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#tarzan live action
eternalgirlscout · 1 year
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why does hozier keep writing songs for the soundtracks of theeee most random shit and putting his whole entire everything into them
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bluebird167 · 2 years
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Forget the Disney Live Action Remakes. They should just record the Broadway Shows and make them available for purchase or on Disney Plus. Who’s with me?
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If I missed you favourite pls share it!! ⬇️
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matthewchadd · 6 months
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Fan Cast Disney Live Action Tarzan:
Jacob Elordi as Tarzan
Lily Collins as Jane Porter
Tom Hardy as Clayton
Jim Broadbent as Professor Porter
Idris Elba as Kerchak (voice)
Sarah Jessica Parker as Kala (voice)
Kenan Thompson as Tantor (voice)
Awkwafina as Terk (voice)
Jacobi Jupe as Young Tarzan
Andy Serkis as The Captain
Josh Brolin and Charlize Theron as Tarzan’s Parents
Florence Kasumba as Sabor (voice)
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just-gay-thoughts · 8 months
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Finding out minnie driver has been behind some of my favorite roles is just proof of how much of an icon she is
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thatbadassbree · 2 years
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Saw Top Gun Maverick tonight and it was good chiilee, stands tall next to the original. Miles Teller was perfectly cast as Goose's son. I wish some of the other actors *cough Manny Jacinto* had more dialogue though.
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shiny-alpaca7991 · 2 years
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With Pinocchio being an utter disaster as well as a sign that Disney won't be stopping with the live actions any time soon, here are some live actions that I actually might be excited for if Disney ever made them:
1. Anastasia (1997)
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Before anyone comes to yell at me, yes I know that this movie wasn't originally made by Disney. However, Disney bought out 20th century Fox so they do have the rights to this film. Even when I watched this movie as a child I always wished there would someday be a live action remake of this film. The palaces and dresses in the animated movie were absolutely beautiful. If done well I think these things could make a live action version absolutely breath taking.
2. Hercules (1997)
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I have a soft spot for movies that in anyway relate Greek mythology. The original Hercules left a lot to be desired and this is where I think the live action could shine. Compared to other Disney classics this movie isn't as well known or loved. I think this is a great opportunity to reinvent the story without angering fans of the original since I know many can agree that the original film was quite flawed to begin with.
3. Tarzan (1999)
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The part that made the live action lion king lack luster to me was the lack of facial expressions in the animals. The realistic CGI animals honestly did take my breath away but without any human beings to carry the emotional delivery, it fell flat after a while. This is where I think Tarzan can deliver with a good balance of cool jungle scenery and emotional human relationships and facial expressions.
4. The Hunchback of Notre Dame (1996)
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I've always loved the story of the Hunchback of Notre Dame. However the original movie was a bit all over the place with no coherent tone. I think a live action remake could improve upon this and deliver a beautiful story and acceptance. If they do ever get around to this I do kind of hope they'd make it for an adult audience rather than dilute the story to make it digestible to younger palates.
5. Robin Hood (1973)
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Robin Hood is such a fun and loveable character. The original movie also has so much charm. I think it's hard to get a classic like this wrong though I doubt Disney might still find a way. If they do make a live action remake I hope it's with actual human beings. I think that would be a good way of reinventing the original movie and avoiding too much CGI in the film.
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aniovandoblog · 2 years
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You rebember this?
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telvess · 7 months
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Headcanons for all the characters including Jack since it’s based on Hamlet watching The lion king with the reader. (the original animated movie not the live action remake.)
Record Of Ragnarok Characters x Reader watching together The Lion King (headcanons) 🔞
You know, I haven’t watched The Lion King in… well I watched it once when I was kid and that’s it. Mulan, Hercules and Tarzan were my movies. Anyway I ended up watching The Lion King again to refresh my memory.
Qin
A what? Are you involved? Then Qin would agree to do anything.
He’s like a big kid - chill and carefree, even more than usually. Both of you goof around, Mr. Emperor tries to sing without knowing words, popcorn flies around, you pause a movie in stupid moments to make him laugh etc.
You get a stomachache from laughing too much and Qin obviously has to get infected.
Just two morons have time of their afterlife.
The only moment when there is silence is when Simba loses his father. That scene just hits too close to home and remains Qin about Chun Yan. However he doesn’t let it bother him too much.
HAKUNA MATATA
You both loudly encourage lions to battle.
At the end he asks what other movies you like.
Jack
Because he isn’t familiar with the concept of love and how to express it, spending time with you is probably Jack’s way to show his affection. If you ask him to watch an animated movie together, he’d politely agree, even if it’s not his thing.
Expect tea. And cheddar apple pie.
Jack sees Simba’s journey as a lovely and naive story. Deep inside he does compare himself to that lion cub and wonders what kind of person he would've become if he had only received help from strangers. On top of that Jack actually killed his parents, so it’s odd to him to see how much Simba struggles with remorse over Mufasa’s death which wasn’t his fault.
Truth to be told Jack might mentions some quotes from Shakespeare IF you point out similarities between the movie and Hamlet. These resemblances aren’t very visible. But it may be enough to start an interesting conversation.
The ending of the story may seems a bit bitter to Jack. Whoever was meant to be good, stayed good, and whoever was meant to be bad - stayed bad. Kinda depressing outcome for a man who’s trying to change himself, right? You’d have to talk about it and remind that it’s just a simplification made for children.
Now it’s time for a cuddle session.
Loki
Do you really want to do this to yourself? You’re very naive if you expect to have a fun with this guy while watching this kind of movie.
At first it’s just boring to him, but after awhile he amuses himself by coming up with new ways to destroy the show. He makes a loud comment every time the opportunity arises. For example, there is a scene where Zaku tells young Simba and Nala that they’d be married one day, to which Simba replies: No way! She’s my friend! You can hear a loud snort on the side, followed by She’s your SISTER, dumbass!
Loud chewing.
Hey, y/n, do you know that once Simba becomes the king, he will have kids with every lioness? Even his mom?
Do they have to sing all the time?
DON’T YOU DARE mention that you can see a similarity between him and hyenas or forget about chips, popcorn, whatever you two are eating.
Phew! It’s finally over. Wanna do something funny, y/n?
Adamas
Childish entertainment but once he sees that your eyes get wet with tears, he quickly agrees.
A cheerful start bores him but except tactless way of sitting, he doesn’t do anything to ruin your fun.
Even if Mufasa’s death was expected, it still hits hard Adamas. Basically catches him off guard. It remains him about his last meeting with Poseidon: his brother’s pure contempt towards him, that dead, indifferent expression of his face when he pierced Adamas with his trident, then cold surrounding body and Poseidon’s back as he walked away. But while the movie continues, a new digression haunts Adamas. He plays that scene again in his head and it hits him harder, because he realizes that he almost became Scar to Zeus.
So now he sits stiffly on his ass with a very depressed expression. One look at him is enough for you to know that you have to pause the movie and talk to a guy. At first he rejects your attempts, but very quickly ends up letting you hug him tight. Still plays a tough idiot tho…
Beelzebub
Most of the time he just sits next to you with lifeless expression.
Hakuna matata his ass.
Beelzebub secretly enjoys when you sing, but it’s really hard to catch him with a smile on his face. If you manage to do so, he reluctantly admits it. Good luck with convincing him to join you.
He doesn’t have any deeper thoughts about the movie.
If you mention that Timon and Pumba remain you Samael and Azazel, Beelzebub would just give you a dull look. After awhile he starts to notice that too and has mixed feelings about it.
Hrist
She finds this idea very sweet. It’s relaxing and enjoyable.
When Scar kills Mufasa: RAGE MODE ACTIVATION!
Since then you sit with angry Hrist who really does not like phrase hakuna matata. She starts to hate Simba for being so thoughtless.
Screams SHUT UP every time they start singing.
When Simba lets Scar leave, Hrist in heat of the moment chokes you and loudly screams how dumb he is. You wonder if it can get worse and the answer comes very quickly - Simba fights Scar on the TV screen and you fight for every breath on a couch.
Hermes
Hermes approaches the movie from a different angle: he focuses more on a soundtrack. The movie itself is simple story with moral, standard for humans’ approval.
You both consider an improvement of some songs and probably start doing it in the middle of a movie. Sorry, Simba.
Ares
Ares doesn’t care much about Mufasa’s death - it's necessary plot twist to move on with thread… but the ending kinda touches him. It's very climatic in his opinion.
He is NOT crying, okay?
Well you are. Or you pretend very convincingly so he doesn’t have to play tough boy. He has no idea…
Hades
Because he is a gentleman, your wish would be granted.
It’s animated movie but Hades drinks wine. No cola, no popcorn or other snacks. Please, have some dignity.
Hades has weird uncomfortable feeling in his chest when Scar kills his own brother. Scene just awakes something he doesn’t like to mention: conflict between Poseidon, Adamas and Zeus. Hades never could bring himself to blame any of them for how things turned out, so now he doesn’t try to look too deep into Musafa’s murder.
Afterwards he would share his honest opinion with you, almost like professional critic.
Poseidon
No expression throughout the entire movie.
Scar is pathetic.
Mufasa is pathetic.
Simba is pathetic.
Timon and Pumba aren’t even worth mentioning.
That movie proves that humans are lower forms of life.
At least you have chance to hug Poseidon. If he spends time with you, it means he demands it.
After a movie: Y/n, such entertainment is unworthy of the gods.
Leonidas
Books are better than movies. But fine, if you insist, the King of Sparta would spare some time.
The best comforter: Why are you crying? It’s fiction! It’s not even human! By the way - that lion could kill you with a single paw swing. These mfs are huge! Better him than you, hon!
He smokes so much that you have trouble seeing the TV screen.
Stop couching, hon! I can’t hear what they’re sayin’!
The moment Pumba approach, Leonidas starts talking about his love for venison.
You need truly heroic self-denial to not kick him out. The only option to get him to shut up is to kiss him. He doesn’t get why the kiss is angry but he likes it that way.
You two probably miss the ending. Leonidas thinks Simba isn’t worthy of being king anyway.
Apollo
Ah, y/n, aren’t you adorable for loving such innocent enjoyment? Of course he agrees!
You have to feed him snacks.
He sings along with the characters and makes the movie much better. You end up watching him showing off instead of the movie. Your dirty side may bait off a bit more mature show.
He knows exactly what you're doing and doesn't mind at all.
Later you might catch him humming songs from the movie.
Hello, dear. May I be your king tonight?
Rudra
Simba’s and Nala’s childhood brings nostalgia. Rudra spent his entire youth with Shiva and they were both free spirits. Watching these lion cubs brings back many funny memories.
Rudra’s favourite moment is Simba’s reunion with Nala. He gets mad if he notices you smirking.
Parvati, Kali, Durga and Shiva
You decide it’s time for girls’ night out.
None of you is focus on the movie, it’s just an addition. You mostly talk and laugh. Very loud that it may attracts Shiva.
He just sits down between you with Whatcha doin’? then proceeds to eats all the popcorn and other snacks like vacuum cleaner.
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2-dsimp · 10 days
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——|———-|———|———
Yandere hitman squad
Introducing the Enforcer
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Yandere Enforcer that is the right hand man of the boss and bears a striking resemblance to a lion that is benevolent but also ferocious. He is the second tallest compared to the torturer standing at 6’ 5 having a lean muscled build littered with battle scars.
Yandere Enforcer Who is a rowdy impulsive individual that’s a bit rough on the edges with his intimidating looks and scruffy voice but in reality is just a giant ball of fluffy joy that can never sit still and always has to be on the move with his mind racing over peculiar tasks such as chatting up with random strangers, attending multiple activities, and picking up the Boss’s slack.
Yandere Enforcer That can’t get you out his mind from the current incident being replayed in his mind repeatedly, remembering you, as the cute firecracker who maced him in the dark alleyways when he was just tryna return your wallet that had fallen out from your pocket when you were leaving from the club after you were ditched by your friends who went to go hop another bar.
Yandere Enforcer who’s surprised at the attempted assault which fails because you were to short to aim it at him correctly and only messed up his pants leg but nonetheless laughs heartily at the misunderstanding and at the lil firecracker who’s embarrassed at their actions and blurts out many apologies and words of gratitude for his act of kindness.
Yandere Enforcer who finds your timid nature to be endearing and adorable enough for him to want to devour you. As he watched you struggle to formulate words in order to formally invite him to your apartment so you can offer him some bakery goods from the bakery shop that you owned as an apology gift.
Yandere Enforcer who’s fiery eyes lit up in childish excitement at the prospect of getting bakery sweets and breads, and at the fact that you owned a bakery to which he immediately asked you if he can drop by sometimes and when he received permission he gave you a big bear hug lifting you up into the air as if you weighed like a piece of paper. And that’s how you got him hooked.
Yandere Enforcer who gets very passionate when it comes to timid darling as they say a way to man’s heart is through his stomach and because you kept on indulging him in his gluttonous habits he’s now grown a taste for you and is just completely obsessed with his sweet baker. And since the Torturer is also an excellent baker one day he’d love to see the both of y’all collab and make some delicious food for him to eat.
Yandere Enforcer Who will always try to be around you wether it’ll be coincidentally bumping into you on the streets are just calling you frequently to see if you wanna go on adventures with him and will go to any lengths just to make you smile. He’ll be your best friend and lover making sure to always think about you and what you’re doing and how he can rock your world 24/7.
Yandere Enforcer Who unlike some of the others is not as prone to using violence as a means to keep his competitors at bay. Since his physical build and high levels of confidence he displays speaks for himself, I mean who’d wanna try a man who’s built like Tarzan and has the confidence of Gaston? But when it comes down to an unavoidable situation he will “accidentally” critically harm his rivals and turn them into a cripple for the rest of their lives. It was very unfortunate that your “friends” had gotten into an “fatal car accident” a few days later…
Yandere Enforcer that will be your exclusive guard dog being your best friend while also you shielding away from the world that dares to harm you, his little firecracker.
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jellazticious · 1 month
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“You can’t rush art”
I think everybody can recall the quote from Toy Story 2. From the most satisfying part of the movie where we see a montage of Woody getting restored by a toy maker. It’s one of my favourites too, I absolutely loved looking at the different procedures used to fix a single toy. The toymaker’s precision and care were found mesmerizing by everyone. As a multi-hatted artist, one that can draw, sculpt, animate, and write, I can say that it’s spot on that there’s so much to do for a single piece of work. HOOO boy, you should see how me and Beefy are organizing Cursed to Charm, there’s so much.
For the upcoming webcomic, we design characters, give each and every one of them their stand-alone story, design different clothes, create the map, draw renders and posters, polish scripts for the episodes, plan to program the comic’s own website, make the backgrounds eventually, etc. To people who aren’t artists or take art for granted, to them, art is stroking a paper using a pen and BAM instant masterpiece. No no, it’s more than that.
Another thing I’d like to say about the comic is that the progress is very slow yet very fruitful because of the time taken. Me and my co-author came up with the idea at late November, which makes the comic four months old now. However, with all that time passed, we have already finalized the list of nine episodes of season one. We have also written seven out of nine summaries from that season before actually writing the dialogue in detail. We have a rough four seasons worth of story progression in the span of four months. Nyeh, excuse the little ramble about CtC, I’m just giving insight of how much should be done for the production of anything which leads us to the next point.
Art production in general.
Movies, animation, shows, video games, books, comics etc etc
All of these are part of art, some people would deny because it isn’t sophisticated like they’re lead to believe art is supposed to be. Art is literally just creation man, can’t get any simpler than that 😩 if you made something, then you made something woohoo! Congratulations you made art, cooking included. It came free with your fucking humanity.
Anyway, just like the webcomic, every single one of these listed also have a set of different procedures that will piece together the final output.
Let’s take Disney movies as a specific example, I want to talk about something real quick.
So one time, I was watching Tarzan with my parents and we stuck around for the end credits. My mom pointed out the animators are divided into sections and there’s so much names on them. There are different teams of animators for each character and these teams are divided in two for the storyboarders and the clean up artists. When the credits rolled a bit more, it showed that the background artists and colorists also have their own sections too. There’s so much people working on different body parts of a movie. I got the habit of reading end credits of every movie I watch, animated or live action, then I would compare the credits of old and new movies. Boy, let me tell you that the work space on old movies are FILLED compared to newer movies. One thing I noticed about Disney movies although, is that the old movies have more sections compared to new ones. The major difference of old Disney and new Disney are the length of the credits and the time gap of the movies. I’m really not trusting the way new movies have way shorter end credits while the publish time of new movies are getting narrower and narrower. Before the 2000s, movies usually come out twice a year and sometimes there’s a two-year hiatus before the next batch of movies are published. Now there’s at least two or three movies that publish yearly while also releasing a bunch of shows in the middle of it. I really don’t understand business talk with the way it sacrifices quality over quantity. Like I get having money is great and all but what’s the use of hoarding it? Especially when there’s so much news of people about to be in poverty and mass layoffs. Why should companies earn money if they’re not going to redistribute it back to the economy at all? This is a little off topic but I want to point it out that people in the 80s used to buy whole houses by being a janitor but nowadays people could barely afford a one room apartment even with three jobs. The Simpsons is an example of this because it was set in the 90s and the family is constantly reminded of how “poor” they are. They even created an episode that talks about the same job that supported people’s fathers will no longer support you nowadays (Poorhouse Rock ep22 s33). It’s fishy and I’m salty about it especially because I hear so much people complaining about how they’re not being given a chance to work. Anywho! Let’s go back to art.
I’m just spitballing my thoughts here but somehow they’re connecting either way. All I’m trying to say is that for the people who care so much about the quality of art, it’s noticeable that they get downgraded, not just by the look but by the way they’re written.
Example.
Clone High.
Jesus Christ, the new show is a nightmare and an insult to the original Clone High. The difference is clear with this one. The original Clone High was heavy satire of every single high school trope used in shows and movies. Every single character was meant to have one personality and that personality is the butt of the joke. The original did not care about making the characters appealing because the appeal is found in the way they interact, they clash so much and a lot of them are idiots. The writing is funny because the dialogue flows so easily unlike the renewal. The renewed Clone High takes itself too seriously and it tries too hard to be relevant. It’s funny to me that fans can draw the original’s art style more accurately than the animators hired. What’s even more frustrating is that concept art was released from the art head and the concept art looked way better than what they decided on the final designs. Other than the art style that tries to be marketable, the writing is insufferable with the way they try to be “relatable” without understanding why the original jokes were funny to begin with.
Now we’re all familiar with this cheap tactic of using the title of successful franchises to grab clicks and views. It’s every live action Disney film, it happened to Scooby Doo, Marvel shows, FNAF, some Cartoon Network shows, Megamind, and now even Kung Fu Panda. Basically MILKING. It would have been better if the productions TRIED to understand the original’s intentions which they forgot about. They ended up being disappointing at best and soulless at worst. I won’t be explaining much cuz I’ve already reached the minimum word count lmao. I’m just rambling here, I better not see anyone interrogate me in asks or replies. ANYWAY, I’m gonna get to the point real quick.
Back to the quote at the start of the post, people tend to forget that. Art is a skill, not a button people press and it gives you pretty pictures or videos. Art is a job and an effort. While art is subjective and it differs from person to person, one thing for certain is that art that is made ingenuinely will never be better than art that is made because the artist loves art. This is why the Tom & Jerry reboots with the lineless art style even if they had a storyboard artist who understood the cartoon wackiness (which were discarded for a “cleaner” and faster style). This is why it’s so frustrating to see concept art of movies which have more appeal than the final 3d models. This is why FNAF Security Breach was nearly unplayable.
Because they all rushed art.
They rushed in favour of what is marketable, no matter how unappealing it is. Everything could have been better, some final products are good, but all of them could have been better. As good as what were released pre 2010s when production had a passion. You can’t spell heart without art.
I’m just really passionate about art in any form since it’s everything that created me too. I will not be here at this point in time if it weren’t for me learning that there’s so much beauty in the world if you could just squint and appreciate why that’s so. I’m defined by my works and it only hurts and infuriates me that people who have the ability and accessibility to create better art than I do waste it for their personal gain or selfish intentions. Everyone could be a better person because of art just as it did to me. Again, it came to us the moment we’re born, art isn’t just a pretty picture, it’s everything we create out of love, passion, time, and effort.
But really, to the wise words of Chef Saltbaker, “like any good bake, heart and soul is the secret ingredient”
You can’t rush art.
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hanafubukki · 4 months
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Rereading book 7 translation and it just dawned to me (pun not intended) that Malleus' reaction to seeing baby Silver was "naked monkey".
Naked monkey.
And you know which one is the famous Disney naked monkey? Tarzan. Amazing how the writers manage to slot a reference in this scene. *Two Worlds playing as bgm*
Hello Anonie 🌻💚🌷
Anonie, I hope you know that you chose one of my favorite moments in chapter 5 and one of my favorite Disney movies. How can I not ramble?? You have opened Pandora’s box.
I have seen several tls that have Malleus referring to Silver in different ways? Naked Monkey was one of the first I saw. But also “he’s different, he’s weird, he”s ugly?”
Suffice to say, Malleus has never seen a human before, and possibly, a baby. (If we follow usual fae lore, it’s harder for them to have children but this was never mentioned in twst)
(But I’ll refer to this tls )
Anyways, Malleus looks at this baby who’s crying. And he hums a lullaby. Not just any lullaby, but the lullaby his mother and Lilia hummed to him when he was an egg.
The true love lullaby that we keep hearing throughout the chapters. This lullaby thats always conveying the love the characters have for each other.
Just like Lilia, Malleus also loves Silver, at first sight you can even say. Something that deep and comforting to him, he was able to dig up after centuries of not hearing it.
Silver says it’s a lullaby that he’s heard since he was a child, and if Malleus couldn’t recall it, it means he hasn’t heard it since he hatched.
But then you have Malleus Draconia, who hasn’t heard it in so damn long, hum this lullaby. To Silver?? How can that not be love? Something that comforted him as an egg, he used to comfort a crying silver, and I just 🥹🥹
And then you have Tarzan, Tarzan about a human trying to fit in. Tarzan, a movie about two seperate worlds meeting and realizing, in the end of the day, we are not so different after all. (You know how humans and fae are not so different)
A movie where a mother raised and loved a human, and that human who always loved the family he grew up in.
A movie where Tarzan learns about his roots, and despite it all, he chooses to stay with his family.
Just, Anonie, can you see?? What I am talking about??
And then you have the songs “Two Worlds”
Put your faith in what you most believe in
Two worlds, one family
Trust your heart
Let fate decide
To guide these lives we see
Is this not Diasomnia coded?
Beneath the shelter of the trees
Only love can enter here
A simple life, they live in peace
Can you see?? The cottage where not Lilia and Silver lived, but the place where Sebek trained. The place that was Malleus’ haven, where he helped raised Silver.
This cottage filled with love.
Two worlds, one family
Also, how can I not mentioned my other favorite song:
“You’ll Be in My Heart”
Just take my hand
Hold it tight
I will protect you
From all around you
I will be here
Don't you cry
You'll be in my heart
No matter what they say
You'll be here in my heart
Always
This song is such a Lilia to Malleus and Silver coded song and you don’t understand 😭😭
“You’ll always be in my heart, no matter what they say.”The way the senate tries to seperate Malleus and Lilia 😭😭 but Lilia will always love him. “I will protect you from all around you, just take my hand and hold it tight” the way he kept telling Malleus to hold on and to come out and how he’ll give his everything to him, so don’t cry and you’re not alone anymore. He always thought of Malleus during trips and brought back gifts. He learned to enjoy food because he enjoyed the way Malleus ate.
And then we have Silver, Lilia found a baby in this abandoned castle and chooses to love him. He didn’t know how to raise a human, but he made the choice. He raised that baby, loved him, and trained him. It was always in his actions. Lilia says he would give strength to break a curse and that’s what he did. He held that hand and gave him protection. Don’t you cry, to the baby who woke up and how he’ll always be in his heart. And how when Silver realized his father loved him, he also heard his father’s voice.
(I had soundtrack playing all day 🥹😭)
Thank you for sending this in Anonie 🌻🌺🌷
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disneytva · 3 months
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The Ghost And Molly McGee Creators Bill Motz And Bob Roth Pitching New Animated Series At Disney Television Animation
This weekend, Disney Channel released the series finale of “The Ghost and Molly McGee” and it’s been confirmed that the show has now come to an end after two seasons.
It seems that Bob Roth and Bill Motz journey at Disney will continue as Bill Motz took on Twitter to confirm that he and Bill Motz are pitching a new animated series at Disney Television Animation alongside live action projects with Disney Branded Television.
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This would make Bill Motz and Bob Roth's 18th animated project with Disney TVA after "The Legend Of Tarzan", "The Lion King II: Simba's Pride", "Lady & The Tramp II: Scamp's Adventure", "Kim Possible" "Brandy And Mr Whiskers", "Darkwing Duck", "Phineas And Ferb", "Big Hero 6: The Series", "The Emperor's New School", "Hercules: The Animated Series", "Buzz Lightyear Of Star Command", "Aladdin: The Animated Series", "Aladdin : The Return Of Jafar", "Marsupilami", "The Bug Hunt", "Quack Pack", "Beauty and The Beast: Belle's Magical Christmas"
Bill Motz and Bob Roth join these 33 animators, artists, storyboard artists and showrunners on having their own projects on potential shows,films and specials for Disney across Disney Channel, Disney Junior and Disney+.
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corruptedcaps · 7 months
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Jane’s Ascension
Special thanks to @lsat (discord: thedivergence, Twitter: LSAT1886) for generating the images used here that allowed a long time idea of mine to come to life.
It had nearly been a year since Tarzan and Jane had defeated their nemesis, the cruel and power-hungry Queen La. She was a formidable adversary, known for her dark magic and ruthless ambition. Queen La had ruled over a faction of jungle-dwelling followers, seeking dominion over all living creatures. However, her reign of terror had come to an end when Tarzan, Jane and their friends thwarted her wicked plans, banishing her from their realm.
It was only now that they had decided to explore the ruins of La’s once thriving city of Opar. Jane had always been enamored by the mysteries of the jungle. Her days alongside Tarzan, swinging through the treetops and learning the ways of the wild, had filled her heart with love for both the man she adored and the lush, untamed world around her. She begged Tarzan to bring her back to Opar, to explore its secrets now that the once threat was long gone. Tarzan had been hesitant but he couldn’t say no to his love.
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“Tarzan this place is amazing isn’t it? Just think of how bustling and vibrant this place once was. It makes me sad that it all ended when La was defeated.” Jane said with a hint of melancholy. Tarzan did not understand her fascination with a place he could sense held great darkness but looking at her he knew that he would do anything for her.
Unbeknownst to both of them, Jane’s words travelled on the air around the ruined city causing the stone walls to creak and the wind to howl. It was as if her words breathed life into the city and it responded by opening a hidden door to a chamber below. Jane and Tarzan looked at each other confused. Tarzan knew Jane would want to investigate but he felt uneasy. Before he could voice his concerns she was already descending into the hidden chamber.
As they descended they saw in awe the full scoot of the chamber. It aas steeped in a chilling aura of both grandeur and malevolence. The walls were adorned with faded murals that depicted the cruel reign of Queen La, showcasing scenes of conquest, subjugation, and dark rituals.
The chamber's ceiling, supported by ornate stone pillars, bore intricate carvings of jungle creatures and twisted vines, as if nature itself had been subjugated by a twisted will. Shafts of eerie, filtered light penetrated the chamber through narrow cracks, casting eerie shadows upon the cold stone floor.
At the center of the chamber, on an obsidian pedestal, rested a necklace. It glimmered with an unholy radiance, its central red gem catching the scarce light and reflecting it in unsettling patterns. Its beauty was mesmerizing. So much so that Jane, who didn’t want for anything in the world, felt immediately compelled to reach out and touch it.
As her fingers barely brushed against the surface of the gem, an otherworldly sensation coursed through her veins. Her eyes widened in surprise and then immediately vacant. She stood like a statue with her index finger barely touching the necklace the entire time.
However Tarzan was quick to notice his paramour was eerily silent and when he saw her transfixed state he jumped into action pulling her away from the necklace. Jane crumbled in his arms unresponsive, seemingly comatose.
“Jane! Jane! Wake up Jane!,” he said urgently. “Hold on, Jane. I won’t let anything happen to you.” Desperation etched his face as he made a painful decision to leave Jane. He knew there were wise shamans living on the far side of the jungle, keepers of ancient knowledge and medicines that might hold the cure for Jane's mysterious ailment. Without delay, he set out on his perilous journey through the dense, untamed wilderness.
Meanwhile, in the solitude of the chamber, in the depths of her coma, Jane found herself walking amongst the buildings and the people of Opar. However this wasn’t the Opar she knew, all empty and ruined. This was a vibrant, alive grand empire. She followed the flow of people to the central hub, the palace. At the center of this opulent building, was a lone woman, beautiful, powerful, strong. It was Queen La like Jane had never seen her. Jane’s hate for all the valuess that La held faded away as she gazed in awe at the magnificent queen astride her throne.
Up until now no one paid Jane any attention, it was if she were a spectre, floating around unseen but one person now saw her. With a smirk and a gesture to come closer, Jane found herself gravitating towards La. Only once she got closer did she notice that the cocoa skinned Queen was positioned in such a way to show off her glistening bare pussy. The sight stopped Jane in her tracks.
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“Come closer Jane, pay tribute to your Queen. Taste royalty so you too may ascend.” La said in a purr. Jane was transfixed, almost hypnotized by La’s words as she knelt in front of La and leaned into the monarch’s most prominent care of regions.
Jane’s tongue gingerly touched the top of La’s clit. As soon as it did it was a revelation for the reserved English scholar. The taste was unlike anything she had known before. It was pleasure personified and Jane wanted more.
Placing her hands on La’s smooth thighs, Jane pulled the Queen closer to her face so she could exploring her depths deeper. La let out a soft moan that Jane took to mean she was equally enjoying the experience.
However as both Jane and La were experiencing pleasure like no other, a voice was breaking through to her. It was Tarzan’s. His voice was acting as her conscious, compelling her to wake up, to reject La’s empty promises. His voice sliced through the trance she was experiencing and she pulled herself away from La.
“Wait this isn’t right, this isn’t who I am.” Jane said unsteadily getting to her feet and wiping away the juices from her lips. However with lightning speed La rose and stood behind her, whispering in her ear.
“And who are you exactly Jane? A sidekick to that muscle bound moron? A damsel in distress always waiting on your prince to save you? Aren’t you tired of that?” La purred in her ear as she place her hands on Jane’s hips.
“Wouldn’t you rather be something more capable? More powerful? More feared? Wouldn’t you like that?” La said as she pulled Jane closer to her, their bodies touching from neck to thigh.
Maybe it was fear that kept Jane from moving but maybe it was La’s tempting words that kept her there. Maybe it was La’s soft breath on her nape that caused Jane to forget about Tarzan in that moment. Maybe it was the promise of beauty and power that made Jane whisper, “More than anything!”
Jane closed her eyes as she felt La’s warm embrace around her sink into her skin. She felt La’s very essence be absorbed into her body in a pleasurable slurping sound. She felt her drab and simple clothing become La’s gloriously revealing regal attire. Gold hooped earrings drip from her ears pairing well with think gold bracelets adorning her arms.
Her skin gradually taking on a deeper, exotic tan, reminiscent of the sun-kissed hues of the jungle. But the changes were far more profound than a mere alteration in complexion and clothing. Her body seemed to ripple with newfound vitality, her curves becoming voluptuous and alluring. Her nails grew long and sharp, like obsidian talons, ready to strike.
Jane's once-ordinary hair thickened and lengthened, cascading down her back in a torrent of glossy, ebony waves. Her breasts swelled with a newfound plumpness, going from a meagre B cup to a commanding double D. Her figure transformed into an embodiment of seduction and power.
Muscles that had once been delicate and feminine now hardened, sculpting her into an athletic and toned form, blending grace and strength in a way that was both sexy and fearsome.
Carnal images and sensations filled her mind, like a vast library of pleasures were getting downloading into her brain. Knowledge of magic spells, hexes and curses invaded her brain and gave her intimate expertise as if she had been a student of the dark arts for decades. It was intoxicating.
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Opening her eyes she found herself now awake from her coma, standing back in the chamber alone. The necklace that had started all of this was clung tight to her chest. Her eyes, now shimmering with a malevolent light, reflected the eerie radiance of the cursed gem. In that moment, her transformation was complete, and a dark presence had taken root within her.
She gazed at her reflection in an ancient, cracked mirror within the chamber, and her voice, now dripping with seductive cruelty, echoed in the silence. "Ah, much better," she purred, her own voice sounding both familiar and yet profoundly altered, "I was once so naïve, so kind-hearted. But look at me now."
With a haughty laugh, she envisioned herself ruling over Opar, Queen La's dark legacy reborn in her. "I shall be the new queen of this empire, and the jungle will tremble at the mention of my name. No one can resist the allure of power, especially when it's draped in such beauty."
Her fingers, adorned with long, razor-sharp nails, traced the contours of her transformed body, admiring her newfound allure and power. "The jungle will bow before me," she continued, her voice filled with icy determination. "And Tarzan... oh, Tarzan, he will come to realize the joy of serving me."
Almost as if he had been summoned, Tarzan appeared at the foot of the chamber having descended with a shaman mixture that he believed would reawaken Jane but found it suddenly unneeded.
There, before him, stood Jane, but she was unrecognizable. Her once-kind eyes now glinted with a sinister light, and her body had transformed into a vision of seductive power. She wore the cursed necklace with an air of cruel confidence.
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"Jane?" Tarzan's voice quivered with disbelief and desperation as he stepped closer.
She turned to face him, and a wicked smile danced upon her lips. "Oh, Tarzan," she purred, her voice dripping with both familiarity and malevolence, "you've returned."
In that moment, Tarzan realized the depth of the darkness that had taken hold of his beloved Jane. "What has happened to you?" he pleaded, his heart heavy with sorrow.
Her laughter was chilling, a stark contrast to the laughter he once knew. "I've embraced the power that this necklace has given me, Tarzan," she declared. "I am the new queen of Opar, doesn’t royalty suit me perfectly?"
Tarzan's eyes pleaded with Jane, desperate to reach the woman he loved, hidden beneath the darkness that had consumed her. "Jane, please," he implored, his voice filled with anguish, "you must destroy that necklace. It's corrupting you."
But Jane merely chuckled, the sound cold and heartless. "Tarzan, you underestimate me," she said, her voice dripping with scorn. With a swift, mocking gesture, she tore the cursed necklace from her neck.
Tarzan's heart leaped with hope, but it was short-lived. In the palm of her hand, she squeezed the necklace causing it to crumbled to dust, as if it had never existed. Jane's eyes blazed with a newfound malevolence.
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"I don't need the necklace to be queen, you fool," she sneered, her gaze locked on Tarzan. "The power is within me now. I am the queen of Opar, and no one can challenge my reign."
A sense of dread washed over Tarzan as he realized the extent of the transformation that had taken place. Jane had become a force of darkness, and there seemed to be no way to reach the woman he had once known.
"In fact, as a show of my power," Jane hissed, her voice filled with a chilling determination. With a casual flick of her wrist, the very vines that had once been their allies came alive. They slithered and twisted through the air, responding to her dark command.
Tarzan's eyes widened with alarm as the sinewy vines snaked around him, their grip growing tighter with each passing moment. His powerful struggles were rendered futile as they constricted, holding him immobile, like a helpless prey ensnared in the jungle's unforgiving embrace.
Jane's eyes bore into his, devoid of the warmth and love he had once known. Instead, they gleamed with an eerie satisfaction, reveling in her newfound dominance.
"Tarzan," she taunted, her voice dripping with cruel delight, "you see, there is no escaping my rule. The jungle is mine to command now, and you are but a mere obstacle."
"But you may be useful to me yet," Jane mused with a sinister smile, her lips curving in a mocking grin. Leaning in, she pressed her lips to Tarzan's with a chilling, calculated tenderness.
As their lips met, a malevolent energy surged from Jane's mouth into Tarzan's, and a darkness seemed to creep through his veins. Agonizing pain wracked his body, and he convulsed as a profound transformation began.
Tarzan's muscles bulged and expanded, his body becoming more impenetrable, like the very stones of the jungle. His once-tanned skin turned an eerie shade of gray, and his eyes, once filled with warmth and life, darkened into abyssal pools of black.
Through the torment, Tarzan's voice turned cold with an eerie subservience as he asked, "What is your bidding, my Queen?"
Jane's malevolent laughter echoed through the chamber as she gazed upon the creature that Tarzan had become, a loyal servant of her dark reign. The jungle had truly fallen under her dominion, and she held the once-mighty Tarzan in her thrall, a grim testament to the extent of her power.
“Come my pet, there is much to do.” She said with a knowing smirk as she released Tarzan from his binds and he followed her obediently.
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For another tale of Jane’s corruption check out this fantastic story here by @misseviehyde
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Frozen live action rumour!
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Cover created by me
According to this site, here, a live action Frozen remake is in the works. Love actions we know are and confirmed to be in the works are Snow White (coming in March 2024), Mufasa: The Lion King, Moana, Lilo & Stich, Hercules and Bambi. The rumoured ones in the works are A Sword in the Stone, Aristocats, Robin Hood, Princess and the Frog, Tangled, Frozen and Tarzan.
That's a lot of love action remakes in the works. It even includes Frozen, with Frozen 3 still in the works! Jen Lee did say that if there was more to tell of the story, there would be more movies. So while the franchise is expanding, the live action remakes are too. I guess it would be cool to see how it's interpreted in love action form; to see what changes and what's kept. This could be a chance to fix the plot holes that are mostly surrounding Hans. They could actually do quite a lot with Hans' character in a live action remake. I'm also certain they'll keep Let it go. Maybe this live action remake inspired the future of the main franchise, and also takes inspiration from the Broadway adaptation.
What do you guys think about all this?
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chernobog13 · 2 months
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Tarzan and N'kima from Filmation's Tarzan, Lord of the Jungle animated series.
N'Kima was an actual character from the Edgar Rice Burroughs novels, unlike the chimpanzee Cheeta, who was created for some of the Tarzan films and the live action Ron Ely television series.
The series made extensive use of really good rotoscope animation, a technique Filmation continued throughout all its subsequent animated series.
The character designs, especially that of Tarzan, were based on the work of artist Burne Hogarth, who had drawn Tarzan's Sunday newspaper comic strip pages for many years. Hogarth was reportedly Burroughs' favorite Tarzan artist.
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