-positioned the bag, watching Tommy grab the two larger ones. He led them around the car and they walked barely a metre before a man with shoulder length grey hair came out of the trees pointing a gun at the two. "Don't be leaving so quick now." He let out a whistle and more men came from the trees, all with guns. Y/N gulped and raised her hands in the air, subsequently dropping her bag, the contents spilling over the floor. She heard Tommy curse and watched him put the luggage down more carefully than her. 
"Y/N go back in the car." Not having to be told twice she rushed back to the passenger side. Feeling nervous when the men advanced on Tommy, a fist fight, four on one beginning. 
Before she could open the door, one of the men had grabbed her, making her yelp and shove him to the ground. She tried to hit the next man who made a grab for her but he caught her arm and held it behind her back. It took three men to stop her struggling, pulling her to where their leader stood. They held her there, Tommy a few metres opposite her being held in a similar position, a cut on his forehead and a bruised eye. The two watched as the thieves began rifling through Tommy’s car and her luggage on the floor.
One of them held up a rather beautiful, expensive looking dress adorned in jewels. “Excuse me!” Y/N spat, missing Tommy closing his eyes in annoyance. ”That was my mother’s dress, you give that back!” She felt the men tighten their hold on her. The leader smirked and stalked over to her. He lifted one of his ring covered hands and caressed her cheek. "Feisty little thing.” He whispered. 
Tommy began struggling, "Let her go.” He demanded, voice strong but eyes tired. “Your fight is against me not her." Y/N could only then see that the two men knew each other. The man removed his hand and walked closer to Tommy. He relented and told the men to release her.
Y/N pushed her way out of their arms, shivering from the rain and annoyed at the mud tracing up her skirts. She raised her chin to the leader, "I demand that you give me back all of my things. And since you shot through one of the tyres and have my driver captured, a horse for the journey back." All of the men’s eyes widened at her order. The leader titled his head, and grinned sarcastically.
“Princess,” He spread his arms out in front of him, ”You may have anything you can carry." His men chuckled around them. Y/N raised her eyebrows, a devious look in her eyes as she glanced at Tommy, who was staring at her in disbelief. 
“Do I have your word on that, Sir? She asked.
The man bowed his head, “On my honour as a Gypsy.”
Y/N nodded once. She walked past the Gypsy, staring at him as she passed. Walking straight over her clothes on the floor, Y/N  made her way to Tommy, the men who were holding him backing away. She lifted his arm up and bent down, huffing as she lifted her husband across her back. The Gypsy man opened his mouth in shock, watching as Y/N gave him a sarcastic smile and a slight curtsy before making her way down the road, holding Tommy on her back.
A ruckus of laughter erupted from the group of men at the sight. Even the leader couldn't help but laugh loudly at the daring girl. "Come back!” He paused, chuckling, “You may have a horse."
Y/N sat in front of Tommy on the horse as they rode to the manor. He knew that this reckless but incredibly clever woman would cause him a great deal of trouble, he just couldn’t bring himself to resent it anymore.
I can just imagine Y/N telling John this story and Tommy having to kick him out because of all the teasing... 
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mooresomore · 3 years
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Detective AU
Here is my detective AU I had been teasing earlier. I was actually able to write a tiny bit of angst- which quickly turned back into fluff (what can I say, lol). This all started with my rewatch of season 2, when Eddie had to go to Christopher’s school in the suit. Add that in with the 4.3 “true crime podcast” comments and that was it. I still wanted Buck to be a firefighter, even though Eddie was a detective. Some of the cracks about police officers and firefighters in here are actual things I’ve heard between our local cops/firefighters. My brain immediately *short-circuited* and this idea wouldn’t let go. Hopefully you all like it!
Buck had been introduced to Patrolman Eddie Diaz by his captain Bobby Nash’s wife, Athena Grant-Nash. They had hit it off (even being able to laugh at everyone’s jokes about them being the current Montagues and Capulets), and they had been together for 4 years now. Eddie had been working his way up the ranks, and now he was set to take the detective’s test.
“You got this babe,” Buck said, coming over to sit by Eddie as Eddie was having a freak out about not being good enough the night before his test. “You are going to go there and knock it out of the park. I believe in you.”
“Thank you.” Eddie said, stealing a kiss. “I wish you could be there.”
“I wish I could too,” Buck agreed. “But Bobby told me that I can take your call, no matter what is going on, unless we’re on a call. Plus, Christopher and I gotta have our guy’s night.” Buck teased, knowing that Eddie would relax knowing that Christopher was in good hands. Buck leaned in again. “You got this Eddie Diaz.”
“Thank you.” Eddie said. “I needed to hear that. Bed?”
“Yes.” Buck said. “I was thinking we could get up early and make breakfast for Christopher- and you- and Christopher and I could walk you out to the car.”
“I’d like that a lot.” Eddie said. “Love you.”
“Love you too.”
*
In the morning, Eddie helped Buck in the kitchen, and after breakfast, Buck and Christopher walked Eddie out to the car. Christopher gave Eddie a drawing for good luck, and Buck gave Eddie a kiss on the cheek and told Eddie to call Buck as soon as the test was over. With that, Eddie was gone, and Buck took Christopher to school. 
“Remember Superman, Carla is going to pick you up after school today. I’ll get you after shift, and we’ll have a boy’s night. Your dad will be home tomorrow.”
“Ok. Bye Buck. Love you.”
“Love you too kid.”
*
“Buck, stop pacing.” Bobby said. “He’s going to do just fine.”
“I know he is, but it just sucks waiting, you know?”
“I do,” Bobby said. “But Athena tells me he’s one of the best she’s ever seen. Just trust your boy ok?”
Buck was about to say something when his phone rang. “It’s Eddie!” Buck quickly picked up the phone. “Hey. Yeah, not on a call. Oh, nothing. Bobby kicked me out of the kitchen. Seems I was too aggressive with chopping the vegetables.” There was a pause and everyone held their breath (of course they were eavesdropping). Buck’s face broke out into a huge grin. “That’s great. I’m so proud of you. Told you you’d be able to do it. Mind if I tell everyone else on shift. Yeah, they’re listening.” Buck chuckled. I will. Christopher and I will FaceTime you tonight and you can tell him. Ok. Talk to you later. Love you.”
Buck hung up the phone and turned around to face everyone. “Eddie passed the detective’s test. He said thank you in advance.” Everyone chuckled.
“Let me know the date of the pinning,” Bobby told Buck. “You’ll have it off, no questions asked.”
“Thank you.”
*
Buck gave Carla a thumbs up when he got home from shift, letting her know that Eddie had passed. “We’re going to call Eddie in a few and Eddie wants to tell Christopher himself.”
“I am so proud of that man.” Carla said.
“Me too.” Buck smiled.
“You tell me what to bring to the party.” Carla said as she left.
“Yes ma’am.”
*
Eddie called Christopher and Buck right before Christopher’s bedtime routine was supposed to start.
“Dad!” Christopher smiled.
“Hey buddy. Are you and Buck having fun?”
“Yeah. He let me have ice cream for dessert and we watched “Finding Nemo”. It’s bedtime now.”
“Wow. Sounds like fun. I know it is-that’s why I called. I wanted to tell you goodnight and that I’d see you tomorrow.”
“Ok.” Christopher paused. “Did you do good on your test?”
“I did.” Eddie smiled. “I did really good on it. So I get a new job title.”
“Cool. Good job.” Christopher smiled. “Love you dad.”
“Love you too buddy. Go get ready for bed and be good for Buck, ok? I’ll see you tomorrow.”
“Ok.”
“I’ll get him in bed and call you back?” Buck asked. Looking at Eddie, he added, “Actually, I’ll just talk with you in the morning. You look exhausted. Get some rest.”
“Thanks.” Eddie smiled. “Thanks again for watching Chris tonight.”
“Anytime. Go to bed.” Buck said. As Eddie shifted the camera around, Buck caught sight of the shirt Eddie was wearing. “You stole my shirt?” Buck chuckled.
“I wanted a piece of home with me and hoped it would bring me good luck.” Eddie said. “It obviously worked.”
“You did it all on your own detective.” Buck said, watching Eddie smile sleepily. “Seriously, get some rest. We’ll see you tomorrow.” Christopher hollered down the hall. “His majesty awaits.” Buck chuckled.
Eddie chuckled. “Goodnight. I love you.”
“Love you too.” Buck said.
*
After Buck dropped Christopher off at school, he came home to find Carla and the rest of the 118 at the house, ready to help him get everything ready for the surprise party. Buck left and went to intercept Eddie before he could see the surprise while the rest of them put the finishing touches on things and got Abuela and Pepa there.
They went out to breakfast as a reward. Buck then convinced Eddie to pull Christopher out of school for half a day and go home and have a “family day”. If Eddie suspected something, he didn’t say anything.
Buck made sure to have Eddie open the door. Buck caught Christopher’s eye and grinned while holding a finger against his lips. 
“Surprise!” Everyone yelled when Eddie opened the door; he looked Buck to Buck and Christopher, who were smiling.
“Thank you.” Eddie said. They had a small party, and as the three of them were sitting on the couch after everyone had left, Eddie looked at Buck. “You didn’t have to do that.”
“Yes we did,” Buck said. “Because you’re special to us and you deserve to be celebrated. Christopher was the one who suggested it.”
“Thanks bud.”
Christopher burrowed into Eddie for a tight hug, and then he was asking for Eddie to put him to bed.
“Sure thing buddy. Say goodnight to Buck.”
“Night Buck.”
“Night Superman.”
“Stay here for a minute?” Eddie asked. “I want to talk to you about something.”
“Ok.”
*
When Eddie came back downstairs a few minutes later, Buck was flipping through channels on the TV. Eddie sat down, and Buck’s hand found its way to the back of Eddie’s neck, where it started running light circles. “What’s going on babe?”
“Um,” Eddie said. “I was thinking. We’ve been together now for four years, and I’d love to be together forever. I was wondering if you’d like to get married.”
The hand stopped moving and Buck looked like a deer in the headlights. “Oh.”
“If you don’t want to…” Eddie said, misunderstanding Buck’s shock as a no.
“No, no.” Buck quickly reassured Eddie. “I’m just a little surprised is all. I wasn’t expecting this tonight, but I would love to marry you.” Buck paused. “Can we elope and have a courthouse wedding? I don’t want anything fancy.”
“Yeah.” Eddie said. “That’s what I was thinking too. We can do a reception for everyone later.”
“Name the time and place and I’m there.” Buck said.
“How about next Monday at 3? You don’t have a shift that day- I already checked with Bobby.” Eddie said. “I was thinking we could pick up Christopher from school and then take him with us.”
“That would be great.” Buck said, leaning in to kiss Eddie. “I love you. I want to do so much more than just kiss you right now.”
“Me too,” Eddie admitted, knowing that they couldn’t with Christopher down the hall. Christopher had been waking up with nightmares recently and crawling into Eddie and Buck’s bed. It wasn’t happening too often, but it was enough that Eddie had scheduled an appointment with Christopher’s doctor.
“This weekend? We can see if Abuela will take him?” Buck suggested. 
“I’ll talk with her in the morning.” Eddie agreed. “She was asking about when he was going to come over again.” Eddie smiled. “Come on, let’s go to bed. It’s been a long day, and you have to go to work tomorrow.”
“So do you, Detective Diaz.” Buck smiled.
“You’re never going to quit calling me that now, are you?” Eddie asked.
“Nope!” Buck grinned, popping the “p”.
“Come on,” Eddie said. He had a smile on his face too though.
*
In the morning, Eddie woke up to the smell of bacon. He felt the sheets, and sure enough, they were cold. Buck had been up for a while. Eddie didn’t mind, his boyfriend- no wait, now his fiance- was a great cook. Eddie had truly gotten spoiled to the home-cooked meals he got. It was definitely a change from all the pre-bought meals he’d heat up for him and Christopher, or the fast food burgers he lived on during shift.
Eddie padded down the stairs, finding his coffee mug on the counter with it made just the way he liked. Christopher and Buck were standing in front of the stove, flipping something in a pan. Buck looked up as Eddie hit the creaky floorboard at the edge of the kitchen counter. “Good morning.”
“Morning.” Eddie said. “Morning superman.”
“Morning daddy!” Christopher grinned, and that’s when Eddie saw the smudge of flour on Christopher’s cheek. 
Eddie couldn’t help the smile that came to his face. “You helping Buck make breakfast?”
“Yeah. I’m his sous chef. Wait, I said that right, right?” Christopher asked, looking at Buck.
“You did.” Buck smiled, wiping the flour off Christopher’s cheek. “He’s been a great help in here.” Buck added.
“Awesome. What do we have today?” Eddie asked, even though he could clearly see they were pancakes.
“Pancakes. Made from scratch.” Christopher said.
“Take off your apron bud and go sit at the table. I’ll bring them over. The plate is kinda hot.” Buck said.
“Ok.” Christopher grabbed the orange juice on his way by and the plate of bacon. He sat them down on the table and took his spot beside Eddie.
They ate breakfast in a comfortable silence. Then it was upstairs for Christopher to get ready for school, and for them to get ready for their shifts.
“I’m working a 24 hour shift.” Buck said. “There’s a pan of lasagna in the fridge for you to heat up for dinner. I’ll try to call around bedtime so I can tell you guys goodnight.”
“Ok. If all goes well, I should be home by 5. Carla is picking him up, right?”
“Yep.”
“Ok. Have a great day. I love you.”
“I love you too.”
*
As luck would have it, they met up on a call halfway through their shifts. The 118 had got a call about a stabbing, and when they pulled up on scene, the police were already there. The victim was already dead, and they just needed confirmation. Hen and Chim went in to do their duty, while Bobby talked with Athena for a minute. Buck was scanning the various officers, knowing that Eddie more than likely would have been there-this would be one of his first chances to work a homicide case. Buck didn’t see him though and was about to ask Athena and Bobby if they had when there was a pair of hands over his eyes and a “guess who?”
Buck couldn’t help the laugh that escaped. “I hope that’s you Eddie.”
“It is.” Eddie confirmed. “Fancy meeting you here.”
“Well,” Buck teased, “We come help you guys out all the time. You know the saying- ‘God created firefighters so police officers could have heroes’. Just doing my job.”
Eddie laughed. “Right. I seem to remember the saying going the other way. Either way, it was good to see you. I better head in there. This is my first case that I get to assist on.”
“You’ll nail it.” Buck said. “Good luck. I’ll call you guys tonight. Love ya. Be safe.”
“You too. Love you.” Eddie said, watching as Buck climbed back into the fire truck and sped off to his next call. Eddie took a breath and headed into the crime scene.
*
“So? How’s the case going detective?” Buck asked when he called later that night to tell Eddie and Christopher goodnight.
“You know I can’t tell you.” Eddie smiled. “But I’m learning a lot and they say I’m doing a good job.”
“I bet you are.” Buck said, grinning as Christopher came into view. “Hey Buddy.”
“Hi Buck.” Christopher came and sat on Eddie’s lap. He then launched into a story about what they’d learned at school today. Buck listened intently and asked a lot of questions.
“Sounds great buddy. If it’s ok with your dad, we’ll go to the zoo next weekend.”
“Please?” Christopher looked at Eddie, who said, “Yes.”
“I’ll see you tomorrow after school ok buddy?” Buck said. “You take good care of your dad and get some sleep.”
“Yes Buck.” Christopher nodded, blowing a kiss to Buck, who caught it and sent one of his own. Christopher giggled and hopped off Eddie’s lap. “Night Buck. I’ll call you when I’m ready dad.”
“Night Christopher,” Buck said as Eddie said, “Ok.”
Eddie looked at Buck. “Be safe out there tonight ok?”
“Always am.” Buck said. The alarm bell went off. “Duty calls. See you in the morning. Love you.”
“Love you too.”
*
Buck wandered into the house the next morning as Eddie and Christopher were walking out the door. “Have a good day guys.” Buck said, kissing Christopher’s head and straightening Eddie’s tie. “See you tonight.”
“Night Buck.”
*
Buck went into the bedroom to grab his clothes prior to getting into the shower and found the note Eddie left him on the bedside table.
Buck,
I hope you get some rest. I can’t believe in 4 days I get to marry you and spend forever with you. Even if you are a hose monkey ;) I’ll see you tonight. Love you.
Eddie
Buck grinned. He grabbed the clothes out of the drawer, set the T-shirt on the bedside table and went into the shower. Afterwards, he set an alarm and climbed into bed and crawled in on Eddie’s side, letting Eddie’s smell lull him to sleep.
*
When the alarm blared, Buck sat up and shut it off. He slipped on the shirt and went downstairs to the kitchen.
*
Buck was just sliding the meatloaf into the oven when Carla came home with Christopher. “Buckaroo. How have you been?” Carla asked.
“Good. Work’s been keeping me busy.” Buck said, watching Christopher make his way over to the table without being asked. “I’m sorry I haven’t seen you much lately.”
“I’ve been busy with Christopher mostly,” she said, “and you and Eddie have gotten a pretty good routine down.” Carla pauses. “I think though, with him becoming a detective, that things will probably change.”
“Yeah.” Buck said. “You’re still…”
“Oh, I’m always going to be here for you three sugar.” Carla gave him a hug. “You boys are my family.”
“You’re ours too.” Buck said.
“Tell Eddie I said hi. I’ll see you guys next week.”
“Bye Carla.”
Christopher quickly finished his homework and set the table. Buck and Christopher played a round of Mario Kart while they waited for Eddie to get home.
*
The first thing Eddie noticed when he got home was the smell of meatloaf coming from the kitchen and Christopher’s laugh. Eddie made his way in. “Hey, I’m...” He said, pausing abruptly when he noticed it was his LAPD shirt Buck was wearing. “Home.” He finished.
“Ah, you’re just in time.” Buck said. “I was just putting dinner on the table.”
They ate dinner, and then decided that they could have a movie night since Christopher didn’t have school tomorrow.
“You’re wearing my shirt.” Eddie said.
“Yeah.” Buck said. “Needed a piece of you with me today.”
“Not that I don’t love seeing you wear my clothes, but let me get it in a bigger size so you don’t pop out of it.” Eddie said, smiling.
“Fine. But only if you wear it first so it smells like you.”
“I can do that.”
*
The wedding day was here- Carla was going to be one of the witnesses along with Maddie. Christopher had been over the moon since finding out Buck was going to stay forever.
The ceremony was short and sweet, and Abuela took Christopher so Eddie and Buck could “properly celebrate your marriage”. (And properly celebrate they did; they had matching hickies on their collarbones that their uniforms would thankfully cover.)
They settled into a pattern; nothing had really changed-other than Buck was in the process of adopting Christopher (Christopher’s request). They still ran odd shifts and saw each other on calls, but it was just like it had been. Just now they had rings and the “husband” title.
*
**6 Months Later**
Buck had just gotten home from a split shift and was trying to crawl into bed without waking up Eddie. Somehow he managed to be successful, and Buck closed his eyes. They’d be up soon enough to take Christopher to school (and Eddie would have to go to work).
It barely felt like he had closed his eyes when Eddie’s cell phone startled Buck awake. Eddie answered “Diaz. Uh huh. I’ll be there in 20.”
“Homicide?” Buck guessed, looking at the clock.
“Yeah, go back to bed.” Eddie said, getting up to get dressed.
“I’ll get Christopher to school and pick him up.” Buck said. “You call us when you’re coming home and we’ll have dinner ready.”
Eddie tied his tie and slid his suit jacket on. “Deal. I love you.” He said, coming over to give Buck a kiss.
“Love you too Detective Diaz. Be safe.”
“Always am.”
*
Buck got Christopher off to school and was working on cleaning the house when his phone rang. “Oh hey Athena. What’s up?”
“Buck? Are you sitting down?” Athena asked. “If not, you might want to.”
“Athena? What’s going on?!” But was immediately on high alert. “Is Eddie ok?”
“He will be.” Her voice was calm and soft. “There was an accident at the crime scene. He’s at the hospital and fine, but he won’t be home tonight. They want to keep him for observation.”
“Which hospital?” Buck asked, grabbing his keys. “I’ll call Carla to get Christopher after school. I don’t want to worry him.”
“He’s at General.” Athena said. “He’s ok, Buckaroo. I’ll make sure you have clearance to enter.”
“Thanks Athena.”
Buck made his way to General, where Eddie was on the observation floor. “Detective Diaz,” Buck said, leaning against the doorframe. “What happened?”
“Hey Buck.” Eddie said. “I’m ok.”
“Are you sure?” Buck asked, going to sit by Eddie.
“I am. I wasn’t planning on there being a victim in the closet still alive, and she attacked me with a knife. They’re mostly superficial, but she got a good one in to my shoulder and they want me to stay overnight. I’m sorry.”
“Nothing to be sorry for. Other than having Athena call me and scare the crap out of me.” Buck chuckled. 
“Sorry. I told her to let you know I was ok.”
“I got Carla to pick up Christopher after school. I wasn’t sure if you wanted him to be here or not.”
“He can come by.” Eddie said. “Instead of me calling you tonight.”
“Ok. I’ll have Carla bring him. I’ll be right back.”
Christopher came and visited for a while, and then it was time for Buck and Christopher to go. “I’ll see you guys tomorrow,” Eddie said.
“Night dad.” Christopher said. Buck echoed, “Night dad. We love you,” and kissed Eddie’s forehead.
*
Eddie was home the next day and after a stern lecture from both Buck and Athena, he was allowed to go back to work.
*
“Diaz.” Eddie said when the phone rang early in the morning. “Give me 30 and I’ll be there.”
Buck was up and out of bed making Eddie coffee while Eddie got dressed. By the time Eddie came downstairs in his suit and tie, Buck had the coffee in Eddie’s “#1 dad” to-go mug Christopher had made. Buck straightened Eddie’s tie and smoothed out Eddie’s jacket. “Go get em Detective Diaz.” Buck said, leaning down for a kiss. “Be safe.”
“I will be.” Eddie said. “I’ll call you when I’m headed home. Have a good shift Firefighter Buckley.”
“I will. I love you.”
“Love you too.”
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firelxdykatara · 3 years
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hello!! i just wanted to ask- i wanna do an ouat rewatch bc CAPTAIN SWANN but its pretty long and i honestly dont care for the other characters/how badly the overall writing was handled.. which are your favourite captain swan eps? anything them centered and i think ill just skip around to rewatch their romance as they did invent romance 😭😭 ty in advance <3
they absolutely did invent romance, you are right about that and i love them so much
UHMMMM as far as my favorite CS eps, here’s a roadmap of what I personally consider key eps in their journey (some of this is from memory but I haven’t done a full rewatch in a while so i’m going through the episode list as a refresher)
2x06: Tallahassee--this is a must-watch ep for any CS fan, and I really think this is the episode that sparked the fire that CS would become as a fandom. It has everything--flirtatious banter, all kinds of tension, deliberate parallels drawn between Emma and Killian’s pasts, as well as their first meeting being intercut with her relationship with Neal (which serves, especially in hindsight, to highlight just how sketchy that relationship was, and why she couldn’t bring herself to trust Killian--because the last time she felt this way about anyone, it ended horribly)
2x08 and 2x09: Into the Deep and Queen of Hearts--these episodes cover the race to the portal between Emma&co and Hook/Cora and while they don’t do a ton for CS as a relationship since they’re still enemies at this point, it lays great foundation for their future relationship development. Plus, sexy swordfight, Hook going out of his way to save Aurora’s heart--he may be a pirate, but he has standards ok--and Emma realizing Cora can’t remove her heart without her permission? Poetic Cinema
2x11: The Outsider--more of a Killian-centric episode, it shows a lot of Killian at his worst but it’s necessary for his overall character arc and I genuinely love looking back and seeing just how far he managed to come, to the point of eventually even letting go of his (very understandable) grudge against Rumplestiltskin.
2x12: In the Name of the Brother--am I including this purely for Emma&Hook banter in the hospital, and Killian saying ‘hey beautiful’ when he’s lying on the road because he just got hit by a fucking car? You bet I am. Also, go to youtube and look up ‘ouat season two deleted scene jello’, because it’s beautiful and there was a tremendous outcry in the fandom when we realized it had been cut from the episode lmao (It’s also the episode that made me start shipping Frankenwolf, which I’m still sad never went anywhere, but they had a lot of potential and great chemistry.)
2x22: And Straight On Till Morning--A few of the episodes in between have some fun minor interactions and flashbacks (and I always approve of episodes where Killian gets one up on Rumple, so 2x15 is fun for me if i ignore all the Neal bits) but the finale is where we finally get a glimpse of who Killian could be beyond his need for revenge. He didn’t have to come back, he didn’t have to bring back the bean and help the town--but he did.
Season 3a: there’s a lot of really good stuff here for Hook and Emma that is interwoven between the A plots of other episodes. I think, as far as half-season arcs go, it’s one of the best (and everything after 4a bombed hard, but I digress) But there are a few episodes that stand out if you don’t want to watch the whole season. (I recommend starting with the premier though, it was a really solid season starter overall.)
3x05: Good Form--this is the culmination of David’s poisoned-by-dreamshade arc, and is also Peak Captain Charming Bromance. Hook not only keeping David’s secret, but doing everything he can to help save him??? Poetic cinema. It also provides some crucial Killian backstory, showing how he lost his brother to the very same dreamshade. Plus, the character development--Pan offers Killian a chance to escape the island with Emma if he kills David, and instead, he saves him, refusing the deal and damn the consequences. Also also? The first CS kiss which drove the fandom WILD.
3X06: Ariel--not only to I love OUaT’s take on Ariel, but this episode has the infamous Echo Cave scene, which involves a lot of feelsy confessions and Killian being the one to tell everyone that Neal is alive and helping Emma save him despite his own growing feelings for her.....IT’S JUST A LOT AND I LOVE IT.
3x07: Dark Hallow--oh man, I’d forgotten about this episode, but it has Killian and Neal fighting over Emma, which may sound eye-roll worthy, but Emma is allowed to tear them a new one about it and it’s one of the few times she’s allowed to actually???? put her own feelings first so I have to include it here on spec
3x11 and 3x12: Going Home and New York City Serenade--these mark the end of 3a and start of 3b respectively, and it has some amazing shit like Killian vowing never to forget Emma and Emma smiling as she replies, “Good.” And then she and Henry are in New York with their memories completely altered, but Killian shows up because Storybrooke is back and in jeopardy, and he helps Emma get back to her family and her home and, much later, Emma finds out he sold the Jolly Roger to be able to do it and it’s just. It’s beautiful ok.
3x17: The Jolly Roger--there’s honestly not a whole lot in the back half of season 3 (until the CS movie) but of course anything named for Hook is a must-watch, and this is where we get the iconic line I swear on Emma Swan--which is Killian saying he’s in love with her before he even realizes it. We also find out just what he did to Ariel, and his attempts to make amends are what lead to Zelena being able to curse him, so it’s great from a character perspective as well.
The next four episodes round out the end of the season, and there’s a lot of great stuff in them--Hook refusing to get Emma to kiss him, but Emma feeling like she can’t trust him because he didn’t tell her about the curse to begin with, and then kissing him anyway to save his life regardless of the consequences.... but the only ones that are absolutely necessary are the final two episodes.
They are colloquially termed ‘The Captain Swan Movie’ for a reason, after all.
Killian and Emma essentially have an entire Time Travel adventure all to themselves, where they accidentally ruin her parents first meeting and have to fix it so that she’ll even be born, Emma finally getting into the storybook, the pair of them dancing at a ball, Killian rushing to save Emma only for her to get out of the cell herself, because “The only one who saves me is me.” Killian saying “I would go to the ends of the world for her... or time.” Finally fixing the timeline and making it back to Storybrooke and Killian feeling like he doesn’t deserve a place at the table so he doesn’t go inside, but Emma comes out to him anyway and finds out he gave up the Jolly Roger for her, the true start to their relationship...... IM CRYING JUST THINKING ABOUT IT I’M SORRY.
I personally really enjoyed 4a, the Frozen arc was one of the last good half-season arcs of the show, but a lot of people disliked it so it’s really up to interpretation. I don’t have as many Intense Opinions on this season (except hating almost everything about 4b and the queens of darkness arc), but I will say the episodes with good Killian/CS moments are 4x02 (Emma nearly freezes to death, Killian is desperate to save her, Captain Charming teamwork, my heart hurts), 4x04 (Emma asks Killian out on a real date, he tries to get his real hand back from Gold, things go massively awry and he winds up back under Gold’s thumb), 4x08 (Killian tries to save Emma from Gold’s plans), 4x11 (the 4a finale is just great in general), and then..... it cannot be overstated how much I hate season 4b, but 4x15 is the Killian-centric ep where his past with Ursula is revealed and he makes amends to her in order to get her to leave the QoD alliance and it’s great character stuff for him, and then there’s the season 4 finale.
Both parts are worth watching, if only because Deckhand Coward Hook still being a braver, more heroic man than ‘Hero Rumplestiltskin’ warms the very cockles of my heart, and of course the second part of the finale has him helping Henry to save Emma and it’s beautiful and also Emma watches him die for her and it is angsty as FUCK but gods I love it. Here’s where it gets tricky, though--my recommendation is, turn the episode off right after Emma finds Killian back in the present day of Storybrooke and they reunite.
Just turn off the episode there and skip right ahead to the s6 musical episode (Emma and Killian’s wedding ep) and pretend they got married and none of seasons 5 or 6 ever happened. >.> (Although I will say certain parts of the Underworld arc were incredibly feelsy despite how much I overall hated the season: 5x11 (the 5a finale, Killian as the dark one STILL being a better man than rumple, we love to see it), 5x15 (I am not immune to Brothers Jones feelings ok), 5x20 (emma literally takes a True Love Test trying to find a way to save killian, you don’t get more romantic than that--also Killian telling Emma to promise she won’t put her armor back up just because she lost him again??? my HEART), 5x21 (Hook does what he can from the Underworld anyway and zeus sends him back to Emma, they really just said ‘today I will invent romance’ and then Did That)
And then, yeah, just skip to the wedding. It’s beautiful, I enjoyed the music, personally, though I know musical episodes are hit or miss with most people. And if you turn it off when the last musical number starts (after the wedding ceremony, I believe) you can pretend it was the end of the show! =DDD
.....Oh my god I just rambled for years. I HOPE YOU FIND THIS USEFUL, ANON. I 100% support a CS-centered rewatch, their episodes were consistently some of the best across the entire series, and they are truly one of my favorite romances of all time.
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(Originally written on October 8, 2020)
🎵Bang, Bang Bangedy Bang
I said a Bang Bang Bangedy Bang🎵
My How I Met Your Mother Thoughts
I just spent the last nine seasons in New York with the gang that spends all their time in MacLaren’s Pub. SELF FIVE! I have to say, this binge of How I Met Your Mother brought me so much happiness. I started watching this show for the first time back in high school, and I ended up watching the last six seasons as they aired. I remember loving this group of characters, and now I am reminded why. There’s so much chemistry between the five, and it makes for one of my favorite Comedies/Sitcoms of all time. If you’ve read any of my previous Show Thoughts, then you know I’ve been watching several over the course of this lovely Pandemic That Will Just Keep Going. After this rewatch, I’ve decided HIMYM is my third favorite Comedy/Sitcom, right after Boy Meets World and Scrubs.
Now, I know that the Finale is infamous. It’s in the Mount Rushmore of Terrible Endings, and people end up getting a sour taste in their mouth when they bring up the show. Well, it’s been some years. There’s been time to reflect and look back. And, while I’m not in favor of the Finale, I also don’t hate it anymore with the passion of a thousand suns. I just loved watching and growing with the gang, seeing them experience their highs and their lows, their triumphs and their failures. It just hits harder as an adult, like most of these shows assuredly do, and I cherish so many of these episodes and moments.
And now, my rankings for the seasons!
Seasons Rankings
1. Season One
2. Season Four
3. Season Two
4. Season Six
5. Season Eight
6. Season Five
7. Season Three
8. Season Seven
9. Season Nine
My rankings for the girlfriends, purely on how much I like them as a character
The Girlfriends Rankings
1. Robin
2. Tracy
3. Victoria
4. Zoey
5. Stella
6. Jeannette
And now, a ranking of my favorite episodes. From 1-50, these are the ones that stand out above the rest. I consider every single one of these enjoyable.
Favorite Episodes
1. Slap Bet (S2E9)
2. Come On (S1E22)
3. The Limo (S1E11)
4. The Best Burger in New York (S4E2)
5. Ten Sessions (S3E13)
6. The Pineapple Incident (S1E10)
7. Bachelor Party (S2E19)
8. Game Night (S1E15)
9. Oh, Honey (S6E15)
10. Glitter (S6E9)
11. The Duel (S1E8)
12. The Pilot (S1E1)
13. Arriverdverci, Fierro (S2E17)
14. The Over-Correction (S8E10)
15. How Your Mother Met Me (S916)
16. Intervention (S4E4)
17. The Magician’s Code, Part II (S7E24)
18. The Autumn of Break-Ups (S8E5)
19. The Ducky Tie (S7E3)
20. The Best Man (S7E1)
21. The Leap (S4E24)
22. Blitzgiving (S6E10)
23. Three Days of Snow (S4E13)
24. The Scorpion & The Toad (S2E2)
25. Bass Player Wanted (S9E13)
26. The Final Page, Part 2 (S8E12)
27. Duel Citizenship (S5E5)
28. Happily Ever After (S4E6)
29. Farhampton (S8E1)
30. Bro Mitzvah (S8E22)
31. Robin 101 (S5E3)
32. The Magician’s Code, Part I (S7E23)
33. Last Words (S6E14)
34. The Playbook (S5E8)
35. The Time Travelers (S8E20)
36. Splitsville (S8E6)
37. Subway Wars (S6E4)
38. Showdown (S2E20)
39. Drumroll, Please (S1E13)
40. Front Porch (S4E17)
41. Twin Bed (S5E21)
42. Who Wants to be a Godparent? (S8E4)
43. Girls vs. Suits (S5E12)
44. Something Borrowed (S2E21)
45. As Fast As She Can (S4E23)
46. The Wedding Bride (S5E23)
47. The Bracket (S3E14)
48. The Sexless Innkeeper (S5E4)
49. Third Wheel (S3E3)
50. Spoiler Alert (S3E8)
And now, just some thoughts on the show and on the gang!
Ted - I know people don’t like Ted. I don’t actually like Ted all that much. And yet, I found myself rooting for Ted just like I did the first go around. He’s not the worst person in the world, and I would be scared to see half of the decisions we’ve made in the dating game stringed together into a TV show. I know people wouldn’t like me very much for those decisions. Then again, I also don’t get super crazy about details about buildings, I don’t pronounce encyclopedia that way, and he tends to stick his foot in his mouth with this White Man confidence that I just don’t have. With all that being said, I still find Ted being a great friend, a man who is just trying to find the love of his life, and someone who really drives this story with great tales and narration (Bob Saget is the Sixth Man of the Show for just always bringing it). I think Ted does stupid things and he pretty much admits it after the fact. He learns, sometimes, and also doesn’t much like most of us. When he finally found the Mother, when he finally found Tracy, I cared. I cared so much, and I still do. Even though they just shit on her character and don’t give us enough time with her, I almost wonder if that’s a metaphor for the fact that you won’t always have enough time with your loved ones.
Robin - Let’s go to the mall! Yeah! Robin Sparkles is a Canadian Treasure, and so is Robin Scherbatsky. She is one of the best things about this show, and I love her so. Played by Cobie Smulders who I need to see in more stuff, Robin is who we all wanted Ted to maybe be with first. Then we go through all the loops of the HIMYM roller coaster, and a lot of us still wanted them to be together. I was one of them. Yet, she was more than just a romantic plot line for Ted. She was a part of the group who we got to see join it and evolve into a member of their family organically. Robin is fun, loud, full of fun quirks that we get to learn over the course of the series. I was heartbroken when we found out she can’t have children. I was loving the back and forth between her and Barney (the first time), and kind of mad at Barney about being such a crazy ass prankster the second time. Robin shows us just how amazing some gun loving, hockey obsessed Canadian news anchor can be, and how much she cares for her friends.
Lily - Justice Aldrin ends up being one of my favorite characters, even if that gets some curious looks. Yeah, she left Marshall for a summer. Yeah, she had some hesitancy with the marriage and everything. That happens. Lily was also always there for her friends, even if she ends up going a little overboard. She wants Ted to find happiness, and does whatever she can to help. She is there to listen to Robin at all times, and her and Marshall are easily one of the best relationships in TV I’ve ever witnessed. Then we have Lily and Barney which is honestly super underrated. Barney trusts Lily, even though she can’t keep a secret, with all of his emotional problems. Lily is who thought Barney could change before anyone else, and I love seeing their friendship grow from eye rolls to eye tears.
Barney - Oh, Barney. He honestly brings so much annoyance and fun to the show. He’s the friend of the gang who everyone tolerates. He’s the one in the gang who everyone ends up loving just as much as everyone else. Barney shows such a terrible face to the world, sleeping with over 250 women and lying to most of them. He has all these rules that aren’t very ethical. He gives us most of the Misogynism in this show, which is definitely prevalent and makes the show not as strong as it was in the first watch. Still, we get to see Barney grow into someone who wants real love and a happy life. Sure, they show us that his marriage to Robin only lasts three years, but at least they tried. Barney just couldn’t make it work, and that’s honestly who Barney really is. A person who just enjoys sleeping with different people. I was very warmed to see the baby reveal and that Barney becoming a dad was what would change him more than anything. Barney is an underrated friend, and his importance to the gang is legendary.
Marshall - I. Love. Big Fudge. He’s just so fun, caring, goofy, loyal, and everything that I aspire to be in life. For some reason, when watching the show the first time, I related to Ted the most. I was definitely a bit more selfish then. But now, I see that I am a Marshall. He wants to do good in the world, and it drives him so much. He only loves Lily, and his loyalty to their relationship is just Goals. He is also the most fun to watch having a crisis. He gets the big eyes and covers his mouth and just gets obviously super uncomfortable. Some of my favorite moments of the show are also Marshall’s talks with Ted about his feelings for Robin. Any one-on-ones with Marshall and someone else are probably my favorite moments. And yes, I will always root for him over those damn machines!
Last Thoughts:
Sure, the writing wasn’t as sharp or as witty in the later seasons, but I loved the story lines and seeing the gang just live.
Tracy was an amazing character as The Mother, and I truly wonder what could have been if they had given us two full seasons of story with her instead of any episodes of Jeannette.
I really can’t believe Ted told his kids all those stories. A fun premise for a show, but really, not very realistic telling them all that jazz.
Ranjit and Carl are such fun recurring characters that I always enjoyed seeing every time they popped up.
Out of all the recurring jokes and gags, which there are many (y’all said Community has so many, but HIMYM really swings for it), I love the Major/General salute joke. Idk if I just didn’t care for it the first time around or forgot about it, but I just love how silly it is and how they kept it through to the very last episode.
Watching the gang sit at their table in MacLaren’s just hanging out will always make me smile.
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plzandspanku · 4 years
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The Runaways Head Cannons: Where Are They Now Edition
(Because I’m doing a rewatch and I genuinely forgot how good this show is and now I miss it.)
-Gert forces everyone to get their GED and makes Molly go back to Atlas because she doesn’t want her to miss out on her high school experience the way the rest of them did.
-Molly does still becomes captain of the dance team and loves it more than she could have imagined.
-Gert gets into Smith with a full ride. She and Chase agree to do long distance while he stays at the hostel with Molly and Old Lace and she stays in the dorms because he want to have the chance to make friends and be seen.
- Chase decides to make a name for himself not just one he got from his father so he goes to community college for engineering while working in a local car repair shop.
-Molly, Chase, and Gert convince Stacy and Dale to enroll Molly to a performing arts boarding school in Massachusetts.
-Gert and Chase move in to a cabin outside of town with a lot of land for Old Lace and try to raise chickens for her food but Gert gets too attached and therefore so does Old Lace.
-Molly comes to stay with them every weekend 
-Even though they aren’t close anymore Stacy and Dale send them care packages every single week always including artisanal cuts of meat for Old Lace and the Brie that only the chickens will eat.
-Victor frequently manages to slip cash in the care box because part of him still doesn't think they can make it on their own and want them to at least always have a place to stay. 
-Janet and Chase talk everyday without fail. She also randomly pops up on devices just to say hi (which has lead to more than one embarrassing moment).
-Chase and Victor have managed to repair the relationship but they only talk via email. They’re always bouncing off ideas for the next great tech off each other.
-Victor manages to find love again and Janet swears that if he ever miss treats his new girl she’ll personally erase all of his patents through the algorithm and destroy his entire company.
-Stacy and Dale continue their work creating cutting edge medications and treatments to help even the rarest of illnesses which they do with the help of a super special serum they still have.
-Tina still continues to fund Stacy and Dale’s research in honor of all the good things that her husband would’ve ever wanted. She doesn’t remarry or date she lives a quiet simple life now still living for her work at wizard but is taking time for self-care. Practicing meditation and witchcraft because she remembers all the good it can do. 
-Tina and Nico talk all the time. Over the phone, through texts, emails, letters, whatever they can manage. Their relationship is better than ever now that the are never in the same time zone. They still don’t talk about anything deep or personal but there never goes a day where they don’t talk 
-Nico and Karolina travel the world together spending months at a time on exotic beaches and experiencing different religions and rituals from people all over the world.
-The two of them have had four different wedding ceremonies on three continents.
-Karolina doesn’t talk to Leslie anymore, she’s not okay with the way her mom continues to keep the church open and running knowing how much pain and destruction it cost the world. She still sends her a postcard for every new city that she visits only writing ‘I Love You’ on the back.
-Alex carries on with his plans for Wilder Innovations, feeding his constant hunger for power in a very Kardashian way with a dominating social media presence and his own talk show followed by millions of adoring fans.
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fireinmoonshot · 4 years
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REBEL ONE SHOT / EPILOGUE | A FIELD OF FLOWERS | ARMITAGE HUX x READER
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Summary: Three months after the end of Rebel, you and Armitage spend a blissful afternoon together in a field of flowers on a surprisingly sunny Arkanis day, bringing to light things you’ve been wondering about for months. Pairing: female!Reader x Armitage Hux Fandom: Star Wars Word Count: 2286 Warnings: THE RISE OF SKYWALKER SPOILERS, toothrotting fluff. A/N: SURPRISE! As a little gift for Star Wars Day – May the Fourth be with you all! – I piped out this little baby this afternoon. Basically, for those of you who read and loved Rebel a few months ago... here’s a sneaky sort of one shot, set three months after the final chapter! I had so much fun writing this and revisiting these two. I truly hope you enjoy it and that you’re all having a wonderful day celebrating Star Wars. May 4th is basically over here in Australia but I rewatched A New Hope this afternoon and my love for Star Wars is stronger than ever. I hope, in these crazy, rocky times, this little piece of writing will bring some sunlight to your days! (I also tagged those who I had in my taglist for the original parts, just on the chance some of you would want to read this since you wanted to be tagged for the original!! :))
READ THE ORIGINAL FIC – REBEL – BELOW!
PART ONE | PART TWO | PART THREE | PART FOUR | PART FIVE | PART SIX | PART SEVEN | PART EIGHT | PART NINE | PART TEN | PART ELEVEN | PART TWELVE | PART THIRTEEN | PART FOURTEEN | PART FIFTEEN
Armitage is smiling. That’s the first thing you see as you round the bend and come upon a large field filled with white and yellow flowers. He kneels in the middle of it, the sun beaming down upon him and making his red hair look even brighter than usual. The rain had subsided for the morning and the flowers in the field that were usually weighed down with rain and surrounded by mud are thriving in the warmth the sun provides.
What really stands out, though, is the small village child running circles around him.
The boy’s mother stands beside you, a smile on her own face as she watches her son enjoying his time in the sun. Arkanis rarely ever had days without rain, and when it did, no one remained in their homes at all. You’d taken to going on a walk with her, a woman who’d become your friend over the last three months since you’d made Arkanis a kind of home, and Armitage had insisted he’d be okay to take care of her son while you walked.
She turns to you as she sees them playing. “I mean no offence when I say I doubted him before,” she speaks. “But he certainly seems to have proven himself. I’ve never seen Rhys so happy around a man who isn’t his father.”
You watch as the boy stops running in circles, clearly dizzy, but despite the dizziness, proceeds to leap right into Armitage’s arms. The force knocks Armitage, laughing, back into the flowers behind him.
While rare, and though you had heard his laughter before, it still ran through you with a beam of shock every time you witnessed it and every time you swore you fell a little bit more in love with him.
Leaving the First Order, taking your hand, had done him more good than either of you had imagined.
The boy’s mother looks back towards them. “Have you thought about children?”
Briefly, you scrunch up your nose. The cursed question, it seemed. You had, though. Both of you had had versions of that conversation, though they had ended at the exact same point every time, and you weren’t mad about it. Armitage was honestly terrified of becoming a father out of fear of unwittingly becoming like his own. He’d promised that if the time ever came, he would try his best not to be like his father, and he’d made sure you knew that. But then he’d admitted a worse fear – the fear that in some distant part of the universe, an inkling of the First Order remained. One that would, when your child grew up, reemerge. That it would do just what his First Order did. Take children from their parents and force them into being stormtroopers, or worse.
It had been hard for him to admit that fear, and you’d seen that as he said it. While you preferred not to think about possibilities like that, you understood his fear. And so you’d come to a simple conclusion: maybe. Maybe one day. But if that one day never came, that would be okay too. And both of you were entirely okay with that one day not being today or tomorrow or the next day.
Today, tomorrow and the next day were reserved for the both of you and you alone.  
Still, the sight of Armitage playing with Rhys in the field thrills you immensely, and not just because of how lovely it is to see him with a child he clearly cares for, but also because of how happy it makes him.
He’d been filled with more happiness than you’d ever seen over the past few months on Arkanis, and you were grateful for that. You knew he’d lived a life with very little joy before he took your hand, and so he took extra pleasure in the little joys that seemed to follow him around like a not-so-pesky bug on Arkanis.
You shrug a shoulder and turn to your friend – Dina. “Not yet,” you admit, lying to her in your answer but knowing it’s for the best. Prying eyes still followed you around here on occasion and you didn’t need more on baby watch. It had only been three months, after all. Virtually no time had passed. “It’s still early days.”
She nods understandingly and doesn’t seem to want to say anything else on the matter, so slowly you break away from her and begin to walk towards Armitage and Rhys, still playing in the field. Rhys has moved to sit atop Armitage’s chest and is yelling about how he’s “taken down the big, scary monster” and you’re glad to see that childhood fun on a topic like that didn’t seem to bother Armitage.
He clutches at his chest. “No, no – he got me! Rhys got me! I’m–”
“No, the monster doesn’t know my name.” Rhys drops the act for a second to tell Armitage of this crucial fact before jumping straight back into his games.
You watch as Armitage blushes a shade of bright pink for just a second before continuing to join in with Rhys on his game. It’s only when Rhys eventually looks up and sees his mother wandering a few steps behind you that he pushes himself off of Armitage’s chest – rather forcefully – and begins sprinting towards her.
Armitage stays lying in the grass as you reach his side.
“Does the monster want to lay in the grass forever?” You ask, looking down at him.
His hair is messy, just like you’d seen it many times before. He’d given up on using hair gel months ago and you’d gotten used to the messy, floppy hair it was sometimes. You particularly enjoy how messy it would be after a nights sleep. He did not. And the beard he’d grown during his time on Ajan Kloss had gotten rather messy when he slept too. It was part of the reason he’d shaved it off, and while you miss it sometimes, a slight scruff still remains that makes him look not quite as clean cut as he had when you first met him.
Gone were the days of tight fitting, ironed First Order uniforms, and here were the days of slightly baggy t-shirts and trousers that weren’t as flattering as he would have liked them to be.
Not that you cared.
“Would the princess be mad if the monster did stay in the grass forever?”
“Not at all. But she would be lonely.”
You hold out a hand to him, and his smile returns as he takes it and accepts the help to stand. He brushes himself off as soon as he’s standing, removing some of the grass from the field from the back of his shirt before looking at you.
It’s quite impossible for him to stop smiling around you.
And he still hasn’t quite gotten used to being with you always.
He leans down to press a quick, chaste kiss to your lips before reaching down to take your hand again. With your spare one, you reach up quickly to brush a stray petal out of his hair before you walk over to Dina and Rhys. He’s talking excitedly about his afternoon with Armitage, and Dina is listening deeply.
“She asked me if we’d thought about children before, you know?” You mutter up to him before you get too close. “I think people are starting to get suspicious of us.”
Armitage raises his eyebrows. “People should, frankly, mind their own business.”
You nudge him gently. “People are just curious. They’re a tight knit community. There are kids all over this place. And we’re a new, young-ish couple that are without children. They probably think there’s something wrong with us.”
“Perhaps they should look closer to home.” He shakes his head.
He rarely ever thought about his own children. But only because it wasn’t something that was necessary to him right now. He had you, and he had the other children who lived around him that seemed to like him, strangely. He had been thinking of something else, of course… but you didn’t know about that.
He’d been thinking about it ever since you attended a wedding in Arkanis a month and a half ago. Wondering what his own would look like, if he were to have one. Wondering what you would look like in a dress like the bride at that one had worn. Wondering how he would look in a suit like the groom had worn. The thought had kept him up late at night more than he’d like to admit.
The both of you reach Dina and Rhys and she looks up at you.
“Rhys was just telling me what good fun you had,” she speaks directly to Armitage. “Thank you for taking care of him, love. If you’re up for it, next time we go for a walk, you might look after him again? Only if you’d like to, of course. No pressure here.” She looks at you and it doesn’t take you long to catch her double meaning.
No pressure here for you to have your own children when you can babysit mine.
Armitage, though, is thrilled. He smiles. “If Rhys will have me back, I’d be happy to.”
Both Rhys and Dina beam at that, and soon enough they’re off, wandering back down the hill and through the small woods towards the city centre.
You and Armitage hang back. From this field, you can see half of the city in the distance, but from the other side of it, you have a perfect view of the hills and ridges that cover the planet before the lake, not too far away from here. Armitage lets go of your hand just so he can wrap an arm around your back as you wander back towards the flowers, wanting to take advantage of the sun while it lasts.
Facing out towards the hills, you and Armitage happily settle back in the flowers. Armitage sits behind you, and you lean back into his chest, the warm sun beating down on you. For a few moments there is silence.
Then, Armitage speaks.
“What do you think we could do to deter those who wants us to have a child?”
You can’t look up at him, but you furrow your eyebrows in confusion anyway. “I don’t know if there’s anything we can do. No matter what we do, people will still wonder. Even though it’s only been a few months, they’ll still wonder,” you admit. “They know how serious we are about each other. Not much would deter them.”
Armitage huffs softly. “What about…” He hesitates. Never in his life had he ever been in a position to discuss something like this with anyone before, though he supposed that the likelihood of there being a good time to discuss it was slim. “No… never-mind.”
“No, what is it?”
“What about…” He hesitates again, and then sighs. “Would marriage deter them?”
You’re spinning around to face him half way through the word marriage, unable to keep the shock and surprise off of your face as you meet his eyes. “You– marriage?”
He nods nonchalantly. “Would it?”
”I– probably not, no. It’d spur them on even more, I think.”
Armitage screws up his nose and shakes his head, disappointed. “Oh.”
“What… what makes you ask that? What makes you think of it?”
“I don’t know,” he shrugs. “Ever since we attended that wedding I’ve wondered.”
“Wondered… what?”
He meets your eyes and smiles slightly. “What it would be like to marry you. It’s a luxury I never allowed myself to think of before. Marriage. One I never wanted to, one I never thought I would get a chance to even dream of. But I heard stories sometimes, heard people in the First Order, those who worked there, sometimes mentioning husbands or wives. I always allowed myself a luxury of curiosity, but not a curiosity about my own life. About my own possible wife.”
You try and look for the right words to say, but none that come to mind seem to be right. Instead, you lean up and kiss him softly and gently, letting your lips linger for a little longer than usual before you pull away.
Armitage’s eyes are sparkling as he looks at you after. “What was that for?”
“I think I’d like to call you my husband one day.”
His lips twitch. “We could do it, if you’d like.”
“People would be even more invested in us having children, though.”
“I’d get better at ignoring them.”
You’re unable to stop yourself from snorting in laughter at him. Sometimes he surprised you in his kindness and sincerity, and other times he was just like the Armitage you’d met on his ship months ago. Just as cold, just as unfeeling, but different – always with an undercurrent of warmth. This was one of those moments.
“You don’t think it’s too soon? To get married?”
He shook his head. “If there’s one thing I learnt after taking your hand and letting you save my life, it’s that life is not long enough to wait around for things you know you want.” He swiftly kisses you once more. “And I can guarantee I’d like to call you my wife even more than you want to call me your husband.”
You narrow your eyes. “I don’t know… that’s a pretty heavy bet…”
“It’s one I’ll win,” he assures you happily.
He’d had the odds against him for much of his life. This time, the odds were in his hands, and he was going to do with them whatever he pleased. This time, that included marrying the love of his life.
TAG LIST: @agirlinherhead, @songforhema, @sleep-paralysis-demon @midgardian-witch @capcrayon @redsacrament @wlucyw @the-dream-catch3r @petalduck @hopesxxhigh @treblebeth @burritonee @acaprioglino @rebelspykim @iwritefanficnotprophecies @ahsfan23 @erys-targaryen @tazzclegane @ibikus @seafrost-fangirl @percivalgravs @chewle @j1224 @livy1391 @drowsebaby @lafy-taffy @sleepy-blossom @memys-art-stuff @pink-pirate @sophiasescape @whovianayesha @theserenityspace @rageofpatroclus @hanyasnape @pancakefancake @esperanzavelez @shoochi @iirelynn @we-all-are-strange @empressoftheundergroundsun @carisi-sonny @fredd-weasley @kxte-p @oneandahalfeggs @watercolour-sloth @thekeywordisbalance
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Everything Wrong With The Umbrella Academy. Episode 8, I Heard a Rumor.
This episode is particularly brutal. Warnings include child abuse, domestic abuse, suicide, rape, gore, and manipulation. Keep yourself safe.
We Only See Each Other at Weddings and Funerals
Run Boy Run
Extra Ordinary
Man on the Moon
Number Five
The Day That Wasn’t
The Day That Was
Disclaimer: This is all in good fun! I wanted to do a really nitpicky re-watch of the series and found some really cool and interesting things I didn’t notice before. This is meant to have a Cinema Sins-esque tone. However, I did take off a lot more sins than Cinema Sins would have because I do genuinely like the series and the people that made it possible. So all of the good things got one sin off and all the bad things got one sin added. This is a really long post, so grab some popcorn. If there’s anything that I missed, feel free to add it!
I would also like to add that normally you wouldn’t watch a show this way. I am purposefully looking for mistakes, easter eggs, and other things that we’re not supposed to notice. I am watching not with the goal of entertainment, but for analysis. So most of the things that I sin, I am seeing for the first time.
Also, no I can’t do better. I am in no way qualified to give this level of criticism about anything. I am not taking this seriously. At all. 
I Heard a Rumor
Stormy Weather by Etta James. I adore this song. When I first watched the show I was so happy when this song came on.-1
I am also taking a sin off for the Emmy Raver-Lampman version -1
It looks like Allison genuinely adores her daughter. And Claire’s bedroom? I would want to have that room now and I am at least ten years older than her. -1
Speaking of, how old is Claire? Sin until we have answers. +1
The animations for the story of The Umbrella Academy defeating the robbers at the museum. -2
“While your Uncle Klaus got a little distracted.” What did Klaus do on missions again? +1
Allison carefully censors the mission so she is still telling the truth but doesn’t actually say that Diego used knives or that Ben used the horror to (presumably, we don’t know how much control Ben had) kill four people. Good job. See Reggie, this is how you don’t traumatise your kid with violence. -1
“Their leader.” Looks suspiciously like a villain from the comics. -1
“I wanna hear the one about the Eiffel tower.” Me too, Claire. Especially since the magazine clips we see suggest Five was there this time. -1
Mind control. ON A CHILD. This is what bothers me the most about Allison as a character and I am glad that she is moving past it. However, in no universe can I let this go. Depending on how Allison used it, Claire’s emotional control could be fucked for life. +40
Patrick behaves like a rational human being and doesn’t blow up at Allison for this in front of their child. He also divorces her in order to keep said child safe. Good. -1
“I heard a rumor you love me.” Who did she say this to? It doesn’t matter who, it’s still disturbing, but oh dear God who did she say this to? I think this is the second most fucked up thing we hear Allison say after the rumoring Claire scene. +10
Allison is going 120 kmh, or 75 mph, in the rain. If you have ever driven a car in the rain then you know exactly why I am sinning this. For those who don’t know, google hydroplaning. Allison could have died here very, very easily. +3
Title screen on a billboard! I forgot how cool the episode 8 title screen was. -1
Allison doesn’t bring her proof with her when going to confront Vanya, who has been shown to be irrational when it comes to Leonard. +1
Bird jumpscare. +1
“They want me to come back tomorrow be fitted for a prosthetic eye”. Leonard places emphasis on the words “prosthetic eye” to remind the viewers that Leonard is bad news. Good acting choice. -1
Leonard’s clothes look freshly bloody when the blood should be several hours old and therefore a more rusty brown color than a bright red. I think. I don’t know if that’s how it works with such large amounts of blood. +1
Luther’s bed is now magically big enough to fit both him and the rave girl. +1
Luther’s reaction to the rave girl. Rewatch this scene to get such a laugh at Luther’s face. -1
How out of it was Luther vs the rave girl? Consent issues on both sides. +3
Luther treated the rave girl to some wine? Or cranberry juice? How thoughtful. -1
I really, really hope they were safe though. There is no evidence to imply they were safe. (If you don’t know what I’m talking about then you’re too young to be watching TUA). +1
Klaus is such a little shit. “Wakey wakey! Eggs and bakey!” while ringing the bell. Peak sibling culture is doing this sort of thing while knowing that the other sibling is NOT going to appreciate it. Also, Klaus deserves his revenge after last night. -1
The little wave the rave girl gives Klaus. -1
Go back and watch this scene. Holy shit this is so underrated. This is the funniest thing ever. -1
“He popped his cherry! Now you’re gonna have to marry her” -4
Klaus doesn’t remember his first time. Consent issues. +3
“No dilly-dallying, alright?” I love Klaus. -1
Klaus makes french press coffee for Luther and Ben. Klaus is a good brother. -1
I would kill to see Ben’s reaction to Luther and the rave girl. +1
Five snatches Luther’s coffee and not Ben’s, ya know, the guy who can’t drink the coffee. And is invisible. Five is a dick to Luther or Five wanted to be a little shit to Luther after having to hear him and the rave girl. Either way, +1
He steals the coffee and he complains about it. +1
Ben! -1
“This is a bad idea” no shit. +1
The awkward pauses where Ben is presumably speaking don’t make sense here. +1
The camera trickery used to make Luther look like a giant compared to Five. -1
Five knows where the aspirin is “top shelf next to the crackers” because he was also hungover. I think. I can’t remember if FIve stopped back at the house, but presumably he and Luther had to go there to get the car. -1
Luther still isn’t getting up to get the aspirin even though he can listen just fine while getting it. +1
Ben adding to the dramatic tension of the scene in a uniquely humorous way that only this show can pull off. -2
Luther doesn’t believe Klaus about Reggie’s suicide. What reason would Klaus have to lie about this, Luther? +1
Five believes him right away. -1
Convenient Pogo backing up Klaus is convenient. +1
This has nothing to do with this very dramatic and important scene, but the mismatched chairs, while cute, don’t appear in any other scene. +1
Five calls Reggie a “sick bastard” under his breath. That’s one way to describe him. -1
Pogo kept this secret for a long time. Not telling the kids was a strange choice and I’m not sure why Pogo made it. On one hand, he would be respecting the wishes of his creator and friend but on the other he would be helping these people come to terms with their father’s death. Pogo’s character motivations are strange and I don’t understand them. +1
Luther said it best, “there’s always choice.” +1
Random thought I had, where was Harold’s grandmother when he was being abused and then going to jail because he killed his abuser? +1
Leonard says some nice things in this scene. If we didn’t know how manipulative he was I would give him credit for this line. +1
Agnes looks adorable out of the Griddy’s uniform. Costume/hair people, you did good. -1
Agnes keeps saying things like “we aren’t in a rush” and talking about seeing three years worth of stops to remind us that there is no time. Hazel looks heartbroken by it. -1
Allison abandons her vehicle. Do not take driving advice from The Umbrella Academy, ever! +1
Allison sees a random scarf from several cars away and immediately connects it with Vanya. Does she also have super sight? +1
The first time we see Allison get recognized by a random stranger for her acting is eight episodes in. +1
Cheddar (the cop Allison is talking to) is so enamored by Allison that he stops doing his job correctly. +1
“Jackpine cove” who named these towns? +1
Allison and Five have the same little shrug when they finish telling terrible lies. -1
Allison is a terrible liar. +1
Diego is still in jail. They’re talking about transferring him upstate. This is really bad news. +1
“Did she use that word? Contentious?” The definitions of contentious all say the word argument. Beeman says that Diego and Patch had an argumentative relationship. This matters to Diego. Why? +1
This conversation was written by someone who doesn’t understand the connotation of the word contentious. +1
Beeman encourages Diego to escape and go on the run. Are all the cops incompitent on this show? You have Patch, who hasn’t pinned Diego for obstruction of justice despite the show implying that Diego has touched evidence he wasn’t supposed to many times, Cheddar, who is so distracted by Allison freakin’ Hargreeves that he forgets that taking her along to a murder case is unethical at best, and Beeman who straight up encourages Diego to escape from jail. That last one is definitely illegal. +10
The parallel between Five and Leonard reading something they aren’t supposed to have in the bathroom. Both the apocalypse file and the journal are red, too. This means something but I don’t have the analysis skills to really go into it. If anyone wants to take a crack at it, go ahead. Sin removed because I know this is smart even if I can’t figure out why.-1
Vanya’s training implies that Reggie has been training these kids hard since they were at least four years old. +7
Current Sin Count: 73
Reggie doesn’t praise Vanya for breaking the glass, he just demands that she does it again. Say it with me now, Reggie is a dick. +1
Leonard straight up uses the word extraordinary. Sigh. +1
The description for how Vanya’s powers work (concentrate on a constant sound until that’s all you can hear and then use an emotional connection to target) is surprisingly good. This is the best description of somebody’s powers we’ve ever gotten in this show. -1
Klaus is attempting to get the yarn on the needle and failing miserably. This is one of the simpler, if tedious, things we do in knitting. Therefore, it is completely understandable how a beginner can’t make heads or tails of it. -1
Five is still injured. The old man walk gives it away. +1
Five treats Klaus like a second in command. I want more of this duo. -1
“So how’d the crazy bastard actually know to kill himself a week before the end of the world?” We would all like to know the answer to that question. Five would be excellent at cinema sins. +1
“Don’t answer, that was purely rhetorical.” Nice cop out, show. +1
Reggie used The Apocalypse to make his kids do the dishes. Checks out. +1
Five and Klaus bond over hating doing the dishes and the person making them do the dishes. Sibling culture. -1
“Where have you been?” “Jail. Long story.” The looks on Klaus and Five’s faces! -2
Vanya breaks the monocle. Good job, kid. However, if you know the comics then you know why I am mildly concerned about this. -1
“That will conclude your training for the time being.” Meaning the next 25 years. Reggie, you suck. +1
Now Vanya’s powers are a bit more vague and imply that she has super hearing. +1
Leonard’s training routine actually includes some praise, which is a step up from Reggie. However, a step up from Reggie is still someplace in hell, so it’s still a sin. +1
It’s also a sin because it’s uncontrolled and Vanya is afraid of it, yet Leonard keeps pushing her. +1
Leonard uses the kind of language Reggie would use to describe Vanya’s powers. Checks out because he read Reggie’s book and is using his ideas to train Vanya. +1
Helen Cho’s missing person poster reminds the viewer that Leonard is bad news. +1
Vanya plays for the St. Pluvium Chamber Orchestra. First of all, no they have a conductor. +1
Second of all, “Pluvium” means of or relating to rain. The Umbrella Academy fights against the leader of the rain orchestra in episode 10. Who came up with that pun? That is absolutely hilarious. -1
Based on a post by @seven-valid-libras I think Griddy’s is across the street from this bar? I am not 100% sure. If it is then that’s a sin off because Agnes definitely has a bunch of drunk people coming in for doughnuts every now and then. I lowkey want to write this fic. -1
“Maybe they’ll brood each other to death” Is this a reference to the fact that Luther and Diego were both too emo for umbrellas in episode 1? -1
I feel so bad for Luther right now. Reggie really fucked with his head. +1
After hearing that Vanya’s boyfriend is a convicted murderer, Luther is more concerned for Allison than he is for Vanya. +1
Diego’s face when Luther says “you should have led with that!” [the fact that Allison went after a convicted murderer alone] -1
Luther is right. Diego should have led with that. +1
Luther breaks the door in his rush to get out of the bar. Checks out. -1
Mary J. Blige. -1
The shop is closing because Agnes is leaving? Who owns Griddy’s? +1
And if the shop is closing, then why leave doughnuts on the shelf? Are they gifts for the other waitresses who are now out of a job? +1
Agnes keeps a flamingo (presumably, scented) candle in a bakery. +1
Cha Cha was way too close to that explosion to not get some scratches at the very least. +1
Sergeant Cheddar is letting Allison stay in the room while he interrogates Mr. Luntz (the man that survived Vanya’s powers). +1
What kind of person allows themselves to be hired by some guy in order to beat him up in front of his girlfriend? Who does that? Are there people like that who exist in real life? +1
Allison doesn’t get pissed off when Luntz says that they started to hurt the girl (Vanya) too. +1
Sgt. Cheddar finally gets pissed off with Allison after she starts leading Luntz. This took way too long. +1
“What I really need to do is practice,” said every musician ever. Including me. As I’m typing this I’m putting off practicing. Vanya is calling me out. I deserve it. +1
Also, Vanya just got first chair and so far she still hasn’t learned the solo the day before the concert. That is such a mood. -1
The cracks in Leonard’s personality are finally starting to show. If Harold was smart he would let Vanya do this without attempting to manipulate her into more practice. +1
Vanya left her violin propped up in the middle of a sofa. That is a broken violin waiting to happen. +1
Where is her rosin? Don’t tell me she reuses the same rosin and doesn’t clean her instrument. Please. +2
Leonard doesn’t tell Vanya where he will be going. He just sort of leaves without a note. This would be fine if this universe had cell phones, but it doesn’t. Leonard is a dick. +1
Agnes would like to spend her (Hazel tells her it’s hypothetical but we know it’s not) last two days on Earth with Hazel. That is so sweet. But also, they met less than a week ago. +1
This is the turning point that makes Hazel an active character that wants to stop the apocalypse. Finally some character motivation that makes sense! Whoop! -1
They Call Me a Fool by Damon is another one of my favorites from the soundtrack. What can I say, I’m a sucker for jazz. -1
There is a parallel between Five leaving Vanya’s apartment and Leonard leaving her at the cabin. Her brother (whom I assume she loves) and the man she is infatuated with both leave her at some point without warning. The people who Vanya loves keep leaving her. +2
Vanya puts her violin down on a chair and lets the bow fall. Bows are expensive. +1
“I made a secret place just for you. None of your siblings get to play there.” Of course Reggie is framing it this way. He’s scared of her. +1
The further away from Pogo the camera is, the less real he looks. +1
Reggie and Pogo locked Vanya in this cage. +1
Vanya’s violin bow fell down but in the next shot it’s propped on the chair. +1
Sgt. Cheddar tells Allison to stay put but has no way to verify that she actually will. Also, if he’s such a fan then shouldn’t he know that she used to be a superhero? +1
Allison kept her proof about Leonard/Harold in the car again. +1
“I love you. And I wanna be here for you as your sister.” -1
“I love him.” Vanya you met him less than a week ago. +2
If there was ever a wrong time to bring up the fact that you took Vanya’s powers away and left her with a horribly low self esteem due to the poorly worded “I heard a rumor that you think you’re just ordinary”, it would be now! Now is the wrong time to bring this up! +10
Reggie used Allison to make Vanya powerless. Reggie is a dick. An absolute bastard. A complete scumbag. Etc. +20
Reggie has also been drugging Vanya since she was FOUR YEARS OLD. +50
Insert Reggie insults here. Feel free to come up with your own in the tags. Fuck this guy repeatedly with a rusty chainsaw. +20
Vanya is not in the right state of mind to understand that Reggie is the one that made Allison rumor her. +1
The final fight between Allison and Vanya is heartbreaking. Emmy Raver-Lampman and Ellen Page are excellent actresses. -5
Vanya’s skin keeps getting paler and paler. Foreshadowing. -1
This is the only time Allison attempts to use her powers in the show. To save her life. I would say that it is pretty justified. -1
Violin bows are not sharp enough to cut human flesh. Is this another part of Vanya’s power? +1
Gore warning! This is super fucked. Not gonna lie, I gag a little every time I see this.+4
Vanya is freaking out and then Leonard walks in. Vanya’s mental state is completely out the window at this point. +4
Leonard manhandles Vanya into letting her sister die (as far as they know) on the floor of the cabin. +10
Allison has definitely lost enough blood to kill her, yet she survives this. +1
Leonard went out to kill Luntz. +10
Nobody in the car (Five driving, Klaus shotgun, Luther and Diego in the back) is wearing a seatbelt. +1
Also, of these four people, Five is the most qualified to drive right now? Diego is sitting right there! And we saw Klaus drive the ice cream truck! Luther would have some trouble driving because he’s so large. But really?? +2
“Can you go any faster?” “Ask me again and I’ll burn you with the cigarette lighter.” The comic relief doesn’t really land here because the scene before was so dramatic and the music is still playing. To change the mood, the song would also have to change. +2
Independently, that is a pretty funny Grandpa Five line. -1
Including Ben in the scene where they find Allison bleeding out on the floor is a subtle reminder to the audience that if Allison was dead, Klaus would be able to see her ghost. The lack of a ghost means she is still alive. +1
Also, this scene has all the original members of The Umbrella Academy in it. Look how far they’ve come from the bank robbery. +6
No one is checking for a pulse right now. They’re just assuming that Allison is dead. +10
Overall Review: It goes without saying that this episode is fucking brutal. When I first watched it I had to stop and go do something else for a while because of the rumor reveal and the throat thing. That was really, really concerning. Props to Emmy Raver-Lampman. She fucking killed it this episode. If anyone was wondering if she was a good actress (ya know because of all the “come look at this” lines she kept getting) then this episode made it very clear that she can act and she does it very, very well. 
So, Vanya’s sanity is out the window, Allison is down for the count, and no one cares about the apocalypse right now. That last one is understandable because of Allison’s situation, but damn it really isn’t looking good for the Hargreeves siblings. 
Also, I want to talk about something. This is the last episode in which Allison and Vanya are both capable of speech. And in the eight hours we have known these two women, they have had multiple conversations. All of them have been about a man. Their brothers, their father, Patrick, or Leonard/Harold. Seriously, the two women in this show that are main characters never have a conversation that isn’t about a man. There is no excuse. With the fridging and this, you have to wonder if the writers on this show hate women or something? I don’t normally add sins post analysis, but I think I will make an exception for this one. +100
Total: 283
Sentence: Serious gore. 
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