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#sorry for rambling i just. don't understand.
Down Bad
luke castellan x apollo!reader
warnings: angst
a/n: inspired by down bad by taylor swift (i am ignoring all my drafts i have no will to write for 😭) THIS IS NOT ACCURATE
italics - flashback normal - current bold - (idk js impacting lines 😭) this - lyrics
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i paced back and forth in the dimly lit room, my siblings long asleep. percy had just returned from his quest, successful, luke was taking him to chiron. normally i would just sit on my bed waiting for him to come back, but i had a vision. one where percy got hurt.
which was strange since he was with luke, and luke wouldn't let percy get injured unless luke was injured too. but it was probably just another of my visions that made no sense. i waited two minutes, five minutes, however when the clock ticked over to ten minutes i stood up and rushed to chiron.
seeing the half man half goat safe in the middle of the bonfire, running to him i questioned him.
"chiron, do you know where luke is? he was meant to take percy to you,"
my concerned tone was met with a swift shake of his head and then he resumed his conversation with mr d.
"i think i saw them heading into the forest," a camper responded.
running to the woods, i saw the faint light deep in the woods. sprinting through the woods, i sighed in relief when the source of the brightness came closer.
not thinking twice, i broke the bushes hiding the opening from me and barged in to see percy on the floor.
"percy oh shit, what happened- where's luke?" my rambling became quicker and louder.
"behind you," percy hoarsely whispered.
"what-" my question was broken by a small pinch to my neck and black spots invaded my vision and strong arms held me up.
"im sorry y/n, i love you" those were the last things i heard before i fainted.
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my eyes opened, but i wasn't on the forest floor anymore, i was in the infirmary. annabeth was sitting at my side, my hand jerked when i realised she was holding it.
"y/n you're awake" she sighed.
"where's percy?" i asked. she smiled and replied "he's safe".
"it was luke." i breathed out.
"i know."
"it was luke" my bottom lip wobbled.
───────────────────────────────────────────
there was no one to talk about this with. no one would've understood me. the pain i felt for losing luke, even though i knew this was his choice and his doing, it still hurt inside me.
i tried talking about my feelings once with clarisse, but she didn't understand no matter how much she pretended she did, and the dirty looks i got from campers at the slightest mention of luke hurt.
they'll say i'm nuts if i talk about the existence of you
luke is the perfect boyfriend, he picks me up from my cabin making sure i reach my destination safely. he gives me flowers weekly, tells me he loves me, is the perfect gentleman and cares about me. just when i thought i couldn't love him more, i saw him helping a fairly young camper, the way he crouched down so the boy didn't get intimidated, with a genuine smile that was normally only reserved for me and for a moment my heart ached with how much i loved him.
for a moment, i was heavenstruck
"you look beautiful today, love" luke said with a smile. "i look the same as yesterday luke" i giggle. "yes but you in the sunshine is gift to the world" he says as he pulls me in for a soft kiss.
did you really beam me up in a cloud of sparkling dust
"luke was the one who betrayed the gods" and me.
just to do experiments on?
i stood at the cliff where me and luke hung out, where we had our first kiss, where he first asked me to be his-
"fuck you luke" i scream out into the abyss, so loudly hoping it reaches him
"please don't leave me," i break down, my voice cracking.
how dare you think it's romantic leaving me safe and stranded?
"daughter, you need to fix yourself, you are a daughter of apollo not some peasantly god" dad normally doesn't visit but i guess his daughter ruining the face of apollo was a good enough reason.
"i'm sorry-"
"you're destroying my image and the image of all your siblings," he reprimanded.
"but dad, luke-"
"i don't want to hear that traitors name from your mouth again,"
and with that he left.
down bad (like i lost my twin)
"i get that y/n is sad, but he was just a boyfriend, she's dragging it," one of my siblings said.
"i know she's so overbearing, i feel bad for annabeth and percy,".
tears i didn't know i was holding broke free and spilled over wetting my cheeks.
"i might just die, it would make no difference"
"you know you look like a star reincarnated" luke said his hand caressing my face. pulling away with a blush i replied "you're too kind luke,"
"come back"
staring at the sky, come back and pick me up
"i love you luke".
my eyes shut as the darkness of hades' embrace swallowed me whole.
cause fuck it i was in love fuck you if i cant have us cause fuck it i was in love
a/n sorry abt the shitty post but i didnt want to ghost you guys (like i have been doing) soooo yeah
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le-panda-chocovore · 2 days
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What do you think are Gojo and Geto’s greatest personality strengths and weaknesses? Why? What do you love about their dynamic?
Until now, have you found any couple (canon or non canon) from any media (books, tv series, movies, anime/manga, etc) that the dynamics remind you of Gojo/Geto?
Thanks if you want to answer....
(I forgot this ask in my drafts sorry)
Asking me to ramble about my hyperfixation when I'm too tired to write in correct English is cruelty actually /j
I think their strengths are mostly the same as their weaknesses. (It's only my take on them, everyone has a different opinion)
Geto's empathic, he understands people, he likes helping, giving advice, protecting, and caring ; he makes a point to ensure that everyone around him is fine and safe. He's strong so he can bear with painful tasks, he knows he can, so he doesn't complain about it. He has a great sense of morals and responsibilities. It's all amazing qualities, until it became too much. He was caring too much, worrying too much, enduring too much, and he drowned under the weight of everything he fought so hard for. His morals contradicted his will to help people and he had to make a choice. He loved people so much he couldn't bear to see his friends die, so he sacrificed the entire world to protect them. I think his greatest weakness is that he loved his close ones more than he loved himself, so he didn't even think about asking for help because he didn't believe people would care about him as much as he cared about them.
Geto, like everyone else, would say that Gojo is selfish, which is ironic because Geto is the one who kept everything to himself and didn't let people worry about him. He tried to fix himself alone, then decided he didn't need to be fixed.
Gojo's selfish, egocentric, forgetful, defiant, and is very much in love with his best friend. Those are weaknesses, to be clear. He's also kinda naive, because he believes things will be fine no matter what, but this is just another side of his arrogance. He hates authority figures but he needs to be told what to do because he is not able to regulate himself. He needs someone to draw a line for him, but he cannot express the importance that person has because he doesn't think it matters. Not that he doesn't believe they'd care but because he thinks they already know. (They don't- again, it's because of his arrogance). He doesn't realize nor understand how other people feel, but that doesn't stop him from reacting accordingly. Because he knows what it's like to suffer, to be lost, to be betrayed, to be lonely. He is not empathic, he doesn't feel what people are feeling, but he was so self-centered that he lost the person he loved the most, and now that he knows the pain he can project his own emotions on others. He's selfish and egocentric, so he saw people he could take care of and decided it'd be his responsibility to ensure they'd grow up happily. He doesn't care what the higher-ups think, he will do whatever pleases him. He also doesn't care what those people he takes care of are thinking, he forces himself into their lives because he truly believes he can make it better -and he does. (arrogance, the good side).
Gojo is arrogant and strong, he thinks he can change the world and deal with the consequences. He knows he can fight anything, so he doesn't actually worry about threats, even though it sometimes hurt his students. He proposes a status quo because he knows no one can fight him. He manages to keep Yuuta and Yuuji and Megumi safe by pure defiance.
Also it's canon that Gojo's mortal weakness is Geto himself.
What I love about them is perhaps the metaphors, the parallels, and the co-dependency. They're literally soulmates, they're a perfect match, they value each other so much it's overwhelming. They're also dumbasses and I love that kind of ship. They're handsome and pretty and gorgeous. They're smart and stupid at the same time. They're so in love that 9 years apart weren't enough to kill that. They're both little shit but one knows how to pretend to be nice. Literally EVERYTHING Gojo does as an adult is because of the influence Geto had in his life. They know each other so deeply that a simple glance is enough to recognize the other. Geto's body broke through Kenny's control because Gojo was in danger and it was the FIRST TIME it happened in CENTURIES. Hell, what is there NOT to love about them ??
Anyway. They make me think about Orpheus and Eurydice from the Greek mythology (He looked back. He knew she shouldn't, but he looked back because he loved him). I recently read a post that compared them to Achilles and Patroclus and I was like, oh, yeah, that could work. Also, they kinda have a vibe of Steve and Bucky from MARVEL. Like, childhood friends who liked messing around together until one got lost and followed a dark path while the other had to bear the weight of the world on his shoulders and was so praised and admired that he wasn't allowed to have a life by himself. Years and years later they met again and memories came back and the world fell apart. They're enemies know, opposite sides, there's only one way to stop the other. But. But they still love each other. (I'm going to make myself cry)
I could write so much more but I'm going to stop here because I have the feeling that I'm already annoying lmaooo
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wings-of-ink · 3 days
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I also want to start and IF, im already a writer on wattpad and I want to expand my horizons but I have absolutely no clue about coding and stuff
Is it difficult to code?
That is awesome and wonderful! I highly encourage you to take the plunge and try it out. I would not say coding is difficult, but it's not exactly easy either. You're literally learning a new language depending on how deep into it you go. For me, the way I did it was to learn, say, basic phrases ("Where is your bathroom," or "I'd like a glass of water") and grammar for this language. I'm not fluent, but I'm getting by. You don't have to have it mastered before you start.
For a long-winded breakdown, see below!
I knew absolutely zero code when I started this out. I just knew I wanted to do it so badly. There are good resources online to help you as well, especially questions on forums because we are not the only newbies in this with questions. I find the Twine cookbook thing to be a bit of a nightmare to understand, lol. I am more a type of person that needs to see something in action or do something to truly get it. I cannot just read something and understand it at all.
Two things I did that helped me a lot was to start a Twine project and enter all the code I learned into it and I also started a story to test it all out. I made notes to myself in these to remind me of what they do and how they work as well. I still have those and use them when I learn new things or if I find a new macro that I want to use.
If the Twine documents don't work for you, do a simple internet search for what you need. I started to learn the Harlowe code first, and I honestly found that more difficult than Sugarcube. As a side note, when I started this, I didn't even know that there were multiple languages that Twine could use! When you find a guide or a forum post that is useful, save it! Copy/Paste it or bookmark it. Put the code in Twine and test it right away. You'll find that it all starts making more sense to see it in action.
I can't tell you how many times I've Googled "Twine Sugarcube *insert code issue or desired outcome.*"
I also recommend finding a free coding class just to familiarize yourself with the basic function of html. I did one on codeacademy.com. There's also youtube videos out there from people who really know what they're doing.
It's not all sunshine and rainbows, so go into it knowing you are going to have really aggravating moments. I had times where I was trying so hard to understand this stuff that ended in a few tears of frustration. I'm a person who believes they can learn to do anything, but it takes pushing through those frustrating moments to get there. Our brains sometimes literally try to get us to quit stuff when it gets hard - we are wired to take the easy way out and when it's not easy, the brain is like - THIS IS PAIN. But I feel that if you push against that anyway, you'll get over that wall and things will start falling into place.
Sorry for rambling and I hope this helps you in some way, Anon! ^_^
I could go on, but for your sake, I'll stop there lol. If you have any other questions, please feel free to drop them in!
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robouiop · 1 year
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i'm 18 now. what do i do
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chiricat · 1 month
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ryomina demons are winning
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lucy-ghoul · 21 days
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can't believe a show based on a videogame (usually games adaptations are notoriously bad, which isn't the case here tho) gave me the beauty and the beast/twisted mirrors/enemies to traveling companions/ruthless antihero+optmistic but still badass heroine who takes none of his shit/age gap but make it sexy dynamic of my dreams. as much as i love maximus and i think he deserves the best writing ever because 1. he's a clever deconstruction of the aspiring Knight bro who's actually a bit of a loser and, as much as lucy, sees the world in black&white at first and then doesn't get what he thought he wanted but what he needs (or at least i hope he'll eventually get it), and 2. he's a cutie and i want an epic love story for him too, it's very funny how they tried to give us a puppy kind of romance and the tumblr girlies still fixated on the "toxic ~she bites his finger off and he cuts hers off and sews it on his hand in what we'll pretend it's a symbolic marriage rings exchange or whatever~ asshole who used to be a nice guy/good girl™ with a lot of spunk and hidden anger but unshakeable morals" kind of relationship.
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chaosxcrushed · 27 days
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There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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doodleodds · 1 year
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Happy Valentines, Akira. Happy Valentines, Asshole.
If you can’t read what Akechi’s secondary inner-dialogue says cause I obscured it too much behind his regular dialogue, here’s a transcription in panel order: Hello, you fucking- Ah- Hello, Akira! Fuck off, why should I tell you- Just a soda- there’s a new flavor.
I don’t want your shitty gift. Oh- haha! You’re so sweet.
I hope I choke. They’re lovely, thank you.
Like hell. Likewise. There’s no way it’s just a coincidence. Still though, it’s a funny coincidence.
#p5#akeshu#akechi goro#kurusu akira#wow- me?? posting a valentines comic... actually on?? valentines????? wack. absolutely wack#it's a short one! I purposefully tried to keep it short. it was a challenge and it still ended up being 3 pages. but i blame my canvas size#also in case u can't see what akira is holding out to akechi: theyre chocolate covered strawberries on sticks!#i saw them irl and was like oh god i want those. i am going to project that feeling on my favorite characters so help me god#and now! here we are! but my shitty-ass coloring & line quality make it hard to discern them so. sorry about that lmaooooo#ANYWAY i don't do enough post-maruki stuff so. i made this one a little bittersweet. :)#why did i put akechi's scarf in a bow? honestly i dont know! i think i saw some art a while ago that did that too and i thought it was cute#well. plus i guess there's the symbolism of 'akechi being alive and reciprocating your feelings (however involuntarily) IS a gift' part#hence that hes wrapped up in a bow. like a present. :)#also god. the first panel is supposed to be akechi's reflection in a vending machine window. I could NOT get it to look right#so for reference!!! just so you guys understand!!!!!! thats what that panel is supposed to be!!! he is NOT in fact a ghost. (sigh)#hope you enjoyed and had a lovely valentines!! for my part i have eaten nothing but sweets today and hoo boy will that have been a mistake#ALSO in terms of the audience-participation comic...hopefully coming soon. if i can ever gain the will to draw it.#but at least tumblr has polls now so i can do the audience-choose-y bit without needing to use a separate website! so thats good i guess#anyway anyway anway thanks for listening to me ramble if you made it this far! have a lovely rest of your day and hopefully see u again soon
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supemaeve · 2 months
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thebad-lydrawn-sanses · 4 months
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Creator: Mm, art block. What to do...?
Creator: What do you think, wackus bonkus?
"Wackus Bonkus" (Hand): make angst
Creator: ohh, you naughty wackus bonkus
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northern-passage · 1 year
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i've been thinking a lot about the word "representation" and what it means and how it's changed over the last few years, particularly when it comes to the writing/publishing landscape but also in movies and tv shows… and i really don't like it anymore. to be clear, of course i think it's important to have diversity in your work, i'm not saying i hate the concept of representation. but i do really dislike the way it's used now, and i really just hate the word itself
in a broader sense it's just become a marketing tool. i'm not impressed by any publisher or author who just describes their book by listing all of the minorities/identities the characters represent as if that should be enough. it feels very gross, very exploitative and disingenuous. it also really bothers me because it's always marginalized identities- which i understand Why, but it feels very othering to me (and again. Very exploitative as an advertisement). you would never list out "cishet able-bodied white man" as a character description to pat yourself on the back over. so why do it to everyone else? why insinuate that one is the "default" and the other one is "special"? (and when i say this i'm mainly talking about advertisements/marketing. i understand why people would specify about characters in descriptions with the plot, but i don't like to see an ad that's just "this book has gay people!" with nothing else)
which then leads me to my other point, which is that a lot of people treat "representation" as if it's "too hard." like "oh i don't know enough to write about that, i don't have that experience, etc" which is a fair way to feel! however… it's weird that people only say this about writing trans characters or characters of color. i'm writing a story right now with a character who is really into motorcycles. i personally do not know that much about motorcycles, so i researched what parts are what & what different kinds of models there are & what basic bike care looks like. i guarantee Most people will have to google something at some point in their writing process. so what's the problem? it also, again, feels very othering when authors treat certain groups of people as "impossible" to write, "too hard" to understand. they are just.. people. you write them as a person. and then you figure out the rest later.
and i think part of the refusal or fear to write something outside of your experience is because of the way representation is treated as So Special. these characters are So Special that they aren't allowed to be anything other than "representation." they're Not allowed to be characters with complex emotions and interesting motivations, they have to just be Trans or Gay or Disabled or whatever. they're not allowed to be people. which means, at the end of the day, we loop right back around to where we were at the start….
there is bad representation. there are depictions of certain marginalized people that are harmful and that are damaging, i'm not trying to minimize that or argue against it at all, in fact we should all be mindful of that while writing and reading. but i also think it's possible to swing too far in the opposite direction as well and put certain groups of people on a pedestal and not allow them to do anything at all but be Perfect Representation, if that makes sense.
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leave-a-whisper · 2 years
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I posted this on twitter but I want to expand on it here without character limits.
If you need context, see this tweet.
I don't talk much about heartstopper because I find the fandom disgusting (and tonight is a perfect example of that) but I do need to say something about this because I am honestly so horrified and angry right now. An eighteen-year-old kid was just forced to come out after being harassed online for months by people who felt entitled to his sexuality.
This is one of the many reasons I feel so disillusioned with the queer community. This is something that is mostly coming from queer people who believe that you have to be queer in order to play a queer character, 'act' queer in public, or even so much as question your identity. None of this is true. Kit's sexuality has nothing to do with his role as an actor, and neither does anyone else's. This is harassment of queer people and we need to start calling it what it is because this needs to fucking stop.
Don't just call it out when it comes from 'straight' people, because queer people are doing it too and it's sickening.
The worst part about all of this is that the misuse of the word queerbaiting, the constant pressure of closeted people to the point where they have to come out, this is all born out of this new wave of fake online 'activism' coming mostly from other queer people. It's not activism, it's harassment.
The reason this is so disheartening is because this is a form of emotional manipulation against queer people that is more harmful than most forms of homophobia I've come across in my life.
Kit will never get justice for this. Every queer person you guys have forcibly outed will never get justice. You guys love accountability unless it goes the other way and the only apologies these people will get are from those of us who have been speaking out about this since the beginning.
If you are one of those people who have used the term 'queerbaiting' to engage in this kind of harassment, you need to step back from your online bubble and think about what it is that you did. You stole an extremely important moment from someone, a moment he will never ever get back.
Only you should chose how and when you come out. No one else is entitled to that. You wouldn't want someone to take it from you, so don't take it from anyone else.
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amoneki-ramblings · 2 months
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Also, your 'Amon stays in the CCG and works with Haise' AU is fantastic and should have been canon. Poor Amon misses Eyepatch terribly (he still has QUESTIONS damnit!) but doesn't want to get Haise (or Akira) in trouble, so he can't really say much, but he and Haise get suspicious of the CCG being corrupted. They investigate together, but they have to be discreet and they HATE IT, the CCG is supposed to represent justice! Inner!Kaneki drops hints and nags Haise in the background constantly.
YESSSSS GOD AMON AND HAISE NOT INTERACTING IN :RE WAS SUCH A MISSED OPPORTUNITY TO ME I WAS SO GENUINELY SURPRISED WHEN THEY NEVER DID
In the context of my AU I think Amon would feel so let down by the emergence of the Quinx project. He's spent all this time investigating the CCG's suspicious sides and almost uncovered what they were really aiming to do and then it just gets. Announced, just like that. That they're putting ghoul organs in people to use as weapons. It feels wrong. Everything clicks terribly into place. But he can't say anything. And Eyepatch is gone already (or so he Thinks) It all feels anti-climatic, somehow.
Then he meets this new investigator, who shakes his hand and greets him cheerily. He's being mentored by Akira. They are to treat him as a human unless he loses control, to which they'll treat him as a ghoul. It's Eyepatch. It's Haise Sasaki. Amon has to stomach the thought of both working with him and potentially having to "erase" him if he remembers who he is. He likes Haise, even if he's different from Eyepatch, but Haise might not be around forever, for one reason or another. He's never had to kill a co-worker or friend before. (I think, similar to Akira in canon :re Amon would be assigned a big role in leading squads when the CCG has to keep Haise under control. It only makes sense, he's done significant damage to him before, in half-kakuja form no less, and managed to escape this guy even without a weapon. And he's also like, one of the Only Guys who has ever killed a ghoul with his bare hands before.) Still though, the thought of killing Haise, whether it be with a quinque through the heart or the snap of a neck, is nauseating.
The CCG higher-ups are suspicious, obviously, because Amon is the only one who truly knows Everything about Eyepatch, and he might screw with Haise's memories. They're keeping an eye on him and make sure they don't get too close, unless Amon needs to confront Haise, since Haise, even when losing control, just can't seem to hurt him. Not really at least (if it ever does happen he feels So Guilty) ((Also sidenote but Haise probably visibly winces when he first meets Amon. His head hurts and he's not sure why. He feels melancholic and he doesn't know why. He feels a flood of relief. But he doesn't know why. He likes Amon a lot and wants to get to know him. The white-haired ghoul in his head seems particularly fixated on him, won't stop looking at him. Haise somehow knew Amon's name before he was even told what it was. He surmises that it's just because Amon is so well-known in general. (He knows, deep down, that it might be more than just that)))
Haise has small recollections of memories, but he can't tell anyone, obviously. Sometimes he has nightmares of flower fields and battles under the rain. When he and Amon get closer he tells him a little about them. "It's probably nothing" he laughs, unsure, but Amon knows what they really mean. He sees Eyepatch in Haise and it hurts terribly. He fears the chance that he'll never get to ask the questions he had, almost as much as he fears the chance that one day he suddenly will. The answers he's wanted for so long are so close that they are literally standing right next to him, yet they're so far.
As things move forward they definitely try to investigate and figure out the CCG's corrupt system together. But they have to be careful, on the outside co-workers (including Akira) make comments about how close they are and what a good team they make but within the inner-workings of the CCG they have their careful eyes on them. Maybe Akira's a little weary about it, tells Amon as such sometime and Amon says he knows (but there are things he can't tell even her.) Maybe one time Haise and Amon talk briefly, maybe after or during Haise losing control of himself and he says something and it sounds hauntingly like Eyepatch. Haise had looked at him differently during that moment. His voice sounded different. It was pained, but not in the physical sense. Maybe it wasn't Haise at all, actually.
Haise has a dream once about a man shouting asking him if he really is just a ghoul. Somehow he doesn't feel like it's for him. (But surely it means something to Kaneki Ken). Maybe, like in that comic I drew, Kaneki is incredibly relieved that Amon is alive, but also terribly jealous that all he can do is watch from the shadows LOL
Ough sorry I got SO carried away I've just been meaning to list out some of the details of my AU thoughts for AGES this has been living rent free in my mind for MONTHS it's one of my favorite thoughts Ever
It's insane, how many parallels are setup between Kaneki/Haise and Amon, yet Haise and Amon never meet once, even though Amon is foreshadowed constantly during :re. To be fair there is so much going on in :re already but still, man. Man,
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creature-of-pizza · 1 year
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What kind of critter would Peppino be if he was one?
oh uhhhhhhhhh
*spills these*
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need i say more?
also live footage of me drawing these for the past hour:
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arklay · 6 months
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RESIDENT EVIL → THE WESKER FAMILY
To the public, little is known of the families behind some of the world’s most renowned bioterrorists, but the question remains: did they play a role in causing their children to walk down the path that they did? Or are these individuals simply ambitious criminals with delusions of grandeur?
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For Diana Wesker (née Afanasyeva), her introduction into the bioweapons black market trade was upon discovering her employers were using her research into limb regeneration with salamanders to further their experiments in creating enhanced soldiers, instead of developing human therapies with which she was recruited for. Although the prospect of using biological weapons in the military did not appeal to her, the concept remained fascinating for her own selfish endeavours. Born on the 27th of October, 1963 in Sydney, Australia to Russian immigrant parents, Diana had harsh expectations placed upon her at a young age, ones that no matter how hard she tried she could never live up to. Her mother, Tatyana, was an unfeeling woman, absent for long stretches of time with little regard to how it affected her daughters, much more concerned with her craft as an accomplished opera singer. Viktor was no better. A strict man whose role as father and ballet master blurred, he pushed his girls to one day follow in his footsteps. Whilst Sofia enjoyed ballet, and went on to become a professional ballet dancer, Diana’s heart was set on going into the field of biology. She wished to make a name for herself, separate from her family – to which she succeeded.
Diana was married to former U.S. Marine, Dave Monroe, for only a year until he was declared dead in 1992 after succumbing to injuries sustained in a horrific car accident. Foul play was ruled out while Diana played the role of the grief-stricken widow, but in reality, she had snapped after years of mistreatment at her husband’s hands, and opted for something she could pass off as an accident to be free of him. For years she believed he was dead – and he was, legally – but that proved to not be the case when he found his way back into her life again in 1999. Unbeknownst to her, she had been lied to by the police and coroner, who were paid off by her employers when they took Dave’s body for themselves and used him as one of their first test subjects in developing supersoldiers. Before he could ever hurt her again, Diana’s second husband, Albert Wesker, tracked the man down, captured him and tortured him, before allowing Diana to get her violent and bloody revenge.
The origins of Albert Wesker’s involvement in bioterrorism, alongside his twin sister, Alex, are much different than that of Diana’s. The two hail from London, Canada, but unfortunately, they hold no memories of their lives there, nor what happened to their biological parents when they were eight years old. Agents of Oswell E. Spencer, an aristocratic billionaire and eugenicist, took the twins from their home and executed their parents as per Spencer’s orders. Albert and Alex were then placed in a home funded by the Spencer Foundation where they were given new names and a privileged upbringing. They had access to the best education possible, free to pursue whichever field they decided, but it was by no accident they both went into virology and bioengineering; at home, their adoptive parents – agents whom they believed to be their real parents – instilled them with the beliefs of Oswell E. Spencer, harbouring disdain for war and pestilence, and believing humans to be an evolutionary dead-end in need of a rebirth. They were only two of the hundreds of children “adopted” as part of what is known as Project W, a plan intended to develop an advanced race of human beings. The most promising candidates were headhunted by Umbrella Pharmaceuticals, the twins amongst them, where they went on to create bioweapons for the company founded by none other than the man who had handpicked them for his plan. The final stage of this was to infect the thirteen Spencer saw fit, however, only two survived; Albert received the intended effects, now possessing superhuman abilities, however, Alex was only offered more time to live due to her terminal degenerative illness.
In the summer of 1995, Diana was working undercover within Umbrella to gather development data on their projects for her company. Here, she had a chance encounter with Albert, an intelligence officer at the time, which permanently altered the course of her life. The two were never seen far from one another’s side, marrying in 1998, and they went on to become notorious in the bioweapons industry. The development of the Uroboros virus was where things took a turn for the worst. Although Diana’s infection was successful and she bore abilities that rivalled her husband’s, the plan itself did not succeed as they had hoped, and almost cost Albert his life at the hands of his former subordinates.
Now, they work within the shadows, with Diana declared missing and Albert believed to be dead. Their legacy, however, lives on with the mark they left on the world. As visionaries in their field, they influenced bioterror attacks carried out by countless individuals and organisations. In turn, they also inspired others to fight against such atrocities. One such person happens to be Albert’s son from a former relationship, Jake Müller, whose existence he was unaware of.
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#mine.#oc: diana#pair: ewskers#click for better quality cause it's large & tumblr ate it ♡#hii so happy birthday diana !! queen is 60 today :]#um. there's no template cause i made this from scratch...i couldn't find any i was vibing with so i was like you know what lmaoo#i'm sorry for the essay...it was meant to be just a short rundown of the family but well...that happened. typical leah fashion...#oh and guys. did you know that there's a limit to the amount you can put in one blockquote? that's why the rest is just left like that caus#i didn't like how it looked with a blockquote each paragraph...cause the spaces between were unever. you understand 😔#with the tree i was also going to include weskids adoptive parents but i couldn't figure out how to arrange it all & make it look nice !!#cause i also wanted to have spencer in there as well cause he's a big reason why the weskids are the way they are...was maybe gonna include#sherry as well. like connected to jake (hehe) and then do her parents too but that would've made things so wide & it's already big enough#yes. i hc that albert & alex are biological twins. just for clarification there :] i don't think i added anything else that isn't canon or#implied with canon. cause the weskids were put in homes (or at least whatever ''controlled environments'' means) where they were monitored#by umbrella but were unaware of it. so yeah. i don't think i really changed much there !!#honestly i could've kept rambling cause there's alex's whole situation. there's my lore with jake's mum. there's way more with the ewskers#but it's already so long & i can't be concise so there's that lmaoo oh also diana's grandma. so much stuff#also meant to say the weskids birthday in that ramble. it's january 15 1960 :] they are capricorn sun leo moons but alex was born earlier s#their rising signs are albert is a scorpio rising & alex is a libra rising !!#had to redo the image cause typo on diana's birth year for some reason lmao so if that messed up the formatting i will sob
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siennaditbot · 11 months
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I don't like to rant about personal stuff online but my mom said smth that really bugged me and I thought yall could relate.
I like to draw cartoony stuff, mostly humans and Sonic characters. I have dabbled in realistic art but it's not really my thing, you know?
My mom's always frustrated whenever I show her my Sonic stuff. "Those characters again, you should draw something different!"
Today she said that I should try making "real art" so she could see if I'm actually good. I was drawing a cartoony self portrait.
"Real art."
I get it. Mona Lisa and all the other fancy paintings etc, it's what people think art is.
But art can be silly doodles. Wild expressions. Messy sketches. Anthropomorphic animals doing human things. Exaggerated movement. Unrealistic body proportions.
Realism is art, sure, don't get me wrong.
But art isn't necessarily realism.
I grew up with cartoons and comics. My brother taught me to read before school and I read the same comics he did. Tintin, Asterix and Obelix, Lucky Luke and a lot of Donald Duck.
Those had an effect on me, especially Don Rosa's Scrooge McDuck stuff and the Italian Donald Duck artists whose names I can never remember.
The stories and the way they were told. The expressions and funny things happening in the background. Varying line weights.
Cartoony stuff isn't childish. It's exaggeration of things that realistic things do portray. It's creative. Fun.
Art is so much more than portraits or landscapes. It's bringing life and character to things that might not even exist or be impossible. It's storytelling. It's passion.
There's no "real art".
All art is art.
Don't deprecate people's hobbies and interests. Just because they're not painting the next Mona Lisa doesn't mean they're any less of an artist.
Let people express themselves.
If you don't, you just might cause them to stop making art completely. Or stop showing their art to you.
Be nice.
Make art the way you want.
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