seriously have been thinking about this all night long. call me autistic but the fact that 90% of workplaces the point is not to get your work done and then be done doing it but to instead perform an elaborate social dance in which you find something to do even when you're done doing everything you need to do in order to show your fellow workers that you, too, are Working . because you are at Work . disgusting why cant we all agree that if there is no work immediately to be done. we just dont do anything
Having a cat in winter time is very very dangerous they don’t warn you.
“It’s cold.” I knew that part. I’ve been through 27 “it’s cold”s in my life. “It’s cold AND there’s a soft little cat asleep on my bed with me”? Dangerous. Absolutely dangerous. You will never ever get up again.
The (Hopefully) Comprehensive Guide to Drawing Transformers! [1]
[Chapter 1/5?]
Decided to make a little quick guide to drawing transformers/humanoid mechs because some people asked! (Plus I thought it'd be fun lol) .... Hopefully it makes sense and helps some people out :'D
[Next] -> coming I dunno when, I keep adding to my WIP pile......
monday morning gets a bad rap but in a traditional monday through friday, 9-5 office job, it's tuesday that really fucks you. you're prepared for monday. you see it coming. you're refreshed from the weekend and you can tell yourself that this week is full of potential and promise because you haven't been back to work yet. you've got momentum to pull you through. tuesday morning, though? tuesday morning the weekend is fucking gone. you were just at work and you know exactly what's in store and there is so, so much week left. by wednesday the week is half over. by thursday it's almost over. by friday it might as well be over. tuesday morning has nothing going for it except for the fact that it's tuesday again and you can think about that dog.
i'm suddenly thinking about rockstar!eddie shooting a music video on some naval ship and meeting actual sailor!steve who's all dressed up in his whites 'cause eddie's a big name star and the captain said everyone had to look their best and eddie immediately folding for the pretty guy in uniform
just: eddie wanting a couple of the guys to act in the video 'cause hopefully then they'd actually know what they're doing, and asking the capt to point out his most competent sailor. the capt immediately points out one of his low-ranking ensigns (like, brand new baby officer 'cause that's the kinda shit an officer would pull) and eddie, having been raised by wayne (who i'm hc-ing as a navy vet) knows better and is immediately like "No sir, I said your most competent, not your least. someone point me to THE second class. Where's he? I need an enlisted guy." and a higher-ranking chief that's been following the band around the ship all day bellows out a laugh and says "You're gonna want Harrington, Mr. Munson."
idk idk, it's niche but for some reason my mind went into the cold clammy depths of my time in the navy this morning and i was like 'NOPE! don't wanna dwell here, make it fun! make it about the blorbos so you dont get sad!!' lmao
This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
Frame 1. "turn down the lights"
We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
Frame 2. "turn down the bed"
We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
Frame 3. "turn down these voices inside my head"
Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
Frame 4. "lay down with me"
Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
Frame 5. "tell me no lies"
An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
Frame 6. "just hold me close"
pspspspsps
Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
Frame 7. "don't patronize"
In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
Frames 8-9. "don't patronize me"
Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
Frame 10. "'cause I can't make you love me if you don't"
A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
Frame 11. "you can't make your heart feel something it won't"
Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
Frame 12. "here in the dark in these final hours"
Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
Frame 13. "I will lay down my heart"
A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
Frame 14. "and I'll feel the power"
Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
Frame 15. "but you won't, no, you won't"
A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
Frame 16. "'cause I can't make you love me"
We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
Frame 17. "if you don't"
But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
Jazz stood in her Fenton Ghost Peeler Suit and crossed arms before a group of Gothams vigilantes. Her little brother was hugging her around the shoulder, in his Phantom form and floating. His face pressed into her shoulder and letting out quite ghostly whines couple with her name in ghost speech. He was clearly distressed.
With crossed arms, she glared at Gotham's vigilantes. They stood before her as a group. But the front took... Nightwing? She believed that was the name he used to introduce himself, who had the current Robin clinging to his arm. The kid looked as distressed as her brother, and normally, she would care to help, but right now, she was in protective sister mode. HER brother came first.
"We really mean no harm. It's just Robin and the others mistook him for a clone, and we would like to-"
"No." She cut the guy off. She glanced at HER baby brother, still refusing to look up and face the situation as he made another ghostly whine, before looking back at the group of vigilantes.
"I can see how they could be related." She raised an eyebrow below the visor at how hopeful the groups stance became. They don't know Danny's human form, but that's the excuse they use for attack her brother? They assumed he was a clone just because he looked like the inverted image of one of them? Fat chance that she would let them anywhere near him now. "But, you attacked MY baby brother-"
"And we are very sorry about that!" Nightwing cut in but Jazz ignored it.
"The point is you attacked him. I don't care if they are related. This is MY baby brother and if that is their reaction on seeing him and handling his own ghost rogues. I will NOT allow them to be part of his life unless Phantom wants it himself."
Turning around, she pat her baby brothers head and whispered to him in ghost speech. "Common Danny, let's go. Let's visit that planetarium you wanted to see later. After that we never have to come to Gotham again, I can go to another university somewhere far away from here."
They didn't know Phantom was Danny Nightingale, neither did they know that she was Jasmine Nightingale. This would be a one-time meeting and stay that way. Her baby brother did not need people like that in his life after the falling out with their parents they had.
authors notes: first work and i wrote this in one sitting...it's okay we're fine ♥ also i may have based him off of myself and i will probably do that with a lot of my ocs! my bad i'm just a theater kid who likes to write
➼ yandere! Actor who first only knew you as one of the stagehands, always flitting back and forth behind the curtains.
➼ yandere! Actor who didn't even know your name until you got promoted to prop manager.
➼ yandere! Actor who never knew how every character that he played fell in love with someone at first glance, but as soon as you walked onto the stage and started giving out your orders, it was like the heavens had shone their light upon you and you only.
➼ yandere! Actor who was infatuated with everything about you. Your responsibility, your assured nature, the way you'd sternly correct him when he messed up his lines because he "should be reading off his script, not off my face".
➼ yandere! Actor who was always on top of his game, one of the best actors in his region, yet when you looked at him with your concentrated eyes it was like he was a rookie again.
➼ yandere! Actor who would be stuttering and tripping over his words on purpose just to get you to come up and read it with him, your warm body so close to his that he could almost taste the perfume you were wearing.
➼ yandere! Actor whose heart raced whenever you praised him, even a simple "good work today" would give him butterflies.
➼ yandere! Actor who knew that opening night was approaching, so he worked day and night to memorize his lines. The excited smile on your face when he was able to perform the whole dress rehearsal without flaw was something he'd never forget.
➼ yandere! Actor who, standing behind the curtain on the first day of their showing, suddenly started to shake. He's been in the industry so long that he forgot what it's like to have pre-show anxiety, and he doesn't even know how to deal with it. Suddenly, a warm hand is put on his shoulder.
"You're shaking." You point out, turning him around to face you. "Why? Are you feeling alright?" You place the back of your hand on his forehead to feel his temperature. "You're not warm, so you're not sick..." You think about it for a second, looking him in the eyes with a warm smile. "Are you...nervous?"
Aurelian doesn't speak, instead, he just nods. He's ashamed of you having to see him like this, the Aurelian Yavuz, getting jitters right before the opening night of one of his most popular shows.
"Hey, look at me." Your voice is soft, yet commanding, forcing him to look into your assuring eyes. You place both your hands on his shoulders, gripping them firmly to help ground him.
"You've done this show countless times before, and we've read the script together so many times that it should be burned into your brain by now." He laughs slightly, a sign that your motivation is working.
"You're one of the best actors I've ever worked with, and one of the most dedicated as well. You've spent so many hours reading, fixing, and editing this performance so that it's just right and absolutely nothing could go wrong. Am I correct?"
He nods again, making you click your tongue.
"Use your words. Am I correct, yes or no?" Your firm tone makes it hard for him to disobey, especially when you look at him with those fierce eyes.
He gulps, taking a deep breath before responding.
"Yes, you're correct. I've done so much to make sure that this show is perfect, so I have no reason to be nervous." He stands up straighter and walks backstage, adjusting his costume in the mirror. "Plus, I know that you'll be watching, so everything will be okay~." He winks at you from the mirror, making you chuckle.
"Exactly. We behind the curtain will be making sure that everything goes smoothly, so all you have to do is go out there and do what you do best." The lights start to dim as the audience applauds. You pat him on the back and adjust his collar for him.
"The stage is yours, Auri." you nod at him as he takes a deep breath, walking out onto the large wooden stage to loud cheering. His voice booms through the stage, and soon enough, the show is over. The cast takes their final standing bow and walks back to their dressing rooms. Aurelius makes a beeline for the lighting booth where you are usually sitting; he bursts through the door backstage, only to find your seat empty.
"What...?" he looks around for any trace of you, but it's like you've disappeared. He takes a seat in your chair and waits for what seemed like hours to him because of how tired he was. 15 minutes after the show ends, he hears your voice from outside the door. he gets up to open the door, but as soon as he does, the door opens with a creak. There you are, standing in the doorway with a coffee in one hand and your bag in the other, looking up at him surprised.
"Auri, why haven't you changed? Everyone's already leaving, you should go too-"
"You weren't watching." He cuts you off, looking at you with cold, dead eyes.
You look at him confused, setting your bag down on the floor. "What are you-"
I’m literally drooling over the thought of sensitive Bucky whimpering and whining while fucking your tits and thighs he’s so pathetic and needy all he wants is to make you feel good and to fill you with his cum even if it overstimulates him
Okay, tit fucking is great and all but thigh fucking is SO underrated in my humble opinion. Could just be the fact I've got a small chest though lmao
It's so fun when you're already really into it and the insides of your thighs are all slick. I feel like Bucky would lose it, getting to see your face and look in your eyes and enjoy your body.
It's a nice one to do while laid on your side, facing each other. Although the angle isn't quite right for him to slip inside you, it's fun to explore the other ways your bodies can steal pleasure from one another.
"This isn't going to work, sweetheart." You can't help but laugh, having already tried everything you can think of to make the height difference work. There's no way to keep this romantic and intimate in that position because there's just no chance of aligning your bodies properly to allow him to press inside you.
"Maybe not. But it feels nice anyway." His eyes flutter shut, gliding his dick over the smooth, soft, warm insides of your thighs, encouraged by how slick and easy your arousal makes the movement.
You adjust yourself to bring your other thigh on top of his length, closing him in on both sides.
You're wet enough that friction doesn't impede his movement too much and there's something oddly romantic about it. Maybe it's his hand smoothing the back of your head or his other hand up your back, pulling your body closer to his.
It's so intimate, watching his face as he whines your name, rutting senselessly against your thighs. The little flush to his cheeks is beautiful and you can't resist kissing the thin sheen of sweat on his forehead. The thick duvet on top of you both, coupled with your combined body heat means the room is far hotter than you'd planned.
You take a second to reach between your bodies, spreading your wet folds and readjusting his length, letting him drag his cock against your neglected clit with each stroke and oh, that's pretty mind-blowing.
"O-oh my God." He whines, desperately fucking himself against your wet cunt, rather than into it. It's a different kind of pleasure to being inside you and while they're not comparable sensations, it doesn't stop this from feeling fantastic.
"Fuck, that's good." You groan, rolling your hips to meet his. Your fingers dip between you once more, gathering some of your slick arousal, using it to glide your fingertips over the underside of his shaft and over his balls.
"Holy shit, that's - fuck." Bucky's hardly got a coherent thought left in his head. He's closed in on both sides by your wet, soft thighs and now your fingers are giving him a different sensation underneath while pressing him against your soaked sex.
"I know, baby. Feels good, doesn't it?" Your fingertips trail lightly back and forth over the underside of his shaft, focusing on the inch or so beneath the tip.
"I can't... I need to cum." He groans, thrusting frantically, clinging to your body to keep you close. Within a few seconds, you feel his dick pulse under your fingertips, his cum coating the inside of your thighs in hot, thick, messy spurts.
He doesn't waste a second, kissing your forehead before kissing your neck and whispering "Good girl. Now let me watch you get yourself off with my cum on your fingertips."