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#like I know character creation is limited of course
syntaxaero · 2 days
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Would love to know more lore about Stratus and their lance weapon. Are they a soldier? What's their designation as an angel mean in your lore? Who of your other sonas can they beat?
YAY I GET TO INFODUMP ABOUT THE MOST LORE DENSE CHARACTER/SONA OF MINE (THEYRE SORT OF THE GLUE THAT HOLDS ALL MY CHARACTER LORE TOGETHER) So! Hmm wheres the best place to start?
What is an Angel?
Angels can be described as soldiers, or trained specialists who serve The Creator (I don't exactly have a permanent name for them currently, but I usually call them "Big Median". 'Normal' Median is actually one of Many Medians that are essentially just. Tiny Instances of The Creator.) Their primary objective is to combat and keep Entropy (The Creator's opposite, ultimate adversary) under control, ultimately preventing Entropy from destroying every single one of The Creator's universes.
Anyone can become an Angel, though that is up to The Creator's decision. As a part of this contract, Angels receive a portion of The Creator's power, typically in the form of a halo and weapon, and the ability to hop between universes, to do as The Creator commands!
What is Entropy?
Figured I should maybe include this, since they're sort of the driving force behind the creation of Angels.
Essentially, at the start of The Creator's Realm (or multiverse, whatever you wanna call it), The Creator had severed Entropy, one single being at the time, into countless pieces, limiting Entropy's power to the best of Its own ability. However, all these fragments have formed into souls and beings all of their own.
These beings, Fragments of Entropy- or Deities/Gods of Nihility as they're sometimes called-, can have GREAT power, though their power can only grow through the destruction of mana (through converting it into an anti-mana that only Entropy can wield.) Although each of these beings are essentially born from Entropy, and reincarnate once defeated, they are still independent beings, with their own unique bodies, thoughts, and desires. Aurex is one of these beings. He is capable of endless destruction. However, for no known reason, he doesn't appear to thirst for said destruction.
What can Angels do?
The typical Angel is generally capable of slaying one of these nihility gods all on their own, with relative ease. They receive a ton of training, and report back to The Creator during missions. In terms of power scale, they surpass mortals and gods (dragons capable of using elemental manas), and are on par with Demons (Dragons made by The Creator to maintain the afterlife of each universe. They're actually good guys!).
Some Angels do use elemental manas, if they were capable of doing so before becoming an Angel, but most are trained to use pure "divine" mana, and sheer physical force (hence the weapons!). They can travel at multiple times the speed of light, are protected from any and all poisons, illnesses, and most weak attacks. They can only really be hurt by particularly powerful gods, nihility gods, demons, other Angels, and of course The Creator Itself.
So, what about Stratus?
Well, the exact specifics about what led Stratus to becoming an Angel aren't exactly clear. The Creator doesn't speak Its motives. Though, Stratus does have an innately strong ability to detect manas of both divine/standard types and anti-mana, and even more peculiarly, the ability to directly influence mana itself- capable of borrowing it from other beings. As such, Stratus is one of the most powerful Angels, and popular among the Angels--
Despite their strengths, The Creator simply tasked Stratus with keeping Aurex alive- only because if Aurex is killed, his reincarnation would likely go on a destructive rampage like all the other Fragments.
Ultimately, Stratus is the most powerful of all my characters. Only The Creator or a fully powered up Aurex (/Entropy itself) would really be capable of defeating Stratus, at their theoretical strongest.
anyways all stratus really does, since they're chilling with aurex, is worldhop to try out tons of different foods-- cloudbeasts are naturally silly critters and stratus is a particularly food-obsessed one!!! once in a while stratus may be called in to assist other angels with handling a Fragment of Entropy, or universal anomalies, but most Angels can handle their assignments without much issue.
:3
Feel free to ask specifics, or if you'd like more clarification on something!!!
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alizarddidit · 2 months
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every time I see a blue skinned face 2 femRa who is also a Dragoon or Reaper I cry a little bit lmfao
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xitsensunmoon · 1 year
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Biting the Hand That Feeds au FAQ (Vampires + donor au)
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Any general content warnings for bhtf au?
Yes. A normal amount of fnaf warnings, a normal amount of vampire warnings. For someone who doesn't know I elaborate... For vampire stuff, the most obvious ones are blood, hypnosis, bites, and animalistic behaviour. Less obvious - slightly suggestive themes. For fnaf - fnaf's usual violence, dark themes, a drop of gore and murders. The lore is uh. Very dark. I will try to decrease the amount of all of the cruelty but man. People who know, know how hard it will be. But I will tag everything properly so don't worry.
Is there a fic for your au?
No. And currently, I'm not even planning on writing one.
How do I find the story?
For now, we have two comics that are directly connected and one that doesn't have a specific place in the story but is about canonical lore.
[ 1 ] - [ 2 ] - [ x ]
In future, we will have more and I probably absolutely will forget to update this post so I recommend checking the tags. Here's the tag list
Tip: don't click the tag. Tumblr hides half of the results. Type it in the blog's search instead :)
Are the comics the only canonical thing about au?
No! I answer asks and draw a lot of doodles with bhtf au all the time and 90% of them are canon. You can, yet again, find everything in the tag list linked in the previous question.
Can I draw/write fan stuff for your au?
Yes, please!! I'm always happy to see fanart and fan writings and literally everything that you do! Just tag me when you post and use a fanart or fanwriting tag for au specifically so I don't miss it!
Can you include my characters in your story?
No, unfortunately, I cannot. The story is already written and I don't have any "space" for background characters either. Maybe it will change but currently, things are like this.
I asked a question with an interaction with my characters and I never got an answer, why?
I don't accept such requests. I'm not ready to spend my time drawing other people's characters for free(if I personally don't want to, of course)
Is there any limit to how many questions I can ask?
No, not at all! You can ask all you want just please make sure your question wasn't answered before. There is a big possibility I will just simply delete it if it was answered beforehand many times. Check the ask tag for it.
What about limitations? Any boundaries?
Please no questions about tickling🧍‍♀️ I got so many of those it already makes me uncomfortable. And for some reason, a lot of people send asks that include violence towards my characters and while I don't really feel uncomfortable with this I just idk what to answer and why are you even doing this lmao
What questions I should avoid?
Well, not really avoid but I will mention it anyway.
The things I have planned to draw right now:
- Sun and Moon and y/n's first meeting
- The creation of Sun&Moon
- Why S&M are sensitive to light and darkness
- How they hunt
So no need to ask me about these. I will show it, I promise.
What about sexual themes?
I understand that I post a lot of suggestive stuff and it may appear I allow such a thing but no.
You can create content with it tho, I don't mind for the most part. Just be ready that I may not reblog it, as my Tumblr is a SFW place. It's always 50/50.
Romantic themes?
I do draw some kisses and cuddles when I feel like it and you of course can send ideas for cute interactions but in the story we're very far away from it lol.
My question gets ignored even though I followed everything that you mentioned here. Why?
Answered in main FAQ.
Can I share the ideas for your au with you?
YES!!! Yes, yes and yes! I'm very open to that, like yes! The only thing that I definitely want to mention - you should expect that I actually can take your ideas and use them. Some people are protective of their ideas so if you're like this you probably should not share them with me :)
The information that you're using for your au is wrong.
Happens sometimes yeah. I know nothing about any medical stuff for y/n so I usually improvise. After all it's an au about robotic vampires man, this information is absolutely wrong. But! You're free to drop feedback/constructive criticism in my inbox!
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Will be updated later
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autumnslance · 2 months
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Normally I'd agree many Final Fantasy games have rather young protagonists. It's because they're usually single-player JRPGs made with the assumption of younger players, and like most Young Adult media, create characters that cater to that, even if it ends up with teens running the world and fighting in wars. And for many players, the first time playing these games is in childhood/adolescence/very young adulthood. So it's YA anime.
Final Fantasy XIV does not fall into that same mold, despite the "Teen" rating for legal and distribution purposes.
The majority of the FF14 cast, including the bulk of the main characters, are between 20 and 40 years old (the Scion Archons, Ishgard Elf Husbands). Many other characters are between 40 and 80 (Ishgard's Counts are all late middle aged to elder dads/grandpas, Gaius is mid 50s, Jehantel and Ran'jit are elderly, all still active). The younger characters (especially with any authority or special position) like the Leveilleur twins, are actually outliers. And the youth of the characters between 16 and 20 years old tends to be plot relevant, where that inexperience and naivety causes problems and drives story (Nanamo's arc at the end of ARR into HW, Alphinaud and the Crystal Braves, Ryne's determination of self in ShB, etc).
Characters have a variety of appearances; some characters in the same age ranges look very different. Varis is only 4 years older than X'rhun but Varis's model shows the stress and disagreeableness of his life a lot more than the RDM trainer's. Cid's in his mid-30s but with the beard looks older--and without it he has a baby face (hair color doesn't matter, cuz they do keep the anime trope of "everyone's got white or silver hair"). Lalafell are designed to be anime-cute halflings so it's hard to tell their adult ages even if they've got facial hair like grandfatherly Papashan. The pad'jal of course look like kids, but the youngest main pad'jal is A-Ruhn in his late teens; all the others are adults stuck in adolescent bodies. E-Sumi is a few hundred years old. Kan-E uses various methods to look older so other leaders and people from outside Gridania will take her seriously as an adult. The padjal introduced in the StB WHM quests is a child, and that's the plot; she's not in charge of anything, or has any particularly advanced-for-her-age skills. She's just a kid having a really rough time.
This inability to determine age by looking and assuming isn't just due to limits of the game engine and character creation options; it reflects real life. I met my work team for the first time in person recently; one person looked older than I know them to be, thanks to months of stress and health issues. While all of them were shocked to remember I'm in my 40s as according to them, I "look much younger". Most people are actually pretty bad at guesstimating ages based on appearance, due to the variety of folks' lives.
Speaking of kid characters, many of the children we interact with, like the Doman Adventurers, are between 12 and 14 and act much younger. Khloe has this going on too, with her age "corrected" to 13 (when previously listed as 10), but she acts way younger to me. Most of the actual child characters are treated like children, and it's not until they get to 14-16 (Honoroit, Leveva) that we start to see them treated like maturing adolescents and having some rsponsibilities, but still young and prone to the kind of choices one expects of less experienced and more emotional youth.
As a MMO, FF14's primary audience is actually adults; teens do play the game, but also age up with it if they keep playing. If a 15 year old began playing with ARR's release, they're in their mid-20s now. Having a primarily adult cast, and treating child characters like children, and adolescents like young people figuring out how young adulthood works, makes sense for this game.
FF14's time bubble is also part of the issue; a developer tool to keep it so they don't have to worry too much about character ages, new models so often, or how long things take in game. Timelines are then intentionally left malleable for the players' benefits, to create our own stories and determine how long things take for our WoLs and their tales. Some folks have their stories pass in real time, some compress it to a year per expac, some expand it out even longer. So the ages the characters have listed in the lorebooks and rarely in game (which is then reflected in online resources), is a starting baseline. Personal headcanons as always should be applied (including changing around some character ages to fit one's own story if necessary).
Also, FF16, made by the same team, has a brief prologue/tutorial section where the main trio is between 10 and 15, guided/trained by adult characters, experience the inciting incident trauma--and then we spend the majority of the game with the main cast in their 20s and 30s. The game also has a mature rating, featuring some sexual situations, lots of violence, and stronger language than other FF games. It's made for adults, and its cast reflects that.
So it is a matter of audience expectations; for a MMO, you're going to have an older and aging player base, and the varied ages of the cast reflect that, as do their varied appearances and experiences as adults. The young characters are treated closer to how their youth should be; still with respect for those in positions like Nanamo, but also prone to errors due to inexperience that drive story. In other FF titles, which were made to be more YA-focused, a teen and young 20s cast were treated much differently. But even in the single-player FF titles, if they are made with adult players in mind, their cast and stories likewise reflect that.
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yoimix · 2 years
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genshin men + love language
ft. kaeya, albedo, alhaitham
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✽ kaeya believes his love language to be the short quips and flirty lines he throws at you more than anyone else. he does make it quite obvious how much he adores you, even through more than suggestive dialogue. however, you know for a fact it’s the little touches he never intends to grace you with: the hand on your shoulder when the tavern men glance at you, the fingers gently tucking your hair behind your ear, the way his head only ever finds your shoulder to rest upon. kaeya has the need to be engulfed in your presence in one way or another, especially if he’s feeling vulnerable. but of course, those moments for captain kaeya of the knights of favonius must be quite rare. surely…?
“you alright there?”
you try to hold kaeya’s head a little higher. it lolls back onto your shoulder anyway, kaeya burying his face into the crook of your neck.
“i love this new shampoo you’re using,” he mumbles. it’s not like him to be straightforward but the sheepish smile on his face makes you giggle.
“i never changed it, stupid,” you laugh.
“oh? i could swear you were stealing mine.” he chuckles. “just to smell like me...”
you shake your head. there’s hardly a reason to debate over shampoo (though you have been using his for quite a while).
“oh archons, i feel like shit,” kaeya groans, his arms snaking around you tighter and his head shifting to find a comfortable spot.
a friday night at angel’s share is uncommonly visited by diluc ragvindr and commonly visited by kaeya alberich. it’s not the best idea to have them in the same room. broken bonds cut deep even after they’re severed. a comment turned into an argument and the argument inevitably turned into a sickening pile of guilt held as a knife against kaeya. or, as he expresses it: drinking beyond his limits. of course, you’re nearly duty bound by your love to take him home and put him to bed.
“you have to take it easy on the drinks, captain,” you speak softly. “i know charles is terrific at his job but i’m getting concerned with how these nights turn out.”
“would it be so terrible if i could just pretend everything’s alright?” he hums, the sensation of his breath against your neck making you shiver.
he pulls away. he never feels quite deserving of your love, especially when alcohol whispers in his ears words he’s shut himself off from. he doesn’t deserve to be held, to be understood, to be cared for the way you do regardless. and yet, he cannot help touching his cursed ice cold fingers to your skin.
you place your arms around his waist, a hand reaching up to the back of his head to smoothen his hair.
“everything’s alright in this moment, kaeya.”
and kaeya swears he will never feel love like he deserves it unless it’s you.
✽ albedo’s knack for creation extends to gifts thought out extravagantly, almost out of character for him. he says he made them just because he could, that it didn’t take out a chunk of his time from advanced alchemical research. besides, he says, creation is a part of his experiments after all. however, it’s a little hard to believe his casual gift-giving is truly casual when he keeps away from you working on them for days just to see the surprise on your face. and every time, you’re reminded that it’s okay to just be, that being loved is enough to exist. you only wish you could return the favor in a way so meaningful. in his snow-covered lab, you can only stare at the wonders he flowers just for you.
“albedo?”
“hm?”
his focused gaze does not shift from the alchemical cecilia he just bloomed, only for it to wither away in seconds. 
“that was beautiful,” you whisper.
“i wanted to make it last longer.”
“oh, surely, it would have been just as pretty?”
albedo finally looks up at you, his eyes more or less softening. “i suppose so. i just wanted to gift you your favorite flowers as... something more permanent. i wish you weren’t risking the cliffs all the time.”
you look down, smile wavering. oh, how you wish he wouldn’t spoil you with his time and patience like that.
“climbing’s part of the fun,” you reason, not meeting his eyes. “besides, i have my glider. your glider, that you made sure was failproof.”
and a color so rich and beautiful, you’re sure only albedo could make it.
albedo goes silent. you bite your tongue, cursing yourself for making it so obvious. “is something wrong, (name)?”
“no, love,” you try to reassure him. “i just... i just wish i had... more of myself to express for you. i wish i could make something quite so beautiful.”
albedo tucks the hair away from your face, smiling softly. the snow outside slows, the evening glow accentuating their appearances and disappearances.
“my creations exist because you exist, (name). there’s a reason i can only make mockeries and imitations of the real feeling.”
he says it as though stating a scientific fact. you look at him, slightly confused. he simply brings you to an embrace.
“i’m confident i couldn’t make anything as lovely as you are. and how you make me, as i am, feel.”
✽ alhaitham shows love in private. you knew that when you were just friends, you know that now. however, his concerned bickering and lover’s gaze is all for the world to see. it’s funny how everyone around him can read the name on his heart. after all, yours is the only one he ever takes. he’ll often pin notes for you by your bed when he leaves, the adoration nearly oozing through his straight-laced words. it’s always, don’t risk this, (name), or, don’t be silly, (name), or even a daring i’ll be checking up on you, (name). your name is always on the tip of his tongue and it spills like coffee, staining every word. it’s no wonder gossip about him goes hand in hand with tales of you. it’s not a big enough deal for him though... till you decide to grace him with a teasing smirk. alhaitham can deal with teasing from kaveh and the rest, but you boil his blood like no other.
“is this alright?” he asks, hands still cupping your cheeks as he pulls away from the kiss.
“what if i say no?”
“i’ll never touch you again.”
“that’s quite extreme, mister.”
“then don’t say no.”
alhaitham places another kiss against your lips, touch as tender as freshly picked zaytun peaches. another follows, and another, till you’re giggling his name, begging for him to stop. a small smile graces him when he finally does pull away, a rare spectacle that blossoms just for you.
“i thought only rationality could guide you,” you tease, gently pushing his hair out of his face. “yet, here you are in my bedroom again.”
“you bring me quite enough rationality, (name).” he says it so casually, like he doesn’t care how romantic it sounds. perhaps he isn’t aware of the romance of it. after all, the only books he reads are research journals.
“besides, am i not paying for this room you’re renting? i don’t think you have the right to get cheeky with me.” he draws his hand away from you to lean back on your bed. 
you stick your tongue out. “i thought i’d sneakily extort some mora out of the akademiya’s infamous mr scribe.”
“your acting skills are worse than your sense for danger... which is saying something.” he shakes his head.
“and yet, your swordsmanship falls short of saving me.”
“it was one time, (name).”
“you still got knocked on your ass by an eremite.”
“only because you ran into me.”
“please, i hardly looked in your direction and you were already flat on your ass. i have that bedazzling effect on you, don’t i?”
“you’re...” he stops himself from bickering further. his self-restraint may be above average, but there’s no one who unties it quite like you do.
you beam at him despite his look of disdain, a wash of affection flooding you. 
“you love our little squabbles. don’t lie.”
“love is a strong word.” his eyes are mesmerizing even under the moonlight peering through your window.
“but you feel it?”
“yes. yes, i do.”
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okaylorrainee · 1 year
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her way of water
characters. neteyam & female reader. sully family. tsireya.
synopsis. neteyam and his family left their clan to seek uturu from yours. on their first night, neteyam wanders by the shore to clear his mind. he finds himself away from everyone’s marui pods and comes across you as you bathed - he couldn’t get you out of his mind since then.
note. went out to touch grass + visited my grandparents so this chapter was uploaded a bit later than intended hehe. thank you to everyone who read the first chapter! i wasn’t expecting to wake up to 100+ notes today so i am very grateful :)! shoutout to my irls btw. avatar has been our motivation to get through hell week last week lol anyways enjoy reading!
taglist: @rainbowsocks @mashiromochi
Ch 02 [ previous . masterlist . next ]
you were a simple member of the metkayina clan. born from warrior parents, you grew up to be a huntress taught by the adults in the clan. as a young na’vi, you would accompany the older members whenever they hunted so you could learn and get better experience. your tasks weren’t limited to hunting, however. you enjoyed helping everyone out. everyday consisted of different activities for you depending on whoever needed help the most. for some days, you would spend your time weaving nets or clothing for the other clan members, and on other days, you would play with the children, teaching them the basics of clan traditions. 
you loved crafting during your free time. the others would find you sitting somewhere creating ornaments or weapons for yourself from leftovers from the animals you’ve hunted. you considered them as a keepsake from your time hunting with the others, every moment was an important memory for you. you were quite the sentimental one.
since hunting took up most of your time, you haven’t had the opportunity to hang out with the na’vi your age. everyone else was busy with their own duties as well, so you understood there wasn’t a chance to get closer.
tsireya was different though. she always found the time to get to know you, and eventually, she became your only close friend. you were probably just one of hers, but it didn’t matter to you, you were content with your friendship.
at the moment, you were in your marui, tying up the last few shells to the new net top you were working on. it was coming out beautifully, just how you envisioned it. you were busy admiring your work when a familiar voice interrupted your silence.
“sister, are you here?” 
you turn around and a smile finds its way to your face, “tsireya, it is nice to see you.” you released your creation, letting it drop to the netting. you stood up and held your hands out; she approached you with a smile, taking your palms.
“i have missed you all day. did you have to be gone all afternoon?” 
you chuckled, “i have enjoyed myself too much out there. you know i would rather enjoy the freedom of the ocean instead of cooping in this small pod.”
tsireya giggles at your statement. her eyes find their way to the net top you were working on. “i see you have made another one. the clothing you make is very lovely as always.”
“thank you, sister. i appreciate that compliment. would you like one as well?”
her face brightened even more. “really? you would make one for me? i would love that.”
you nodded, “of course, anything for my friend.”
she gives you another soft smile before letting you go. “to tell you the truth sister, i did not come to you for this reason.” she said, “i have a favor to ask of you.”
you gave her a curious look as you picked up the top from the netting. “oh? do tell.”
tsireya began walking around your marui, “you know about the forest na’vi from the omatikaya clan who arrived yesterday, and how my brother and i were tasked to teach toruk makto’s children, correct?”
“... yes?” you urged her to continue.
“i know this would only add to your schedule,” she stands firmly and faces you, “but we need your help for their breathing exercise tomorrow.”
you tilted your head in confusion. “why, tsireya? i am sure you are more than enough to help them learn. you are a very great teacher.”
“but you will be better!” she grabbed your arm. “sister, you are the best swimmer among us in our age, and i know even ao’nung would not object to that.”
you hummed in disapproval. “i am not so sure about that…”
“please,” her grip on your arm tightens, “you have to do it. i would like to introduce you to them. the others have not been very nice to them, but you will, right?”
you stared at her for a few seconds, thinking about how you’ll reply to her. but then again, what harm could it bring? you missed the opportunity to see them yesterday after all when everyone crowded around them and blocked your view. tsireya was begging you with her large eyes, how could you refuse your friend?
you sighed, “alright. i will be there tomorrow.”
with a small squeal, she jumped with your arm in her hands. “great! you will enjoy it, i promise!”
tsireya spent a few more minutes in your pod, chatting about each other's day and some other random stuff. when dark came, you’ve decided to stay inside and finish the net top you promised your friend the afternoon earlier.
neteyam had the entire evening to think about his discussion with tsireya and to decide what to do about it. eventually, he came to the conclusion to approach the na’vi he saw that night, and just talk to her. he didn’t know how he’d start and what he’d talk about honestly, but he refused to act like a coward. a mighty warrior such as himself is afraid to talk to a girl? lo’ak would be laughing his ass off if he found out.
and so, that’s what he came back here for. same time, same place. only now, he wasn’t hiding behind a tree. he was waiting out in the open, looking behind himself every now and then to check if the na’vi he was waiting for was approaching.
neteyam had stayed in the same spot for so long, gradually getting impatient. perhaps she had something to do which is why she was late? - is what he’s been telling himself for who knows how long. but his optimism was wavering every passing moment. what if he had only seen her there by coincidence? what if he had lost his opportunity the night before because he ran away when she was leaving the water? what if… she wasn’t real and was only in his mind?
minutes turned to hours, and it would only be a while before the sun rises. neteyam heavily sighs, standing up and brushing off the sand clinging on his skin. a dark expression on his face, he heads back to the village in disappointment.
neteyam went back to sleep after that. what else could he do? it was stupid of him to waste his time over there. hopefully he'll have enough energy to train tomorrow. it would be suspicious of him to not perform well.
when he woke up, his family was feasting on fish for lunch just behind him. they said they couldn’t wake him up as he was in such deep sleep. they didn’t question him, thinking he must’ve been overwhelmed with his training; neteyam didn’t bother to say anything else as he followed to eat.
training with the sullys was fast approaching, and you had just gotten back from hunting with some elders. you were rushing to your marui, a net of fishes in your hand; they will be dinner for you and some other clan members later on.
biting your lip, you ran through nets and nets of pods just to get to yours. you had to drop off these fish first and grab the top you’ve made for tsireya before heading to the training place. you couldn’t afford to be late; you didn’t want to upset your friend.
out of nowhere, a na’vi appears right in your face when you jump to take a turn around the pods. their sudden appearance caused you to lose balance and tumble right on your ass, almost falling into the water. your grip around the net loosened because you had to hold on to something else to support yourself, and this made you release your hunted fishes into the water. 
“ah.” you watched as the net slowly sank towards the seabed. eywa, have mercy. what disrespect to the blessings she gave you.
“i will get it.” before you knew it, the na’vi dived right into the water, and you could only watch as he swam to get your fish.
when he floated to the surface, it was only then did you confirm he was not from awa’atlu. his blue skin, thin arms and tail told you he was one of the sullys, because who else could he be?
you observed him as he placed the fish on the netting next to you before climbing up, his braided hair occasionally covering his face as it swayed all over. as soon as he stood up, he held his hand out to help you get on your feet. you grabbed his hand without a word, taking note of how firm and manly they were as you stared at his dripping wet face. it was difficult not to, but you were definitely eyeing him. 
he was so different from the metkayina men you’ve been used to. is this why tsireya was so drawn to that one sully boy she kept talking about yesterday? you kind of understood now.
“i am sorry about that. are you hurt anywhere?” he asks.
“no. i am fine.” you replied, and you swore you saw his eyes shot up to yours. “thank you for grabbing my fish. you did not have to do that.” his staring was starting to melt you that you looked away. “uhm… i must go now. goodbye.” you didn’t even give him a chance to say anything else, and just went around him to walk away.
you hadn’t noticed how his head spun to follow you, eyes squinting as if he was thinking. but the man tilted his head and brushed it off, walking away as if nothing happened.
©️ okaylorrainee 2023. please do not re-upload, translate my content anywhere without permission.
Ch 02 [ previous . masterlist . next ]
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nerdranttheories · 3 months
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Watching Two Heroes again reminded me of something I haven’t really seen talked about a lot, but
All Might Keeping Secrets and Self-Isolating Led to His Downfall
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Obviously, right? Everyone and their mother’s said this, and it’s clearly meant by the story. But I think David Shield is the best example of this, and I haven’t really seen the Two Heroes movie mentioned when having this conversation. This is my explanation of this movie being the epitome of this idea, and the time where I believe All Might learns from his mistake — even if it’s too late for him to change the course of his narrative.
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The movie clearly indicates early on, by All Might himself, that David Shield, his “best friend” and sidekick from his college days has not been informed of One for All, and All Might intends to keep it that way. Deku, ever the audience lens character for the world of My Hero, questions it, to which All Might answers it’s to keep his friend safe.
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This is shown to not be the case. In fact, by not telling his friend about One for All, David, someone who is good and concerned about his friend, turns to villainy out of desperation to save him. If All Might had simply told him about how his power works, and that he’s passed the torch on to Deku, then David wouldn’t have had as much need to worry. And this is something that All Might had several opportunities to reveal, even over the course of the movie itself. Most especially when David’s checking Toshinori’s vitals and his quirk levels. (Which, I have no idea how you would even trace something like that, but I digress.)
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Then, to add salt to the wound, All for One targets David regardless of his knowledge of One for All. Just his connection to All Might as a former sidekick was enough to put him in the line of fire. All Might’s secret-keeping didn’t protect him from anything, and instead turned an already bad situation worse. In the end, presumably David Shield is put away in prison, because when we see Iron Might in the manga, only Melissa is pictured, not her father, and if David had been available I refuse to believe that he wouldn’t have had a hand in the suit’s creation. All Might’s time limit in his muscle form is also shortened once again.
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Ultimately I believe this specific situation is what led to him eventually urging Deku to not make the same mistake he did, in not telling anyone about One for All.
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Also, the specificity of Wolfram being drawn this way after being defeated, gaunt and steaming, paralleling someone else we all know and love, felt very intentional. I don’t have more to say about it at the moment, I just thought it was interesting and that I’d point it out.
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anthurak · 5 months
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So with Hazbin Hotel finally releasing in just a couple more months, I thought I’d talk about what might be the biggest underlying question a lot of us have:
How much, if any, crossover will there by with Helluva Boss?
Now to start with, despite Blitzo and Moxxie having originated conceptually as side-characters/villains in Hazbin, I think we should NOT be expecting any kind of major or even minor appearances of I.M.P. in Hazbin Hotel. And frankly, I think that’s a GOOD thing. These two shows really should be allowed to stand on their own without relying on any kind of crossover/cameo appeal. Not to mention that these two casts of characters don’t really have much reason to cross over, given that they occupy pretty different circles. Like just the fact almost all of Hazbin’s cast (human Sinners) are confined to the Pride Ring of Hell while Helluva’s cast are often traveling between the various rings and even going to Earth kind of limits the potential points of interaction. All in all, despite how much many of us might hope for it, I think we should be expecting appearances from the I.M.P. crew in Hazbin Hotel. Though barring one, VERY SPECIFIC possible scenario I’ll dive into later.
Instead, the potential crossover between these two shows that I’m actually very curious about comes not from Helluva’s main characters, but rather from some of the supporting cast.
Specifically, I’m very curious if we’ll get cameos from the other Sins.
Because whereas Blitzo, Moxxie, Millie or even Stolas run in entirely different societal circles than either Charlie or the Sinners she’s trying to help, with the Sins it’s an entirely different situation.
Not only are the other Kings of Sin we’ve met the fellow rulers of Hell alongside Lucifer, we’ve also gotten implications that they do see each other more or less as family. Which by extension, could very well mean they are family to Charlie as well. Basically, Ozzie, Bee, Mammon and the rest could absolutely be presented as Charlie’s aunts, uncles or cousins, depending on whether Lucifer is an ‘older brother’ or outright ‘father’ to the group as a whole.
Which all taken together means that the Sins actually have all the reason to make an appearance or two in Hazbin. Like we know from the trailers that we’re going to have a flashback to Charlie’s childhood of her spending time with her father. Imagine how cool it would be if said flashback included a couple cameos from the other Sins?
Obviously I don’t think we should expect Asmodeus, Beelzebub or any of the rest to be any kind of major recurring presence in Hazbin Hotel, especially when we consider that the vast majority of the action of Hazbin is going to be locked to the Pride ring. But it does feel very natural or even outright necessary to the narrative that they make an occasional appearance. Particularly when we consider that it’s pretty much inevitable that Hazbin dives into the backstory of Lucifer, Lilith and the creation of Hell as a whole, at which point it would be pretty weird if the other sins DIDN’T show up in some major capacity, especially if they are indeed fallen angels like Lucifer.
And of course I think we can all agree that it would be pretty awesome just to see any of the Sins show up in an episode of Hazbin, even if whatever they’re doing is largely unrelated to the events of Helluva Boss. Like imagine an episode or arc where Charlie and Vaggie have a big argument, and Charlie ends up getting advice from ‘Uncle Ozzie’? Like even if you haven’t seen Helluva Boss, the idea of Charlie getting relationship advice from the King and Embodiment of LUST is hilariously surreal on its own, but the fact that it would almost certainly be actually GOOD advice just makes it funnier. While those who have seen Helluva can appreciate, among other things, the parallels between Charlie’s relationship with Vaggie and Asmodeus’s relationship with Fizzerolli.
Now with that all being said, as I alluded to earlier there is ONE specific scenario where I can see the I.M.P. crew making AN appearance in Hazbin Hotel:
Given the fact that Blitzo and Moxxie did originate as Hazbin side-characters, I do think it wouldn’t be surprising if we got an episode of the show meant to pay tribute to this fact. Basically have an episode where Blitzo, Moxxie, Millie and Loona show up as one-off pseudo-villains as an episode-long ‘in-joke’ referencing the origins of Helluva Boss and giving the team a chance to give an idea as to what Blitzo’s and Moxxie’s original roll in Hazbin would have been.
Say, Charlie and co. are dealing with a sinner who is particularly fixated/obsessed with ‘unfinished business’/grudge from their life with Charlie trying to get them to let go of that grudge by convincing them there just isn’t anything they can do about it from Hell. Cue perhaps Angel Dust ‘helpfully’ mentioning that he’s heard of some people who do exactly that, or perhaps simply a rather familiar jingle can suddenly be heard over a nearby TV, and we’re off to the races.
Again, more or less doing an homage to what Blitzo and Moxxie likely would have originally been doing as Hazbin side-characters.
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On TLOU2 and Its Place as Propaganda
This is the only thing I intend to post until the 28th due to the worldwide strike, but I have realized that I’ve spent a lot of time reblogging posts about Palestine rather than making a clear statement of my feelings about it and its connection to TLOU2. As someone who spends a lot of time thinking about the characters and writing about them, I feel an obligation to express these thoughts.
I know we’ve all probably seen the VICE article about the game which cites Neil Druckmann’s own words about what he, as a co-director and co-writer for the game, felt the game's themes were.
Of course, media often takes on an entirely new life after its creation but Zionism is sewn into the fabric of TLOU. Even in a world in which I pretend Druckmann does not exist, it does not strip the plot of the game of its harmful messaging. The most important message of the game is a misrepresentation of the conflict.
The plot of this game is inspired by not just the murder of two IDF soldiers, but a sense of hatred for their murderers. In the article, Emanuel Maiberg also points out that Dina serves the purpose of Ellie’s moral compass. Something about choosing a Jewish woman to advocate for peace and the end to the cyclical violence that Ellie is tempted by is not a choice that can exist in a vacuum. It’s especially uncomfortable to me when paired with the fact that a major piece of Israeli propaganda is the idea that the IDF is the “most moral army in the world.”
Druckmann also says, “I know it’s much more complex than that, but it’s hard to break that cycle. It’s really hard. Part of the themes, or part of the takeaway is that one side can’t stop. If only one side stops, it keeps going. So both sides have to let go. […] But the themes and the central questions are similar, like, ‘When should you stop? When is it too much to pursue justice at any cost?’ And the game ultimately deals with the limit that even if you are just, even if you are righteous, it can still destroy you to pursue it to the Nth degree.”
This is yet another attempt at making it seem that we are talking about two armies engaged in a war. We are not. There is no even playing field. This is Palestinians dying in their homes at the hands of people who will not stop until an entire people has been murdered. This is not war. This is not two even remotely equal forces engaged in combat. This is ethnic cleansing disguised as a necessary evil.
We are seeing how easy it can be to market a genocide when you convince people that it is for the greater good, and that a portion of these deaths you are witnessing are terrorists that could feasibly leave. I'm not in your homes so I obviously can't make you not buy the remaster or watch the show or buy official content from the creators, but let's maybe attempt to be more conscious consumers.
I can’t identify anything moral about war in general, let alone the martyrdom of civilians in their home.
Further Resources and How You Can Help
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childrenofthesun77 · 5 months
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Assuming that the whole 'mahiru is the vessel needed to bring back the count and the 9th servamp will be the servamp of vainglory' theory will be correct, it's interesting how both mahiru and touma can be accused of this sin even if the way it applies to them is opposed.
What touma wants is to be acknowledged and to that end he was willing to become the villain who destroyed the world before mahiru and tsurugi managed to change his mind:
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Mahiru's way of being vainglorious seems a lot more positive at first because he wants to be a hero who saves others, but it's self-destructive and encourages laziness in others:
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But thankfully we see mahiru starting to let go of the need to make other people proud of him and to prioritize making himself proud in his conversation with tsurugi:
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and later when mahiru has a meltdown because he fears his uncle might be dead and suggests sacrificing his life to save the world kuro rightfully yells at mahiru for acting hypocritical and not listening to his own advice:
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(I want to mention here that I really love how horrified kuro looks as he realizes that mahiru's reckless hero behaviour comes from a very self-destructing place:
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because not a lot of manga I know really acknowledge that maybe the way a lot of their protagonists try to be heroic is actually pretty unhealthy and shouldn't be encouraged? Like Sigurd pointed out at the C3 meeting, it's kind of shameful that the children have to save the day)
Which is why I love that mahiru decided to trust kuro to handle tsubaki without him going with him:
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He decides to stay back with everyone else, showing that he has learned that he doesn't need to be the one to do everything and can stay back with the others to buy kuro time.
Interestingly we see touma doing something similar. Opposed to his old need to have the whole world acknowledge him he now wishes for everyone to believe he's dead and he's helping to protect the city by creating a huge barrier without making it known that's he the one doing this:
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He's helping the protagonists seemingly with no intention of earning acknowledgement for it.
I think in a way it could be cool of servamp to subvert the shouned trope that for the finale battle the only one able to defeat the big bad is the protagonist while everyone else just watches on from the sidelines, not allowed to do anything because this is the protagonist's moment of glory.
What if lily's plan when he put kuro in mahiru's path was that if kuro tried to stop tsubaki at the gate surely his eve would need to be there with him, right? Because of course he needs his eve to fight and then there's also the distance limit. So why not make the vessel you need at that gate for the ritual to work kuro's eve? Then the vessel would be at the place where you need them without you even needing to do something because naturally they would be thinking they are doing the right thing by going with kuro to fight tsubaki together. And surely someone as vainglorious as mahiru would never pass up the opportunity to be the hero who stops tsubaki. It's foolproof!
Unless of course before the ritual the vessel learned to let go of their vainglorious nature, accepted that it's okay to take a step into the background and trust in others. And additionally also found a way to break through the whole forced proximity thing that the servamp and eves had going on.
I don't know, I feel like it would be a neat bow on mahiru's character arc and a unique way to thawrt the antagonists' plans if the creation of the servamp of vainglory failed because the 'it has to be me' guy they wanted to use as the vessel decided against glory and stayed back to let his partner handle things with tsubaki alone because he trusts him. Kuro on the other hand wants to make up for his past regrets and resolve the conflict through communication this time. Learning to trust in himself again by managing to talk tsubaki out of going through with the ritual on his own would be a logical conclusion to kuro's arc.
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What could be consider laws of the multiverse?
Or is there no such thing?
Aight aight
Let's go, explanation for time
For this one I will speak as creator
This is infos I've shared before on my site, and I got the greenlight to share it here !
Reminder that @neonross was the og creator of Out of Bounds and I am merely one of the artist and writers ( and alternatively the lore gremlin that make sure everything is smooth good lore lol ( so for lore clarification yeh I'm the good person to ask haha))
So here are the "laws" of the multiverse and how it works in wttmv specifically !
Those rules apply only in our story, but anyone who wants to use those concepts are welcome, of course ! Neon Ross's og intent was to have rules flexible enough for people to make characters and have fun with the concepts, but we don't mean to be an autority of any kind and ruin people's fun... Anyway, explanation time
It's not really "laws" so much as rules for ourselves and for our story, to give it nuances and stakes and the right amount of lore scratching complexity
Some characters however might tell you that these are laws lmao
✨Out of Bounds ✨
___-Lore Guide-___
Out of Bounds (OOB) is a realm existing beyond the multiverse, operating by its own rules and devoid of time. This guide provides insight into OOB's nature, its role in the multiverse, and the mechanics governing its interactions.
Nature of Out of Bounds
Definition :
• OOB is a space outside of alternate universes, akin to the Void Realm in Towags where forgotten characters and places reside.
• Awareness of this space is limited, known only to those who reside within or encounter its inhabitants.
Television :
• Floating televisions within OOB display AUs, acting as viewports or portals for interaction.
• Televisions serve as a primary means for Multiversers to observe and interact with AUs. ( While it is the primary way, note that there are exceptions and other ways to travel )
Shows :
• We call "show" the stories within the multiverse. Includes the Original, Variants, Alternate Universes.
• The Original cannot be touched or interacted with by anyone.
• Variants are copies of the original with very minor changes (art style, design, head canons). They can be interacted with on varrying degree, depending on the creator of the variant will.
• AUs are copies of Welcome Home with major or noticeable changes, from the story, to the characters and their designs.
Vintage Tapes :
• AUs are stored within vintage tapes, with the film inside representing the universe's timeline.
• Tapes categorize AUs into Fixed and Flexible, depending on the level of interaction allowed by the creators of each AUs.
Interference Mechanics :
• Interfering with Fixed AUs poses risks, as altering their storylines can lead to universe corrupt and/or collapse.
• Flexible AUs allow more interaction, often featuring crossovers and Y/N scenarios.
Out of Bound Spaces
Channels :
• Spaces integral to the multiverse system, including the Observer's TV room, the Archives, and Admin's film room.
Shows :
• The AUs themselves, contained in the multiverse, then OOB
Lost Media :
• Spaces not categorized as channels or tapes, such as the Keeper's domaine, Trader's space, and Stitcher's atelier. (Often time those are kind of like shells of dead/collapsed/modified AU, or pocket dimensions)
Pillars of Creation :
• Vast space outside of the multiverse, a galaxy-like zone full of stars, that is said to be where the creators of AUs reside. Very few characters go so far in the OOB.
In between :
• The void between the AUs. It is devoid of breathable air, often dark and lightless as well. Some multiversers are unaffected by the lack of air, but stay careful ! We don't know what lurks or leaks in the in-between
Diagram made by Bloomenvogel and Neon Ross for the Out of Bound as we see it in WTTMV
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Note : this diagram applies to wttmv, but feel free to use I with your characters if you want ! Just like all of those rules, we made those to help make the story as a whole
Out of Bound Inhabitants
Natives of OOB :
• The Out of Bound is often said to have a mind of its own... It will sometimes create its own variants of the core cast, for reasons still obscures to this day. Notable characters born from the OOB : Observer, Courier, Messenger
"Refugies"
• Cast or OC characters that had their worlds destroyed/corrupted/collapsed, and who are left to wander in the multiverse. Most often they will end up in Peacekeeper's domaine until they can be rehomed in a flexible tape or new universe, or adapt to the Out of Bounds.
• A character that adapts to the Out of Bounds will then be called "Multiverser" along with the native of OOB
• Characters considered "refugies turned multiverser" in wttmv : Peacekeeper, Filante, Trader, ShopKeeper, Watcheye, Stitcher, Croupier
Multiversers :
• Multiversers are the inhabitants of the Out of Bounds. Often times, they are anomalies that have developped specific abilities allowing them to reside or survive in the Out of Bounds. Those abilities often includes being able to travel to multiple flexible tapes, but not always. A multiverser will almost always be a variant of a cast character, and rarely, if not ever, a y/n or fan oc. (If you wonder why y/n and ocs are excluded from being multiversers specifically, it's because Y/N is at its core a you self insert, but *you* are supposed to be viewers in the story. It's fine when in a pocket universe like Keeper's and Trader, a y/n can exist there, but in the oob it could causes some problems of logic with viewer influence and control, or the focus of the story could go astray to fit a y/n, which is not a story we want to tell. It kinda goes for ocs too)
__________________
I tried to say as much as I could without much spoilers... For the reminder, I already explained the main, general chronology of wttmv on the site
Ik, ik, it's a bit of a hassle to go search and look and all. Tbh the site is kind of a way to give a bit of a treat for the really big fans who are ready to go on a separate site to get lore lmao /lh
But now I get to ramble here too ! Hurray !
TLDR :
OOB is big and weird. The AUs and Variants can be interacted with only if allowed by the creators. Multiversers are the weird cast variants living in the oob. The OOB is kinda like an onion, it has layers. Most characters always stay in the multiverse part.
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halliescomut · 7 months
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Love Sky to Love Sea connection
Alright, so I was going over everything following the news that our beloved FortPeat are going to be the main couple in a new show for Mame.
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And if you have been partaking in Mame BLs for a while, you may be aware that all of her novels and the shows that are based on them have existed in the same universe up until this point (a la the MCU). Following the creation of MeMindY she has not cast previous actors from her shows into new roles, instead having them return in cameos as the universe progressed forward.
It's easy to understand why she would choose this moment to recast FortPeat (and very likely BossNouel, but that confirmation will come in a couple of days). The chief reason of course being money, Love in the Air was arguably one of her most successful series, equaled only by TharnType. This is due to the stories, the performances, and also just luck of timing. The boom of BL shows for international audiences, from what I can tell, occurred in late 2021 - early 2022, with shows like Cutie Pie and Kinnporsche (and the impeccable chemistry presented in both) being some of the most common first forays into BL. I have only assumptions and inferences as to why this is, I think the popularity of shows like Love Victor and HeartStopper on streaming services led more people to essentially google more queer media, and found that there is a rather awesome amount being produced in Thailand, but in South East Asia and East Asia altogether. I also know a number of people were on the K-Drama to BL pipeline, assisted by Netflix and Viki. But back to my point, generally I think the popularity of MewGulf and JaFirst locally, or at least within SEA is fairly equal, but the inclusion of a much larger international audience at the time when Love in the Air came out has created a level of popularity that I don't think Mame expected.
I think another very valid reason why Love in the Air is incredibly popular is that while it exhibits some of her 'classic Mame' tropes like histories and instances of SA, and her ever-present 'No Kink', it is arguably one of the less problematic stories that we've seen on screen so far form her. (And this is coming from someone who actually likes a lot of Mame's stories, though I'd imagine my affection for brat-type characters is a leading cause of this.) This means that for many viewers for whom this was a first foray into Mame's universe and characters were not being immediately put off by some of the more problematic scenes and storylines presented in previous shows.
Mame has most certainly observed the potential for success in recasting these well-liked actors/pairs in other companies, top of said list being pairs like ZeeNunew, EarthMix, FirstKhaotung, and many others. So to take a pair whose chemistry and ease onset is equal to those and cast them in a new role, while breaking a previously established 'rule' is certainly a choice where the potential benefits far outweigh the risk. Literally the only 'risk' is potential confusion from those that are aware of the fact that ALL of Mame's work exists in a single universe, which if you came in on the LITA train is not likely to be something you would know. You may know of the clear connection to Sailom and Nuea presented in Wedding Plan, but connections to the further universe beyond LITA are limited to two rather small cameos that even I didn't pick up on immediately. (These cameos being the brief appearance of the twins and Leon from Don't Say No.)
So, I wanted to give an idea of what exactly is the connection between their existing LITA characters, but also the kind of show why it's really not going to be as big of a deal as far as causing confusion. This is a diagram of the existing Mame universe in terms of her novels, I've updated it as needed to include the connections to Prapai and adding in the Love Sea story as well. I have included a link to the original as well.
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I've placed stars for the LoveSky/LoveStorm stories and then added ones by Love Sea and The Boy Next World (which we anticipate to star Boss and Noeul). Because the universe is so large, it is a bit confusing, so I did break it down into more simplified connections.
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Hearts represent romantic relationships and the dashes are platonic. most of them are just friendships of various types, though Tharn and Pookan are cousins. But as you can see there is at least 5 people between the characters in LITA and the actors' new characters. So even in-universe the likelihood of these characters ever meeting would be slim, but beyond that the connection of LITA to the over-arching Love by Chance universe is pretty tenuous as previously mentioned.
In the case specifically of Love Sea, this is an unpublished novel, so it's possible Mame will remove or choose to leave out any mentions to the greater universe (meaning either changing the name of Kom's character if he is present in the scripted version, or leaving him out altogether). In the case of The Boy Next World, Pookan is related to Tharn, but let's be honest, do we really expect Mew to show up in a cameo? He's already moved on from Mame, TT, and the MewGulf ship. At best we may get fanservice in the way of a name drop, and it's possible we could see other characters from TT, but I'm skeptical. Since Pookan barely shows up in TT at all, the better option, especially with the passage of time since the first season of TT came out, is to have him be Tharn's cousin, but have him attending university after Tharn has graduated. And that's really only if you want to include that connection, you really don't have to. Given the amount of detail that we get about secondary characters in a lot of these shows, it wouldn't really be that difficult to simply rename any characters that cross over into the greater universe because there's just not going to be enough specific detail to really connect them.
I did also want to include the small amount that we know about Fort and Peat's new characters. We of course don't have much information yet, but there was some crumbs dropped at the recent fanmeet and appearances.
Their characters are Mahasamut(Fort) and Tongrak(Peat). Mahasamut is the son of a hotel owner who after a falling out is now living on his own. It looks as though he is quite young, along the same age of Fort IRL, and he is working as a tour guide to support himself. He is someone who is, I would say, likely lower income, and he's very ambitious and at this current time his goal is to kind of amass a certain amount of savings. He is running his own company as a tour guide and is considered very popular among foreigners both because he can speak good English but also because he is very charismatic. The information given at the fanmeet also includes that he has a diving certificate and is also good at fighting. How that will come up in the story, I don't know.😂
If their hints are to be believed, these characters will be in the same age dynamic as Fort and Peat meaning that Peat's character Tongrak will be older than Fort's character. Tongrak is a writer, specifically of romance novels. He is wealthy, though it is unclear if that is through his career or familial wealth. There's a strange emphasis on how beautiful he is, but in fairness Peat does very accurately fill that criteria. It also says that he does not talk about having a partner, he goes his own way, tends to be a loner. And this is with the implication that this is a result of past negative romantic experiences. Because Mame is who she is, there's also a possibility that part of his solitude is the result of past violence from a previous partner. Fort and Peat did state that they felt the story for this series is more challenging than Love Sky (which honestly scares me a little). But out of all of the stories Mame has told so far, I did feel that Sky's story was handled the best, so hopefully that trend continues.
It's not clear currently if Mame will be directing this series as well, previously she has only directed Wedding Plan, while all of her other series, even those produced by MMY did have other hired directors. We can see from the behind the scenes footage that even with a separate director, Mame was heavily involved in the filming, so her touch will be there regardless.
As far as further timelines, based on past series it is usually about 5-6 months from announcement of a series (and the cast) to the premiere of said series. It does depend on many different variables. The length of the show being one, as well as the level of difficulty. LITA was a more complex series with some pretty large set pieces (the night time races) and more complex scenes in terms of filming (the Stop and Payu race) in comparison to Wedding Plan. Since we don't have a published novel to study and theorize about potential scenes and the difficulties of filming, I can't really give much insight. I will say that the specific inclusion of the fact that Mahasamut holds a diving certification could indicate some diving/underwater filmed scenes. While those are not necessarily super complex, they can be time consuming, require special permits, are very weather dependent, and would require special filming equipment. I also very sincerely hope that if Mame does venture in that direction that she will also make sure that specialists with the necessary expertise are on set to maintain the safety of both the cast and crew. I know what the requirements are in western media, but not in Thailand. What all this boils down to though is that I would not expect the series to premiere earlier than February, and I'd put my bets on March. It's possible she may film a special trailer like she did with LITA, and if that happens, then we may see footage in late November or December, if not I expect a trailer after the New Year. A lot of this actively depends on when we get confirmation that filming has started.
I did also want to note, that while we expect Boss and Noeul to be the leads for The Boy Next World, since she is announcing that after Love Sea, I'm also expecting that to be filmed after Love Sea, even though we suspected that BNW was on the docket way back in March, Boss is still attached to Zomvivor with Mandee/Domundi, which could begin filming this fall, though that's not fully confirmed, it's based on the schedule presented at their look-aheads last year and what has already filmed and aired. But my point is that Boss may not be free to commit to the filming of BNW for a couple of months. There's a lot of variables that go into it.
But anyway...I hope this little rundown/update was helpful. If you have questions and I can answer them, my asks are open.
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quietsnooze · 6 months
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Info dumping about my homebrew DnD world ahead!
Eidholme is a low magic fantasy DnD campaign setting wherein magic is very limited, feared, and persecuted. The continent is split into 5 kingdoms & 2 empires.
Here's a visualization using Azgaar's fantasy map generator, then painted by me using Inkarnate to show the landforms:
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Long ago, there were racial variations (many of the expected DnD races), but war and mistrust tore apart the continent and drove out many as humans struck down the remaining.
Now, there are heritages in the bloodlines of many current day humans that lie dormant as also magic does
(Basically my way of saying "this is an all human campaign... mostly." When the players get to higher levels, they will manifest traits from their heritages if they want to have that aspect included. Most left that up to me to surprise them!)
The deities are known as Guardians. There are twelve who are revered across the continent in different capacities - the kingdom of the Reamers is highly religious and worships all 12, whereas others pick & choose their preferred "endorsed" Guardians.
The Guardians' sigils I designed:
• Pandor, of Pleasure
• Lilabet, of Patience
• Elnos, of Creation
• Phiphine, of Growth
• Aisling, of Endings
• Cohara, of Mercy
• Bodhi, of Progress
• Llyr, of Dominion
• Niamh, of Hearth-keepers
• Keros, of Justice
• Ashtur, of Aggression
• Ryasis, of Curiosity
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The event that caused the humanization of Eidholme was over a millennia ago, but the hurt caused by the End of Magic is more recent - a little more than 200 years prior, with fear and abuse of it at an all time high, magic was almost universally banned across Eidholme.
What was the straw that broke the camel's back? The population does not know, other than it was surrounding the tensions that broke apart the Mountainlands into two empires: Marboke in the north, and Oakham in the south.
(My voice game players know tho! They participated in it in prologue)
The continent shares the equinox and solstice celebrations, but have differing, more local traditions for them. Here’s a calendar I created that shows them! In Launlia for example, the Primavernal is celebrated as the Awakening Festival locally, for Niamh, Guardian of Growth.
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Another fun fact about Eidholme: the vast majority of the continent's trees and its ONLY forest exist in Duskhollow. The kingdom is shrouded in mystery, in ancient Woods magic, in protections that keep any out who it doesn't want to be there.
The Woods is alive. It decides.
I have a lot of documents my players can comb through for information at their leisure. This one factually lists information that the PCs would know. It is not necessarily Wiki-level accurate, however, as propaganda is a heck of a thing.
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Cantrips aren't exactly rare, but depending on where you are, you wouldn't even want to risk casting one. Privilege allows some of higher station to play around with magic in a badly kept secret. Otherwise, you are licensed or regulated by the governing body on your usage.
And that, of course, is why both of the parties who play in this world stumbled across Wanted posters for their questioning and arrest! "Wanted in connection to blasphemy and magic usage in Launlia", while their allies are "wanted in connection to actions against the Crown"...
For as much as I limited in character creation for lore purposes, I gave back through the same world building. Characters can interact with the world, seeking lost ways of old magics, ancient techniques, connections with the natural world… even be taught new (homebrew) cantrips
This is one of those instances where the PCs fit the trope of “chosen one” levels of power, as few ordinary people are powerful like they are and will be. The catch? That also makes them HUGE targets for backlash. Without the right support, they’ll be on the run… everywhere.
That makes it a very socially driven, political ties sort of campaign story. They also have befriended nomads, who can help them in their own way.
Nomads are, expectedly, nomadic people dissenting of law and homeland. They are expectedly hunted or outlawed for their magic use.
Some places welcome them as a novelty, others allow them under tentative circumstances for services granted (easy to locally wash your hands of it and assign blame to nomads who are long gone by the time you’re found out). Their trust is notoriously difficult to gain.
Why? Because they’ve been lured by royals to perform, only to be mass incarcerated. They’ve been promised sanctuary and found instead themselves given to their enemies. The groups do not inherently trust one another, either- friendship with one doesn’t mean friend to all.
As for beyond the continent… not many know what lies beyond. Those who travel out rarely come back, those who do are driven back by storms and critical failures of their ships. The Brackish Tears is the only kingdom who receives imports from beyond the vast waters.
There's a tale of a Tearsian prince memorialized in statue: Eóghan Griogal - a prince, second son to King Cian and Queen Siobhan, beloved by his people in the 17th century, about 200 years BME (Before magic’s end) or prior to the new age. His romance to the wispy foreigner - had many people talking, some excited in the chattering and others devastated by his betrayal. For he found love at sea, a man whose affinity with water was undeniably clear, closer bonded to it than even the water births of the Reamers would boast.
The lore creates a very interesting challenge for a fantasy world:
- wood is expensive and rare, so describing anything, from building materials to origins of fruit, is adjusted
- gemstones are extremely rare and not mined anywhere anymore as the source died with the elves
- magic is mostly outlawed
I'm currently running two games in this world. One traditional DnD via voice sessions who adventure across the continent, one written/play-by-post mixed with Good Society ttrpg, sandboxed in the Brackish Tears' capital.
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Here is the star map and constellations. I have so many documents for my players to chew on, and I’m adding to them constantly.
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bloodpen-to-paper · 4 months
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Heya, I don't plan to talk about it much but due to what happened with forever, who was my fav and really the heart of the project for me, I'm probably not going to post about Qsmp much anymore. Or if I do, it'll take a while. But please read if you're in the same boat as me, its kind of a ramble and you can skip certain parts but I'd like to hear your thoughts. The last couple of paragraphs touch on some stuff that I hope can help be worth your while, whether you're here for the Qsmp stuff or the mental health part.
Now this is absolutely not to say the rest of the project doesn't matter or that people should give up on it. The Qsmp is incredible and should be known for what it has achieved: breaking language barriers and uniting communities. Its wonderful, unique, and still has so much to offer in terms of content creation, so please don't let the whole of it be tarnished for what happened with one creator (we've seen that before already and it sucks). Personally, it got me back into streaming content/mcyt and I'd like to stay more present this time, its so much fun and its nice knowing I can sort of drift back and forth when new things pop up. If you're in the same boat, I encourage you to not feel like its all over immediately if you still feel a passion for this kind of work, maybe you won't get back into it but maybe you just need a bit of time. Whatever you feel, as long as you're happy and having fun you're doing it right.
So, personal feelings (which I suck at but its better than bottling my thoughts and I encourage others to do the same). I'm fucking devastated lmao. His character was my absolute hyperfixation, I'm talking 24/7 brainrot for months. I haven't felt this passionate for a character since dsmp, I honestly didn't know I could still do it. But there's another layer. I live in the U.S., and I'm Brasilian-American. In the U.S., you don't hear anyone saying shit about Brasil. You hear a lot about Mexico, but nothing really south of that, and if you do its usually about sexualizing Brasilian women or narcotics and gang stuff. Not the best representation for little me, admittedly. When you-know-who won the Qsmp Election, y'all I felt something in me spark to life that I hadn't felt since we won the Olympic soccer tournament in Rio in 2016. I'm proud to be Brasilian, I've always been proud of it, but its a pride that's been limited to sports and my own personal experiences. To see myself represented, to see Brasil naturally enter the conversation for a piece of media I loved that I didn't know would have us, and to see us win something, phew, shit got me higher than my wisdom tooth removal. We Brasilians banded together to secure the win, and what's more, my fav cc on the project was the one at the center. I felt so happy, for my country, my community, and for myself. And I know recent events might taint that memory for some of us, but I refuse to look back on my feelings from back then negatively. That was one of the best damn moments in my chronically online life, and I will always remember it with pride and joy, along with the many other moments when this wonderful server made me proud to be me.
So, naturally, when the news hit I was pretty fucked up over it. Still am tbh, but better now that I've had sleep (though it took me a while to fall asleep because of course my sleep gets ruined by bad feelings, bleh). All this to ultimately say it sucks. Like, it really fucking sucks. The anxiety, the disappointment, the sadness, and the uncertainty of "what now?". Might be sounding dramatic but again, 24/7 brainrot/serotonin supply for months that connected me to my culture abruptly cut off because of pedophile allegations. C'mon Satan, I already have to go to therapy, you didn't have to kick this horse while it was down. Joking aside, if you feel as absolute dogshit as I do and have that kind of anxiety where the world feels like its about to end because moments like these leave you with the rug pulled out from under you and the uncertainty leaves you not knowing what to do with your life after this... well, welcome to the boat, bathroom's on the lower deck and snacks are in the lobby. And also I'm here, and everyone else who's been left in the same crummy place emotionally. We're here together, and I hope that can help you, cause I know for me the worst part is feeling alone in it all, but I'm not, and neither are you. We're here, holding hands and cursing existence for putting us here and making us so sensitive and giving us something great only for it to end up hurting us. We're here, and if you wanna say anything, my DMs, comments, asks, whatever you'd want to talk through, are all open.
Now comes the hardest part: acknowledgement and playing the waiting game. Like I said, if you're feeling like me, this kind of anxiety and disappointment has you feeling like its all over. So now's when you gotta remind yourself that the only thing that's over is this moment in your life when you enjoyed a Thing. That Thing can have meant a lot to you, it could have gotten you out of really dark places, and it could be something you'll still think about down the line. It can be something like minecraft cube people that you (I) got way too emotionally attached to. And for whatever reason, that Thing could have meant the absolute world, whether other people would've understood it or not. Its not your fault it ended the way it did, life just does that sometimes, as unsatisfying of an answer as that is. But its true, and its an important lesson. The Thing is over.
You know what's not over though? You. You're life. Whatever the hell you are doing and will do in the future. If this was the best thing in your life you had going for you, I am so fucking sorry. You deserved to be happy with it, we both did. But I promise you, this Thing is a moment in your story, not the whole story. This really was the source of my joy for the past few months, and if its the same for you, I see you. We can feel like shit together, along with the rest of this wonderful community who understand it too. And you know what else we're gonna do? Live, and move on. Not now, maybe not for while, but we're human beings, we persist (sometimes that might look like you're dragging your battered self out of a trench smelling like depression and expired cheese, but you'll get out of the trench, we both will). There's too much to life for this to be what stops you from finding the rest, whether that's some dramatic life change that completely changes the world as you know it for the better... or just figuring out what comes next. Taking a shower, watching that movie you were waiting for the right moment to watch (I'd say this qualifies), setting up a therapy appointment maybe. Whatever you do to feel like a person again, you have that to do, and later down the road you'll have new Things that give it all meaning. So keep yourself going, hit up me or others who would get it, and do what you gotta do to let it pass. Because it will pass.
Deep breaths friend, I'll be cheering for you when it does
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ndbookstudy · 8 months
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robert adams, silence of the heart, ch. the 3 principles, pg. 222-230
purple for highlights. pink for very important highlights.
principle number 1.
You have a feeling, a complete understanding, that everything you see, everything in the universe, in the world, emanates from your mind. In other words, you feel this. You do not have to think about it, or try to bring it on. It comes by itself. It becomes a part of you. The realization that everything you see, the universe, people, worms, insects, the mineral kingdom, the vegetable kingdom, your body, your mind, everything that appears, is a manifestation of your mind. You have to have that feeling, that deep understanding, without trying to.
So you ask yourself, "What do I think about all day long?" Of course, if you fear something, if you worry, if you believe something is wrong somewhere, if you think you're suffering from lack or limitation, or sickness, anything, because you're not understanding that all these things are simply a manifestation of your own mind. And if you worry about these things you become attached to false imagination. That's called false imagination. You've been attached to habit-energy for many years, and all these attachments and beliefs come from habit-energy.
Everything your senses show you is an emanation of the mind. You're projecting a picture, just like you project a moving picture, and everything you see right now, in this room, comes from your mind. You may say, "How can we collectively see the same thing?" That's because of the habit-energy that we're brought up in. So collectively we seem to be seeing the same thing, the same picture. It's like watching a TV show and becoming one of the characters, when you know that you're not even in the TV. But you believe you're one of the characters in the TV show. So it is with the world. Do not get involved. I don't mean you become passive. I mean your body does what it's supposed to do. Remember, your body came to this earth to do something. It will do something without your knowledge. It'll take care of itself. Don't worry. But do not identify your body with yourself. They're different. Your body is not yourself. And I'll prove this.
When you refer to your body, what do you say? Don't you say "my body"? Who is this "my" you're referring to? You say "my finger," "my eye." Who are you referring to? You couldn't be talking about your body, because you're saying it's "my" body, like you own it. Who owns it? This proves to yourself that you're not your body. So do not identify yourself with the body and the world.
Therefore, the first principle, to see how close you are to Self-realization is: You are not feeling that you are identified with the world. You're separate. And you're feeling happiness, because your natural state is pure happiness. Once you identify with worldly things, you spoil it. The happiness disappears, it dissipates. But when you're separate from worldly things, happiness is automatic. Beautiful, pure happiness. It comes by itself. So that's the first principle. Think about that! Everything in this universe, person, place or thing, everything, your body, your thoughts, creation, God, everything you can think about, everything, and I mean everything, is a projection of your mind. If you really understand this, how can you have a problem?
But you may say, "Well, my rent's due on the first, and I don't have any money, so how can this help me?" You would be amazed at what it does for you. Do the trees lack for leaves? Do the flowers fail to bloom? If you could realize the truth, that everything is an emanation of your mind, you would become your Self, and your Self is Omnipresence. It includes everything for the survival of your body. Think about that. Your body comes from your mind. But as long as you believe your body is yourself, and you understand that it comes out of your mind, it will be provided for, just like leaves are provided for the trunk of the tree. So this teaching is quite predictable, and it can be used to improve your humanhood, not by trying to improve your humanhood directly.
That's where you've got problems. But by forgetting about your humanhood, and realizing everything is a mental projection, again, what happens? When you realize that the whole universe is a manifestation of your mind, you become Omnipresence. And in the Omnipresence is contained all of your needs, and all of your needs are met from within. But, when you start worrying or thinking about it, you spoil it. Then you have to do human things to take care of you. But if you leave the humanhood alone, and go back to the understanding that it's all in your mind, you automatically let go of your mind and the Self takes over, bringing the right people into your life, the right situation, the right address.
Remember again, your body came to this earth because of karma. And it's going to go through whatever it has to go through. But you've got absolutely nothing to do with that, because you are not your body. But if you think about it, you spoil it. Subsequently, allow your body to do whatever it came here to do. Do not interfere. Do not fight. Simply observe. Do not react. You will be OK. See, the secret is to think about these things as soon as you open your eyes in the morning. As soon as you open your eyes, what do you think about? You think about food, you think about your day, you think about work, you think about money, you think about friends, relationships, but you do not think about your mind being a projection of all the things that happen. Therefore, you have to think about the right things in the morning as soon as you awaken. Don't wait.
How do you work with these principles? As soon as you open your eyes in the morning-I'll speak in the first person-you have to say to yourself, "I feel and realize and understand that everything, everything (say everything twice) is a projection of my mind." Think about what that means. Forget about the other three. Work on that. "I feel that, I realize that, I understand that everything is a projection of my mind."
Then you may think about any problems, if you have any, and you say to yourself, "If everything is a projection of my mind, where do these problems come from?" You then realize, "Why, they came from me. I projected them. I created them." Then you say, "Who is this I that created them?" Now you're getting to the meaty part, to the substance. Who is the I that created all this illusion in my life? Where did the I come from? Who gave it birth? My mind. Where did my mind come from? The I. They're both the same. The I and my mind are the same." It's a revelation. You think along these lines. "Where did the mind/ I come from and to whom does it come?'' You follow it deep, deep within yourself, and if you do it correctly, you will realize there is no I (there is no person!). There is no mind, so there are no problems. It will be over, and you will start laughing. You will actually start laughing at yourself.
You'll start to think, "I fear this and I fear that." Once you get in that consciousness, something will happen to actually physically relieve you of that problem, or what you think is a problem. As long as you believe in your mind that there's a problem-whether it is little or big doesn't matter, they're both the same-as long as you believe you've got a problem, you'll have a problem and it will grow and you can't change it. It may appear that you change it, but it turns into something else of a worse nature when you try to work with the problem itself. You never try to work with the problem, but ask where the problem came from. That's the problem. The birth is the problem. Because you believe you were born, you have the problem, and you can go on and on and on.
part 2 ->
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bunningchaos · 5 months
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[*.... You hear a commotion of some sort.]
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[*Out of sheer curiosity... You decided to ask.]
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↼Nil • Next⇀
[*Would you like to partake?]
[More information down below if so.]
Kindly don't repost, trace or claim these characters + comic as yours. Thank you.
Every single characters here, belongs to me (BunningChaos)
Important : This will begin at 5th of December as I need time to finalize the Christmas outfits of every Safe Haven characters.
Alongside needing additional time to draw out the few starting panels(comic?).
Hihi, thanks for your interest so far!
(No I'm not dropping the main Asks for Safe Haven, but I do plan on focusing more on Christmas related stuff for the month of December.. or just pure tomfoolery in regards to the characters.)
Without further ado, this is basically going to be what I'd call a 'Interactive Event' primarily revolving around the Safe Haven's residences and their preparation to set up for Christmas.
You can simply ask them questions like usual! Orrr.... Even better!
Indulge them with shenanigans, or assist them with their preparations! The choice is yours to make, or should I say... Your character's choice.
To explain further, participation is pretty simple! Just drop off a Ask or a Reply under this post, with your character's name and preferably, a link to their reference sheet or a image of them.
..Oh and also, unless they already have a pre-designed Christmas outfit, or if it is mentioned what it is preferred to be. I'll be putting them in simple possibly ridiculous Christmas sweaters
Unless you'd want to make some sort of drawing/post with them entering in a dramatic manner or however they wish to. Otherwise most, and if not all guests will be showing up by the door or something like that
Oh, of course. This isn't limited to just OC's, it's possible to drop in pre-existing characters! An example would be Passive Nightmare and Dream, but in this case. Anyone can control those characters, via Asks or in the Replies.
...Though I'm not exactly sure how this would end up, This IS my first time doing these kind of things.
There's two ways this can go!
1) Like mentioned with the pre-existing characters, the creator's of specific character that drops their own creation in, can control their character to do as they please! Via the usage of the Ask box or by the handy replies of each post
Please don't burn down the entire house though
2) ..Unlikely? I'm not sure, someone else is to possibly do a 'response/reaction' drawing or post. Then I follow up on it afterwards.
Of course, again, I wouldn't know how this will turn out. But it could be fun so I decided to include it
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