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#sometimes the story builds there own life
moeitsu · 1 day
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The Tie Which Linked My Soul To Thee
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Summary: Arthur and Hosea share meaningful conversation after a night of advertising some moonshine. Meanwhile Kate finds herself involved in a dubious mission with John and the boys. She patches up Arthur as the day ends with an air of unspoken desire. Ao3  Wattpad Masterlist - All Chapters  TW: Brief mention of suicide, body image issues, eating disorder. Period typical racism. Tag List: @photo1030 @ariacherie @thatweirdcatlady **please let me know if you would like to be tagged in future chapters!
AN: Another long one, ~8k words. The end had me giggling and kicking my feet. I hope you enjoy! Comments and criticism are always welcome :) Story Tags: Arthur Morgan/Original Female Character, Widowed, Original Character, Mutual Pining, Slow Build, Eventual Smut, Eventual Romance, Fluff and Angst, Hurt/Comfort, High Honor Arthur Morgan, Friends to Lovers, Child Loss, Trauma, Canon-Typical Violence, Arthur Morgan Does Not Have Tuberculosis, Arthur Morgan Deserves Happiness, Chubby Arthur Morgan, Alternate Universe - Canon Divergence
Ch 11 - And Felt The Pulse Beat Fast
Kate and I met this strange young bastard, Beau, and his forbidden love Penelope. Poor kids are just lookin’ for freedom but they’re stuck in some old family feud they ain’t even a part of. We delivered some letters for them, Kate insisted on it. I  gave her grief about it at first, but she was determined to go out of her way for these kids. Woman’s got a heart of gold.
Somehow, I ended up marching as a suffragette, the looks of loathing on the face of the locals amused me. I don’t know much about good causes, but I enjoyed my little experience riding alongside them. Kate showed me there’s more than one path, she chose to do the right thing and we still managed to gather some useful information. 
She makes my head dizzy sometimes, this woman. Came right out and asked to kiss me again! I choked up bad. She’s always speaking her mind, like she ain’t afraid of nothing. I love that about her. I wanted to kiss her, but I knew I couldn’t. I just can not do that to her. She’s been through too much already, and she deserves a good man. 
And I don’t deserve that kinda happiness. 
Arthur woke the next morning with a heavy weight on his chest, the remnants of a sleepless night etched into the lines of his weary face. Kate's tender words echoed in his mind like a haunting melody, refusing to fade with the dawn. No one had spoken to him with such honesty and vulnerability in ages, and Arthur couldn't shake the memory of disappointment flickering in Kate's eyes when he couldn't reciprocate her feelings. As much as his heart longed to kiss and hold her again. 
As he lay there, Arthur's thoughts drifted back to Mary, the woman he once loved. He recalled the night he proposed to her, the anticipation heavy in the air, only to be met with the sting of rejection. Mary wanted him to leave behind his life of danger, to embrace a quieter existence with her, far from the chaos of the gang. Arthur understood her desire for simplicity, but he couldn't abandon the gang; the family that needed him. He pleaded with Mary to join him, but she refused, unwilling to sever ties with her own family, especially her younger brother.
Now, years later, Arthur felt he had strayed too far down a path of darkness to ever deserve happiness again. The memory of Mary's rejection lingered as a painful reminder of his inability to change, to be the man she needed. He believed himself beyond redemption, resigned to a life devoid of the joy he once craved.
To his surprise, Kate appeared unfazed by Arthur's refusal the previous night. She greeted him in the morning with her usual warmth, as if their conversation had not left a lingering tension between them. They shared breakfast together, engaging in easy conversation that helped ease some of the weight on Arthur's shoulders. Kate mentioned that she had already discussed their findings with Hosea, who wanted to meet with Arthur later that evening regarding a potential job at the Braithwaite estate.
Her calm demeanor brought Arthur a sense of comfort amid his inner turmoil. As they finished their meal, Kate gracefully excused herself to resume her tasks with the other girls. She promised to join him for dinner as usual, maintaining their routine without skipping a beat. Arthur watched her go about her duties with a mixture of admiration and gratitude. Despite his fears of pushing her away, Kate seemed to understand. And didn’t think ill of him for it. 
As the day unfolded, Arthur found himself immersed in a job orchestrated by Uncle—an opportunity to stage a simple yet lucrative payroll robbery. He teamed up with Charles and together they executed the heist with precision. The stagecoach robbery went off without a hitch, yielding a substantial sum that brought a brief sense of satisfaction to Arthur, feeling like a proper thief he was raised to be.
As the sun began its descent, Arthur sought out Hosea near the hidden stash of stolen moonshine. He detailed his failed attempt to sell back the stolen moonshine to the Braithwaites. Hosea recounted how they had approached the Braithwaite matriarch with an offer, only to be met with a cold rejection. The old woman haughtily declared that they deserved no reward for returning what she considered rightfully hers. Instead, in a spiteful act of retribution, she offered a meager ten dollars to distribute the moonshine for free at Mr. Gray's saloon.
Arthur was puzzled by the Braithwaite's response. Hosea clarified that it was a calculated move—a means of exacting revenge on the Grays and the town drunks. By turning the intoxicated patrons into even greater fools for the night, the Braithwaites hoped to incite chaos and leave Sheriff Gray to deal with the ensuing fallout.
Amidst the chaos of the moonshine-fueled night at Mr. Gray's saloon, Arthur assumed his familiar role as "Fenton," a persona he had adopted in previous schemes alongside Hosea. The act required him to play the part of Hosea’s younger idiot brother, who also happened to be mute. His only job was keeping glasses filled without uttering a single word. Though Arthur despised the charade, he couldn't suppress a chuckle at the absurdity of their antics—the lengths they would go to for a successful heist.
Draped in the guise of Fenton, Arthur navigated the rowdy patrons, handing out moonshine liberally as the atmosphere inside the saloon grew increasingly raucous. The scene was a stark reminder of earlier days, when he and Hosea were younger and life seemed simpler, despite the risks they took.
As the night wore on, the situation escalated when Sheriff Gray himself appeared, prompting Hosea and Arthur to spring into action. Shots rang out, echoing through the old saloon as lawmen pursued them. With practiced ease, they slipped through the back door, disappearing into the shadows and swiftly making their way to the waiting wagon. In the chaos that ensued, Arthur expertly handled their pursuers while Hosea skillfully guided the reins.
A small shootout erupted as the Grays chased them through the winding back roads and fields leading out of Rhodes. Arthur remained focused, taking down their adversaries while Hosea expertly navigated the terrain. The tension was palpable, the thrill of the night's escapade mingling with the danger of their flight.
Approaching the train tracks, Arthur spotted a train. With precise timing, they crossed just as the locomotive barreled through, cutting off their pursuers. The lawmen were left stranded on the other side, unable to follow.
Once they were safely beyond reach, away from the danger that had pursued them, laughter erupted between Arthur and Hosea. It was a release of pent-up tension, the adrenaline-fueled joy of a successful escape mingling with the shared camaraderie of outlaws.
“Remind me to never take up a career in…what was it? Bartending,” Arthur chuckled, glancing back at the remaining clinking bottles they were unable to distribute.
“I didn’t know they’d throw so much of a fuss over booze, this town is odd,” Hosea answered, shaking his head as he cracked the reins of the wagon.
Arthur furrowed his brow, considering the surplus moonshine. “What should we do with all the shine we still have left?”
Hosea’s expression turned grim. “That miserable Braithewaite woman wants us to burn the Grays' tobacco fields with it, I was hoping you and Sean could handle that tomorrow night.” 
“Damn, ain’t that makin’ a bit too much noise? I thought we were tryin’ to lay low in all this. These fellas may be drunks and racists, but they ain’t afraid to kill, you saw them back there,” Arthur expressed his concern.
Hosea sighed, revealing a hint of hesitation. “Dutch thinks there's money in this somewhere. His plan is to get them all riled up on each other and use that as an opportunity to slip in and rob ‘em.”
Arthur fell silent, contemplating the dangerous path they were treading by getting involved in a longstanding blood feud. “Things could get real ugly, Hosea. Do you really think one of these families is sitting on a pile of money?”
“Can’t say. But the cash box is getting full again, Arthur. We’ve been doing well on making money. With just a bit more cash, we’ll be out of here,” Hosea replied, injecting a note of hope into the conversation. Sensing Arthur's unease, he changed the subject. “Kate told me about your adventures yesterday. How are things going between you two?”
As their wagon rattled down the road, illuminated by the soft glow of the full moon, Arthur felt a sense of comfort settle over him. He glanced over at Hosea, his trusted father figure, and knew that he could confide in him about anything. The old man had a way of understanding Arthur's thoughts and feelings without needing them spelled out.
Arthur shifted uneasily in his seat, rubbing his palms together nervously, the words weighing heavily on his mind. It wouldn't escape Hosea's notice that Arthur was quite sweet on Kate. After all, it had been Hosea's idea to pair them up for the day, hoping to give Arthur a chance to spend time with her away from the group.
“I kissed her the other night, when she was singin’ a lullaby for Jack,” Arthur began, the words spilling out into the night air like a secret long kept.“She… she wanted to kiss me again today and, I really wanted to, but I had to let her down easy,”  He glanced over at Hosea, seeking some semblance of understanding in the old man's eyes.
Hosea raised an eyebrow in surprise, a playful smirk tugging at the corners of his lips. “You kissed her and ditched her? I thought I raised you better, son,” he teased, his tone light but laced with curiosity.
Arthur chuckled, though there was a tinge of self-deprecation in his amusement. “I know, I’m dumber than a bag of rocks.”
Hosea patted Arthur's shoulder reassuringly, his touch grounding. “You may be good at playing an idiot like Fenton,” he remarked, referencing their recent job, “but you’re a smart boy. What harm could come if you just let it happen and see where it takes you?”
With a heavy sigh, Arthur leaned back in the seat, his gaze drifting up to the blinking stars above, memories of Kate’s confession flooding his thoughts. “I just don’t wanna hurt her. And… I don’t wanna feel that kinda hurt again.”
Nodding in understanding, Hosea's expression softened with a paternal concern for the young cowboy. “I’m not gonna live forever, son. I’d just like to see you be happy with someone before I go.”
“I was happy once. I had a woman who loved me, and she left me because I couldn’t change for her.” Arthur admitted, his voice giving away the deep sorrow he still harbored about his young love. 
“Mary was a good woman, I did like her. You were both so young and naive, still navigating your own lives,” Hosea mused, his voice carrying the weight of hindsight. His gaze softened with memories. “But I don’t think she was the right one for you. She couldn’t tame that wild heart of yours.”
Arthur listened, his eyes fixed on the road ahead, the wagon jostling over uneven terrain. “Sometimes, I feel like I can’t even tame it myself,” he confessed, his tone tinged with resignation.
Hosea's eyes twinkled with a knowing glint. “That's why you need someone strong enough to stand in the ring with you,” he remarked, his voice brimming with wisdom, “and face down the beast with a heart just as wild.”
Arthur nodded slowly, the words sinking in like stones dropped into a still pond. He mulled over Hosea's advice, feeling the weight of his own heart's desires. The night enveloped them in a cocoon of shared understanding, the stars above bearing witness to their quiet contemplation.
Arthur’s confession hung heavy in the air, his words weighed down by the burden of his past. “Once she knows what I’ve done, I don’t think she can forgive me for it,” he admitted, his voice barely above a whisper, like a man confessing his sins.
Hosea let out a light scoff, his eyes bright with a hint of amusement. “Son, your bounty has been posted in almost every town in the west,” he remarked wryly. “She knows we’re outlaws, I think she’s probably aware you’ve killed some folk.”
Shaking his head slowly, Arthur gathered his thoughts, his gaze fixed on the horizon ahead. “No, no it ain’t that,” he muttered, his words heavy with hesitation. Taking a deep breath, he continued, “Kate told me ‘bout her family, how they all passed from accidents or disease. She even had to bury her own daughter. I just…” His voice trailed off, grappling with the weight of his own truth. “I just don’t know how to tell her about my own. About my son, Isaac. Or Eliza.”
Hosea leaned back against the wagon’s seat, his expression thoughtful. “What’s stopping you from telling her? That’s something you two have in common,” he pointed out gently.
“Because I–I can’t tell her I’m the reason they’re dead,” Arthur confessed, his voice thick with emotion. “Family means so much to her, she’d never forgive me for throwing it away.”
The old man regarded Arthur with a mixture of sympathy and understanding. “Son, if you’re so worried about her turning the other cheek on you, I think you need to tell her the truth,” Hosea advised, his tone earnest. “She’s going to find out eventually, and you know she’s a smart woman. She understands what you are and still chooses to be by your side. And I’d be surprised if she draws the line at something that happened in the past. You're too hard on yourself, Arthur. What happened to Eliza and Isaac was terrible, but it was not your fault.”
Arthur rarely spoke about his son, Isaac, even with Hosea, his closest confidant. The weight of their deaths bore heavily on his heart, like an anchor dragging him into the depths of guilt and regret. Isaac's passing had transformed Arthur into a different man, one hardened by grief and the burden of responsibility.
Hosea had witnessed the change in Arthur firsthand. Before the tragedy that befell Eliza and Isaac, Arthur was more carefree, with a spark of youthful innocence in his eyes. But as time wore on, a darkness crept into his demeanor, a shadow that never quite lifted. He carried their deaths like a scar, a permanent mark etched upon his soul.
In moments of vulnerability, Arthur would let slip glimpses of his sorrow, revealing the cracks in his stoic facade. He blamed himself for their deaths, convinced that if he had been a better man, a different man, things might have turned out differently. It was a burden he carried alone, tucked away behind layers of bravado and hardened resolve.
Hosea understood the depth of Arthur's pain, but he also recognized the resilience that lay beneath. Arthur's reluctance to share his grief spoke volumes about the depth of his sorrow. It was a wound that time could not heal, a wound that had shaped the man Arthur had become.
As the wagon turned down the familiar winding road that led to their camp, the night's chorus surrounded them with the faint hum of a crackling fire and the warm glow as it cast dancing shadows across the clearing.
Arthur broke the moment of silence, his voice tinged with vulnerability. "I should’ve been there for them, Pa," he confessed, his eyes fixed on the dark silhouette of the trees passing by.
Hosea sighed, the years etched into the lines of his face. "Yes, son, but life has a way of throwing us off course, even when we try our best," he replied, his voice carrying the weight of wisdom earned through hardship. "This world can be cruel, as you well know."
"I can’t be a bad man and expect good things like Kate to happen to me. It just don’t work that way," Arthur continued, his words laced with self-doubt.
Hosea placed a reassuring hand on Arthur's shoulder, his touch a welcome comfort. "Kate sees something good in you, son," his tone was gentle yet firm. "Maybe it's time you started seeing it too."
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Kate scrubbed diligently, the soap creating frothy suds as she ran the bar along the stretched cotton over the washboard. She sat on a small stool in the shade beneath a sprawling tree, her trousers dotted with darkened spots from the splashing water. The air was heavy with heat, but the coolness of the water in the small washtub offered a brief respite. With each steady motion, her fingers became slightly more pruned from the repeated immersion.
Beside her, Mary-Beth was busy ringing out the soapy cloth and dipping it into a clean bucket, the rhythmic process mirroring Kate's own. The girls found solace in their shared task, engaged in easy conversation to while away the chore.
“So,” Kate began, a mischievous glint in her eye, “I saw you talking to Kieran the other day. Want to spill the beans on what’s really going on there?” She nudged Mary-Beth playfully with her knee.
The young girl looked down, a faint blush tinting her cheeks as she tried to hide her face from Kate's teasing gaze. “He was just curious about the book I was reading, that’s all,” she admitted bashfully, her voice carrying a hint of embarrassment.
Kate knew Mary-Beth's romantic tendencies well. From the moment they met, it was clear that she had a penchant for love affairs and romantic tales—her nose buried in romance novels and dreams of penning her own someday.
“That’s all?” Kate teased, a playful glint in her eye. “I see you watching him groom those horses every day. Somebody's got eyes for the O’Driscoll boy,” she added, splashing a bit of water in jest.
Mary-Beth retaliated with a laugh, “He ain’t an O’Driscoll!” Her grin gave away any attempt at concealing her feelings. She glanced over towards the horses, and Kate followed her gaze to where Kieran Duffy was tending to the animals. “He’s been talkin’ to me a lot recently. I just think he’s sweet.”
Kate's eyes lingered on the scene, noticing Lenny and Javier saddling their horses nearby, while John caught her gaze as he approached them.
Just as Kate was about to respond, John called out to her, “Kate! You busy right now?”
She looked up, eyes squinting as the sun glowed behind his frame. She gestured with open palms towards the wash bin. “You need somethin’?” she asked.
John tipped his hat to Mary-Beth, who waved politely in return. “We’re heading out to the Braithwaite manor to check out some horses. Thought you might wanna come,” he explained, nodding back to where Lenny and Javier were waiting.
Kate chuckled, her tone lighthearted. “You plan on stealing them or something?”
John crossed his arms casually, “well, you know,” he trailed, “if the opportunity presents itself.” Not bothering to hide their dubious intentions. Kate has to remind herself sometimes that she is running with outlaws. For them, a job doesn't mean checking out the goods, it means stealing goods. 
He cleared his throat and explained the situation seriously, “some fella from the Gray family told us he’d pay to have their horses stolen. Also mentioned they go for $1000 a piece.”
Kate raised a brow of suspicion, “and you believe him?” 
John only shrugged, “it's worth looking into.”
She waved him off with a touch of concern, “I don’t want no trouble John, I’m sure you boys will manage fine without me.” 
John persisted, his voice reassuring. “It won’t be no trouble at all. We’ll be in and out, they won’t even know we’re there,” he said, adding an enticing detail, “word is they got some pretty nice gypsy horses. Real purebreds too.”
Kate found herself caught in the web of temptation. Stealing horses was not something she relished, but the promise of seeing such a purebred up close was alluring. If they pulled it off successfully, she knew the money would help the gang alot. She figured it wouldn't be so bad to help them in one little heist. 
As if Mary-Beth could sense her conflicting ideas, she interrupted the silence, "I can finish up here, Kate. You should go. They'll have a better chance of pulling it off with you." She winked knowingly, seeming to support Kate's unspoken decision.
She made up her mind, fixing John with a pointed look. "No trouble," she repeated firmly, more as a command than a question.
"No trouble," John assured her with a nod of understanding.
Kate wiped her damp arms across her shirt, bidding Mary-Beth farewell and promising to catch up with her later. As she approached her midnight mare, the horse whinnied in recognition, sensing the upcoming adventure. Javier and Lenny greeted her from their saddles, both looking ready for action.
Javier tipped his hat with a charming smile. "Nice of you to join us, cariño," he said, his tone warm and inviting.
Kate swiftly mounted her horse, adjusting herself in the saddle. "You boys better hope this goes smoothly," she remarked with a playful smirk, her eyes scanning the group with a hint of caution.
Lenny rode his stallion closer to Kate's, "I gotta say, having you with us doubles our luck, don't you think?" he replied, his tone light-hearted but with an underlying sense of confidence.
She smiled fondly. Together the four of them took off down the lush green path and onto the dirt road. Kate was glad for the invitation, it made her feel good that the gang trusted her enough to include her in such tasks, that they were confident in her ability to work alongside them. She felt a new sense of trust among them, and camaraderie. She felt like she was becoming a real member, and not just some lone traveler like she had been nearly a month ago. 
The journey to the Braithwaite manor was uneventful, the cool breeze of the afternoon air was refreshing against their skin as they rode. As they arrived at the manor from the south side, away from the prying gaze of the property guards. The grand estate loomed before them, a testament to the family's wealth and power. They dismounted their horses in a secluded spot, ensuring they wouldn't draw too much attention.
Kate's mind wandered briefly, wondering if Penelope would be out in her gazebo enjoying the afternoon sun. 
John's voice interrupted her thoughts, his tone matter-of-fact as he laid out the plan. "Let's keep this nice and easy. No need to rush. We're here on behalf of a buyer, looking to make a significant investment," he explained as they followed him toward the barn.
Outside the stable doors, a worker paused in his tasks, eyeing them with suspicion. "Can I help you fellas?" he asked, his tone wary.
"I hope so," John replied amiably, trying to appear non-threatening. "Heard you got some horses?"
"We always got horses," the man responded gruffly.
"Fine horses, I mean," John clarified.
The worker's expression soured, his eyes narrowing as he glanced at the group. "I don't know whatchu’ talkin' 'bout, friend. Why don't you take that hoyden wench, yer greaser buddy, and his darkie friend and get off the property ‘fore I blow your face off," he retorted, spitting at their feet.
Kate raised her eyebrows in surprise at the man's unabashed racism and arrogance toward strangers. Suddenly understanding Tilly’s hesitation about being so far south. Javier quickly raised his hands in a conciliatory gesture. "Whoa, take it easy there, amigo," he interjected, trying to diffuse the tension.
John remained unfazed by the man's hostility. "Come on now, partner. We're just looking to do some business. Inquire about a purchase," he persisted.
The worker let out an annoyed sigh. "Fine, follow me, Scarface," he grumbled, the insults never ceasing.
The ranch hand, ever welcoming, led them into the barn, his voice a steady stream of information about the horses—names, breeds, and abilities. She noticed they were not the purebreds John had heard rumors about. Still beautiful, strong horses nonetheless. 
Kate observed John and Javier exchanging a look as they walked deeper into the dimly lit space. When the man paused to pet a horse, John subtly motioned to Javier, who deftly moved behind the unsuspecting worker. 
Meanwhile, Lenny smoothly interjected with feigned interest. "Wow, look at the balls on that one," he chuckled, pointing in another direction. The ranch hand followed his gaze, oblivious to the danger lurking behind him.
With his back turned, Javier seized the opportunity, drawing his pistol from his belt. "Greaser, huh?" he muttered bitterly before striking the bottom of the iron against the man's head, knocking him out instantly. John and Javier wasted no time, swiftly moving the unconscious body to a hidden spot while Lenny began unlocking the stable gates.
Kate stood in stunned silence for a moment, her voice barely audible as she tried to suppress her surprise. "What happened to nice and easy?" she muttered.
Her comment elicited a chuckle from Lenny, who had already mounted one of the horses. "Can't get any easier than this. Let’s try to get 'em out of here without drawing too much attention," he replied casually.
Despite her swirling thoughts and unease, Kate pushed her concerns aside and mounted one of the horses. Following the three bandits out of the barn, she joined them as they sped off through the sprawling property, the rush of adrenaline mixing with a sense of trepidation.
The thundering hooves of their stolen horses echoed through the property. Behind them, shouts and the pounding of boots indicated that their presence had been discovered. Several ranch hands emerged from the buildings, brandishing rifles and shouting warnings.
John, Kate, Javier, and Lenny spurred their horses into a full gallop, kicking up dust and dirt as they raced across the open fields. The pursuing ranch hands fired off a few rounds in their direction, but the distance and the speed of their mounts made accurate shooting difficult.
As they reached the fence at the edge of the property, they leapt over the barrier. The group plunged into a dense thicket of trees, the branches clawing at their faces and clothes. The sounds of pursuit faded behind them as the guards were forced to slow down and eventually give up the chase. They whistled loudly, and soon their own horses caught up and began to follow in tow. 
Javier led the way as they made their way through the landscape to find the supposed buyers at Clemens Cove. 
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The encounter with the buyers proved to be an intriguing yet unsettling experience. They were met by a pair of brothers who seemed to operate in uncanny harmony, sometimes speaking in unison and shrouding their business with secrecy. Details about their clientele and operations were kept hidden, with only a vague promise that one of them would be available for future dealings, if they wished to become business partners.
During the negotiation, one of the brothers made a direct offer to purchase Kate’s prized black Hungarian outright, offering her a substantial sum. However, Kate politely declined without hesitation. Her bond with the mare ran deep, and no amount of money could sway her decision to part with her cherished companion.
The brothers’ offer of 50 cents on the dollar for the stolen horses was not quite what John had anticipated, but it still amounted to a respectable deal given the circumstances.
After concluding their business at Clemens Cove, the posse set off back towards the rolling plains. The sun had dipped low on the horizon, casting a warm and serene glow over the lush green hills. Their horses trotted steadily along the trail as the  landscape unfolded around them, painted in hues of amber and gold, as they made their way back to camp.
"Hoyden wench…" Kate echoed with a chuckle, mimicking the ranch hand's harsh drawl. "I've been called a lot of things, but that sure is a first."
Javier, riding alongside her, piped up from the saddle, his expression puzzled. "What the hell does that mean, anyway?"
Lenny let out an exasperated sigh. " 'Wench' was a term used by slavers for black women. And 'hoyden' means she's too much of a 'tomboy’,'' he explained.
"Well, I can understand the 'tomboy' part, but she's not even—"
"Doesn't matter, amigo," John interjected, his tone matter-of-fact. "If ya skin ain't as white as a baby's bottom, it's all the same to them."
Kate nodded in agreement, her thoughts drifting back to the locals she had observed while running letters with Arthur. Witnessing their prejudice up close and personal was a stark reminder of the challenges faced by Lenny and Tilly in this region. As a woman of Italian descent, her skin carried a honey-brown hue, bronzed by the Lemoyne sun. Even this slight difference posed a threat to the narrow-minded locals, a reality that churned her stomach with discomfort.
"I'm ‘bout ready to get the hell out of dodge," Lenny added, his voice tinged with exasperation. "Speakin’ of racist hillbillies, Javier and I are heading out to Shady Belle. Got a tip there's some raiders sittin’ on guns and ammo. You guys want in?" He turned to John and Kate with a casual invitation.
Kate shook her head, "thanks Lenny, but I think I'll pass this time."
John chimed in with a polite refusal. "As much as I love killing racists, I gotta get back to Abigail for dinner."
Javier and Lenny exchanged nods of understanding. "No worries, compadres," Javier replied. "We'll catch up with you later."
As they bid farewell, Kate and John veered onto the familiar dirt path that led back to Clemens Point. 
The gentle melody of song birds and the steady pounding of hooves on the dry soil filled the atmosphere. Before they could approach the camp, John's voice broke the peaceful ambiance. 
"Hey, I know I sound stupid for saying this, but thank you for being a friend to Abigail. All of this has been really hard on her," he explained, his tone earnest and reflective. He glanced ahead, his thoughts drifting to his woman back at camp. "I know it may not look like it, but I'm trying—I'm working on being the kind of father she wants me to be and the husband she needs."
Kate gave him a sympathetic look, her eyes softening. “You don't sound stupid, John. This life ain’t easy for nobody, especially when there's a child in the mix.” She was slightly surprised to hear him open up to her. 
John sighed, his expression heavy with regret. “Still, I know you and I ain’t all that close, but, I did somethin’ pretty bad. I worry she might never forgive me for it.”
With a sideways glance, Kate nodded reluctantly. “Yeahhh, Abigail already told me ‘bout all that.”
“Shit, she did?” John's eyes widened in surprise.
She couldn't help but chuckle, a hint of mischief in her voice. “Oh yeah, she’s told me everything John.” Abigail didn't babble to Kate just for the sake of gossip; she understood that Abigail needed someone to confide in, someone to listen and truly hear her. She needed to feel seen, heard, and understood. Especially in times like these. 
“Well goddamn, now I feel like a proper dumbass.”
“She still loves you, John, and your boy does too. But love doesn’t come for free—it takes a lot of effort. Keep pushin’ to be a better man, she sees your effort. I promise you.” Kate's words were gentle yet firm,
"Thanks, Kate. Say, you’ve been ridin’ with us for a while now. You think you’re stickin’ ‘round for the long haul?” John asked, his tone curious.
Kate shrugged, a small smile playing on her lips. “I can’t say for certain. But for now, that’s the plan. Never thought I’d be workin’ with outlaws, but I guess it’s sometimes kinda fun,” she replied, hinting at their recent endeavor. Though petty horse theft was one thing, running from the law for murder was another.
“I noticed you and Arthur get along pretty well. He the reason you're stayin’ put?” John probed further. No doubt trying to get a grasp on his brother's affairs.
“Arthur’s a bit of a mystery to me. But we’re just friends, is all,” Kate answered, her tone casual yet guarded. She knew things between her and Arthur were only just beginning, but it was still undoubtedly complicated. The fact that some of the members had taken notice of their relationship sparked a tinge of worry. 
“You’re a tough woman to read sometimes,” he smirked, the scar on his cheek crinkled slightly. “Well, whatever the case. Take care of yourself, ya hear?” He expressed a genuine smile as he rode ahead back into camp. 
Kate followed behind, the aroma of Pearson’s signature stew filling her lungs with its savory fragrance. She left Lorena to graze peacefully among her own four-legged companions and headed toward the chuck wagon, eager to enjoy a well-earned meal after a day filled with adventure. The camp was alive with the usual sounds—crackling fire, distant chatter, and the occasional whinny of horses—creating a familiar and comforting backdrop to the evening.
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As Arthur returned to camp under the blanket of stars, the world seemed silent except for the faint rustle of night creatures and the distant crackle of a dying fire. He dismounted his mare with practiced quiet, the shadows of night his ally in avoiding unwanted company.
Exhaustion weighed heavily on him, his frustration palpable in the tight set of his jaw and the weariness etched in his movements. Tonight, he had no patience for idle chatter or bullshit from the guys. Especially the ones awake at this hour.
Burning the tobacco fields with Sean had proven to be no easy task. Though never any job orchestrated by Dutch ever was. It was nights like these where Arthur questioned when all the shooting and robbing would end. What the point of it all was. 
Behind his tent, the open end of the wagon served as a makeshift wall. Arthur rummaged through crates, finding what he needed—a needle, thread, alcohol, and cloth. Wincing as he prodded the bullet graze just under his armpit.
“I’m gettin’ too old for this shit” he mumbled to himself.
Getting shot had never been part of Arthur's plan on any job. He prided himself on his quick draw and accuracy, always aiming to fire first and hit his mark before danger could strike him. But shooting under cover of night, navigating through a blazing tobacco field while avoiding being burned alive—such challenges could make even the finest gunslinger stumble.
The guards had descended upon them as soon as the smoke rose, but Sean had urged them to press on, insisting they keep pouring the moonshine without hesitation. Arthur couldn't help but worry that the young Irishman's ambition might one day lead him into an early grave.
Surprisingly, the only injury Arthur had sustained was a bullet graze, still needing a few stitches but nothing life-threatening. Meanwhile, Sean had returned unscathed, already regaling their escapade around the campfire with a bottle in hand.
Under the cool night air, Arthur peeled off his sweat-dampened shirt, the chill of the air contrasting sharply with the warmth of his body. The lantern's dim glow cast shadows, highlighting the glistening of sweat on his chest and stomach.
He dipped the cloth into the alcohol, its sharp scent biting into his senses. As he attempted to clean the wound tucked under his arm, frustration crept in. The injury was beyond his line of sight, a challenge exacerbated by his own size.
Placing one arm against the side of the wagon for support, Arthur tried again, unaware of Kate's quiet approach behind him amidst the backdrop of the night's stillness.
“Need some help there, big guy?” Kate's voice was endearing, soft, almost motherly. The tone made Arthur's knees weak and his face grow warm.
Startled, Arthur nearly leapt out of his skin, quickly lowering his arm and stepping back, almost out of the lamplight. The nickname, though used innocently, stirred something akin to shame in his belly.
"What're you doin' up?" Arthur asked, attempting to appear unbothered.
Kate shrugged, her demeanor relaxed. "Couldn’t sleep. I was brushing Lorena when I saw you come in. Figured I’d say hi," she explained. "You want some help with that?" She gestured to where small trickles of blood traced down his side, her eyes lingering slowly over his bare torso.
If it weren’t for the cover of night, Kate would have seen the deep blush that crept up to his ears. "I think I’ll be alright," Arthur managed, his mouth suddenly dry.
Kate took a step closer, her gaze shifting to his shirt hanging from the side of the wagon, a round, deep red stain contrasting against its usual pale blue.
"Well, it sure don't look alright," she noted, her eyes returning to his side. "Tough spot to reach too."
Arthur's breath quickened. "I’m fine, don’t worry 'bout me," he replied, a hint of nervousness creeping into his tone.
Kate only brushed him off with a playful wave of her arm, “oh quit it! You stitched me up before, let me return the favor.” Before Arthur could react she placed a gentle hand on his bicep, “here, turn around.” She said quietly.
He complied, turning his back to her. His body froze when her fingers returned with the wet alcohol cloth. Barely noticing the sting, as her hands alone felt like fire against his cold skin. Her warmth is intoxicating. 
A moment's silence embraced them, and Arthur prayed she couldn’t hear the beat of his heart as it raced in his chest.
Her words startled him from his thoughts, “see, ain’t so bad,” her tone soft like she was comforting a child. “Why’d ya hesitate?” A hint of curiosity and concern filled her voice from behind him.  
Arthur lowered his head slightly, “I um, well I know I ain’t much to look at.” He mumbled. 
Kate continued to clean his wound tenderly, “what do you mean by that?” 
He let out a deep sigh, there was no point in being dishonest with her, “I…I just don’t like folk seein’ me without a shirt. I ain’t what I used to be. I’m gettin’ old, gettin’ heavy too.” His hand subconsciously rubbed over his belly. 
Arthur's weight was his biggest insecurity, a constant reminder of his struggles and the pain he carried. Years had passed since Eliza and Isaac's deaths, but part of him had withered away back then. The guilt had gnawed at him, devouring his spirit day by day. He sought solace in alcohol, drowning himself in the numbness it offered. His relationship with food became a twisted dance of indulgence and deprivation.
Some days, he ate to fill the emptiness inside, seeking comfort in the fleeting sensation of fullness. Other days, food seemed an enemy, a symbol of his lack of control. He despised his belly, the way it was soft and curved, a stark contrast to the man he once knew in the mirror. His size served as a relentless reminder of his deepest failure, haunting him with each glance.
Each morning he woke, Arthur grappled with the weight of existence. The world, in its merciless ways, kept him breathing, a living monument to his own remorse. He often wondered if the world would be better off without him, a sentiment that lingered like a dark cloud over his soul.
Kate sensed Arthur's tension, the silent turmoil that echoed beneath the pads of her fingers as she tended to his wound. She felt the subtle movement of his muscles, synchronized with the rise and fall of his breath. "You're a strong man, Arthur. Age and scars don't make you any less handsome," she reassured him with genuine honesty, her voice a soothing balm.
With practiced ease, Kate finished cleaning his wound and reached for the needle and thread. She gently maneuvered his arm to rest on the side of the wagon, adjusting her position for a better angle to begin stitching. Arthur's nerves betrayed him, his hand clenching into a tight fist at his side as he tried to compose himself. His head felt dizzy, as if he had been holding his breath all this time.
"I reckon you're just sayin' that to be kind," Arthur finally admitted, his self-doubt palpable in the air.
Kate chuckled softly, the sound carrying warmth and sincerity. "I've met my fair share of ugly bastards in my lifetime, but believe me, you are certainly not one of them," she assured him, her voice like a gentle flame against his skin. Her words were a rare gift, stirring something deep within him that he had long kept hidden. Arthur closed his eyes briefly, letting her words sink in.
"You're a very handsome cowboy, wrinkles, scars, size and all. I think you're a lovely man," Kate affirmed, her words carrying a sincerity that tugged at Arthur's heart. "Besides, I know I'm not the picturesque woman myself. I'm no stranger to the cruel effects of time and livin' rough. Today, I was even called a ‘hoyden wench’ by some bona fide racist ranch hand," she added with a light laugh, as if brushing off the insult.
Kate had a way of making Arthur feel like they had known each other for a lifetime. Since the day she opened up to him about her life, she had been unapologetically honest with him. It was as if she already knew she could trust him with her personal tragedies.
Hosea's words echoed in Arthur's mind, a comforting reminder of the wisdom his old father figure imparted. Hosea simply wanted happiness for him—not wealth in money, but richness in love. He wanted Arthur to find purpose and meaning in life, to share that journey with another soul.
As Kate's needle deftly worked the thread through his skin, Arthur felt a warmth bloom in his chest. Kate's words eased a heavy burden, if only momentarily. 
He shrugged his shoulders slightly, summoning the courage to speak. “Well, I’ll say this. There ain’t nothin’ wrong with a lady who can hold her own,” he began, his voice laced with sincerity. “You’ve got a strength and beauty that’s hard to come by. I think it’s pretty admirable.”
Kate giggled softly, the sound sending a warm flutter through Arthur’s chest. “Thanks, Arthur. First time I’ve heard that in a while,” she replied, her eyes meeting his.
Arthur marveled at how he had summoned the courage to kiss her the other night, feeling as if he could barely face her now. Yet, if she leaned in to kiss him at this moment, he knew he would succumb to his desire, despite what he had told her before. She lit a fire in him.
“S’true. You’re the prettiest girl in the whole damn holler,” Arthur said, unable to hide the light chortle that escaped him.
Kate leaned closer, her breath tickling his neck as she whispered, “You have quite a sweet side, Arthur. I adore that about you,” her hand lightly squeezing his arm.
His heart swelled, and Arthur knew this was the moment. He needed to tell her, despite the nerves that threatened to overpower him. Hosea may have been right; she had stayed by his side despite everything. But as he searched for the words, unsure of how to broach the subject, his nerves got the better of him once again. There was never an easy way to say it. Just the memories of them alone felt like acid in his throat. 
Kate took a step back, placing her tools down on the back of the wagon. “I reckon I’m about done stitching this. Try to stay out of the crossfire next time, yeah?” She teased, holding up his bloody shirt with a knowing look as she handed it back to him.
Arthur felt a pang of regret. “Wasn’t my intention to get shot,” he admitted, his voice tinged with frustration. He slipped the shirt over his shoulders, tugging the sleeves down his arms.
“Nobody intends to get shot,” Kate mused, taking a step back to give him space.
Turning to face her, Arthur was struck by the sight of her eyes, a sadness that mirrored his own that evening under the moonlit sky when they kissed. His heart throbbed at the sight. Since the day he met her at Emerald Ranch, she had a welcoming presence that drew him in, along with a deep sorrow that resonated with his own. It was as if she knew him before she even met him.
He looked down, running a hand over the back of his neck. “I appreciate your help, darlin’,” he murmured. Then, letting out a deep breath, he added, “though, I really don’t deserve it.”
Kate brushed off his self-doubt. “Don’t fuss over it, Arthur. I’m here whenever you need a hand,” she assured him. “I think you should get some rest though; from Sean’s stories, it sounds like it’s been a long day.”
Arthur nodded silently, watching as Kate bid him farewell and faded back into the night. His heart silently begged, please don’t go. But she was gone, leaving him alone with his thoughts under the blanket of stars.
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Kate lay beneath the star-studded sky, her eyes fixed on the milky purple and white swirl above, like celestial clouds in motion. Her heart echoed the rhythm of hooves against her ribs. Thoughts of Arthur filled her mind, his presence vivid in her thoughts.
The image of his body lingered before her, along with the stories he shared about himself. A longing surged within her to reveal how beautiful she found him, to explore him with kisses and her wandering hands.
Patience wavered as a persistent ache in her belly reminded her of the closeness she craved. Intimate moments with Arthur kindled her core, igniting a blaze of desire. Each quiet, vulnerable encounter with him deepened their connection. Funny how his true colors always showed when he was alone with her. 
Kate smiled to herself, feeling a rush of desire she hadn't known for what felt like a century. As good as she was on her own. She felt like life had finally granted her an anecdote to her lonely heart. 
---
AN: Phew, its out there. I know that was pretty dialogue heavy, so I hope I didn't bore you guys. Next chapter is going to be a long one, and may take me awhile. But it will be worth it, I promise!
As always, thanks for all the love!
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demonicseries · 7 months
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they gave sylvie a shag mullet and really had me thinking they were gonna make her the lesbian that runs mcdonalds like it's the navy, but no, cause marvel doesn't know how to write
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identityquest · 1 month
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lizzie get two wolves 👍
#strato.txt#oil painting#wip#im worried ive unbalanced the composition w the second one on the right tho... its so much closer to the edge#ugh whatever. aunt lizzie is the focus here#i wish i knew what she actually looked like this is just cobbled together from general features of my family#solid build... dark curly hair... bigass ears. she could be one of my cousins. she could be me#ok rq im gonna lay out the story in the tags for anyone who hasnt seen the previous lizzie art#my great-something aunt lizzie was disabled and couldnt walk very well and she died young#she wanted to see the second floor of the farm house real bad but no one ever carried her up there and she died before seeing it#they buried her in a long white dress somewhere down at the creek. we dont know where her graves lost unfortunately#the night she was buried something wearing a white dress walked into the house and up the stairs and disappeared#and sometimes you can hear her down around the creek screaming#somewhere along the line wolves got mixed into the imagery for me#my uncle told me a story about another 'white thing' that was wolfish and would jump on cars#so i just assumed lizzie was a werewolf my whole life#anyways. i think her staying after she died was a manifestation of her desire for autonomy. maybe#maybe if shed had modern accommodations she wouldnt have felt the need to stick around. or maybe she would have idk#either way i think death afforded her control over her own desires in a way she hadnt experienced before#and i think thats why she still hangs around the creek#i hope she would like this. maybe ill take it down there and leave it out for a night when its finished so she can see
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opens-up-4-nobody · 7 months
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...
#ever sit like a corpse in your own body?#im doing a job i wasnt designed for. theres this funny thing we do in academia where we beg for money. write in consise phrasing why we#deserve funding. what it is about our project what it is about our personhood that makes us deserving. what we're doing in our present to#give back and ensure a better future. and i can pull together a description of a nervous kid who couldn't read but loved to learn anyway.#who didnt kno how to hold proper a conversation until college and so tried and got better at ppl. who wouldnt let a language problem get in#the way of information gain. who cares about making complicated info visually digestible. and that's a nice story. but it falls apart when#projected into the future. what r u doing for the future? im just trying to continue existing#dont u want to help other ppl like u? sure but i dont have anything nice to say to them. does it ever get easier? no. it probably never will#ur brain was not built for reading. sometimes things r just terrible and u have to accept that. develop a crippling mental disorder or do#something where u dont have to read. see. not helpful. bad attitude. im just too full of blood and broken glass. all my achievements r#stained red and it hurts to look at them. to get myself to function i have to squeeze so tight i can feel the strain in my head. and even#then its not enough. do u kno what its like to spend ur whole life building something only to watch it burn to ashes in front of u? just a#broken machine rotting away underground where no one will see it. but dont let things fester. speak up if somethings wrong. and say what?#lmao i wrote this last night and then today when my advisor was like: hows it going? do u feel like u have enough time to get everything#done? and i had the gall to be like *voice strained high to prevent crying* its alright i think ive got enough time. bc yea technically i#think there r enough hours in yhr day that if i really tried i could get it all done. but that doesn't count the time i spend laying with#thr absolute desolation of my mind. so no. there isnt enough time bc im not doing well. but there's nothing he can do abt it so ya kno#whats the point in talking abt it except to say ya sorry im such a wretched miserable person. i dont kno how to fix it. my enthusiasm is#hidden under layer upon layer of pain. i burnef out before even getting here and im only making it worse#but whatever ill see my therapist Tuesday#unrelated
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kingdomoftyto · 2 months
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"Carlos, if you could just pause your experiment for a second--if you could only hear me out, hear my hypothesis! I think once you understand the science of the situation, you--" Carlos opened the door. He was crying. She had never seen him cry. He was overwhelmed and unsure of how to express his emotions, since he usually only did so in carefully worded sentences, not with water from his body. "The science of the situation?" he snarled. "That Otherworld. I was trapped there, Nilanjana. I couldn't see Cecil for ten lonely years. I was kept away from the people I love, in that desolate place where you never get hungry and you never have to drink water and so you never live. It is a place that devours. It is a place that is empty. That is the science of the situation, and I study it so I can fix it. Only I can do that. Only these experiments can do that. I'm sorry, Nilanjana; I'm not going to stop so you can tell me what science is."
🫠
#Tyto listens to WtNV#spoiler warning I guess for a book that came out a few years ago now#anyway yeah hi I finished the book#the resolutions to the plot and to Nils' character arc were pretty good. nothing to write home about but fun and serviceable#I personally get annoyed whenever a story pulls a ''you thought this romance would end with these two TOGETHER? lol NOPE''#like we get it it's more realistic for whirlwind romances to end in a breakup and sometimes it's better for people to just stay friends#but firstly this isn't real life; it's fiction. with narrative devices and such.#and secondly WtNV of all media does NOT get to preach about realistic relationship trajectories when its lead fell in love at first sight#lmao I'm just saying. I'm not MAD about it or anything it just made me roll my eyes.#ANYWAY. that aside: it was good. and I do genuinely like the friendship Nilanjana builds up with Darrell at the end#but obviously the real star of the show was Carlos and the completely unprecedented character depth that they smothered him in.#not ONLY recontextualizing over a year's worth of the podcast but ALSO saddling him with LAYERS of guilt over the events in this book#he *KILLED* the *GODDAMN* *CENTIPEDE*#after his beautiful little speech about not killing things just because we don't understand them!#he was just SO traumatized by his time in the Otherworld and SO afraid for his family after Janice nearly got Got that he KILLED IT!!!#and THEN!!!! not only do they find out that the centipede wasn't responsible for the destruction!!#but it turns out it was HIS OWN MACHINE THE WHOLE TIME!!!!!!!!!!!!!!!!!#his attempts to keep everyone safe were what actually caused the danger!!!! AUGH HE WAS ONLY TRYING TO HELP#HE'S JUST SCARED AND HE WANTS EVERYONE TO BE SAFE AND NOT EXPERIENCE THE SAME HORRORS HE DID AUGHDUSHGHDH#...anyway yeah back to my regularly scheduled episode listening tomorrow
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wearenotjustnumbers2 · 6 months
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A blogger in gaza, Amal alhenawi, shared a story yesterday explaining how the past few days have been. Of course there are no words to describe exactly how it is to live under constant bombardment.
She said that she misses sleeping alone in her room, instead of having to share a room with other 10 people. She said she feels guilty when she secretly admits she's terrified of death and that she wants to live. No internet, no food, sometimes when they get lucky each member of her family gets one loaf of bread for the day, other days there might not be anything to eat. She mentioned how everybody celebrated when her brother came back with water, but it tasted weird, turns out it was undrinkable but it was the only solution they had.
What horrified me the most, is when she talked about their neighbors building getting bombed by israeli air strikes. And how paramedics as well as civilian defense came to the scene only to leave minutes later. In their own words: "this building is four floors. We have no equipment to dig through or get anyone out." So they had to leave. People from the neighborhood started digging with their own hands, they could hear some people alive underneath, but no one could get out.
Amal talks about her two cousins who visited her and they're little kids who don't talk anymore. She said they saw their friend and neighbor dead, with his head sperated from his body, the trauma was too severe for them to process.
Amal wants to live. She came to gaza to celebrate her brother's wedding. Who was planning on leaving for his honeymoon before the genocide started.
Each person of gaza has a story, a life worth living. So we must end this genocide. Do everything you can, do not stop and do not get used to it. Annihilating an entire city is not normal and should never be.
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katakaluptastrophy · 4 months
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The thing about having read our way through two previous books full of necromancers and weird eldritch shenanigans is that the absolute horror of what happens to John as a person doesn't quite register.
John's own glib, matter of fact narration tells the story as an apotheosis. He was doing great. He'd have fixed everything if only people had listened.
But reading between the lines in the John chapters, you glimpse something rather different.
John basically spends the first half of the Jod chapters sitting in the dark with his creepy yellow eyes, not eating or sleeping, literally stroking his favourite corpses and coming out with chill and fun statements about how he can feel their skin when he's away from them and he's 'waking up'. Cool, cool.
Passing swiftly over the cow dome, Presidential Puppet Pals, and the suitcase nuke, day to day life in the cow dome must have been fun... You're all on the Interpol watchlist, the Vatican is asking a lot of questions, the police are outside and John - who hasn't slept in a week and doesn't eat anymore and is probably wearing some kind of weird novelty tshirt - comes wandering past while you're eating breakfast, followed by a dozen silent, dead-eyed corpses like some kind of mother hen. He makes a cow joke, and then zones out because he got distracted by listening to the bacteria in your gut.
And then some guys die accidentally and it turns out he can eat death energy. So now he's got creepy Twilight eyes, an entourage of corpses, a cape, some very dodgy eyeliner, and he's barely breaking a sweat as he instantly kills over 100 people, says it was an accident, and then, dead serious, tells his followers to drag dead UN peacekeepers inside to add to his 'skeleton army'.
By the end, he's not slept or eaten in weeks, is tweaking his own bodily processes on the fly, is puppeting the dead US president and possibly an army of over a hundred corpses, monitoring G- in Melbourne, carrying on at least two conference calls, and helping to build barricades out of chairs.
And I just keep thinking how weird it must have been for his friends. How sometimes he would have seemed like the man they'd known and loved for so long, and sometimes he would seem different. Did they ever find themselves mourning the man he was? Did they ever stand there as he tuned into something they couldn't fathom, staring at them with those yellow eyes, and feel some awful, uncanny valley terror? Did he ever feel like he was losing himself? At what point did the cow jokes stop feeling like oh, classic John and start to be a reminder that his desire for vengeance and the scope of his powers were outstripping his remaining...perspective?...restraint?...humanity?
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ladyloveandjustice · 9 months
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I saw a post in the My Adventures with Superman tag claiming that Lois "finally" has a character. I really like the show and it's version of Lois too, but I want to make this clear: Lois Lane has been around for over 80 years and she's always been a distinct, dynamic character with a lot going for her, every bit as admirable as Superman. This isn't a new thing!
Like any character Lois has had some bad adaptations, but she's been a great character from the beginning, and I wanted to show off some panels from comics over the years so anyone new to Superman lore can see why she's a beloved character and the MAWS portrayal is building on that, not starting from scratch.
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Lois in the golden age comics (1939 through the 1940's) was shown to be a career-driven woman who didn't take shit from anyone. This was an era where a lot of women were entering the workforce because men were serving in WWII and there was excitement and change in the air, and Lois was meant to be a reflection of that. She fought against the sexism of her boss sticking her with the advice and gossip columns because she was a woman, and she was go-getting reporter out to get a real story. From the beginning she was fearless (sometimes reckless), driven, and had no patience for Clark Kent's (feigned) cowardice (and was always full of sick burns). She never let anyone push her around.
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And she's been pretty consistently like this her entire run as a character. Of course, there were some bad writers, and there was a time in the 50s when all female characters had to be marriage obsessed (Lois wasn't the only one hit with this, Wonder Woman was too), but she reverted back to her firebrand self in the 60's and 70's, and when the 80's came along, characters started getting more filled in backstories, including her- this was where we started seeing stuff about her home life, her childhood moving around as a military brat, and her troubled relationship with her father and sister. She had an interior life, inner conflict- and she still kicked ass and always got the last word in. As someone invested in journalism, she is THE coolest fictional journalist to me.
This was also when comics started focusing on Clark being who Superman WAS rather than a pure act, and we got to see their relationship really grow and Lois fall for Clark, not Superman. So here, have some panels of Lois being great and see the scope of her own personality.
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Lois also has lots fun little quirks and hobbies comics readers know about- she takes her coffee a certain way, she doesn't cook much because she's so on the go (so Clark is the one who cooks in the fam), she likes to sit on Clark's desk when they're talking (this happens in other Superman media too), she REALLY likes monster trucks and Clark REALLY doesn't but will support her anyway:
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Also, she's always seen through to who Clark really is:
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Anyway. Have more of my favorite Lois panels because I have a lot:
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also this one because I'm gay:
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teamatsumu · 3 months
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L&DS BOYS - LOVE LANGUAGES
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content warnings: fem!reader, fluff, sfw headcanons
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XAVIER - PHYSICAL TOUCH
Xavier knows he is smart, and witty enough. But when things get a little too real, he finds it hard to express himself.
And the feelings he has for you are the most genuine ones he has felt in his long, long life.
While he might not be someone who can wax poetic about his affection for you, he shows it in other ways, and physical touch in his favorite way to get his feelings across.
When you walk next to each other, he sticks close, arm brushing against yours. Occasionally, the back of his hand makes contact with your own. It's almost as if the tension builds and builds, until he finally connects your fingers, either intertwining your hands together or linking his pinkie with yours. No words leave his mouth. His touch says enough.
If the train is too crowded, he will pull you closer to him with a firm touch on the small of your back, making sure you don’t receive any unwanted bumps from strangers.
For a few weeks in your relationship, he developed a strange habit of pinching your cheeks and lightly pulling on them. You let him do it, knowing he would eventually move on and find some other part of you to focus on. Though the action did make your face heat up.
Another weird hyperfixation he has is nibbling at your fingertips absentmindedly. He plays with them often, but when he is distracted by a movie you two are watching, he will bite at them every so often. Sometimes, he is so focused on the screen that you doubt he even realizes what he is doing.
(He realizes. He just thinks every part of you deserves love. Don’t question it. It makes sense in his head.)
Cuddling with him is the perfect gift for your senses, stimulating you wonderfully.
Small nips on your skin, little lingering touches. He traces your skin with eager yet gentle hands, as if trying to memorize every curve and dip.
He buries his face in your neck and breathes in deep, and in that moment, bodies tangled with each other and the sheets, vulnerable and open, he will whisper, “I love you”.
It’s an affirmation more than a revelation, since his actions up until this point have all shown you that he really, truly does love you. So you whisper it back, trying to pour all your love into it, before slotting your lips together and using physical touch to convey your feelings right back.
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RAFAYEL - WORDS OF AFFIRMATION
Rafayel is, in the simplest of terms, a yapper.
This man could talk for hours if you don’t stop him. About his art, about the meaning of life, about his experiences. He can express so much while also having an impeccable talent of being completely vague. Sometimes, you don’t even understand the things he says. And you’ve given up trying to decipher his every word.
But when Rafayel is talking about you, he makes himself abundantly clear. There’s no ambiguity about it; he loves you. And he will say it a million different times in a million different ways. Whether it be a bold declaration of how much his heart yearns for you, or endless teasing that is meant to rile you up and get a reaction out of you.
“I don’t think your talent lies in art, babe. It’s a good thing you’re a walking art piece yourself. No wonder I’m in love with you.”
“You’re leaving so soon? But I don’t think I’ve admired you enough for today. Don’t leave me!”
I’m impressed, Miss Bodyguard. You’re talented, and easy on the eyes. No wonder you captivated me from that very first day we met.”
Expect to wake up with a lot of voice notes on your phone. Minutes long. Sometimes rambling, sometimes actual ideas for new pieces that he wants to run by you. You better reply to all of them individually.
When you cuddle at night, you can talk for hours. No topic on earth is off limits with him. He will lay you down on a blanket on the beach, and as you watch the stars, he will tell you stories from olden times about star crossed lovers and tragic fairy tales. And he will turn to you, tell you how beautiful you are, how ardently he loves you, how he will never forget any moment he spends with you.
It’s almost like you can tell the exact moment he falls in love with you. Because he tells you. He never stops telling you. He voices his fears of you leaving him, he makes you promise you will never go away. He is clingy and he is whiny, and he is so endearing.
It’s hard to dismiss him when he is so loud about his love. And it’s hard to not fall for him just as he falls for you.
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ZAYNE - ACTS OF SERVICE
This is an indisputable fact. Dr Zayne shows his love through acts of service.
He is intensely aware of your needs, and is miles ahead of you in determining what you require at any given moment.
It’s his way of showing you that he cares. He worries for you, and born from that worry is the urge to take care of you.
If you have had a long day, you will come home to a text from him saying he has ordered takeout and it will arrive at your house shortly, since he knows you are too exhausted to cook anything. It is always something different, but it is always food that he knows you enjoy. He will mix it with some healthy options too.
If you ever crash at his place, you will wake up to a tall glass of water and two aspirin on the side table, along with a note in his neat handwriting telling you that there is fresh cooked breakfast in the oven (he made it before he left for work).
Once you two are in a steady relationship, he keeps his house stocked with products you use. A spare shampoo and conditioner, toothbrush, a bathrobe of your size, a hair brush, you name it.
When you mumble something about the hand cream in your purse that is nearly running out, you will find a brand new tube next time you open the purse, and there is no need to even ask. You know Zayne put it there.
He is intensely observant. Even after knowing him for so long, it catches you off guard. He knows which of your clothes need to be dry cleaned and which ones are good for the washing machine. He knows which scents you use. Which products are harsher on your skin. He knows that contacts irritate your eyes after long hours of wearing them, so he keeps a small bottle of eye drops in your side table for that very purpose.
He scolds you for neglecting yourself, and he won’t hold back the harsh tone if he thinks your behavior is particularly destructive. To him, the best way to show love is to make sure your beloved is living the best life they can.
It is the littlest things, the tiniest details. And it shocks you, even after so long.
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blckbrrybasket · 1 month
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ᯓ★ 𝐆𝐡𝐨𝐬𝐭 𝐇𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬
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MDNI
SFW
- Listens to She Wants Revenge and Rob Zombie
- With some of his jokes one of his favorite ones to pull is on new recruits. When someone asks what his story is or why he wears a mask he loves looking into the distance and saying, “It all started after the incident.”
- You know those tik toks of how someone’s boyfriend sleeps like a dead victorian child? Ghost sleeps like a plank of wood. Even in his sleep he looks like he hasn’t known a day of rest.
- Ghost’s laugh is thick, raspy, and broken up between coughs that only make him laugh harder. It’s full of life.
- If you watch Ghost for awhile you’ll notice the random faces he makes when he doesn’t have the mask on. He’s so used to people not seeing his face that he forgets to mask his emotions, sometimes blatantly making a disgusted face at someone. He has no idea why they fucked off somewhere else but he wasn’t going to ask
- Wears socks to sleep. No one in the task force has let it go.
- Will know he’s wrong in a non-serious argument, however, instead of admitting defeat he’ll say increasingly confusing things until the other person is too confused to keep arguing. It doesn’t do anything for him, he just thinks it’s funny.
- After drinks Ghost becomes a poet with how he talks about the people he loves.
- Ghost is so good at reading lips and has a scarily amazing hearing - Soap or Gaz will whisper something to each other about him and he’ll lean over them to go “what’d you say,” knowing full well what they said. He finds it hilarious watching them stumble on their words.
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SFW (serious)
- Ghost isn’t violent in his day to day life. He has moments of anger like anyone, but he would never hurt anyone he loves. He knows exactly how that feels and would never do that to someone else. Ghost takes pride in how far he’s come.
- Ghost doesnt normally wear his full mask in public, as it would draw way too much attention to him. Instead he wears a black face mask. He was sort of thankful for covid since he could blend into the crowd with his mask for once.
- Ghost is not heartless. No matter how much others try and sell it, he is not a heartless monster. At the end of the day he’s human and he hates that the most. He hates emotions, specifically sadness. It’s hard for him to deal with. Ghost tries not to close himself off, but he naturally deals with things on his own. That doesn’t mean he doesn’t want you to hold him though.
- He doesn’t understand crying over things people can’t solve or adverse reactions. If he sees someone have a ‘irregular’ outburst he has trouble gripping why. Ghost’s brain works very logically and though he struggles to grasp it he tries to understand. He won’t ever be the person who bursts into tears over a movie, but he works hard to understand where someone may be coming from.
- When Ghost talks about feelings he’s usually really blunt with it and says what he feels. He doesn’t like to drag his feet in the emotion and tries to move on from it as fast as he can. Unless he’s drunk then see above. (He’s a laid-back lovey drunk.)
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NSFW
- Contrary to popular belief, Ghost is pretty tame in bed. Every other part of his life is rough but with you in his arms he wants to savor how you feel. If you ask him to be rough he may be depending on his mood but he never does too much and always checks on you.
- It takes awhile of building trust, but Ghost eventually lets you ride him on top. He knows he’s a strong man and stop anything but it takes him a bit to be okay being on the bottom. At first his muscles are nervously wound tight until he feels himself enter. Imagine the universe zooming out dramatically, that’s how his brain feels when he experiences this for the first time with you. He ends up a drooling, groaning puddle.
- Always has a protective hand on you in public. His large palm spreads over the small of your back, sliding to cover your thigh when you sit in a chair. Ghost doesn’t even realize when his fingers instinctively draw circles on the muscle, missing how close they are to your crotch. When he plucks at the fabric of your bottoms and hears your shaky breath he realizes how much he’s riled you up. Don’t worry, he’ll always take care of you.
- Ghost doesn’t tend to jerk off much due to lack of time and not having a high sex drive. He honestly couldn’t care less whether he has sex or not. It’s never crossed his mind as an issue on either side of having it or not. When he does have sex he makes sure it’s fucking good. Ghost’s a thorough guy and he’s very thorough with you.
- Usually in the middle of the scale of preferring receiving or giving. After hearing your sweet noises he leans more towards preferring giving. He would never turn down a blowjob from you though.
- On the quieter side when fucking. Low groans, huffing, and sighs of relief. If you edge him for awhile, however, you can pull a few broken moans from him.
- Doesn’t wear the mask during sex unless you explicitly ask for it. It feels reassuring to bare his full self to you when having sex.
- Has to hide his smile when he sees the scratches down his back. He takes pictures and proudly sends them to you.
- Before getting into aftercare Ghost likes to sit there with you for a bit. He makes sure never to lay for too long so he can clean you up, but he always lays there with you to let the love seep into his bones. Ghost loves replaying the scene in his head to memorize your beauty.
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stevieschrodinger · 4 months
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Eddie notices things.
He might be loud and brash, might be over the top and his mouth might run away before his brain can kick in, but he still notices things.
He likes the details. Loves a fantasy world that’s so detailed it’s believable. Loves a tiny detail in a story that becomes relevant two hundred pages later. Loves a detail in a puzzle in a DnD game. He loves the minutia of everything.
So he notices these details about people. Mostly because Eddie likes to create people. He likes to write his own stories, likes to make his DnD characters real...foibles and all. Any time Eddie is alone, or bored, or waiting, sometimes he looks around and thinks, ‘if I were writing this, how would I describe it?’ And then he does...he writes in his head about the tree he can see, what the weather is doing right now, how he would describe the quality of the sunlight or the way the rain rattles against the window. He watches complete strangers and writes out their whole life in his head. Eddie likes the details, and he likes to create characters, and he also thinks, a lot of the time, you write what you know.
So yeah, Eddie pays attention to the people around him. How they dress, how they behave, if they bite their nails or chew pen lids. If they stand straight or lounge against the nearest wall or counter. How they cradle their smoke in their hand when it’s breezy out.
All the little details he can build into characters he makes in his mind.
Steve’s calendar interests him. It probably shouldn’t, that stuff would be private if it wasn’t for the fact that it’s hanging in Steve’s kitchen where anyone can see it. Plus the fact that it is just a calendar and there for by it’s nature isn’t very interesting. Eddie thinks he finds it interesting just by the virtue that it’s to do with Steve Harrington, and therefore it immediately becomes very interesting to Eddie.
It’s got big pages, a decent amount of space to write in every day. And Steve has. Every single day.
There’s a pattern to it that Eddie deciphers pretty fast; his shift at work is on the top line; it’s in red. Next is anything to do with the kids, and it’s in green; picking the kids up or meeting them or going to a game for Lucas or basically anything like that. Then blue, and that seems to be stuff to do with Eddie himself, Robin, Nancy, if he needs to meet them, give them a ride somewhere, or just times to hang out.
The bottom line is in black, and it’s stuff like, ‘hoover’, ‘do laundry’, ‘bathroom,’ ‘kitchen’, ‘groceries,’ followed by a little note that seems to be about whatever Steve plans to have for dinner that night.
Below it is a note pad, also hanging up, with an in process grocery list on it. Eddie knows why all this is here; Steve’s forgetful.
If Steve makes plans, he immediately writes it down; Eddie’s seen it for himself.
Eddie sees it too, when Steve’s struggling to hear. If too many people speak at once, or if there’s too much background noise, Steve doesn’t stand a chance.
If he’s not looking at you when you’re speaking to him, chances are, he might not be hearing you. Which, okay, Eddie’s just kind of rolling with it.
Until they get together. No one was more surprised by this turn of events than Eddie, who was convinced that he was just going to pine after Steve forever and that would just be how things were for the rest of his life. That was right up until Steve Harrington held his hand and just sort of...seemed to forget to let go.
Eddie hasn’t pointed it out to him yet, he’s still kind of worried that if he points out the fact that they’re kind of, sort of, dating, Steve might realize and stop again. So yeah, Eddie rides the wave, not at all freaking out when Steve invites him over for dinner and a movie like that’s just a normal thing they do now. Because it is. Because they’re kind of dating.
There’s no answer, but that’s pretty normal, the front door is unlocked a lot of the time, Steve doesn’t want to hinder anyone's entry if there’s any kind of emergency going on, and it’s totally normal now for any of them to just wander into Steve’s house.
Steve is cooking; Eddie can smell it. He stands in the kitchen doorway and says Steve’s name. And predictably, Steve doesn’t react.
Eddie takes this as an opportunity to gauge this. He says Steve’s name a little louder; still nothing.
Eddie tries four times, a step closer and a little louder each time, until the last time, when Steve spins around so fast the spoon he’s holding splatters sauce on the counter top and his other hand flies to his chest, “holy shit.”
“Sorry,” Eddie rubs at Steve’s arm and shoulder as he gets his breathing under control, “you couldn’t hear me.”
Steve shrugs, “it’s fine.”
“Stevie…you could at least, you know, go get them checked, or whatever.”
Steve hums, "maybe, if you go with me," and Eddie's quick to agree, because he gets a kiss out of it.
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iwanthermidnightz · 10 months
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When I think back on the Speak Now album, I get a lump in my throat. I have a feeling it will always be that way, because this period of time was so vibrantly aglow with the last light of the setting sun of my childhood. I made this album, completely self-written, between the ages of 18 and 20. I've spoken about how I feel like those ages are the most emotionally turbulent ones in a persons life. Maybe when I say that, I'm really just talking about myself.
I think they might just be the most idealistic, hopeful years too. At this point in my life, I had released my second album, Fearless. It became the breakthrough moment I'd always dreamt of, one that catapulted my career to new realms of success. It had brought with it a tidal wave of pressures and pitfalls and growing pains. All the while, I was encountering the milestones and checkpoints of normal teenage growth. I had cataclysmic crushes and brushes with heartache. I moved out of my parents' house and set my bags down in a new apartment. I hung photos on my own walls and decorated the space where I would sob and cackle and shatter and dream. Sometimes I felt like a grown up, but a lot of the time I just wanted to time travel back to my childhood bed, where my mom would read stories to me until I fell asleep.
In my darker moments, I was tormented by the doubt that swirled loudly around my ascent and my merits as an artist. I was trying to create a follow up to the most awarded country album in history, while staring directly into the face of intense criticism. I had been widely and publicly slammed for my singing voice and was first encountering the infuriating question that is unfortunately still lobbed at me to this day: does she really write her songs? Spoiler alert: I really, really do.
In the years since, I've developed a thicker skin about public criticism and the cynicism with which some people approach the music I make. At that time, it leveled me. I had these voices in my head telling me that I had the perfect chance and I blew it. I hadn’t been good enough. I had given it all I had and been found wanting.
I wanted to get better, to challenge myself, and to build on my skills as a writer, an artist, and a performer. I didn't want to just be handed respect and acceptance in my field. I wanted to earn it. To try and confront these demons, I underwent extensive vocal training and made a decision that would completely define this album: I decided I would write it entirely on my own. I figured, they couldn't give all the credit to my cowriters if there weren't any. But that posed a new challenge: It really had to be good. If it wasn't, I would be proving my critics right.
I had no idea how much this pain would shape me. That this was the beginning of my series of creative choices made by reacting to setbacks with defiance. That my stubbornness in the face of doubters and dissenters would become my coping mechanism through my entire career from that point forward. This exact pattern of enacting my own form of rebellion when I feel broken is exactly why you're reading these very words, and I'm re-releasing this album now.
I went through my first worldwide scandal (the mic grab seen around the world). I experienced the weirdness of trying to get to know a boy while a swarm of paparazzi surrounds the car. Media contacting my publicist for an official statement on why two teenagers broke up. These are weird experiences to have at any age, but even more surreal when you're 19.
I had the nagging sense that in the most intense moments of my life, I had frozen. I had said nothing publicly. I still don't know if it was out of instinct, not wanting to seem impolite, or just overwhelming fear. But I made sure to say it all in these songs. I decided to call the album Speak Now. It was a play on the speak now or forever hold your peace' moment in weddings, but for me it symbolized a chance to respond to the chatter and commentary around my own life.
Some of these emotional revelations were surprising to people. Some expected anger and instead got compassion and empathy with 'Innocent'. Some expected a kiss-off breakup song but instead got a hand-on-heart apology, 'Back to December. It was an album that was the most precious to me because of its vast extremes. It was unfiltered and potent. In my mind, the saddest song I've ever written is 'Last Kiss'. My most scathing is 'Dear John' and my most wistfully romantic is 'Enchanted'.
I'll be forever proud of setting a goal and seeing it through. I'lI always feel shivers all over when I remember singing 'Long Live' to close the show every night on tour. The outstretched hands of those bright and beautiful faces of the fans. Their support was like an open palm that reached out and helped me up off the ground when others were, frankly, mean.
These days I make my choices for those people, the ones who thought I had been good enough all along. I try to speak my mind when I feel strongly, in the moment I feel it. I'm still idealistic and earnest about the music I make, but I'm less crushed when people mock me for it. I know now that one of the bravest things a person can do is create something with unblinking sincerity, to put it all on the line. I still sometimes wish I was a little kid again in a tiny bed, before I ever grew up.
I always looked at this album as my album, and the lump in my throat expands to a quivering voice as I say this. Thanks to you, dear reader, it finally will be.
I consider this music to be, along with your faith in me, the best thing that's ever been mine.
Yours,
Taylor
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briarcrawford · 1 year
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Are Animals Becoming Extinct in Fantasy Novels?
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Recently, I read this post titled “Animals have been taken off in novels since 1835. Is fiction undergoing its own extinction event?” which talks about a study that found that since 1835, the use of wild animals in fiction has dropped drastically.
Many are blaming this “slow extinction” on modern societies disconnect to nature. After all, not everyone spends their days outside, so they might not notice mice, birds, or even the insects at their feet. If they do not think about animals in their daily life, why would they think about them while writing?
That is the theory, at least.
It is worthwhile pointing out what several other writers and readers are; there are plenty of animals in children’s fiction. That is true, but what about young adult to adult fantasy? Since that is what I personally write, that is what I wanted to talk about.
Just going off what books I think of first, it seems like often in fantasy novels, the only prey animals (like deer, squirrels, or rabbits) that we see are after nearly always during or after they are hunted. Then there is the complete lack of mosquitos, leaches, biting ants, and other annoying creatures.
Sometimes, there is a mention of the sound of birds singing, but rarely ever are there any details of the birds or what they are doing. Where are the ducks and swans on the lakes? Where are the birds building nests?
Now you may be going “What is the point? Why should I care?” and I get that, but by eliminating these creatures, your novels could be losing a sense of realism.
For example, in Stephen Kings The Girl Who Loved Tom Gordon — which I argue is a light fantasy story, not a horror story — has a girl is lost in the woods and stalked by a creature. Interestingly, even most survival books fail to mention animals apart from for food, but Stephen King did not do that. He had deer, water bugs skittering across ponds, and even wasps that attack the main character. This added a sense of reality to the novel. It was not just a forest with some trees and plants, it was a forest filled with life, and that can be dangerous for anyone, let alone a young girl.
So, go ahead, raise the mood with your characters. If they are miserable, make them more so by having the mosquitos bite at them day and night or have them step in a anthill. If they are happy, they could watch a mother bird feeding its young or a swan rubbing necks with its partner.
Adding more hints of nature could not only amplify the mood, but it could also make your forests seem more real.
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physalian · 2 months
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What No one Tells You about Writing Fantasy, #2!
I did this list about 7 annoyances about fantasy, but I write in this genre for a reason! Fantasy knows no bounds, it can encompass all other genres within it. You can write a fantastical murder mystery, fantasy horror, fantasy romance, political drama, slice-of-life, comedy, whatever you’d like!
Whether it’s urban or high fantasy, supernatural or scientific, here’s seven great benefits of writing in this genre:
1. No modern means of communication
Unless you’re writing a world with phones or phone-adjacent devices. Phones and instant communication seriously inhibits the plausibility of dramatic irony and tension when you have to keep coming up with reasons to keep your characters from calling or texting each other everything they know. It’s exhausting, I tell you, and such a relief when phones aren’t a factor.
With that said, without phones, you have complete freedom to design your own magical channels of supernatural FaceTime, as weird and zany as you want. But without instant connections? Your character who knew too much can’t pass on the intel before they die. Your hero team can’t call for backup in their darkest hour. Otherwise easily preventable tragedies and deadly miscommunications are now very real.
2. The Monster Allegory
Fantasy and sci-fi tend to overlap more than they’re set apart, and in that overlap sits the monster allegory. Everything from werewolves to vampires to witches, reapers, demons, angels, goblins, trolls, wraiths, fairies, mermaids, ghosts, to Eldritch horrors and your classic Hollywood cast of mummies, creatures from the black lagoon, and Frankenstein.
Most of the time, the monsters aren’t just monsters, they represent a monstrous aspect of society the author wants to challenge and caricaturize in a fun and entertaining way. Or, the monsters are the good guys and the humans are the real terrors. Or, you’ve got two kinds of monsters to allegory two human sides. Sometimes they represent metaphorical demons, like vampires often representing addiction and werewolves repressed identities.
What all of this boils down to is the hyperbolic nature of science fantasy that allows you to go over-the-top with your metaphor and allegory in a way that a book grounded in reality just can’t.
3. Magic Systems!
Do you love world building? Do you love filling pages upon pages with your cool and unique set of superpowers you want your characters to have? Do you dream about your fight scenes and dramatic slow-mo shots?
Then Fantasy is for you!
There are zero limits to how you want to define your magic system. You can go classic with the familiar archetypes of elemental magic, wizards, sorcerers, and witches. Or you can step off the beaten path and design a whole new funky system of power sets. Best part? Your readers will have an awesome time imagining themselves with those powers, and debating endlessly about how it works.
4. Real-World Politics, who?
Amazon’s Rings of Power was twice-doomed when they only got the rights to adapt the appendices of The Silmarillion and when they decided to inject current political problems into a timeless story written purposefully to be divorced from those politics. You *can* write about human politics, but in fantasy, you don’t have to. You *can* interpret Lord of the Rings to be an allegory about the World Wars, but no matter how hard you argue, it wasn’t written with that intent.
Which means: Even if your story is set in the reality-adjacent fantasy version of 1543, you are free from the following: Racism, homophobia, sexism, religious bigotry, mental health bigotry, gender norms, anti-feminism, toxic masculinity, and more. “But that’s how it was-”
Nope. This is fantasy. You built this world, you decided to keep in the discrimination. Or… You can fill your fantasy world with a rainbow of gays, POCs in power, women in power, men unafraid to be compassionate and caring, a religion that doesn’t foster hate and division, the list goes on. You. Are. Free.
5. Nothing is too “unrealistic”
Both that you will always have people whining about how X would never happen so write the book you want to read, but also because fantasy is fake. Fairies aren’t real. Mermaids aren’t real. There are no rules for how they must be written and that’s how we have so much variety with so much room for interpretation by so many creators. Twilight made how much money writing about vampires that sparkle like diamonds in sunlight and crack like marble?
This is fantasy, it’s supposed to be unrealistic. Yes, your plot should make sense, but don’t be afraid to get weird. Write at least some of your story dependant on those fantasy elements. Write a story that can’t just be told in the real world minus the spectacle. Don’t be afraid to be sincerely fantastical and weird. People love weird. People love loving weird.
6. You are in complete control
But you do still need to research, unfortunately. Unless this is urban fantasy that depends at least a little on the human world, yours is completely your own to govern like a god tweezing weeds from their garden. You get to design your own geography and weather patterns and seasons. Your own countries and kingdoms and politicians. Your epic pre-canon fantasy war and the stakes that it was fought over. Your species, races, and ethnicities.
It’s a shame that a movie like Avatar (2009) set out to be this wholly unique take on aliens with music completely divorced from earthly bonds, new languages and a visually and culturally distinct alien species… and ended up a largely generic blue Pocahontas in space. It forgot that it was fantasy and didn’t go weird enough. They have horses, monkeys, wolves, rhinos, and deer just re-skinned with some extra limbs and colors. It’s pretty but it’s so, so shallow.
It could have become a cult classic like many a positively *weird* 80s off-beat fantasies, and now it just… exists. It makes a whole lot of money but its impact on the cultural zeitgeist is negligible. I’m the only person I know that can name every major character in the movie, and I’m no Avatar obsessor. They had complete creative control, and this is what they did with it. Don’t be Avatar. Take your creative freedom and run.
7. Even if it has been done before, do it again
You can say this about any genre, particularly romance, but fantasy and sci-fi, by the gatekeep-y nature of their fans, can be a lot less forgiving when it comes to claims of “unoriginality”. No one hates Star Wars more than Star Wars fans. Fans of these genres can get… concerningly attached to their favorite stories (mostly because the people who like them had only their fictional heroes to protect them from very real bullies).
But Game of Thrones exists because the author likes Lord of the Rings and went “yes, but what if it was an R-rated parade of misery?” Dungeons and Dragons exists because people wanted to roleplay in an LotR-esque world. Legolas and Gimli single-handedly defined what a badass elf and dwarf looks like in high fantasy. And people still gobble up media ripping shamelessly, or even good-naturedly, from this one story.
So on my other list, I argued that the sum of your parts is still original, even if the components aren’t. On this list, I implore you this: It’s not stealing or appropriating to write another Legolas if you love Legolas. Everyone loves Legolas. How many generic buff action heroes do we have and love? How many Hallmark romances tread the same predictable path? Who gives a damn if it’s unoriginal? Just make it entertaining and have something fresh to say in the end (or don’t, that’s fine too), and people will read it.
And when people say “Oh, you mean like Legolas”, take it as a compliment, not an insult. Yes, exactly like Legolas. Here’s my new elf because I adore this other book, now watch him go on a new adventure that I wrote for him.
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sorcerous-caress · 6 months
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could u possibly do how companions would treat tav's kid? like in a situation where a tav had a child/younger sibling or smth. fluffy fluff all around
You know how sometimes fate aligns so that your past deeds follow you into the future? This request gave me a flashback to my old writing blog.
Companions reacting to Tav's younger sibling/child
[ bg3, fluff, several characters ]
[ Astarion, Gale, Wyll, Halsin, Karlach, Laezel, Shadowheart, Minthara ]
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Astarion
What on earth is that little gremlin following you around? Just make sure that no one feeds it after midnight.
To say he's not a fan is a huge underestimation, he signed up for a camp full of hot available single adults and not a daycare. How are you expecting him to be his usual self when a pg13 warning keeps chasing you around.
Whatever, he will just ignore the goblin-like thing. He can do that, how hard can it be?
Well...actually now that some time has passed, he has to admit that the little menace is really funny at times. Especially that one time he stole Gale's books to build a book throne in the mud, Astarion swears he could still hear Gale's heart shattering into a million pieces, what a fond memory.
What? Pfff, no, he isn't getting attached. He just...well was doing some trick with a coin to make it disappear, and the kid happened to be nearby, Astarion definitely wasn't trying to impress them.
Now the thing about picking locks is that it's better to teach them young. Think of all the small places, nooks, and crannies they could fit into, bringing them some loot and actually be useful.
And since he's already bothering to do it, might as well teach them how to wield a bow. Properly wield a bow, not like how Wyll does it no, it requires elegance only an elf is capable of and Astarion is the most expert here to train them.
Did you see that? They're actually getting better. He genuinely is impressed, so much that he doesn't register the smile of pride adorning his face, the excitement in his voice as he boasts about the kid's accomplishment and how they're clearly superior than the other crotch goblins.
Gale
Ah, children, truly the future of mankind. Humanity's hope and the ones who will carry the torch after us.
He is almost giddy at the idea of having an impressionable youth to teach, to steer and to spoil rotten like he was spoiled.
Will show off magic tricks nonchalantly, he definitely has a hidden agenda in trying to make the kid a wizard. After all who is better than him, an arch wizard, to teach a new curious soul about all the wonders of the weave? No magic is too advanced, everything is possible with imagination.
If anything, kids have the best imagination, better than adults do. Which is the argument he uses when you ask him why your little one can shoot invisible fireballs now.
He would love to read to them, he has all kinds of stories about heros, past legends and fables that will guarantee them a safe and sound mind. A healthy mindest to nurture then into a good kind hearted adult.
Even when his books end up the subject of the kid's abuse kind of a lot- Gale is nothing but forgiving. Cut the kid some slack, if anything, Gale is happy they are safe and sound.
Would make special meals for the kid during dinner time a lot, bunny shaped carrot cuts or soup with a sparkly finish. He can even teach them some basic recipes, cooking is a very important life skill afterall.
Wyll
He is very experienced with kids. Feels a bit concerned for the fact they're at camp all alone and volunteers to stay behind and watch them. And no, unlike the previous two, he doesn't try to indoctrinate them into elf supremacy culture nor tactically manipulate them into being a wizard.
He just lets them be a kid, plays ball with them. Shows them how to play fetch with Scratch. Overall a very cool and laid back older brother.
He definitely takes great inspiration from his own dad and how he raised him, offers the same advice and wisdom his own father shared with him.
Shows the kid that life is so much more than it seems, nothing is truly evil and nothing is truly good. Both can be found in each other. He treats the kid with respect and doesn't pull the older than you card unless necessary.
He wants them to establish their own being, their own character and carve their own path in life.
Definitely does whatever he can to keep Mizora away from the child. That devil cannot be trusted, and even while he knows the kid is smart, he doesn't want to leave it up to fate whether Mizora tricks them into a pact or not.
Halsin
The kid adores him and all of his animal forms. Halsin indulges them a lot and changes into whatever wildshape they deem the coolest that day to play with them.
When he looks at them, he sees a seed for the future. It requires care and nurturing to grow properly, and he is willing to make this world a better place for them.
Shows them how important nature is, how we should take care of the world just like it takes care of us. How we should respect the plants and the animals, how every meal is a gift and should be treasured.
He has a very fatherly vibe to him. It comes naturally, and he doesn't even have to try. Whenever the kid feels overwhelmed or scared, it's Halsin they run up and hide behind.
Also, when they get in trouble too because they know Halsin will take their side.
And he knows the kid is using him sometimes, but he lets it slide. Takes the kid on walks a lot, helps them make friends with the nearby cat that sometimes frequents the camp.
There is a potted plant they're both growing, a small shared project between the two of them. Halsin adores the look of happiness the kid has whenever the plant sprouts a new leaf and grows taller.
They don't have to know that it was Halsin's powers keeping it alive throughout the frequent changing of their camp and consistent travelling.
Karlach
Little soldier is what she calls them.
Picks them up a lot after her engine gets fixed, let's them ride on her shoulder and hang on to her horns sometimes. Even indulges them and pretends she is a robot that they're controlling.
Sorry Astarion, she can't stop hugging you. She's a simple robot, and the overlord kid on her shoulders demanded it.
While Wyll is the cool yet dependable older sibling, Karlach is the even cooler one who's very chaotic and would help the kid in their pranks and cause trouble a lot.
Ah, what the hell kid, sure you can pick up her great flaming axe and swing it around. Actually she will use a nearby table as a shield and you should definitely try throwing it at her.
It's not that she means to be a bad influence, it's just that she is extremely indulgent. That it circles back to being a bad influence without meaning to.
They want to only eat sweets for dinner and all day? Hell yeah little soldier she wants the same. They want to do it for the rest of eternity and never eat vegetables again? Sign her the fuck up because she is ride or die.
Oh yeah, your kid/sibling can swear now, thanks to her, you're welcome.
Jaheira
Is the one feeding them the vegetables, after telling Karlach off and putting her in the timeout corner.
It's not enough that she has a gaggle of children back home, but you had to bring another one with you to the camp? Oh cub, you and your own little cub are going to be the death of her.
If Halsin thinks he can hide them behind his bear form he better think twice, Jaheira isn't below putting the both of them in line if she has to.
She demands respect, and the kid definitely ends up giving it to her, begrudgingly or not. They understand she is the true form of authority in this camp and that they better do what she says and finish their chores.
They definitely see her as a grandma. She is secretly touched if they call her that but acts unaffected. She just doesn't want to let the kid down. She has to be strict because medicine never tastes sweet.
They remind her of her own kids backhome sometimes, she does get homesick a lot more with them around.
Shadowheart
No, she isn't emo. No, she isn't goth either. What is this kid talking about? They better know that worship of lady Shar is very sacred and not a passing phase she will grow out of.
You know how kids are overly curious and always ask these intrusive questions? Shadowheart is a magnet for that.
They just go up to her ,unannounced, and tell her about the recent camp news. She sips on her wine and gives the kid a glass of grape juice while they gossip.
Yes, she is a half elf. No, she is still as capable as an elf.
Wait, what did Astarion say about her? Really? Well, kid, thanks for being a snitch now. If you'd excuse her, she has urgent business to take care of.
She sees them and wonder if this is how her childhood was supposed to be like, if this is what she was missing out on all her life. Sometimes she can't help the burning envy at the back of her throat as she watches them be showered with love and care for simply existing.
But she doesn't let the bitterness get to her, not with how the kid looks at her in awe and admiration. She vows to be at least a decent example and not disappoint them.
Laezel
If left unattended, she will start a boot camp. Come one kid, get down, and give her 40 push-ups now.
What? She is just looking out for them. How else are they supposed to join the battlefield if they have no upper body strength?
Yes, the battlefield, why do you ask? Of course, she wants them in the front lines eventually. War is the perfect environment to raise a child, to make them strong and fast. You were very smart for bringing them here with you, she has to admit.
Bah, she scoofs at Karlach and Astarion's ways. It is a danger hazard at best. The kid needs to start with training equipment and not actual weapons. Her companions' lack of braincells does surprise her sometimes.
Well...she also does mention the fact that for them to graduate, they have to actually murder someone from the camp. You know, like how she murdered half her classmates when she was still in training.
She actually...does a good job at training them safely, she evaluates their weakness and strengths and gives them advice based on it on how to improve. She looks out for their well-being and shows them the most efficient way to end a fight.
But she's only joking? Right? Right???
Uh....did anyone see Gale??
Minthara
To put it in the nicest way possible, they are terrfied of her.
She thinks it's good because any sane person should be afraid of her. Frankly, she'd be concerned for a possibility of brain damage if they weren't.
They avoid her, and she barely pats an eye over it.
Although she was always the first to act whenever they were in danger, completely beheading the enemy with her sword before they could touch a hair on the kid. Still she doesn't care for the fact the child is drenched in blood and just saw someone get murdered.
She thinks they should get over it. The sooner, the better. Life is full of murder and blood, you'd be only dooming them if you don't let them see things for how they really are.
Drow culture for raising their children is very brutal, most of them die young and even the ones who do make it alive, don't live as long as the surface elves do.
Each drow carries deep scars from childhood, both on body and mind. Minthara wasn't the exception.
She tolerates your young out of respect for you. She tolerates what she deems as disobedience and disrespect from them.
You're not sure if they'll ever stop fearing her, but you also know that you can trust her to be there for them. To not hesitate a second in saving their flesh no matter what the cost is.
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itaipava · 6 months
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— little moments of f1 boys yearning for their best friend.
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˒ ⌕ LANDO NORRIS
it’s the middle of the night and you’re lying side by side in bed. you told a joke that he didn’t find that funny, but he can’t help but laugh next to you while you’re laughing so hard at your own humor. he stops laughing for a bit and looks at you like you’re the most beautiful thing he’s ever seen - because you are. moonlight enters the room, shining on your chin, lips, and cheeks, and a soft, joyful glow shines in your eyes. he feels this need to run his fingers along the contours of your face, in a light and gentle caress, but he resists. and yet he can’t help but think that maybe he loves you, with all his heart, even if you have a weird sense of humor sometimes.
˒ ⌕ DANIEL RICCIARDO
it’s a little too early in the afternoon to be drunk but here you both are. you’re sitting on the couch and he’s not certain when you got close but his breath hitches ever so slightly when you lean your head against his shoulder and he shifts a little so that he can place a hand on your back; an almost-hug. you’re saying something and your breath is warm on his skin and perhaps it’s the influence of the alcohol but he’s overcome by a burst of a certain something in his heart. he pulls you closer and when you start to move away, he doesn’t let you go and he says ‘stay.’ and you do. for a minute. then two. then time doesn’t matter anymore.
˒ ⌕ CARLOS SAINZ
it’s when you ask him to turn his face away so you can change your shirt; you already have a beautiful and trusting intimacy, so you trust him enough to do something like this around him. he turns around, but when he turns to you again, he takes a little of your body away while you lower your shirt, putting it on completely. his breath hitches in his throat as an insatiable desire surges within him; the desire to touch you. he wanted so much to be able to explore every little part of your body, know the story of every scar or spot, worship your body as if that were the last thing he would do in his life. he looks away quickly but that image will stay with him forever.
˒ ⌕ CHARLES LECLERC
it’s the middle of the night and you’re lying side by side in bed because the movie is too boring and each other’s features are so much more interesting. you talk about anything that comes to mind as you trace light patterns on the bed between the few inches between the two of you. he loves hearing you talk, he really does, but right now he can’t hear you. he is so hypnotized and obsessed with you; it’s like you’re holding the stars as he walks through the clouds. his eyes shine like never before and he feels lost when you smile as you continue talking, completely oblivious to the effect you have on him.
˒ ⌕ LEWIS HAMILTON
sitting on the balcony, the two of you are talking. you ask him if he could go anywhere right now, where would he go? and he thinks, perhaps to a little cottage in the countryside where it’s peaceful and the days slow and sweet; or perhaps a bustling city that never sleeps, with its neon lights and people from all walks of life; or perhaps a picturesque town where culture comes alive and and every building whispers an ancient history. and he looks at you because you’re there with him everywhere he goes; lying on the grass next to him; going out for a dinner in a fancy restaurant together in the busy city; sitting in a little café in an old city… he wants to let you know but instead he jokes, his voice light, his face holding a ghost of a smirk, ‘anywhere away from you,’
˒ ⌕ OSCAR PIASTRI
the sun is about to set and he sits beside you on the floor. as the movie plays on his laptop, he watches it while listening to you talk about your day. at one point, he glances at you and it’s supposed to be a glance but the sunlight is on your skin and he can’t seem to look away. seeing your questioning face at him, he tears his eyes away from you, back to the screen. and the two of you watch the movie quietly while this feeling he isn’t brave enough to name swells in his heart.
˒ ⌕ MAX VERSTAPPEN
when others are superficially talking about people they find hot, he never joins in the conversation and if you’re there, he glances at you a little too often. if someone asks him to describe his ideal type, his mind goes to you immediately as he describes your qualities. in a room full of people, he always finds himself wondering where you are as his eyes look around, the smitten smile on his face when you lock eyes from across the room.
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