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ochibrochi · 2 months

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spontaneous magic manifestation was NOT mentioned in the parenting handbook 😬

I know this isn’t how magic in dc works, but the fact that Damian’s ancestry includes some pretty powerful magic users is… INTERESTING 🤔? Drabble under the cut!

I wanna preface that I'M NOT SAYIN' that Damian should/does have magic powers, but there’s still so much unexplored potential with Damian's character, and the thought that he has a dormant adeptness in magic is somewhat compelling to me. Most importantly it would FREAK! BRUCE! OUT!!!!! What is this, magic puberty 😭??

By DC laws, anyone has the ability to learn magic, but it is also possible to be an innate ability. The Al Ghuls are no strangers to the occult-- Ra's has had increasingly been portrayed as a magic user, and the recent establishment of his mother being a sorceress/witch?? Even Talia dabbled in a bit of magic, I think. There is a catch that their power is suggested to be due to Lazarus exposure, but for arguments sake let's say the Al Ghul lineage is inherently proficient in magic (and Lazarus exposure simply enhances it).

I can't recall "magic" being a part of Damian's training/upbringing (I'm still slowly catching-up on Damian comics so apologies if I miss any canon examples of magic use). Not sure why Talia wouldn't want her little "heir to an ancient assassin empire baby" to learn magic, but it would at least give reason to Damian not knowing about his magic potential, or lack of interest in it.

Through the power of pseudo storytelling, what if Damian's encounter with Mother Soul could have triggered a manifestation of magic that was once dormant; like a pressure cooker waiting to explode with energy when it hasn't been given a safe outlet.

I've yet to read a satisfying arc where Damian truly gets to contemplate his Al Ghul roots outside of "dad is good guy, mum is bad guy". Damian's initial character growth stems from him running away from, and renouncing his association with the League (i.e. "I'm nothing like you, mother and grandfather!").

The most recent thing I've read was Robin (2021), and whilst Damian is much more cordial with his mother, there's still an emotional distance and sense of distrust/resentment (for good reason, even if the context was some cartoonishly evil writing). But there is a silver-lining that they still appear to be fond of each other, in a melancholy kind of way.

Realizing he's "genetically" primed for magic would be especially confronting to Damian. There's no denying his Al Ghul blood, forcing him to confront a facet of himself he can no longer ignore or reject. A family that he likely has to approach for help/guidance.

Damian is put in a position of acknowledging this power could be used for good, to be stronger, to fight crime, balancing it with the implication that what he possesses could be rooted in dark magic (Lazarus enchantment).

If he decides to embrace it, would that be too much of an endorsement of the Al Ghul's dark occultism? Can he separate the two ideas? What if he can't control it? What if he accidentally hurts someone? What if has the ability to save someone where his other skills fall short?

Ideally, I'd love for this hypothetical story to lead into Damian exploring his Al Ghul heritage more intimately, historically, and spiritually (à la RSoB: Year of Redemption adventures). Another little coming-of-age self discovery journey.

I have my own little personal thoughts on what Damian decides to do with his magic powers, but I'd like to leave that open to interpretation... By the end of it I hope that he will at least find some forgiveness over resentment, and a balance between accepting that side of his family a little easier. It is finally a sense of inner peace :)

Any thoughts? Did I get any characterisation wrong? Let's talk over on my DC blog @arkhamochi! I'm currently trying to read all Damian-centric comics until I catch up with the current run. I'm hungry for discussion and analysis!!!!!!

#batman #batman and robin #damian wayne #bruce wayne #dc comics #P.S. drabble is kinda LONG so DO NOT read more unless you want the inconvenience of scrolling

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princesssarisa · 1 year

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I still can't get over that once, I saw someone write that they disliked Elizabeth Bennet because she was an "author avatar Mary Sue."

I understand taking that viewpoint if you only read the first half of Pride and Prejudice, before Darcy's letter. The impression the first half creates is "Most of these people are silly, obnoxious, or both. Witty, sensible, charming Elizabeth, who's usually the smartest person in the room, cleverly judges and mocks them all, while giving warm affection and esteem to the few who really deserve it." This is more or less the way she views herself and the narrative plays along with it. If you stop reading before Darcy's letter, then she might indeed come across as an "author avatar Mary Sue."

But then all of the above is deconstructed by Darcy's letter.

Elizabeth realizes – and we realize – that she hasn't been such a good judge of character or the cleverest person in the room after all. Her cynical, witty judgments have been just as faulty as her sister Jane's naïve idealism. She's been full of herself, and she's judged Darcy more negatively than he ever deserved (not that he hasn't been at fault too, but still...) because he stung her personal vanity, while letting herself be charmed and misled by Wickham because he flattered her. She's been very much at fault and she learns a lesson, just like we later learn that Darcy did after she rejected him.

A similar arc applies to Mr. Bennet, the person who has clearly influenced Elizabeth the most throughout her life. At first we're set up to like him for his wit, and to view him as the good, sensible Bennet parent in contrast to his silly, obnoxious wife. But then we realize – and Elizabeth is forced to realize – that no, he hasn't been a good parent, he's been irresponsible and mean-spirited toward his wife and younger daughters, and he's just as much to blame as Mrs. Bennet for all their problems.

How anyone can call Elizabeth a Mary Sue after reading the entire book is beyond me. Some people can't seem to let go of their first impression of her, even though the faultiness of first impressions is one of the novel's main themes.

#pride and prejudice #jane austen #elizabeth bennet

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verysium · 5 months

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bllk characters and what you think would be their type or what they find attractive in a girl?🙈💗💌

i mean... 🤔 do u want the truthful answer or do u want the ideal answer? cus i don't think any of the bllk boys (maybe with the exception of otoya and aiku) would have a type, much less let it be limited to a girl. but assuming they actually have a life outside of football, here are some traits they would find attractive in a person:

isagi would like someone he can see as a role model. throughout his life, he often finds figures that inspire him (eg. noel noa, ego, even rin if you squint hard enough). he doesn't idolize them, but he does find a way to incorporate their strengths into his playing style and actions. if you have a character trait he highly values, he will like you, and it's generally pretty easy to get him to like you. (unless of course, you're a massive dick like kaiser.)

i find that he gets along best with kurona and hiori. this is because (1) they can read his intentions well, and (2) they are quiet and level-headed. obviously, this would also apply to the romantic side of his life. isagi admires people who are similar to him but still have their own quirks and idiosyncrasies. for example, you subtly support him from behind the scenes and bring him snacks after practice and pack his bento every morning. he appreciates small gestures of kindness.

isagi is also someone very hot-headed as evidenced by his potty mouth. he likes someone who can match his energy and passion but is still calm enough to prevent him from doing anything rash. i picture him running up to you after a game, and the adrenaline causes him to pick you up from out of the stands and twirl you around in his arms.

canonically, isagi is unpopular with girls. he literally returned from valentine's day empty-handed. he tries to be nice most times, but truthfully, nothing except football really interests him. so if you can skip the small talk and start drafting football plays with him, i think he would be attracted to you. like very attracted.

unrelated but he likes someone with a pretty laugh.

bachira needs someone motherly. i feel like he never really got to be a child because everyone around him was constantly putting him down for being the "weird" kid. that's why his current personality is undeniably childish at times. it's the only way he can express the inner child he had before he grew up too fast. i think he'd like people who take care of him in a parental manner, whether that's scolding him for doing something stupid, wiping his chin cus he's a messy eater, or teaching him english every day.

i feel bachira is one of the most extroverted characters in blue lock. he genuinely thrives off his interactions with others. and for that reason, i think he'd be attracted to introverts because they differ so greatly from him. (he'd probably adopt them too.)

bachira has the most creative insults, and that's partially why he gets along so well with isagi. he's not afraid to get out of his comfort zone, nor is he afraid of pushing others to do the same. if this boy can hallucinate whole monsters, he can sure as hell rip his opponents into pieces. i feel like he'd have such a stark duality around you. he'd be beating the crap out of the other team, but the moment he sees you, he's all sunshine and rainbows and bounding over to ask you about your day and overshare about his.

ADHD. that's it. that's the quote. if you're hyperactive, then he's hyperactive, and you'll both be rocking the same boat. most people would assume he needs a grounding presence in his life, but i think post u-20 arc bachira is actually mature enough to process his own issues. now he just needs someone to let loose and have a little fun with.

rin needs a therapist. end of story. this boy is a whole case study. i don't think he's even mentally stable enough to have a romantic relationship. but if he were to date someone, i'd imagine that person is somewhat similar to isagi (and no, this is not a ship.)

isagi has something rin definitively lacks, and that is his strong, dynamic sense of self. when rin fails, he takes it heart. all solutions are linear and logical to him. if he missed a goal, it was because he didn't train hard enough. if he couldn't beat sae, it was because he just wasn't good enough.

but isagi completely changes his mindset every time he loses. (there's a reason why he's surrounded by puzzle pieces all the time.) analyzing is second nature to him. every failure is a catalyst for self-improvement, and he constantly breaks himself down in order to adapt and rebuild. rin needs someone like that in his life, someone who can teach him to be unafraid of change and embrace it instead.

rin also isn't immune to external influences. obviously, he is still learning to play football for himself. looking at the pxg version of him, he has had a significant change in mindset, but he still hasn't completely separated himself from this idea of "beating" someone in order to get to the top. according to his logic, if he surpasses both sae and isagi, he will finally be content. but the truth is, he won't be anywhere near content because his ego still isn't entirely his own. i think he would admire someone who refuses to let themselves be defined by others.

rin would also like someone who is patient because he clearly isn't. (boy was about to have a whole brain aneurysm when bachira threw that paper airplane at him.) honestly, you need to be both gentle and persistent with him. he hates it when people come on too strong, but he also finds his walls slowly crumbling when someone repeatedly goes out of their way to show that they care.

rin has a high level of emotional intelligence, as evidenced by sae's comments about his intuition. however, he can only work out a person's thought process about halfway before he starts to feel lost himself. for example, he can understand that sae dislikes losing, but he doesn't understand that it's innately tied to sae's self-worth and expectations as the eldest child/genius prodigy/role model. if he's going to romantically date anyone, then they need to be extremely skilled in the art of communication. otherwise, rin is going to easily misinterpret things.

finally, i think he'd like someone who knows how to comfort him. rin overthinks. like a lot. the cogs in his brain are constantly whirring. you need to lay him down on your lap and run your fingers through his hair and tell him that everything's going to be alright. (and it is going to be alright, because you're about to move both heaven and earth for him to make it stay that way.)

kaiser has no set type, but if he did, it would also be isagi (i'm sorry but yoichi is our harem princess for a reason.) kaiser oscillates between this superiority and inferiority complex. he even admits he was weak-hearted once.

any and all attraction is heightened for him because he gets obsessed easily. (like did you see his massive desktop displays of isagi? tell me that does not scream high-key yandere shit to you.)

however, more so than people, kaiser is fixated on ideals. he literally got a cheesy blue rose tattoo to remind himself that nothing is impossible, and he stands naked in front of his mirror every morning repeating the motto: "this is me." the self-esteem issues are glaringly obvious.

now, rather than completely shatter his entire worldview like isagi did, you need to be the one to gently (and i stress, gently) remind him that sometimes ideals aren't everything. kaiser is unpredictable, but the one thing that stays constant about him is the many masks he hides behind. everything is a role to him, and he takes center stage. but you need to convince him that none of this really matters. he doesn't need to bedazzle himself in tattoos and dye his hair and sport a mullet-rattail hybrid to be worthy of attention. sometimes his ugly bed head and dark circles are precisely the reason you love him.

second of all, you need to set firm boundaries (otherwise you'll end up like ness.) kaiser wants someone with a backbone, and he does not turn a blind eye to raw potential. victory is his end goal, and if you can bring him one step closer to that, he will stick to you. the only issue here is that you need to make sure he does not use you. and believe me, he will try. but if you draw a strong line between you two and stand your ground, he will start to see you in a new light. it can go both ways (love or hate), but either way you are someone important in his eyes.

lastly, i think he wants someone with a sense of humor. he's naturally cocky, and he needs someone to match his wit. ness already does that, but he doesn't give kaiser enough challenge. in my mind, i imagine kaiser trying to impress you with his german, but you give him a good run for his money when you already know how to speak it. things like that. he thinks it's hot when you can stand up to his level. but at the end of the day, your loyalty still lies with him, and you're not above/below him but rather the one standing beside him.

barou doesn't have a type. he is the type. you're lucky to have him.

otoya likes cute girls, even better when they have the standard fringe/bob cut look. he also lives for the height difference. teasing short girls by patting their heads is his signature move. he also likes it when girls wear lipgloss, like a sparkly candy pink shade, maybe even a spritz of perfume. he's also type to make fun of the little chubby pooch you get when you eat too much. he thinks it's adorable. personality-wise, it doesn't matter. he's going to cheat anyways. jk but on a more serious note, the person he's likely going to stay with forever is someone who can forgive his weaknesses and actually make the effort to understand him. instead of writing him off as an immature two-timer, he'd appreciate people who can actually hear him out. obviously, it doesn't excuse any of his actions, but it lets him know that you do indeed care.

aiku says he likes anyone who looks easy to break up with, but it's actually the opposite. he tends to go for older women who end up slapping him in the face. he's a womanizer, but he actually has a significant amount of character depth. generally, he's someone who goes with the flow, and nothing really upsets him. but to actually get to know him and his insecurities, you'd have to be someone really important to him. i think aiku is the type to be a serial dater before he finds someone he'll actually stick to. he's afraid of commitment, and it's for good reason. the authority figures in his life have failed him enough times to be considered unreliable. please be kind to him because the childhood trauma was not. i smell lots of emotional baggage here.

nagi likes the flame type because it has few weaknesses and helped him clear three levels in digimon. oh wait, you mean his ideal type? yeah, he does not know what that is, and he's too lazy to think of one. currently he's in the middle of fighting a custody battle for choki, and he's losing to a certain purple-haired freak. please come back later.

reo likes wine aunties lol. it's canon that he prefers older women, but i think it's just because they tend to know what they want. he likes people who have a set goal and are constantly working towards it. he himself diverts all his time and resources into football once he discovers that it is his calling.

i think he's the type to be extremely popular but not actually have any deep, long-lasting connections with any of his friends. he knows a lot of people, but he doesn't know them well. that's also why he gets so attached to nagi because nagi is the first person to really know him. in a way, i think that'd translate over to the people he loves as well. he likes people who don't beat around the bush. if they like him for who he is, they'll say it outright. he doesn't need to do any digging or engage in any form of the pretentious formalities he despises.

reo is rich, which is both a blessing and a curse. on one hand, he's all set for life, but on the other hand, it unfortunately makes many of his relationships conditional. he said it himself that people are often drawn to him because of his money. so i think he'd also like someone who isn't materialistic. he values honesty and genuine connection above all, so if you're ready to give him love regardless of his status, he'd sincerely love you too.

chigiri likes tomboys or any person with masculine characteristics. he's constantly getting mistaken for a girl at blue lock, so i think it'd just be funny to pair him up with someone who also shares the same androgynous plight. you two would bond over breaking gender norms.

he's a capricorn, and even if astrology is a pseudoscience, i still feel like the archetype fits him well. he refuses to let other people see him cry. he values his family a lot. he tends to be moody and intense at times. not to mention he is very goal-driven (excuse the pun.) based on that, i think he'd want someone calm and understanding. it's not that he needs someone else to work out his own problems for him. it's more so that he needs someone to remind him that he's still human sometimes. i feel like after his injury, he was sort of in this survival mode, constantly trying to prove himself and get back to the level he used to be at. but you need to remind him that he can relax once in a while. it's perfectly alright if he isn't as good as he used to be right now. progress comes at a different pace for everyone.

furthermore, chigiri tends to project a serious image most of the time, so i think it'd be nice if someone reminds him that he does have indeed an odd sense humor and his fair share of stupid moments, and that's totally okay too.

shidou likes anyone who doesn't like him, but this has to be done the right way. within blue lock, he's already sort of this outcast because no one understands his playing style (except maybe sae.) you need to show him that you value his eccentricities while also keeping him at an arm's length. he loves a challenge.

since he's someone unafraid to express himself, he likes to see that in another person. whether it's in your fashion sense, way of talking, body language, etc., he loves it when you act unapologetically yourself.

shidou is quite literally a dog kept on a leash, so you need to tug on that leash from time to time. he loves it when people attempt to tell him off and call him out for his bullshit. inhibition is a foreign concept to him, so he feels entertained when others try to teach it to him. he also thinks it's immensely sexy when you're angry at him. lord knows he is definitely going to slip that in mid-argument just so you can yell at him some more.

sae wouldn't even believe in the concept of a "type" in general because he thinks it's stupid to categorize people based on an ideal and fixed set of characteristics. (that's pretty rich coming from a guy who calls people who don't meet his standards lukewarm but we're just gonna ignore his hypocrisy.) either way, he has a non-traditional view of love and attraction.

i do think he likes people who are solid and reliable, and they can continuously yield quality results. he would also want someone who is as ambitious as him because i don't think he can realistically get along with someone who has no dreams or aspirations. it just doesn't fit well with his driven personality.

people who are empathetic and emotionally intuitive intrigue him since that's something he lacks. personally, i think he'd like someone who is mature (doesn't matter if they're older or younger.) if you can teach him something useful, he find you worthy of his time. and if you can read his feelings without him even telling you, he would consider you someone special.

sae needs someone who holds similar ideals to him but doesn't follow him blindly. (notice how he hated it when rin blindly relied on his assists when they were children.) he want someone who is independent because he is also highly independent. however, the difference is that they also actively make room in their life for other people, and that is something sae doesn't know how to do.

there's a point of growth somewhere in your relationship where you call out his mistakes and set him on the right path. sae struggles a lot with his definition of victory, and he finds it difficult to curb his greed. his ego is what sets him apart from everyone else, so failure is not an option in his books. unfortunately, this is also why he loses some of his original spark/motivation. you need to be someone who can tell him that failure is not a weakness, and sometimes the journey matters more than the ending.

also this poor boy needs someone to teach him social cues because i don’t really think he knows how to read the room. he’d probably unintentionally insult a chairman or investor, and you’ll be trailing after him with a sheepish smile as you bow and apologize for him. (i feel bad for his manager.)

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stardustizuku · 2 months

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Unfortunately I came across a very strange and misinformed video about Black Butler.

It’s not good. Don’t watch it. Unless you wanna ruin your day, in which case have fun.

Despite it all, I watched it. What left me wondering, however, was how off the mark the person who made the video was on, well, everything.

From their insistence that the Book of Circus Arc theme or point is non existent, to reading Ciel’s character so badly they genuinely thought the Green Witch Arc did nothing for his character development.

While baffled, it also made me think on how someone could read Black Butler so badly.

Sure, you can say that there’s no real way to read or interpret something “in the wrong way” but interpreting The Hunger Games as a pure battle-royale action story would make you believe it’s bad.

“Why are we focusing so much on how the capitol preps them?” Or “Why isn’t Katniss winning everything?” Or “I wanna know more about the rebellion” All questions that miss the actual point of the story - which is criticizing (not solving or ignoring) the way that media distracts us from violence via spectacle.

The same thing applies here. While there is no “right” way to consume media, there’s things that the author makes clear they wanna focus when creating a story. Things that, if you understand, make the story you’re reading actually make sense.

And in Black Butler there’s three things that you have to understand to properly get what Yana is saying.

Sebastian is the protagonist

Ciel and Sebastian’s relationship IS the story.

And that relationship is, fundamentally, a positive one.

A quicker version of it would be:

Black Butler is a love story from the POV of Sebastian, and you have to ship it to get it

- but that’s not entirely true.

You can still look at it as a complex but ultimately positive rship and get in broad strokes of what it’s conveying. It doesn’t have to be romantic. Although, it helps much more than a platonic framing.

(That said, interpreting their rship as father and son, still isn’t the best way to go about it. Mostly because by its very nature of “soul consuming” their relationship is extremely sexually charged. And hey, if you’re into that I don’t judge. However, if you’re desperately trying to interpret their rship as NOT romantic to the point you fall back on heteronormative patriarchal ideals of nuclear familiar as framing device, I don’t think this interpretation bodes with you)

Now, having all that ground work:

Why do I say these are the key components to understand BB?

Okay so, first,

1. Sebastian is the Main Character. The protagonist.

There’s a lot of people who wanna argue against it, claiming he’s either the villain or the antagonist. Both wrong.

He does not function as an antagonist. Even if, and an emphasis on if, you consider Ciel to the protagonist, Sebastian isn’t a narrative antagonist.

If you wanna go back to Creative Writing 101, be my guest. An antagonist is directly defined by the protagonist. It’s the opposing force. If the protagonist wants A, the antagonist wants to stop them from getting A.

Sebastian’s catchphrase is “Yes, my Lord”. He never opposes Ciel, in fact quite the contrary. By the mere fact they’ve created contract, it means that they’ve both agreed in the inevitable outcome.

People want to frame Sebastian as the villain, because Ciel having his soul taken by a demon, would be a BAD END in the context of their moral compass. They see Ciel as a frail victim of abuse, who’s being tricked by Sebastian, who wants Ciel’s soul.

Which is an. Interpretation. A bad one. But still one.

The narrative (and whether the narrative fits your personal moral compass and lack of critical thinking is irrelevant) treats Ciel as an agent in his own destiny. The abuse he suffered was the moment in which he had no control. It’s only after he meets Sebastian that he can rid of both his guilt and his despair, and do what he wants.

In this case though, it’s revenge.

The famous “Asthma” scene shows this. If Ciel is taken back to his past, he becomes helpless. Swarmed with pain and memories that make it so that he can’t even react. Sebastian is his saving grace. If Ciel didn’t have him, and the power he wields to rebuilt what’s broken, he would crumble once more.

If Ciel has a panic attack, because of all the pain he has, Sebastian picks him up and says “you are not a helpless child anymore, you are not a victim anymore, you have the power to do anything. So, what do you wanna do?”

Ciel’s answer is to kill them.

A proper analogy would be to say that, if Sebastian offers a gun, Ciel pulls the trigger. They are both at fault. Sebastian, strictly speaking, is not here to directly cause Ciel’s downfall, but as a tool Ciel uses to plunge into the abyss.

If, again if, you were to frame Ciel as a protagonist, Sebastian falls closer to the “Voice of reason” character. Not a literal voice of reason, but a literary one. If you have a protagonist and an antagonist exchanging ideals, the Voice of Reason serves to engage with the protagonist on their own ideals.

That said, Ciel isn’t the protagonist. The story quickly falls apart if you interpret it as such.

Things such as Ciel’s character arc being…shall I say odd?

It’s not that his character arc isn’t there, but it’s never lineal. His goals stay the same, the only thing that happens is that we start to peel back the “why”s of his goals. Throughout the series it’s never about Ciel understanding himself better, he knows who he is, he knows what he wants, he knows why he wants it. He doesn’t ever need to uncover these, but simply remember them. Because it’s always about the audience understanding Ciel.

He knows he wants revenge.

In the Circus Arc: He knows that he needs Sebastian because without him, the pain of the abuse he suffered would be too much to bear. But WE are introduced to it.

In the Book of Atlantis: He knows that with this new lease he does not want happiness and peace, he wants revenge. The one being told this is the audience.

In Green Witch Arc: He knows that their revenge isn’t for his family, the real Ciel or guilt. It’s because he wants it. He’s angry, he’s upset, and this is entirely for him. The one being told this is the audience.

Except. Not really. The one either discovering or remembering these key moments - is always Sebastian.

Sebastian is the one who reassures him that he now holds the power of a demon to override the pain. Sebastian is the one who remembers that to override that pain, Ciel wants revenge. And Sebastian is the one who discovers that that revenge isn’t built out of grief or guilt, but for himself.

We are witnessing it all, through the eyes of Sebastian.

This is why we have an extremely vague idea of who Ciel is, Sebastian does not have the whole picture.

If you haven’t been reading this manga with your eyes closed, you’ll realize we have a better grasp at Sebastian’s character than that of Ciel. We get a lot of insight on how he thinks and what he values through light hearted dialogue he has with the servants. You even see the character development in these little interactions.

Think about how when he first arrived to the mansion he magically created food with no regards to taste, but when he meets Bard he states that food is created to see whoever will eat it, smile.

That is character development, more than you will be able to see from Ciel.

Because Ciel’s character, while not static, doesn’t go from point A to point B. Mostly, cause it doesn’t need to. He went through that when he lost the real Ciel and got Sebastian. Everything we are watching is the falling out.

Now, given the fact that I’ve told you that it makes more sense for Sebastian to be the protagonist/main character, and that he 100% isn’t either a villain or antagonist in ANY of the interpretations you can get:

Do you believe me?

If you don’t, you’ll probably believe Yana herself.

This is from the first Volume, where Yana herself describes the process of making Black Butler. The primary idea behind the creation of BB was a butler as a “hero”.

If you go back to the introductory chapter, you notice that Ciel is barely mentioned. He’s simply the one to give Sebastian impossible tasks and standards that Sebastian must find how to overcome.

Ciel is properly introduced until the NEXT chapter. The second chapter has this formula too, introducing Lizzie as a problem to overcome. Although, to Sebastian the best way to “get rid of the problem” is simply to indulge her.

The issue here being that the problem isn’t as simple as a business meeting but something directly tied to Ciel and Ciel’s past. Each time that Sebastian has to solve a problem, it chips away at Ciel. While with Lizzie he shows a persona, once he’s alone with Sebastian he acknowledges the toll it took on him. It serves to build Ciel as Sebastian’s master, and how some problems aren’t as simple as discarding a tablecloth.

The third and the fourth, are a unified narrative, with a similar premise to the first chapter. Ciel gets kidnapped and Sebastian must find a way to retrieve him without raising suspicions.

If the first chapter is to set up what Sebastian must do as a butler, the third and the fourth serve to set up what he must do as a demon.

The entirety of the volume, and up to Book of Circus Arc, is about how Sebastian tries to follow the increasingly absurd orders that Ciel has - it is not about Ciel trying to solve them.

That’s how they work, we follow Sebastian for the most part, because he’s the one having to come up with the solutions.

If anything, in early Kuro, where the emphasis was more on a slice of life conflict, Ciel is the antagonist. He’s the one creating problems for Sebastian to solve.

What’s more, in the second volume, the very first chapter is one from Sebastian’s POV. So far, we hadn’t gotten an entire chapter from Ciel’s POV. In fact, I would find it hard to point to a single chapter where Ciel is the POV throughout. The reveal of real Ciel and the flashback is the closest contender.

But once we move past early Kuro, and into Book of Circus, this set up changes.

It’s fairly easy to assume that Ciel is the main character, because from this point on the conflict of the plot sorta surrounded him. We spend a lot of time with him and with his story. The enemies start being people directly tied to Ciel and Ciel’s trauma. Rarely, if at all, we get to see Sebastian before he met Ciel.The framing device for the story, is Ciel.

This is where point 2 gets intertwined.

2.- Sebastian and Ciel’s relationship IS the story.

The story begins at the point where Sebastian and Ciel met. Who Ciel was before he met Sebastian, informs why he’s the way he is when he does. You have to know all he went through to understand why he’s a brat, why he lashes out. However Sebastian’s past doesn’t matter…because Sebastian himself doesn’t care much for who he was, before he was “Sebastian”. That’s also part of the narrative.

Unlike Ciel, he doesn’t seem opposed to revealing information from before the contract. He talks about how pets from where he is from are gross, he talks about how he knows how to dance because of other places he’s been to, and alludes to the life he's lived before.

Just that, to him, they're footnotes.

He makes allusions to a very bland, uninteresting life, up to the point he meets Ciel.

That’s why we don’t know more about his past.

As for why we focus on Ciel’s story…okay maybe we need Creative Writing lessons 102

I studied Dramaturgy for about 3 to 4 years. And something you notice is how play-writing is the quintessential story telling. It’s making it work with the bare bones of a story.

Some other mediums have more finesse, more depth, or more spectacle - all amazing things that work for whatever they’re created for. But understanding a play, how and why it works, helps understand the fundamentals of any derivative story telling medium.

Particularly, conflict.

Conflict is dialogue and dialogue can take many forms. A story, in its essence, is a dialogue between two opposing ideas.

Take Batman, for example, who embodies the ideas of justice and order. On his own, he’s not a well rounded character.

If you ONLY present him, in a vaccum with nothing else, you don’t have a character. You have a list of characteristics that you’re supposed to know.

You only know who he is when you have dialogue with another character.

I say Dialogue, but it doesn’t necessarily mean spoken language at one another. Dialogue can mean fist fighting, playing tabletop games, talking to other people about the other, or even just a competition. The idea is to simply to compare and contrast both ideas.

If you want an example on how tabletop games serve as dialogue, watch the video “Well, Someone Had to Explain the Liar’s Dice Scene” by Lord Ravecraft

Another example, were we to retake Batman, you have him fight Joker. Who’s the embodiment of chaos and randomness.

In the following picture, you get far more information than the one previously shown. While the Joke fights with daggers and fake guns, Batman only uses his fists. He doesn’t use the tricks that Joker does. His serious demeanor, contrasted with Joker’s glee at the dangerous situation. The fact that Batman has a deathly grip on Joker’s shirt, while the Joker doesn’t, which shows a desperation to catch him.

You are being shown, through a dialogue, who Batman is.

It’s so much easier and much more effective to explore a character through another character.

This is the reason why Shonen has a tendency to make incredibly good gay ships. If you want to explore Naruto’s personality, and his feelings of inferiority, you HAVE to have him interact with Sasuke.

If you wanna understand Hinata’s passion for volleyball, you have him enjoy himself the most with the only other crazy motherfucker who’s as obsessed with volleyball - Kageyama.

And I think that originally, Yana had this problem.

Sebastian was the protagonist, but she had little room to develop him as a character in the confines of the manor, dealing with random enemies.

She likely tried to create Grell as someone of the same stature as Sebastian. Someone who could be this other person to engage dialogue with and show or allude to his past a bit more.

The problem being that Sebastian didn’t care for his past. Or really, engaging with anyone. He sees everyone as below him, but when confronted with Grell who isn’t below him, he doesn’t wanna talk to her.

So you’re stuck in conundrum.

How do you have dialogue with a character, that as a character trait, doesn’t really wanna have dialogue?

Well, Grell also solves the problem. Because only the moment she gets him to start any semblance of a dialogue - is questioning why he’s serving Ciel.

And this is the moment when it’s perfectly cemented that the focus of the story is their relationship.

Why is Sebastian here? Why does he stay? What did he see in Ciel that made him want this extremely convoluted contract?

THATS the dialogue.

THATS the conversation we’re having in Black Butler.

We need to know Ciel because understanding who he is, let’s us know WHY /Sebastian/ is here.

Then slowly, with the introduction with the Undertaker, we find out Sebastian’s conflict.

Which is…

He’s scared of losing Ciel. It becomes apparent with the constant imagery of the Undertaker taking away Ciel and at some point even obtaining r!Ciel’s body, that he’s worried it might happen.

But he can only be worried that Ciel might be taken away if he wants to stay near Ciel.

And that’s his character arc.

Realizing that he actually likes Ciel, cares for him and the role he plays a butler that he doesn’t want this to end.

In the first chapters, he doesn’t feel a need to protect Ciel anymore than what’s strictly necessary. Just don’t die, that’s about as deep as his involvement in chapter 4 gets.

But by the Green Witch Arc, he feels a need to protect Ciel from ANY harm.

This is why I also said

3.- Their relationship is fundamentally a positive one.

In broad strokes, Sebastian to Ciel is the person who allows him to survive. He’s not worried about giving up his soul since he’s already dead. While Ciel to Sebastian, is someone who’s making him have fun. He’s slowly becoming more and more attached to Ciel and the life he has with Ciel.

Their relationship is not that of just a predator and prey, but also of master and pet.

In the terms that Black Butler itself would call: Sebastian is a wild wolf acting like a collared dog.

Ciel is aware that the wild beast will eat him at the end of the day, but if he clings hard to leash for now, he might just be able to have Sebastian maul his abusers.

Sebastian as a dog, currently finds that he enjoys being a chained dog.

(This is demonstrated in the Green Witch arc where he quite literally says, he doesn’t wanna be a wild beast and prefers to be a butler)

And much like the actual DOG Sebastian, Ciel constantly interprets his attempts to get close and protect him, as an act of aggression.

This push and pull of Ciel’s perception of Sebastian and Sebastian’s true motives is what feeds the story.

And the briefs interludes were that isn’t the case (what other people call the “plot”, but I would refer to as the connective tissue) such as Sullivan and Wolfram, the other servant’s past, the grim reapers and the like, serve as a parallel to Ciel and Sebastian relationship. Either to signify how they care for each other, highlight their weaknesses or fears, or explore how they feel.

It’s no surprise that Sullivan and Wolfram are parallels to Ciel and Sebastian. A sheltered sickly child who seeks the protection of a cold hearted machine that only knew how to kill, but who eventually found he cared for her genuinely.

Undertaker and Claudia’s relationship being heavily paralleled with them, even though we aren’t 109% sure what they had but heavily implied it was a romantic attraction from the undead supernatural creature and a Phantomhive.

Everything is a parallel.

That’s why, like the approach of the terrible original video, is flawed.

Trying to interpret Black Butler as action scene after action scene, with mystery after mystery with the only connective tissue being the mystery of who burned down the mansion - is missing the trees for the forest.

That’s not the point.

And if you’re too much of a prude to engage with gothic horror in its gothic horror game, I see little point as to why you even bother to engage with it at all.

A lot of people, including the person who create the video, simply refuse to acknowledge Black Butler IS the story of Sebastian and Ciel as a close and positive relationship, romantically and sexually charged. The reason for it being that they’re “put off” by it.

Part of me wonders how much that is genuinely true, and how much is just performative outrage. It’s like ignoring the fact that Cersei and Jami are in an incestous relationship and try to frame it as “platonic love”, because the idea of it is THAT off putting.

But regardless of that, if you don’t like the fact that it’s as canon as canon can get, I would reccomend you don’t engage with the story at all.

As I’ve explained, the entirety of the series is about them. If you refuse to see Sebastian and Ciel as, at the very least, a duo that cares deeply for the other - you aren’t reading Black Butler.

I have no idea what you’re reading.Perhaps your own biases and subconscious stigma with British aesthetic. At that point, watch the fucking British Royalty Gossip Magazine. You’d find more substance there.

Just don’t be like the person in the video, please? Don’t play dumb. Don’t ignore the fact that Yana is a Shotacon, don’t ignore the fact Sebastian is a hero, don’t ignore the fact that the entirety of the story is based on Sebastian and Ciel’s dynamic.

Because if you do, you are ashamed. You are ashamed of what this story is about. You don’t wanna engage with the text, you want to engage with yourself. You wanna project into Ciel whatever traumas and experiences you have, for the sake a vanity project, where you come out as the morally superior.

You don’t wanna talk about Black Butler, you wanna talk about how good YOU are. How you “don’t sin” by watching it “without all the gross unholy stuff”.

Which is the exact opposite of what BB is about.

So, if you don’t want to, save us all the humiliation fetish and leave.

#Kuroshitsuji #black butler #sebaciel #essay #loli speaks

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vagabond-umlaut · 1 year

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gojo satoru x reader fic recs (I)

‣ now that i've got loads of free time, thought why shouldn't i use it well by showing (few of) my fave authors their much well-deserved love, respect and attention? ^_^

‣ this is merely a list of works i've enjoyed reading. kindly heed the tags and warnings in each of them and consume content responsibly, at your own discretion. that being said, i own neither these fics nor the characters nor the above gif. enjoy reading! 🥰

⌀ all that is solid [series] by GrilledTandooriSmoke on ao3

one of the best series there is. period. the fluff, the angst, the drama, the humor, the romance, the friendship, the plot, the dialogues - everything is top-notch in this series, i'm telling you. bonus points for being narrated in both reader's and gojo's pov.

⌀ The King is But a Man [series] by Petrichorium on ao3 (@petrichorium on tumblr)

royal!gojo who's terribly in love with the reader x reader who's equally (but way more discreetly) in love with gojo. add to that, the trope of childhood sweethearts reunited as adults, excellent communication between the couple and a wonderfully-crafted world and dialogues - what more could you ask from a series?

⌀ Ten to None (Soulmate AU) (oneshot) by Oreosmama on ao3

a fic which i adore with every fibre of my being. i will not say anything more about this, except to request you to go read this. you'll love it. (especially the fantabulous ending. btw, did i already say how much i'm in love with how well-written this fic is?)

⌀ Scarred [oneshot] by cainis on ao3

one of the best angst-with-a-happy-ending fic there is. i wish i could give thousands of kudos for the heart-wrenchingly amazing way the author has portrayed gojo's character here.

⌀ Mother of otherness, Eat me [oneshot] by itsbaby on ao3

one of the most beautiful works i've read so far. told from yuuji's pov, it explores gojo and reader's relationship and its nuances in a way seldom done before. however, what stole the show for me, was the soft and sweet mother-son duo the reader and yuuji grow to be in this fic. i really love this one-of-a-kind masterpiece.

⌀ something sweet [oneshot] by heresan on ao3 (@pretty-toru on tumblr)

i love love love this fic. it's so fluffy, so funny, so cute, so heart-warming... just read this fic, people. you won't ever be disappointed by the dynamics reader and gojo have in this one. one of my all-time faves, tbh.

⌀ teen dad Gojo [series] by pantao on ao3 (@seravphs on tumblr)

a sweet and realistic depiction of reader and gojo being teenaged parents to young megumi, all the while they try to figure out their feelings for each other. a perfect mixture of fluff, angst, drama, slice-of-life and romance, imo. (also, the author's notes are pure gold. whatever you do, please don't miss reading them! :D)

⌀ To see those eyes I prize above mine own (twoshot) by koyama on ao3

if you wish to watch godlike!gojo willing to let go of his powers, out of guilt and immense, immense, protective love for the reader, this is the ideal fic for you. i'm in awe of the way the writer wrote gojo's complex persona and the way the sorcerer realized his feelings for the reader. (the second chapter's the cherry on the cake. it's so good!!!!)

⌀ keeping up with the fushigojos (series) by @augustinewrites on tumblr

fluff? A+; angst? A+; drama? A+; characterization & dialogues? A+; humour? A+++++. a sureshot way to end a long hectic tiring day on a happy note is to read this series. (my go-to comfort series, ngl. :])

⌀ CAT & DOG (oneshot) by @mimiriko on tumblr

an adorable fic of gojo being in love with the reader, who knows, yet doesn't really know, much about it. plus, the feline-like features of gojo are sooo cute... and this fic is sooo sweet... the story left me smiling when i finished reading it.

⌀ surely summer wasn't over yet [3 chapters] by 3rdgymbros on ao3

an amazing fic set against the backdrop of the hidden inventory arc. the portrayal of the characters and their dynamics is simply impeccable. despite my kind-of-dislike towards this particular arc of the manga, i really enjoyed reading this one.

#gojo x you #gojo x reader #gojo satoru x you #gojo satoru x reader #jjk x you #jjk x reader #gojo fluff #gojo angst #jjk fluff #jjk angst #kit's fic recs 📚

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cambion-companion · 6 months

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BG3 Companions on a Halloween Date

YES I was itching to do something for the BG3 gang for the season. You could say it's been bugging me. Hah. Ok sorry it's the influence of my pfp.

Let's start with

You want a cozy night in under the covers, watching scary movies (or puppet shows or whatever the heck is the equivalent in Faerun) but he's not sold on the idea. "I've seen enough horror to last me several lifetimes, darling."

Instead Astarion would take you out in the crisp Autumn air, under the distant sun, for a walk crunching through the dried leaves of brown and red.

He'd want to go to the pumpkin patch to find the perfect gourd for a Jack-o-Lantern.

When the sun set so very early in the afternoon, you'd retire back to your cozy abode and set to carving faces into your pumpkins.

Astarion of course would make short work of his, dexterous as ever with those knives, and he would do his best to shape the face into what he hopes he looks like.

Either that or, depending on where you're at in his character arc, he'd remake Cazador BEFORE gutting it and making a whole show of utterly eviscerating the poor Halloween decoration. "Astarion, this is supposed to be relaxing." "This IS my ideal downtime."

You want someone who will snuggle under the covers and watch Hocus Pocus with you? Wyll is your man. But sorry I'm trying to keep to a less modern AU.

Wyll seems like the kind of guy who would put on some fitting music as you two cooked together, dancing in the kitchen intermittently and almost forgetting to check on the cookies before they burned.

He's such a sweetheart, checking to make sure you're happy with just spending an evening indoors with him. "We can go out on the town if you desire, sweetheart." "No, Wyll, I've told you this is absolutely perfect."

Depending on the choices you've made with him thus far, Mizora might pop in to dip her finger in the batter and bamf out again, giving ya'll a cheeky wink. "Ta ta, love imps. You make me physically ill."

Sigh, you're back for more bones hm?

Alright I'll entertain you.

You ask Withers to dance to Spooky Scary Skeletons. He looks at you, unimpressed. "Get thee hence." "Wilt thou harass someone else?"

Ideally I would propose and she'd say "yes". Oh what? Sorry, I was miles away.

For a Halloween date. Hm. A corn maze. Definitely.

She'd be all about her tutelage under Shar's freaks followers and want to show off her sneaking skills.

It would turn into a game of hide-and-go-seek and then it'd get a little creepy before she'd inevitably pounce on you and you'd end of in a fit of laughter together.

"I wasn't going to hurt you!" "Well, Shaddy, sometimes I wonder." "Good to keep you on your toes, then." "Careful, I saw a pond on the way in."

Then you two would go and get some candied apples and chat about memories and flowers that bloom in the gloaming.

Oh Gale.

He'd love to read to you out of a classic gothic novel (cough cough Dracula cough cough) while you two cozy up under some blankets.

He'd probably get fresh with you and run a hand up your leg or something, OH SORRY this is post the patch that fixed that? OK. He'd wait an extra hour.

Tara would curl up next to you and listen as he read from the book, the firelight crackling and warming your bodies as the night grows dark outside.

Afterward he would ask if you'd like to be guided into the Astral plane where you can look down on the All Hallow's Eve festivities below.

yeah, gotta give Tiefling daddy some love. Especially since I still feel bad for massacring them all my last playthru.

Zevlor is another who has seen his fair share of horror, and he would opt to do something more lighthearted with you for a Halloween date.

He seems like a family kind of man, so I expect he would invite the whole gang over for a delicious dinner. Mol and her friends, Arabella and her parents. Rolan and Zorru and maybe even Auntie Ethel will sneak in there. Then it really WOULD be a Halloween experience.

After the dinner and the guests are snoozing or already left he'd wrap an arm around you and pull you close. "Would you accompany me outside? I would like to show you the stars and tell their tales. It's been so long since I've gotten to properly admire them. Or you."

Of course I have to include the daddy devil, who do you think I am?

Raphael would take you to a haunted house, of course. OF COURSE.

Hell, what better house that is haunted than the House of Hope?

It would be horrifying for you, since the no touching rules don't apply there, and most amusing for him.

You'd practically climb the cambion in your efforts to avoid the ghosties, especially that one who constantly says "huuuurt meeee, pleeeaaase."

Raphael would enjoy watching you squirm, and remind you such a fate would not be yours only IF you followed his rules.

Oh yeah, and maybe if you're lucky, or perhaps very unlucky, he'll invite you to his Boudoir.

Oak Father frowns on dissecting pumpkins for the sake of creating superfluous lanterns (or something...I heard it from a friend who heard it from a friend, ok)

Instead, Halsin would druid craft you vines and harvest fruits in whatever shapes, sizes, and colors you desired.

He'd also want to go trick or treating so BADLY. "But Halsin, you're eight feet tall and built like a linebacker. No one is going to mistake you for a kid." Then he'd cast Disguise Self and you'd be forced to take him out on the town in hunt of candy.

Poor guy didn't have much of a childhood and wants to experience the finer things in life. Get those king sized candy bars...just once.

You are a bit huffy, having expected a more...romantic evening than this. But he'll make it up to you later winkwonk , till you can bearly stand it.

You guys would get all CUTE and gussied up together.

Go out on the town.

Pick the best looking victim to be a sacrifice to Lolth.

Wait...what?

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nanowrimo · 6 months

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4 Alternatives to Popular Writing Advice

Some writing advice get passed off as something every writer has to do. The truth is, these tips might not work for everybody! NaNo participant Nicole Wilbur offers some alternatives to popular writing advice that may be a better fit for your writing needs.

While there are no definitive writing “rules”, there’s certainly writing advice so common it feels like it’s become canon. Most popular writing advice is generally good – but what if it doesn’t light up your brain? What if a particular tip doesn’t resonate with you?

If this popular advice isn’t working - try these alternatives!

Common advice: Make your character want something. Alternative: Ask what your character is most afraid of.

Your character usually wants something – the MC’s goal driving the story is a common plot, after all. That something needs to be concrete, meaning the audience will know definitively when they’ve achieved their goal.

(Is “found independence” concrete? No. Signed the lease on their first apartment? Yes.)

But if you aren’t sure yet, or what they want doesn’t feel motivating enough to support your inciting incident, start with a different question: what is your character afraid of?

Katniss wants to survive, with her family, yes. But she’s terrified of helplessly watching them die.

Common advice: Identify your story’s theme and stick it on a post- it above your computer. Alternative: Use the character’s arc to create a main idea statement, and craft several related questions your story explores.

English class really made ‘theme’ feel heavy-handed. In my grade nine English class, we listed the themes of To Kill a Mockingbird as: coming of age, racism, justice, and good vs. evil.

While these are the topics explored in the book, I’ve never found this advice helpful in writing. Instead, I like to use the controlling idea concept (as in Robert McKee’s Story) and exploratory questions (as in John Truby’s Anatomy of Genres).

A controlling idea is a statement about what the author views as the “proper” way to live, and it’s often cause-and-effect. The exploratory question is – well, a question you want to explore.

In It’s a Wonderful Life, the controlling idea is something to the effect of “Life is meaningful because of our relationships” or “our lives feel meaningful when we value our family and community over money.” The question: How can a single person influence the future of an entire community?

Common advice: List out your character’s traits, perhaps with a character profile. Alternative: Focus on 2-3 broad brushstrokes that define the character.

When I first started writing, I would list out everything I wanted my character to be: smart, daring, sneaky, kind, greedy, etc. I created a long list of traits. Then I started writing the book. When I went back to look at the traits, I realized the character wasn’t really exhibiting any of these.

Instead of a long list of traits to describe your character, try identifying three. Think of these like three brush strokes on a page, giving the scaffolding of your character. Ideally, the combination of traits should be unexpected: maybe the character is rule-following, people-pleasing, and ambitious. Maybe the character is brash, strategic, and dutiful.

Then – and this is the fun part – consider how the traits come into conflict, and what their limits are. What happens when our ambitious rule-follower must break the law to get what she wants? Sure, a character might be kind, but what will make her bite someone’s head off?

Common advice: Create a killer plot twist. Alternative: Create an information plot.

Readers love an unexpected plot twist: whether a main character is killed or an ally turns out to be the bad guy, they’re thrilling. But plotting towards one singular twist can be difficult.

Instead of using the term plot twist, I like thinking in terms of Brandon Sanderson’s “information” plot archetype.

An information plot is basically a question the reader is actively trying to work out. It could be like Sarah Dessen's Just Listen where we wonder "what happened between Annabel and her ex-best friend?", "why is Annabel's sister acting strangely?" and "who is Owen, really?" Those all have to do with backstory, but information plots can be about pretty much any hidden information. Another popular question is "who is the bad guy?" - or in other words, "who is after the characters?" The Charlie's Angel franchise, for example, tends to keep viewers guessing at who the true antagonist is until the last few scenes.

Nicole Wilbur is an aspiring YA author, writing sapphic action-adventure stories that cure wanderlust. As a digital nomad, she has no house and no car, but has racked up a ridiculous number of frequent flier miles. She chronicles her writing and travelling journey on her YouTube channel and Chasing Chapters substack.

Photo by George Milton

#nanowrimo #writing #writing advice #writing tips #plotting #characters #by nano guest #nicole wilbur

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jester-lover · 9 days

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P4 Relationship Headcanons

Authors Note/ I have read the manga up to the last English translated volume, but I’ll stick to the public school arc characterizations of them for convenience’s sake.

CW/fem! reader but otherwise no physical description , fluff, kindof accurate Victorian courting, a little angst, manga spoilers! I most definitely forgot this arc was getting animated, so I’m late, might be a little OOC, it’s been a few months since I read the manga

Edgar Redmond

Flattery was his main method of gaining your affections: descriptive poems sent to your mailbox, tulips and chocolates left on your doorstep by a mysterious admirer—a carefully held facade that fell apart when Edgar realized just how badly he wanted your affections returned.

While he has always considered himself a free spirit, capable of swiftly moving from one lover to another, he has an epiphany when he realizes he needs exclusivity with you. Edgar has found something beyond flings with you, a woman who can truly make him nervous; make his heart beat against his chest every time you bless him with a glance.

He isn’t always the most touchy lover, but he tends to take your arm in his while the two of you are out together. (He’ll do nothing more, as he doesn’t want rumors to spread around your private relationship.)

Edgar tends to fuss over you a bit, fixing your dresses, brushing his fingers over your coat, and generally keeping your appearance looking tidy; it’s an act of service that displays his affections for you.

Lawrence Bluewer

When I say all of his sisters gang up on him to tease him about his crush on you, I mean it. Lawrence tried his best to keep his love for you a secret, but his yearning glances over his glasses reveal his truth. They encourage him to speak to you, giving him advice about what women like. (Trust me, he needs it.)

Lawrence is a very dedicated man, particularly when it comes to you. He holds up all of the important customs of an exemplary Victorian man and treats you as an equal in all matters.

He’s adamant on listening to your opinion on matters involving the two of you, but he’ll also ask for your opinions on issues in his home and dorm. Your opinion is important to him.

Lawrence is a very intelligent young man; if you ever find yourself struggling with your schoolwork or a matter of principle in your personal life, he’ll help out to the best of his ability.

Call him by any affectionate nickname, and that carefully held stoicism crumbles before you, and a red tint suddenly appears on his pale face. The only time he ever broke his own rules was after the cricket match, when he embraced you tightly in the stands after winning, so much more proud of his victory now that you had seen it.

Herman Greenhill

It feels as if someone has struck him in the heart each time he lays his eyes on you. He can feel the warmth of his skin and the sweating of his palms each time he tries to talk to you without stumbling through his words. Herman is so utterly rigid and awkward around you, it’s completely obvious he’s head over heels.

He’s often flustered around you, even when you’re already courting, as one of his ideals of chivalry and respect is treating ladies kindly. He acts like a strict old man and a shy schoolboy at the same time, wanting your touch so desperately but bashing himself for it.

You will probably have to enact most of the affection between the two of you, sneaking kisses when your chaperone turns away, holding his hand when you walk into a more private corridor of his residence, and cheering loudly at his games. The easiest way to get a reaction from Herman is by showing off your stockings; he’s a sucker for good hosiery.

Despite his proud and sort of arrogant personality, Herman is a shy and careful lover; he remembers all of your favorites and special days, and he loves receiving your praise. Whenever he achieves something, he immediately looks to you, waiting to see what you make of him.

Gregory Violet

You wouldn’t even know of his existence when he first saw you, but he was always there, with a thick black sketchbook filled with drawings of you, going about your daily routine and interacting with others in a way he only wished he could. The sheer amount of yearning he does could put the poets to shame.

You are his muse; even when Gregory is creating something completely irrelevant to you, he’ll remember you; you are so infused with everything he makes. Because he has put you on this goddess-like pedestal, he doesn’t think he deserves you, which is why he’s so surprised when you agree to court him.

Gregory’s affection comes in bursts; some days he’ll be too nervous to look you in the eye, but other times he’s practically joined at your hip. He’s not the most talkative lover, but when his eyes flit through you, examining you closely with a blush stretched across his features, he appreciates you like you are art.

He plays the role of the gentleman in public, keeping his respectful distance, but he often seeks your comfort in the few moments you can sneak alone, laying his head on your lap as you brush through his two-toned hair and rambling uncharacteristically about the struggles of his role. He’s a non-conformist, and he often wished the society you lived in wasn’t so strict, so that you and him could act as wild and free as you did in the leather binding of his sketchbook.

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number1villainstan · 2 months

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I just saw Dune Part 2 (2024) with some friends so here are some Thoughts i guess

I feel like on the whole these movies are trying to either downplay or cut out a lot of the misogyny/sexism in the book, although Herbert's view of gender roles is so pervasive in the book that it's hard to change without completely changing the worldbuilding (the Bene Gesserit especially) and/or certain characters and getting second-order effects that weaken or change the main plot. But they did a good job at least making it much less in-your-face and offensive than in the book. One of Chani's lines is about how "men and women are equal" in the Fremen, and while I don't really think that's supported by how the movie depicts Fremen I can see and respect where they're coming from

It's still a very male-dominated movie, but it's honestly pretty faithful to the book, and like--what are you gonna do? It's Dune. You can't exactly just genderbend Paul and get the same story, at least not when the Bene Gesserit are still what they are

wait now i'm thinking about an AU where the Kwisatz Haderach turns out to be a trans man. ideally you'd get both the canon critiques of white savior mythos/the Messiah trope and a deconstruction of the sexism and strict gender roles of the society of the Dune universe. also ideally you'd get a whole bunch of other queer characters in the same AU. you could also do an AU where the Kwisatz Haderach/a potential Kwisatz Haderach turns out to be a trans woman, or even nonbinary, but i feel like those would make for very different stories cuz AGAB/ASAB seems to matter like A Lot in the Dune universe

the movies did manage to completely get rid of the homophobic parts of the Harkonnens' characterization though. i did like that

although it was still using disability/deformity as shorthand for Ugly Evil Guy which :/

but enough about the Problematic Elements(TM) let's talk about the actual story

Chani was a lot more politically and generally assertive in the movie than I remember her being in the book, although it's been A While and she was also very much a Main Character who had thoughts and opinions and importance outside of the male characters she was affiliated with (as much as anyone can escape the political black hole that is Muad'dib but) AND! she actively advocated for Fremen self-governance in the beginning! although she didn't keep it up cuz she got sucked into the Paul black hole. this may have happened in the book it has been like two years since i read the first book and it was very disjointed reading cuz College(TM). I also liked the ending part, where it was implied that Chani was leaving, on her own, because she was angry with Paul, which implies More Character Development. (Also they didn't seem to do the Fremen polygamy/concubines thing in the movie, which was a good call, i feel like that part of the book was maybe informed by anti-Arab racism)

Jessica was incredible, of course. Love me a good ruthless woman. Her main character trait/motivation was definitely Paul's Mother but her main personality trait seems to be incredible ruthlessness. there is no madonna/whore complex to be found here no sir

(i may be wrong about that part but eh)

And of course the Harkonnen Blood reveal. the story definitely sets up Atreides as The Good Guys (fair, just, merciful, looking out for and caring about the people under their rule) and the Harkonnens as The Bad Guys (cruel, unjust, power-hungry and traitorous), which makes the reveal that Jessica and Paul have Harkonnen blood an incredible symbol of Paul's corruption arc. He goes from "I must do anything possible to avoid the holy war" (the Atreides way) to "CONQUER ARRAKIS AND ELIMINATE ANYONE WHO STANDS IN MY WAY" (the Harkonnen way) over the course of...technically years, in the book, although that wasn't super well communicated in the movie I feel--in the movie it was only months, cuz Alia hadn't been born yet by the end. And right before we see the worst of it we end up learning that Jessica, his mother, was a daughter of Baron Harkonnen. Jesus fuck.

there's definitely some Not Great elements about using ancestors/blood to determine morality but still

princess irulan was introduced! as an independent character and actor in her own right oh my god! although she still falls prey to the sexism infusing the original material

the dune books (at least the first two) are in this weird state where there are very strict and specific roles/walks of life that female characters are allowed in (domestic/family life and religion) and men dominate Everything Else and nobody every questions that, not to mention the whole thing about how apparently even the very female religion/psychic field is supposed to be dominated eventually by This One Man who can do it better than all the women, and yet all of the female characters are well-developed and feel like people. ykno aside from the complete lack of protest in being shoved into a sexist role

anyways irulan got more development than i remember from the books, i loved that, and that we got her POV too. these movies are really working to uplift and spotlight the female perspectives that were often somewhat sidelined in the books and i love that

also stilgar's (blind?) faith REALLY came through which i liked

overall, yeah, the movie was great. it's very faithful to the spirit of Dune while addressing some of its flaws/datedness--it understands what its message is and what it's saying, and the way it's constructed really hammers home the critiques of imperialism and racism the original was built on

I think this is gonna end up a trilogy, based on only the first book, and it very much seems like the third (and final?) movie is going to specifically focus on the war against the Great Houses after the Emperor falls, which iirc was kinda glossed over in the book/between Dune and Dune: Messiah. I can't wait to see what they do with it

#dune #dune part two #dune part 2 #dune part two spoilers #dune part 2 spoilers #dune 2 spoilers #dune 2 #also that one poster where it's paul and chani walking forward with the sun to their backs and chani is VISIBLY IN FRONT OF PAUL #frank herbert could never

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ask-whitepearl-and-steven · 1 year

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You don't have to answer this if you don't want to, but how has your opinion changed on Steven Universe now than when it first aired? Like I have fond memories of watching the show while it was airing but now I realize that it had a lot of problems that I feel like a lot of fans either flat out ignore or bend over backwards to make sure their rose tinted glasses stay on.

... okay, fair question. Let's talk about this.

I'll try not to wax poetic too long, but there are a lot of things to be said here.

First and foremost - how has my opinion changed since the show has ended?

Simply put - it hasn't.

When I started watching Steven Universe over 7 years ago, I didn't have much knowledge of it. I sat down, saw a few of episodes and went 'well, this is a silly show for kids with a goofy but loveable protagonist... but it seems like it's also incredibly charming with its delivery and has some nice, more complex themes about loss and healing and grief throughout.'

And if you ask me what Steven Universe is now... I would probably say that exact same thing.

Am I wearing rose tinted lenses? Interesting question.

What ARE 'rose tinted lenses' in this context anyway?

What do these lenses represent? What do they obscure?

Since you didn't go into specifics, I can only assume what you're referring to when you say that many fans ignore the show's problems.

There have been many discussions surrounding various aspects of the show and how it might be read as 'problematic' (ahhh how I've come to despise that word.... without context, it has all the descriptive power of the word 'icky' - none of the critical details and all of the emotional punch of scrunching up your face like a cat that just sniffed a lemon...)

Is this about something as simple as the 'SU doesn't have a consistent size for its characters' debate?

Because that has been gone back to, over and over again, and proven to be a point of opinion. SU favored allowing storyboarders to show off their personal flourish, and even though Peridot was 30% hair in that one episode, it did not overall take away from the plotline being told, which was their goal. If you wanted to watch a show with consistent styling throughout, you can always watch a 3D modeled show, but keeping that up was simply never one of SU's main pillars. And I feel like it didn't have to be.

Is this about something more complex such as the way Rose was presented?

...and how her arc was shown backwards instead of forwards - showing first the person she became in the end, and afterwards revealing all the growth she had to have to get there?

That was on purpose! And I don't think this is a problem. It's a feature, not a bug. Rose was never meant to be an ideal character - she was meant to be complicated and messy, and I think the fact that the fandom is so split in their opinions of her shows that the Crewniverse pulled that off really well!

She fucked over Bismuth! She forced Pearl to be silent! Those are both parts of her character arc that were never resolved because she died before she could resolve it - that's BY DESIGN. Sometimes, you just do something absolutely stupid and cruel, and you cannot go back to fix it.

Is this about the Diamonds? The fact that they were not put in space jail, after being put on trial for space crimes, and then publicly executed for space eco-genocide?

Here's the thing - most people I know who watched and loved SU are fully aware of that. But simply put - Steven Universe was not a story about Revenge.

Steven Universe was a story about love. A story about family. A story about truth, and lies, and hurt, and healing. About how sometimes healing doesn't happen. And how sometimes it will, but you won't be around to see it.

But it's not a story that can be all things for all people.

That is the thesis of my reply: It is a story.

It is not a manifesto. It is not a bible. It is not a Complete Truth.

It is a single story. Made by a group of very talented people, who cared about these characters, who did their best. They made a funny, emotional, well-drawn and complex cartoon show about the things THEY personally wanted to tell stories about.

Does it answer all questions the way everyone wants them answered? No. That's impossible.

Everyone wants a different story. Everyone wants a different solution, a different resolution. A different ending.

Steven Universe is one story. It cannot satisfy all people.

So when you ask me 'has your opinion of Steven Universe changed'? The answer is 'no'.

I went in, expecting to see a story. I saw a lot of what I liked! I saw some parts which I thought were interesting. I saw some parts which, yes, I disagreed with a little.

But overall, it's a good story. And that's what I expected, and that's what I got, which means I'm pretty satisfied. I love that story.

I feel like recently, there's this expectation of media, to be Everything For All People. And it's a bit unrealistic. No one call tell the perfect story. We are all simply telling the stories we want to tell. And people will vibe with that, more or less.

A single story, made by a small group of people, will never be that for you. There will never be an Unproblematic Cartoon that you watch that will be devoid of things you disagree with.

Being critical of media doesn't mean 'Criticize the FUCK outta that media, and the one with the least criticisms is the best one'.

Critical thinking is about evaluating things critically - that means being critical of YOURSELF. Being critical of your OWN reactions. Asking 'why did I like this?' and 'why did I dislike this?'. Asking 'this doesn't mesh with me, but who WOULD it mesh with? It isn't for me, but who is it for? Who would it hurt, but also who would it help?'

Some people HATED how SU: Future ended. They beat their fists on the wall and cried about how Steven was leaving his family behind, and how THEY could never imagine doing something like that, and how he was running away from his problems just like Rose had.

Me? I loved it. I think it was the right choice, and I COULD imagine it and thought it was in character. I thought he needed to be his own person, instead of shouldering everyone else's responsibilities for once. Was one of us more right than the other? Maybe not? Maybe that was the whole point?

Loving things is not about putting on rose colored glasses. Sometimes, choosing to love something with flaws is an act of rebellion. It's about knowing you have differences, but understanding that there is value in the things you DO agree on, and knowing you can consume that.

Healthy consumption of media does not mean throwing the whole cartoon away as soon as you notice something is wrong with it, like a bruise on an apple.

Healthy consumption of media involves critical thinking AND feeding yourself. Acknowledging you may disagree with parts of it, but not starving yourself just because your apples all have small imperfections.

Eat, for fuck's sake. Feed yourself. You'll feel better.

Thassit.

#chekhov answers #steven universe

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shiny-kaibernyte · 4 months

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Can i get romance hcs for Kieran?

Ask and you shall receive! I have so many requests but I couldn't resist doing this one! Do hope I fit the bill for this one as Kieran is an, interesting character to write for 💜

Pokémon Headcannons | Kieran (Romance)

Pokémon Scarlett and Violet DLC Spoilers ahead!

Warnings: Possessive behaviour; obsession

SPOILER WARNING For Teal Mask and The Indigo Disk

------------------------------------------------------------------------------

(Was gonna use one of his Teal mask mission photos but i love this one to much not to use it. Straight up mood.)

When you step into his life, it is you and you alone who rules his heart.

Kieran’s drive for things is strong, very strong. And when he sets his mind on something; he will never stop until he’s achieved whatever it is he’s after. So when he set eyes on you, his goal was to give his all to you. And hope you will give your all to him.

Your Agias and Kieran are like siblings, he's the quiet one, Agias is the give me your food or else one

He will never force you to do anything you don’t want to. After the Ogerpon situation, Kieran spiralled into a state where he no longer felt danger. He would dive into every challenge head first, fight every trainer, every Pokémon and climb the most dangerous of mountains if it meant he could be the best. But when he’s with you, he’ll dial it back. Always staying within your comfort zone, the last thing he wants is to push the most precious thing in his life away from him.

Gets jealous incredibly easily. ESPECIALLY if it's Drayton. The Rivalry between these two is uncanny, it would be no surprise if Kieran felt true hatred towards him for a time. Though it's gone now. The jealousy of even seeing Drayton standing close to you is overbearing.

You and Carmine are practically best friends. You're the glue that keeps the pair bonded together.. When you are around Carmine doesn’t feel afraid of Kieran as you bring out her little brother, the brother she thought was lost to obsession.

If you are a member of the BB League, he will be a lot sweeter for you. He may get frazzled when the rest of the group is around and everyone is slacking off. But he will always apologise to you if you tell him he’s gone too far. Never to the others however. Even if you force him to, he’ll never mean it.

Is not an outdoor person, even with the yelling and the confidence, deep down he is still the same shy, excitable boy who just needs a hug. So his ideal time with you is sitting together and watching movies, or reading books.

He is a listener. He will listen to you for however long you need him to. Every word you say he will listen.

He isn’t good with words, even after everything that happened with Ogerpon and Terapagos. So he tends to be a lot more handsy, always trying to hold your hand, your arm, or just you in general.

Speaking of that, when out in public together, he practically is stuck to you, he eyes glaring towards anyone who shows you any form of interest, hand on his Hydrapple’s Pokeball just in case they don’t take his death stare to literal.

He’s a cheek kisser, deep down he is still extremely shy and closeted, so kissing you on the lips can fluster him even when he's the champion, so he uses cheek kisses as his way of saying he loves you.

Hug him please. He will melt. This poor boy needs a break from everything.

If he was a ship, you are his lighthouse. If you were a tree, he is your roots. You both complete each other.

When Kieran begins his ‘redemption arc’ he tries to redeem his actions slowly though he doesn’t exactly know the best way around it. So he asks for your opinions on basically everything he does. Carmine attempts to give input but as sibling rivalries go, it falls upon deaf ears.

His Hydrapple loves you, almost as much as Kieran does. Almost.

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