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#marty mcconnell
romancestual · 1 year
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“vivisection (you’re going to break my heart)” by Marty McConnell from The Best American Poetry 2014, edited by Terrance Hayes and David Lehman.
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apoemaday · 11 months
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Survival Poem #17
by Marty McConnell
because this is what you do. get up. blame the liquor for the heaviness. call in late to work. go to the couch because the bed is too empty. watch people scream about love on Jerry Springer. count the ways it could be worse. it could be last week when the missing got so big you wrote him a letter and sent it. it could be yesterday, no work to go to, whole day looming. it could be last month or the month before, when you still thought maybe. still carried plans around with you like talismans. you could have kissed him last night. could have gone home with him, given in, cried after, softly, face to the wall, his heavy arm around you, hand on your stomach, rubbing. shower. remember your body. water hotter than you can stand. sit on the shower floor. the word devastated ringing the tub. buildings collapsed into themselves. ribs caving toward the spine. recite the strongest poem you know. a spell against the lonely that gets you in crowds and on three hours’ sleep. wonder where the gods are now. get up. because death is not an alternative. because this is what you do. air like soup, move. door, hallway, room. pants, socks, shoes. sweater. coat. cold. wish you were a bird. remember you are not you, now. you are you a year from now. how does that woman walk? she is not sick or sad. doesn’t even remember today. has been to Europe. what song is she humming? now. right now. that’s it.
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taruolentow · 4 months
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“WHEN THEY SAY YOU CAN’T GO HOME AGAIN, WHAT THEY MEAN IS YOU WERE NEVER THERE” by Marty Mcconnell
pretentious artsy angst of my dnd pc ilta <3
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dk-thrive · 7 days
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There is space in my bones // for only so much grief. The rest / has to wait for sleep.
— Marty McConnell, from "Elegy" (Southern Indiana Books)
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"you take a lover / for granted, you take / a lover who looks at you / like maybe you are magic."
Read it here | Reblog for a larger sample size!
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I don’t know how you could trust anyone who’s never been lost inside their own body.
Marty McConnell
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squeakowl · 3 months
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You deserve a lover who wants you disheveled, with everything and all the reasons that wake you up in a haste and the demons that won’t let you sleep. You deserve a lover who makes you feel safe, who can consume this world whole if he walks hand in hand with you; someone who believes that his embraces are a perfect match with your skin. You deserve a lover who wants to dance with you, who goes to paradise every time he looks into your eyes and never gets tired of studying your expressions. You deserve a lover who listens when you sing, who supports you when you feel shame and respects your freedom; who flies with you and isn’t afraid to fall. You deserve a lover who takes away the lies and brings you hope, coffee, and poetry. ~ Marty McConnell
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blackberryjam · 1 year
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marty mcconnell, when they say you can’t go home again, what they mean is you were never there
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strangelovealchemist · 8 months
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“At some point it becomes true that all stories
are love stories. all making, love making.
I didn’t make this rule. but it binds me
all the same. I wish there were a law
against condescending against love. against
the economy of fear that says your joy
means less joy for me as if love
were pie, or money, or fossil fuel
dug or pumped from the earth, gone
when it’s gone. it’s just not true. the heart
with its gift for magnificent expansion
is not coal. not fruit set to spoil or the dollar
cringing in its wallet. when you say darling,
the world lights up at its edges. when mouths
find mouths and minds follow or minds find
minds and mouths, hands, hips, toes, follow –
how about you call that sacred. how about you raise
your veined right hand and swear on the blood
that branches there, yes. I take this crush
to be my lawful infatuation. I will bend toward joy
until the bending’s its own pleasure. I will memorize
photographs and street maps, I will acquiesce
to the maudlin urgency of pop songs and dance,
and dance – there’s a perfection only the impossible kiss
possesses. there are notes you can only hear naked
in the dark of a room to which you will never
return. anything that moves the world toward light
is a blessing. why not take it with both hands,
lift it to your lips like a broth of stars. this
is the substance that holds our little atoms together
into bodies. this sweet paste of longing
is all that binds us to the earth.
and all we know of the gods.”
— “Three of Cups,” Marty McConnell
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exolovek · 1 year
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embraceyouropacities · 2 months
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“Instructions for a Body” — Marty McConnell
Praise the miracle body: The odd and undeniable mechanics of hand, Hundred-boned foot, Perfect stretch of tendon. Praise the veins that river these wrists.
Praise the prolapsed valve in a heart. Praise the scars marking a gallbladder absent. Praise the rasp and rattle of functioning lungs. Praise the pre-arthritic ache of elbows and ankles.
Praise the lifeline sectioning a palm. Praise the photographic pads of fingertips. Praise the vulnerable dip at the base of a throat. Praise the muscles surfacing on an abdomen.
Praise these arms that carry babies and anthologies. Praise the leg hairs that sprout and are shaved. Praise the ass that refuses to shrink or be hidden. Praise the cunt that bleeds and accepts, Bleeds and accepts.
Praise the prominent ridge of nose. Praise the strange convexity of ribcage. Praise the single hair that insists on growing from a right areola. Praise the dent where the mole was clipped from the back of a neck. Praise these inner thighs brushing. Praise these eyelashes that sometimes turn inward. Praise these hips preparing to spread into a grandmother’s skirt. Praise the beauty of the freckle on the first knuckle of a left little finger.
We’re gone In a blizzard of seconds. Love the body human while we’re here, A gift of minutes on an evolving planet, A country in flux.
Give thanks for bone and dirt And the million things that will kill us someday, Motion and the pursuit of happiness, no guarantees.
Give thanks For chaos theory, ecology, common sense That says we are web, A planet in balance or out, That butterfly in Tokyo setting off thunderstorms in Iowa.
Tell me you don’t matter to a universe that conspired To give you such a tongue, Such rhythm or rhythmless hips, Such opposable thumbs.
Give thanks or go home a waste of spark. Speak or let the maker take back your throat. March or let the creator rescind your feet. Dream or let your god destroy your good and fertile mind.
This is your warning. This is your birthright. Do not let this universe regret you.
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ashtrayfloors · 6 months
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the fidelity of disagreement
Because there are seven kinds of loneliness the receptionist keeps a basket of candy by her desk. I keep my hair long out of some poorly sublimated need
for tangible accomplishment. On Tuesdays, the man under the El tracks calls me Miss America. Most afternoons, the jobless gather in pockets
to shout compliments to each other across Sheridan. It sounds a great deal like seagulls calling other seagulls over the lake, or more accurately, around the raw ascending buildings
where they screech directions, one to the other, head for water that is not the river, past the bridge and the Picasso,
over the heads of the unlisteners, headphones tucked into our ear-beds, and this is the first loneliness. In the dream, I pull away slowly, and you stand there, very still. When I turn
the corner, you are still there, and the next, still there in the rearview, then it's not a car at all but a movie, you're in an airport in San
Francisco, on an ex-lover's couch in Seattle, it's unseasonably cold for October, even for Chicago. There's too much room on the mattress
and your shoes sit panting in the closet. What do I know about loneliness. You're on your way home to me
and a kitchen where the overhead light sighs into a dim and the spoons tuck their worn faces away. It's best to argue in person, so you can see
where to aim the knives. This is the third. I don't know what I would name a child. Four. Across the train, a grown man memorizes the pattern
of a girl's school uniform skirt. A shirt button is about to come undone. He leans forward in his seat, our train a compression chamber draining. Five. Somebody says, you have
to show up early if you want to get the chocolate. I want to name this something other than sorrow, tell you
I have a bird behind each knee. One is always in a panic. The other, most often asleep. I wish I could tell you that I know what I'm doing. Was I ever a woman
who could shave her head without flinching? I was. This is the sixth. We have time for mistakes. The men on the street orbit
the employment office in a set rotation I cannot translate. What loneliness is left? You have the most beautiful face.
—Marty McConnell, from Wherever I'm At: An Anthology of Chicago Poetry (After Hours Press, 2022)
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thriftdyke · 7 months
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tagged by @grieving4theliving 9 favorite books! I suck at remembering books I loved in the past so these are just the books I’m used to telling people are my favorite books plus some I’ve read recently plus fav series. (for series I tried to choose my fav from each but the series as a whole can also be represented)
tagging:
@loveyouslay @jordanshenessy @friendofcars @eruditetyro @lesbianjudasiscariot and anybody else who wants to!
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wine-porn · 6 months
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Martaella McFly
They don’t call him Dr. Pinot for nothin. Rich and delicious in the nose, a ackground of bitter mineral steely and vegetal: gunpowder fluff on ripe decadence–or maybe the opposite. Layers of licorice and rust on juice rather tart in bouquet but built on leathery pillows of smoky grandeur. Isn’t Pinot wonderful? It’s not sharp and acidic in the mouth: rather capitalizing on RRV luxury throughout…
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Bloodsport - Yves Olade / Aleksandra Waliszewska / Every Single Night - Fiona Apple / Eat (2014) / Heavy Balloon - Fiona Apple / Ana Teresa Barboza / Dark Places - Gillian Flynn / Breezeblocks - alt J / No Good Bloodsuckers - Emma Rebholz / The Waves - Virginia Woolf / Soft Targets  - Deborah Landau / Norwegian Wood - Haruki Murakami / Game of Thrones / tbd / Much Ado About Nothing - Shakespeare / Angelica Carnis - Mark Ryden / Ashley - Halsey / Johnny Panic & The Bible Of Dreams: Short Stories, Prose And Diary Excerpts - Sylvia Plath / Gold Satin Dreamer - Nicole Dollanganger / Brain Damage / Jessica Harrison / Blood Roses - Tori Amos / Riot Poof - Tori Amos / Michelle Pfeiffer (Solo Version) - Ethel Cain / Medea - Euripides / Girls Can’t Play Guitar - BONES UK / Smells Like Sex - Sizzy Rocket / Смерти Больше Нет (Death No More) - IC3PEAK / QimmyShimmy on ig / x / The Best American Poetry (2014) - Marty McConnell / Zura.hell / The Agonist - Shastra Deo / Teeth - Lady Gaga / You Are The Apple - Lady Lamb / The Body - Stephen King / 🥩 / Sick Like Me - In This Moment
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ahaura · 10 months
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Bones and All (2022) dir. Luca Guadagnino
Hélène Cixous, The Love of the Wolf
Haruki Murakami, Norwegian Wood
Maud Ellmann, The Hunger Artists
Catherynne M. Valente, The Bread We Eat in Dreams, “The Red Girl”
Marty McConnell, The Best American Poetry (2014) ed. David Lehman & Terrance Hayes, “vivisection (you’re going to break my heart)”
Start Web Weaving Text & Image IDs:
[Image ID (1 out of 6): Maren is eating Lee; the shot is focused on Maren. The shot is in black and white. End ID]
Hélène Cixous, The Love of the Wolf
[Text ID: I beg you, eat me up. Want me down to the marrow. End ID]
[Image ID (2 out of 6): Maren is clutching her father's father's coat to her chest on her bed as she cries, shortly after he abandons her. End ID]
Haruki Murakami, Norwegian Wood
[Text ID: I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it—to be fed so much love I couldn’t take any more. Just once. End ID]
[Image ID (3 out of 6): Maren and Lee sit across from each other in a diner; Maren is not looking at Lee and Lee is looking at her as he drinks coffee. End ID]
Maud Ellmann, The Hunger Artists
[Text ID: Since sexuality originates in seating, it is always haunted by the imagery of ingestion, having neither an object nor a territory proper to itself. Yet eating, in its turn, exceeds the biological demand for nourishment, for it expresses the desire to possess the object unconditionally. The infant sees his stomach as a safe in which he hoards his loot, thus learning his first lessons in private property. The genesis of secrecy may also be attributed to eating, for it is well known that the best way to keep a secret is to eat the evidence. {Highlighted} The stomach is a place almost as private as the grave. {End Highlight} End ID]
[Image ID (4 out of 6): In the dark of night outside of their blue pickup truck, Lee holds Maren's face in his hand. His face is bloody; he is shirtless. Maren's face is not visible to the camera. End ID]
Catherynne M. Valente, The Bread We Eat in Dreams, “The Red Girl”
[Text ID: I love you but there are things older and murkier than love. Things that live not in the heart but the entrails. I don’t want you to see me with the wolf. I don’t want you to see what he does to me. I don’t want you to see what I do to him. End ID]
[Image ID (5 out of 6): In daylight, Maren holds Lee; the viewer cannot see Lee's face. End ID]
Marty McConnell, The Best American Poetry (2014) ed. David Lehman & Terrance Hayes, “vivisection (you’re going to break my heart)”
[Text ID:When I say eat me I mean suck the bones clean, leave nothing
for the waiting, nothing for the vultures or the travelers to come. End ID]
[Image ID (6 out of 6): Maren is eating Lee; Maren's face is out of the shot but the viewer can see her hand on Lee's face as he screams. He is holding her hand to her face. The shot is in black and white. End ID]
End Web Weaving post Text & Image IDS.
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