i'm so used to there just being random unidentified bones laying around everywhere in these damn books that it finally occurred to me, just now, to wonder where the bones on new rho came from. y'know, the bones palamedes always tried to teach nona necromancy on.
they're his.
palamedes, who always loved teaching, living on borrowed time in a body that's not his own. palamedes, mentoring, teaching- parenting, by sixth standards, mind you. and that boy is sixth, through and through.
and the entire point of teaching nona necromancy in the first place was to try and determine if nona is, well, nonagesimus, right? so it has to be bones, it can't not be bones. bones are, like, her whole thing.
but they're not in the nine houses, anymore. things are different, on new rho.
they burn bones here. dig up the cemeteries. a society terrified of zombies will evolve to dispose of its dead differently.
the only bones he has access to now are his own. (camilla wouldn't let anyone take them- skull or hand, doesn't matter. they're still him, and she doesn't let go, remember? it's her one thing.)
palamedes woke up every morning wearing someone else's body to then gently place the shrapnel of his own in the cupped palms of a girl who's the closest thing he'll ever have to a daughter and try to teach her- how did the angel put it, again? normal school, as much as possible, for as long as possible.
(but hey, in a roundabout way, at least it's a chance for him to touch camilla again, right? nevermind that she's not there to feel any of it because he's in the driver's seat, that he can only stay for fifteen minutes at a time. it's atoms that belong to camilla touching atoms that used to belong to him, and that's close enough. he'll take what he can get, these days- if she can be their flesh, he can be the end. so what if holding his own bones is a mindfuck? so what if looking at them makes him nauseous? surely he can suck it up and deal with it for fifteen minutes. it's the least he can do— his poor camilla was the one who had to scrape the bloody pulp of them off the floors of canaan house.)
(speaking of, here's a fun fact: we actually only see nona practicing with the bones one time, on-page. camilla's final line in that scene, before palamedes takes over, is none other than: 'keep going. there are some bones left.' ow!)
remember, too, that the only part of dulcinea, the real dulcinea, that palamedes ever physically touched, was her tooth- the one that ianthe gave him, pulled from the ashes cytherea burnt her down to. he only ever touched dulcie once, and it wasn't until after she was already gone, but that doesn't matter- it still happened, and you can't take loved away.
in this same roundabout, bittersweet, by-proxy sort of way, palamedes has been physically touched by nona, too: the atoms she currently occupies, touching atoms that he used to occupy, and never will again.
the main interaction we've seen between palamedes and his mother took place back on the sixth, with her acting as mentor and him as pupil: the two of them studying a set of hand bones, juno encouraging him every step of the way.
we know that harrowhark's "most vivid memory of her mother was of her hands guiding harrow's over an inexpertly rendered portion of skull, her fingers encircling the fat baby bracelets of harrow's wrists, tightening this cuff to indicate correct technique."
they're still small for a nineteen year old, but the wrists are bigger, in this new set of memories nona's making. and it's not an inexpertly rendered portion of skull anymore- it's a hand, now, albeit one crafted from [a piece of skull reassembled (painstakingly—passionately—laboriously reassembled) from fragments, manually, and not by a bone magician, from the skull of someone who, soon after death or symptomatically during, had exploded.] and the identity and origin of these bones is no mystery at all. they belong to palamedes, and he's consented to their use for this purpose, and that matters.
but the details are just set dressing, really. the foundation of the memory is the same.
palamedes and his mother, juno and her son.
harrow and her mother; pelleamena and her daughter.
nona and her father-mother-teacher; palamedes and his daughter.
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thirteen update 🍂 🎹 🏠 👻
chapter 2: November
chapter summary:
She was in a good mood. If she was ever going to take it well, it would be now.
“Maman, what if I went to school this year?”
excerpt:
“Heh.” Adrien flicked a finger beneath his chin and strutted the length of his bathroom floor, glancing at himself in the mirror. He twirled a rose—a red one, one he’d grabbed from the vase downstairs—between his fingers and then presented it to the mirror with a flourish.
“Haruhi!” he declared, “the spring of my heart surges upon the sight of your fresh smile, my love. My heart beats at the command of your drum! Your face is the fierce longing of my soul, and I present to you now this token of my lavish, undying—”
A sharp knock clicked against the bedroom door and Adrien froze, his hand still passionately hovering over his heart.
“Adrien?” Nathalie’s voice called, and Adrien—true to character, if he did say so himself—startled so hard that he slipped and fell onto his butt on the tile.
“Yeah?” he called, hastily pulling himself up and trying to find a place to set down the rose.
Nathalie peeked her head through the bathroom door and took him in, his rumpled hair and the too-small blue blazer he’d saved in the back of his closet for occasions such as…this.
“You have a guest,” she said flatly, and Adrien could not for the life of him figure out whether she was making fun of him.
She left before he could decide, and then it was only a matter of seconds before his bathroom door was thrown all the way open and a blonde ponytail bobbed into view.
“Adrikins!” Chloé crashed into him, wrapping him up in a hug that nearly knocked him over again. “It’s been way too long. You’ve been neglecting me. Aw, did you get me a rose?” She plucked it from his hands and then scrunched up her nose. “Ew, is this real?”
“As real as the current that springs from the well of my heart,” Adrien invented, and Chloé frowned at him like he’d just spoken Greek. “Nevermind.”
She looked him up and down and scrunched her nose up even more. “What did you do to your hair?”
Adrien frowned at his reflection in the mirror and pushed his hair further over to the side.
“I was trying to make it look cool.” He’d been trying to make it look like Tamaki from Ouran High School Host Club.
“It looks like you just rolled out of bed.”
read on ao3
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The thing that draws me most to this fandom, and the things that makes it unique, is that by the mere nature of the works we love, everyone's Arda is different. And not just in the usual headcanon-y ways that are typical of every story, but even down to important plot and characterization points.
Who is Gil-Galad? What is the Oath and what does it have power to do? What really is the Dagor Dagorath? How do the Laws Of The Universe work?
And beyond that- what parts of HoME do you pick and choose? LaCE? Does anyone try and work with Tolkien's horrendous math? Have you taken parts of your Arda from older or other worlds, with the Cottage of Lost Play and the exile of the Gnomes?
Have you given names to the wives and daughters? What do they mean- who are they? Mother-names or father-names for those who only had one?
I just really love how even when two interpretations of the same world seem utterly incompatible, they aren't. I'd love to see other additions/headcanons!
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Do you ever just lay awake at night, turning over in your head the stark difference in delivery between Hewson's Van saying--steadily, unshakably--"it's just something that's happening to you...happening to us" and Cypress' Taissa saying--imploringly, whiningly--"this was not just my dream, this was our dream"?
Do you ever just turn it over and over, how often Tai tried to scare Van away, and how it only made Van set her feet more firmly? How Taissa's first love was this person who saw a problem fall into Taissa's lap, a problem that was quite literally trapped inside Taissa's body, and decided unflinchingly: No, that's an us problem now? How she refused point-blank to walk away even with blood in her mouth, how she flatly informed Tai "I'm never gonna be scared of you", and promptly turned a moment of pain into a declaration of love? And how this would etch itself into Taissa for the rest of her life? How she'd take these things that worked with Van--with the person Van was, with the bond they shared--and try so hard to run through an identical script with Simone?
Except Simone is her own person. A completely different kind of person. A person who hasn't been offered any of the context, any of the realities going on inside Taissa. So: naturally she doesn't respond the way Van did at eighteen--and will go on to do all over again in her forties. Naturally, she hears our dream as the excuse it is, not as a plea for connection. Naturally, she is scared away when Taissa pushes, and shouts, and begs. Because there isn't blood in her mouth, not yet, but there will be. And they have a son to worry about. And she isn't eighteen and a special kind of immortal, a special kind of romanticized. She's a grown woman with responsibilities, with priorities, with an understanding that you can't fix someone just because you love them. And Tai can't just perform a revival of the play she and Van had memorized twenty-five years later with a whole new performer in the works, and expect it to shake out the same.
Of course it doesn't work. But look at Taissa trying it. Look at Taissa trying to reframe her first love through a new lens. Trying to recast it. Trying to play it through again. Van taught her love was sticking out the blood, shaking off the pain, making a you problem into an us problem. Does it ever just eat at you, how tragic it is, watching Taissa try to shape her marriage around a woman who isn't even wearing a ring?
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I'm the wife in my marriage.
It's funny to me anyway. Funny to me because my wife is the very picture of femininity, loving, caring, sexy, pretty, beautiful wife, loving and adored by all her children. And a satisfied and hot for her husband.
But to me she is beautiful and terrible as the Dawn! Treacherous as the Seas! Stronger than the foundations of the Earth! All shall love her and despair!
And yet she chose me.
So to all the hella ladies who rejected my advances? Y'all missed out. Because she saw in me what way too many people couldn't. And sometimes still can't.
And she wants to run my life. And the lives of our whole family. And we all kinda love it. Mostly. But it ain't worth the headache or heartache of fighting her on anything. She's Daddy's little princess and her mother is the loving matron and queen bitch of the family and we all stay in line. Mostly. I love to do my own thing too much for my own good. But it keeps our fights about stupid stuff instead of my weed use again.
(I'm dead ass functional and present from 6am on till I finally get my insomniac ass too sleep while high just to escape the constant anxiety about my sick daughter's upcoming surgery, my dying suegro, my mourning wife, disturbed autistic son, special needs princess Daddy's girl I'm spoiling her to death to make her just as powerful and ungovernable mother and it's working too well already. Have you ever negotiated with a hostile bitchy entitled as fuck child? )
Anyway, you wouldn't know it looking at me or talking normal chitchat, but I'm pretty fucking manly. In the way my culture defines manliness. I'm not very masculine. But I'm very manly.
I'm feminine as fuck in my household. I mother the kids, help their emotional development, work on my wife's emotional and mental well-being, and I'm the one never in the mood for sex. And I do every single thing she says. And then she does the discipline and management of the family's affairs. And she's the one who has to seduce me. Did I mention she was sexy as fuck? (While I'm awkward as fuck every time we even roleplay.) And a horny Latina. (That's why these horny sexy, nice, Latinos are taking over. It's natural selection. The Whites just can't compete and as usual are getting their panties in a twist over not being able to compete even with everything in their favor to out reproduce them all but it was too many kids for a nuclear family to handle Whites.) So beautiful hot queen sexy as fuck Latina seduces me every night. #blessed. So fuck yeah I don't wanna fuck up this arrangement. So I do everything she tells me to and treat her real good and let her win every argument and over apologize. Except when I make a rare exception to make a stand in something important or just to make some trouble and have some fun.
Oh yeah. She's a clean freak 😮💨 But she's an impatient Latina housewife perfectionist clean freak. So she gets mad at my perfectly good job when company isn't ever coming job and tells me to stop even trying to clean. Go play Minecraft with your daughter to keep her occupied.🤣
I have the best living situation ever. I'll be your bitch my bitchy highness. Just please keep playing with my hair on your lap. Oh, and that sucking my dick the way you do and being right 95% of the time on judgement calls.
So yeah I'm the wife.
And I got a pretty good life.
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