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#like I KNOW that's what most people do I know I know that's normal but also like
tofixtheshadows · 23 hours
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I've been thinking a lot lately about how Kabru deprives himself.
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Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.
Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.
Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.
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I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.
He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).
First, we get this:
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Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.
They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.
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It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.
We don't see him eat again until the harpy egg.
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What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?
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He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.
In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.
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Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!
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...but he doesn't get to enjoy it like he wanted to.
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Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.
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And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.
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I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.
And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.
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Meals are the privilege of the living.
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faggy--butch · 20 hours
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is it just me or is the "trans guys are just some boring guys and they make lame music and trans women are cool and interesting and make loud music" jokes almost like. an excuse for why theres not that many trans guys who are popular content creators or musicians or actors or authors or what have you. like blaming the invisibility of trans men on being "boring" and therefore not doing anything rather than oppression.
not to mention the example of music being that people have heard of one singular trans guy who works in a genre they dont like [people really love to act like cavetown is like specifically bad or cringe but thats just what most indie pop/rock/folk sounds like] and theyve heard of a handful of trans women who make hyperpop that they already like [and laura jane grace of course] and its really telling on themselves. theres trans guys making hyperpop and trans women making ""lame ukulele music"" and both of them and nonbinary people making music of tons of other genres. like. cmon. it reminds me of xkcd 385.
also i dont think these jokes are intentionally malicious or anything [most of the time] but it also feels sort of weird to be joking about how boring a group of marginalized people are. im not going to act like its the biggest deal in the world but its sort of low level bullying, innit? and i imagine having this weird expectation to be "cool and interesting" isnt fun for trans women either. its nice to get to be lame sometimes.
Yeah it's super weird, especially because it's repeated over and over, that part is the suspicious part. I even saw it on reddit a few days ago in one of the ftm subs. I do think it's like blaming the lack of trans men artists on trans men being "boring" instead of, you know the bigotry, the erasure, the inequality I think it's also a weird expectation that we all HAVE to live up to what other people think of as "cool" like if we're all not making hardcore metal and being as "SICK" as humanly possible, we are failing at transgender music and therefore are the reason trans men aren't represented as artists enough, which is ummm. okay.
why can't we make soft love songs about being bugs, or whatever. What happens to trans women who don't live up to the metal hardcore aesthetic? Look at Dylan Mulvaney. She made a dumb cutsie girlypop song and everyone acted like she is the founder of misogyny herself. So not only are we ridiculed for the music we make, we're trapped in transphobic expectations of what music we can or should make.
If you expect all trans women to make metal, you'll only see trans women who make metal, if you expect all trans men to make soft music, that's all you'll find! because that's all you looked for! Another thing is like, Oh all trans women music is cool and hardcore rock and roll, but trans men music is dumb and cutsie ukulele music? I wonder what gender those genres are normally associate with? Uhoh we're doing a sexism maybe the person making the joke doesn't have malicious intent, but the joke itself sure does.
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maniculum · 2 days
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One of the things I’ve noticed working in a bookstore is that a surprising number of people are completely unfamiliar with the normal way books are organized.
(I mean, in the part of the store where we keep the used books, I frequently have to assure people that the books are organized at all, but that’s because we have way more books than we have shelf space and there’s no way to handle that without it looking a bit of a mess.)
On one hand, we get customers who are apparently a completely blank slate in this area. I frequently have to walk people through, like, “Okay, it’s organized by subject / genre, then by author. Oh, ‘by author’ means in alphabetical order by the name of the author. No, their last name.” (Most of the people I give this talk to are, I think, college kids — it’s a bit strange to me that you can reach that age without knowing how bookstores work, but then again, I can kind of see how these days it’s possible to mostly get your books online where you just use a search function.)
One customer responded to the above explanation with “oh, it’s the Dewey Decimal System!” and I had to be like… no. Similar in broad concept, yes, but the Dewey Decimal System is a very specific thing (involving… decimals) and it’s really only used in libraries, not bookstores, because it kind of requires you to label the spines of your books, which bookstores generally don’t like to do for obvious reasons.
On the other hand, we also get customers with pre-existing incorrect assumptions, which are so often similar that I think they’re being imported from other media (though I’m not sure what).
People seem to expect the organization of Fiction to be much more granular — e.g., “where’s historical fiction?” “oh, that’s just in with general fiction.” I think some of that comes from movies (people ask where the “rom-com” section is, and that’s definitely a movie thing), but I’m not sure that’s always the reason.
(Admittedly the fiction organization is a bit more granular in the Used Books area than it is in the New Books, but that’s because there are certain genres that we get tons of from people selling us their old books, but we don’t buy enough of on purpose to justify giving them their own section in New Books.)
At the same time, people have the opposite assumption about Non-Fiction — i.e., they expect there to be one singular section labeled “Non-Fiction”, which is not the case. I’ve had multiple conversations that go like:
Customer: Where can I find non-fiction books?
Me: You’ll have to be more specific.
Customer: You know, non-fiction.
Me: [gesturing at the signs hanging from the ceiling that say things like “science”, “philosophy”, “art”, “history”, etc.] All of these are non-fiction in their own special way.
I try to be nice about it, but I don’t think I always succeed, just because I’m so often legitimately surprised and confused when someone just doesn’t know How Do You Books. I’m getting used to it now, but I’ve been working there for almost five years, so there’s been quite a long adjustment period in between.
Anyway. Just some observations.
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keyotosprompts · 3 days
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not easy to please ⋆⭒˚。⋆
alternatives to popular tropes
⇴ siblings's worst enemy
they're your sibling's enemy, so of course they're yours too. they're despicable and you seriously want them dead. luckily for you, the feeling's mutual.
⇴ struggling ceo and their know-it-all office worker
how did this mf become the ceo of one of the most progressive countries in the world?? they're clueless and you're the one that has to fix all their mistakes. you seriously don't get paid enough for this (unless they can come up with another way to pay you).
⇴ marriage of inconvenience
what happens in vegas stays in vegas. except when you've signed an official marriage contract, and everything is so much more complicated before. now this person is stuck with you until you can divorce! (or will you?)
⇴ forbidden hate
your parents absolutely adore the idea of the two of you together. they have wedding pinterest boards, future plans, and baby names for the two of you. only one thing: you two kinda hate each other, and hell would have to freeze over before you'd ever get with them.
⇴ no more second chances
sorry dude! f'ed up really bad the first time, and now you're not giving anymore chances, and your ex has to deal with the consequences. one problem: they can't deal with the consequences bc they're literally in love with you. hm. just what will this person do to get you back?
⇴ not so secret identity
everyone knows who they are. not even the old mask and hat trick could prevent people from identifying them. and it's fine–they absolutely bask in the fame. one problem though: they're a constant target to the entire world. perfect!
⇴ separated from each other
they never get any alone time. alone together in an elevator? too bad, a party of ten just showed up, pushing the two of you on the opposite side of the elevator. finally alone at home? nope! unfortunately, your friends make a surprise visit! oh how will you two ever get past this?
⇴ "you deserved it."
a normal person would've asked "who did this to you?" except your bond is not normal. not in the slightest. i mean seriously, what does this person want from you?
⇴ "i can't have you, so i'll let someone else take my place."
they know that they're not good enough for you, and that you deserve someone better than them. so, they choose to let you go, and hope that someone else can make your world light up like they used to
⇴ the one that is still here
everywhere you go, this person is there. whether it's physically, mentally, or spiritually, everything ties back to them. everything reminds you of them. you couldn't even escape if you tried.
⇴ playboy but he's actually a nerd that cannot get play
he's gorgeous–he's the most attractive man you think you've ever seen in your life. you think he's probably got it all–girls or boys coming up to him nonstop. only, that's not true in the slightest. somehow, he's managed to fumble every single time.
⇴ nobody wants the bad boy
he's troubled. there are rumors of him starting fights 24/7, and he lives in a bad area. he could really fuck someone up. nobody wants him.
⇴ "you must be delusional"
lovers that know that they're in love with each other, but when admitting it to their friends, they shut down their feelings.
⇴ loving someone to save them
none of that breaking up nonsense. love is power. their love and support causes you to be stronger than ever. knowing that there's love out there gives you a reason to keep on going. love saves you.
⇴ too smart to live
you've outdone yourself this time. bypassed every guard, rule, and law without anyone catching you. so, of course, there's only one solution here: to eliminate you.
⇴ different worlds (revised)
you grew up poor while they grew up rich. now, in the present, you are the more successful one, while they are struggling to get their life together. now, you must help the one who used to be in your current position, and fix things together.
⇴ one-sided blind date
rule one of having a blind date: you should not know who you're meeting. well, too late! you sneaked a peek at your friend's phone and found out who you'll be seeing soon. now, you're scrambling to get out of this date because you know exactly who it is.
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discordantwritings · 3 days
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Creative Cures (Mihawk x Reader)
Warnings: NSFW 18+ MDNI, gn afab! Reader, sex pollen trope (but it’s a devil fruit power), the inherent dubcon of sex pollen but the con is as con as it can get under the circumstances, intercrural sex, PiV sex, creampie, mild cumplay, semi public sex
WC: 3.3k
Summary: As a relatively high ranking Marine doctor you were in charge of Dracule Mihawk’s post mission check ups. Normally you don’t have to do anything- until he shows up sick.
The only solution both you and him can agree on is a little… unconventional
Notes: I (lovingly) blame @fanaticsnail for this. All of her lovely sex pollen fics pushed me over the edge to write this one so go check hers out. Go.
Tagging: @keiva1000
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Most Marines didn’t like it when Mihawk had to come check in and give his after mission report in person. But you barely considered yourself a Marine anyways, always thinking of yourself as a doctor first before anything. A doctor who just so happened to be in charge of doing all of Mihawk’s post mission check ups.
Of course it took him a while to actually agree to do any sort of post mission work, but despite his generally sour attitude inside the Marines base he was never mean to you. Dismissive? Sure. Non-compliant with any medical advice you’d give? Yes. But that’s what you dealt with on a day to day basis. He was one of the few people you could have intelligent conversation with- he would listen to you and you would cherish the snippets of traveling stories you would get out of him.
Your check ups were never more than a handful of minutes, you had never seen him get more than a scratch, but he always let you run down your required checklist. Despite this you always cleared out half your day, just in case. So today, a day he was set to check in at your base, you sat patiently in your office until he was done talking with your superiors.
And waited.
And waited some more.
Until, finally, there was a frantic knock on your door before a frazzled looking cadet burst in. You immediately stand up and get serious- mass injuries were unfortunately commonplace for you to deal with and he had the scared look of someone who just saw a ship roll in half destroyed.
“Doctor-“
“How bad.”
“It’s Mihawk.”
That caught you entirely off guard and your stomach drops. “How bad?”
“We don’t know. He was giving his report and then he looked flushed and that’s when he ran out. Apparently he’s locked himself in some spare office and won’t come out.” He explains and you slowly get more and more concerned.
You quickly grab your bag and sling in over your shoulder, practically pushing the cadet out the door with you as you order him to show you where Mihawk is. It’s a quick jog down hallways and stairs but eventually you get to a door with two cadets on either side. One of your captains is leaning on the wall across from the door looking exasperated.
“The only thing he’s telling us is to leave him alone.” The captain explains, gesturing to the door.
You sigh and walk up to the door, rapping on it with your knuckles. “Mihawk, you’ve got everyone worried out here.”
A few seconds pass before you hear Mihawk’s voice, muffled from behind the steel door. “Doctor?”
“Everyone said you looked sick.” You explain.
There’s a long pause and you’re about to speak again before you hear his voice. “You all need to get out of here.”
You see the captain throw up his hands in your peripheral and you fight the urge to roll your eyes. Turning your attention back to your fellow Marines you gesture down the hallway.
“Give me a few minutes alone with him.” You don’t need to tell them twice, and they eagerly take the relief.
You wait a few beats for them to clear out and then turn your attention back to the door. “Alright, it’s just us.”
“I thought I made it clear that all of you needed to leave me alone.” You can tell he’s close to the door, which you take as somewhat of a good sign.
“Look, if it’s something contagious I just need to know. If it’s something embarrassing I’m a doctor and I take confidentiality incredibly seriously.” There’s silence and you lean on the door. “Just let me help you.”
You hear him moving behind the door and then the heavy sound of the lock turning. You give him a few seconds before you enter, closing the door after yourself immediately.
All the lights are off, only the small amount of light through the high circular windows illuminating the space. It takes you a second to locate Mihawk but eventually you find him, shoulders hunched as he leans on an abandoned desk. It’s jarring to see his normally perfect posture gone and even in the low light you can see the intense flush over his face and exposed chest. You don’t need a thermometer to see that his temperature is dangerously high.
“What happened?” You don’t approach him, hoping the space gives him some comfort.
“It was-“ He breaks off as he pinches the bridge of his nose, taking a deep breath before continuing. “Some Devil Fruit user. Don’t know what the power was but I inhaled some smoke and then-“
He trails off and you know you’re probably in a bit over your head. Devil Fruit powers could be quite literally anything. You shove all that down though and hope your nervousness doesn’t show. “What are your symptoms?”
Mihawk shakes his head. “This was a mistake I shouldn’t have let you in you need to-“
“Mihawk I need you to tell me.” You’re unsure where this confidence is coming from, there’s not a world in which you would ever be in a position to tell a warlord what to do. But to your surprise, it works.
“I’ll kill you if you tell anyone.” He practically growls.
“You have my word.”
“Fine.” You see him shift and it looks like he’s uncomfortable in his own skin. “I have a fever, I am experiencing some mental fog, and my senses seem to be heightened.”
It’s your years as a doctor that let you immediately know he’s holding something back. “And?”
His gaze darts up and he glares at you making your blood run ice cold. If looks could kill you would be a pile of viscera on the floor. Despite this, he does give you and answer.
“I am in an… unnatural state of arousal.”
Oh.
That would certainly explain a few things.
You let your doctor brain take over as you set your bag on the ground, opening it and looking through what you have. Medication wouldn’t help since the cause was a Devil Fruit power but…
“Okay. I have a few ideas.” You reach into your bag and pull out an ice pack, throwing it over to Mihawk who easily catches it and presses it to his forehead. “The first is what you are doing, which is isolate until the effect stops. I’m not sure this is the best idea since you seem to be incredibly uncomfortable.”
“What else.”
“I could sedate you and hopefully have it flushed out of your system by the time you wake up.” You offer, showing him the vial of clear liquid.
“Absolutely not. I refuse to be further incapacitated around you Marines.” He spits out the last word and you would be offended if you actually considered yourself a Marine.
“Alright. Those are my… sensible ideas.”
“Which implies there are insensible ones. Spit it out.”
You can’t blame him for being short but it didn’t make your next concepts any easier to say. “I could find you someone to… ride it out with.”
That idea hangs in the air and you watch Mihawk screw his eyes shut, clearly struggling. “I don’t- it’s insufferable enough to be vulnerable on a Marine base but you want to bring in some stranger-“
“You’re right, I’m sorry.”
A thought pops into your head as you scramble for more ideas as Mihawk’s composure slowly keeps slipping. It’s a stupid thought, one a doctor like you shouldn’t have even had. But in the moment, pressed for ideas, it tumbles out of your mouth before you can even think properly about it.
“I would help you.”
You realize what you’ve said a moment too late and wish that somehow the floor would swallow you whole. It’s not like you don’t want to- it’s clear that your stupid monkey brain has always held on an attraction to the incredibly handsome warlord- but offering yourself up like this?
Beyond wildly inappropriate.
“Don’t say things like that.” Mihawk says as he backs up a few steps and shame hits you like a brick wall.
“I’m so sorry- it was- you shouldn’t be with anyone when you’re compromised like this I’ll just-“ You fumble over your words and quickly turn to unlock the door and get out of there.
Before your hand can even reach the handle an arm comes out from behind you and slams on the door. Suddenly you feel the intense heat of Mihawk’s body behind you, heavy breath fanning over the back of your neck. He doesn’t press into your body but instead hovers and your mind can’t quite keep up with the sudden change in events.
“Don’t say things like that if you don’t mean it.” His voice is low and dripping with lust.
Your gaze is locked forward as you try to control your breathing. “I meant it.”
“Last chance.”
The professional part of your brain gets smashed to smithereens as he presses his body against yours. “If you’re sure you want this then-“
The air is knocked out of your lungs as he steps forward, pushing you harshly into the door. One hand knots in your hair while the other snakes around your waist and pulls you in impossibly closer. The grip on your hair forces your head to the side, giving Mihawk the space to attack your neck, teeth digging into your skin immediately. As he does so he grinds his hips up and you can feel just how painfully hard he is against your ass.
The hand on your waist pulls at your uniform pants and you quickly get the idea, using your free hands to shove them down. You’re only able to get them just over your ass with how your legs are pressed apart by Mihawk’s but that seems to be enough for him. His hands leave you for a second and you hear the clatter of his belt before both hands tightly grip your hips.
You feel his cock slide between your folds, not entering you but instead sliding between your lips. His shaft is almost scorching hot as it slides against your clit, slick dripping from you and easing his shallow and fast thrusts.
“I just- fuck I just have to take the edge of your so-“ The grip on your hips is bruising as he holds you still to use you.
“It’s alright just-“ You can practically feel every vein against your sensitive clit and you bring one of your hands up and back to dig into his hair.
The scratch of your nails in his scalp is all Mihawk needs to tip over the edge, grunting as he spills onto the door and your thighs. You feel his heavy breath on your neck as he collects himself but the hardness against you doesn’t fade. You hear frustration in a low growl against your back but despite this he places kisses over the deep bite marks he created on your neck.
Slowly Mihawk pries his body away from yours and you take the opportunity to quickly toe off your shoes and slip your pants all the way off. When you turn around you see Mihawk watching you from a large chair, slowly pumping his cock, soaking from you slick.
“Get the rest of that god awful uniform off doctor.” You quickly discard your jacket and pull your shirt over your head, earning an appreciative hum from Mihawk. “What a pity you have to hide all that.”
You flush under his compliment and piercing gold gaze. With his free hand he beckons you over and you obey without hesitation. The second you’re close enough he pulls you into his lap, your thighs pushed apart by his spread ones. Your hands grab his shoulders to stabilize yourself as his hands find your hips once more.
“Normally I would work you open darling but-“ He nuzzles into your neck, breathing in your scent. “You can take it, can’t you?”
He doesn’t wait for a reply before one incredibly strong hand pushes you down while the other lines himself up with your entrance. You don’t fight him as his tip presses into you, stretching you out. You curse as he pushes into you a bit faster than you can adjust, but probably significantly slower than he wants to fuck into you. The sting feels good mixed with the way Mihawk curses and praises you under his breath, words barely understandable as his fingers bruise your waist.
“Just like that- so fucking tight-“ He mouths at your collarbone as you sink down and your head falls back as he splits you open.
Soon enough your hips meet his and you moan and dig your nails into Mihawk’s shoulders. He can’t help but shallowly thrust up into you, hot breath fanning over your skin as his instincts seem to overwhelm him. Once you feel ready you work to move your hips in time with his, pulling yourself up and down further on his length.
“That’s it- you’ve been waiting for an excuse to fuck yourself on my cock huh? Proper little doctor- I’ve seen how you- fuck- how you look at me.” You flush with embarrassment and look down to see his golden eyes blown out by darkness.
Maybe you should have some shame, knowing you were seen through so easily, but when he looks up at you like that you can’t think of anything else. You quickly press your lips to his and he seems caught off guard for a second- only to quickly overtake the kiss. One strong hand grips the back of your neck and holds you in place as his tongue slips between your lips. You stay like this until your lungs scream at you and you push yourself back and gasp for air.
You’re about to lean in for another kiss when you notice Mihawk’s gaze quickly dart to the door. You’re confused for a second but soon a loud knocking bounces off the steel door.
“Doctor- status report?” One of the cadets yells through the door and you swear under your breath.
You stop your movements, hoping to catch your breath and sound somewhat put together but Mihawk has other ideas. The second you falter he grabs your hips and starts moving you up and down effortlessly and when you glare at him he only grins up at you.
Seems he still has the mental capacity to be an ass.
“We are-“ You bite down hard on the inside of your cheek to stop a moan after a skillfully directed thrust. “We are quarantining until some of my tests are- are done processing.”
There’s a pause before the cadet responds. “Okay… are you alright? You’re not sick are you?”
When one of Mihawk’s hands leave your hips you know something is up and you’re able to bite down on your hand in time to stifle the moan that leaves your body when his skilled fingers find your clit. You’re so close to an orgasm but you fight it back just long enough to get this stupid cadet out of here.
“Quarantine this hallway until my further say- that’s an order!” You yell out and you hope and pray the cadet doesn’t hear the pleasure in your voice.
“Y-Yes!” The voice shouts back and you hope he’s running down the hall because you can’t take this anymore.
“What would your fellow Marines think?” Mihawk’s voice, cruel and playful, rings in your ears. “They’re precious doctor getting fucked stupid by a pirate- fuck you like that don’t you?”
You can only nod, overwhelmed by hick cock and fingers skillfully taking you apart.
“You’re squeezing me so tight- just- need you to cum all over my cock- you can do that can’t you? Cum for me-“ There’s a hint of desperation in his voice and his command breaks any last tethers you were using to hold off your orgasm snap.
Mihawk swears loudly as your walls convulse around him and it’s only seconds later he’s holding your hips down hard against his and spilling inside you. You lay your forehead on Mihawk’s shoulder as you ride out the waves of your orgasm. Even after you catch your breath he’s still hard inside you and you know you’re not done yet.
“I just want to see- hold on.” Is the only warning you get before Mihawk is standing up.
Your legs instinctively wrap around his hips but his strong hands on your ass are more than enough to keep you up. He moves a few feet to the desk, setting you down on it and tapping your thigh once you’re settled. You get the idea and unlatch your legs, letting him slip out and away from you.
“Let me see.” Mihawk says as he pushes your knees apart, eyes transfixed between them. “Fuck.”
He watches as his cum leaks out of you, his fingers quickly scooping it up and shoving it back inside of you. In any other headspace you might think that was disgusting but the way he watches you and is claiming you makes it incredibly arousing. Once he’s satisfied he brings his fingers up to your mouth and you automatically take them between your lips, tasting the mix of your fluids.
“I’m- fuck- you’re perfect.” He seems reluctant to take his fingers from your mouth but the second both his hands are free he’s easily flipping you around and pushing your chest into the desk.
There’s no warning before he’s plunging into you again, your hips roughly meeting the edge of the wooden desk. You don’t really feel the pain amongst the pleasure, oversensitive from your previous orgasm. You feel open mouth kisses pepper your spine as he thrusts into you from behind. While one of his hands stays on your hips- your skin practically indented in the shape of his fingers there now- one reaches down to your thigh, giving it a squeeze before he pushes your leg upwards. The new angle is heavenly as you just let yourself be used- sliding forwards and backwards on the desk with each powerful thrust.
“Need you to- fuck darling I just need you to cum on me again- please I need to feel it-“ Mihawk sounds so desperate, a whine to his voice that he no longer can hide. “Just a little bit more for me-“
Your body seems to crave following his commands and another orgasm is ripped from your sensitive body. Only a few moments later you feel him cum inside you again, and you’re confident at this point he’s dripping out of you onto the floor.
“So good for me- taking all my cum-“ He’s breathless as he pulls out of you again and you don’t need to turn around to know he’s staring at your fucked out hole.
When he actually give you space for a minute you turn your head, still using the table to support your weight. “You feel better?”
“Hm…” His hand skates up your back, soothing you. “Feeling just sated enough to get you back to the room I’m staying in.”
The prospect of going more rounds was overwhelming but you can’t deny that you wanted it more than anything. One problem.
“If anyone sees me I think they’ll figure out some of what happened.” From your messed up hair, the bruises forming on your neck, and the fact that there’s no way you’ll be able to walk normally- yeah it’ll be obvious you were just fucked within an inch of your life.
“Oh doctor.” He pulls you up off the desk and places a surprisingly tender kiss on your forehead. “If anyone else sees you like this I’ll kill them.”
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tossawary · 21 hours
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I think the vibe that I'm going for with Su Xiyan now in my fics is a lot like Kabru from "Dungeon Meshi". I wrote most of my Su Xiyan stuff before I even touched "Dungeon Meshi" and the vibes definitely aren't 1-1, but that's the good stuff I want with her. Like, she's even better at people because she's older and has more political experience, but that kind of stressed, overworked, tightly wound social manipulator smiling pleasantly while privately thinking "What the fuck? What the fuck???" to herself is funny to me.
Su Xiyan just sitting there, smiling, flirting, acting all cool, while a Demon Emperor happily (knowingly?) takes her kind of obvious bait because he's here for a good time. (Oh, no, he's HOT.) She CANNOT figure out whether or not Tianlang-Jun knows she might kill him and she's sitting through some of the worst theatre she's ever seen in her life in the meanwhile. She paid for this. Tianlang-Jun is sooooo into this stuff. WHY is she kind of into that???
And most of her social manipulation just straight-up doesn't work on Zhuzhi-Lang either because it goes over his head or he decides not to cooperate. They sit down at a restaurant together and Zhuzhi-Lang orders a bowl of raw eggs so that he can swallow them whole. Su Xiyan spends the entire meal trying to figure out whether or not Zhuzhi-Lang is fucking with her.
The answer? Yes. Zhuzhi-Lang would do this anyway, he likes eggs, but he knows normal humans don't behave this way and he's doing it now to see what Su Xiyan will do about his egg-eating in public. This is a test. (Tianlang-Jun: "Haha, did he do the egg thing again? He's really good at catching them too. Look, I can just throw them at him and he'll swallow it!") It's the great dynamic of "highly competent person who is being crushed under societal expectations" versus "a pair of total weirdos who have tuned into the joy of taking naps whenever you want, the ground is free".
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theirishwolfhound · 2 days
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I do love the idea of an unhinged reader. Not like brutally unhinged but... like the kind that is harmlessly annoying and is just a brat to Task Force 141.
Like the mother fuckers nickname is Menace and they're somehow still alive after everything so they make it everyone's problem.
They're great at what they do, amazing even— but no team wants menaces like Menace, not even the heavens nor the hells want the damn person.
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This is the same Menace who wears a devilish half-mask, but only above their mouth so people can see their shit-eating grin (think similar to the ghoul mask above) as they leave small firecrackers under the lids of toilet seats, or so people notice the way their lips curl up in mock disgust when someone is talking.
Menace who only goes through with the SAS training to one up another soldier they despised, enough to have sicked a pack of squirrels on that they personally hand fed a few days after— they even bonded enough with the little fuckers that when they were finally transferred out to be someone else's problem, the squirrels would steal the remaining soldiers foods.
Laswell, whose grand idea of knocking the boys down a peg since she's tired of their shenanigans includes getting this Menace of a person to join 141 with faint threats of blackmail— to which Coporal Menace respects, leading Kate to being the only one who is not subjected to the dumpster fire that is about to happen, but is only encouraged by her wife.
Price, who in his right mind, nearly rejects the idea of this misfit joining because of their turnover rate but gives in when Laswell tells him it would be worth it— that her wife likes them and they're an excellent solider after all.
Immediately upon arrival, Menace lives up to their name— pissing on the side of the building as if to mark their new territory before deciding it would be a good idea to rile up the behemoth of a man by asking Price: "Didn't anyone tell the poor bastard that Halloween was four fuckin' months ago? Look at 'em he looks emo."
It wasn't until then that the poor Captain realized how much of an untamed brat his new corporal was— only to be further set in after the first two weeks on base.
Sure Menace got along with Soap, but they were far too alike for Menace's likings and Gaz, sweet sweet Gaz, gave them a few too man odd glances and playfully snide remarks for their liking— meanwhile Ghost had made them scrub the bathroom from top to bottom with a small sponge, and well they could already see the forming regret in Price's eyes.
So Menace did what they did best.
It started out simple: silently attaching balloons on strings to the back of their clothes without them noticing, flipping all of the furniture upside down during the middle of the night, purposefully mocking every single move of one of the operators for a full day, sugar in the salt shaker or salt in the sugar dish, you name it they did it.
Glitterbomb the captain? Oh yeah, and there's still glitter in his mustache.
Tied the two sergeants' doors together so that neither could open it? Done and done, they were locked in their rooms for a good hour until someone cut the rope.
Move the lieutenant’s furniture two inches to the right so that he would constantly stub his toe? Yeah, you can practically see him fuming after every trip to his office.
And what irked the lads the most? Menace kept getting away without being caught— managing to even out sneak Ghost, which the only reason for it is: Menace knowing they don't know what they look like without that mask. So obviously they take it off and blend in with the many other people on base.
They made a fool of their sergeants, their lieutenant, and their captain and it was time to get back at the cunning prankster— but Menace grew suspicious. Usually they would have been booted out by a normal team by then, but what Menace came to realize a bit too late was that Task Force 141 was not normal.
And reality came to a head when Menace was called to Price's office to collect something— only for that something to be a bucket of ice cold water falling onto their head and for the captain to tell their now soaking wet and cold Coporal: "Game's on, brat."
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bluecollarmcandtf · 3 days
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Typical Day For a Bouncer
I'm Joey, a security guard at a night club down the street. I got the job because I'm a big ex-rugby player, but I've kept it for so long because I'm good at handling people. I can't tell you how many underage idiots try to sneak in here. It takes patience, grit, and a keen eye to keep the troublemakers out!
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Like any other Friday night, the club is packed tight and a line of impatient patrons stretches down the street. I've gotten good at telling people "no," in a way that makes them listen, so they have no choice but to calmly wait until I feel like checking their ID and letting them in.
Every now and again, I'll have some fools try to sweet talk their way in. Girls try to flirt, guys try to bribe, but the biggest assholes make a scene. It's nothing I can't handle.
Just last week, I had this entitled brat come up to me and demand I let him in. The boy couldn't have thought I'd believe he was twenty-one. He wasn't even in line! I don't remember what I did to get him to shut up, but he kept hammering on and on about his skills with hypnosis. I remember listening to that kid ramble about the voodoo of the mind for what felt like forever.
I don't remember kicking him to the curb, though. He probably got tired and went home.
"Hey, buddy!" a familiar voice squeaks over the music. I roll my eyes, preparing myself to say no yet again.
"Oh, it's you," my deep voice catches in my throat. The kid from last week is standing in front of me once more, ignoring the line of adults to his left. In his ratty sweatshirt and baseball cap, he doesn't look any older than eighteen. Still, the sight of him unlocks a memory I somehow had forgotten. "Hello, sir!" I call back, remembering him as my closest and most respected friend. How could I've forgotten that this boy was my best friend I call sir?
"You gonna let me in, big guy?" A devious grin spreads across his boyish face.
"Of course, sir."
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There are a few angry comments from the people waiting in line. I can't imagine they're happy to see this guy ushered into the club before them. Normally, I have a strict policy against VIP treatment. I think everyone should have to wait in line like equals, but sir is great. He can come and go whenever he wants!
"Hey, why don't you take a break from the front and buy me some beers," the boy yells over the roar of the music.
I leave the entrance and start pushing my way through the crowd in the direction of the bar. I probably should've warned the other bouncer that I was taking a break, but my feet were carrying me away before I knew what was happening. The other guard knows what he's doing, but he's still pretty new here. I'm sure he'll be fine.
The bartender gives me a can of light beer, and I hustle it back to the boy on the dance floor. People tend to get out of the way when they see a giant security guard coming through, but the place is so jammed packed that I have to press against several sweaty partiers on the way over.
"Your beer, sir," I say, flinching at the meekness in my voice.
"What the hell is this?" he whines when he sees the drink, "This is crap. Get me the good stuff, and buy a lot of it!" The kid tossed the open can at my broad chest, and the cheap beer splashes across my uniform.
"Yes, sir."
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I march back to the bar with a clenched fist, and grab a tray, ordering the barback to fill it up with the more expensive bottles of beer. He glances at my soaked shirt and pants, but averts his eyes the second he sees my less-than-friendly face.
That boy is my best friend. I respect him greatly, but goddamn is he infuriating. How did I even become close to someone so immature? I pacify myself, and carry the tray back over to the kid.
"That's better," he snorts and takes a sip of the premium drink while I stand there to make sure he likes it this time.
"Alright, sir," I begin, thinking about the twenty minute break I've been taking, "I need to get back to work."
"No you don't!" the boy interjects.
"I..." the words fumble in my mouth, "...well, I don't need to, but I should, sir."
"Tell your boss you're done for the night. Then go wait by my car. You can guard it!"
"Yes, sir," the words come out before I even know what I've agreed to.
Before I know it, I'm marching into the back office and calmly telling the club owner that I'm taking the night off. He's pissed, but I'm his most reliable employee, so he doesn't fire me. I can tell he's not happy, though. He looks like he'd take a swing at me if I weren't two feet taller than him and a hundred pounds heavier.
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"You make a great watchdog!" the teenager laughs as he comes stumbling out of the club.
Something about him brings a scowl to my face. It might be the way he referred to me as an animal, or it might be the way he's staring at me like I am an animal. Maybe I'm just irritated from standing by this parked car in the cold for the last two hours, but this boy is getting on my nerves.
"No one has bothered your car, sir," I report.
"Good, boy," he slurs and then reaches a gangly arm to pat the top of my head. I can smell the distinct earthiness of the beer I'd bought wafting out with his breath.
Every muscle in my body tenses up, as I try my best to restrain myself. Sir is my best friend. I respect him. I do what he says. I shouldn't get this worked up by him making a little joke at my expense. It's perfectly fine for him to tease me a little since I trust him completely. I know all this.
"Still think hypnosis is fake?" he asks, bringing his wet lips uncomfortably close to my own.
"Sir?" my brow furrows, unsure why he's bringing up that crap again.
"Well, it's real, and you're hypnotized."
I stifle a groan, "Sir, you've had a lot to drink..."
"The only thing I'm drunk on is power!" he yells, smashing a bottle on the sidewalk for effect, "I've got you like a trained dog; that's how good of a hypnotist I am! Let me prove it."
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I was pissed. I was livid. Sir had mocked and insulted me repeatedly. It was a bad idea for anyone to pick on me, especially someone a third of my size! Nevertheless, the boy has all my faith, so I kept my mouth clamped shut.
He told me to kneel, and I grunted, "Yes, sir." I already had beer all over my clothes, so what's a little mud on the knees of my pants? It was better to just keep him happy, but that didn't mean he had hypnotized me.
"Keep your arms raised, like you're worshipping me," he went on.
"Yes, sir."
My arms went up. I'll admit this was a bit more strange, but I still trust and respect the teenager enough to comply. That doesn't say anything about my state of mind.
"Alright, now stay like that until I come back," he laughs, "I'm going to get a snack, but if anyone walks by, I want you to bark at them like the hypnotized guard dog you are!"
"Yes, sir," I answer, hearing the hoarseness in my voice.
As the boy stumbles away, I find myself stuck in the position he'd left me in: on my knees, in the cold, with my arms raised in compliance. I'm doing this willingly, right?
Time creeps by uncomfortably slow as I silently wait next to his car. Suddenly, I hear footsteps nearby. A wave of barks burst out of my throat, and I find myself growling like a territorial mutt in the direction of the pedestrians.
Now I'm acting like a dog!
Sir doesn't come back for another hour, which leaves me to viciously snap at numerous other passerby. They seem terrified, which makes sense. They probably think I'm insane! I'm beginning to wonder if I'm insane too.
I respect that boy more than anyone even if I only met him once, a week ago. I really would do anything he told me too. Is that strange? It's not like me to be so...obedient. I'm the kind of guy that normally tells people what to do, so why am I doing this?
There's no way...it's not possible...I can't actually be hypnotized, right?
"Good, boy," he pulls off my cap and ruffles my hair, "Now, be a good dog and drive me to your house. I might fall asleep on the way there, so you'll have to carry me inside to your bed. If you do good, I'll give you a special treat." He licks his lips and reaches a scrawny hand out to squeeze my tired pec.
"Yes, sir," I answer, jumping up to do his bidding, but I can feel that the words aren't really mine.
Shit. I think he's right. I think I am hypnotized.
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15. "I'll keep kissing you." "Until you're sick of it?" "Until I can't think of anything else but you." For Gojo? Like s/o was feeling insecure if he really wants to date her but this is how he reassures her that he loves her dearly?
Quite The Romantics {Gojo Satoru}
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A/n: thank you for requesting, I hope you like the outcome
Pairing: Gojo Satoru x fem! reader
Trigger warnings: mentions of self-doubt, insecurities and overall angst, implied sexual activity
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Being in a relationship with the strongest sorcerer alive was easy. The late night calls that signalled missions, him worrying about his students, the higher ups... everything was manageable. It helped that you were also a sorcerer so you knew what the dangers were and Gojo didn't have to keep things a secret in order to protect you.
Being in a relationship with the most handsome man you've ever seen was not easy. It had been a mutual agreement to keep things lowkey and so far it had been fine. The students knew about you two and they were fully supportive and excited when they saw the two of you together inside the school grounds but things were not so simple outside of campus.
Gojo and you didn't share a home, yet at least since he had been pestering you for a month to move in with him; having a huge and luxurious apartment always had its perks. So when it came to dates there were only two options: either Gojo would pick you up or you would meet him at the date spot.
With your line of work, the latter was what usually worked best.
Tonight's date had been marvellous. From the food to the music to the view, you had to hand it to him; Gojo Satoru had taste. And even after the date, when the two of you returned to his place... everything was perfect. Perfect apart from one thing.
"Where's your little mind travelling?" Gojo returned from the bathroom, grey sweatpants on and a white towel on his head. The usual scent of sex had now been replaced by the smell of his body lotion and shampoo: roses.
You were a little hesitant to reply and in your mind it was only natural. Who wouldn't be nervous when the love of their life was asking them what is going?
"Oh no!" He plopped next to you on the bed, a small smirk on his face. "Can I guess?" He nuzzled his face in the crook of your head, his arm already wrapped around your waist.
"Go on." You sighed and turned on your side, facing him. Something about the way he hugged you felt comforting and you knew he knew it. It was a small trick Gojo always had up his sleeve that not even he knew how he had found out.
"Is it about the girl that came up to me while I was waiting for you at the restaurant? Don't be shy with me honey." He giggled. That bastard knew what he was doing and your silence wasn't helping your case. "I knew it." He pulled away from you with a smile.
You didn't want to admit it. Mostly because you were confident in yourself and in your relationship with him. But there were times when you could see other people flirting with him and something in you broke. You weren't nearly as confident as him, nor that much of an outgoing person and your ego was in normal levels. So what was stopping him from breaking up with you to find someone else?
Being in a relationship with Gojo Satoru only had perks. Gojo knew you better than anyone. He knew how to make you laugh, how to make you moan, how to make you stop crying. He also knew how to touch and kiss you.
"What are you doing?" You tried pushing him away but he was strong and he wasn't letting go of you. Pushing him away, especially when laughing at the same time, was never easy and you knew it, but you still did it anyway. Not because you wanted him away from you but because you wanted to piss him off.
"I'm kissing you." He laughed, placing another small peck on your collarbone before travelling up to your neck and then your cheeks and then your mouth.
"Haven't you kissed me enough already?"
"I'll keep doing it, I don't care."
"Until you're sick of it?"
"Until I know you know I can't think of anything else but you."
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justwonder113 · 3 days
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Head over heels - Lee Know
Warning: Mentions of drinking, Minho is a bit tipsy but he's sober by the end of it. Rader is getting hit on by some weird dude. Slightly suggestive at the end. Minho is staring at the reader's chest. GN reader. Not proofread. Please tell me if I missed anything
Masterlist
A/N- I'm finally back!! Thankfully I got over the virus and more than dedicated to write as much as I can. I have many ideas and can't wait to write all of them. Thank you for all the love and support you've given me it truly means the world to me. Reblogs and comments are much appreciated. If you have any requests too feel free to do so. Take care of yourselves, love you all❤️
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When is the right time to say that you're head over heels in love with someone? Perhaps when they do something really romantic and/or selfless. Something probably really kind and generous, something really cool... Probably not when they are dazed from having a bit too much to drink and look like they are about to fall asleep any given second now, right? Yup, you were definitely weird, probably the main reason you and Minho clicked this well. Okay in your defense you knew you were smitten with him for a while, it just downed on you though how down bad you actually were.
Really though. To think that you would realize that you're in love with your best friend when his like anywhere but this world is beyond crazy, even for you.
"Pretty boy do you want me to bring you some water?" You asked after seeing him blink slowly yet another time. You were at this club Hyunjin had invited you at. The music was blasting on the full volume and everyone was having the time of their life, well maybe except you and Minho. Normally you would be also be having fun with your friends but now everything felt a bit dull. Maybe because you didn't drink anything. You had bad flu earlier and you just didn't feel like drinking today. As for Minho, normally the drinks didn't get to him that easily, but he wad been overworking himself a lot lately and due to the fatigue even such small amount of alcohol as two or three shots got to him pretty easily.
Looked at you with dazed eyes for a second or two, as if trying to gather his thoughts. Something glimmered in his already sparkly eyes and he gave you a small smile. God, he looked so squishy and cute like this you wanted to pinch his cheeks. Not that you would, he had this tough persona to keep. Also not to sound weird but you didn't want others to notice how cute he was. Let's just say you wanted to gatekeep him for yourself.
After Minho gave you a small nod you got up and headed to the bar. There were a lot of people in line so you would probably have to wait quite a while to get something as simple as glass of water. You texted Minho that this could take a minute or two and started waiting for your turn. Meanwhile from the corner of your eye you saw someone shamelessly check you out, like, could they be any more obvious about it? You prayed that he wouldn't approach you while you also crossed your fingers for the bartender to hurry up. You decided to ignore it. You didn't see anything.
Unfortunately your prayers hadn't been answered, the sleazy man decided to approach you, honestly the audacity some people had. You tried to keep your distance but it was all in vain. The man stood in front of you now. He even made a show of slowly checking you out. God what a pig. You really tried your best to compose yourself, you really didn't need to make a scene now.
"Hello. Gorgeous can I buy you a drink?" God even his voice was so annoying. You reminded yourself that you needed to keep calm. With the most polite voice you could muster you answered that you were good and that you were with someone. But the dude still kept pestering, making your blood boil even more. Who the hell did he think he was? You had enough of this, you were about to warn him that you would call the security on him, when hands wrapped around you. You stiffened for a second, but relaxed when you noticed that it was Minho. The strange man grumbled. "Shit, boyfriend of yours?"
Minho answered before you could, his hands tight around your waist, his glare cold as ice. "Yes, now fuck off." The man was about to argue but Minho's death glare shut him up quickly. The man slithered away to disturb someone else you guessed.
You turned your full attention to Minho, who kept hugging you and now had rested his head on your shoulder. He still felt sleepy you guessed. "You took too long." He grumbled after a few seconds of silence. You turned your head and kissed the top oh his head. Minho grunted again. "Sorry pretty boy. Let's get you that water." You took a step towards the bar but Minho stopped you.
"Don't want it anymore."
You fully turned to Minho and started closely examining him, his face was unreadable though.
"Hey, how are you?"
"Just tired. Can I stay at yours?" You thought for a minute jokingly which Minho didn't really appreciate which he showed by softly pinching your side. Really, what was up with him being all cute today? You couldn't help yourself and you gave him a little peck on his cheek.
"Sure." Minho didn't say something, and you couldn't read anything on his face. He held his hand towards you and after you held it he started leading you to others so that you could say your goodbyes.
The walk to your house wasn't long. You appreciated the comfortable silence between you two. It was peaceful. You also loved how extra protective Minho was over you, he didn't let go of your hand whole way. Your heart felt like it would burst from joy.
You sighed in relief once you walked into the safehold of your house. It felt so good to be home. Like the two youthful people you were you immediately started getting ready for bed. You of course on top that pestered Minho to drink plenty of water before going to sleep. You didn't want him to wake up with a hangover. Surprisingly he was being obedient. You also couldn't help but admit that sleepy Minho was absolutely adorable. To you he just looked so soft and squishy all you wanted to do was to cover his whole face with kisses.
You tried to get ready for bed as fast as possible, but the chains you had worn today didn't really let you. They managed to get stuck and you didn't really feel like going to sleep in them. So you turned to Minho who laid across on your bed. Diagonally like a sweet person he was. He had changed into the sweats and oversized shirt he had left at your house but as it seemed he got lazy to get under the covers. "Min can you help me with these?" You asked sweetly as possible. Minho didn't answer and you thought that he fell asleep again laying diagonally on your bed, but he got up after a couple of seconds. He looked at you with unimpressed eyes waiting for you to ask what you wanted. You motioned towards your bundled up chains. Minho grumbled again but immediately started working on it.
The chains were more tangled up than you could imagine. Minho kept grumbling about how he should just snap them but still kept deligently working through every knot. You had no idea how did they get so tangled up on your neck. You got curious on what was taking so long and looked down and only when did you notice that upper buttons were open and you were showing quite a decent amount of cleavage. You felt shy for a second but then as if on cue you noticed how Minho's eyes kept shifting down towards your exposed skin. Let's just say it was a nice ego boost. Subtly as possible you even straightened up a little so you could show off your assets better. You didn't know if Minho knew you did that on purpose but his eyes sure did appreciate the sight. You didn't even realize you were staring at him, before he looked up and your eyes met. Suddenly you felt lost at words. How was he so gorgeous? You could only gulp and just stare at him.
"I did it." He spoke calmly as he placed your chain on your hands. "I think I know how you should thank me." Was it you or was he really close? You could even feel his breath on your skin. Your eyes couldn't help but shift fom his eyes down to his pretty lips. What were you even doing? Minho noticed your wandering eyes, his gaze also shifted down to your lips.
His finger touched under your chin and slowly lifted your face so that you were eye to eye again.
"What do you have in mind?" You found your voice after a few long seconds of being rendered speechless.
"I want to kiss you so bad." Minho's confession sent shivers down your spine. Good thing that you were sitting on your bed, you felt like you would fall otherwise. You felt like fanning yourself, your whole body felt so hot.
"What's stopping you then?" You quipped back, he was so close now with each breath your lips slightly grazed each other.
"Nothing." His voice was raw with emotion. You didn't even get to say anything, his lips were on you in matter of milliseconds. The kiss was raw, passionate. It ignited you, you felt alive now that you had the taste of his lips. It was everything and so much more, it was like he tried to convey his feelings with this kiss.
Guess you were not the only one head over heels for the other.
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WIBTA if I said something sexist (being a woman myself) in this context?
This is a hypothetical AITA - I haven't taken action yet but I kinda wanna do this and I want to know if it would be an asshole move.
Hi, so I (25F) am autistic with sensory issues especially when it comes to noises. My life is relatively normal because even though my sensory issues can get bad, I am really good at masking. However, I never learned how to drive and I have zero intention to do so. Mostly because having sensory issues is something I can ""put up with"" but I know I would suck at driving and I don't want to potentially get someone hurt or killed. I trust myself with many things but learning how to drive is NOT one of them.
However my aunt (58F) keeps asking me "when are you gonna get a driver's license" anytime she sees me. I've told her many times I don't trust myself with that but she keeps insisting. And I know she's not trying to get me to drive her anywhere because she has a driver's license herself. My aunt has never been married and has no kids, and honestly I don't want marriage or kids either but the difference between me and her is that I respect people's choices (but I rarely get the same respect in return).
WIBTA if the next time she asked me when I'm gonna get a driver's license, I asked her "when are you gonna get married and have kids?" It's a sexist and cliché comment that most women get asked (including me) but since she doesn't respect my decision when I tell her politely, I'd like to let her know what she sounds like when she tells other people what to do, even if it means saying something I don't believe in.
For INFO, no, I don't live with her, I never did, so it's not even a situation where she could maybe suggest it so I would become more independent by learning how to drive. But I want to know if I would be the AH before taking action.
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VOX'S TURTLENECK IS RED AND KNIT - a fully comprehensive post
STOP BEING IN DENIAL YOU FOOLS. the poll may be over, and red may have won, but some of you still don't understand so here's a consolidation of all my points, if you haven't noticed this discourse is VERY serious and important
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COLOUR
as I've brought up in that godforsaken poll, vox's turtleneck is red because it matches the colour of val's wings
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as you can see, these are both taken from the section of the photo that's under the same shadow
if you want to argue that part of the turtleneck is not the same lighting as val's sleeve
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you can see that comparing vox's turtleneck sleeve which is RIGHT ABOVE val's sleeve and therefore DEFINITELY the same lighting, it's still a similar colour. therefore, vox's turtleneck is definitely a similar colour to val's wings and since we know val's wings are red, vox's turtleneck must also be red.
okay but what if val was ALSO wearing orange?
possible! but also I'd put that as less likely since the wings are PART of his body and more likely didn't change colour
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not to mention it matches up with vox's eyes which we also know are red, yes it's possible that vox ALSO had orange eyes because he is a screen but what are the odds that both vox and val for some reason originally had orange eyes and orange wings respectively then changed to red? it's more likely that they were always red and the photo is just washed out to make it look orange.
however, I do accept people who see all the red stuff as orange because at least you admit the colours match, also admire the dedication to doubling down on orange
THE LIGHTING ON VOX'S TURTLENECK! IT'S CLEARLY YELLOW!
yellow is easily debunked because there are actual yellow things present in the photo we can compare to! gonna be reiterating from a previous post
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see the heart on val's belt? we KNOW that's yellow
now let's go back to our favourite picture
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that's the boy! let's start comparing it
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val's inner left sleeve matches up with the yellow heart! therefore it is also yellow, and unless val is wearing mismatched inner sleeves, this indicates his right inner sleeve is ALSO yellow
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so all of these! they are yellow!
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and we can see, said yellow does not match vox's turtleneck at all, not even when I pick out the lighting on it, it doesn't match the turtleneck in any of the lighting, therefore vox's turtleneck is most DEFINITELY not yellow.
it being red also matches up with vox's current colour palette being blues and reds and it makes sense that he had the same palette back then too.
if you believe vox's eyes and val's wings are both also orange, it could be orange. I can live with that. but it is most likely red.
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okay but what about the stripes?
THERE ARE NO FUCKING STRIPES Y'ALL DRIVE ME INSANE. MORE INSANE THAN YELLOW TRUTHERS.
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THOSE VERTICAL LINES YOU SEE. those are BLACK LINES, which are the OUTLINE, REPRESENTING THE KNITTING PATTERN.
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I SWEAR SOME OF YOU DO NOT KNOW HOW SWEATERS WORK.
but when I colour-pick it it's not black!
my fucking god PLEASE tell me you know how low quality black lines work. time to reiterate more points from my previous posts!
you understand that the outline around val should be black right?
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but would you take a look at that, colour picking it makes it look like just a darker colour of the inner colour. why? BECAUSE IT'S A SMALL PICTURE THAT'S OVERALL IN LOW QUALITY, so the black gets thinned down to hell that you can't even see the black anymore. BUT IT'S STILL A BLACK OUTLINE. THE SAME LOGIC APPLIES TO VOX'S SWEATER
let's use a normal line as an example
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here is a black line
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here is that same black line resized down to a lower quality.
NOTICE HOW IT'S GREY NOW? are we going to insist it was never black now because it's sized down?? NO. IT'S JUST A LOWER QUALITY BLACK LINE THAT LOSES OPACITY AS IT'S SIZED DOWN. THIS IS THE LOGIC I GO BY.
okay but what if they were black vertical stripe--
YOU ARE KILLING ME NO IT IS NOT. IT'S A SWEATER IT MAKES MORE SENSE FOR IT TO BE A KNITTING PATTERN THAN VERTICAL STRIPES. but okay. at least you still see the same thing as me you just... interpret... it differently.
but I swear on god, the black lines represent the KNITTING PATTERN, it makes MUCH more sense for it to be that because it's a sweater.
arguments about orange or yellow going together better with vox's jacket are extremely irrelevant to this argument when 90% of red things in hazbin hotel would probably look better if they weren't red. I'm not arguing that it even looks better! I'm just arguing that it is what it is and you should ACKNOWLEDGE THE TRUTH.
AND THEREFORE. THE STUPID FUCKING TURTLENECK IS RED AND KNIT. I REST MY CASE.
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vigilskeep · 5 hours
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i have never thought of the bg3 paths as railroaded before but oh my god... i see your vision. i think that, for all that can be picked apart in the writing of dragon age, the worldbuilding in that series is so so interested in complicating all factions that you can envision a character who /makes sense/ while bouncing through various ideologies. and the sort of fantasy writing in (most of) the forgotten realms doesn't really allow for that.
dao is particularly the light of my life because the origins mechanic is specifically intended to let you create a character who has a distinctive perspective on the world that’s grounded in the worldbuilding. one of my favourite aspects of this is several origins having completely different codex entries on their own culture as opposed to those an outsider would get. it’s really good! it’s also a reasonably grounded world (while obviously silly) because, like, the basic fundamental premise of thedas, from which they ikea flatpack built almost every feature, is “how would people react to magical and fantastical diversity? the same way they react to human diversity.” you’re meant to feel like, aside from i guess the darkspawn, people are normal and have real motivations. sure it has to fulfil certain roles in a story, and dragon age was manufactured too quickly and purposefully for everything to land feeling authentic, but evil in dragon age should feel recognisable. and in most of the origins they give you a chance to do something that is bad, but also totally makes sense, because of the context of your character belonging to this world where these things happen
in dnd/the forgotten realms it’s a bit different because capital e Evil exists, so there are people and deities and devils (and, to open another can of worms, races) whose entire goal is to Do Evil. it’s also harder to produce grounded evil because in a world where i’m being given basically no context and just told to make whatever i want, i don’t have an inch of the kind of social information i get from for example a dao origin: what my character has been taught to believe they should do to survive, who they are willing to sacrifice, whatever. bg3 also happens to have a main plot goal that is, at least for the first part of the game, broadly selfish (“i am sick, and i need a cure”) which works really well for getting a bunch of people with vastly differing moral standards to band together for the same goal, and not so good for any kind of “greater good” type blurred morality, so that’s out too
however much the worldbuilding factors into this, bg3 specifically went for quite a clear distinction between the good path and the capital e Evil Path, and i find it pretty hard to vary up the good path. when i say railroaded i mean you either do the specific thing that gets you a quest down the line or not. i was really disappointed actually in my playthrough where i totally fucked up in the druids’ grove and caused a fight to break out, because it immediately instakilled tons of characters i knew i would need down the line. the few it spared needed some of the dead ones to stay alive in later quests, so it’s like... oh. that’s just... over. for both factions. bg3 arguably lets you do basically anything you want but they are able to do that because if you fuck around it just breaks the entire quest line from coming up again, which means playing a character who fucks up is not even really going to get me consequences it’s just going to cut content from the game. does that make sense? and then the Evil Path is just straight up evil, like... there’s no way for me to complicate and empathise, here, especially playing a blank canvas character whose motivations i would have to make up from nothing, and who faces basically no consequences for not doing this. the only neutral/cowardly/self-interested option in act 1 is to do neither path, which gets me the least content because i literally don’t get to play the fucking game
i don’t know, i’m not saying it’s necessarily bad just that it’s hard for me, personally, and how i like to create characters. especially when you have my constant restart disease and you have to do this all over again a dozen times just for a handful of different dialogue. does any of that make sense
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thedevilrisen · 18 hours
Text
Prompt Poll - One
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Jack Hughes x sister!Y/N
Prompt: “You don’t have to tell me anything, we can just sit here”
Description: Jack’s sister has relationship troubles, Jack knows what she needs.
A/N: I hope you enjoy! Would be greatly appreciated if you could reblog. I love talking to people so say 'Hi' if you want to. Feel Free to send in requests as well. I'm happy to write for most hockey players.
Warnings: Crying, swearing, thats probably it! Mainly just good brother Jack fluff.
-Sincerely thedevilrisen.
-:-
Wet sniffles and the front door opening and closing with a quiet click an hour before it was suppose to is something that concerns three exceptionally protective brothers very much.
Quinn was the first to launch into action, tearing off the couch and toward the sound that scares them all half to death. Their sister, crying.
Before he could even leave the room in walked a sodden, puffy cheeked, red eyed girl. Her dark hair was plastered to her forehead and across the sides of her neck.
"What the hell happened?" asked Luke, half hysterical. Turning around on the couch, bug-eyed at sight of his normally well-put together sister a wet shivering, mess?
"Nothing Luke."
"Well that's bullshit." the troubled boy shot back.
"Lukey, just calm it for a second." Jack asked, significantly calmer than both of the other boys.
"No, Jack, Luke's completely correct in his statement!" Quinn, normally level headed, fired off. "She's crying and home way too early aren't you meant to be at Jessie's?"
"I'm not crying Quinn! I'm cold and Jessie is at her dad's!" the young girl warbled. "I'm going bed. Goodnight."
"Like hell you are!" the oldest shouted. "You're going to sit and tell us the truth."
She hated the way Quinn spat the word truth like he knew she'd been lying to them. She hadn't been lying per-se, not to all of them and not in great amounts, just leaving out certain details.
"Y/N, it's okay go upstairs and sleep if you would like to." Jack spoke sternly, more so at Quinn then at then now shivering girl standing meekly at the bottom of the staircase.
"Jack! Are you with us or against us?" Luke stated betrayed, the slight recognition in his features as he slowly realises his older brother's nonchalant-ness.
"I'm on neither side. If she doesn't feel comfortable talking then I don't think we need to pry." Jack continued, trying to diffuse the situation.
"What do you know." Luke's eyes narrowed along with his accusatory remark.
"Nothing more than you do." Jack stated calmly. He wasn’t fond of hiding information from his brothers especially when it involved their sister. He had his reasons though.
-
Jack’s Friday night plans did not consist of comforting his devastated sister.
A quiet shuffle of footsteps along the carpet in the hallway was barely noticeable amidst the cacophony of a summer storm. Light crept slowly into Jack’s room.
“Jacky?” an unreasonably timid voice asked into the darkness.
“mh- ompf.” he had grumbled, back digging into his phone which had been lost when he drifted off. “what’s up kid?”
"can i talk to you please?" she had mumbled through the small gap.
"yeah," he hoisted himself up from the bed. "come in kid, what's going on?"
"ihaveaboyfriend." she spoke at lightning speed. standing by the door apprehensively almost like she was ready to run if she needed.
slowly comprehending jack blinked drearily. "im sorry what?"
taking a deep breath she took a few steps and sat on the end of the bed. "i have a boyfriend," she spoke solemnly.
"shouldn't that be a happy thing?"
"he stood me up three nights in a row."
"ah, a not so happy thing." jack mumbled now realising the gravity of the situation.
"no.”
“what can i do to help?” Jack sighed. at this statement the smaller girl launched into his arms.
“don’t tell Quinn or Luke.” she cried into his chest.
“is there something else you need to tell me?”
“I do, but not now.” the girl crawled up closer to the head board with her brother and tucked herself under he arm.
“You don’t have to tell me anything, we can just sit here.”
“Thanks Jacky.”
-:-
This is probably the most half-assed thing ive ever wrote. im terribly sorry. 👍
if anyone cares i will be putting out the next prompt post later today and something about the au im creating!
find the prompt list for requests here.
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Text
I Think Hypmic's Portrayal of Gender Roles is Kinda Refreshing: An Essay A.K.A. I'm Procrastinating on a Weekend Deadline :)
Hypmic's talking points on gender are hamfisted, corny, and melodramatic. "Maybe...we shouldn't have a wage gap," is not the hottest of takes. However, like most things in Hypmic, the writers have a lot more to say about gender and gender roles in the framing of the story itself that's much more nuanced. And honestly? It's kinda refreshing.
It's also something that went way over my head when I first became a Hypmic fan. Sure, I read manga and played Japanese video games--usually translated into English first--but I didn't have enough exposure to hundreds or thousands of pieces of untranslated Japanese media. I'm going to guess that most Hypmic fans don't either, which is totally fine and normal. We all exist within our respective cultural communities wherein we're bombarded with messages constantly telling us how to act, think, and speak. We tend to absorb these messages on subconscious levels and reflect them in the art we create and stories we tell, either by reinforcing them or challenging them. Thus, our stories don't exist in a vacuum, and divorcing stories from their cultural backgrounds can suggest the artist is the original thinker of a larger concept or hide their specific point of criticism. That is, if I wrote a story about a man who chooses to not catch fish, drink beer, and drive a Dodge Ram pick-up truck, we should be aware that I'm not the person who conceptualized the stereotype of dudes who catch fish, drink beer, and drive pick-ups. I wouldn't deserve the credit for dreaming up that exact image, and at the same time, it would be incorrect to read that as me targeting those three things randomly. The choice to not drive a Dodge Ram pick-up is not a commentary on Fiat Chrysler Automobiles. It's a stand-in for the notion of masculinity.
Thing is, we're hit with messages about masculinity, femininity, and other gender-related concepts on a daily basis. No matter where you live or what language you speak, every person on Earth is inundated with messages saying, "This is what you are, and consequently, this is how you should act." Our relation to these messages is complicated, and this complexity is compounded by different cultural communities preaching different messages in their stories, marketing, and human interactions. For instance, the US's massive global cultural influence means that those outside the US can still easily recognize what I mean by catching fish, drinking beer, and driving enormous American pick-up trucks. But the location and cultural differences may add or subtract nuances. A person living in, say, Munich is unlikely to have Dodge pick-ups advertised to them the way a person in rural Texas would. Our fictional Munich person does not feel the same social pressures to buy a Dodge and represent their masculinity with a Dodge the way our imaginary Texan would. In turn, the Munich person likely sees a Dodge with an element of absurdity--who the hell needs such a big truck in a European city?--and foreign Americanness. The Texan wouldn't have that concern--why worry about navigating your enormous truck down narrow streets when you live in the countryside?--and sees Americanness as their local default, thus removing any element of foreignness.
That is to say, gendered messages aimed at people (especially women) who live in Japan don't affect me the same way as they impact those who do live in Japan. Like, it's not my dog in the fight, and there are plenty of people who are directly affected who write their own stories and commentaries on gender roles in Japan. Japanese women don't need a random guy in the US to stand up and say, "Damn, your gender roles are fucked!" 1) They already know. 2) They're already saying it. So I come at this from an angle of someone who already has deep, primary frustration with the gendered messaging in my culture and secondary frustrations when similar messages appear in other cultures. I don't have a bone to pick with Japanese media in particular. Plain and simple, reading and working on hundreds of pieces of Japanese media is what I do for a living. It's in my face constantly, and as a result, I am also perpetually bombarded by messages about gender roles in Japanese media.
It's not a hot take to say that Japanese media, like the media of every single other culture around the globe, has a lot to say about gender. There's a lot of slotting people into boxes and telling people what to do. It's chafing, as we see all across history in art produced in reaction to gender roles. In the past couple of decades, global shifts in gender roles have caused media to shift the messages they're pushing, but it's not controversial to say that Japan has lagged behind other countries like the US.
Many, many stories push arbitrary notions of how to be a girl or how to be a boy that don't necessarily come from the author themselves. The authors probably aren't even fully conscious that they're making these choices. If an author writes a story about a library and makes every female character a romance fan and every male character an action fan, it's likely a reflection of endless messaging that says action is for boys, romance is for girls. In turn, this story becomes yet another reinforcing message. If no fictional girls like action, and no fictional boys like romance, it becomes alienating for real girls and boys who don't follow these same rules. These rules are everywhere and have so much to say about gender that it's hard to know where to begin. Girls must like cute things. Boys can't like sweet food. Women must not express sexual desire. Men can't be shy. On and on and on.
Which is why, when there's a relative lack of this in Hypmic, it's kind of a breath of fresh air.
Wrong Ways to Be a Man
Actually, Hypmic does have a few moments where characters claim there are certain things men or women should do, but the writing always frames these messages as incorrect.
Take Samatoki, for instance. After Kuukou and Sasara leave MCD, Samatoki tells Ichirou, "Men shouldn't cry when they lose their friends. Men should only cry when they lose a family member."
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(TDD chapter 10)
This line usually appears via Ichirou's perspective. In the stage play, it's told during a song Ichirou narrates, and as shown above in panel 3, the manga frames the line from the angle at which Ichirou sees it. In such moments, the audience is meant to read this as a cool line from a strong mentor figure to Ichirou. That's how Ichirou sees it, and he's a seventeen-year-old with too much on his shoulders who idolizes Samatoki. He is incapable of seeing how much pain Samatoki struggles with.
However, when the manga focuses on more intimate moments of Samatoki's life, we see that Samatoki does struggle quite a lot.
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(BB/MTC+ chapter 6)
This isn't a cool, attractive figure meant to be idolized. While Samatoki's cigarette usage and aggressiveness are often framed as sexy or enticing, the juxtaposition with dirty laundry, overflowing ashtrays, and empty bottles make him a sympathetic and struggling figure. Therefore, we should understand that his notion that men don't cry is flawed. It's a means to distract himself from emotions he doesn't want to feel.
Later, as Samatoki begins to process his emotions and open up to his teammates, the unhealthy coping mechanisms recede. Samatoki is more confident, mature, and happier as a result of being more emotionally vulnerable.
We see a similar transformation with Kuukou. As a teen, Kuukou is reluctant to accept help or truly let anyone in. In a conversation with Hitoya, he says (and I am still completely unable to take this seriously), "A man's got to wipe his own ass."
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(DH/BAT chapter 4)
However, over the course of his character arc, Kuukou learns that he cannot exist as a good leader or individual without the teamwork of his newfound "family." Only rejecting this classical and toxic notion of masculinity brings Kuukou joy.
In fact, most of the first-line characters have very similar arcs. At the start of the story, Ichirou is insistent on doing everything himself. He has to learn to be able to rely on other people (Kuukou, Samatoki, Ichirou and Jirou) to be happier and unlock his true strength. See below, his final attack and Ability use in the 2nd DRB, which is only possible when his brothers figuratively and literally support him through it.
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(BB/MTC+ chapter 25)
Sasara struggles with emotional honesty and trust in favor of using humor to gloss over discomfort. It takes multiple heart-to-hearts with Roshou before he can let humor take a backseat and say how he really feels. Ramuda has difficulty trusting other people and being honest with his emotions when faced with stressful scenarios. Only through Fling Posse is he able to open up and ask for help instead of driving people away when the problems are too big for him to face alone. Jakurai struggles to connect with other people, work through and acknowledge his complicated feelings, and not place himself on a pedestal. Through Matenrou, Jakurai is able to ask for help, be more open, and ultimately be less hard on himself.
The second- and third-line characters follow similar arcs, and this repetition creates a core message for Hypmic: Trust and rely other people. Be open with your feelings. There's a wrong way to be a man, and that's to hurt yourself and other people.
Right Ways to Be a Man...Are Infinite!
But with that being said, there is a surprising lack of commentary on how else to be a man. Hypmic as a whole doesn't do much to constrain the male characters in terms of gender roles.
Sure, some characters do fit into more traditionally masculine roles--Ichirou, Samatoki, Riou, etc. The messaging makes it clear that it isn't wrong to play into masculinity provided it doesn't become toxic. (See above.)
Even then, however, these especially masculine characters are associated with less masculine traits that are either portrayed positively or not portrayed as a joke. Riou is an avid cook, but the joke is never that he wears an apron and knows his way around an outdoor kitchen (tee-hee, men don't cook!). It's that he cooks with horrifying ingredients. Samatoki is a fashionista, but the joke is framed as a counterpart to Ichirou's nerdiness.
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(DoD chapter 1)
Here, it's funny that neither of them can shut up (the ペラペラ/blah blah SFX, the long bubbles filled with lots of text that's cut to indicate they kept going for longer), but the object of their attention--a model toy and a pair of jeans--are treated in the same neutral light. It's very common for stories to touch on, even defensively, the social taboo of men being into clothes. Hypmic doesn't even acknowledge that such a taboo could exist.
This is subtle but extraordinarily effective in giving characters the same consideration and weight. The more feminine characters are always treated just as sincerely (or, if there's a joke to be made, irreverently) as the more masculine characters. Take Ramuda, for instance. In Japanese media, a love of sweets is often characterized as feminine and will often be remarked upon, even in LGBT+ media, as atypical for men. Again, there's zero acknowledgement of such a thing in Hypmic. Whenever other characters talk about Ramuda's food intake, it's always framed as a concern about the lack of nutrition.
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(FP/M chapter 11... I don't have the source lying around on my computer, so here's the old-ass scanlation lol)
It's also given the exact same weight as anyone else's junk food habits. Here, MCD goes out for burgers (a neutral to masculine-coded food due to the meat and high calorie count) while Ramuda opts to try a sugary Starbucks-esque drink. The parallelism in the comic's framing suggests that the two objects are functionally the same, and there is no comment that a sugary drink is feminine and therefore "inappropriate" for Ramuda. There's also no indication that MCD's preferences are in any way better. They simply happen to be the characters' personal preferences. The punchline is two groups splitting up, only to awkwardly run into each other again moments later.
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(DoD volume 4 bonus comic)
Similarly, Ramuda's interest in clothes or fashion is never treated negatively--in fact, the discussions of clothes as a means to find identity and happiness make it a positive!
In ARB cards and promotional materials, Ramuda sometimes wears dresses. It's, again, portrayed in parallel to other characters wearing more masculine clothes and is never commented on as something "unusual." It's just who Ramuda is.
Hifumi is another interesting case. Like Ramuda, his playful personality often doesn't as stereotypically masculine. (To be clear, I read much of this as "gender neutral with a strong emphasis on youth" versus "feminine" in a way that I'm not sure has a good US equivalent...metrosexual/yuppie men's fashion, maybe? In the sense that it's a youth subculture that defies some masculine gender roles but is still focused mainly on men. I wish I was more well-versed in Japanese men's fashion and could give an exact term, but I'm what I'm thinking of is definitely an established thing--young, trendy dudes whose styles focus on poppiness vs. the rugged manly man or "idk, I'm just some guy" subcultures. It's a thing that pisses off old Japanese conservative men in the same fashion as people getting up in arms about "the gayz!!!1!" and their androgynous clothing lol.) Their personalities are often the butt of jokes, but only in the same way that Dice or Doppo are--that is, that they're exaggerated and over the top. There's no commentary on masculinity or lack thereof.
There are also moments when Hifumi, Gentarou, or other characters play feminine characters in roleplay moments, which is usually (but not always) not the sole joke. The audience is supposed to find it funny, but the humor is almost always centered on the absurdity of the scene as a whole. For instance, in a moment where Hifumi and Doppo are pretending to be two drunk karaoke-goers, the humor comes from the composite set-up of Hifumi's hair twirl, Doppo's untucked shirt and tie, Doppo and Hifumi's exaggeratedly flirtatious poses, the spotlights and sparkles, and the same font as used on classic karaoke machines.
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(FP/M+ September 2022 oneshot)
Hifumi and Doppo do not perform traditional gender roles in their homelife, and while it's easy to see and often commented on in the English-speaking fanbase when it comes to Hifumi, I find it just as prevalent on Doppo. It's true that Hifumi is taking a feminine role by doing the majority of the household's cooking and cleaning, but if we were to assume Doppo has the masculine role in the household, he would have the breadwinner duty. However, he isn't the main source of income for their household, and he's just as unassertive in finding a (female) romantic partner as Hifumi is. Japanese men are bombarded with media messages stressing the importance of taking an active role in career and romance. That Doppo does not would, in many stories, make him the butt of a joke for not living up to masculine gender roles. But he isn't; instead, Hypmic portrays him as a sympathetic character. It's tough, Hypmic says, for people to get good jobs and maintain friendships/relationships as an adult.
Similarly, it's noteworthy that Hifumi's self-appointed term "Gigolo" is consistently portrayed as a good thing in Hypmic. The meaning of the English term aside, the Japanese word ジゴロ (jigoro) is almost always used as an insult for a man who is financially dependent on one or multiple women. In the strictest sense of the term, Hifumi is a jigoro in that his income derives from his female clients. However, there is never any shame associated with that, and as a whole, Hifumi's career as a host is shown to be a positive thing. I can't express enough how rare that is in any sort of semi-serious media. Certainly, Hypmic acknowledges that his job requires too much drinking (Doppo's verse in Hoodstar), but the overall portrayal is overwhelmingly positive. Hifumi and his coworkers are never treated as uneducated, boorish, or pathetic for "failing" to find other work that does not require flirting with and entertaining women. (This is partially due to the overlapping judgment with sex work.)
All the various harmless preferences and personality traits of the male characters are treated equally with no judgement over what's masculine or non-masculine. Within the broader context of Japanese media, this absence of judgment stands out and reinforces one of Hypmic's core themes: Differences make us better, not worse. In the end, Hypmic suggests, there's no one right way to be a man.
Right Ways to Be a Woman...Are Just as Infinite!
But what about women? This series is, after all, marketed mainly towards women, and while female audience members can no doubt extrapolate the lessons learned from the male characters, it's worth taking a look at the female characters too.
The female characters do receive much less screen time than the men and are not the focus in the series; I'd argue that's less an issue of overt sexism and more that they fall out of focus in the story the writers want to tell. (There's a broader discussion to be had about inherent sexism in the writers' focus which goes hand-in-hand with rap industries across the globe favoring men and rap being an example of exaggerated masculinity, but that's a topic for another day.)
Even so, the framing of the female characters is interesting in a couple key respects. The individual character arcs and motivations of the main female characters are, in my opinion, some of the weakest parts of Hypmic--many times, Otome and Ichijiku do things because the plot demands them to, making them look incompetent or needlessly cruel for characters we're supposed to sympathize with. Nemu's story seems to be handled with more care and takes an interesting twist, wherein she openly acknowledges that she's disenfranchised as a woman in modern Japan but rejects the notion that she needs to find strength on either Ichirou or Samatoki's (male) terms. By choosing to be strong in "her own way" (whatever that means...it's not well-defined), the authors are using Nemu to reject the notion that strength and power are inherently masculine.
What I find to be far more interesting is the character design for the Chuuouku women, both in what is said and what is not said.
To begin with, the characters and their portrayals run the gambit from highly sexualized to completely non-sexual. Some characters (especially Ichijku and Honobono) have conventionally attractive, curvy body types and are often drawn in ways that highlight their bodies.
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(FP/M+ chapter 4)
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(FP/M+ chapter 14)
In some cases, especially Honobono's, the enticing nature of the illustrations is framed as the character's choice; in the above, her words indicate that she wants to seduce the off-screen listeners. The images included above are largely representative of these characters' raps, regardless of illustrator.
But on the flip side, other characters with large breasts or hips are never drawn in a sexual fashion. By way of comparison, here are two shots of Nemu rapping.
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(BB/MTC+ chapter 12)
Even in shots with dynamic poses, no attention is drawn to Nemu's figure in any sort of provocative sense. Nemu touches her chest, drawing the reader's eye there, but the artist does not emphasize the size of her chest--they're allowing a chest touch to be no more than an emphasis of the self. At the same time, Nemu's body isn't downplayed. We can see in panel 2 on page 2 that Nemu has a small waist and wider hips, but once again, she isn't being sexualized. The action lines draw the reader's eye to Samatoki and thus put the action first and foremost. This creates the idea that not only can characters portray themselves sexually, but they can just as easily choose not to.
We see similar with Otome, who does not wear any sort of revealing clothing and is never shown in a sexual fashion. However, Hypmic doesn't equate revealing clothing to sexual portrayals either! While I wouldn't call Tsumabira's outfit revealing, she does have more visible cleavage than most Chuuouku figures. However, her bare chest is never sexualized like Ichijiku's.
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(BB/MTC+ chapter 4)
Compare the non-emphasis on the chest and the power stance to any of the many shots of Ichijuku where her breasts are front and center in the camera. Speaking of power stance, Tsumabira remains confident in her power stance without being sexy--that is, no stepping on the camera and showing her whole leg.
Which isn't to say that Tsumabira is a sexless character. She's drawn visibly turned on by the male characters in such a way that is cartoonish but not, in turn, overly sexual. Were this supposed to be titillating to the reader, I would have expected to see a larger close-up on her face and tongue. However, the artist (who is no stranger to focusing on tongues!) devotes the majority of the panel to Tsumabira's body language (which, again, doesn't absurdly exaggerate any of her proportions or focus on her chest) and covers part of the mouth with text bubbles. Tsumabira is drawn as engaging in sexual behavior without being sexualized for reader entertainment.
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(FP/M+ chapter 4)
The juxtaposition of such different views with little to no judgement attached to any of them suggests that it's perfectly okay to want to be sexy or not, to wear revealing clothing or not, to be involved in sexual situations without being the object of sexual interest, or to simply exist with an attractive body type without sex ever coming into the equation. Just as some characters choose to tie bodies to sexiness, some don't whatsoever--and either is perfectly fine!
The former idea ("I can choose to be sexy") may not sound especially revolutionary to US audiences, where sexuality is thrust upon women willingly or otherwise, but I find it fascinating because it lets the main characters embrace this idea without associated slut shaming. So much of Japanese media insists that women should be sexy but are also wrong for wanting to indulge in their own sexuality. Therefore, having characters who run virtually every iteration of take on the topic (I want to engage in sexuality and be sexualized, I want to engage in sexuality without being sexualized, I don't want to engage in either) with multiple body types (ie, Tsumabira isn't automatically not sexualized because she has a smaller chest; Nemu isn't automatically sexualized because she has a bigger chest) and no judgement involved feels like another breath of fresh air to me.
As a whole, I find the diversity of the Chuuouku uniforms and character appearances quite interesting. They're undeniably all feminine and relatively militaristic, but different characters wear entirely different wardrobes. Skirts vs pants, blouses vs dresses, high heels vs boots... Since every character has her own take on the common theme, it once again feeds into the idea that each character is her own individual and perfectly valid for defining femininity in her own way.
Haircuts, too, range from longer and more feminine hairstyles to pixie cut-esque looks.
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(BB/MTC+ chapter 16)
Again, nothing of the framing suggests this short-haired woman is in any way different from her longer-haired counterparts on the edges of this screenshot.
Finally, while most Chuuouku women are conventionally attractive, I find it extremely compelling that Haebaru is a stereotype of an unattractive Japanese woman. To be extremely clear, I do not think these stereotypes should have weight, but the combination of chubby and/or muscular build, freckles, rounded nose, and non-glossy hair is often used as a visual shorthand for unattractive or otherwise undesirable women.
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Sure, it's not fantastic that Haebaru is a scheming, two-bit villain. However, so is virtually every other female character in the series, and in particular, Haebaru is (the conventionally attractive) Tsumabira's counterpart. Both are treated with the same respect or lack thereof, suggesting that one's appearance has nothing to do with your ability to be a no-good baddie. Ha ha ha.
It would be lovely if the female characters were fleshed out further and given intelligent choices and diversity outside of the realms of physical appearance. However, I do think the writers' choices are limited by virtue of all women automatically being antagonistic side characters (which, again, is another discussion altogether). What the writers can and have accomplished is further reinforcing a celebration of differences. Just as there's no one right way to be a man, there's an infinite number of ways to be a scheming snake of a woman HAHA.
Intersection with LGBT+ Topics
Unfortunately, this is a very binary look at gender and gender roles, which, while largely representative of the current state of Japanese media, can be disappointing.
Hypmic appears to want to steer shy of LGBT+ topics as a whole, which is a bit of a shame. In a story so focused on gender and acceptance of diversity, it seems the natural next step to explore the notion of those who experiences don't align with a strict gender binary. Such stories are growing in popularity in Japanese media but have yet to be anywhere near the mainstream acceptance in US media (which is still in a fledgling stage at best). I would imagine Hypmic's writers are unable or unwilling to take a definite stance on these topics in the work due to fears of financial or career backlash. If nothing else, the sexuality of the main characters needs to remain in a limbo in order to have plausible deniability for both self-shipping and shipping with other characters. (Some deniability may be more plausible than others.)
The few instances in which Hypmic does wander into this territory are usually clumsy. I am no fan of the handful of scenes where male/male attraction is supposed to be funny purely by virtue of being male/male.
The inclusion of Urumi, the one minor character explicitly LGBT+, is not stellar either. I am hesitant to apply any definite label to her, as the real-life people her stereotype portrays self-identify as everything from trans women to cis men--or refuse to use these English labels at all! Still, we know from her profession (proprietor of a bar heavily implied to be a gay bar by the neighborhood it's in), appearance (poofy permed hair, exaggerated make-up), and demeanor (feminine speech style, a bit flirtatious) that she's AMAB and choosing to present herself in a feminine fashion. By writing Jirou to ask, "Aren't you a man?" in an exasperated fashion, the writers have put her gender presentation in a boke role--suggesting she's over-the-top, exaggerated, comedic. It's not great. I completely understand why readers find it offensive (and it is) even while I don't think the writers intended it that way. Ultimately, it would have been great to see other explicitly LGBT+ characters portrayed without the joking angle.
With that said, I'm not entirely unhappy with her character. She is a stereotype, but the authors have chosen to take only the visual elements of the stereotype and leave the rest on the cutting room floor. In other works of fiction, characters like Urumi are often hypersexual to the point of being in-universe creepy, especially towards underage boys. Other times, characters like her may be eccentric or off-putting in other ways. However, that's not at all the case here. Urumi seems to play a helpful big sister/aunt role in Jirou's life, and he's clearly comfortable enough with her to spend the night at her bar.
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(BB/MTC+ chapter 17. "Sorry, but can I shack up here again tonight?" "Of course you can.")
While she seems to engage in some sort of a bohemian lifestyle, as evidenced by the alcohol and smoking, it isn't anything outside of what many of the other characters do. Additionally, while she isn't drawn in a flattering fashion in scenes where she's playing up her persona (which is par for the course with any character in this series, regardless of gender), there are plenty of neutral shots of her being serious. Finally, the art is never outright rude--that is, she isn't drawn exaggeratedly masculine or flamboyantly...snakey? I don't know how to describe this to anyone who's lucky enough to have never seen this--clearly LGBT+ AMAB characters drawn with noodly limbs and huge, overblown lips winding around male characters.
Maybe because I see so much worse continuing to be produced in this day and age, I feel like Hypmic could have done a much, much worse job with this character. She overall plays a positive role and is treated with much the same care as other side characters. It's unfortunate, then, that the writers have chosen to make her gender presentation the subject of a joke.
In other frustrations, I heavily dislike the unnecessary gender divide in background characters. All punks and other background baddies are male, whereas all adoring fans are female. (But Rhyme Anima has done an interesting job of subverting this!) The vast majority of other background figures fall into strict gender roles, which is likewise disappointing. It appears that diversity may be an accepted trait for none but a lucky few that form the main Hypmic cast.
All in all, I don't think Hypmic's portrayal of gender roles is groundbreaking, nor do I think it's fair to suggest that all Japanese pop culture plays into strict gender roles. There are certainly many Japanese works, popular or otherwise, with much more interesting things to say about gender. However, when compared to the vast majority of the titles that cross my desk on a regular basis, I notice and appreciate the level of care put in to Hypmic's commentary on gender roles. The work consistently reinforces the notion that it's okay to be your own individual, no matter how that plays into your gender, and I find that freeing. That's a message we could all do to hear more often, regardless of culture and language.
TL;DR: Oh no, my rapidly approaching deadline. :)
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deepsix-writing · 2 days
Text
coming to terms with godhood.
(a jack nichols aka ‘eyeless jack’ story)
the birth of a god is a painful thing. it feels like dying, more than anything. you’d think, after people having worshipped deities for so long, they’d warn you about how excruciating it is to become one. but they don’t.
that was something jack nichols had learned through firsthand experience. recently, in fact. but the worst thing, for him, wasn’t learning to readjust; it felt like all of his senses had been fundamentally rearranged, but that wasn’t what bothered him most. what bothered him most was the trail of bodies it left in his wake.
“burn in hell. ALL of you.” he remembered the words birthing into the open air, but not saying them himself. but he did remember pulling the mask over his face, and he did remember leaving a bloody jenny to die in the forest alone. he remembered kicking away her pleading hands as they pawed at his ankle, her last chance of making contact with her reborn god. only it didn’t feel like jack’s voice, coming out of him. it came from some place far deeper than his chest, and it gushed from his lips like the tar that leaked from his eyes. when he finally scrambled back to civilization, hastily stuffing himself into the nearest gas station bathroom to avoid prying eyes, he puked his guts out. it was an ultimately futile attempt to get that noxious tar out of his body.
it was poisoning him, he was certain. it felt like it coated every inch of his insides, holding back the air in his lungs and turning the food in his stomach to bile. he didn’t want to look in the mirror. he didn’t want to see the state of himself, what those people had done to him, but he needed to know.
he wished he hadn’t looked. because when he did, he didn't recognize what he saw.
beneath the mask, crusted with black tar, festered two black pits where his eyes once were. he was mesmerized by the fact he wasn’t doubled over with the pain of it all. thinking about it, he was just as mesmerized by something else, too.
how am i able to see right now?
it was something that hadn’t even occurred to him until now.
sight of chernobog, some rogue thought interjected. then, it came back to him. that was what the cultists had said when they gouged out his eyes and replaced them with…
i should not be as calm as i am, reflecting on this.
jack never had been the emotional type, but this was really pushing it. it was like that tar that covered his insides had dampened his emotions, too.
...or maybe he was just denying himself the time to truly reflect on it. a part of him felt if he did that, he might never get back on his feet again. he’d curl up in a ball and crystalize, and years down the line he’d be nothing but dust.
jack didn’t want that. it was like the mountain climbers he’d read about in one of his medical textbooks. he just needed to learn to acclimate to the change in altitude. this could be okay.
how to acclimate, however… that was a tough one. he couldn’t do it around people though, he knew that much. he needed to be somewhere isolated, somewhere he could collect his thoughts and keep anyone else from getting—
go back to the college, his thoughts interjected again. you don’t know what its like to be truly alone. you don’t want that.
jack blinked, but shrugged it off. in the gas station bathroom’s sink he washed his hair, matted with blood, and made certain to wash off any blood that pooled on the porcelain when he was done. he took the mask, cast aside amidst his previous puking session, and slipped it back on. he slipped the hood of his jacket up over it to hide his wet hair, too, and took one final look in the mirror.
it was months from Halloween. there was no way anyone was going to look at him and think ‘yep, that’s normal’. in fact, jack was pretty sure he’d already gotten a horrified look from a lady filling up her tank before he’d darted into the bathroom.
his only hope was going to be finding somewhere secluded to figure all of this out. maybe, when all was said and done with, he could make up the assignments for the last of his classes online. he was pretty sure west point had a program for that.
his uncle had a cabin in some backwoods area nearby, he knew. jack remembered when he was a kid, him, his parents, and his cousins would all stay there during the holidays. his uncle had a different house he lived in, too, so chances were, the place was empty.
and, it was only a few dozen miles north, if he remembered correctly. he was on the track team back in high-school. it wouldn't be easy, but it would be managable.
it was the best shot he had at figuring this all out.
it would have to work.
whatever it was that had happened with the cult, whatever it was that they did to jack, it would all be a distant memory in a few years. it wouldn’t get in the way of his medical degree, and it sure as hell wouldn’t get in the way of his life.
right?
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