#like yeah yeah it's well constructed. we all see it's well constructed.

[creatingblackcharacters]

"Let's Have a Talk, First"- Stereotypes, pt 1

Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.

There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!

Point #1: DEVELOP THE CHARACTER!! WRITE!!

Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.

None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!

Black people are PEOPLE! Write us as such!

If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.

I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!

My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!

POINT #2: YOU CAN'T CONTROL THE READERS!!

Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.

That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.

It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.

But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.

My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.

People were HORRIFIC about Louis.

It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.

My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.

POINT #3: WHY is something a stereotype?

While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.

For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.

But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)

I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.

POINT #4: WATCH BLACK NARRATIVES!

As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!

I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!

POINT#5: You are NOT Black!

This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!

For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?

An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!

I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.

Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.

My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.

Conclusion

We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!

And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!

#creatingblackcharacters #character design #black characters #black character design #black culture

[sparkles-rule-4eva]

Please excuse the incoming rant.

Okay so like I’ve seen a lot of people talking about how in the Knuckles Series; Sonic still calls Maddie by her name and not “Mom” like he calls Tom “Dad”, but like to me it makes sense. For one; Sonic obviously has a closer relationship with Tom, culminating in him calling him “Dad” by the end of the second movie. Going by the fact the house is still under construction during the series, it’s clear not much time has passed since the end of the second movie, so going off of that, there hasn’t been much development time for Sonic to also grow comfortable calling Maddie “Mom”. After all, if it took him the months that occurred between the 1st and 2nd move to get there with Tom, he’d really be speed running it calling Maddie “Mom” by the series.

But think I it might be even deeper than that. Longclaw was Sonic’s first adoptive mother, who he blames himself for her loss. As far as we know, he never had a father figure before, so there’s no previous baggage with the term “Dad” like “Mom” would have. Sonic may still be calling Maddie by her name as a way to protect himself from future harm, from the possibility of potentially losing another mother figure. After all, you can’t lose something if you never acknowledge you have it in the first place, right?

Yes, to everything! This is something I've thought of a lot!

Time to answer with my own rant. 🤣

Yeah, I can definitely understand why Sonic would have more trouble calling Maddie "mom," because of Longclaw (even though he called Longclaw by her name as well, but the books confirmed that he saw her as his mother). It was easier for him to latch onto Tom, and even though it took what, eight ish months of living with the Wachowskis to actually call him "dad," he did eventually. I still think Sonic will start referring to Maddie as his mother eventually, but it totally makes sense why he hasn't yet.

I think it's a similar case with Knuckles, but it's the other way around. Knuckles's mother was never mentioned, but his father was heavily involved in his childhood. Everyone got the implication that he was going to be a mama's boy after the tidbits from the end of movie 2 and the short, "Sonic Drone Home." And I still think that will one day be the case. Since he's a bit older than Sonic, and is more independent, however, I think it'll take Knuckles a long while to be able to think of anyone as his parents. I still think it'll happen at some point, starting with Maddie, but I wouldn't be surprised if it takes a while. Even longer than it took Sonic.

I like how they did that arc in the second movie. It was mostly unspoken, but I liked the sort of parallel from the boat scene's "Stop trying to be my dad," to "I've got a lot more than that, Dad." 🥰 There are many implications that this is something Tom & Maddie have been wanting for a while. It's clear they love all three kids dearly, and Maddie herself referred to Knuckles as one of her kids. Sure, she got (rightfully) ticked at him for basically destroying the living room and the car, but there was zero implication that she was going to give up.

I'm very curious to see more of Tails's and Knuckles's relationships with Tom & Maddie in the third movie. Maybe there will be an arc similar to Sonic and Tom's in the second movie? Of the two, Tails would become more comfortable with calling them by such titles sooner, and I'm hoping to see some of that soon.

I have a lot of hopes for sure. Jeff Fowler has said a lot that he has a ton of plans for the Sonic Cinematic Universe, so we could easily get more spin offs and more content. 🥰 Our little space kids will get there eventually! I'm just so glad they have parents to care for them in this universe. 💙

#thanks for the ask! #anonymous asks #asks answered #sonic the hedgehog #sth #sonic wachowski #knuckles wachowski #longclaw #wachowski family #tails wachowski #maddie wachowski #tom wachowski #knuckles series #sonic cinematic universe #scu

[birdmenmanga]

@raventhekittycat

hi okay so I've been mulling this one over for the past day or two and I think I have the answer. not to be using hamburger to explain anything to an american but you're my detco mutual so I'm going to try and explain it in detco terms

There's a post going around recently about how if you've read detco and only detco, the first time hakuba shows up you're going to be totally flummoxed, because damn this guy is clearly important, he gets to be even cooler than Shinichi, he's got a half-page shot of him (in such a panel-dense series such as Detective Conan, no less!!) and he's got a fucking hawk. he's CLEARLY important. everything about the narrative is indicating that you need to PAY ATTENTION to hakuba and that he's the coolest guy and he's important!!!! and then he dies in the case lol (not for real. but still.)!! and you're like huh??? what was that. why did aoyama do that.

But with the context of magic kaito this totally makes sense. He's a beloved character that people have been waiting decades to see again. Of course Aoyama is going to hype him up!! It's his big moment after years of being locked in the backrooms!!!

Anyways reading birdmen for me was kind of like that. The author's previous series, Kekkaishi, was pretty one-dimensional at the beginning, and even after the main plot started picking up at around volume 6, it still felt quite understandable. I knew what she was trying to get at, and the spectacular job she did with the anthropocene and climate change metaphor towards the end of that series really made me interested in the rest of her works. That and the way she writes familial relationships is absolutely DEVASTATING. (I mean this with the highest of praise)

But when I read BIRDMEN for the first time, I was probably in... middle school, maybe? And I read it, sure, but I didn't get it. I could see what was literally happening on the page but the narrative choices were absolutely baffling at times. Why skip over the entire part of the plot where they figure out who the birdman that saved them was? She blatantly doesn't care about that. What does she care about then?? I knew I didn't get it, I knew there were parts of it that were important and I couldn't figure out why and THAT'S how it dug its pretty little claws into me. Even after I finished catching up it nagged at me a little bit, not often at all, but enough that every once in a while I go, huh, right, that was a thing, let me go read it again.

For the record this type of story haunting has happened to me twice. First time was the Heart of Thomas, second time was BIRDMEN. I think the thing is that these are both stories which are not what other people say they are and I think I came into both of these stories with a misconception, trying to look too hard for things that weren't important and therefore missing the things that were.

Because sure, BIRDMEN is about mental illness. Yeah, it's about an evil scientific organization growing mutants in a lab. Yeah, it's about what it means to leave your humanity behind. That's all technically correct, on a surface level, and the fandom at large likely agrees with these takes for the most part, but in my opinion none of that really delves into what the thematic messaging of the story is about.

There are cryptic conversations about authority and human extinction and peculiar outfit and ability choices. You can tell these choices weren't made to serve the purpose of "writing exciting shonen manga" because that was what she did for the most part in Kekkaishi and you can tell she wasn't putting her whole pussy into doing that here. So what was she doing? What's like. All of this. Waves my hands at this.

The short answer is that it's really about the interplay between capitalism (represented by humanity) and communism (represented by birdmen), and explores the role institutional white supremacy (EDEN) plays in enforcing capitalism. It is ALSO about queer liberation and the importance of community, but hey, that double-stacks conveniently with the communism metaphor.

But also take this opinion of mine with a grain of salt. As far as I know I'm the only one who really truly deeply believes that it is not only AN interpretation of the work, but one that was fully intended by the author.

So basically, I like it, because I think it says something true and beautiful that I also believe in, even if I didn't have the words for it the first time I read it. But I don't really think that's what people really look for in a media recommendation.

Do I like it? Yes, I love it. Will I recommend it to others? Yeah, sure. But do I think it's deeply flawed? Yeah, absolutely. It's flawed in the same ways as The Witch from Mercury— a rushed ending, too many threads that were opened and never tied together. The pacing and characterization is perfect in the beginning, and too rushed at the end. There are prerequisites you basically HAVE to read in order to understand the story (tempest for G-Witch and the communist manifesto for birdmen). I think a truly good story wouldn't have any of these things so if people don't like it I never blame them.

It's my personal experiences that make birdmen so profound to me. If you are not queer I just don't think Eishi coming out as a birdman to his mom will hit the same, just as an example. Sorry that I wasn't the kid you wanted me to be. I know you love me and you just want the best for me and that's why you're so controlling, because you think I can be saved by conforming to societal expectations. But I can't live like that. I can't be like that. And that's why I must go. etc.

Aesthetically I do love birdmen a lot. If I had to describe it in a few words it would probably be "chilling", "beautiful", and "powerful", which nicely coincides with the type of things I personally like to draw. It's also silly to a small degree but it's so serious and I know Tanabe can be way way way funnier (read kekkaishi for this. kekkaishi and hanazakari no kimitachi he were foundational to my sense of sequential art humor) so that's not really the standout trait of this series.

I can't let it go because I'm chewing this series like a bone. And it's taking me years but I am getting that sweet sweet marrow. By god. We are on year 3 of this shit and I am GOING to understand this series. and I'm going to make 3 video essays about it

#just thinking thoughts... #stray bird thoughts #so it's like... I don't like it because birdmen is good #I think I like it because I am a certain type of person and the author was trying to say something specifically to the type of person I am #OH #I'M THE TARGETED AUDIENCE THATS WHY I LIKE IT. #YEAH THATS REALLY IT!!! #A long time ago I said that birdmen wasn't written for the people who read it at the time it serialized. #it was written for the people they would become. #and I stand by that 100% #if it really stays with you there is going to be a reason even if you can't articulate it yet #and it may APPEAR sloppy to someone who doesn't see the queer or communist metaphor #like 'what is she doing what is she saying here she's not saying anything meaningful and emphasizing the wrong things' #but that sort of presumes she is gunning to make 'the best shonen manga ever' #which she clearly isn't. #I remember when I was reading fma with a bunch of my classmates and I'd lend them a volume or two every day #and a piece of feedback I received that has stuck with me was 'volume 15 was so boring' #(that was the volume recounting the ishval civil war. it was boring because we were middle schoolers and didn't REALLY get it.) #and like. I think to people who are looking for something like kks. the whole thing is going to feel like fma volume 15 #like WHAT is she going on about? ? ? #like witch hat and dunmesh I think are similar types of stories but I think these two are just executed way better than bm #but because of that it is just not as compelling to me you know. #like yeah yeah it's well constructed. we all see it's well constructed. #the metaphor is so well constructed that I don't feel the need to point it out. everyone is saying it already you know #but bm is cryptic enough and just slightly missed that execution enough that I feel like I'm pulling the analysis out of a smoking wreckage #recently I've been watching mentourpilot videos about airplane accidents and like. that's exactly it. #there's nothing to say about a perfectly executed flight. #it's the ones that failed. and in particular the ones that just barely failed by a little bit. that compels people the most. #cue my de communism is failure post. bc that bm sure did fail.

[unproduciblesmackdown]

also to go "wow this is just like in pentiment" about absolutely anything and/or "wow this is just like iphigenia crash land falls on the neon shell that was once her heart (a rave fable)" about absolutely anything further:

the Narratives within crash land falls where like, in the end iphigenia being Given the story of both "this is going to happen anyways" and "so why don't you see it as a noble sacrifice to accept." the situation happening to Create a story that she was killed, so her father must be tragic, and sympathetic. that iphigenia does take on that Narrative of taking on the Noble Willing Sacrifice, and it kills her, but she also would have been killed anyways, as everyone also knows. that we even get a bit of pentimentesque [other characters observe & assess things] like, the fresa girls as a chorus, and one at the end like yeah She Was No Saint, i saw everything, but being cut off by The News that's like yeah looks like iphigenia was killed, that seguing into her father saying yeah she was killed, god's will was done, She's A Saint now. seguing to the emcee who introduced the play, but that superceded by achilles, and that superceded with iphigenia's extasis monologue as the end of the play. that whether iphigenia's a saint or not, she dies. that [the whole play] tells us as much, like, this isn't a What If kind of retelling where she escapes her fate, this is a retelling examining itself like, she Will die because the story's preset, so what to do with this as the story that has to take her there, what to do with this as iphigenia who has to go there

that iphigenia takes on another narrative in addition to the one offered by like, violeta as guide and oracle telling her she has to die (As A Noble Sacrifice), that again (as per iphigenia in aulis being like uh hey daughter. let's go to aulis so you can uh marry achilles (it is to be sacrificed)) achilles is this bait, but it's only in the ending that there's any Story about being with achilles, and when iphigenia goes to the mercenary soldier who she knows will kill her, she's the one telling him what to tell her about where she's going and why, i want you to tell me achilles is waiting for me....and she still dies, because This Is The Story. as also applied to the reality, iphigenia as another dead and missing girl following & preceding many; any disappeared deaths when consumed as disposable & replaceable, not given part of any narrative about it. while also iphigenia only gets a chorus of fresa girls from there being crosses put on the factory wall with their names, with one girl even remarking like hey they spelled my name right for once. but at the same time they're also like, both mere Apparitions but also like standins for people who are simply alive. real [shades]esque kind of, i suppose, but like they're not Sanctified for dying either, they'll comment on iphigenia but not with any like, divine knowledge, just as this out of place rich girl. whether iphigenia's A Saint or Not A Saint, she's still dead either way. she wants to be a fresa girl, they maybe want to be her, but everyone's doomed anyways thanks to way larger forces and the Stories that have been told and will be told again

but there's also the moment right before the final section wherein, before she's having to say what she wants within the bounds of [she has to die], there's achilles asking "you still want me" and iphigenia answering with "i want everything" and her vision for, like, getting to be alive actually, i'm on the gulf where the sea is gray, and no one wants a piece of me....the whole inciting event here where iphigenia wants to evade her fate however she can, exiting the bounds of her life, the physical bounds and the family unit and walking away from the rank of status / class / wealth, trying for [have her body for herself] and what the body wants, the sensuous indulgences of (a rave fable), let's hear some more about the roman state like "we don't like the examination and challenge and upending of class and convention in a bacchanalia, so only do the official versions we permit;" the Threat of people's desires for themselves, when that's going to be counter to those in power who'd want these people to be resources at their disposal; the burden on the disempowered to suffer [the only way out is through] with the Additional pain & loss that has to be taken on in pursuit of their autonomy, while also of course suffering for the autonomy they lack, that restricted and controlled and mitigated versions of what you might want are deigned to be provided or permitted so that you have Something, but that everyone's actual undeniable personhood will always be spilling past those bounds, the potential power of transgressive pleasure when one's wellbeing and autonomous choices are counter to the power structures that have to constantly try to suppress and preclude this. achilles just as bait, doomed to die like iphigenia is also still doomed, sex was never going to save everyone and the [recognizing connection as these two parallel people / We're The Same] with your lover here is not going to save everyone but it still makes more things possible for them both; iphigenia does know what she wants, and gets some of it because she wants it, same with achilles in turn, while it can't save anyone from their fates still. but it can mean something even if it doesn't transcend, like even a fleeting night of insignificant dancing that doesn't change anything can mean something, and we all die, but that doesn't mean it's Nothing to be killed any more than it's Nothing to have your desires or choices one way or another to be wrung out of your life before you are

anyways, the stories. the Looking and Presenting here. achilles and iphigenia first encountering each other as images put together and presented by someone else for their own purposes. the presence of what's seen through film/camera/recording versus in person; the potential power relations and even violence in framing, presenting, and the intended looking and assessing. repeated language about eyes/looks that burn, while also that connection between iphigenia and achilles, and their finding the least room in what they do have of their lives for more of their own wants and selves and something genuine and not predetermined, is also connected to eyes and looking and being seen and light and burning. while they're also connected to the protection and possibility of night and darkness, getting to exist and be Without being lit up or seen; that with the power that's still in play, it's never like, well then you should have nothing / no reason to hide; the penultimate moment in the play with achilles being one that's in person and fades into darkness, rather than coming in from the light of a projection / video onscreen as the introduction....iphigenia needing to be guided through a crossroads to even get to achilles in person; violeta giving the Advice and Story and Tradition to pray to eleggua, as iphigenia does before getting to encounter achilles for real, who also doesn't get to break out of a role or a fate in full in any way, but their tragedies are like, pointing towards [autonomy, imagine it] in both the ways they manage to find a little bit of it for themselves, in no small part for simply recognizing each other as in the same boat here, and in the ways they still don't have it and still can't get it

and anyways it's also inevitably saying like, telling a story?? this Play is a told story!! looking? assessing? interpreting? you're doing that in the course of experiencing it! and it's really so fucking true.

#reading the whole of it like okay well i'm different forever now then #tearing a wall down about it like yeah it's extremely chill thanks #iphigenia crash land falls on the neon shell that was once her heart (a rave fable) #what a Narrative can change; what it can't.... #those already with the power to do whatever they felt like in the first place just able to create whatever story of events supports that #those whose lives are restricted by that power having to struggle to find any narratives that provide some comfort maybe #whilest perhaps it's the stories that provide an accurate reflection on the pain & suffering in one's reality that are more threatening Lol #like hey i hope that that bacchanalia isn't satiriz....paused to look up ''if satire is based on satyr i'll mclose it lmfao'' #Apparently it's not Really; but the latin form was indeed influenced by the greek satyr (for the theatre of it all) on the Mistaken notion #that that Was an influence. so; anyways i hope that bacchanalia isn't satirizing norms & conventions & providing a space to transgress #wherein we can see the Constructed and Enforced nature of things like class such that it can be deconstructed & deenforced #you'd Better not be questioning these conventions by commenting on them even indirectly; playfully; or via imitation.... #that achilles can only have this genuine final closeness with iphigenia after voicing & sharing ''i'm dying soon too btw (:'' #while iphigenia able to voice what she wants from life is only happening with the context that she'll die & she won't have this #she knows she wants [and nobody wants a piece of me] b/c of knowing that they do; and they'll take it.... #their navigating their connection via also rejecting / superseding Their Image(tm). i want to kill the tabloid girl that envelops your skin #i will sink & get rid of every inch of me. that at the end of their scenes of actually interacting it's iphigenia reassuring achilles #who's like [but you wouldn't want Me] [everyone only wants a piece of me] [you'll forget me] vs i will destroy your celebrity; there will #be no one left to adore but me....unmaking oneself in the face of being defined & doomed Already; by the past.... #breaking into pieces crash land falling. if you existed once ever that exists forever. the pieces all around & as the foundation #making one's way back around to ''wow just like in pentiment'' again lol....endless things to say all around #as well as when anytime you have something to say you have about a trillion words in the effort to do so #the narrative that matters to you but doesn't save your life still giving you More life while you still have it.... #and what gives a little more life than that. and a little more than that

[artemismoorea03]

DPxDC Prompt: Who's Child Is This?

Inspired by an ICarly Clip. "Mr. Wayne, we have your son here."

Bruce blinked, then checked the number on the phone. It was from the police station. He then looked around the table which had fallen silent when Alfred had brought him the phone.

Dick, Jason, Tim, Duke, and Damian were all accounted for. Even Jon was there so they couldn't have misidentified him as his kid.

"Which one?" Bruce chose to ask.

"Tim Drake."

Bruce looked at Tim specifically as he tilted his head confused. "Are you sure?"

"Oh yeah, Mr. Wayne, we know your boys by now."

"Right... alright, I'll be there in a couple of minutes. Can I ask on why Tim has been taken into custody?"

Tim tilted his head even further while some of the others around the table started chuckling.

"He was found trespassing near the new Axion Labs at the edge of the city. The owner chose not to press charges so we're sending him home in your custody."

"I see, I'll be there soon. Thank you for the call."

"Of course, Mr. Wayne, we'll see you soon."

Bruce ended the call then looked at his kids. "Apparently, Tim has been arrested for trespassing near the Axion Labs construction site."

"And you didn't even invite me?" Dick chuckled at Tim, "We could have had so much fun together."

Tim scrunched his nose at the idea. "No way, that whole area is an OSHA violation. If I went there it wouldn't be out of costume, whoever that kid is was risking his life just walking within a block of it."

"Well, I'm going to go down there and see what 'Tim' was thinking." Bruce got out of his seat, "I'll be back soon."

"New brother?" Cass asked as Damian growled.

"We're going to assume no for now, but we may have another for dinner depending on what's going on."

"I will prepare another seat while you are gone, Master Bruce."

"Thanks, Alfred. I'll be back soon."

-

When Bruce walked into the police station he immediately noticed 'Tim' sitting in front of one of the officers desks. It was a newer officer and it was clear that neither Detective Montoya or Commissioner Gordon were in or somebody would have noticed that this kid definitely wasn't Tim.

Yes, the kid had black hair which was on the shorter side but his hair fell in front of his face more than Tim would wear it, and his eyes were unnaturally blue. He was pale in an old hoodie, blue jeans, and red shoes. The biggest difference though was that this kid looked like he was only pushing 15, not 17. Yes, he looked quite a bit like Tim but anybody who had spent more than five minutes with Tim Drake would know they weren't the same person.

"Mr. Wayne." The officer called as Bruce walked over, looking at the kid.

He was thin and pale, which a tired look on his face. He also shrunk away from Bruce when he walked over.

Bruce knew what a kid in trouble looked like. So he smiled down at the kid. "You know, Tim, when I said you could go to the lab to do your science homework I didn't expect you to go all the way to Axion Labs."

The kid looked at him, surprised then seemed to quickly catch on. "What can I say, I had to see what terrible science looked like. Sorry for making you come down here."

"It's fine, but are you okay?"

"Y-yeah, totally." He said, his hand subconsciously moving to his ribs as though he was hurt.

"Alright then you are grounded."

"What?!" 'Tim' squeaked, "Come on-"

"Nope. You are ground... for... 'til... college."

"FOR 'TIL COLLEGE?!"

"For 'til college!"

The officer cleared his throat then held out a clipboard. "If you sign the red x's you can take your son and leave, Mr. Wayne."

Bruce took the papers, quickly looking over it and signing it. It was strange to see that all of the handwriting on the paperwork was adult writing. Had they even asked this kid his name? Once everything was signed he passed it back over to the officer who nodded.

"Looks good. Thanks Mr. Wayne and you stay out of trouble. The whole city knows your face. You're just lucky Mr. Masters didn't want to press charges."

"Yeah, so lucky." The kid rolled his eyes, then stood up and looked up at Bruce. "Can we go now?"

"Sure thing, chum. Come on." Bruce said, leading the kid out of the station and to the car. The kid seemed hesitant as he looked around, his eyes narrowing when they landed on a gentlemen with silver hair in a ponytail, only when the man smiled at 'Tim' did the kid speak up again.

"Come on, Dad, let's get out of here before the stalkers find us." He said, climbing in the front seat and closing the door, much to the annoyance of the silver haired man.

Bruce climbed in the front seat, buckling in and driving away from the station. "So... 'not Tim' what's your name?"

"Danny. Just Danny... sorry about all of that Mr. Wayne. That guy took one look at me and started calling me 'Tim' and when I tried to explain that I wasn't 'Tim' hey called me a liar. But if I gave them my real name then... somebody else was going to come collect me and I didn't want that. So... I let them call me Tim. I'm sorry, I hope it didn't put you out..."

"Not at all. But... are you okay? Why were you at Axion Labs?"

Danny seemed hesitant, "I... it sounds crazy."

"It's Gotham, kid. Crazy things happen all the time..."

"Right... well um... I-I was kidnapped from my home and taken to Axion Labs. I-I escaped and when I was trying to leave the grounds the police saw me and thought I was trespassing. Since the cops were I decided to play along with it..."

Bruce frowned, "Kidnapped? Is... is there somebody I can call?"

Danny shook his head. "I have an older sister who is probably going crazy looking for me but other than her and a couple of friends there wouldn't be anybody. My parents... they were kind of involved. They... they found out something about me and tried to hurt me, I ran to somebody I knew I couldn't trust because I thought maybe he would get his head out of his ass but I was just being an idiot." Danny hugged himself. "You can drop me off anywhere though, you don't have to bother yourself with me or my shit."

Bruce pulled to a stoplight and reached over to the kid who flinched, Bruce waited until he relaxed before Bruce patted his head. "I'm not going to just leave you on the street. Besides, it's late and by now my butler has already dished you some dinner. So at least for tonight you're welcome to stay with me and my kids. We'll get some food in your belly, make sure you're not wounded, let you call your sister, and find a way to get you home. Sound good?" He asked, moving his hand away.

Danny looked at Bruce, seeming a bit untrusting for a moment before he glanced at something near Bruce and relaxed. There was nothing with Bruce, he wasn't carrying anything, but whatever Danny was seeing was enough to put his mind at ease. "Okay... but if anybody tries anything be warned, I bite."

Bruce chuckled, "So do most of the others. You'll fit right in."

'But just what the hell is going on with this kid? Does it have anything to do with that man outside the police station? I've got to get to the bottom of this before this kid leaves, especially if he's still a target.'

#dp x dc prompt #my prompts #maddie and jack didn't take the news well #Vlad got controlling when Danny showed up #Danny just needs a nap #he's just a lil guy #he's never done nothing wrong his entire life

[snaileer]

We Didn’t Start The Fire

“See man, the moon!” Kid Flash said as they came outside, standing on the pile of rubble.

“And Superman! Do we fulfill our promises or what…” his voice trails off as a grinding clanking sound echoes behind them.

They turned around, confused to see a tricked out pale yellow Volkswagen bug trucking its way up the rubble and crumbled building blocks. It stopped before it got too steep, a man in a familiar white lab coat stumbling out.

Immediately, they were on guard, the man haphazardly climbing towards them.

Robin drew two batarangs in each hand, standing in front of Superboy as he got closer. It didn’t even matter that the Justice League had just landed behind them, if this CADMUS scientist tried something, Robin would be the first to defend Superboy. Without hesitance.

The man stopped in front of them, huffing for breath.

“You’re-!” He stopped, leaning over his knees with gasping breaths, “Sorry, one sec!” He held up a finger, gasping for another few seconds before stepping forward-

Chains of water surrounded him before they could blink, Robin looking back surprised to see Aqualad standing with extended weapons and a grim face.

“This is odd.” The man looked at the water wrapped around him, wriggling a bit before shrugging. His eyes zeroed in on Superboy, “You’re okay!” He said with a blinding grin.

Superboy recoiled and Robin immediately stepped between them.

“What.”

The man glanced at him briefly before looking back over Robin’s head, “You are okay right? I mean I tried my best but I couldn’t figure out a way to get you out- I mean if I’d known you were there to begin with I’d would have never-but then I wouldn’t have-

“Who are you?” Superman asks, suddenly close from behind them.

The man’s mouth clicks shut, looking between them all before a grimacing smile rises to his face.

He extends his hand at the elbow between the liquid chains, “Dr. Danny Fenton, ex-biochemical engineer of CADMUS labs Mr.Superman,sir.”

Flash zips forward, the eyes of his cowl narrowed, “Ex?”

The grimace turns into a wince. “Oh.. heh, yeah, I’ve found that arson is usually a pretty good kickstart of sudden unemployment,” there’s a thoughtful pause as he looks over the rubble, “It’s usually accidental though.”

Nobody responds.

“What? You didn’t think that lab fire started on its own did you? How else was I supposed to get you here?”

“There’s a Justice League public phone! That’s literally its entire purpose!” Kid Flash shouts, throwing his hands in the air. At this point, Aqualad cautiously lowers his water bearers, releasing Fenton.

“Oh, sure, I call a bunch of superheroes and tell them my boss is doing a Grow-Your-Own-Superman in the boiler room. That’d go over well.” He pauses, “Though the sidekicks was a surprise.”

The comment goes uncorrected, as the rest of the league has snapped to face Superboy the moment he says it.

Superman looks stricken as Superboy reveals the logo on his torn shirt.

Fenton unceremoniously breaks the tension, “Sorry I never asked, do you have a name? I’d feel really bad just calling you-“

“… They called me.. Superboy..” He says, still not looking away from the man of steel in front of him.

“That’s not-“ Fenton rubs his temples and sighs harshly, “Okay, I can fix that later, whatever-“

“You’re not gonna be ‘fixing’ anything, Doctor.” Robin snarls.

Fenton blinks. “Huh?”

Batman steps forward, “Green Lantern.”

Green construct cuffs snap around the Dr.Fenton’s wrists, though he looks at them puzzled.

“Superman, check for survivors in the damage, Flash find some salvageable evidence before it finishes burning. The rest of us, we’ll continue this interrogation at the hall.”

“Wait what?” Dr. Fenton says, perking up like a meerkat even as Batman turns away with swirl of his cape.

“What about me?” Superboy asks, desperation in his hesitant step forward.

Batman looks to Superman. Superman nods, and then shoots off into the rubble and emergency vehicles.

“For now, you come with us.” Batman says, and Superboy’s shoulders loosen just a hint.

The dark knight pauses again before turning completely, “And don’t think we’ve forgotten the rest of you,” he says, cowled eyes narrowed over his shoulder, “Robin.”

Robin shirks back, “Heh.. Right.”

“Wait what’s going on?” The Fenton scientist yelled back over his shoulder as Green Lantern pulls him away.

He starts to say something but the construct fully engulfs him now, shifting from a platform to a soundproof bubble.

It seems to shock him enough, Fenton tapping at the walls and looking like he wants to take it apart and take a sample.

Robin grit his teeth.

He was not gonna let these CADMUS freaks touch Superboy again.

Not Fenton or anybody else.

#batman #danny phantom #batfam #danny fenton #dc #danny phantom crossover #batman and robin #young justice #bruce wayne #tim drake #Superboy #dp x dc #dpxdc #young justice danny phantom crossover #dp #dp crossover #Cadmus

[juniperskye]

Why are you in my head?

Sneak Peek: Eddie and you are soulmates. The legend of soulmates is that you start to hear one another’s thoughts around age 16 – not all the time, but when you’re feeling a strong emotion. It simply flows out of you and into the other, the legend also states that the closer you are, the more you can hear them. **The events of season 4 did NOT happen** I did also use some of the dialogue

Bold are Eddie’s thoughts; Italics are reader’s thoughts. (mind you, they are essentially hearing both sets of thoughts)

Eddie Munson x Fem Sunshine! Reader (Soulmate AU)

Fluff - Part 2 Part 3 Part 4

Word count: 1364

REQUESTS ARE OPEN - not edited - please be kind. Feedback is welcome if it's constructive!

Warnings: My blog is 18+, minors DNI, explicit language, let me know if I missed any!

That being said I do not own the characters portrayed in this story.

You had known all about soulmates, your mom had told you bedtime stories about soulmates and how she and your dad met throughout your entire childhood. They had been hearing one another’s thoughts for quite a while before your dad saved your mom from being run over by a biker as she stepped off the curb. She’d tell you how when their eyes met she could hear him thinking about how beautiful her eyes were and he heard her thinking about how handsome he was. You have hoped and dreamed of meeting your soulmate since you were four years old.

You had a soulmate, that much you knew. You had been hearing his thoughts for the last few years, they were few and far between which frustrated you. Your mom had explained it just meant he wasn’t close by, which sucked. You were hoping that the distance would decrease, given your family’s plans to move.

Hawkins, Indiana wasn’t exactly a town that people were flocking to…but here you were. Your mom had been offered a job at their hospital there as the supervising nurse and your parents had decided it was too good an offer to pass up. Your dad had contacted the local police department to see if they had any openings, to which they asked for a letter of recommendation and pretty much offered him the job.

Things were working out well for your parents. You hadn’t really been sure about the move. Your soulmate’s thoughts had been pretty quiet the last few days but, a part of you knew it was because your anxiety of this move was clearly drowning out his thoughts.

The car finally came to a stop, and you glance up for the first time since you’d gotten in the car that morning, too focused on the music playing from your Walkman and rereading The Hobbit, again. You looked up to see a modest home in a cookie cutter neighborhood, you were grateful for your parents and their ability to provide you with the things you need, but some days you wished your family wasn’t so…average.

“Sweetie, why don’t you head in and pick your room?” Your mom suggested.

“Really? I get to choose?” You asked.

“You have your pick, other than the master bedroom. You and I will organize the remaining rooms.” Your mom explained.

Damnit, if I could just get the chords right.

You quickly jogged up to the door, letting yourself in. You made your way upstairs first, checking out the two small bedrooms up there that were situated opposite the master bedroom, separated by a full bathroom. While both rooms were nice, they didn’t give you nearly enough room to “express your creative freedom” as your mom had encouraged. On the main level there was a kitchen, dining room, sitting room, powder room, and living room. There had been a door leading under the stairs, you were pleased to see it led down into a fully finished basement that had a full bathroom.

“MOMMMMM! I chose my room!” You called as you ran up the stairs.

There we go.

*Eddie’s POV*

Hell yeah! This is fucking perfect!

The thoughts had rung out like an alarm in his head. Her thoughts had never been this loud and clear. What had changed?

She better let me make the basement my room!

Had she finally moved? He had been hearing all her nervous thoughts about packing up and moving across the country. She must be closer now if her thoughts were coming in like this now.

YES! YES! YES! Now…how to decorate?

He smiled to himself. She seems sweet based off what he knows. He had asked Wayne about soulmates when he was growing up. He’d asked questions like “why can’t I just think of my address, so she could find me?” and Wayne had explained that it didn’t work like that. Thoughts were passed back and forth at moments it was needed – in times of excitement, or when we needed comfort, or to vent. There was some sort of neurological algorithm as to what thoughts were sent when.

*End Eddie’s POV*

You had started unpacking pretty much the second your parents agreed to let you make the basement your room. Your dad had even agreed to take you to the hardware store to pick up paint this weekend.

“You’ll start at the high school on Monday. The principal confirmed that he received your transcripts and all your credit hours transferred, so you’re right on track.” Your dad explained.

“Oh, awesome! Did he happen to send my schedule or anything so I could familiarize myself with it beforehand?” You asked.

Oh fuck…fuck, fuck, fuck! I am so late. O’Donnell is gonna kill me!

Your hand flew to your head, the volume of his thoughts brought forth a pounding in your head. They had never been this loud before.

“Bug? You okay?” Your dad looked concerned.

“Yeah, I’m okay! Just a headache. Too many thoughts in there I guess.” You chuckled lowly.

“Honey, was it his thought?” Your mom questioned.

You hadn’t told your parents much about your soulmate, only that you had been able to hear him and that he was, in fact, a him.  They had also been aware that you hadn’t been able to hear him lately – that was when your mom explained that your thought can sometimes drown out theirs.

“Yeah, it was and uh, I don’t know, I guess it was kinda loud.” You shrugged.

“How loud?” Your mom asked.

“I don’t know, loud enough to give me a headache. It was like he was in the room with me.” You looked at your parents, a knowing grin making its way onto each of their faces. “What?”

“Nothing bug. Let’s go see if your principle sent that schedule over.” Your dad wrapped his arm around your shoulders and pulled you into his side.

Monday morning had come way too soon, though you’d had an incredibly productive weekend. Your room was painted and decorated, you’d finished rereading The Hobbit and had begun rereading Pet Cemetery, you’d also memorized your class schedule.

Your dad dropped you off at school, he also told you he was planning to go and check out a car for you after his shift – that had left you pretty excited.

Finally! My own car!

The day was dragging on pretty slowly…truthfully you were ready for lunch.

Then Vecna will make a surprise return.

What the hell?

This campaign is going to be epic!

His thoughts had come and gone like this since you’d arrived in Hawkins. Just back and forth with random tidbits that left you more confused than anything.

The bell ringing had been your saving grace. It was finally time for lunch, and now you were feeling anxious again…where were you meant to sit?

You looked around and before you could take a step, a voice stopped you dead in your tracks.

Here we fucking go.

“We're the freaks because we like to play a fantasy game. But as long as you're into band or science ...or parties or a game where you toss balls into laundry baskets...”

God he’s hot.

“It's forced conforming. That's what's...killing the kids!”

Assholes.

Kids were either laughing at his outburst or calling him horrible names, but you just stood there. Could this really be him? This super-hot guy who just caused an entire scene in the cafeteria.

“Me, I am army-crawling my way toward a D in Ms. O'Donnell's. If I don't blow her final, I'm gonna walk that stage next month, I'm gonna look Principal Higgins dead in the eye, I'm gonna flip him the bird, I'm gonna snatch that diploma. I'm gonna run like hell outta here…This year is different. This year is my year.”

He took a step back and bumped right into you, but before you could fall to the ground, he grabbed your arm and pulled you up and against his chest.

Holy shit.

Holy shit.

You both let out a quiet chuckle.

All at once, colors were brighter, smells were sweeter, touches were softer. Everything came together in that moment; you couldn’t believe it. Here he was.

#eddie munson #stranger things #eddie munson stranger things #corroded coffin #eddie munson x reader #eddie munson x you #eddie munson x y/n #eddie munson fic #eddie munson fanfic #stranger things 4 #eddie munson angst #eddie munson au #eddie munson x fem!reader #eddie munson x female character #eddie munson imagine #eddie munson angst blurb #sstranger things blurb #stranger things imagine #stranger things x you #stranger things fanfiction #stranger things fic #mechanic!eddie #mechanic!eddie x reader #mechanic!eddie x y/n #dad!eddie munson #dad!eddie munson x mom!reader #eddie munson x female reader #eddie munson fluff

[waskurttrans]

Kurt Cobain Will Have His Revenge on the Straights

Had a video call with my brother Chuck the other day.  Things got heavy:

KATE: Was Kurt Cobain a trans woman?

CHUCK: What?

Kurt Cobain.  Rock musician.  He was in a band called Nirvana.

I’m familiar with him, yes.

Was he a trans woman?

Um.  No?

OK.  Why not?

I mean, he wasn’t.  It’s like asking why he wasn’t an astronaut.

He wasn’t an astronaut because he never went to space.  Why wasn’t he a trans woman?

Because he didn’t transition.  I mean, he didn’t ever say he was a woman, didn’t ever say he was trans.  So no.  Kurt Cobain wasn’t a trans woman.

So someone is trans if they say they’re trans.  Self-determination.

That’s what you’ve told me.  Is that wrong?

No, that’s right.  We know ourselves better than anybody else can know us.  If we say we’re trans, nobody can say we aren’t.

And Kurt Cobain never said he was trans.

So was I trans in 1994?

I don’t know, were you?

Yes, but if you’d asked me in 1994, I would have told you “no”.

So if I tell you I’m trans, I’m trans…

Right.

But if I tell you I’m cis, I might still be trans?

If you tell me you’re cis, I believe you.

That’s not the same thing as “I’m cis”.

That’s a really good point.  This is sort of what some queer people are getting at when they say “gender is a construct”.

Come again?

Well, you’re cisgender, right?

As far as I know, yes.

Aha.

Hmmm?

You hedged.  “As far as I know” isn’t the same thing as “yes”.  “As far as I know” opens up the possibility that you could be trans and not know it.

It doesn’t seem terribly likely.

That’s an interesting statement.  Early on in transition one of the biggest problems I had was dealing with the sheer unlikelihood of my being trans.  I mean, I knew trans people existed.  I knew somebody had to be trans.  I just couldn’t wrap my head around the idea that it would be me.

Do you think this is why you’re on this whole “Kurt Cobain was a trans woman” kick?

Hey now, I’m just asking questions.  You know.  Like J.K. Rowling is “just asking questions”.

Kate, you are literally wearing a T-shirt that says “KURT COBAIN WAS A TRANS WOMAN” on it right now.

Am I?  Oh, shit.  I thought I was wearing my “Skip school, take hormones, kill God” T-shirt.  To your question, though - yeah, I do think that’s part of it.  Honestly, the hardest thing about growing up trans was believing that nobody in the world had ever experienced what I was experiencing.  I didn’t have any role models.  I didn’t wonder if I was the only one.  I was convinced of it.

So being able to say that this incredibly gifted songwriter, the voice of a generation, was a trans woman like you…

I need someone like that.  I need to not be the first of my kind.

Of course you’re not the first trans woman.

No, but before a couple of years ago almost every trans woman would tell you they always knew, unquestionably and innately, that they were women.

So it’s not just about him being trans, but specifically his being a trans woman who didn’t know he was a trans woman.

An egg.  Right.

Why Kurt Cobain, anyway?  What’s so special about him that you’re trying to induct him into the Egg Hall of Fame?

He knew things.  Things cis guys don’t know.  Things I didn’t know until after I started transition.  He understood women, what we’re like, what we experience.  “Pennyroyal Tea”.  “Rape Me”.  I just have a hard time thinking of a cis man who could write songs like that.

It wouldn’t be the only way in which he was exceptional.

True.  Ahhh.  I don’t know.  I mean, I know, I can give you all the reasons, but there’s something in his eyes.

Something in his eyes.

All the pictures of him.  No matter what he’s doing.  If he’s grinning, or sad, whatever he’s doing, you can see something trapped there.  Trapped and in pain, wanting to get out but not quite knowing how.

Huh.  You, uh, know that what you’re doing is pretty much the textbook definition of projection, right?

Maybe.  Chuck, do you think I’m happier?

Since you transitioned?

Yeah.

Of course.  Absolutely.  Night and day.

Everyone says that, and honestly, I see it.  Even in pictures, you know?  I see it.  You’ve seen some of my transition timelines, right?

You do look really different.

It’s not just me.  Every single person who transitions looks like that.  We look so much happier, so much more alive, so much more us.  I don’t understand how anybody can hate us.

I don’t get it either, Kate.

And when I look at any timelines, I look at the before photos… and I see something in their eyes.  Transmasc, transfem, doesn’t matter.  There’s something trapped wanting to get out.  Every picture I’ve ever seen of Kurt Cobain looks like the “before” picture on a transition timeline.  It’s just that with him, there aren’t any after pictures.

And it’s not just the eyes, either.  The way he dressed, the whole “grunge look”.  It’s just literally egg fashion.  We dress with total disregard for our appearance or how we look because no matter what we do it’s wrong.

“Egg fashion”, egg this, egg that… isn’t it a little bit anachronistic, judging him by 2022 standards, 2022 values?

Is it?  Chuck, I was alive in 1994.  I was an 18 year old egg.  I know what that feels like.  I know what that looks like.  I lived that.  Why didn’t I come out as trans in 1994?  Because I didn’t have the opportunity.  Because self-determination needs to be informed, and none of us were.  None of us.  Look.  You know what he said to Melody Maker in 1991?  “I knew I was different. I thought that I might be gay or something because I couldn't identify with any of the guys at all.”  That’s what he said.

Holy shit.  Really?

Really.  September 14, 1991.

Hold on, let me look that up.  Oh, yeah, I see it.  Look, if you look at the full quote he’s just saying he’s not a jock.  Like he didn’t fit in with the jocks. 

Well, what about the dresses?

What dresses?

Kurt Cobain wore a lot of dresses.  Like, a lot, both onstage and off.  On MTV in 1991, he said “It’s ‘Headbanger’s Ball’ so I thought I’d wear a gown.”  He said in a 1993 interview, “I personally like to wear dresses.  I wear them around the house sometimes.”  This is not some shameful secret he kept hidden from the world.  He was open about this.  He was proud about this.

Yeah, but… it’s just clothes.

Except it’s not just clothes.  Listen to his songs.  Listen to his lyrics.  “Should have been a son”.  “I’m a lady, can you save me?”  “Everyone is gay.”  The original lyrics to “All Apologies” from his journals – “Boys write songs for girls.  Let me grow some breasts.”

I mean they’re song lyrics.  There are all kinds of ways to interpret song lyrics.

Sure.  All kinds of ways.  You ever read Michael Azerrad’s biography of Cobain, Come As You Are?

Nope.

Azerrad spent weeks talking to Cobain.  He was Cobain’s biographer, but also his friend.  And he has his own interpretation of the lyrics.  For instance, Azerrad talks about all the lyrics about guns, and to me, now, I look at that, and I think of how he died, but Azerrad, when Kurt was alive, he looked at it another way.  He thought it’s about dicks.  “To paraphrase Dr. Freud,” he says, “sometimes a gun is just a gun.  But not this time.”  He talks about “Come As You Are”, where Kurt keeps singing “I swear I don’t have a gun.”  That’s not my interpretation.  That’s never been my interpretation.  That’s what this cis man says.  More than one cis man.  Kurt says Dave Grohl’s dad, he said the same thing.  Yeah.  There are all kinds of ways to interpret lyrics.

“By this time,” Azerrad wrote, “one begins to wonder how Kurt rationalizes being a man at all.  His first response is revealing.  ‘I don’t know,’ he says.  ‘Castration.’”  I don’t wonder how Kurt rationalizes being a man.  I rationalized “being a man” in all kinds of ways.  What strikes me is that he needed to rationalize being a man.  Had to come up with some kind of excuse.  It just strikes me kind of funny.

Kurt’s songs have meanings.   The lyrics to “In Bloom”, Kurt was pretty explicit about that.  The lyrics he wrote have meanings.  “Heart-Shaped Box”.  You know what that refers to?  When Courtney Love was flirting with Kurt, Michael Azerrad says in Come As You Are, “She gave Dave (Grohl) a package to give to Kurt – little sea shells and miniature teacups and a tiny doll, all packed into a small heart-shaped box.”  A tiny doll locked away inside a box shaped like a heart.  That was what I felt like before I came out.  A tiny phantom doll.  Kurt and Courtney first kissed after a show at the Cabaret Metro in Chicago.  Rumor was that they fucked against the bar, but they denied it.  What actually happened, Azerrad says, is that “Courtney had a bag of lingerie with her for some reason and Kurt ended up modeling the contents.”  And then they went to Kurt’s hotel room and they fucked.

You’re making it sound…

Maybe it was.  Because you look at that and you think that if it was like that, it was perverted and wrong, because that’s what you were told, that it’s a sick fetish thing, and I look at it and it isn’t.  To me, that’s normal.  That Kurt Cobain was sexually aroused while wearing Courtney Love’s lingerie, that’s normal.

Kate, he was a punk!  He hated jocks, and wearing a dress pissed off jocks, so he wore dresses.  He talked about wanting to wear a dress and piss on a redneck A&R man’s desk!  You think that was some kind of sex thing?

Sexuality is part of being a woman.  Part.  Rage – and Kurt Cobain had a lot of rage inside him – that’s another part.  Am I interpreting, am I looking at things from my perspective as a trans woman?  Yes, certainly, just like you’re interpreting, looking at it from your perspective as a cis man.  When cis people interpret things, their conclusion is never “they were trans”.  Never.

Ed Wood wasn’t a trans woman.  He was just a transvestite.  He was a man.

Pete Burns from Dead or Alive wasn’t a trans woman.  Sure, he got all sorts of feminizing surgeries, but he never said he was a woman.  Man.

Prince Nelson adopted a female persona, feminized his voice, and recorded a song about wanting to be a woman's girlfriend, but he was also a Christian and believed that being queer was wicked and sinful, and that's the identity of his we need to respect.  Man.

Richard Wright, who wrote the Phish song “Halley’s Comet”, spent most of the 1980s telling everyone he knew he was a transsexual lesbian named Nancy, but after being consistently treated like shit changed his mind about that, so none of that counts for anything.  Man.

Dave Carter was on HRT when he died, but he was just questioning.  He didn’t tell anybody for sure that he was a woman.  Man.

Quentin Crisp said just before he died that if he was younger, he absolutely would have transitioned, but wanting to transition isn’t the same as actually transitioning.  Man.

All men.  Always, always men, whatever they do, whatever they say.  I know how that works.  I was told all these same things about myself for decades, all these same reasons, and now, I don’t know, I guess people will make a personal exception for me, but for everybody else, the same old assumptions, the same old arguments, they still apply.  They’re still legitimate.

I thought we were talking about Kurt Cobain.

And the only way to do that is to talk about him in isolation.  There’s no larger context to consider, no bigger picture.  I can’t really know.  I can’t really judge.

I mean, everybody else does.  I guess I can’t tell you not to.  But all of this circumstantial evidence, all of the dresses and the lyrics that you I guess know the real meaning of – none of that makes him a girl.

Sure.  And nothing can make him a girl.  Because he’s dead.  Because he killed himself.

Oh, here we go.  After thirty years and countless speculation, you have at last uncovered the real reason Kurt Cobain killed himself – gender dysphoria.  Do you have a book deal yet?

Working on it.  And yes, people say a lot of stupid things about Cobain’s death, like it’s this big shock that this guy who hated himself and wanted to die killed himself.

Right.  He was pretty well-known for being a heroin addict, which isn’t exactly something that improves one’s quality of life.

Sure, but why did he start heroin?

I don’t know.  Why does anybody start heroin?

To help him cope with his eating disorder.

Wait, what?  Eating disorder?

You don’t know about that?  He had stomach problems, for a long, long time.  He could only eat certain kinds of food, certain kinds of food that wouldn’t make his stomach hurt.  Doctors looked but they could never find any organic cause for it.  Nobody took it seriously.  So he self-medicated with heroin.  “It was my choice,” he told Azerrad.  “I don’t regret it at all because it was such a relief from not having stomach pain every day.”  I know, though.  Lots of cis guys have eating disorders.  Doesn’t mean anything.

Kate there’s a lot of interpreting going on here.

Yeah, I guess there is.  Is that necessarily a bad thing, though?  Is that necessarily wrong?  Like.  You’ve seen The Matrix, right?

Only the first one.

Yeah, that’s fine.  So you know how important The Matrix is to a lot of trans women, right?

Yes, but I’m not really sure why.  Just seems like a retelling of Plato’s “Allegory of the Cave” with extra fight scenes.

It’s pretty trans, though, right?

Clearly.  It was directed by two trans women.

And trans women who watch it – eggs or otherwise – find their own lives and experiences reflected in it in ways that cis people, like you, don’t.

I guess, but the fact that it was actually made by two trans women carries a little more weight with me.

OK, but what if the Wachowskis had died in 2000?  In, like… a car crash or something?  Does that mean The Matrix isn’t a trans film?

Well, no, because it’s still a film made by two trans women.

A film made by two trans women that speaks to the trans experience, and that is recognized by living trans women as speaking specifically to the trans experience.  The only difference is that, in this scenario, nobody knows the Wachowski Sisters are trans women.  And we can’t prove it.  We can’t possibly prove it, and nobody is going to just believe us when we say it’s a trans movie, that the Wachowskis were trans women, because they didn’t say it, they didn’t say the special magic words.  Self-determination.  You know what self-determination meant to Kurt Cobain?  I remember seeing Courtney Love on television reading his note, I remember her interrupting to say that he was an asshole, that what he was saying was bullshit.  She didn’t respect his self-determination.

Um…

“Pennyroyal Tea”.  Cobain told Azerrad “It's a cleansing theme where I’m trying to get all my bad evil spirits out of me and drinking Pennyroyal tea would cleanse that away.”  Pennyroyal is an abortifacient – but, Azerrad notes, only in lethal doses. 

Hell, not just that song.  The whole album.  In Utero.  The collage on the back cover, the one Cobain described to Azerrad as “Sex and woman and In Utero and vaginas and birth and death".  The occult symbols surrounding it, taken from Barbara G. Walker’s The Woman's Dictionary of Symbols and Sacred Objects1.  There was something inside Kurt Cobain, something inside him waiting to be born, but he was told, over and over, that it was a monster, so he killed it, the only way he could.  By killing himself.

That could have been me.  That could so easily have been me.  I was told all the same things he was.  We all were.  When I was 27?  When I was 27, I was addicted to benzos, benzos they prescribed me because I was trying to bury, trying to kill this thing, this thing I had inside of me.  I was a zombie.  Walking dead.  When I quit, I quit cold turkey.  Nobody told me about the withdrawal syndrome.  Nobody told me it could have killed me.  And if it had, everybody would remember me, everybody would think of me, as a cis man.  Forever.  They would perpetuate the Lie.  That’s why I transitioned, why I chose to go through all the shit I went through.  The writer and musician Margaret Killjoy, in 2017 she talked about what she went through the day before she came out:

“All I could think was: ‘Oh god, I don’t want to die a boy.’”2

I felt the same way, came out for the same reason.  I figured no matter what I did, I was dead.  I didn’t do it live, but to at least have an honest death.  I genuinely believed transition would kill me.

It didn’t, though!  You’re alive and you’re beautiful and I’m so, so glad for that.  It didn’t kill you.

It could have.  Still could.  Transition has helped, has made it easier­ for me, but it’s not that way with everyone.  People have been kind to me, in ways that they aren’t kind to other trans women.  Others of us… aren’t so lucky.

Who are we respecting, exactly, by remaining silent about our shared experiences, our shared perspectives, things we see that you fucking don’t, that you can’t see?  Of course I can’t prove it.  I can’t prove that I’m trans.  You can’t prove that you’re cis.  Cis people, though, cis people never have to prove anything.  Their prejudices are the null hypothesis3.  If I was to go out there and say that Kurt Cobain was a cisgender man, would anybody say I was wrong?  Would anybody object or complain?  Even though my saying that is an anachronism, is meaningless.  The word, the concept, it literally didn’t exist when Cobain died.  Have you ever heard the word “agnotology”?

No?

It means making a false claim to ignorance.  Claiming that we don’t know something that we do.  That we can’t know something that we can.  We know things now, Chuck.  We know what the symptoms of gender dysphoria are.  We know what it does to people.  How eggs think.  How eggs act.  How eggs die.  But we pretend we don’t.  We still pretend.  We pretend suicide is an individual act, even when we know it’s not, that the reasons for it are wholly personal.  We pretend that when someone dies by suicide, their reasons for doing so die with them.  And they don’t, Chuck.  We’re still dying, still dying for the same reasons Kurt Cobain did.  It’s not just that we aren’t allowed to recognize ourselves.  We aren’t allowed to recognize each other.  Individual choice or social contagion.  Those are the options we’re given.  And neither of them are right.  Neither of them are who we are.

Kurt Cobain wrote, thought, talked, died like eggs do.  I don’t care if he never said the magic fucking words.  We know our own.  We recognize each other.  And if someone is alive?  If someone is alive I will go my whole life without ever breathing a word.  Because as long as we’re alive, we do choose, and that means we can choose ignorance.  What I think, what I want, for someone else, for us, it doesn’t matter.  I do that, I follow that code, for the benefit of one person – the egg themselves.  Once they die, all bets are off.  Omerta no longer applies.  Kayfabe no longer applies.

To be queer is to be erased, to experience erasure.  I still hear straight men arguing, as if they have any right to argue, as if they know, that Emily Dickinson was not a lesbian.  Emily Dickinson!  I’m supposed to listen to people who say this shit?  I’m supposed to take them seriously when they say well, actually, calling Dickinson a “lesbian” is historically anachronistic, we can’t apply the standards of the present to the past, and Jesus fuck have you read her letters?  She liked girls.  She really liked girls.  Kurt Cobain was a trans woman.  Kurt Cobain was every bit as much a trans woman as Emily Dickinson was a lesbian.  Refusing to say it isn’t “respect”.  It’s perpetuating the crime perpetrated against Cobain, against every other trans woman who ever killed herself because of the lies we were told about ourselves.  No more.  Kurt Cobain was a trans woman.  I can’t, as an individual, say that.  I don’t have the right.  No trans woman can say that, individually.  But collectively?  All of us together?  The things we see in each other, we see those things in him too.  Not all of them, and not all of us.  Absolutely not all of us.  But enough of us.  Enough that we have the right.  We have the right, and I will fucking say it, and if you don’t like that, you can go fuck yourself.

Kate, are you ok?

I’m fine.

Do you want a hug?

Fuck you, Chuck.

OK, well.  I’m, uh.  Gonna go to the other room.  You should, uh.  Drink some water.  Stay hydrated.  Love you, Kate.

Love you too, Chuck.  Sorry.

Shhh.  It’s OK, Kate.  It’s OK.

1 Diane Purkiss criticizes the occult nature of Walker’s encyclopedia in "Women's Rewriting of Myth", in Carolyne Larrington (ed), The Feminist Companion to Mythology, London, 1992, p. 444: “In Donna Haraway's influential terms, these women may wish to be goddesses, but they are cyborgs all the same”. The work she’s referencing is Haraway’s “A Cyborg Manifesto”.  Haraway was, it happens, an academic advisor to the trans woman Sandy Stone, and her “Cyborg Manifesto” was a pivotal influence on Stone’s “The Empire Strikes Back: A Post-Transsexual Manifesto”, one of the foundational works of transgender theory.

2 Margaret Killjoy, https://birdsbeforethestorm.net/2017/06/im-not-even-going-to-try-to-pass/

3 Natalie Reed, https://freethoughtblogs.com/nataliereed/2012/04/17/the-null-hypothecis/

[thestuffedalligator]

So there’s this bit at the end of Thud! where they’re in the king’s cave, and Bashfullson explains the nature of the Summoning Dark, and Angua says she believes him, and Sam is presented with proof of the dark and he starts. Rationalizing.

…his mind worked fast, flying in emergency supplies of common sense, as human minds do, to construct a huge anchor in sanity and prove that what had happened hadn’t really happened and, if it had happened, hadn’t happened much.

It was all mystic, that’s what it was. Oh, it might all be true, but how could you ever tell? You had to stick to the things you can see. And you had to keep reminding yourself of that, too.

Yeah, that was it. What had really happened, eh? A few signs? Well, anything can look like you want it to if you’re wound up enough, yes? A sheep can look like a cow, right? Ha!

And I laughed when I first read this because it’s very Sam Vimes, but now that I’m thinking about it. I think this is the only time we ever see a Discworld protagonist do this.

Other characters get to see the squiddy, weird underbelly of the universe, the invisible magic and the world of the supernatural and acknowledge it. Moist hears the whispers of the words, Tiffany can see the Nac Mac Feegle and so on but Sam never does. Carrot and Nobby and Fred have all seen Death enough to greet him in public, but in I think? Fifth Elephant? Sam says he’s never seen Death before, and in that case only saw him because he was fighting for his life.

It’s like the opposite of First Sight. Sam has Second Sight so hard that he can look into First Sight, close the door, and block the way with huge bricks of rationalization. The only character who comes close to that is Susan, who tries to ignore the supernatural but knows she never can.

#discworld #gnu terry pratchett #thud! #i’ve been relistening to the audiobook and this stuck out to me for some reason

[corroded-hellfire]

Okay this is random but I work at a daycare and this little boy who’s about two years old looks exactly like his dad and their eyes are just so blue and distinctive but he has his mom’s hair and I was just wondering if you could write something like that with Eddie x reader, I just think it would be so cute to see their little mini me ! I love your work so sos much no pressure if you don’t want to of course:) 

Eddie as a father? If only I had some experience writing that 😜 I hope you enjoy your and Eddie’s little mini me!

Words: 900

“Can you believe it?”

“No. I mean, it’s been two years and no.”

Max and Dustin sit on the floor of your living room, watching your son rummage through the toy box on the other side of the deep brown coffee table until he finds something suitable to play with his babysitters.

Bret settles on his Fisher Price Rescue Hero action figures and tries to collect as many of them in his tiny arms as he can. A few curly strands of hair fall into his eyes which he shakes out of the way as well as he can manage in this position. Satisfied with the haul he’s gathered, he lugs himself out of the toy box and toddles back over to his favorite aunt and uncle. At least that’s what Max and Dustin tell themselves. 

“He’s like their clone,” Max speaks softly as Bret sits down and spreads the toys around his small body to get a better look. “Dad’s hair curls. Mom’s hair color.”

“Dad’s eye color, Mom’s skin tone. Jesus, I’d swear Eddie grew him in a lab if he knew the first thing about science.”

“Technically, Bret is here because of biology,” Max teases as the two-year-old in question hands the redhead a construction worker action figure.

“The one aspect of science Eddie’s willing to experiment with time and time again,” Dustin says. 

“Hmm?” the little boy asks Max, having heard her say his name.

“Huh?” Max asks, looking down at the youngest Munson. “Oh. Um, what game are we playing?”

“We playin’ heroes!” Bret announces, having the firefighting action figure he’s holding fly in an arc over his head. 

“Are they superheroes?” Dustin asks. He lays flat on his stomach to be more on an equal level with the toddler. Action figures of every occupation are spread out in front of him on the plush navy blue carpet. 

“Not all,” Bret says with a shrug, which is the spitting image of one of your usual quirks. 

“Which one do you want to be?” Max asks. 

Bret’s eyes scan the variety of toys laid out around him, his small tongue peeking out from between his lips as he thinks about it. Max can’t help but chuckle at the familiar image in front of her, just on a smaller scale. 

“I don’t know!” Bret pouts, his lower lip jutting out. He slumps down on the carpet, his head coming to rest on his Uncle Dusty’s shoulder. 

“Aw, come on, Mini Munson.” Dustin rolls onto his back and lifts Bret over his head. The two-year-old giggles wildly and starts to kick his feet as if he’s trying to swim away. The laughter is so loud and piercing that none of the three hear the front door opening.

“Careful,” Eddie says as he walks into the room, you trailing just behind him. “He had a few waffles for breakfast, and I don’t want to see them come back up over Uncle Dusty’s face.”

Bret giggles—slightly evilly—as if this would be hilarious.

You set your purse down and slip your shoes off, throwing Max a smile.

“How was the troublemaker?”

“The usual amount of trouble,” she tells you.

“So, nowhere near as much as his father. Got it.” 

Your husband walks towards Dustin, ready to scoop your son up out of his grip, but the little boy squeals and dodges his hands.

“Hey,” Eddie pouts, which only makes Bret giggle. “Bret Michael Munson. Are you trying to escape your old man?”

“Yeah!” he replies cheerfully, making Dustin laugh. 

Eddie softly kicks his best friend’s shoulder with his socked foot. 

Across the room, Max accepts the glass of water you hand her.

“How was your afternoon date?” she asks.

“It was fun. The weather’s really nice and I beat Eddie by three points because he couldn’t hit his ball through the little windmill,” you say with a giggle.

“You’re definitely going to have to be the one to teach Bret to play mini golf,” Max says. 

The two of you look over to your son, where he seems to be the object of a game of keep away between Eddie and Dustin. Bret giggles wildly, his face scrunching up in a way that makes the tip of his nose wiggle.

“It’s so crazy how much he looks like you when he scrunches his face like that,” Max says, shaking her head in amazement. 

Bret must’ve caught his aunt’s words because he looks over at the two of you, a tiny furrow between his brows.

“But Mommy’s a girl!” he protests. 

You blow him a kiss and he’s quickly sucked back into whatever game he’s playing with the guys. 

Once Bret is tuckered out from the roughhousing, he plops down on Dustin’s chest and Eddie makes his way over to you. He catches wind of your and Max’s conversation of how your son looks just like the two of you. When Max slips away to grab her things, Eddie places his hands on your hips from behind and rests his chin on your shoulder. 

“Wanna make another one and see if they look more like you or me?”

Just the thought sends a pleasant tingle down your spine.

“You’re on, Munson. Meet me in our room. Nap time.”

“Bret’s or mine?”

A snort of laughter bursts out of you, causing Eddie to smile and only hold onto you tighter. 

#eddie munson #eddie munson x reader #eddie munson x you #eddie munson x y/n #eddie munson fan fiction #eddie munson fanfic #eddie munson fic #eddie munson imagine #dad!eddie #request

[thewulf]

Through the Years || Aaron Hotchner

Summary: Request - Aaron Hotchner x reader, It will be like 2 moments in different years... like the first time little Jack is comfortable enough around reader to call her mom... and the other one teen Jack not taking her grounding while Aaron is away and screamimg at her something like "You are not my mom"... Read Rest Here

A/N: This was tough to write. But overall very sweet. We love a good teenage melton.

Pairing: Aaron Hotchner x Female Reader, Jack Hotchner x Stepmom Reader

Word Count: 2.8k

TW: Yelling, intentional hurt, Jack being mean lol

Year Six: Jack’s Question

The gentle hum of the air conditioner filled the cozy living room as you and Jack sat together on the couch, surrounded by an array of colorful crafting supplies scattered across the coffee table. Glue sticks, markers, and construction paper formed a creative mess as the two of you worked on a project together, a rare moment of tranquility in the chaotic life of an FBI agent's family.

As you guided Jack through the steps of creating a handmade card for his grandmother's birthday, you couldn't help but notice the way he looked up at you with a mixture of admiration and affection. His small hands moved with determination, mirroring your own movements as you carefully cut out paper hearts and glued them onto the card letting him guide how he wanted the card to turn out.

"Y/N?" Jack's voice broke through the soft hum of conversation, tentative and uncertain. He shifted back and forth on the couch letting whatever was on his mind eat away at him for the time being.

As Jack's voice broke through the soft hum of the television on, you turned your attention back to him. He looked so nervous that you could only put the supplies down and focus solely on him. "Yeah, Jack?" you replied, your voice soft and encouraging.

Jack shifted nervously beside you, his brow furrowing as he wrestled with his words. You could see the uncertainty flickering in his eyes, the weight of his question heavy on his young shoulders.

"Can I... can I call you Mom?" His voice was barely above a whisper, filled with hesitation and longing.

Your breath caught in your throat at his words, your heart soaring with joy and disbelief. It was a moment you had dreamed of, hoped for, but never dared to expect. Not so soon anyway. You and Aaron had been seeing each other for just over a year. And yet, here it was, unfolding before you in the most unexpected of moments.

Tears pricked at the corners of your eyes as you gazed at Jack, overwhelmed by the depth of emotion welling up inside you. You wanted to gather him into your arms, to hold him close and never let him go, to shower him with all the love and affection he deserved. But you also knew that this moment was about him, about his courage in voicing his feelings, his desire to forge a deeper connection with you. And so, you swallowed past the lump in your throat, your smile widening with genuine warmth and love.

"Of course, you can, sweetheart," you whispered, your voice trembling with emotion. "I would be honored."

As the words left your lips, a weight seemed to lift from Jack's shoulders, his face breaking into a radiant smile that mirrored your own. In that moment, surrounded by the remnants of your crafting adventure, you felt a profound connection form between you, one that transcended blood ties and was forged by love and mutual respect.

Jack let out a sigh of relief, his smile widening as he leaned into your embrace. "Good, Daddy said I could," he explained, his voice filled with a mix of excitement and validation.

Your heart swelled with warmth at his words, grateful for Aaron's support and understanding. It meant the world to you that he had encouraged Jack to express his feelings, to embrace the bond that had grown between you. "Your daddy is a smart man," you replied, your voice tinged with affection as you ruffled Jack's hair affectionately. "And he's right. You can call me mom whenever you want. You can also call me Y/N. Whatever you want kiddo."

Jack beamed up at you, his eyes sparkling with happiness as he settled back into his seat, a sense of contentment settling over him like a comforting blanket. In that moment, it felt as though the world had shifted, the connection between you and Jack deepening with each passing second. And as you returned to your crafting project, your hearts overflowing with love and gratitude, you knew that this was just the beginning of a beautiful journey together.

Year Fifteen: Teenage Turmoil

The soft glow of the lamp illuminated Aaron Hotchner's cluttered desk as he typed away on his laptop, the faint clicking of keys the only sound in the otherwise quiet house. It was Friday night, the end of a long week, but for Aaron, the work was far from over. His eyes flickered to the clock, noting the late hour. Jack should have been home by now, safely tucked into bed. Anxiety gnawed at him as he tried Jack's number once more, only to be met with the unwelcome sound of voicemail. He would give it until 12:30 then he was going to be calling Penelope to locate his young son. He didn’t want to be overbearing but he couldn’t help it. Not with what he’s seen, what he’s had to deal with.

In the living room, you paced back and forth, your heart pounding with worry. Each passing minute felt like an eternity. With every unanswered call, your concern grew tenfold. The clock on the wall mocked you, its hands moving relentlessly towards midnight. You too knew how dangerous it was out there. But you couldn’t lock the kid in. He’d resent the both of you for the rest of his days if you did that.

Finally, the creak of the front door announced Jack's return. Relief flooded through you, quickly replaced by a surge of frustration as you caught sight of his nonchalant expression. "Jack, do you have any idea what time it is?" you exclaimed, unable to keep the edge from your voice.

Jack's eyes flickered to you, irritation flashing in their depths before he masked it with a careless shrug. "Relax, I lost track of time," he retorted, tossing his jacket aside without any regard for how stressed both you and his father were.

Your temper flared. "You were supposed to be home over an hour ago! Do you have any idea how worried we were?" As Aaron remained in his office, you and Jack were left to confront each other alone, the tension between you palpable.

He shrugged again before attempting to make a break for his room.

"Jack, please," you implored, your voice trembling with concern. "We need to talk about what happened tonight. It's not just about breaking curfew; it's about communication and respect."

Jack's eyes narrowed, his arms crossing defensively over his chest. "I don't need a lecture, Y/N. I'm not a kid anymore."

Your heart sank at his dismissive tone, but you refused to back down. "I know you're growing up, but that doesn't mean you can disregard the rules we've set. They're there for a reason, Jack. We worry about you when you're out late, especially when we can't reach you."

He scoffed, rolling his eyes. "You worry too much. I can take care of myself."

Your frustration bubbled to the surface. Your voice tinged with emotion. "It's not just about taking care of yourself, Jack. There are awful people out there and…”

Jack's demeanor shifted, his expression hardening with defiance. "You're not my mom, Y/N. You don't get to tell me what to do."

His words cut deep, a pang of hurt flashing across your features. "I know I'm not your biological mother, but I love you like you're my own," you admitted, your voice wavering with emotion certainly not expecting the conversation to take such a turn so quickly.

Jack's jaw clenched, his anger simmering beneath the surface. "Yeah, right. You're just trying to control me like everyone else. Well, news flash, it's not gonna work."

Your heart shattered at his harsh words, the weight of his rejection crushing you. "I'm not trying to control you, Jack. I just want what's best for you," you pleaded, tears welling in your eyes despite your best efforts to push them away.

But Jack's frustration boiled over, his voice rising with each word. "Stop pretending like you know what's best for me! You're not my freaking mom! You can't tell me what to do!"

As Jack's explosive words hung in the air, a heavy silence descended upon the room, filling the space with tension and uncertainty. Your heart felt as though it had been squeezed tight in your chest, the sting of Jack's rejection still raw.

A gasp came from your mouth as you tried to form any sort of coherent sentence. "Oh, I'm... I..." you began, your voice faltering as you struggled to find the right words. But your mind was a whirlwind of emotions, and you found yourself at a loss.

Jack's eyes widened, a flicker of realization crossing his features as he took in the impact of his own words. For a moment, he seemed unsure, caught between his anger and the weight of what he had just said. And then, as if sensing the weight of the moment, Aaron appeared in the doorway. His expression a mix of concern and disappointment. His presence seemed to ground the room, his steady gaze sweeping over you and Jack.

"What's going on here?" Aaron's voice was calm but firm, his eyes never leaving yours. He saw the watery tears that threatened to spill over at any second. He heard the tail end of the conversation and knew exactly why you were so devastated. You saw Jack as your own child and for him to say something so deeply hurtful left you reeling.

You struggled to compose yourself, the turmoil of emotions threatening to overwhelm you. "Jack... he... I don’t… I need to go," you managed to say, your voice barely above a whisper. Without waiting for a response, you turned and fled towards the kitchen, unable to even look at your stepson or Aaron in that moment. You felt utterly embarrassed. Like you hadn’t been loving that child for the last ten years of his life. Did he really feel like that or was he just lashing out?

In the living room, Aaron's expression darkened, his jaw clenched with restrained anger as he watched you leave. The weight of Jack's hurtful words hung heavy in the air, casting a shadow over their father-son relationship.

Jack shifted uncomfortably; his eyes fixed on the ground as guilt gnawed at him. "Dad, I didn't mean..."

But Aaron's patience had worn thin with his moody son. "Not now, Jack," he interrupted, his tone stern. "Right now, I need you to think about what you said and why it was completely unacceptable."

Jack swallowed hard, the gravity of his actions sinking in as he met his father's unwavering gaze. "I know, Dad. I messed up," he admitted, his voice tinged with remorse.

Aaron's frustration boiled over, his voice taking on the commanding tone he used when interrogating suspects. "You think you can just say whatever you want and there won't be consequences? You hurt her, Jack. You hurt someone who cares about you deeply, and I won't stand for it."

Jack's eyes widened, the full weight of his actions crashing down on him as he met his father's intense gaze. "I-I'm sorry, Dad. I didn't mean to..."

But Aaron cut him off with a sharp gesture. "Apologies won't cut it this time, Jack. You need to understand the gravity of your words and the impact they have on people." As Aaron continued to reprimand his son, he couldn't shake the worry gnawing at him. He knew he had to find you, to make sure you were alright. With a final stern look at Jack, he turned on his heel and headed towards the kitchen, his footsteps heavy with concern.

As he entered the kitchen, his heart sank at the sight before him. There you were, hunched over on the floor, your shoulders shaking with sobs. Without hesitation, Aaron crossed the room and knelt beside you, gathering you into his arms.

"Hey, hey, it's okay," he murmured softly, his voice a soothing balm against the storm raging within you. "You're alright, I've got you." Aaron felt a pang of anguish as he held you, his heart breaking at the depth of your pain. Gently, he lifted your chin, guiding your tear-filled eyes to meet his own.

"Honey," he whispered, his voice filled with tenderness. "Listen to me. You may not be Jack's biological mother, but you are his mom in every sense of the word."

You shook your head weakly, unable to comprehend his words through the haze of your despair. "But I-I..."

"No buts," Aaron interrupted, his tone firm but gentle. "Every day, in every action, every moment of love and care you've shown him, you've proven yourself to be his mother. You've been there for him, supported him, loved him unconditionally. That's what a mom does. That’s what you are, sweetheart.”

Tears welled in your eyes as his words washed over you, a glimmer of hope piercing through the darkness of your despair. "But Jack said..."

Aaron's expression softened, his thumb gently wiping away your tears. "Jack was angry and confused. He didn't mean what he said. And even if he did, it doesn't change the truth. You are his mother, my love, in every way that matters."

As his words sank in, a sense of warmth enveloped you, the weight of your anguish easing with each beat of your heart. In Aaron's arms, you found solace, reassurance, and a renewed sense of purpose. You leaned against Aaron's chest, letting the last of your tears fall, a sense of peace washed over you. His comforting presence wrapped you up in his warm embrace, grounding you in the certainty that together you’d be just fine. “Thank you.” You whispered as he held you in his embrace.

Aaron held you close, his hold on you a silent promise of unwavering support and love. "Anytime, honey," he murmured, his voice a soothing melody in the midst of chaos. "We'll get through this together."

Just then, the sound of footsteps echoed in the kitchen, and you looked up to see Jack standing in the doorway, tears glistening in his eyes. His expression was wrought with guilt and remorse as he hesitated, unsure of how to approach you.

"Y/N," he began, his voice choked with emotion. "I-I'm so sorry. I didn't mean what I said. I just wanted to hurt you, but I didn't mean it. I didn’t mean it at all, I promise. I need you! You are my mom! Please don't leave me." His words came out quickly as he wiped away his own tears.

Your heart shattered at Jack's raw confession, the depth of his pain washing over you like a tidal wave. Without hesitation, you opened your arms, inviting him into the embrace. Aaron backed off letting the situation between the two most important people in his life play out.

Jack rushed over and threw his larger frame right into your arms You wrapped him up tightly as he let his own cries out. The weight of his own words crashing down on him in the instant he saw how much he had hurt you. He was just a kid, of course you could forgive him. "It's okay, Jack," you whispered, your voice breaking with emotion. "I know you didn't mean it. I love you so much. I'm not going anywhere."

“I can’t lose you too.” He let out a whimpered cry breaking your heart even further.

Tears streamed down your own cheeks as you held Jack close, the weight of his words settling over you. "You’ll never lose me, Jackie," you reassured him, using his old nickname, a sign of the deep love you two shared for each other.  "I'm here for you, always. Always and forever kiddo."

Jack's sobs began to subside as he clung to you, finding exactly what he needed in your embrace. "I love you. I’m so sorry." he whispered again. His voice filled with sincerity.

A small smile tugged at the corners of your lips as you gently pulled away to look into his eyes. "I love you too, Jack. It’s okay. I forgive you." You said again, reassuring him.

He nodded, relief flooding his features as he buried his face in your arms once more, the weight of guilt slowly lifting from his shoulders. "You are one of the best things that's ever happened to me," you continued, your voice filled with warmth and affection. "Other than your father," you added with a playful grin, feeling Jack's chuckle rumble against your side. He gave you one more squeeze before pulling away. The remorse still heavy on his face. Carefully, you brushed the stray tears away from his face showing him the love that the both of you needed.

As Aaron joined you both in the kitchen, his presence a reassuring anchor, you shared a smile, knowing that no matter what life threw your way, you would be okay. For truly these two were the best things that had ever happened to you.

Aaron Hotchner/Criminal Minds: Permanent Taglist (If you'd like to be added to any or all works please fill out the form here: (Taglist Sign Up) @loving-and-dreaming @kmc1989 @memeorydotcom @matisse556 @buckylov3r @taygrls @ah-blossom @daily-evanstan @hardballoonlove @14buddy22 @rosiahills22 @djs8891 @mrs-ssa-hotch @panandinpain0 @viscade @kreepja @il0vebeingdelulu @hiireadstuff @kajjaka @guacam011y

Request Taglist: @fictionallifestuff

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[f1byjessie]

A PICTURE IS WORTH A THOUSAND WORDS ━━ LN4.

sometimes the right words are hard to come across, and sometimes everything you need to say can be captured in an image.

( lando norris x photographer!reader )

━━ part one.

INSTAGRAM.

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tagged: landonorris

yourusername a smiley lando is the best lando in my books! to celebrate the end of the 2023 season, here's a handful of my favourite photos from throughout the year!

view all 3,171 comments

mclaren What a happy lad! We can't wait to see that smile again in 2024 😁🧡

↳ yourusername you and me both! 🤝🧡

user she's got the dream job omg

↳ user IKR??? imagine just getting to follow lando around and take pictures of him all day, i'd be dead within the first hour

↳ user he'd smile at me and i'd be asking “what are we” on god 😩😩😩

↳ user is that literally all she does??? she just follows him around and takes pictures??

↳ user there’s probably a technical term for what her position is and i just don’t know it, but bc there’s so much going on around the track at any given moment, sometimes the press and other media workers are focused on something or someone else, so she’s hired on by mclaren to specifically focus on mclaren to make sure that there is content for mclaren or mclaren sponsors to use. she’s not just lando’s photographer, she also takes photos of oscar, the pit teams, and the other staff that work in the garage, but she was hired on when lando started so her portfolio is pretty full of him. hope this helps!

user didn't know i could need so much orange in my life but here we are

user LANDO NORRIS SUPREMACY

oscarpiastri i see who the favourite is 🫤

↳ yourusername you literally SAW me picking photos for your post too

↳ oscarpiastri yeah but you posted his first 🫤

user guys this is the face of the 2024 wdc winner take it in now

user i could write a 50 page thesis on the importance of these photos and what they mean to me and how the serotonin they make me release could replace my depression meds

user lad’s like a mini danny ric with how smiley he is

landonorris best photog right here folks

↳ yourusername you're only saying that bc i always get your good side

↳ landonorris i'll have you know that all sides are my good sides 🤨

↳ yourusername whatev helps you sleep at night luv 😊

In 2019, when you took on the job of being McLaren’s lead photographer, you hadn’t expected it would garner you the amount of attention it has, or that it would slingshot your career to levels of success you never could have anticipated, or that you would get a best friend out of it.

When you first met him back in those early days, you’d thought Lando Norris was an arrogant, pretentious, self-righteous prick who thought he was hot shit because he was a Formula One driver. However, he’d quickly proven you wrong when he’d admitted to you that a lot of the confidence was an act━ carefully constructed to hide his insecurities about his performance both on and off the track.

“I mean, we’re drivers, yeah?” He’d said. “But we’re also actors. We’ve got these personas that we have to uphold even out here on the paddock, and I’m always worried I’m not playing the part well enough.”

It hadn’t made a lot of sense to you then, you thought he was pulling off the persona of Total Douche remarkably well, but in Shanghai, things changed.

After the Chinese Grand Prix, things were dour. Lando had DNFed━ the first in his Formula One career━ which contrasted greatly with his previous accomplishment of P6 in Bahrain. Carlos Sainz hadn’t been doing very well, either, and it didn’t paint a very pretty picture for McLaren so early in the season. You’d thought he’d throw a hissy fit, tear Daniil Kvyat apart for his role in the crash, or at the very least throw some shade his way, but he hadn’t done any of that. He’d accepted his fate with grace, joked to the media about how boring the race had been because of what had happened, and then gone on to congratulate Carlos for at least finishing.

What was even more shocking, was that despite his disappointment and the frustration he must’ve been feeling, instead of going back to sulk in his lonesomeness or drown out his feelings with booze and loud music at some club, he’d comforted you later that evening.

The morning of the race, as you’d been getting ready in your hotel room, you’d gotten a text from an unsaved number admitting to you that they’d been taking part in a months-long affair with your boyfriend but had been previously unaware that he was already taken and therefore wanted to let you know to clear their conscience. You’d managed to hold yourself together then━ mostly because you’d already done your makeup and, quite frankly, didn’t have the time to sob it all off and then attempt to salvage it━ but as the day drew to a close and the adrenaline of the race and its excitement wore off, and with nothing else to keep you distracted, you were struggling to keep yourself composed.

Lando had somehow noticed in that weirdly perceptive way of his that something was off, and he’d sat with you, asked what was wrong, and listened when you━ through tears━ explained the situation to him.

“He sounds like a total fucking muppet,” he’d commented after you’d said your piece, and he’d done it with such a deadpanned expression that it had startled a genuine laugh out of you. Because yeah, you’re (now ex) boyfriend had been a muppet.

After that━ and after all the rom-com and ice cream binging you’d both done in his hotel room afterward much to the chagrin of Lando’s nutritionist and the displeasure of his PR officer━ you’d rescinded your initial judgment of him. He was significantly less dickish than you’d originally thought, and it let you finally understand what he’d meant when he’d talked about putting on a persona.

The cocky, know-it-all prick that Lando pretended to be half the time was all just an act to hide his overly self-critical nature fueled by his insecurities.

By the end of the season, he’d gained a little confidence of his own and had subsequently toned down the assholery when he no longer needed to “fake it til he makes it,” and you were calling him your friend.

It’s 2023 now, and he’s since been upgraded to best friend status━ a role he takes very seriously, and constantly reminds you of.

“I’m your best friend━” case and point, “━you have to come to Bali with me. Literally, like, what am I gonna do without you there? Do you expect me to just go by myself? What if I get lost? Or what if somehow the mafia, who have unknowingly had a hit out on me for years, track me down there and I’m kidnapped and ransomed off for billions of dollars? What will you do then?”

“You just want me to take pictures of you,” you answer, rolling your eyes only because you know he can’t see you through the phone.

He gasps in mock offense. “I cannot believe you think I value you so little! I want you to take pictures of me and be here to help me make fun of awkward tourist spray tans so I don’t feel like a total asshole for being the only one who laughs.”

You laugh at that. “Well, unfortunately laughing at bad fake tans doesn’t pay the bills.”

“But taking pictures of me does.”

“Yeah, when McLaren is paying.” You turn back to your laptop, a photo put on pause mid-edit splayed across the screen. It’s of Lando, as most of your photos tend to be despite your attempts at keeping things even between the McLaren boys. It’s the last of the images you need to send over for their 2023 sendoff, and when it’s finished you’ll officially be without work for a painstaking two months. “I’m on break too, technically, until they need promotional shit for the new season.”

He huffs, and you can almost imagine the childish pout on his face. “What are you even doing, then?”

You hesitate, not because you don’t want Lando to know about your winter plans, but because you don’t really know how he’ll react, which means it could be anything between genuine happiness for you and congratulations, or abject horror and feigned screams of anguish. He’s always been dramatic like that, but even more so now that he’s comfortable enough with you and himself to have crawled a decent way out of his shell.

Even still, he’s your best friend and it would make you a pretty shitty person if you didn’t tell him.

“Believe it or not,” you start, wringing your hands together, “but Manchester City actually hit me up with an inquiry. Asked if I’d be interested in working with them on a project documenting their training throughout the winter months. I said I would love to.”

He pauses for a good long moment, and you prepare for the screaming, but all he says is━ “Man City? You traitor. I thought Man United was our forever!”

“Be so fucking real right now, Lando Norris,” you answer, laughing as you do so. You’re relieved, at least he hasn’t gone the feigned anguish route, but you also can’t tell if he’s happy for you or hiding his true feelings behind humor like he’s prone to doing. “You know damn well you only watched them for Christiano Ronaldo and he hasn’t played with United since 2009.”

“Technically he played for them in the 2021-2022 season,” he grumbles.

“Yeah,” you deadpan, “and he was dogshit. We both agreed to pretend it never happened.”

He groans, “I can’t believe this. My day is ruined and my disappointment is immeasurable.”

“Oh, get over yourself. It’s only for the winter. I’ll be back in McLaren Papaya by February when they need me snapping shots of you and Oscar next to the new livery,” you promise.

The reality is that it’ll probably be sooner. McLaren has always been good about getting you back at HQ pretty quickly, either to get some snapshots of the beginning of Lando and Oscar’s pre-season return or to just capture some material of the engineers at work to promote their readiness. You understand why they can’t keep you around all year━ no Lando and no Oscar means no you━ and with the sheer amount of content you capture and edit for them throughout the season, they’ve got enough to last them the handful of weeks you aren’t working.

Unfortunately, you aren’t working with a driver’s salary to keep you sustained over the break and rent certainly hasn’t been getting cheaper. In past years, your bank account has been chirping with crickets when you’ve returned to work after the winter, and that was before your landlord had decided to make your life a living hell.

You have an important job, but it’s by far the most important, and sometimes sacrifices have to be made. Working in sports media taught you that early on.

“Who knows?” Lando’s voice snaps you back. “Maybe Jack Grealish with his perfect hair and perfect calves will steal you away and you’ll be in sky blue forevermore.”

You laugh, “Jack Grealish is a happily taken man, and although he does have perfect hair and perfect calves, I’m more of a Haaland girl anyway.”

He guffaws. “I can’t believe I’m hearing this. You’re so far gone that you already have a preferred player. Jack Grealish is England’s poster boy! Everyone loves him whether they like City or not!” He heaves a dramatic sigh. “Christ, I can already feel you slipping through my fingers. I give it a week over there at Etihad before you call me up telling me I can find a new best friend because you’ve replaced me with Phil Foden and Julian Alvarez.”

“For someone who supposedly hates Manchester City, you’re certainly well-versed in their roster.”

“Well duh, I need to know my competition,” he says, like it’s obvious.

“Ah, yes,” you snark back sarcastically. “Because you, a Formula One driver, have to be worried about the football players of Manchester City.”

“Apparently I do if you’re calling yourself a Haaland girl now!”

You burst into cackles and he’s following shortly after with chuckles of his own that eventually peter out into a comfortable silence. You are really going to miss him for the few months you aren’t working with him.

The Formula One schedule is so jam-packed across the season that it typically means you’re getting to see him every day for an hour or two at least, if not for the entirety of the time he’s at the track. You follow him and Oscar to their sponsor obligations, their interviews, and everything in between. It’s honestly rare if you’re not getting a moment to goof off and dick around with one another━ and it’s even rarer for you to not actually see one another face to face in passing at the very least.

The off-season is your least favorite time of the year for this very reason, and though it makes you feel a bit full of yourself to think so, you imagine Lando doesn’t enjoy this time of year much either for the same reason.

“I promise I won’t replace you with any of the City boys,” you say after the silence has stretched on a moment longer.

He huffs again, but you can envision the smile tugging at his lips. “I suppose even if you do, I’ll just show up to a match and steal you away again.”

“As if. Have you seen Grealish’s calves?”

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footballfansofficial BREAKING: Manchester City Forward Garrett Ward caught with mysterious woman revealed to be well-known Formula One photographer Y/N L/N! The two were seen sharing a romantic evening on Friday, the 5th of January, ringing in a passionate start to 2024. Garrett Ward has been with Manchester City since 2021 but was out on loan to a lesser-known Championship League team until 2023. He has just recently begun to play for his team again, but an injury early into the season has seen him benched for a majority of his time back. Y/N L/N is a photographer for Formula One racing team McLaren and has been working with them since 2019. Recently, she has been working with Manchester City to help promote a new docuseries following the men’s team’s winter training. Check the link in our bio for the full article!

view all 12,971 comments

user OMG GARRETT WARD??? NOTORIOUS BACHELOR GARRETT WARD???

user who is she? like genuinely how is she relevant 🤔

↳ user no literally cuz like who even gives two shits about formula 1?

user girl works in f1 why can’t she stay there

↳ user i’m sure there are plenty of drivers who’d smash her idk why she needs to try and get footballers too like bffr 😒😒😒

user aint no way this bitch is kissing my man rn

user literally what does he even see in her??? she’s not even cute AND she’s wearing man united colors 💀💀

user Y/N L/N??? I THOUGHT SHE WAS WITH LANDO NORRIS???

↳ user LITERALLY ME TOO?? like she posts him all the time on insta so i just kinda thought they were an item or smth?? trouble in paradise maybe

user she’s fucking ugly wtf

user i wish these footballers who get with regular women would realize there are so many better girls out there that would ACTUALLY treat them well and would support them in their careers. like i bet this girl doesn’t even know anything about football. she works in f1 and that’s where she should stay bc nobody cares about that shit round here. she probably doesn’t even know the first thing about how football works, but i bet she’ll be at matches pretending like she knows what’s happening. garrett ward is gonna flush his career down the troilet for this chick bc she’s gonna convince him his busy schedule ain’t worth it and then city will be down a great forward for good, and it’ll all be her fault

user i mean she’s kinda pretty tbf

↳ user stfu she really isn’t

↳ user she gen looks like any random bitch off the street

user these comments are not it…. 😬

↳ user maybe you f1 fans just don’t know how to handle constructive criticism

↳ user is the constructive criticism in the room with us rn?? cuz all i’m seeing is bullying and hatred directed towards an innocent woman who’s only “crime” was going on a date

user ok so she can take photos?? 🙄🙄 maybe she should get a real job

↳ user she’s probably only with him so she can mooch off of him like a fucking gold digger

user AINT NO WAYYYYYY

user it’ll last a month max 😌 i’m calling it

user ayo lando come get your girl

━━ tags: @maih23 @urfavnoirette

━━ a/n: here we have it! took me a bit longer than the start of american smile did, but lando's story is officially here! (and it's a whopping 2.9k words to start us off). first and foremost, before we get started, garrett ward is 100% an oc and obviously does not play for manchester city, and this is bc i would feel absolutely horrible portraying a real person in the way that garrett will be later on. gather from that what you will haha! regardless, i hope you enjoy this first part and stick around for the rest!

#formula 1 #formula one #f1 #formula 1 imagine #f1 imagine #formula one imagine #f1 x reader #formula 1 x reader #formula one x reader #f1 fanfic #f1 fic #social media au #lando norris #lando norris x reader #lando norris imagine #ln4 #oscar piastri

[gay-dorito-dust]

‘Damian.’ You called over your shoulder, eyes firmly locked on the thing that currently held your undivided attention.

‘Yeah?’ You heard him call back from another room.

‘Why the fuck is there a cow in your kitchen?’ Damian’s brow was immediately raised upon hearing this. Cow? There’s no way Bat-Cow could’ve- Damian then closed his eyes and took a couple deep breaths before joining you in the kitchen, where he could clearly see that the white and brown Bovine cow was indeed in the kitchen, just like you had said.

Now the question of how the cow had gotten into the manor -undetected no less- was a mystery entirely because surly someone would’ve noticed a 610kg, white and brown cow mindlessly clopping down the corridor from rooms away. But none of that mattered anymore as it was irrelevant to the current situation you and Damian both found yourselves in.

‘This day was bound to happen sooner or later, y/n this is Bat-Cow, the family…well cow.’ Damian said as though it were nothing new but for you, everything was made even more confusing. ‘And why do you have a pet cow? is Wayne Enterprises expanding into the farming business is it?’ You asked and Damian felt a headache about to come on.

‘Tt. No, me and father saved Bat-Cow from going to a slaughterhouse and have kept them ever since.’ He explained as he then moved past you to gently pet the cow on the muzzle, smiling softly when Bat-Cow made a noise of content. ‘Besides, this is nothing in comparison to Goliath.’

You made a face at this. ‘I’m sorry but Goliath who?’ You asked and Damian only continued to amuse himself as he petted Bat-Cow. ‘Exactly.’ He couldn’t wait to see your reaction firsthand.

Bruce tends to overwork himself to death most of the time, much to yours and Alfred’s disappointment.

You understood why he does what he does but did he necessarily have to neglect his own health and well-being to do so?

Gotham was a piece of work that is always under continuous construction, never in the hopes of being made better, but instead to be pushed to the side and left to slowly corrode and rot. Gotham was an ever developing plot hole that was bound to become even more than an issue then first assumed.

Gotham wasn’t a place worth saving for it always found a way to relapse back into old harmful habits, much so to the point where it’s own civilians didn’t care whether the city would survive another day, with all the chaos and destruction that seemed to be happening on the daily.

In Gotham it was easy as piss for one to lose all sense of empathy, humility and humanity.

Expect for one man. Bruce Wayne aka Batman. A shining beacon of hope for the future of Gotham in your eyes, a person who looked at the piss, shit and grime that flooded the streets and thought; I could help make this a better place, not by much, but just enough so that the civilians could rest easy knowing they’re looked out for. No matter if I get beaten down again and again, I’ll always get back up because if I don’t, then who will if not me? And you loved him for that and loved even more when he first brought Dick home, followed shortly by Jason, Tim and Damian with the inclusions of Stephenie, Cassandra and Duke respectively.

So nowadays whenever you wanted Bruce to rest, you’d call upon the help of the kids -now grown ass adults with lives of their own- and Alfred to help you drag Bruce away from the screens of the bat-computer.

‘You could’ve just asked nicely.’ Bruce said as he walked with the likes of you, Tim, Dick, Jason and Barbra out of the bat cave after successfully getting Bruce to join you and the remainder of the family- whom were waiting for you all in the dinner room- for dinner that Alfred made.

‘We did, multiple times.’ Jason replied.

‘Well if you consider pulling back his chair from under him asking then yes, yes we did.’ Tim then said as Dick butted himself in the conversation. ‘I mean, it did work in our favour in getting the old man out of the bat cave.’ Murmurs of agreement followed as you leaned against Bruce, staring at your gaggle of kids with nostalgia, chuckling.

‘What’re you laughing to yourself about?’ Bruce asks and you shrug.

‘Nothing, it’s just nice to see that your soft spot for them hasn’t changed after all this time.’ You replied, holding onto his arm as he pressed a small kiss to your head and hums in agreement.

‘They happen to take after you, and you’re hard to say no to in any capacity.’ Bruce answers and you couldn’t help but squint your eyes at him. ‘Liar.’ You tell him with a grin. ‘You just don’t want to admit that I’m right.’

Bruce chuckles and kisses your cheek. ‘Okay, maybe you’re right about one thing.’ He concedes and allows you to drag him down the hallway, happy to be able to see his family all in one place.

Jason who might as well make his apartment a makeshift animal shelter because of how many strays he brings in from off of the street and dangerous living situations.

The pattern in this being that the strays he brings in were dogs that were heavily stereotyped as dangerous and aggressive, hurt, or missing a limb in some capacity. So there would be days where you’d come home to find Jason bathing an XL bully and a Pit bull, whom had some scarring left from when they were used as an illegal fighting dog, and you wouldn’t even bat an eye as you discarded your coat and went to help Jason in drying them off.

‘Where’d you find this one then Jason?’ You asked as you ran a hand through the Pit bulls short fur as it fell asleep on his lap while the XL bully fell asleep in yours.

‘In an alleyway where I was just about finishing up my patrol, tucked away in a darkened corner in a rotting cardboard box where I could heard them whimpering as clear as day.’ He responded. You could hear the anger in his voice towards the mistreatment of the poor dogs and reached over to hold his hand, stroking the back of it with your thumb.

‘You saved them Jason. You’ve given them much more than what their previous owner did tenfold.’ You reassured him, letting him know that the good he’s done will stick with the dogs for a long, long time. ‘Are you planning to give them to Damian to look after before finding them a good home?’ You then asked, having dawn to terms a long time ago that you nor Jason would have the time to properly take care of them yourselves, no matter how much you wanted to but you knew in this instance you couldn’t be selfish.

‘I would but Damian already has his hands full with the Doberman and Staffy we found last time,’ Jason sifted in his seat to look at you, ‘apparently Titus, Alfred and Ace have grown attached to them and refuse to the idea of them leaving. So Bruce is in the process of legally having the dogs be put under his care.’

You visibly perk up as you cuddled the XL bully to your chest. ‘Does that mean?’ Jason couldn’t help but laugh at your inherent cuteness as he pecked your lips. ‘Yes, we get to shelter them a little while longer chipmunk.’ He murmurs against your lips and you couldn’t help but steal a kiss from his lips out of happiness.

‘Have I told you how much I love you lately?’ You asked.

Jason hums. ‘You have but once more couldn’t hurt now would it?’ He teases.

Not even a week later and you and Jason decided to keep Riley the XL bully and Roy the Pit bull and you both love them dearly.

#dc imagine #dc x reader #dc x you #dc fanfic #dc x y/n #dc comics x reader #dc fic #dc fanfiction #damian wayne x y/n #damian wayne x you #damian wayne imagine #damian wayne x reader #damian wayne imagines #damian wayne fluff #bruce wayne x you #bruce wayne x reader #bruce wayne imagine #bruce wayne x y/n #jason todd imagine #jason todd fluff #jason todd x reader #jason todd imagines #jason todd fic #jason todd fanfic #jason todd fanfiction

[bubblergoespop]

My Top Milo Quotes

i wanna devour this man so bad. the original version of this is at least triple the length omfg. @mrsmiagreer it’s finally here <3

“From one pretty face to another.”

“Bedroom? Oh. Ohhh. [gremlin giggling]”

“Cute?! You’re gonna come here, into my home, uninvited, and tell me I look cute when I’m mad? First of all sweetheart, you’re damn right I’m cute—“

“Jesus Christ who taught you how to do healing magic, a construction worker with a jackhammer?!”

“Me and Ash give each other shit all the time. He calls me a runt, I call him a bitch bottom, we laugh, we move on.”

“Cuddled up with you, in front of a fire? That’s a one-way ticket to sleepytown, USA, population: this guy.”

“I do not spoil him! Well whaddya want me to do? He’s my lil guy.”

“I swear to god, if I’m lyin I’m dyin, he looks him dead in the eye and says “if concerns about the future of your relationship with Amanda are weighing on you too heavily, I’m sure I can get by with just Milo and Asher here.”

“Are you Lasky?”

“Touch me and your life will be measured in milliseconds. I can see myself out.”

“It’s back. I’m back.”

“And next thing you know, boom, you’re sitting here, a broken man, barefoot with no fucking dress socks.”

“‘So Mr. Greer, what was it that ultimately pushed you over the edge?’ Oh, I don’t know officer, might have something to do with the walking terror I call a mate.”

“So what if I am sappy? I’m running on sleepy middle of the night brain, you get what you get. Shhh. Hush. Don’t you be mean to me. I’m trying to help.”

“He’s a good little dude. Isn’t that right, bub?

“I got to hold my favorite person in the whole world. And only occasionally had to threaten to choke them out.”

“Mmm. You’re cute. Yeah, I called you cute. What are you gonna do about it? Get grumpy? Just makes you look cuter.”

“Do not call them my ‘titties’ you asshole!”

“Personally, I think I’m better at getting clothes off a ya than putting em on, but I’m ever at your service, baby.”

“No no no, don’t do that button. Yeah. Yeah, leave that one undone.”

“There’s my sweetheart.”

“Yeah. Well, it beats for you, sweetheart. A little more sappy shit for the road.”

“There ya go, that looks perfect! Yeah, what you’re wearing right now! You look fucking incredible in it. Yeah, I know you haven’t even started changing into the next look, what’s your point?”

“When I say you’re my mate, I mean it with every inch of me. When I say it, my core lights up like a firework. And when I feel your core answer it, and mirror it back, it feels like the fourth of fucking July in my chest.”

“I mean, obviously we’re gonna look fucking great no matter what, it is us after all”

“Hey, I know Ash is your mate, but would you mind if I use that choke collar you have for him real quick?”

“The power couple”

“And the energizer bunny takes a tumble.”

“And you won’t believe this next part but, uh, as a wolf, I don’t have hands.”

“You don’t have to ask, baby, I trust you. I know you’ll be gentle.”

“You feel like forever in my arms.”

“Oh my god, do they think my house smells weird?”

“I don’t want this for you, baby.”

“These muscles got more knots in em than you had wrapped around you the other night. And that’s saying something.”

“You run through my blood like oxygen, sweetheart.”

“Whose mouth is this?”

“And do not wear that belt, how old is that thing? It looks awful!”

“You’re not alone. I’m here. The pack’s here.”

“You want to see a hissy fit, bootlicker?”

“Cmon, head up. Up for me. There you go. I wanna see this pretty face.”

“Kissing my palm like that… you’re too fucking cute.”

“I just wanna feel you.”

#sorry this took so long #redacted audio #redacted asmr #redacted milo #redacted sweetheart #bubbler’s top quotes

[love-takes-work]

I've seen a fair number of people interpret Rebecca Sugar's (and the Crew's) decision to put Ruby in a dress as subversive, and I want to discuss why that feels like a clear miss to me.

Every time--every single time--I've heard Rebecca Sugar talk about the queer relationships on this show, it comes with this expression of wholesomeness, and often glazed with a sheen of wistfulness, flavored something like "I needed this as a child and young person, and I didn't have it." Much of Rebecca Sugar's work to bring this wedding (and other unapologetic queer relationships) to the screen was framed as an emergency--as in, we HAVE to get this out there for those kids we used to be, because we know they're drowning.

Yes, it's funny sometimes when people make jokes about Sugar deliberately "adding more gay" or "making it gayer" as a big eff-you to the people who spoke against it, but that doesn't sit right from where I'm standing. It took so much strength (and resulted in so much battle damage) to fight that fight, yes. But from everything I can see from the interviews and conversations I've seen and read, this wasn't served up in a "ha-HA, take THAT!" kind of way. These characters having these kinds of relationships should have been a non-issue, and the fact that their very wholesome kids'-show wedding and very sweet kiss and very adorable love for each other was seen as Political when it should have been just two characters in love is so sad to me.

I've seen dozens of people suggest that Ruby is in a dress and Sapphire is in a suit "to fuck with the bigoted censors in other countries" or "to give the finger to gender roles," but again, I think it is simpler and sweeter than that. Rebecca's said that Ruby in a dress is how she feels in a dress. Celebration and exploration of feminine-coded stuff felt wrong to Rebecca for a long time, like it wasn't hers, because she wasn't really a woman and didn't want it forced on her. As a result she was robbed of all the beauty that should have been a non-issue, from what TV shows and toys she was supposed to enjoy as a kid to what kind of person she was supposed to marry and what she should wear as an adult.

Ruby never got a choice about how she looked really. Once she got to choose her presentation for a significant event, this is what she chose. It means so much more to see that than to construct it primarily as a reactionary measure, as if it would somehow foil the sinister censors in more homophobic countries (who, incidentally, are not therefore forced to show Ruby in a dress even though they tried to hide that Ruby was a "she" or that she was in a romantic relationship with another "she"; y'all, they just don't show the episode).

We see plenty of other examples of gender-role-related expectations being casually stepped on and squashed, like when they took the trouble to give traditionally masculine and traditionally feminine "clothes" to some watermelons to make the audience think there was a husband and wife watermelon only to have the wife be the warrior and the husband stay home with the child. With stuff like that, yeah, sure, maybe it's designed to make you think "oh isn't that very feminist of them!" Or maybe it's more "well why do I see this as a 'reversal' when it's just a thing that happened?" This show is full of ladyish beings who fight and have power. And as for Steven. . . .

Nobody has negative reactions onscreen (or even particularly confused reactions) when Steven wears traditionally feminine clothes, and it is (of course) also not presented as a "boy in a dress gag"--it's not supposed to be funny. When they go all in slathering Steven in literal princess tropes throughout the final act of Season 5, we understand that it's because the powerful Diamonds expect him to be Pink Diamond, not because the show is trying to girlify him or embarrass him or even make the audience think positive thoughts about boys in girls' clothes. It's more neutral than that in my interpretation: "these are literally just pieces of cloth, and while some of them have meaning, they don't inherently have a gender." I don't see this as transgressive. It's just in a world where putting on what you want to wear doesn't HAVE to be a political statement. (Though obviously it CAN be, and plenty of people wear a variety of clothes as a fuck-you to whoever they want to give the finger to. I just don't see that as happening here.)

Don't get me wrong; Rebecca Sugar certainly knew about the politics (intimately) and has lived at many of their intersections. She was not ignorant of how queer people are seen in this world. She was silenced as a bisexual person because her identity supposedly didn't matter if she was with a man and planned to be with that same man forever. She was shunted into "omg a woman did this!" categories over and over again, which she wore uneasily as a nonbinary person while accepting that part of who we are is how the world sees us. But what is it like if everything someone like her embraces is seen as a statement synonymous with "fuck you" to someone else?

She is married to a person who happens to be a man and happens to be Black. Her relationship isn't a "statement" about either of those aspects of his existence; her love is simply something that is. She is Jewish working in a society that's largely Christian. Her cultural perspective to NOT center her cartoon around Christian holidays and Christian morals; her choices to make an alternate world in this specific way is simply something that is. Her queer perspective as a nonbinary bisexual person has helped inform the Gems' radical philosophy of "what if we learned to explore and define ourselves instead of doing the 'jobs' we're assigned and being told it's our nature?" Her decision to include queer people in a broadly queer cartoon isn't designed PRIMARILY as a battle against baddies, or to drown out all the relentless straightness, or to deliciously get our queer little paws all over their kids' TV. It's an act of love.

So this is just to say that though I DO understand that sometimes subversion and intentional transgression are very necessary, I do not think that's the HEART of what's going on at this Gem wedding. We got a wholesome marriage scene between two of the most lovely little flawed-but-still-somehow-perfect characters, and I very much want to see their choices as being about them. About how Ruby feels in a dress. About how Sapphire feels about not having to always wear a dress. About them incorporating a symbol of their union into their separate lives so they can have some independence in their togetherness. About them celebrating their love by letting Steven wipe his schmaltz all over them.

There are many choices in the show that ARE carefully constructed to counter existing narratives, you know, giving the Crystal Gems' only boy all the healing, pink, flower imagery; having a single-sex species that's ladyish with all the members going by "she"; featuring many nurturing male characters who cry and cook and raise kids without mothers; pairing multiple fighty ladies with gentler guys; and importantly, intentionally loading up the show with stories, characters, and imagery any gender will find appealing despite being tasked with expectations to pander to the preteen boy demographic.

But it's very important to me that the inclusion of queer characters and the featuring of their choices be seen primarily as a loving act, and way way less of a "lol screw the bigots." I want our stories to be about us. Yes, I know it's a necessary evil that sometimes our stories are also about fighting Them. But every time I see someone say they put Ruby in the dress to "piss off the homophobes" or "stump the censors" I feel a little gross. Like the time I picked out an outfit I loved and my mom said I only dressed in such an obnoxious way to upset her, and I was baffled because my aesthetic choices, my opinions, my choices had nothing to do with her. Yet they were framed like I chose these clothes primarily to cause some kind of petty harm to her, when not only was it not true but I was not even that kind of person who would gloat over intentionally irritating someone.

The queerness of this show isn't a sneaky, underhanded act trying above all to upset a bigot or celebrate someone's homophobic fury. It lives for itself. Its existence is about itself. It's so we can see ourselves in a show, and it's so people who aren't queer or don't have those experiences can see that we exist, we participate, we want very similar things, and definitely are focusing way more about celebrating our love at our own weddings rather than relishing the thought of bigots tearing their hair out and hating us.

It's dangerous to turn every act of our love into a deliberate movement in a battle strategy when their weddings just get to be weddings.

I think there’s this idea that that [queer characters] is something that applies or should be only discussed with adults that is completely wrong. And I think when you realize that talking to kids about heteronormativity is just like air that you breathe all the time, it’s kind of amazing that that is not true in any other capacity. I think if you wait to tell kids, to tell queer youth that it matters how they feel or that they are even a person, then it’s going to be too late! You have to talk about it—you have to let it be what it gets to be for everyone. I mean, like, I think about, a lot of times I think about sort of fairy tales and Disney movies and the way that love is something that is ALWAYS discussed with children. And I think also there’s this idea that’s like, oh, we should represent, you know, queer characters that are adults, because there are adults that are queer, and you should know that’s something that is happening in the adult world, but that’s not how those films or those stories are told to children. You’re told that YOU should dream about love, about this fulfilling love that YOU’RE going to have. […] The Prince and Snow White are not like someone’s PARENTS. They’re something you want to be, that you are sort of dreaming of a future where you will find happiness. Why shouldn’t everyone have that? It’s really absurd to think that everyone shouldn’t get to have that! --Rebecca Sugar

#steven universe #ruby and sapphire #rebecca sugar #queer relationships #long post #myblog

[pedge-page]

Joel dealing with Preggo Wife # 7: House Pet

Can be read with others in series or standalone

Warnings: unprotected sex, slight Daddy kink, suggestive of oral M receiving, annoying reader and annoyed Joel

18 + ONLY

- - - -

You watch one depressing commercial of shivering dogs left emaciated in the cold begging for love and care, and all the water in your entire body comes flooding out in tears.

“J-j-j"—snUFFF—“JOeeeOEeeeoelllLLLL!!!" You wail, wiping your snot on his shirt sleeve while curled up against him. “THEY NWEEEDDD MWEEEEE!!!!”

“You wanna donate?”

N-d—nooo--“sniffle—“wanna -wa-wanna aa-ad-ad-opt—“

He chuckles like its some obvious joke, but when he sees the absolute shine in your giant eyes staring pleadingly at him, he puts his foot down as gently as possible: “Honey, we can’t have a dog right now. With you—being like this, and a baby on the way, I’ve got enough on my plate as is. Wanna make sure you and babygirl are well taken care of first, okay?”

There’s a tense silence hanging in the air as you seize a breath in your throat. 

And then you’re LOSING IT, whining and crying like a child into his face.

“Jesus,” he mumbles softly, gently stroking your hair, hushing little shhhhh into your forehead and rocking you in his arms like a baby in a cradle— a giant baby stuffed with another baby currently rattling the emotions of the big baby.

 He's given you a cup of water for bed and tucking you in, picking up the litany of tissues tossed around you, while you refuse to quit your puffy eye’d and endless barrage of tears. 

By the next morning, swollen lids yet calm, he thought he’d heard the last of it last night. And you were doing much better mood wise—no cries, though a little cold shoulder to him. He gives you a few hours till you’re over it and asking for ice cream like nothing happened. 

Until now, five days later where every minute is just a retort to his face about getting a dog.

When you best friend comes over to give you extra baby clothes:

"Aww your girl named her puppy Winston? That's so adorable! Joel, ya hear that??” You peak loudly so he can hear from the kitchen. “Too bad I don’t have a puppy named Winston.”

"When you have our daughter, she can get a puppy named Winston"

"Oh! Already picking her over me for getting a dog?"

He rolls his eyes, tuning out to focus on making you biscuits that are too salty so you’ll have something else to whine about.

-

During movie night:

“…If only I had a dog to help keep my feet warm on the couch.”

He shovels a fist full of popcorn into his tilted back, wide mouth. “‘At’s what a blanket’s for.” he yanks your favorite soft one over your toes and keeps his eyes on the TV.

-

To the neighbor that just fucking moved in two weeks ago:

"Joel doesn't kiss me enough. If I had a dog, I wouldn't complain as much since the pup would love me unconditionally."

He grits his teeth, excusing himself to the bathroom.

-

At Tommy’s place for a Sunday BBQ:

“Bought the wood second hand—I re constructed our living room myself,” he says braggingly, drawing a beer from the cooler.

"Yeah, Tommy, it’s real nice.” You charm, and you can already see Joel's fist clench at his side. “Would look even better with a dog in the window."

-

“Wish I had a fluffy dog to cuddle instead of your big ass."

-

"My husband spoils me so much. He usually gets me anything I want without asking! Unless it's a dog ..."

-

Joel finishing adding furniture to the baby room.

"You know what else this room could use?” 

"A dog bed, a dog blanket, a dog.”

-

"If you say-one more-god damn thing-about the dog..." he huffs.

"What dog? We don't even have a dog."

"We don't-need one. Got a cat in the house already."

He thrusts in again with a grunt, your trail of thought disappearing for a second just as Joel’s fat cock penetrates you.

 The two of you are lying sideways on the bed, his chest pressed flush against your back. With your leg just barely propped up with his masculine arm hooked under your knee, a hand splayed protectively over your big belly, he has enough room to slot his length into your achy sopping cunt, slowly fucking you with harsh little jolts. You grip the back of his neck, fingers clutched in his sweaty locks, feeling his hot breath dampening your collar. 

He lets out a pained hiss. “This lil pussy right here is all the animal I can handle now. Now quit it.”

His hips begin to crash lightly over your ass, rutting his tip deeper into you with muffled slaps. He loves the sight of your now largely grown thighs jiggling with each impact. Loves the feeling of your swollen breasts suffocating his other hand. Loves the knowledge of his wife so stuffed full of him for everyone to see. 

You moan lightly, clenching around him at the leisure, unhurried yet pent up pleasure coursing through you. But your mind wonders again. “If you don't want a rescue we can get a certain breed: How about a malnoise? Or something smaller like a corgi? Or aussie. Oh Pitties are so cute!"

He rolls his eyes, nose buried in your hair. How are you even able to have a coherent conversation right now while he's rearranging your guts? Rather than hushing you with another quit it, he decides to entertain you. "Jesus woman. Ain't pitties all mean?"

"Nooooo —mmm baby, right there—“ you whine, panting in sync as you lowly try to hump him back. “Protective, intimidating looking.” You smile, mouth agape and eyes closed when he hits that sweet spot deep inside.  “Just—like you, big ol sweethearts…Who give their wives exactly what they fucking want—like a dog."

“Christ.” The hand from under your leg glides over your wet clit, his rough digits rubbing fast circles while his other free arm  unfolds from under your throat to grip it lightly. His knees bend so he can rock just his hips with ferocious power, railing with the intent to fuck you so dumb, you can’t help but shut up. “One more peep and I'm switching us up and gonna fuck you like one.”

You really didn’t want to —resorting to this lounging position because your back hurt too much to be fucked doggy, and the baby weighed too heavily to ride him. Thank God his cock was fucking huge—it could reach deep into you at any position. No fucking wonder you got pregnant so easily. 

“no- no Daddy, I'll be good," you hum. "Unfff—mmm-yeah—yeah! Fuuuck—fuck me baby that’s it!” You shout. Joel’s hand works endlessly on your little nub, now at the mercy of his ministrations to get you off since you can’t reach yourself anymore. You grip your belly and cry, walls convulsing around his meat with a much needed orgasm. Joel follows suit not too long after, biting your shoulder as his hips still against your ass, pumping you full of his pearly cum.

The two of you stay in the same position, breathing heavily as you come down from your respective highs. 

His eyes close, breath slowing and getting deeper in relaxation as his fingers lightly dance over your swole bump.

You feel the gentle cooling breeze of the fan spinning above you. Sighing contently now filled with your husband’s love and caressed with his tender hands. 

 “…So I was thinking, when we get a dog..."

"WE ARE NOT GETTIN’ A DOG AND THAT’S FINAL."

-

Tommy comes over and can tell something is up between you two.  When Joel leaves the room, he asks "so what is it this week with Joel?"

"He won't get me--what do you mean THIS week??"

"Nothing nothing, he won't get you a what?"

"A dog. I want a dog. He doesn’t want a dog. So I don’t understand why he can’t compromise and get a dog.”

He laughs. “Honey, cuz that’s not a compromise. You know why he won't get you one, right?"

"Cuz he doesn't want to take care of me, a baby, and the dog at the same time"

"Nah. He's worried you'll only want the dog’s affection, and the baby gets the rest of your attention. Then you won’t have anything left for him.”

“…Oh!"

-

Later that night, Joel is still steaming from your earlier conversation after sex, having no regard for listening to another thing you had to say the rest of the day. You waddle into the bedroom, looking apologetic as possible with your hands held behind your back. He only looks up from the bed to see you: in his large T shirt with nothing else, freshly lavender scented from your bath, and big pleading child-like eyes full of sorrow. He purses his lips before returning to his book, glasses perched on his nose.

You approach Joel with an apology gift that you hid behind your back: a stuffed wolf.

He smiles gently unable to even pretend to hold his temper against you. you kiss the tip of his nose as he caresses your smoothed bump. “You're my favorite dog anyway,” you say warmly. “Needy. Grumpy. Likes food. Gives me kisses."

“Thought I didn’t give ya enough kisses? Least that’s what you told neighbor.”

“That was—a lie.” You bat your eyes cutely. “I’m sorry, Daddy.”

“Mmmm,” is all he says, his eyes raking over your curves just barely covered now due to your size. “I don’t know, Daddy might need more apologies — ya did treat me real bad this week.”

You hum sadly, nuzzling yourself against his chest. your hand trails down his firm middle, all the way to the growing tent sticking up from his boxers.

“I can lick it better,” you whisper seductively in his ear, nipping at his pulse point.

“That’s what I like to hear.”

And after one of your famous deep throated blow job with Joel's balls happily emptied in your already full belly, he leans over to his side table and pulls the drawer open, holding something tight in his hand.

You just barely stop yourself from falling asleep with your head on his lap when he dangles a dog collar above your head. You sit up, inspecting it with grubbing hands: it has your home address etched on to the metal plate, but no name on it. 

“What you want me to be your dog? I’ll wear the collar but I’m not getting on my knees, nor crawling around and drinking from dog bowls  and shitting in the yard—“

“No angel,” he shushes you. Although the image of you wearing the collar, naked and heavily pregnant on your knees in front of him wasn’t a bad idea at all…he shakes his head from the delusion. ”Aint for you. Thought about it—but ONLY after have the baby and are settled, and ya know IF —and that’s a mighty big if—we find one that’s not too rough shape, got a good sense about ‘im, then MAYBE I’ll consider it.”

"Oh my god! Thank you! Thankyouthankyou--"

"I said IF sweetheart. Got along road ahead till then."

"I'll give you as many blow jobs as you want."

"You already do that for yourself."

"Yeah but... how about I sit on your face? Fully?"

His ears perk up. "Yeah?"

"After the baby is born," you quip, smirking with more confidence then your swollen body can muster trying to wiggle away from his grasp like a devious chubby oompa lumpa. He just laughs to himself as you slip down the bed, and the sudden urge to pee has you B-lining to the bathroom.

- - - -

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