Movie of the week - Prisoners (2013)
this review may contain spoilers
Prisoners is by far one of the most intense movies I've seen in a while. It's slow, winding story weaves a tale of a depraved case piece by piece in a gripping, personal style.
the way the story of Prisoners unfolds really makes the viewer feel like they're in the protagonists' shoes. Every little throwaway detail is a clue, is a piece of a puzzle we don't really see until the very, very end.
This movie is long, and that is essential to the story it tells. It feels like a week has passed since the movie starts, yet never once does it drag it's feet in the mud. Every clue, twist and reveal is perfectly timed and happens right when you might start to nod off. It always manages to re captivate your attention and keep you guessing.
The brutality of this movie is not to be underestimated, however it's almost subtle. This movie unsettles you until the payoff of a scene that is deeply and truly disturbing. Unlike other "disturbing" movies prisoners gives you time to breathe, reminds you of what's normal before facing you with morbid reality.
Every character feels real, even the broken extremist that is Keller. And honestly I think that's what makes this movie so different from other crime thrillers. Nothing feels over the top or cliche, it all feels deeply realistic.
it's a very difficult movie to describe without breaking down ever single scene- which in my opinion would ruin the film. The best review I can give is to tell you all to see it and experience it for yourself.
All in all Prisoners is an intense, slow, rich story that perfectly distills everything that makes true crime disturbing and sets it apart from other genres of horror. I would recommend it to any fans of true crime or realistic horror.
5/5
11 notes
·
View notes
someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
9K notes
·
View notes
Movie of the Week - Tremors (1990)
This Review may contain Spoilers
I. Love. Sandworms.
That's really all I have to say about this movie, it's a pulpy, fun creature feature with great practical effects and a fun cast. It's not particularly deep, nor is it very scary - but my god is it fun!
It succeeds in every way a creature feature should: believable and quirky action, solid worldbuilding, and great looking monsters!!! I cannot underestimate how good the grabboid puppets are!!! There awesome!!!!
One thing I will say this movie does well, beyond perfecting the creature feature form, is how much it packs into 90 minutes. For such a short movie, so much happens and never once does it drag on or become bloated. Each kill and each micro-evolution of the graboids is perfectly spaced to keep the movie going but also to get as much out of the run time as possible.
This review is short, very short, but I'm not going to sit here and pretend that this movie is anything more than it is - the perfect B Movie. An amazing monster movie that's perfect for parties, or taking camping, or watching on a plane. It's not deep, and all the art comes from the amazing work done by the effects team, but that doens't mean it's not one of my favorite "horror" flicks!
8/10.
5 notes
·
View notes
something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
7K notes
·
View notes