#the main point is i hope they actually feel like people instead of cardboard cutouts lmao

[cheshiresense]

[Last Part]

Can't have a Yuzu POV without a Karin POV lol~

-0-

Karin makes it back before curfew with fifteen minutes to spare. Their brother had extended hers and Yuzu's curfew to 10pm since they'd hit their double-digits, and she's always been mindful to never break it. Yuzu isn't usually one to stay out late, but Karin likes her freedom to wander around without supervision enough that she isn't going to risk a grounding just because she couldn't be bothered to check the time. Besides, she knows kids her age don't get half as much trust or leeway from their guardians, so Karin isn't going to disappoint Ichigo's expectations by not following the few rules he'd set for them.

Not to mention she has exactly zero faith in her own ability - or honestly anyone else's - to slip under her brother's radar anyway. Only an idiot would think they could, and Kurosaki Karin wasn't raised a fool. Sneaking in late isn't even worth considering.

So she's back by 9:45 sharp, and she unlocks the apartment door to reveal a scene in the sitting room that's not entirely unfamiliar ever since dinner last Tuesday.

"Shoes," is Ichigo's greeting, and Karin immediately rallies.

"I rinsed them!" She insists defensively. "Thoroughly!"

She had. Karasu River, specifically that spot where their mother had died so everyone's avoided it ever since like they might get cursed if they stray too close, is a great place to get rid of evidence.

"And now you're thoroughly tracking water through the door," Ichigo points out dryly, which, oh yeah, she is, whoops.

Karin makes a vaguely sheepish face before quickly toeing out of her sneakers and leaving them outside to dry instead. Just her luck that Yuzu dropped a vial of her newest poison yesterday and burned a hole straight through the entryway doormat, and they haven't had a chance to replace it yet.

She shuts the door, drops her duffel bag against one wall, and ambles over to her brother for a hug and a cup of tea from the fresh pot on the kotatsu. Or rather, Ichigo goes about pouring her one while she slumps into his side with a content, if tired, sigh.

Ichi-nii has never really been one for hugs, even when she and Yuzu had been smaller, and that's no different now. Occasionally, on a birthday or new year or when - very rarely - something had made them cry, he'd dole one out to each of them, stiff and a little awkward, but genuine in a way Karin knows he'd had to learn just for them, and that alone had made it precious. Besides, he's never refused their hugs when they take the initiative to go in for one, and Karin knows full well that anyone else would be thrown across the room or tossed out a window, Mizuiro included, so that's just as good even if Ichigo doesn't often return them.

She leans against him now, and he endures it stoically, handing her tea and also casting a surreptitious eye over her for any signs of injury. There are none of course— Karin's been learning how to protect herself ever since her brother had become the undisputed head of the household, even if Isshin still remains determinedly blind to anything related to his son to this day. And on top of that, Ichigo's long since ensured their safety from most lesser predators in this town, so it's not as if they have anything to worry about.

Of course, there are still morons who slip through Ichigo's iron-fisted oversight - or rather, are allowed to slip through - either because they're new to Karakura or they're lured in from a neighbouring town, all of them deemed harmless enough prey for Karin and Yuzu to play with. They make for wonderful test subjects for Yuzu when she's getting creative again, and very convenient outlets for Karin whenever soccer and karate aren't enough to siphon off her excess energy. Unlike Yuzu, Karin really isn't made to sit still or stay indoors all day.

She blinks when Ichigo jostles her out of her thoughts with a nudge and a succinct reminder, "Greet."

Karin's pretty sure there's some kind of What Manners And Social Norms To Teach Your Kids So They Can Fit Into Society self-help book squirrelled away in Ichi-nii's room somewhere. Possibly even a series. Of course, her brother certainly doesn’t follow his own lessons on conduct, but this is one of those things that Ichigo has always implicitly expressed his preference for her and Yuzu to ‘do as I say, not as I do'.

So Karin can only swallow a forbearing grumble along with her tea before nodding curtly across the table, "Good evening, Hirako-san, Urahara-san."

Ichigo's already turned back to some papers in front of him, because bright side— her brother's number of fucks to give begins and ends with the most perfunctory of civilities, so at least Karin doesn't have to waste time on small talk. Yuzu, her crazier half, is the only one of them who actually enjoys that stuff. Karin sometimes can't believe they're related.

"Brat," is Hirako's response, and his voice says amusement but his eyes say caution. Well, amused caution, but Hirako seems to find almost everything a little funny, and it's not even some weird bravado because his reiatsu manifestation is constantly a glittering field of yellow-gold-blue that takes the form of a sunny beach. Usually.

On the other hand— "Good evening, Kurosaki-san," Urahara returns, perfectly polite, with a perfectly pleasant if distracted smile, perfectly suited for someone who's genuinely glad to see an acquaintance's sister home safe. Except his reiatsu manifestation is a fucking ocean of blood, deep and dark and completely still on the surface no matter what he says or does. The only times Karin's seen even just a ripple in it is when Ichigo is talking. Her brother at least seems to have a knack for taking Urahara off-guard. Nobody else though, and the external mimicry of human reactions - no matter how expertly crafted - doesn't impress Karin one bit when she can see the disconnect between his insides and outsides.

So she snorts and goes back to ignoring them both. Since the dinner last week, these two have come back a couple more times, mostly meeting with Ichigo for something or other, probably a ghost-related problem, with Urahara also dropping off a stack of books and scrolls for Yuzu, and they seem like they'll be sticking around for a while. But until Ichigo tells her that they're going to be part of the family, like Mizuiro, Karin's not going to waste her time on getting to know them. Honestly, just by dint of being people, and worse, troublesome ones, means that they're more likely to get themselves offed at the business end of Ichigo's swords than anything else.

"Ichi-nii," She says instead. "I have another away game on Friday. Can you sign me out of class?"

Ichigo makes a noise in the affirmative. "Leave the form on the kitchen table before you go to bed. Is it in Naruki City again?"

"Yeah," Karin makes a face. "Back-to-back matches against Hiromasa. Dunno why they even bother when they're not serious about it anyway. And they're so annoying. We always kick their asses but they still look down on us cuz I'm a regular on the team. What, a girl can't play soccer now? But we literally run the score up into the double digits every time we play and all they say is that they were going easy on us cuz we've got girls on the team!"

She stops and takes a deep breath. She's actually complained about this before, multiple times, ever since she'd turned nine and been deemed old enough - and tall enough - to play in official matches. Or as official as elementary school club competitions can get anyway, and being able to play against other schools was awesome, but that didn't mean some of their opponents weren't dickheads. At least she'll finally enter middle school next year and probably won't ever bump into this particular group of idiots on the field again, but until then, she's no doubt going to complain some more.

And her brother always listens with the sort of patience he wouldn't extend to anyone else's whining, which Karin likes to take shameless advantage of, but on occasion, she also needs other ways to vent, and that was really what today had been all about after enduring last Friday's game.

Right on cue, Ichigo asks without looking up, "Haven't you gotten it out of your system yet?"

Karin huffs and takes another long drought of tea before speaking. "Kind of? But the guy didn't even put up a fight! He even pissed himself, Ichi-nii! Before I even did anything! It was gross!"

Ichigo finally lifts his head just to level a look at her. "You play with your food too much."

Karin stares indignantly back at him. "I do not!"

"How long have you had your eye on this latest one?"

Since like, three weeks ago, but that's not Karin's fault! "It's not my fault he took forever to take the bait. You'd think it would've been easier with the way he stalked my jogging route every single day just to see me in a tank top and shorts. Besides, I was saving him for after last Friday's match! You know, as a treat."

"And now it's already Tuesday," Ichigo mutters, but he also pats her on the head in a vaguely comforting if condescending manner, like he's consoling her for a botched job.

Karin splutters. "Ichi-nii!"

Ichigo smirks briefly. "You're still young. You'll get better. There's no rush."

Karin pouts into her tea. Eleven - literally twelve in less than half a month! - isn't that young. She's definitely not a kid anymore. Ichigo was already scaring the crap out of half the town before he'd even hit his pre-teens. He hadn't even killed anyone yet back then but people twice his size would pick fights with him that he'd always win, and then he had started killing once he'd turned thirteen, which had only cemented his reputation. Karin and Yuzu had had to beg forever to get their brother to teach them some of the tricks of his trade, because they hadn't wanted to wait years to follow in Ichigo's footsteps, and Ichigo had thankfully agreed that it made sense for them to learn how to protect themselves.

Still, no matter how many bodies she and Yuzu have put in the ground - not that many actually, they've got a long way to go to catch up to Ichigo - Karin isn't so oblivious that she doesn't know that a good portion of the respect they receive these days is entirely down to their brother's looming shadow behind them. But everyone needs a goal or two in life, and one day, she wants people to look at her and flinch because she's scary enough all on her own.

"Did you clean up properly tonight?" Ichigo adds like an afterthought.

Karin rolls her eyes. "I would've called you if there was a problem. You know I have like three different cleanup crews and Mizuiro-nii on speed-dial."

She can't wait until she's tall enough to bag and carry adult corpses around on her own. It's embarrassing to have to call someone every time she - okay, she admits it - makes a bit of a mess. It's not an issue when Ichigo is there, and she just has to help him, but when she's alone, it pays to have extra hands in the aftermath, even if it feels kind of like she still has to be babysat.

"Cleanup crews?" Hirako suddenly interjects from where he's just been watching them and listening like he's never heard a single conversation in his life and it's somehow super fascinating. What a weirdo. "Where'd ya get those from?"

Karin squints at him. Why does he want to know? Shinigami old as dirt still don't know how to do their own cleanup?

"They're just local yakuza," Ichigo actually takes the time to answer, which seems exceptionally tolerant of him. He must really like this guy for some reason. "Someone always has some free time to lend a hand, and they don't mind sharing their dump sites."

Hirako arches an eyebrow. "They don't?"

Ichigo smiles lazily at him. "Not anymore."

Hirako stares at him for a beat longer before bursting into raucous laughter, except the sunny beach from before is shifting, sliding, fucking shimmering, and then it's no longer a beach even if it's still a field of yellow-gold-blue. Instead, sand dunes rise where there'd only been wild grasses and rocky outcrops before, an endless desert as far as the eye can see, while the sea isn't a sea at all but something that could be an oasis or just a mirage, now gone hazy behind a wave of heat, and all of it so deceptive and deadly that you might wonder how you could've ever mistaken it for anything remotely harmless at all.

And it's even worse beside him, because Urahara is sitting there, blandly smiling away from behind his fan, and he doesn't look much of anything, but the ocean of blood he's literally submerged in stirs for a minute like there's something large and lethal swimming in its depths. Karin can't see what it is though because the blood is so thick that she can barely even make out Urahara's face, let alone anything else.

She rubs at her eyes. They're giving her a headache. This is why she prefers baseline humans over ghosts. Ghosts naturally have more reiryoku than average living beings, and Shinigami have even more than that - way more - so Karin in turn sees a whole lot more than just flashes of transparent images when she has to look at them. And it would be bad enough if it was just that, but these two lie so much. She doesn't know if it's a Shinigami thing or Ichigo just attracts complications, although now that she thinks about it, Mizuiro had given her headaches at first too. It'd just been easier with him because when he'd started coming over to hang out, he didn't have anywhere near as much reiryoku as these two guys, and now Karin's just used to him so it doesn't much matter anymore.

But these two. She doesn't even know what Hirako's deal is, because as far as she's aware, he hasn't really lied about anything so far. His insides match his outsides, so to speak. But his manifestation also seems to imply that everything he says is as much a truth as it is a lie, or that it could be a lie just as much as it could be a truth, depending on the situation. Which doesn't make any sense, at least not to her.

And don't even get her started on Urahara. That man oozes shady vibes so it's not exactly a shock that his manifestation reflects that. It's just... who the heck has an ocean of blood representing their soul? It's not the fact that it's blood that confuses her; it's that the blood is all there is. Even if you kill a person a day for a thousand years, it can't be all that you are, right? Even Ichigo doesn't have something like that. Although to be fair, his reiatsu manifestation can probably come across as pretty disturbing too. But Karin basically grew up with it so she can't really say for sure. It's certainly never frightened her. Not that Urahara frightens her either. It's just... weird.

Both of these old dudes are so weird. They're the first people she's come across whose manifestations are as complex as her brother's, but she doesn't really know what she can interpret from them because manifestations are different from emotions, and besides that, emotions are her sister's wheelhouse anyway. Yuzu is the one who can pick up what someone is feeling at any moment and extrapolate from there. Karin just gets a bunch of pointless shitty abstract art shoved at her eyeballs, and Shinigami are clearly the worst about it.

And just to make it really unfair, Yuzu says that emotions rarely get too loud for her. Karin doesn't know if it's because her sister had been born with natural talent when it comes to controlling her ability while Karin... hadn't, or if Karin's ability encompasses so much of one of the senses she depends on most in everyday life that it simply affects her more easily, but either way, if the manifestation is a powerful one, then the longer she focuses on it, the more it can overwhelm her.

It'd been almost unbearable at first when she was younger, all of eight years old and finally tapping into her portion of the family inheritance, except even a glimpse of another student with slightly above average reiryoku levels could wipe her out for hours. There'd been days where Ichigo had had to pull her out of school just so she wouldn't have to see anyone, living or dead, and she'd needed almost six months before she'd gotten a proper handle on it.

During last Tuesday's dinner, she actually couldn't even see what Hirako and Urahara's faces looked like until near the end of it. Their reiatsu is just that strong, which means their manifestations appear completely solid and three-dimensional, and that means that those manifestations are the only things Karin sees most of the time when she has to look at them.

She doesn't even get the benefit of practically being able to read minds like Yuzu can. Although Yuzu always says it's nothing like reading minds. Karin remains unconvinced. Emotions can reveal a lot, especially with context clues. Manifestations on the other hand almost never react to whatever is happening in real time. Unlike emotions, they're rarely a consequence of outside stimuli. Hirako's had changed earlier, from illusory beach to the real desert hidden underneath, but that's because his manifestation has always been like that, switching between the two when the mood - his mood - strikes. Even now, it's already settling back onto the beach scene. It may have been somewhat affected by what Ichigo had said - by cleanup crews??? - but it hadn't shown anything that hadn't already been there, part of Hirako's soul.

In contrast, Urahara's the real outlier. Karin doesn't even want to think about his manifestation, never mind look at it. It's not that his soul has become something new either - the whole person would have to be swapped out for that to happen - but she's never met anyone, ever, whose manifestation seems to hinge so absolutely upon one person before. She's not even sure if Urahara is aware of how... fixated he is. And she definitely doesn't know what it means. Ichigo doesn't even like the guy, and Urahara - inside or outside - doesn't seem particularly hung up on Ichigo. Except of course for the little matter of how his actual-facts immortal soul is doing the near-equivalent of placing itself in the palm of Ichigo's hand, which- what. Didn't they just meet like two seconds ago? If Karin actually believed in love at first sight, she'd say this might be what it would look like if it could manifest a physical form in the creepiest way possible, but she doesn't, so to her, Urahara's just insane.

Anyway, no one can blame her for not wanting anything to do with these crazies, especially when coupled with her ability. She wouldn't give it up if she could, because it's hers, and it makes her special like Yuzu, like Ichi-nii, makes her part of the family in a way no one else but the three of them can be, but at the same time, it's honestly a pretty useless skill. Manifestations are just... portraits of souls laid bare, which sounds all kinds of impressive and philosophical but is actually just a fancy way of describing a lifetime of squatting in an art museum with all its exits sealed.

It's terrible all around, made doubly so by their houseguests, and in Karin's opinion, the sooner Ichigo gets tired of them, the better.

The room has gone silent, and Karin only notices when the mostly empty tea mug is plucked from her hand. She's pinching the bridge of her nose with her other hand, eyes closed, but she opens them then to peer up at her brother.

"It's getting late," Ichigo says without much inflection in his voice, but he also pats her head again, and a flare of reiatsu floods her retinas like cold spring water on a hot day, washing away the pain. "Go to bed. Lights out by eleven."

Karin's more than happy to get out of there, away from Less Crazy 1 and More Crazy 2.

"Mm, I know," She gives her brother a quick hug before clambering to her feet. "'Night, Ichi-nii. I'll leave the form in the kitchen."

Ichigo grunts his acknowledgement, and Karin spares a moment to nod in the general direction of the Shinigami before wandering away, pausing only long enough to scoop up her bag before making her way up the hall and to the master bedroom. She and Yuzu still prefer sharing each other's space even though Yuzu is fastidiously possessive about her own belongings, so Ichigo had given them the biggest room when they'd moved in, while he and Mizuiro had split the single and study-turned-bedroom between them. The best perk of this is of course the fact that she and Yuzu get the en suite bathroom to themselves.

Her sister is still up, bopping to some music on her headphones while reading one of the scrolls Urahara had given her. She barely glances up when Karin comes in, although she wrinkles her nose plenty when it's clear Karin hasn't had time to do her laundry.

Karin rolls her eyes and shuts the door behind her. "I won't leave anything lying around, don't faint."

Yuzu glowers at her. "I don't faint!"

Karin snickers as she ducks into the bathroom. "Whatever you say, princess."

The thud of a pillow hitting the bathroom door is her reply. It's actually pretty hilarious when Karin thinks about it. Yuzu's manifestation is a sterile white room lined with perfectly preserved faceless corpses wall to wall, but give her a human body with its guts spilling out, and she immediately runs for the nearest toilet. She doesn't mind the scent of blood, but gods forbid any stains linger where they shouldn't.

Speaking of, Karin digs out the set of clothes she'd changed out of earlier, after her stalker had been dealt with. She hadn't even gotten them very dirty this time, and she'd made sure to scrub everything clean in the river anyway before coming home, but she'll still have to toss them into the washer again if she doesn't want Yuzu nagging her about it. In the meantime, she shoves it all into a vacuum seal bag and leaves it in the corner. She can haul them over to the laundry room next door in the morning with the rest of the past week's load.

Her knives are tucked inside the duffel as well. Those she'll take care of tonight. Ichi-nii went all the way to Nagasaki to commission them for her from a semi-retired blacksmith last year. They're elegant and gorgeous, and they cut like a dream, sheathed in black leather and embossed with a small stylized K on the flat of each blade, only noticeable when the metal runs red. It's the best gift Karin has ever received, and if they ever rust, or she ever loses them, she'll probably bawl her eyes out.

She hops into the shower next, sighing happily as she relaxes under the hot water. Despite the atrocious company Ichigo keeps these days, today's still been an overall good day. She'll be able to go back to her jogging in peace starting tomorrow, and the upcoming match on Friday doesn't seem quite as irritating now that she's had someone to stab a time or ten. Of course, after the match is another matter entirely. Maybe she can tag along to Yuzu's bake sale on Saturday. There's always a couple suckers at the outskirts of Karakura too stupid to live.

It's something to look forward to. For now though, she finishes her shower, brushes her teeth, and then gets to work cleaning her knives. She doesn't have all night.

"Was Onii-chan still talking to Hirako-san and Urahara-san?" Yuzu asks a little later as they get ready for bed because their brother always knows if they stay up too late.

"Yeah," Karin says around a yawn as she sets her alarm. "They might still be out there. Can't you sense them?"

Yuzu shakes her head, leaning over to switch off the lamp on her nightstand. "They're... quiet, I guess. Quieter. I have to be in the same room as them to pick up on their emotions."

Karin hums as she rolls herself into her blankets. "What do you think about them?"

"I don't, really," Yuzu admits easily, so they're agreed on that at least. "Although if Onii-chan gets rid of them, I hope he can wait until after Urahara-san has finished teaching me."

Karin snorts. Typical.

They're silent for a moment until Yuzu speaks up again. "I think they're trouble. I mean, Onii-chan did mention it during dinner last week. But I think it's a different kind of trouble than the usual stuff. Not like yakuza or random creeps or even the monsters. Worse, I think they're going to bring trouble."

Karin frowns into the dark. Well, it's not anything she hasn't thought of herself. It's another reason why she dislikes them. If they've got problems, why do they have to dump them at Ichigo's doorstep? What have they ever done for Ichi-nii?

Still, "Ichi-nii will be able to handle it," Karin says with certainty. She's never known her brother to fail at anything. There has never been a problem Ichigo couldn't solve. He'd even cowed their father without ever laying a single hand on him, and that was back when Isshin had still been stronger than Ichigo.

"Well, obviously," Yuzu says, equally confident. "Maybe Onii-chan will even have some fun with it. I know the monsters don't give him any kind of challenge anymore. And he likes Hirako-san and Urahara-san well enough."

"He likes Hirako," Karin corrects, shooting a flummoxed look at the bed across the room. "Urahara, he could take or leave. I'm surprised Ichi-nii lets him come here at all."

"Yes," Yuzu says with an audible smile. "Onii-chan lets him come here."

Karin blinks. ...Huh.

"So, what, is it like... a crush?" Karin grimaces. Ew. "They're old and weird!"

Yuzu giggles. "I don't think I'd go that far. Yet. Besides, they're also powerful and interesting and not afraid of him, and you know what Onii-chan's like."

"Yeah, but I also thought Ichi-nii doesn't get crushes," Karin grouches. "I can't believe it's both ways."

"Both ways?" Yuzu echoes, and Karin can almost hear her eyes go wide. "Urahara-san too?"

Karin squints up at the ceiling. "What, you didn't pick that up from him? I mean I don't think it's actually a crush. Like you said. But there's something there."

"Urahara-san is a bit strange about Onii-chan," Yuzu agrees thoughtfully. "But I'm not exactly sure what it is. His emotions are hard to read sometimes. Hirako-san is easier. And nicer."

Karin makes a disgruntled sound. 'Nice' isn't how she'd put it, considering Hirako's reiatsu manifestation.

"Hirako-san isn't that bad," Yuzu says, amused. "And they're both kind of like Onii-chan, so that might be good. It's good to have friends."

Karin shrugs and grabs an extra pillow to hug. "Whether they're like him or not, if they do something dumb, Ichi-nii will handle it all the same."

Yuzu laughs, bright and cheerful and just a little anticipatory, even if she does seem to have a better opinion of them than Karin does.

The conversation between them fades away. Karin shuts her eyes and lets her thoughts drift. She has morning practice tomorrow and can't be late, so old weird men calling on her brother are frankly the least of her priorities.

#bleach #myscrap #stunted empathy verse #kurosaki karin #kurosaki ichigo #hirako shinji #urahara kisuke #kurosaki yuzu #karin's way less impressed with the two old dudes who followed her brother home #not that yuzu was all that impressed either beyond what kisuke could do for her lmao #anyway fleshing out karin and smacked her with a much more unique ability than yuzu's lol #not that yuzu's is particularly common in the bleach world but you see the empathy trope in general more often #they're kind of opposites in that #yuzu's relatively more normal in the spiritual powers department #not so normal with her poison obsession in everyday life #karin kind of doesn't want to have much to do with the spiritual side #and is more normal with her daily life #kind of #okay murder's not normal but she goes about it more straightforwardly at least #the main point is i hope they actually feel like people instead of cardboard cutouts lmao #sorry kubo but they were so flat in canon

[cookies-hetaoni]

Hi! So, I did write one (1) of those anons (the one which you responded "i just read your criticism but i do not care at all because it sounds like a you problem" to). I wanted to add little bit of context for my previous words, since I do not want to come off as rude or anything of the sort, my intentions are good /gen.

Okay, so, I replayed your HetaOni ending version a few months ago, and, long story short, it was bad. There is a lot to say about it, and since I'm sure you kept your ask-box open because you are willing to hear some constructive criticism, I will take my time to do just that.

(COOKIE'S PREVIOUS HETAONI ENDING SPOILERS BELOW IF ANYONE WANTS TO PLAY IT, BEWARE!)

First, the 2P! issue, since that was the main point I wanted to make within my anon message.

So: the 2P!s are nor essential, nor necessary. Ever since the second they appear for the first time, they seem out of place, and it is obvious to anyone that has played the "original" one that the plot was never going to go there. Using original characters (even if they are kind of fandom-rooted, they are non-canon since you gave them "personalities" of their own) that take the spotlight from the ACTUAL main cast is, at best, a lazy way for trying to move the plot forward. There is literally no correlation between your half of the game and Tomoyoshi's; if it weren't for the artwork you could think that they are two different games. It's obvious that you jumped into that project with no idea about how to handle it, and you should have taken more time to do so. It does not give the impression that you wanted to give HetaOni the ending it deserved, but that you wanted to make a game about your OCs taking the spotlight instead. And those are two very different things.

People may love it or people may hate it, those are valid subjective feelings; but the fact is that the story was not handled the way it should have been, at all.

Plot aside, the characterization of the actual canon characters was poorly done too (I won't even mention their lack of development after the 2P!s are introduced, since the original cast pretty much turned into stereotypical filler cardboard cutouts by then). For example, America (in Tomoyoshi's version) was worried about England 99% of the time, and he always lost it whenever he used magic because it was really REALLY dangerous and damaging to do so. In your version, England used magic to clean Spain's ass. I won't elaborate the discrepancies any further since I hope you are seeing my point here.

By the way, the whole thing about England getting his eyes to work again? In the nicest way possible, I would like to know what crossed your mind when you made that decision because I genuinely cannot comprehend what the thought process was. You took one, if not THE most iconic moment in the whole game and brushed it of five minutes later like it was nothing. You even changed the ICONIC "England's theme" for some other random soundtrack (you did this in several different occasions too).

Put simply, not only did you add things that were anti-climatic and underwhelming; but you made the good things worse. Except for the artwork. Your icons were really pretty. The rest sucked, though.

Back to the point I wanted to make; you should listen to criticism and be open to change, so that you won't make the same mistakes from before. You made that previous version many years ago, so I'm sure that you've had plenty of time to reflect on your previous lack of writting skills and get better at it... eventually.

Giving the "I'm not really planning on changing anything from the ending and removing the 2P would be kind of a bother so I wont do it either" attitude, even after seeing (in that poll you made) that many people think the ending was underwhelming, sounds both condescending and rude to the people who have been supporting your game even since 2016. We know it's a non-profit fan project, so it's not like people should demand anything from you, but you should have some respect for both the people who played/want to play it and Tomoyoshi, at least. Poor girl had to go through a tsunami and you won't even take your time to make an ending that doesn't revolve around your own characters.

Plus, getting mad at other people's feedback does not give the cool gamedev vibes you think it does. Not talking about the anons insulting you, of course, but the ones that have good intentions. And no, people giving feedback about a game you took from someone else and added things to while making it public is not the same as having bad intentions, by the way.

I'm just saying this because HetaOni is one of the most iconic RPGMaker fangames ever, and you are one of the people with the biggest audience out there making fan-content about it. Before you tell me or anyone else to "go make the game yourselves since you are so good at it and since you hate me and my ending and my characters so much!", you know it would make no difference if anyone else tried to remake it, because it wouldn't reach as many people as it would with you being the one making it.

You have the means to make a good game, since your art skills are really good, but you need to work on the plot writting department first. HetaOni has a great narrative base, you can make a great ending for it if you just think about it for more than five seconds and try not to rush it like you did for the previous one. I took my time to write this whole long-ass essay because I want it to be a good game, made by someone who seems like they care at least a single bit.

Like I said before, I hope I did not come off as rude, and good luck!

Oh boy, here we go.

First of all, I'm glad you came off anon. It really feels nice to talk to someone who isn't afraid of sharing their opinion.

However, as much as you have your opinion, I am obviously allowed to have mine as well. You wrote a whole essay on this and I can see how passionate you are about the game, but I don't know if I'll be able to answer to every single thing you pointed out (though I'll try my best)

About it being obvious that Tomoyoshi wasn't going to go there: honestly, I asked Tomoyoshi to remake their game; they didn't share their ending with me. People's minds work different. And for me, in my mind, the ending with 2Ps could very well work just fine since the mansion is haunted and that's also not canon in hetalia at all. There are a thousand ways one could go about the ending, and I just chose one of them. Are you obligated to like it? No. But say it was completely unnecessary is really just your opinion. Was the ending underwhelming for many? Yes, of course. Like I said, I'm only human and can't please everyone, and like I also said, I'm aware that the ending wasn't the best given the circumstances I had back then.

You can't come and tell me I "should have thought better", or "should have taken more time". You know nothing about me or my life. I do things as I want to, when I want to.

I am open to constructive criticism, but you're just coming here and saying my ending was shit because you personally disagree with everything I did. I do agree that after the 2Ps showed up there wasn't much of a game anymore, and that England's being able to see again probably wasn't a good choice, at least not for that time (it's been years and I don't remember how I did it very well).

About the soundtrack, if I changed it it's probably because I couldn't find the original sources. Like I mentioned various times, I worked on that game almost completely alone with almost zero help. It took a lot for me to find other music that could sound good in the game that weren't from the original one too.

The "I'm not really planning on changing anything from the ending and removing the 2P would be kind of a bother so I wont do it either" is also a bad interpretation of yours. What I meant is, like I also said numerous times, since I decided to remake this game on a whim (yes, one day a few weeks ago I suddenly had the thought: "Why not remake the game?" and that's really why I'm doing it), I am again working on this while having no idea which direction it's going to take. Since I made my version with the 2Ps, naturally, in my mind, the game makes more sense with 2Ps. It doesn't have to make sense to you. It's what makes sense to ME.

And honestly, I think I am allowed to have liberty in creating whatever I want for the ending. Like you said, no one's paying me to do this, I'm doing this out of my own free will. Is it for you guys to play? Yes. Do I have to keep you in mind while working on it? Of course. But that doesn't mean I have to accept each and every suggestion/"constructive criticism" you guys give. I don't have to agree with everything you guys say, and more importantly I have to have fun while doing this otherwise it's just not happening.

Also, how do you think I gained my followers? I worked hard for them. I worked hard for years, but I most definitely didn't work hard to have someone tell me how to do my job properly because what I do "sucks". If you don't like it, then just don't play it. If you're so repulsed by the idea of me adding 2Ps because to you they don't make sense then why are you even following me in the first place? My "if you think you can do better then do your own game" argument still stands. Work hard to get your own followers and work hard to make your own game. Don't come telling me my work was shit and add "i don't want to be rude" before you proceed to do that because it just doesn't work. Don't know if it's a language barrier or whatever but to me, you are being pretty rude, yes.

And there you go, assuming shit again. I'm most definitely not trying to give off "cool game dev vibes". I am genuinely stressed out that me, an adult, who is working on a game just for fun has to listen to some random person on the internet literally attack me about how I did such an incredibly bad job at something I did out of my own free will just to LEARN how to work on RPG Maker at that time and decided to share.

If Tomoyoshi wanted me, or any other person who remade HetaOni, to give the exact same ending they were going to then I'm pretty sure they would've contacted me or some other game dev to tell us where they were going with it and how it was supposed to end. But they didn't. They just said "okay, thanks for asking first" and that's it. You are NOT Tomoyoshi's CEO. If you had talked to them personally and they had told you that they were offended by my ending, then I would obviously go and apologize to them for doing something they weren't comfortable with me doing. But none of this happened. And I really think it wouldn't happen, because as far as I know they aren't in the fandom anymore and probably don't care much about the game as much as you do.

If your criticism were actually constructive you would've at least sent me some suggestions- but no, you really just made me read an essay on how much you disliked the game and why while telling me off on stuff you believe you're right about.

I'll say this and I'll say it for the last time: You are NOT obligated to like my game. You are not obligated to follow me or whatever, but you just do NOT have the right to tell me what to do, dude. I can listen to people's suggestions, sure, but I can't promise anything. I am working on this freely and I would like to have fun with this project. I don't know where I'm going to go with it but if in the end it ends up having 2Ps in it then it's gonna have 2Ps in it. Doesn't mean I haven't listened to people who tried to convince me otherwise, though. Just means I made a choice of my own, which I am allowed to do.

#cookies hetaoni spoilers #hetaoni spoilers #big sigh

[breathplayed]

4, 6 & 8 💜

below cut to save dashboards!!

(4) what is the plot bunny you've been carrying the longest? ooouuuuhhh..... so many............ So many............ i have full fic outlines from 2017 LOL but the most viable one is a jikook au where they're both vampire hunters + jimin is Turned + jungkook swears to hunt him and be the one to kill him bc it's "what he would have wanted" some good ole lovers to enemies bullshit Once Again. every year since 2018 i've thought it'd be a fun three-part fic i could post for halloween and have never gotten around to it. lately i keep thinking it'd be good for an original novel (hello lesbians <3) but then i would have to actually worldbuild and write well which is daunting......... so back to the drawing board every time...... Maybe Some Day

(6) do you have any kind of consistent writing schedule or just hoping for the best? 💀 i always tell myself i will try to write a little bit every day, and there's been periods where that worked well enough for me, but tbh i write the best and most when i am daydreaming about a fic idea and get batshit possessed and fuel a Fixation. in those moments i am seized by insanity and sit down to write for about 4-6 hours straight in the dead of the night and manage several thousand words in one sitting. the record is 10k for DSD pt1 in like a day, and when i wrote the 90k fic that is WBIO in like 3 weeks off the high of not having any responsibilities in early lockdown (incl almost 20k in one sitting)

So kind of a mix.... When I have more free periods of the year i tell myself *trying* to stick to a schedule is good, like "ok i should go TRY to write at least a little every day, and if it doesn't work and im not feeling it today that's fine" but I can't lie, most of what I put out is the product of a feverish manic haze. Where i daydreamed too hard about a fic idea and accidentally came up with the whole plot and exact dialogue lines and need to bullet point it immediately before I forget it all. I am tormented by visions

(8) what’s your relationship with constructive criticism and feedback like? do you seek it out? how well do you take it? Constructive criticism: not exactly a fan unless I ask for it lol, just bc I think it's kinda rude to offer constructive criticism unless it's asked for? So I already automatically feel a lil cornered. I spent a year as an art major bringing paintings in for concrit sessions, I can take it, but that feels like a facilitated environment where I knew I was opening myself up to hear things so I could improve..... however, I'm not super interested in 'improving' writing beyond naturally improving by doing it.... bc it's just a hobby if that makes sense? I'm also usually super aware of how/where one of my fics is weak (example: i Know my worldbuilding and side characters and settings are not the most fleshed out, that I usually only focus on the main pairing/conflict and let everything else be a cardboard cutout, RIP) and just didn't put the work in to improve it bc I want to have Fun doing this hobby and struggling with fixing weaknesses is not super fun. Yes i am very lazy but it's ok it's fanfiction posted for free not something I'm trying to publish ukno. I'm a perfectionist in other ways! It balances out

Important to note I define constructive criticism as like "it would have been better if you did x instead" and a lot of times in fanfiction that's just people's personal tastes. I do consider everything readers say to me! Like someone said they didn't think the side characters served any point in "folie à trois" and it's just me inserting my faves, I Considered that opinion. There's been times I consider feedback and changed how I continued in a story, like in TLG people said they wanted more Jimin pov/motives and I said hmmm yeah that's valid I'll do more of that. In the aforementioned case for Folie, I considered it and decided (1) no, they're there for jk to see that Everyone is a lil fucked up and (2) it's my fic i can put my kpop girlies in it if i want lol. So sometimes 'concrit' is really just someone saying 'what you wrote wasn't to my personal taste' and not actually anything to do with the quality of the story/plot/style whatever itself.

Feedback overall tho, I do always want to hear from readers!!??! How a story made them feel especially. Tbh , TLDR, I think it really depends on the tone.... My relationship to it is on a case by case basis..... like I'm fine hearing that a character/plot frustrated someone, that they disagree with a character's actions, etc.... because that's Conflict in the story and I think good writing makes the reader Feel something..... it really just depends on what is being offered? if something is obviously mean spirited (which I have gotten) or offering concrit without asking like telling me "btw this would have read better if you didn't write like a possessed failed poet" i'm like ok well i have no plans on improving that. I am down to clarify any points of confusion on a scene/character/etc but I will not be improving. Lol

I hope that makes sense sorry I rambled as always. I took one of my adhd meds for the first time in weeks and now I am tachycardic and overexplaining myself worse than usual. Thank u for the ask <3

#ask game #myfic #ask

[nocek]

Don't spare us the long rant! We want to hear your thoughts!

Oh you are going to regret this ;P

So here goes my loooooooong angry rant about Taskmaster and also the Black Widow movie in general.

Let's start with my point of comparison. Captain America the Winter Soldier was a good movie. It's still in my top 3 Marvel movies as I'm sure is for many people. And statistically speaking everybody likes Bucky. He is like the most beloved side character right after Loki. I guess.

Anyway. My point is that Taskmaster and Winter Soldier have bit for bit the exact same building blocks: hypercompetent antagonist that is a serious threat to our hero who just can't win with in one on one combat. But then plot twist: our antagonist was just a victim and puppet without free will in hands of actual villain who is bland bureaucrat.

So why did Winter Soldier worked really really well and Taskmaster was just ehh.. ok?

Well the short answer is that catws was a much tighter movie that had clearer goal (and also that goal/theme was singular: good things get corrupted with time and sometimes you get to start over) compared to black widow which had to jump through too many hoops and still somehow managed it but it wasn't as graceful as it would be if they (as in executives) resigned from one or two hoops and flips and explosions.

And I'm omitting a BIG disadvantage of making a prequel movie about a character that they killed off in shitty way. Though that created one of extra hoops for them to jump through: quickly build up Yelena as a character.

And character build they did. Because srsly Yelena is awesome and I love her. BUT. That came at a price.

Lets compare to catws. The new character there is Sam (and kiiiiiiiinda also Natasha a bit but that's a topic for a different rant) who is nowhere near as well build as Yelena. At the beginning. Because he had time to be fleshed out and naturally grow in few different movies and then we got a deep dive in the Falcon and the Winter Soldier.

But Marvel can't give Yelena few movies because she will appear in Hawkguy an Hawkeye series and also Marvel is generally dividing their assets into: outer spaaaace, down to earth heros and magic stuff (aliens, androids and wizards ;P). But also they can only create so many things in a year.

So yeah. Yelena offtopic can be summarized that I love that we have her as we have her but it came at a cost of air time of the movie.

So comparing the movies again:

Catws had the theme of good things being corrupted with time. And the theme was underlined 3 times through Peggy, Bucky and then Shield/Hydra. Which are interconnected and also make nice scale from inner conflict of the main character to the outer conflict of the movie.

In Black Widow there is the topic of the past evil that never went away and is still taking away free will from people. And again we have it shown through 3 outlets: Yelena, Taskmaster and Black Widows. But there is also whole family subplot attached to Yelena and there is Red Room attached to Black Widows. So as you can see things are getting crowded. Which in turn make the theme a bit blurry.

I mean, sure, the Red Room should be the Shield equivalent. Even it could take smaller space because good Shield turns out to be evil Hydra is generally more time consuming to explain than Red Room bad. But still combining Red Room and Black Widows make things a bit crowded.

(There is a reason why the surprise subplot of there is more Winter Soldiers was in separate movie and was kinda handwaved and cut to minimum. But they couldn't do that here).

But it's time to stop my ranting about whole Black Widow movie and focus on comparing Taskmaster and Winter Soldier.

Because to be honest both are bare bones of character and more of an carte blanche in the movie. Both have barely any screen time yet there are colossal difference which stems out of:

first introduction: as I mentioned they are hypercompetent and unstoppable threat that you can't win with, you can only hope to run away (both done equally well)

programmable killing machine:

For Taskmaster we just get a scene with her watching other heroes fighting at the screen. For the sake of building up the mystery of character we think that "he" is just watching. Maybe learning or more likely just being creepy. The information about the chip and literal programming is given to us much later in the movie which makes this scene lose the power. idk how it will work on rewatch? Maybe better? Hopefully. right now there is too many new movies in cinemas to go for a rewatch and disney+ still isn't available here -.-

For Bucky we have literal torture scene. You just can't be more blunt than that. It also hammered the next point in.

there is human behind the mask:

Winter Soldier is introduced with full face mask which he gradually loses and then we have the big reveal of not only: that's a human but also that's a human our main hero cares about deeply.

With Taskmaster they fucked up it for chap plot twist. We are learning quite late that oh snap that's Antonia (that we don't really care about) and our main hero kinda feels guilty about her.

I think the big difference is what kind of character Steve and Nat are and also the way they reveal this secret. Steve actively recognizes Bucky by himself and is very openly shocked. Nat is passively told and shown that hey, this is Antonia. And there is no time in the movie for Nat (and for us) to be shocked because that's the 3rd act and we need time for explosions and stuff.

Besides, the problem is that all the big plot twist reveals are boring on rewatch (stil big props for Pacific Rim and giving us the monster reveal in like second minute of the movie, I will never not appreciate that).

Also on related shitty note. We the audience. Bucky is handsome and vulnerable and we can drool all over him (and oh man, we the fandom did a fair share of drooling). Antonia is disfigured and not sexualized in any way. Which I'm actually grateful for but there is no pretending that doesn't make a hell lot of difference. But that's a whole different, ugly and big topic I'm not remotely qualified to write about. I'm just angry ranting here.

they don't have free will:

For Winter Soldier we have amnesia + torture tropes which to be honest have been done over and over again and it shouldn't have worked as well as it worked. Bit it did. In context of Black Widow movie it worked because it was just one guy that actively broke through brainwashing with active help of the hero.

In Black Widow there is a lot of characters that are pasively "woken up" out of mind control over and over again by active protagonist. Unfortunately the repetition kinda cheapens it. Especially in comparison to main gut punch right in the feels scene in the other movie. Which is why it's not fair to compare the two.

So lets talk about lack of free will aspect itself. To be honest the mind control aspect in Black Widow was done really great from story perspective. Evil scientists perfected it to the point it being (bit handwavey but) completely impersonal but also completely dehumanizing to the subject. So I'm buying that it can be completely switched off in equally efficient and impersonal way. Even the way they explained it with Alexei the pig was great and terrifying... to a point. Because then kicked the main problem with this movie. Clearly some execs came and saw it and went whoa... that's too dark for pg13 blockbuster. Let's put some cheap jokes here. And it happens over and over again in this movie :S

humanizing flashback scene that ties them to main hero:

For Bucky, sure we had Captain America First Avenger but a movie needs to stand on it's own legs. That's why we have the flashback scene which shows us that Bucky cared about Steve. Leaving it at the narration in Smithsonian of "best friends since childhood" would be just telling us. And we needed to be shown and we needed a space for the "till the end of line" so it could come back and stab us right in the feels.

Also because we are ignoring previous movie Russos cleverly made us care about Winter Soldier because Steve cares about Winter Soldier. And we already know and like Steve so building up our main character gives us more mileage out of new bare bones character (because let's be honest, Winter Soldier is just that). Two birds one stone thing.

In Black Widow there is no such thing which IMHO is the main reason Taskmaster doesn't work. We just get information about cardboard cutout: insert cute little girl here (only told, not even shown actual cardboard) and all of the emotional connection to Natasha is: I know that my boss that I hate has a daughter, she got in the crossfire. Which means nobody cares.

All it would take is adding a short flashback scene. idk Dreykov is an asshole and doesn't care about Antonia but she is she cutest and most adorable little girl. She treats the Black Widows as older sisters. Hell if you want to make it more horrorish copy of the idea of Thor wanting to be a Valkyrie when he grows up or T'challa wanting to be a Dora Milaje. Little Antonia wants to be Black Widow when she grows up because they are badass and they are nice to her (and are also slightly confused by her) because she is nice to them and is only person that treats them as humans. Hell we could have short interaction between her and Nat. Just a smile between them would be enough.

You could get a lot of character buildup mileage out of such a short scene.

But it couldn't happen partially because the movie didn't have time for that but we didn't get that mostly because it would show us instead of telling that Nat killed a cute little innocent girl for her own personal gain. (well she thought she was destroying Red Room but mostly wanted to get away - vide she didn't check on Yelena or other widows. But I wouldn't hold that against her. It was put your oxygen mask first kind of situation. But still it would make her look bad)

Besides, that would take guts to actually show.

And technically they could have afforded to have that guts. That was last movie with Nat anyway. It would actually make this plotline about her feeling guilty about Dreykov's daughter and red in her ledger work. But well... It was last movie so they wanted to leave us with the most goodest and bleeding hartest and heartwarming mary sue version of Nat with just telling us without showing hey, she got dark past.

On the other hand if we had the rumored Endgame plotline of Nat running an orphanage. Damn that would tie to this plotline so well. We could tie the loose widows also. Dam we were robbed here I tell ya >.<

Ok I'm overdoing offtopic about Nat. Sorry

design

So yeah. Design wise Winter Soldier is like great. For Taskmaster, she sure looks cool but also kinda generic? If in 10 years you'd show me her and say it's antagonist from GI Joe or something I'll believe you :S (not touching the debate that in comics something something because unfortunately I don't know Taskmaster from comics. Although I hear that few recent ones were quite good so I'll check them out sooner or later)

snapping out of mind control

I mentioned before. It would be unfair and there is no point comparing main emotional scene of the movie versus means to an end that were repeated several times through a movie.

Natasha freeing Antonia even if she thought that Antonia will kill her because that would fair was great. What I'm annoyed is a cheap fakeout that went with that. It was just after the bombastic finale with explosions and all the cgi shit. Even without looking at the movie runtime it was obvious there will be no extra fight scene.

In catws it worked because the cgi pew pew extravaganza was a background noise and was part of a continuous fight. In BW helicarriers fell already, there was a second of dust settling and then Nat throws away the shield (uses that capsule). Tension just fell from highest place in a movie (quite literally lol), trying to rise it again for such a short moment just doesn't work.

But that's the general problem with Marvel movies. Bombastic CGI fest as grand finale that probably is "outsourced" and then actual director comes back and needs to end movie super quickly.

disappearing act at the end

So in catws there is mystery of what will Bucky do. We are given some hope since he dragged Steve out of river and visited the museum but thats all. I mean there is this annoying Marvel thing of skipping over the interesting ending of last movie and starting with next plot point. We were hoping for the grand roadtrip/hunt for Bucky but nope. We must run ahead with all the plotlines (same way I'm sure that the Spiderman is Peter Parker and he killed a guy thing will be already dealt with in the beginning of the next movie -.-) But that's bonus mini rant.

In BW they needed to wrap up to many plot lines too quickly so Antonia wakes up and that's all. We don't get a suggestion what she may do. The problem of the chip she still has installed is omitted. There is nothing. She just fucks off to lalaland with other Black Widows the end. Because we needed ending for Nat's actual family which was ok but also kinda rushed.

As I mentioned waaaay before (god, this rant is pretty long) too many hoops to jump through.

Which really sucks because if they added that one flashback scene just for Antonia and spared few more minutes for the overall ending it would work so much more better.

And I even know where they could have saved few minutes (besides the explosions thingies). The supply guy. One extra character in a movie with too many characters. In catws the supply problem (with wings) was solved with nbd shrug. If you wanted to show that Nat has her own web of contacts it should be more than one guy. IDK in Budapest there could be 10 second scene with neighbor saying hi nice to see you again we reinforced the walls after last time. In Norway we could see her visiting some special secret supply stash run by some rando before getting to the mobile home.

But oh she was on the run so that would be too many people. Then cut the people entirely. The shitty helicopter can be worked around with joke that I'm not on speaking terms with Stark rn and that's the best we can have on short notice.

Eh.. side rant again. Sorry.

So to wrap it up. I actually really would love to see what will happen with the loose Black Widows and Antonia because here they were really underdeveloped. And while widows were more of a group hero and we have Yelena as a representative so in a way it balances out but Taskmaster needed so little extra care to make her character so much better and I'm a tiiiiiiny bit salty about it.

#text post #long post #very long rant #black widow #black widow spoilers #black widow movie #black widow 2021 #taskmaster #antonia dreykov #i kinda doubt we will see her again #but one can hope #if anyone actually read through all of this congratz! #and thank you #let me hug you #(and I'm sorry it's so long)

[curly-bangtan]

Heatwave Drabble #4: like a best friend

[Heatwave // Godless // Heatwave Drabbles] <- have to read first

Pairing: Taehyung x reader

Summary: You and Taehyung run into his infamous cheating ex, only for him to introduce you as his current girlfriend. As you play along with his narrative, you can’t help but feel insecure and jealous.

Genre: drabble, very fluffy, angst, f2l, bit of fake dating

Warnings: typical emotional constipation from these two, jealous!oc, heartbreakingly boyfriend!taehyung, indirect confession that they’re both unaware of lol

Word count: 5.8k

A/N: Oh look, more jealousy? Are we even surprised at this point?? Requested by my little muffin @taexxxiiaa. Sorry to all the Heatwave fans for this constant torture of unresolved feelings. 

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Taehyung has a habit of stuffing his face with too much food and consequently eating in pout. As he is doing right now. You watch him merrily wolf down another soy sauce-dipped slice of raw salmon and stack the miniature plate with the rest of his conquests. It’s his sixth plate.

When he’d first shown you the email he received for ‘all you can eat' sushi, your response was a firm “No.” You’re not even a fan of seafood in general, let alone raw fish. But Taehyung was persistent, insisting on what a bargain it is and how it’s sushi season right now. Sushi season, what bullshit. Another “No.” Yet when Taehyung has his eyes set on something, especially when it comes to food, there’s little that can stop him. He knows how to use his assets - batting is lashes, huffing like a baby, nuzzling into your neck - until you finally let out a defeated sigh.

So here you are, plotting how best to sneak in some wasabi into his food. This wimp has a full on breakdown at the slightest taste of spice, you can just envision his face when the wasabi burns up his nostrils and through to his ears.

That will teach him not to drag you out to sushi again.

“Why aren’t you eating your udon?” Taehyung’s eyes are wide and innocent, unsuspecting of your mischievou scheme. “Too hot?”

“Yeah, don’t want to burn my tongue.” You stir your steaming noodles, smiling to yourself.

The two of you had managed to secure a four-person booth due to his non-stop nagging to come early to avoid the queue. The restaurant is now bustling with customers and stressed waiters, the smell of Japanese food infused in the warm air. You’re both sat on one couch, while sat across you is another couple who are just finishing with their lunch. This arrangement is due to the busy demand of the restaurant, squeezing in however many impatient hungry people as they can. Though you didn’t have a problem with sharing a booth with strangers at first, Taehyung’s ravenous gorging of sushi after sushi has made you particularly self conscious.

As soon as the couple leave after paying their bill, you turn to hiss at Taehyung. “Why are you eating like that?”

“Like what?” His words are barely audible with his mouth full. “Are you gonna eat your udon or not? I can help you out if you can’t finish the whole thing.”

Ah, there it is, his infamous line - I can help you out if you can’t finish the whole thing.

Honestly, his appetite is abominable.

“Order your own udon!” You begin eating your noodles to prove that you are hungry, and you will finish the whole thing.

Taehyung tucks his hair behind his ear (you’ve recently noticed that his ears are abnormally big, which you guess explains the massive dick). Just a few days ago, you had managed to convince him to get a perm. The main selling point was: ‘all the bitches will go crazy for it, trust me’. Bitches being you.  And indeed, all the bitches are crazy for it. In the timespan at which you’ve been in this restaurant alone, you’ve caught almost every single girl checking him out, eyes flickering too often towards your booth for it to be coincidental.

When their eyes fell onto you, you would smile at them politely, yet to your surprise, they’d wear a sour expression and ignore your courtesy. You soon realised that they think you’re Taehyung’s girlfriend. Girlfriend! The thought had made you shudder and scoot further away from him.

“Nah, I need to save room for the sushi, baby.” He pats his stomach that remains annoyingly flat despite his feasting. “I need to pee, I’ll be right back. Can you order some more California Rolls and the Dragon Roll please? Oh, actually, and one more Soft Shell Crab Roll and a Tempura Shrimp as well please?”

You glare hard at his back as he scuttles out the booth and hurries to the toilet. Stupid dork. It’s only noon and he has already eaten a whole day’s worth of food. He’s going to end up vomiting his guts out if he keeps at this rate.

Still, you wave the waiter over and place his order for him. The waiter’s kind of cute, he’s got that soft wholesome look, the kind of boy you bring home to your parents. You wonder why he’s avoiding your eye and not slipping you his number. You hope it’s not because he thinks you’re with Taehyung.

A new pair of customers are being ushered to your booth across from you to replace the departed couple; it’s two pleasant looking girls this time, chatting away in blithe. This time, they reciprocate your smile with nods of their own.

Taehyung returns from the bathroom shortly, yet as he approaches your booth, he halts in his step so abruptly that you spin to face him.

“Ryujin?” The shock in his voice is unmistakable. His eyes are locked on one of the girls that’s just arrived opposite you. Static.

“Taehyung?” She gasps, returning the same surprise, pupils widening.

Ryujin? Taehyung’s never mentioned a Ryujin to you before? Who is she?

Taehyung’s face is stoic, completely stripped of its normal cheeriness. Lips pressed in a thin line, jaw screwed firmly shut. Shit… You turn to assess the girl, digging through your memory for a Ryujin, yet failing. Who the hell is she to have Taehyung react in such a way? If she were just a friend, he’d be rushing over to greet her. If she were someone he slept with, he’d subtly acknowledge her but make no big deal out of it.

Instead, he’s clenching his fists, feet planted an arm’s length away from your table.

You clear your throat, snapping him out of his trance. “You know each other?”

Finally, he glances over at you for the first time in what feels like ages. And right away, you see the disorientation in his eyes. Taehyung slowly makes his way back into the booth, sliding in beside you until your legs touch.

“Yeah, she’s my ex girlfriend.”

Oh.

Oh.

That cheating bitch.

If it weren’t for the firm hand placed quickly on your thigh as if he’d known you’d react in such manner, you would have leapt up and started screaming at her. The anger is rushing to your head all at once. You’re struggling not to chuck the stack of plates at her face.

So this is the girl who had broken Taehyung’s heart. This is the girl who gave Taehyung trust issues. But also, this is the girl who lead to you and Taehyung meeting. In every way you look at it, she is the reason why you’re in each other’s lives in the first place. So you guess you owe her a thank you after you throw a drink at her.

Taehyung doesn’t speak much about her, or at all. It’s been years since their relationship anyway, and since all his ties to her have been cut, it makes perfect sense that he’s forgotten about her. Even at the beginning, he was adamant about not thinking about her, he said it had hurt too much to even say her name. And so you were always careful about not bringing the topic up in conversation; it was none of your business anyway, it wasn’t relevant to his life anymore. There were occasional jokes here and there, but only ever made by him, and even still, you could sense the underlying hurt.

“Taehyung, it’s been so long…” Her attention was utterly transfixed on Taehyung. You might as well have been a cardboard cutout for all that matters, she wouldn’t have noticed anyway. But it must be bewildering to run into your ex who you cheated on like this. Anyone would be thrown off.

What are the chances that, not only did you come to the same all-you-can-eat-sushi place, but have also been sat on the same booth? Just your luck.

Your eyes wander back to Taehyung, fearing for his current state of mind. Your roommate is an emotional guy, as much as he likes to mask it in ridiculous humour. It would not surprise you if he just stands up and leave right now, even with his food on its way. Yet his features are calm, unbothered, his initial surprise melting away to neutrality.

“Hm… Yeah.” He doesn’t ask how she fares as she’d expected, you can see the disappointed drop in her face at his apathetic souciance. Then he turns to you. “Did you order the stuff?”

Unsure of how to interpret his sudden maturity, you just nod slowly. Quiet Taehyung is scary…

Disregarding her friend’s apparent discomfort, Ryujin presses on. “It must have been, what, more than two years now? How are you?”

Why can’t this bitch take a hint? Just shut the fuck up and order your fucking sushi. Leave him alone.

But Taehyung remains unmoved. While you are the one quietly fuming in the corner. Sensing your aggravation, he brushes his thumb on your thigh soothingly. When you lock eyes again, you’re stunned to find him completely at ease, the corner of his mouth even perking up to reassure you that he’s fine.

“I’m doing well actually.” Ryujin frowns again at his short answer. You think she’s going to give up now, but then she continues.

“You look good.” You tense. Oh don’t she dare... “I’m not doing too bad myself, I-”

Just then, the waiter cuts off the monologue she was headed towards as he brings over the plates of food you’d ordered for Taehyung. His eyes immediately flash in excitement, resuming his usual childish manner as he peels his hand from your leg and snatches his chopsticks.

“Can I get anything for you two ladies?” The waiter asks Ryujin and her companion, whose face appears flushed from the awkwardness of this situation. Ryujin, evidently annoyed by the interruption, proceeds to order.

While her attention is diverted, you quickly take this opportunity to mouth to Taehyung, “you okay?”

Striking you with an honest smile as he swallows his sushi, he nods. “Yeah, don’t worry, completely fine. Eat your udon, or it’ll get cold.” His voice is hushed, and you don’t know why you get startled when he leans closer to whisper to you.

Not entirely convinced, it’s your turn to pat his leg, almost subconsciously, as if to make sure that this really is Taehyung, your Taehyung. How is he this calm right now? Well, he’s always been a silent sulker when he’s mad, but… He doesn’t even seem one bit troubled by the sudden appearance of his ex. Not even that eyebrow twitch he gets when he’s annoyed. And in the meantime, you’re silently plotting how to magically get wasabi in this bitch’s eye.

When the waiter leaves, Ryujin turns back to Taehyung once again, scanning his ethereal features and beautifully curled long hair. No doubt regretting her shitty decision of infidelity when they were together. Finally, her eyes flicker over to you, for the first time since Taehyung’s arrival. “So who’s thi-”

“Y/N, my girlfriend.”

You choke so hard on the fat noodle you are slurping that some of the savoury broth goes up your nose. Wheezing and spluttering for air like a cat choking on a hairball, you feel all your blood rush to your reddening face, both from the lack of air and the embarrassment. Taehyung’s careless whacks between your shoulder blades isn’t helping at all. Only after downing the whole cup of green tea does your coughing finally subside.

“You okay, babe?” Taehyung realises his smacks on your back are too harsh to be boyfriend-like, so he eases it into gentle rubs. But the concern in his large brown irises are genuine nonetheless.

You glare at him. Long, hard. Before nodding and flashing him a sickly-sweet smile. Oh boy, is he going to get kicked in the ass later for putting you up to this. He seems to see the dangerous flare of your nostrils, a warning sign that he has really, most fucking definitely, made the wrong move. He gulps and smiles back nervously.

Girlfriend? Girlfriend?!

What the fuck is he playing at right now? Why did he have to lie to her like that? Is he trying to make her jealous? Or just act like he’s moved on just fine without her? You clamp your mouth shut to prevent any angry words from tumbling out. There’s nothing to do but to play along right now - there’s an enemy to face.

“Oh right, girlfriend…” Ryujin says so softly that you almost feel bad for her before remembering that this is her own doing. “I guess that must be why you haven’t replied to my text asking you to meet up then… Right?”

At that, your entire body goes rigid.

She- Does that mean- Wh-

You look over at Taehyung, mouth hanging open in utter disbelief. Ryujin has been texting Taehyung. And he hasn’t mentioned a word about it to you. Although it really shouldn’t affect you so much, it feels like a stab of betrayal.

His lips are pursed again, as he gazes up at her reluctantly. “Yeah, that’s right.”

Then his arm circles around your back and pulls you into him, fingers gripping your waist in a display of possession. At the unforeseen momentum, and still in your state of shock, your frame falls feebly into his chest. Your heart leaps to your throat. You don’t understand why but… your cheeks feel hot.

His arm, around you. His hand, holding your side. His neck, pressed on your forehead.

You’re hyper aware of everywhere he is touching you. Why, all of a sudden?

“Oh okay, um, I really wish you all the best…” Ryujin mumbles, no longer looking at you and Taehyung anymore, not sounding one bit like she means what she’s saying. Her friend beside her has resorted to scrolling through her phone at this point, cringing from this awkward exchange.

“Thanks, Ryujin. I’m really happy - never been happier in my life, in fact.” The vibration of Taehyung’s Adam’s apple reverberates into you as he tugs you even closer, arm fastened around your middle. You struggle for room, bending your neck to peer up at him from your squished position.

He’s grinning radiantly at you, and at your wide-eyed confused expression, he can’t help but lean down to press his lush warm lips onto your forehead.

You blink.

Truly, you think your brain has stopped functioning. What is going on?

He’s definitely doing this to make Ryujin jealous. That is the only plausible explanation. It makes your chest clench in bitterness. Why does he still care what she thinks? This is completely unnecessary. Does he still care about her?

And why didn’t he tell you that she was texting him?

What has she been telling him?

All this doubt, this uncertainty, manifests into a suffocating lump in your throat. You have always been completely open and honest with each other about every aspect of your lives - family, friends, work, grades, relationships, sex. Not that he owes it to you to tell you everything, but you’d just thought that it was how things worked between you. What else is he hiding from you?

But at the same time, your focus can’t stray from the way he is holding you, and the confidence in his tone. How certain and sincere he sounded. And how he pecked you so casually in public, in front of everyone. Your stomach feels funny.

As you resume your eating, you stay quiet, thinking. On the other hand, Taehyung is quiet due to fact that he has no room to speak in between engulfing California Roll after California Roll. Happily humming under his breath as he chews. The waiter returns with a tray of food Ryujin and her friend had ordered. “Here you go, would you like some green tea?”

“Oo, can you fill mine up too please.” You hastily pass him your empty ceramic cup.

“Of course. Be careful, the tea is very ho-” Just as he warns you while he refills your cup, he over-tips the pot and sends scalding tea all over your hand.

“Ow!” Quickly drawing back your boiled hand out of instinct, you yelp out in pain. Fumbling over his sorry, I’m so so sorry’s, the waiter bows his deeply apologetically, scurrying to clean up the steaming spilled liquid in a panic.

“Mate, watch out!” Taehyung sits up immediately, scrambling to wipe your soaked hand with tissues. The glare he throws the waiter could cut through glass. “Are you okay?” The concern clouding his eyes when he faces you floods your veins with a security.

“Yeah… Don’t worry, it’s just a burn.” You watch him examine your hand intently as if it’s some ancient priceless artefact that could shatter from a poke; you’ve noticed lately that he tends to do this when you’re injured. With his fringe frizzed over his forehead, lips puckered in concentration as he caress over your pink tender skin, you are helpless and unmoving. Staring at him.

“Are you sure? It’s getting kind of red…” He refuses to let your hand go. Your fingers scorch under his touch and it’s not from the tea.

“Yeah, baby, I’m fine.” Taehyung’s head whips up instantly at the way you address him. Confused for a good second, before realising that it is to play along with the fake girlfriend narrative.

Right…

Reluctantly, he lets you pull your hand out of his clutch, and only when you pick up your chopsticks to prove to him that it’s only a minor injury does he resign in his coddling and return to his food. As you glance up, you notice Ryujin’s blazing glower at your direction. You quickly look away.

In the presence of his cheating ex-girlfriend, you two no longer feel at ease to banter away as normal. You aren’t even at the liberation to have a regular conversation without her listening in on everything. So the meal passes rather wordlessly.

However, the silence births a different kind of interaction between you and Taehyung. You can’t tell if it’s just for show, or due to his innate affectionate nature, but he suddenly feels the need to display his love for skinship. Under the table, his hand once again strays to the land of your thighs, gently stroking. When you shoot him a warning glare, lest he gets any vulgar ideas, you find that he possesses no lustful intent at all. Just pure fondness for you.

Something inside you softens. You’re starting to think that he isn’t acting out of spite against Ryujin, but rather simply enjoying your company as usual.

But you know what? Screw that bitch. Not once, to your knowledge, did she apologise to Taehyung when she’s had two years to own up to her mistakes. Not until now, of all times. She deserves to get riled up.

“Taehyung-ie, can I have a bite of your shrimp?” You smile at your pretend-boyfriend sweetly. He gives you a perplexed look that says: But I thought you hate shrimp? before he clocks on with your intention.

“Of course, baby.” And without fail, just like a scene straight from a drama, he picks up the tempura shrimp and feeds it to you, eyes crescent in mirth as you open up and take a mouthful like a hungry little child. You feel a crumb flake away onto your chin, yet before you can wipe it away, Taehyung reaches it first. Chuckling, he sweeps the small speck into your mouth. But not without the slightest, most fleeting, brush of his thumb against your tongue.

The action feels… intimate. Like weirdly intimate, even for you and Taehyung’s dynamic.

Why does your breath keep hitching?

Perhaps after a second too long, you conjure a giggle in response, attentive of Ryujin’s gawk in your periphery. “Thanks, love.” The syrup in your voice is sickly sweet. God, even you want to barf.

“You’re too adorable, honey buns.” Taehyung cups your face in one hand, fingers digging into your squishy cheeks as he shakes you. Your smile drops. Adorable? Honey buns? HoNEy bUnS? Kim Taehyung is so dead.

But before you could kick him in the shin under the table, he leans in and plants his lips on yours. Soft, supple.

Oh.

Just as you think it’s only meant to be a peck, he deepens the kiss, his plump pink mouth gliding over yours smoothly. Anyone who sees would know that you’re accustomed to such action with each other from the natural comfortable manner of your kiss. Anyone could tell that you’re used to each other’s lips.

You pull away abruptly when you become conscious of many’s attention on you. With your face so near his, all you can see is how his lips draw into a smirk.

It’s unusual for you two to kiss outside of a sexual context. Because why would you? Friends don’t kiss each other unless they’re: A) dating, or B) banging. And especially in the past few weeks, you’ve been progressively kissing each other less, even during sex. Almost as if you’ve both realised how intimate it is, and all the romantic connotations that come with it.

Yet here he is, kissing you so openly in public.

Yeah, it’s just for show for his ex. But it’s still…

You don’t know.

.

After Taehyung had finally eaten to his heart’s content, the two of you had gone to study in the library. Ryujin wore a sour face in the entire duration of the meal, and you would hear low grunts of irritation from her direction. You practically felt her venomous glare on the back of your head as you were leaving the restaurant. Acting has never been your strong suit, but even you’ll admit that the two of you are putting on an Oscar-worthy performance.

You’ve been quiet, you know. It’s because of that bitter taste in the back of your throat that you still can’t get rid of at the thought that Taehyung might still care about Ryujin. Why else would he lie to her and say that you’re his girlfriend if not to get a reaction out of her?

But more so, why does it bother you so much? You wish you don’t care this much for this stupid sushi-demolisher who doesn’t deserve your time and efforts. He’s probably thinking about his next meal again while you’re here lamenting over your weird feelings.

So you keep your mouth shut throughout your study session, brewing in your acrid thoughts.

Taehyung watches you nibble at the end of your pen. How is he supposed to focus on his coursework when you’ve got that pouty expression? And since when did you not take every chance you get to take the piss out of him? He wonders what’s going on in your head.

Seeing Ryujin had been a shock, a blast from the past. It hadn’t bothered him too much to be honest, he simply doesn’t care about her anymore. A few days ago, she had sent him a message out of the blue. Out of politeness, he’d responded but kept his replies brief; it was difficult to decipher her intention at first, but it soon revealed itself. Apparently, her and Jimin went on to date for a while - good on them, Taehyung truly could not give fewer shits anymore. But their relationship deteriorated due to their incompatibility, which was predictable knowing them both. It was when she started showing interest in Taehyung, apologising and kissing his ass about how good he was to her that he decided to stop answering.

The thought of getting back with her gave him shivers.

Your reaction to Ryujin back there wasn’t unexpected at all, of course you weren’t going to react mildly to his ex. Taehyung is lucky you didn’t ‘accidentally’ spill soy sauce onto her, or start yelling at her about faithfulness and morality. Your wrath towards her actually kind of warms his heart…

You aren’t one to talk about your feelings openly, but your actions definitely speak volumes about how much you care about him.

Taehyung smiles to himself.

There is so much loyalty between the two of you, complete trust and devotion. At the end of the day, no matter what goes on between you when you’re horny fuckers, you’re best friends above all else. Fighters for each other.

Your journey back home was also rather mute, consisting of him prodding you with jokes and teases, and you putting on a half-hearted smile. Maybe you’re annoyed at him for putting you on the spot and leaving you with no choice but to cooperate as his pretend girlfriend. All this relationship-y commitment-y crap repels the shit out of you. Basically the bane of your existence.

He probably shouldn’t have kissed and coddled you that much in front of Ryujin. You detest PDA like it’s some scandalous taboo, despite being the freakiest girl he knows in the sheets. But hey, you guys had to make it convincing and believable...

Yup, the more Taehyung thinks about it, the more he’s sure you’re annoyed (or even scared off) about the fake dating thing.

“You’re quiet for someone who just met her supposed archnemesis. I thought you’d be going on and on about what a bitch she is.” He glances at your sullen side profile for the hundredth time during your commute home.

“I don’t know, not it a great mood I guess? Probably just tired.” You mumble, searching for your keys in your coat pocket. The weather is getting cold these days; Taehyung knows your fingers are very prone to freezing, especially with your refusal of wearing gloves because ‘they’re ugly’ nor would you keep your hands in your pockets because ‘it’s a safety hazard incase you trip over’.

He gets a strangely overwhelming urge to hold your hands every time he sees you wiggling your fingers to warm them up. Hmm.

Wordlessly, you enter the house with him trailing behind you. He watches your moody steps from behind as you remove your shoes and head inside. Why can’t you just tell him what you’re thinking?

With a great sigh, Taehyung slumps onto the couch, focus still on you hanging your coat on the rack and tossing your keys into the holder on the shelf. “Hey.”

You turn, regarding his wide manspread with piqued interest. “What?”

“Come here, baby, sit on my lap.” He pats the top of his thighs in beckoning. Sometimes it’s like trying to get a stray cat to come to him.

Your eyes widen at his request. But very reluctantly, you stroll towards him until you’re standing between his extended legs. “Why are you calling me baby, we’re not pretending to be dating anymore.”

Taehyung stiffens as he senses the acrimony in your tone. So this is about the girlfriend thing? It’s a risky move but he sits up and pulls you in by the back of your thighs until you have no choice but to succumb to falling onto his hips. Lips still in a tight line, your limbs come around him to hold yourself upright. In order to prevent you from escaping, Taehyung encloses his arms around your waist, trapping you in his embrace. He tries not to think about how your crotch is directly on his right now.

“Why you sad?” He looks up at you, your eyes unreadable as always. Heat from your exhale fans his forehead.

“I don’t know. Nan molla.” You shrug and do that face scrunch thing you do whenever you’re unsure that he loves. It makes you look so cute.

“Hey…” Taehyung nudges your cheek with his nose in an attempt to get you to look at him. You have a habit of avoiding eye contact, and he knows it’s stems from the intimacy issue. “What’s up, honey buns?”

“Honey buns again? Seriously?” You jerk away from him like he insulted your mother or something.

“Well, since I can’t call you baby, honey buns it is.” His chest vibrates with his deep rumbling laughter, pleased with himself to see the slightest hint of a smile finally beginning to appear on you.

“Oh my god, Taehyung. Fine, just stick with baby, I swear…” You thump him on the back, yet your stone cold exterior now being invaded by a spark of humour.

“Good. Now tell me what’s wrong, baby.”

You’re quiet for a good few seconds, contemplating. Your legs around his torso tense, you bite your lip hesitantly. Come on, just talk to me, he wishes.

“Do you still… care about her?” Voice so soft that even he struggles to hear you this close.

“What? Ryujin?” Oh, so this is about her. Taehyung knew you hated her, but never thought that you would feel… insecure? Jealous, even? “Of course not. I don’t give a single fuck about her.” At his answer, you let out the breath you’ve been holding. A breath of relief? “But you clearly seem to care too much about her.”

“I- I do not!” In a tone of disbelief, you scorn. “I just- She’s not the one I care about.”

Fuck, you’re being too cute right now.

Taehyung pecks at your chin, unable to contain his affection anymore. You continue, “Plus, why didn’t you tell me she was talking to you again? Friends tell each other this sort of thing. I always tell you everything…”

The worry on your face is truly so endearing, he feels his chest constrict.

“I didn’t mention it because that’s how little I care. She is honestly so insignificant to me right now, I could not even be bothered to waste my breath bringing it up. Yes, she meant a lot to me for a period of my life. But. That was a long time ago. I’ve moved on, no thanks to you, remember?” Your eyes gradually dare loiter up his face. “You silly sausage.”

“But-” You’re pouting again. You need to stop pouting or he won’t be able to control himself, dammit. “Why did you lie and say I’m your girlfriend then, if you weren’t doing it to make her jealous.”

Taehyung blinks. Well… Um, about that... He didn’t want to have to explain it to you but...

“It just slipped out.”

Your turn to blink vacantly. Taehyung feels blood tinting his cheeks under your gaze. Even he doesn’t know why he said it back then. It just kind of… rolled off his tongue. Should he be worried? Yeah, he should definitely be worried.

When you still fail to say anything, he hurriedly asks, “Are you mad?”

“N-No. Why would I be mad?” The way your arm slides down his neck to brush pass his chest leaves his skin tingling. He pulls your legs closer around him, hand unintentionally trailing to your rear.

“I don’t know, you just hate that kind of lovey-dovey stuff. Just figured that you’d be annoyed that I forced you to act like my girlfriend.”

“Well, I was a bit annoyed… It’s not just me, you hate that kind of lovey-dovey stuff too!” Well, not exactly accurate, but Taehyung decides not to correct you. “But did you see her face?” Your tone begins to lighten. Remembering the acerbity tainting Ryujin’s features brings you amusement.

“She looked like she was going to murder someone.” You both laugh.

“She was thirsting over you like a hound, Jesus Christ. It’s because of your perm, trust me.” Grinning, you twirl his curly fringe around your fingers. You seem to do that quite often since he got the new hairstyle.

“Wow, you really like my perm that much?” He fishes, failing to control his forming smirk. You like to give him shit about his ego, yet no one strokes it more than you do.

“No comment.” You can’t contain your radiant smile either. Taehyung makes a mental note to keep the perm.

Seeing your mood lifted makes Taehyung feel much better, safer. His arms run up your back, and he feels you shudder under his touch. You fit into his embrace so well; it’s difficult to not hug you close to him every chance he gets nowadays. There’s a dull ache in the back of his neck from craning up to look at you for too long, but he doesn’t mind it. Your fingers fall from his hair, tracing his jaw frivolously, mindlessly. It leaves an unwarranted tremble within him.

“Look, there’s absolutely nothing for you to mull about in that overthinking head of yours. I don’t even remember Ryujin’s last name if I’m being honest with you. She lost me the moment she broke my heart, and I’ll never even remotely consider getting back with her. Ever. I promise.

“So don’t act all jealous and sulky just ‘cause you misunderstood. You’re my best girl. You’ll always be my best, favourite and only girl, understand? I, Kim Taehyung, belong to you, Y/N Y/L/N. Period.” The smile of satisfaction tells him everything. You’re not as hard to please as you appear to be. “I’m yours, happy?”

“Happy.” Fuck, Taehyung’s heart is going to explode from the joyous beam growing at your lips.

“Good, because she means nothing to me at all. But you, Ms. Needy-But-I-Won’t-Admit-It? You mean everything to me. Everything.” He bounces you on his lap for emphasis, eliciting another buoyant giggle from you.

Then you do something that you don’t normally do.

You kiss him - passionately and ardently. Fingers surfing the waves of his hair, you readjust your straddling position on top of him to minimise the distance. Taehyung feels all reason in his head incrementally ebbing away. You shouldn’t be kissing, you really shouldn’t. It’s not normal to make out with your best friend. But fuck the rules. Taehyung doesn’t want to stop kissing you right now, his silly adorable honey buns.

“Just admit it. You love me.” He taunts between breaths. You freeze at Taehyung’s words. Completely freeze on his lap, hand dangling from his face, as if you’ve been shot. “Like a best friend.” You deflate, evident relief at the joke.

Taehyung has to restrain from laughing out loud. God, you’re such an easy target. The second anything one step further from platonism is suggested, you act like you’re going to pack your bags and run for the hills. But here you are, kissing him and acting all possessive. He enjoys the irony.

“Yeah I love you. Like a best friend.” You flick the tip of his nose in reprimand for his teasing.

“Good because I love you too. Like a best friend.” He holds you tight against him, proceeding to blow raspberries in your neck.

Maybe even more, he wonders.

.

27/11/19

© Copyright 2019

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[liliplayschoices]

MC lives in a small town. The people living there can affect the pollution of that small town. That doesn’t mean it’s affecting climate change which I’m sure is not where that book is going considering the reporter LI and the best friend that works for that shady company. I do think MC more of a side character in that book

I agree with what you said about the book not wanting to tackle all of climate change. I mean obviously they couldn’t do that, so they chose to focus in a small town struck by an ecological disaster, which makes a lot of sense.

My main disappointment with the book is that it has absolutely no substance. Every argument that is brought up is a cardboard cutout Woke™ argument without any actual work on how the characters could feel like real people, they’re just exaggerated clichés at this point, and it annoys me.

Ultimately I don’t really care. I’m very pessimistic about everything that surrounds climate change so I expected to be disappointed by what they would try to write. So I’m not really too invested in it xD But I’m still very disappointed that they chose to go with a very PC story instead of actually exploring the themes in a meaningful way.

And also yeah MC is basically useless so far, so let’s hope that changes!!!

#but hey I mean we're still at the start! I would like for PB to prove me wrong #I don't see it happening but you never know #rising tides #Anonymous

[streetlamphalo]

The Will to Battle by Ada Palmer

Rating: ★★

Many thanks to Macmillan, Tor and NetGalley for the copy of this book.

More like a 2.5 star rating but really, I'm not adding a full star on for 10% of a book. How long ago Too Like the Lightning seems. How much I loved that book, how much I wanted to get stuck right into the story. How little I trusted Mycroft Canner to tell an impartial story, how much I trusted Ada Palmer to stick a landing. How completely caught up I was into the world-building, how diverse and interesting everything felt. How much The Will to Battle disappointed me. After the explosive events and reveals of Seven Surrenders , I was absolutely ready to jump straight into the next book. I spoke in my last review that I wasn't sure how the final book would fit in, but it transpires that The Will to Battle and Perhaps the Stars are a duology, to mirror the first two books. In a way, this definitely explains the absolute cliffhanger of an ending (even if the reveal that Mycroft isn't actually dead seriously ruins it and I see absolutely no reason for it) but it doesn't excuse the massive bloat that comes before. I almost feel like Palmer is going to excruciatingly great lengths to make sure we hate all the characters that she spent two books bigging up for us: Mycroft is now nearly unbearable on the page, Dominic's every scene is basically a cringefest of slavish devotion, Madame should have never made it out of Seven Surrenders alive, JEDD is now basically so insufferable that it's a miracle I didn't throw my Kindle across the room and this is without even touching on the Hive leaders. It's clear that Palmer knows her Philosophy and History, that they're her strong points and she enjoys displaying that knowledge. But where the fourth wall between the reader and Mycroft was broken rarely and to great effect in the first two books, now the interruptions are just that: interruptions. Having the Reader, Mycroft and Thomas Hobbes debate the events of the book not only takes you straight out of the narrative, but it also completely turns into another opportunity to Palmer to flex her knowledge, often to deleterious effects (look, I get it, you're genuinely clever, you know what you're doing, but we knew this beforehand! We're on book 3, we don't need you to continue flexing your extensive knowledge). This also happens in large set pieces, where one character (usually, but not always JEDD), bloviates on a given topic for several pages: the Senate for example feels like it could have been cut by a good editor and not much would have been lost. And this is the main detraction: for a book about Hives preparing for war, it doesn't feel like much actually happens. Instead we have scenes that don't really connect to each other, all suffused with opportunities for characters to give rousing speeches but... without any actual connection to the plot. The impressive world Palmer spent time building up throughout Too Like the Lightning, the interesting connections and ethical quandaries of Seven Surrenders, all fall to the wayside so instead we have cardboard cutouts recite their lines and then disappear off stage until they're next needed. We should also talk about JEDD: does seriously no one else question that he is 100% Madame's creature and not some actual "God"? Why does everyone just accept this as truth? I don't just mean the Hive leaders here (clearly their ability to "subvert the subverted gender roles" or whatever is enough of a draw for them to just go with her plan), I mean the regular people in Hives or otherwise. Everyone just buys the line of JEDD as God as if it's well, gospel. So either Mycroft is lying or everyone in Palmer's world has taken stupid pills between the second and third books and decided to just completely buy in to everything. My own hunch is that JEDD is not a God, far from it: that like Danae and Ganymede he is a creature of Madame's making and that no matter what, he will be exposed for a fraud. Which leads me neatly to Bridger. The events at the end of Seven Surrenders were almost magical in appearance and the existence of Achilles in The Will to Battle does lend credence to it. Unlike others, I'm not really convinced as to whether Bridger's 'powers' were real or not. There is a part of me that seriously feels that the existence of actual magic or even a real God will cheapen the entire experience and I have a feeling that there won't really be any explanation for this. I hope I am wrong, because it feels like Palmer doesn't want to provide all the answers, but equally I don't feel that she's really dropping hints here and there and if Mycroft is the only person to actually provide the narrative, then really I'm not expected to actually believe him, am I? I really hope Perhaps the Stars actually ties up all the narrative threads and gives a satisfying conclusion, but the way this book played out doesn't give me much hope. We should also talk about the women of Palmer's world. For something that wants to subvert gender so much (and okay, the use of pronouns does help with a bit of that, especially when they clearly don't match physical representations of the characters), the three women who embrace, for lack of a better world, their femininity, are all pretty much one-dimensional and evil: Julia, Thisbe and Madame all rely on "female wiles" to get their way, in a way that cheapens what Palmer comes across as wanting to portray. It's boring. It's unoriginal. It's not even trying to subvert a "femme fatale" archetype, it's leaning into it to the point where most of them become interchangeable. It feels like there was some intent here, but it hasn't really played out quite the way that Palmer intended. It should also be said that in all the scenes where one character or another spends page upon page expounding on some philosophical dilemma, it's the male (or male coded) characters who speak. Madame flounces about or faints, Thisbe is all but absent except for two scenes and Julia is a non-entity. Finally, for how much it gets hyped up and how much hinges on it, the trial of Ockham is a complete and utter disappointment. Over in practically a chapter, with basically not much said about it. Which I feel quintessentially sums up The Will to Battle. There is a part of me that isn't sure about whether I'll continue with the series. On the one hand, there is just the final book left but on the other hand if it's anything like this one, I will probably DNF it well before the end. I'm sorry Ada Palmer, but a good 10% doesn't make up for the rest of the 90% being that... pointless.

#Ada Palmer #The Will to Battle #book reviews #terra ignota

[autistickomaeda]

I'm just gonna ramble incoherently for a second about how despair arc failed don't mind me

part of why despair arc was so horrendously bad, besides its other obvious issues, was that it failed in establishing its own tone. it attempted to be a subversion of your typical slice of life, but failed in choosing the correct protagonist and in introducing the darker themes. it stretches the happy fun time section out for far too long, and fails to even vaguely introduce the darker concepts and hint at the tragedy to come within the first few episodes, which is where they fucked up

just generally from what I've seen, most give an anime three episodes before they decide to drop it, and that's because those three episodes are the ones that introduce the characters, set up the plot, and then establish the themes. if they don't like what they see, they drop it and move on. despair arc fucked up from the get-go because they spend those first three episodes introducing characters and relationships but not really setting up the overarching plot or themes. there is nothing that occurs that suggests at the darker themes or anything to do with their descent into despair; there's no contrast of happy, quirky characters against a darker aesthetic or thematic undercurrent or any juxtaposition of our protagonist, chiaki, and her go-with-the-flow, optimistic attitude against, say, the horrible actions of hopes peak and the terrifying true nature of the academy. even hajime, a character who should have been used for this purpose, instead loses the darker aspects of his character as he also slips into the role of typical slice of life character. his insecurities are shown sloppily through the use of words on the screen, breaking the well-known rule of "show, don't tell", and then never really brought up again until it's time for him to go through the project, and the melancholic atmosphere of the reserve course is barely shown enough to justify to the viewer why the reserve course students are like that. relating all of this back to the three episodes rule and pacing problem, despair arc is boring as shit because nothing fucking happens until kamukura shows up around episode seven. the project is barely mentioned until a few episodes before that, and the only reason why I didn't get sick of it after the fucking sexy soup scene and drop it was because it was danganronpa and I'm a fan of the franchise

I'd like you to compare this to pmmm, a subversion of typical magical girl anime, which uses every aspect of its universe to do this, from its aesthetic to its characters to its music to its own lore. pmmm spends the first two episodes establishing the main characters, their relationships, and what you think the plot will be and how the world works, and then in episode three it builds off of all of that to establish its thematic undercurrents. it doesn't waste time on sexy soup, it cuts to the chase and makes use of its twelve episodes to tell the story it wants to tell and tells it well. it is successful in every way despair arc is not. there are plenty of criticisms to be had about pmmm, but at the very least it has a basic understanding of subversion of expectations and pacing. despair arc wants to be pmmm very very badly. it will never be pmmm because it lacks a very fundamental understanding of how pmmm succeeds and how the basics of a story work

a story has five parts: the exposition, the rising action, the climax, the falling action, and the resolution. a story must have all of these in order to functional successfully as a story. despair arc does not have these, and this is where the episode three problem and kamukura coming in at around episode seven come into play: there is no arc in despair. the first five or so episodes are dedicated to exposition, although I use that term loosely, and rising action doesn't begin until kamukura is introduced, towards the end of the fucking series. you can try and argue that twilight syndrome was the rising action, but the truth is that whatever tension there was from that went fucking nowhere because the piss poor writing meant that everyone forgot about that after it happened and it contributed nothing to anything. having everything start at episode seven was the worst move you could make because there's no time for anything besides the climax, which shows in how horribly rushed everything is. and because everything happens so late, barely any tension builds and no action really happens besides the council killings and whatever else happened, I can't even fucking remember because none of the interactions between the characters were even remotely memorable or defining, everyone just kinda waited until kamukura happened and the plot kicked in. the climax of the brainwashing scene and the execution are so disatisfying, not only because it's the fucking brainwashing and execution scene, but also because there was zero meaningful buildup to that point. even then, that event happens too late, and there's no time for things to fall and then resolve -- everything just happens and its disappointing. it's all worsened by the fact that none of the characters are actual likeable characters, they're just cardboard cutouts who do the things the script says and have about as much substance as a vacuum. they've got zero depth or personality, they're just There and they Do Things. in sdr2, every character feels intertwined, each bouncing off of each other and each international is full of life, with their own relationships and mannerisms and ways of thinking that define them. theyre exaggerated to all hell, sure, but theyre exaggerations of real people, and its what makes them likeable. every member of class 77 could be a black blob called John and nothing would change. it's all horribly written and bad and whoever wrote and directed this shit should feel bad because it shits on everything stories are made out of and stand for

tl;dr whoever wrote and directed despair arc has never written a story in their life, the pacing is shit and contributes to the huge problems w the show, and the entire thing is an insult to every piece of fiction ever written

#long post #dr3 #discourse #future.txt #its 3 am and i cant think straight so i just vomited words #ill write a cleaner versioj later but heres some reason why dr3 sucks ass #i had more to say bur my pgone is glitching so im done

[trashqueenkyloren]

Longass Meta on Kylo Ren’s Redemption Arc/Rey and Kylo

SO, to begin, this is something I’ve wanted to write literally since Dec 2015 but the fear of being hated on has been so strong that I’ve just recently felt confident enough to post it and I really just want this out there before The Last Jedi comes out so I can compare although it’s so close to the release date this is all probably irrelevant now oh well

So I went into The Force Awakens basically as a blank slate (I’ll explain later) and I really just want to point out a few thoughts I had while watching it the first time that point to a potential Kylo Ren Redemption arc and the possibility of Rey and Kylo at least teaming up (this is mostly just my opinion, feel free to disagree!)

(way more under the cut guys, read on if you like!)

To begin, let me explain a little bit about myself

PART 1: BACKGROUND

When I went to go see TFA in theaters, I knew almost nothing about Star Wars. I had seen the originals like once when I was like 5 and had not really gotten into it. In fact all I knew was that 

1) The force and the light/dark side are a thing

2) Darth Vader is Luke’s father

3) Han is Leia’s love interest and Luke is her brother (and even this I had to ask my friend to clarify/make sure I had it right)

and obviously I knew the names of yoda and r2d2 and other really basic knowledge, you get the idea

The Force Awakens is what made me become a Star Wars fan (don’t worry, I have since then made up for my mistakes by rewatching all the movies and such)

but anyway what this means is 

I went into TFA as basically a blank slate, meaning I had no biased Star Wars thoughts to cloud my judgement 

I saw what the filmmakers wanted me to see

In addition, being a person who currently studies Literature, Psychology, and Film Studies at college (yeah, yeah, I fit the stereotype, kill me), if there is something I know well it’s Storytelling 

The only things I really knew about TFA before going into it were that 

 1) It was a sequel to the originals 

 2) Rey and Finn are the main characters (had seen pictures and was already lowkey shipping FinnRey) 

 3) The bad guy was some masked dude

That's it. I wasn't a huge fan so I hadn't bothered to look up anything else about the movie and hadn't seen any spoilers. But enough about me .

PART 2: THE CHARACTER OF KYLO REN

Now, while viewing TFA, one thing that struck me and captivated me in a way that no other Star Wars movie had was the character of Kylo Ren. I had definitely not expected to like this character at all. Two things changed this for me

1) The reveal that he is the son of Han and Leia

Never before (in the movies) had Star Wars had a character that was so clearly torn between the two sides. Him being the son of Han Solo and Leia gave him a legacy and a reason for us to want him to be good. We want Han and Leia to get the happiness they deserve. Honestly, if you don’t want a Kylo to be redeemed just think about poor Leia losing her son and still having hope for him (Do it for Leia!!) .

2) His feeling the pull to the light

This scene surprised me because the fact that Kylo is talking to an old helmet about his inner feelings means that 

a) he has no one to confide in so he is withholding a lot of strong mixed emotions and feelings, which is unhealthy

b) he is tempted by the light side while being on the dark, which is very, very different from most villains, who (it seems to me) disregard the light completely. Which means despite wanting desperately to be bad he can’t even do it because of an inborn light side like a teenager going through a rebellious phase

and c) he is being honest about his call to the light because he has no reason to lie if he’s not talking to anyone, which means he really does still feel a compulsion to be good

Star Wars, being a family-friendly film saga, usually has a pretty clear dichotomy on good and evil (hence, light and dark sides). We root for the good guys, not the bad guys. It’s always been sort of a black and white morality going on, but Kylo is one of the few characters that enhances the Star Wars universe by bringing to light (heh) the potential for gray morality in an otherwise black and white world (as it is) 

He is a person that really should be on the light side because of his family and such, but because of Snoke’s constant manipulation and unfortunate upbringing he’s been struggling with the dark side his entire life. It’s really a sad thing to think about. 

Additionally

While initially hating him, I ended up feeling a great deal of sympathy for him throughout the film, so much so that I wondered why they had even made him a villain at all

He was not a weak villain like I had heard in reviews, just a conflicted one. A lot of people don’t like it when villains don’t fit perfectly into a “pure evil mustache-twirling-type”. I found Kylo infinitely more interesting because of this.

He’s no Darth Vader. But that’s the point. Both he and the audience, in a sort of meta twist, know that he’ll constantly be in the shadow of Darth Vader. So, instead, he’s younger, more volatile, more emotional, uncontrollable, unpredictable.��He’s contrasted from all these villains to show how he stands out as different. He seemed to me separate from the Hux/Snoke kind of evil that didn’t have any sort of redeeming qualities at all. Evil for the sake of evil, if you will

The viewer’s sympathy for the villain and how obviously they showed his flaws and potential for good is the crucial foundation of a redemption arc

I liked him a lot as a character pretty much up until he killed Han Solo. Then, I obviously believed he was a lot more evil than he looked, although the fact that he definitely didn’t seem happier or better or more dark-side oriented in any way after this still suggested that he didn’t become completely evil 

After this, it hit me that the ONLY sure-fire way to make people absolutely hate Kylo Ren as a villain and squashing people’s complaints that he was too wishy-washy or not bad enough as a villain was to have him kill off one of the most beloved characters in Star Wars history (who also happened to be his father)

He was so obviously drawn to the light and not bad enough throughout the first half of the movie that the writers had to take a huge step in order to get him to the actual level of villain and add a lot of unlikeability

PART 3: KYLO REN AND REY

(My favorite part of the movie ^ Has been my laptop’s background wallpaper since Dec 2015. I would get a poster of it if I could)

In this section, I will describe some things I picked up both about Kylo’s characterization around Rey and their interactions between them. I think that Kylo’s actions towards Rey played a large part in getting the audience to think he was “too weak” of a villain (Something I heard in reviews a lot after watching the movie)

1) The infamous bridal carry scene

Okay my first thought when I saw this was that he was way too gentle with her. Honestly, Kylo, you need your hands to use your lightsaber and the force, so this is much you rendering yourself completely useless on unsafe territory

He could’ve slung her over his shoulder? Or passed her off to a Stormtrooper? So this struck me as very strange, to say the least. To think that he would carry her so gently. But then we see this 

Now, the importance of the combination of the bridal carry and the crossing of the threshold was not lost on me 

It reminded me a lot of a movie a had scene only a few months earlier (which I would highly recommend), Crimson Peak.

While the bridal carry itself could indicate romantic interest between the two characters (somebody already wrote a really good meta about this so I won’t go into it here) the additional crossing of the threshold is a step in the traditional “Hero’s Journey,” a set of steps in a literary work that star wars loves to rely on, where the hero’s journey begins and the hero’s life is changed

Typically, it’s the point of no return for our hero, as things change in a permanent sort of way for their journey moving forward

2) The Unmasking Scene 

I was shocked by this scene for a few reasons which I’ll go into here

a) First off, I was shocked by how youthful he looked. I was expecting a creepy looking old dude or someone with a bunch of scars on their face, but instead we get this young, handsome boy. (Yes, I find Kylo Ren attractive, but does this somehow invalidate my thinking in this meta? No. I can put aside attraction for an objective analysis.) But what I also realized is that he doesn’t need the mask to live, like Darth Vader did. He needs a mask for the entirely opposite reason, in order to make him seem intimidating. Without it he just looks like a lost child, he needs the mask in order to be taken seriously.

b) The second thing that shocked me was that this is the first installation of a trilogy and they’ve already unmasked the main villain. This speaks volumes to them wanting the audience to humanize him as early as possible. Darth Vader didn’t get unmasked until the later part of the last movie of the trilogy. If they wanted him to remain purely antagonistic, they would would have left his mask on. This means that they aren’t going to want us to view him as the one-dimensional cardboard cutout villain, they want us to view him as a human with flaws.

c) The final thing I want to touch on is that Kylo’s unmasked came directly after Rey’s quote “That’s what happens when your being hunted by a creature in a mask”. When Rey said this, my reaction in the theater was, So just take it off! And then he did. And I had really not expected him to actually take off his mask for her, as this meant he did not want her to view him as a “creature” or a “monster,” but he wanted her to see he is a human, just like her. He wanted to create empathy between them. This move, along with me noticing that Kylo was much younger and more attractive than I thought, coupled with his attempts to reassure her (tells her he doesn’t know where her friends are, “you’re my guest,” “don’t be afraid, I feel it too”) led me to believe the Kylo Ren might actually be Rey’s love interest, instead of Finn. It seemed like a unique plausible twist and it was just kind of an instinctual gut feeling that hit me. Of course, the thought of this went out the window when Kylo murdered Han, but, after reviewing the movie a couple more times, the thought kept coming back to me.

(Okay quick side note, my friend and I came across a Kylo Ren action figure for The Last Jedi that says different phrases in Barnes and Noble recently, so I pressed it, and one of the phrases is just Kylo saying “Don’t be afraid” in a gentle tone and my friend and I were laughing because what kind of villain just says “don’t be afraid” even in their action figure? That’s like, the least threatening thing, so anyways...)

3) The Final Fight 

I really, really liked the fight at the end, aesthetically it was beautiful. I really liked that neither Rey nor Kylo seemed to overpower the other, even though Kylo should’ve easily been able to overpower Rey because he’s physically stronger and has had more experience and training. 

The fact that Kylo says “It’s just us now” clearly to Rey honestly made me laugh because Finn is standing literally right there, but Kylo clearly doesn’t view him as a threat because he knows that Rey is strong with the force and therefore, she is more of a threat to him. A lot of what Kylo says can actually be applied to Rey too, which I find interesting. When he says “Han Solo can't save you,” yes he’s talking to Rey but he’s also talking about himself, as he believes Han Solo was unable to save him.Then he’s obviously not trying to flat-out kill Rey in their fight, he’s trying to get her to join him because he believes he can train her (“I can show you the ways of the Force”) which also surprised me.

It was interesting to see Kylo weakened by his wicked act, instead of strengthened as he thought. This, to me, meant that he still had the potential for light and redemption in him, given enough character development in future movies. I’m excited to see what The Last Jedi and Episode IX holds for him, and what they decide to do with his character. All I’m saying is, he has a lot of potential for a good redemption arc, as the foundation has already been laid for it.

PART 4: ENDING THOUGHTS

I think that both reylos and “antis” have a lot of valid points, but miscommunication seems to be a main problem. 

I guarantee you that literally no reylo wants Kylo Ren and Rey to make out, like, right now, as it stands with the ending of The Force Awakens that we know. They need Kylo to go through a redemption arc FIRST and there needs to be a lot of things that need to change for this to occur. If Kylo Ren didn’t threaten Rey in any way in this movie then they would not be enemies, and there would practically be no plot. Also, I’m pretty sure no one wants Rey’s story to be eclipsed by Kylo or her story to revolve around saving him. This should come about through Leia/himself. But also, love does not make a character inherently weaker.

Right now, Rey and Kylo are enemies, on opposite sides of a war. But they have a lot of potential for the “Enemies to Allies to Lovers” classic trope (with TFA as enemies, TLJ as allies, and then ep 9 as Lovers) But things must proceed in this order for this to occur. There is no skipping stages here. It is their potential for more which intrigues reylo shippers so much.

Personally, I am intrigued by their yin and yang, with one person in the dark being drawn to the light, another in the light being tempted by the dark, and I want them at least to team up (it could remain platonic) to bring balance to the force. To me, seeing this play out would be extremely satisfying, and be something unlike what Star Wars has done before.

Now, if you don’t ship reylo or don’t want Kylo Ren to be redeemed, awesome. That’s your opinion and you are free to have it. I don’t wish to start arguments or discourse, I simply wanted to vent some thoughts. This post shows my opinions, which I am also free to have. Thanks for reading about it!

#kyloclub #reylo #kylo ren #rey #tlj #tfa #leia #meta #ben solo #my meta #the last jedi #the force awakens #star wars #sw #my thoughts

[the-desolated-quill]

Star Wars: The Last Jedi - Quill’s Quickies (No Spoilers)

This year, Star Wars has been almost mired in controversy. From the loot box controversy in EA’s Star Wars Battlefront II to the noticeable lack of non-white characters in The Last Jedi’s marketing. Rian Johnson making a total prat of himself by claiming that Kylo Ren is a dual protagonist with Rey, and now the reviews are in it turns out Episode 8 is the most divisive movie in the whole franchise, with critics clambering over themselves to praise the movie for its ‘bold new direction’ while the fans decry it as the arse-raping of their collective childhood. On the whole, I’d say this has been a complete and total cock-up.

I had no idea what to expect going in. I’m sure you all know how lukewarm I was about The Force Awakens. It didn’t surprise me in the slightest that the critics were praising the hell out of The Last Jedi considering they were doing the same thing with the previous film, which in my opinion was mediocre at best. The fan reaction surprised me. After all the blind (and arguably undeserved) praise The Force Awakens got, if even the fans are struggling to find good things to say about this movie, something must have gone spectacularly wrong.

So what did I, diehard Star Wars fan and professional arsehole, think of The Last Jedi? Well honestly I’m disappointed I didn’t hate it more. Truthfully I liked this movie about as much as I liked The Force Awakens, which is to say not very much. Like The Force Awakens, it’s a competently made movie and it’s possible to derive some enjoyment from it if you switch your brain off for two and half hours, but otherwise it’s just yet another tired retread of the original Star Wars movies that brings absolutely nothing new to the table. Not for the first time, I feel a real disconnect from the rest of the Star Wars community here. I have no idea why the critics are praising this movie for being a game changer because there’s genuinely nothing very revolutionary or groundbreaking going on here, and I’m confused as to why the fans have chosen to fling their bile and venom at a movie that, in my opinion, is the very definition of average. I mean sure, The Last Jedi isn’t very good and there were some bits that did kind of annoy me, but there’s nothing about it that’s outrageously offensive as far as I can see.

Let’s start with the things I liked. The biggest, shiniest gold star has to go to Finn. He was quite possibly the only new character I was in any way invested in last time around, and he’s just as brilliant here. We see him slowly embrace his new role as a hero of the Resistance and we also see him get the chance to stick it to his First Order oppressors, which I thought was quite emotionally satisfying. He’s joined by Rose, played by Kelly Marie Tran, who I thought was a nice addition to the cast and who undergoes the traditional everyman turned hero journey. I really liked her relationship with Finn and their scenes together are by far the highlight of the film, which makes their subtle erasure from the Star Wars marketing campaign all the more offensive to me because, as far as I’m concerned, they’re the main characters. They were the most developed, the ones I was most invested in, the only ones that actually grow and develop over the course of the film and who pretty much drive the plot.

The other thing I liked (and I can’t believe I’m saying this) is Kylo Ren. I really wasn’t impressed with him in The Force Awakens because he was pretty much just a shitty rehash of Darth Vader, and I mentioned in my review at the time how it might have been better to embrace the more weaselly and slightly pathetic nature of the character to help better distinguish him and give him his own identity. So I’m extremely pleased to see that’s exactly what this film does and it’s great. There’s no pretence anymore. Kylo Ren is this spoilt, impotent man-child that desperately craves power and attention, but doesn’t really know what he wants to do with it, and that’s glorious. That’s just the burst of inspiration the character sorely needed and Adam Driver does a great job with this new material. I’m actually looking forward to seeing where he goes in the next film and if they handle it well, he should make for a very unique antagonist (that’s antagonist Rian Johnson. AN-TAG-GON-NIST).

It’s just a pity that in order to prop up Kylo Ren, Rian Johnson felt the need to completely warp Luke Skywalker’s character into something wholly unrecognisable.

Yes now we come to the bad stuff, and there’s quite a bit. My main gripe is with Luke’s characterisation. In order to justify a lot of the plot, they have to make Luke this cynical halfwit and there are loads of moments where he says or does something that just simply doesn’t ring true with what we already know about him. His reasons for his exile are utterly out of character for one thing and his reasons behind his provocative statement that ‘it’s time for the Jedi to end’ are even more ludicrous. What’s worse is that the majority of the movie is dedicated to Rey trying to persuade Luke to come out of exile and rejoin the fight. Remember the scene in The Empire Strikes Back when Luke tries to persuade Yoda to train him? Well imagine that dragged out for an hour and a half. That’s pretty much the movie in the nutshell. I think that’s part of the reason why I loved Finn and Rose so much. Because it was a blessed relief to get off that fucking island for a while. There were several moments where I came close to dozing off.

I’m sure it’s no secret to anyone by this point that Rian Johnson has played pretty fast and loose with the Star Wars canon. Luke’s odd characterisation is one example. There are a few others. None of them truly insulting in my opinion. But the most notorious is a scene involving Leia, which I will hereby refer to as ‘The Scene.’ This got a lot of Star Wars fans riled up, but I personally thought it was absolutely hysterical just because of how random and idiotically daft it was. I’m not going to tell you what happened in ‘The Scene’ because this is a non-spoiler review. All I can say is you’ll know it when you see it.

Of course this was Carrie Fisher’s last film before her untimely death and that’s incredibly sad. Does The Last Jedi offer a fitting tribute to Princess/General/Queen (she’s a a Queen in my eyes) Leia Organa? Not really. In fact, outside of ‘The Scene’, Leia doesn’t really do anything worthy of comment. Some say she was mischaracterised too, but I don’t think so. At a push, I could see Leia doing some of the things she does. I just wish Fisher could have been given something with actual substance.

My views on Poe and Rey remain virtually unchanged. Poe Dameron is still a one dimensional cardboard cutout and I’m still continuously baffled as to why people like him so much. He doesn’t have a character. We’re two movies in and we still haven’t learnt a single sodding thing about him. Frankly I’ve seen fossils with more life in them. Rey meanwhile is still quite possibly one of the blandest protagonists I’ve ever seen. I’m struggling to find any reason to actually give a shit about her. Why should I be invested in her Jedi training? Why does she even need Jedi training when she seems capable of pulling any random superpower out of her arse at the convenience of the plot? At no point have these films ever given me a reason to care about her. Maybe if they focused more on her looking for her missing parents, I might be slightly more invested. And that’s another thing. In The Force Awakens, her missing parents are basically used as sequel bait. Here (without giving too much away) they’re pretty much just swept under the carpet entirely, which begs the question why was JJ Abrams wasting our time with them in the first fucking place (yes I am blaming JJ Abrams instead of Rian Johnson because Abrams was the one that actually came up with this shit and it’s very much reminiscent of his bullshit ‘mystery box’. The principle where an audience are naturally drawn to some big unknown or mystery and that he frequently utilises in his projects, most notably the TV series Lost. What he often forgets however is that good mysteries tend to have a satisfying fucking answer at the end).

And that’s pretty much all I have to say really. No doubt some of you are disappointed I haven’t quite given The Last Jedi the vengeful pummelling you’ve come to expect from me, but honestly I can’t work up the energy to get properly angry at it, and that’s largely because I’m past caring about this sequel trilogy. I think I’ve made my views on the sequel trilogy quite clear by now (that they’re a soulless cash grab concocted by studio execs who wouldn’t recognise a decent script if one jumped up and bit them on the arse) and I think it’s my total lack of interest that kind of shields me from some of Rian Johnson’s ‘creative’ decisions. These movies don’t count as far as I’m concerned. I’m not especially bothered by Johnson’s ‘reimagining’ and there’s nothing truly terrible going on here. The only crime The Last Jedi is really guilty of in my opinion is that there’s large swathes of it that are just really, really boring. And the main reason for this (apart from the obscenely long running time and a plot that drags its feet) is because, like with The Force Awakens, a lot of this stuff has been done before and done better in the original trilogy. While The Force Awakens ripped off A New Hope and a few elements from The Empire Strikes Back, The Last Jedi rips off The Empire Strikes Back and a few elements from Return Of The Jedi. What makes it slightly more egregious here is that The Empire Strikes Back and Return Of The Jedi are both very emotionally charged stories that rely on three films’ worth of character development and buildup to make an impact, whereas The Last Jedi just blunders in, trying to replicate these emotional moments, but fails to recognise what made them so powerful to begin with and hasn’t done any of the legwork to make us feel truly invested in what’s going on, and thus it has all the impact of a feather duster.

So that’s The Last Jedi. A pointless and mediocre middle chapter to what has so far been a pointless and mediocre trilogy. The one bright side is that now it appears they’ve finally rehashed all they can from the original trilogy, there’s a chance we might finally get to see some original ideas in Episode 9. Unless they’re planning to ripoff the prequels next. In which case Disney must be more creatively bankrupt than I thought.

#star wars #the last jedi #quill's quickies #no spoilers

[avaantares]

My thoughts on Torchwood: Aliens Among Us

Minimal spoilers. I’ll discuss themes and events, but try to avoid any major reveals.

Putting the rest after the jump for length and spoiler protection.

I debated whether to even post this, because I still haven’t quite made up my mind whether or not I actually like S5. I mean, the production values of the episodes are excellent, as usual (Big Finish knows what they’re about in that department), and the performances are great, and even the ongoing series hook is interesting -- but I think the problem is that I’m not actually enjoying the direction the series is headed. It’s done well, but it doesn’t quite feel like Torchwood to me. And that’s not just because more than half the original cast is missing; it’s a shift in something vital and central to the series. Its purpose, perhaps. I’m still digesting the episodes I’ve listened to. (More on that in a bit.)

Anyway, I’ll start with my take on the characters and their new roles:

Jack - Apparently having exhausted all his potential development in previous stories, Jack is relegated almost to the background of this series. He makes the usual lewd jokes and sleeps around and dies when the plot demands it, but he’s practically a cardboard cutout, doing Action Things when necessary and coasting on listeners’ affection for him from previous stories. After four episodes, there’s still no evidence that he’ll have anything resembling a character arc, which is massively disappointing.

Jack also shows some disturbing behavior here -- namely, he pseudo-stalks and seduces a man he’s considering hiring on at Torchwood just to get more information about him, which is not only dishonest and manipulative, but is a REALLY FREAKING CREEPY thing for a potential boss to do, especially if the hiring had gone through.

But no worries on that account, since Jack then bars said potential employee from Torchwood because he made a mistake in the field and got civilians killed. Jack cites the Doctor’s “no second chances” line and pontificates about how he won’t tolerate people dying on his watch. This seems out of character coming from the man who forgave Gwen for unleashing an alien gas that killed dozens of civilians, forgave Ianto for betraying them all and getting two innocent people killed in the Hub, forgave Owen Harper for rebelling and putting a bullet through Jack’s brain, etc.... not to mention Jack’s own tendency to shoot first and apologize later, for which he was often criticized by both Gwen and the Doctor. Even if he’s changed his views on violence in the meantime, I can’t imagine him drawing such a hard line in the sand without at least turning it into a teaching experience. Jack is the king of second chances; it seems hypocritical for him to deny one to a panicked newcomer.

Gwen - I’ve seen several other people say that they didn’t recognize Gwen until the character identified herself at the end of the episode, and I had the same experience. Her Welsh accent seems much stronger than it was in the TV series. There may be plot reasons for that, or it may just be an inconsistency. (EDIT: I’ve since read that, due to plot reasons, Alexandria Riley is actually performing most of Gwen’s speaking parts, so the difference is definitely intentional.)

Gwen doesn’t seem to serve a significant purpose in the stories until the extreme end of episode 2, when she conducts the major reveal of what will be (I suspect) her ongoing story arc for the whole series. That subplot is by far the most compelling thing about this new series, and honestly is probably the only thing with enough hook to keep me listening.

Mr. Colchester - The spiritual successor to the conspicuously absent Ianto Jones, Mr. Colchester is the dry, longsuffering general support. In many ways he’s the most complex and developed of the new characters, and while it took me a bit to warm up to him, I quite like him now. (Of course, since he’s basically replacement-Ianto, that may explain why I enjoy his commentary so much.)

We’ve learned a bit about Mr. Colchester’s personal life, as well as just a sliver of backstory, and I hope that is setting up for some kind of series-long arc for him. I think he has a lot of undeveloped potential. I’m very curious to know exactly how he came to Torchwood.

Orr - Orr manages to be interesting despite the fact that their introduction scene feels a bit too much like Discourse(TM). (I described the scene to a friend as “Tumblr: The Audio Drama.”) As a gender- and biologically-fluid being, Orr can psychically tune in to entities to acquire information in a way I’ve never seen done before, and that leaves open a potential gold mine of story opportunities and mystery resolutions. However, since the two episodes in which Orr features are largely spent establishing their abilities, there’s still not much sign of a dynamic arc. It’s strongly suggested that they will become a full-time Torchwood operative, which should be... interesting, given that crew and their proclivities.

Tyler Steele - Let me put this on record right now: I do not like Tyler. At all. I wouldn’t mind if he got flattened by a spaceship.

Now, that doesn’t mean he’s a bad character -- sometimes the most compelling characters are ones you despise, and Tyler’s role in the story seems to be going in that direction -- but it does bother me that Jack seems intent on carrying on an ongoing sexual relationship with a character who is so morally questionable, disrespectful, self-serving, and generally kind of a jerk. I can’t imagine Jack putting up with that, no matter how good Tyler is in bed, unless we’re just going to undo the past ten years’ worth of Jack’s character development and kick him all the way back to the way he was with Captain John Hart.

Tyler himself is the only one of the new characters who does seem to have the setup for a dynamic story, which could be more interesting if they turn him into a villain or boost his moral grayness to have him play both sides. (Personally, I’d really like to see him waffle for a while, then cross a line and become unredeemable, forcing Jack to have to stop him. That would provide a nice characterization moment for Jack, too.)

Other Characters: Rhys and Mary Cooper (Gwen’s mother) get cameos, but that’s about it. At least two other named characters (Andy and Billis Manger) are coming back for the next set, so we’ll hope for an expanded cast next time.

Before I get critical, I do want to mention a few specifics that this series does well:

It’s implied that either there is no coffee allowed in the Hub, or no one is allowed to use Ianto’s coffee machine. Which is heartbreaking, but also gratifying, as it implies that Jack can’t bear to let that one piece of Ianto be replaced. Many of us were worried that Ianto would be forgotten or just garner a token mention, as he has in most series/publications set post-MD, but it’s nice to see actual evidence that they remember and mourn him.

It’s also suggested that Jack is still thinking constantly about Ianto, even years after he died. Which is small comfort after we’ve had to witness Jack getting it on with that creep Tyler multiple times, but at least Ianto hasn’t been erased completely.

The reveal of the subplot surrounding Gwen came as a complete shock to me. I often work sneaky plot things out beforehand, but I’ll confess, I did not see that one coming. (Others have pointed out that this plot element may have been foreshadowed in a previous episode...? But we’ll need more information about what’s actually going on before confirming that.)

I like that they’re operating out of the literally collapsing ruins of the Hub and are completely broke, even though it does raise some questions about EU continuity (we saw the Hub cleaned up after the explosion in Long Time Dead, and Gwen was trying to rebuild it in Forgotten Lives). It’s nice -- and thematically appropriate -- to have them huddling in a broken ruin of the past while trying to come to terms with the future.

Now, some thoughts on the story itself:

I’m really not sure how to approach this new world, where aliens populate Cardiff and are so far from secret that there are human protest groups lobbying in the streets to remove them. It acknowledges the events of Exodus Code and the Titan Comics series (I have major issues with that, too, but that’s another conversation entirely). At this point the series has split so far from the known Whoniverse that it has more in common with awkward American stepchild Miracle Day than with its own BBC parent series. I feel like we’re now trapped in a bubble universe that is never going to resolve with the original series of Torchwood.

Anyway... Cardiff is overrun by aliens, and apparently instead of Torchwood trying to protect humanity from alien threats, in this brave new Cardiff, Torchwood is trying to protect... the aliens? For motivations that remain unclear to me, in episode 2, Gwen and Mr. Colchester spend a whole night repeatedly putting their lives on the line to protect an alien from capture after they witness her eating innocent humans. Reluctantly, she claims, but the extremes they go to to protect her (including endangering human civilians and hospital staff) just don’t seem justified when she and her family are actual threats to humanity.

The ongoing story of S5 centers around the economic and political takeover of Cardiff from a particular race of aliens. It’s sinister enough, and provides a backdrop for multiple villain-of-the-week episodes, but there’s really no soul to it. Maybe that will change with future episodes, but I think this points to the main reasons I’m not really getting into this series as much as previous Big Finish Torchwood dramas:

Classic Torchwood was a character-driven series set against a dramatic (and often camp) space fantasy backdrop. At the end of the day, we didn’t care what kind of aliens were attacking Earth that week; we worried how Ianto processed his grief, wondered whether or not Owen actually had a heart under his flinty exterior, cheered the little moments when Jack opened up to his friends, and mourned when characters we had grown to care for sacrificed their lives in defense of the people of Cardiff and the world. The character development was the hook, and the episode plots, for the most part, were secondary.

This is one reason so many fans were disappointed in Miracle Day, which was more an American political thriller than space fantasy, and introduced new characters who were wooden and lacked compelling character arcs. The premise of Miracle Day was fascinating, but we couldn’t engage with the story the way we did with the gripping bureaucratic drama of Children of Earth because we were put off by MD’s flat, unlikable protagonists.

AAU, as well, is missing some of those critical elements that let the audience engage deeply with the story. While there are complex things happening in the political sphere, we come into S5 knowing nothing about the new characters, and the characters we do know seem too static. Gwen does get an interesting story hook, but not until the halfway mark of this boxed set.

In short, I just don’t care enough. I miss the depth and complexity of the original characters, and I miss the ongoing growth that made Jack and Gwen interesting. I don’t know the new characters well enough to feel strongly about what happens to them, and there is little indication that they will become dynamic over the course of the next few stories.

It’s a shame, because I love Torchwood and want more of it, but I just don’t feel like I’m getting proper Torchwood with these stories. I’ll probably give the next part of Aliens Among Us a try, but I’ll wait to see how it goes before deciding on the third set. it’s hard to justify the high price of the box set for a series I’m basically ambivalent about.

#torchwood #aliens among us #big finish #my review

[julystorms]

Hello. I've just discovered your blog and it's so great! Also the post about Nanaba was so comprehensive and thoughtful. It read like a scholarly article and it got me thinking about Gabi and her fate. What is your impression of her and her role in the story?

Wow, thank you so much for the kind compliments! I really hope that Gabi doesn’t get a similar fate/backstory; it’d honestly be nice to get a female character in this series who comes from a more positive background, but… Well…

Gabi’s an interesting character. She’s a kid, probably about 12ish years old. She has some kind of an important relationship to Falco that seems at once to be both one-sided and mutual. She seems to care about Reiner, too. And she is really, really pumped for being a titan and doing her people proud and…it’s sad in a way that the SnK main cast isn’t. Most of the characters have clearly been knocked down a peg or two in this series; even the veteran characters, whom we know next to nothing about, have probably have their expectations ground into dust before the main storyline starts; it’s just that we don’t get to see it happen. Their world is dangerous. Things are not always what they seem. And words like loyalty and bravery aren’t so easily defined when you’re faced with some of the choices these soldiers have to make. I think this is true of some of the warrior children, too, Falco in particular. He’s probably one of the fandom’s favorites for this reason. He seems like he’s grounded in the reality of their world as we understand it. He knows shifters die after 13 years. He wants to protect Gabi (for reasons we don’t understand but the sentiment still strikes us as familiar) and he’s not at all oblivious to the price that will be paid for it–not just that he has to put his own life on the life, but also that Gabi will resent him for it…or maybe it’s more that she will be hurt and feel betrayed if he gets it instead.

Anyway, Zophia and Udo are…basically not even characters as far as I’m concerned. Galliard and Pieck have been around all of thirty seconds and feel more solid to me–especially Galliard. It’s clear to me that Galliard and Pieck have some idea of their situation and…know that it’s bigger than they are. Zophia and Udo strike me as cardboard cutouts that exist to fill space and make us think there’s actual competition for these titan forms. They don’t matter to me even an ounce at this point.

Colt is kind of…meh so far. I think it’s possible he thinks he and Gabi are alike? At least when it comes to loyalty and fighting the good fight. But I see him as more ignorant than she is. (He strikes me as more ignorant than Falco right now, too, though I could be proven wrong.) Gabi’s pumped up about being a titan and fighting in the war herself but that could be a farce; either way, she was willing to put herself on the line for a strategy that was a gamble. Gabi’s good with practical application. Yeah, it could have backfired in a big way, but they have little left to lose this late in the war. It’s kinda irritating that a 12-year-old was the only one with an idea and guts to risk it all to win it. 

Colt seems to appreciate this about her but I wonder if he’s applying some kind of blind-loyalty lens to how he views her. I found his attitude on the train to be pretty interesting–and Gabi’s, too. I’m honestly not sure what’s going through her head there, but I think it might be that she feels fear in hindsight and now Colt is hyping her up into a kind of figure she won’t be able to live up to. She’s 12, not a goddess of war.

That said, I felt that the praise was having an effect on her. That the cheering of the men who feel their lives were saved by her interference or grace or whatever–that this means something to her. Maybe even moves her or eases her conscience/guilt a little bit?

It makes me wonder what she’s fighting for. If it’s all brainwashing or something more. I wonder that about Falco and Cold, too, but…what I really want to know about Gabi is where she comes from and why she’s here.

The sad thing is…that I don’t want more female characters with sad pasts but I don’t know how there isn’t a sad past in this series for an Eldian girl who is only 12 and has been in a program designed to make her a warrior since she was, what, 8? What kinds of parents give up their kids to this program? How many of them are in some way like Grisha, using their children? To get better housing/food? For safety just for themselves? 

Isn’t it possible, though, that Gabi doesn’t want this titan for herself? That she wants it for a reason bigger than winning a war? She’s hinted at wanting to save her people, but isn’t it just as possible she wants this titan form because it is the only way her family (perhaps younger siblings too) will get good health care and food? Good housing and education? 

I mean, I know this fandom loves coming down hard on spirited female characters, but boy could Gabi’s origin story be good. She’s been brainwashed into believing that Paradis is full of evil Eldians, but I’d feel a lot for her as a character if we found out that behind her passion is a desire to make things better/more tolerable for her family. Maybe she, too, knows she’ll only live 13 years afterward, and knows that Reiner only has a short time left, himself, but she’s willing to do that for them–so that they’ll have a better life. And maybe, if she does a really good job in the war, that better life will keep on after she dies.

I mean so far in this series we’ve seen a lot of noble goals but they’re all kind of…well… big. In a way, they’re impersonal. Hange wants everybody to feel safe. Eren wants to attain freedom for humanity. Armin wants to see the ocean. Connie wanted to prove himself. Marlowe wanted to change the world.

So far we haven’t really had a character who was fighting directly for their family. Like oh, sure, they’ll fight for their family in an overarching way: by attaining freedom for humanity. But we haven’t had a more direct connection, where the benefit would be immediately felt. I think that would make a really compelling history for a character like Gabi, who seems so thoroughly ignorant about the reality of war…but might very well be a great actor doing what she knows has to be done to ensure her family’s future.

#snk #snk meta #snk spoilers #gabi #falco #i really wanna know why falco wants to protect her #are they childhood friends from like before this program? #or is it something else??????? #there has to be more to her or he wouldn't care that much about her imo #cute anons #replies to friends #long post

[realrhythmskrp]

DISPATCH, 04/29/17: BKB Entertainment has officially released information about lead dancer, Kang Sunyoung, on silverBEAT’s official website! Sunyoung is a ‘93 liner and has been beloved by fans since her debut in 2010. Find out more about Sunyoung below!

I, Kang Sunyoung, have read and understand the terms and conditions as my position of lead dancer and agree to honor the standards that are to be expected of me as an employee of BKB Entertainment.

OOC INFORMATION

Preferred name: Erika

Pronouns: She/Her

Timezone: GMT+1

Other muses: None

Password (for reservations only): RhythmTA

Skype (this is optional, but if you would like to join the RHYTHMSgc please leave your skype username here): onyx.loveless (…i was 13 when I made it)

IC INFORMATION

Faceclaim: Jung Jessica

Name: Kang Sunyoung

Stage name (if applicable):Sunyoung

Idol concept: Her facial structure is unique, her expression is stoic and her gaze as cold as ice. From the beginning, Sunyoung had problems adjusting to the cute concept that silverBEAT had been given, and her visuals just did not click with it. Thus, she had been given a new one – she was to be the ‘chic’ member, the femme fatale that would rather attract female fans with her seemingly strong persona. She’s the member that can flirt with the camera, whose jokes create anything but laughter, who is more ‘cool and fashionable’ rather than a ‘girl-next-door’.

Frankly, Sunyoung had never been too fond of her concept. After all, her stone-cold expression would stick out as a sour thumb among girls who were smiling as widely as they could. To her relief and delight, as the years passed, she had been allowed to slowly ease her own personality into her ‘concept’ and become more of herself. Nowadays she is showing exactly who she is – a girl who does certainly lack an innate sense of humour, yet who does enjoy to laugh, show her emotions and express herself; somebody who is just a ‘dork’. One aspect hasn’t changed though, namely the fact that Sunyoung had always been the fashionable one.

Birth date and age: April 24th, 1993 (age 24)

Company name: BKB

Group Name (if applicable): silverBEAT

Group Position (if applicable): Lead Dancer

Strengths:

DANCE – although the position of a lead dancer in a group as large as silverBEAT might not sound as prestigious as that of a main dancer, sunyoung’s spot in the ‘dance line’ has rarely been discussed and never doubted, although she barely has any native talent in the area. she is rather an adept of the idea that certain skills can be learnt and perfected – thus, the years of training have rendered her able of quickly learning new choreographies and adapting herself to new styles.

RAP – a hidden talent of sunyoung’s; hip-hop is not a style that she has grown up with nor something that she has found immense interest in, yet something that she had just discovered she was, well, good at. a talent she had decided to develop in her spare time considering the fact that she had barely had a chance to showcase this skill in the songs of her group.

Weaknesses:

VARIETY & CHARISMA – not exactly a “people’s person” as some might describe her, it probably wouldn’t come as a surprise that sunyoung is not exactly the variety type; her delayed reactions and jokes drier than the sand in the sahara desert just does not make for good entertainment, not to mention the bluntness in her words would land her a ticket directly in hot water and certainly not in the hearts of netizens.

VOCAL RANGE – being known for having the huskiest of voices among her group can certainly have its ups and downs and while sunyoung is able to carry a song, there are certain limitations. it seems that training hasn’t done much for the range of her voice, as there is little room for the notes that she can hit, particularly struggling with those high ones, being instead much more fit for those with a ‘jazzy’ feel to them.

Positive traits:loyal, responsible, reliable

Negative traits: stubborn, possessive, uncompromising

PERSONAL HISTORY

RICHES – It would be a lie to say that Sunyoung had not been born with a silver spoon in her mouth. Coming from an affluent family, a third generation of Korean immigrants with their roots deeply settled into the Australian soil of Melbourne, it seemed only natural to her parents that she would be especially educated in the field of the fine arts and languages, that her general knowledge be cultivated from a young age, finding herself stuck on that uncomfortable chair in front of the piano that seemed to be overlooking the entirety of that spacious living room, four days a week since the age of five.

TOYS & NANNIES – And it seemed even more natural to them, two busy people, that Sunyoung would have somebody looking over her during those many hours they simply couldn’t. As a child, she certainly did not lack anything, she owned every toy imaginable and could receive anything that she wanted, yet in the same time, those years had also been filled with many, too many nannies running back and forth after her down those large hallways.

BLOOM – And she had slowly bloomed from a child, to a young maiden. And truth be told, she had come to be all too tired of the rather mundane life that she had come to have – constantly going back and forth, following the same routine, it was something that Sunyoung did not like, not even one bit. Her life had simply become a cliché from the day she had entered school, the typical story of a girl who had become popular among her peers simply for the fact that her father just so happened to be rich. She despised it, she would say, yet having been raised as a status-seeker, she couldn’t deny it to herself that the small fame she had gained was actually something that she enjoyed.

SOUL TO SEOUL – But she still wanted more than just that, she wanted more than the future that had practically been set from the moment of her birth, she wanted more than to just inherit her father’s company. It wasn’t exactly that she did not want to be leading it, no, to be the alpha of a group, it was actually something that she absolutely enjoyed, but there was just something about the type of company that her father led that did not appeal to her, finding much more interest and satisfaction in the world of music and entertainment. Having learnt about the country of her roots from the stories of her family, she could say that she had fallen in love with the world that South Korea seemed to be.

ONLY ONCE – One of the many monotonous days spent in the Australian sun, just another day that would be spent sitting at the piano that waited for her because, well, she certainly wasn’t too ecstatic of the hours to come of her fingers sliding almost mechanically over the white and black keys. Somewhat ironic – a young girl that adored music, yet loathed the massive instrument that was throning in the living room. The day when she was approached by a “tall, dark stranger” that had offered her the chance of a lifetime, as he himself had put it. Promising the sun and the moon along with all of the stars, Sunyoung was left with what seemed at that time to be a simple piece of cardboard cutout, printed with a dial number among some other information. A rather strange encounter she had classified it, but with what was written on the card she had in her hand, it seemed to be something that could happen only once.

NO ROOTS – The chance of a lifetime was to be given the possibility to bring her name out into the world, to become famous; simple information that was obtained once the odd occurrence had been explained to her parents and a call had been made to the phone number that was on the visit card Sunyoung had received. One could probably not stress enough the resentment that the two adults had towards the idea and just how strongly they opposed their daughter leaving for a country that they themselves knew only from stories told by their ancestors. Sunyoung had no roots though, and she had managed to leave the parental nest at just fourteen years of age.

NEW WORLD – She left for a country she did not even know the language of, a culture that was all too new for her. Seeing herself within the borders of the country she had landed in, it had become more than just plain obvious to her that it was an environment she had not been prepared for – mannerisms that she did not know, habits that she could not understand, Sunyoung was all too sure she was never going to adapt, to that point she was hoping that she would not pass the audition she had signed herself – with her parents’ signature at the footnote, mind you – for. Yet she did.

SILVERBEAT – Three years. It had taken her three years to adapt, reaching something that she never thought she could once she was reflecting to a time when she had only been criticised for her behaviour, for her lack of respect in her speech, for how her bow seemed to never be low enough. She was a determined one though, always pushing for her limits, always setting the bar higher – for Sunyoung the competition did not matter all too much; she was her own, worst adversary. Pressuring herself had paid off the moment she sat in front of the camera for the very first time to be taking the pictures that would mark her debut in a girl group. It was a feeling of euphoria that she just could not describe, a feeling that had shaken off only once she had first stepped foot on a stage, shocked to hear the voices singing along and chanting her name.

#ryt:accepted #ryt:bkb #ryt:silverbeat #rytsunyoung

[megazeo]

As anyone who’s seen me previously speak on the subject already knows, I wasn’t really looking forward to the new Power Rangers movie. Ever since the first image of Elizabeth Banks’ Rita Repulsa was released, I “knew” the movie was doomed. Previous film adaptations that had redesigned its characters to such an extreme degree were The Super Mario Bros. Movie, Godzilla (1998), and X-Men Origins: Wolverine - Movies that were universally agreed to be horrible and insultingly unfaithful to their source material. It only got worse from there. Alpha 5 went from a cutesy robot to a terrifying little monkey-lizard. Goldar went from a main character to a silent, gold Godzilla. The Dino Zords somehow managed to look worse than the Michael Bay Dinobots.

To put it mildly, I was not looking forward to this.

But then the movie actually came out. Despite my initial concerns, I was hearing… good things about the movie? Literally everywhere I went, I heard how this was the movie Power Rangers fans had been waiting for, how it really did justice to the characters despite their redesigns, it was the best thing to come out of the franchise in years, and how it was just a good movie all around. In spite of myself, I started to get hopeful. Excited, even. After all, I didn’t want to dislike the movie. I didn’t want it to be bad. Maybe once I got past the awful redesigns, the movie actually was good. Yeah, Rita looked like some generic Syfy Channel villainess, but maybe she acted like Rita. I’d heard Elizabeth Banks was really hamming it up, and if anything describes Rita Repulsa, it’s hammy. So I put my opinions of the new designs aside. I already knew about them. They were no longer a surprise. I decided they were not going to ruin my enjoyment of the film. This wasn’t the same Power Rangers that I’d grown up with. This was new. I accepted that. I sat in the theater and soon Saban’s Power Rangers (2017) began.

I was stunned.

Out of all the complaints I could’ve had about this movie, I in no way expected it to be BORING.

CAST:

First off, let me say that the characters are well written and that the cast acts them very well. However, that being said, NONE of these characters - except for Billy and, to a slightly lesser degree, Trini - ARE LIKEABLE. Jason is an unhappy, rebellious teen… for some reason? His father wants him to do well in life, but he doesn’t seem to ever really venture into “overachieving asshole parent” territory, so I’m not entirely sure what Jason is rebelling unhappily against. Kimberly is legitimately a HORRIBLE person, spreading a classmate’s nude picture around school. Like, it’s nice that she feels bad about it later, but she’s still nevertheless a HORRIBLE person. And then she says “Serves you right!” when the girl almost gets killed by molten Goldar blood later in the movie because… Kimberly said she was sorry so I guess that makes the other girl a bitch now. Zack is literally just a loudmouth asshole, but I guess we’re supposed to like him/feel sorry for him because he has a sick mother? Billy, as I said before, is the most likeable member of the team, a kind soul who just wants the group to come together and be superheroes. I don’t know why he had to be on the spectrum, exactly. I’m not badmouthing it, or even saying I disliked it, really. It’s done really tastefully and never presented as a bad thing, which is great, it just kinda feels like “This ain’t the ‘90s anymore, yay relevance!” Like, why couldn’t he just be smart and unpopular? Is that not a thing anymore? Trini literally shows up well after everyone else has been fully established and her introduction totally reeks of afterthought, as if the screenwriters suddenly remembered “Oh, wait, there are five teenagers, aren’t there?” That said, once introduced, Trini does become a really interesting character with some actual motivation behind her “teenager with attitude"ness.

To sum up, despite some serious missteps, the Rangers are nevertheless fleshed out and acted well, turning them from the cardboard cutouts of the TV show to some well-rounded, flawed characters. So what was my problem with this story of angsty teenage drama, exactly? It never stopped. This movie was SO busy fleshing out the Rangers that it forgot to do anything Power Rangers-related until roughly the LAST TWENTY MINUTES OF THE MOVIE.

PLOT/PACING/EDITING:

The cliff-jumping scene lasts way too long. As do the “Wait, we all have powers!” scenes as they wake up the next morning after finding the Coins. There are at least three, possibly up to five, different instances of the Rangers standing in a circle, staring sadly at each other, saying “We don’t know each other very well, but we all have shitty lives, so maybe we should come together and be Power Rangers so we can finally have a family.” ALL IN COMPLETELY SEPARATE SCENES. And then we have what feels like twenty minutes of Zordon and Alpha training the Rangers, which is essentially just “Ow, being hit by rocks hurts” over and over. And then one of the Rangers finally succeeds in morphing, so Zordon gets pissed off and tells them all to GTFO…? Now don’t get me wrong, I understand why he gets angry - How can Billy have morphed without knowing how? Time is of the essence. But they should have worked up to Zordon getting to that point. Jason: “Billy just morphed!” Zordon: “What? That’s excellent! Finally, you Rangers are showing some progress! Billy, why don’t you go ahead and tell the others how you did it?” Billy: “…I don’t know how I did it.” Zordon: “…What?” Billy: “I don’t know how I morphed.” Zordon: “What do you mean, you don’t know how you morphed? How is that even possible?!” Billy: “I don’t know, it just happened!” Zordon: “That does it! We don’t have time for this!” This way, the movie shows him becoming understandably frustrated, instead of just blowing up like a temperamental asshole.

This movie drags its feet to an unbelievable level. The scene where the Rangers fight Rita on the docks? That should have happened 30 - 40 minutes into the movie, not right before the final fight of a 2+ hour film. And the fight is shrouded in darkness, reducing Rita and the Rangers to silhouettes, like this is some no-budget direct-to-video movie using darkness to hide its lack of budget. But hey, at least there’s that awesome rematch later where the Rangers fight Rita again after they get their powers, showing how strong they are as a fully powered team… What’s that? That never happens? ARE YOU SERIOUS? This is one of the most basic rules of superhero movies - the hero(es) and the villain(s) have to fight at some point! But hey, at least there’s the really awesome fight scene where the Rangers… fight the Putties. For about ninety seconds.

Let me repeat that: The Power Rangers appear for the first time with roughly twenty minutes of movie left, fight the Redshirts for about a minute and a half, and then the entire rest of the film is Zord action. If you’ve seen the trailers, you’ve pretty much seen all of the Rangers’ non-Zord screen time.

This is even worse than Mighty Morphin Power Rangers: The Movie, which featured no fight between the Rangers and Ivan Ooze, but at least had that one good, long fight against the Oozemen at the construction site. Can you imagine if they made a Batman or Avengers movie where the costumed hero appeared for that short a time and only at the very end and never fought the main villain? People would flip their shit.

Also… We get the prologue with Zordon and Rita, then Jason’s introduction with the cow… And then the title? Shouldn’t that have been prologue, title, Jason? That’s such a weird choice.

TONE:

I get it. This isn’t the same kiddie TV show as before. This ain’t your Daddy’s Power Rangers. This is a big budget blockbuster with big boy special effects and biting teen angst!

But holy shit, this whole movie is just so grim and ugly and dark and depressing. There is no beacon of hope, visually or metaphorically. The teens are all awful people aside from Billy, Zordon is an asshole, Alpha is hideous, the Zords look just as ugly as the monsters they fight, the Power Rangers themselves are all dark and overly complicated and bio organic looking (like some sort of deformed love child of Iron Man and the Xenomorphs). The lesson the Rangers need to learn in order to unlock their suits is literally “Stop being assholes, both to each other and in general.” There are no friendly faces in a situation (and franchise) that badly calls out for one. Trini’s mother is psychotic in a scene that was presented as comedic in the trailer - She apparently had a urine sample cup ready and waiting at the dinner table, though thankfully, unlike Dawn of Justice, at least this one goes unfilled. Rita Repulsa, intergalactic sorceress and former Green Ranger, starts causing havoc, but instead of creating monsters and blowing up buildings and demanding that the people of Earth bow to her whim, SHE SPENDS THE FIRST THIRD OF THE FILM MURDERING HOBOS AND POLICEMEN.

THERE IS LITERALLY A NEWS REPORT ABOUT THE “GOLDEN SERIAL KILLER” PLAGUING ANGEL GROVE.

JESUS CHRIST, IS THIS STILL A FAMILY FILM?

This is one of the film’s biggest problems. There are some nice scenes, a few funny lines, and some cool special effects, but at no point does the film really feel fun.

“POWER RANGERS” STUFF:

Oddly, every time an actual name or term from the show was spoken, it brought me out of the movie in a similar fashion as when one of the original cast members cameoed in Ghostbusters (2016). “Putties.” “Alpha 5.” “Rita Repulsa.” “Angel Grove.” “Zeo Crystal.” Oh, right, I’m watching a movie about Power Rangers. I forgot.

And why are the Putties called “Putties?” In the show they’re called Putties because they’re made out of putty. Clay. Here, they’re dirt, rocks, and occasionally concrete. And why are the Putties such a big threat? They range from human sized to fifteen feet tall with six arms and shit. If they wanted some big monster-y things for the Rangers to beat up on why not throw in Eye Guy or King Sphinx or Pumpkin Rapper or something?

I feel like Zordon and Alpha’s voices should’ve been altered a bit. Zordon is a giant computer head whose voice fills the entire ship, so to hear Bryan Cranston’s normal voice come out of him was just weird. Similarly, Bill Hader’s untouched voice didn’t quite fit a tiny “cute” character like Alpha. I’m not saying make them quite as deep/high pitched as in the show, but a slight adjustment would have been nice.

The Power Coins are never shown up close, meaning we never see the dinosaur symbols on them, and so they literally just look like rocks with colored gel bits in the middle. They’re more Power Medallions than Coins.

“I’ll be back for the Crystal! Others will come for the Crystal!” Oh, God, please don’t tell me that every villain’s motivation now is just gonna be “I want the Zeo Crystal.”

I like how they got rid of Bulk and Skull, only to give Billy a bully anyway. Apparently having two bullies would’ve been confusing.

ZORDON, RITA, AND ALPHA:

I like how they go and give Zordon and Rita this big intertwined history - He was the Red Ranger, she was the Green. She betrayed their team and everything went to shit. A big deal was made about this leading up to the film. - and then absolutely none of it matters beyond the opening scene. There’s no “Anakin vs. Obi-Wan” dynamic at all. Zordon doesn’t seem sad about going up against his former teammate, Rita doesn’t have a moment of hesitation at any point, there’s no scene of Rita breaking into the Command Center and the two of them having bitter words with one another. Rita used to be the Green Ranger and… that’s it we’re done with that now.

Speaking of Rita being the Green Ranger (as opposed to simply her history with Zordon), that never really goes anywhere, either. Yeah, she uses the Dragon Coin to charge her wand, but that could’ve just been Rita doing her usual magic spell stuff. She didn’t need to be the Green Ranger for anything she does in the film. At no point does she do anything Green Ranger-y. She doesn’t attempt to summon the Dragonzord. She doesn’t fire an energy blast from her wand that has some cool dragon head effect at the tip of it. There’s no “Only a Power Ranger can access the Zeo Crystal,” which would be bad because Rita is one. This, combined with the lack of any actual interaction between her and Zordon as mentioned above, results in there being literally no reason for her to be the Green Ranger.

I mean, why does Rita not morph? There is never anything said at any point in the movie like she’s too weak to morph, or the Dragon Coin is damaged, or she lost her Morpher in the meteor blast (does this universe even have Morphers?), or she’s evolved past the need for Zordon’s silly Ranger suits, or anything like that. So why doesn’t she actually morph into the full Green Ranger at any point to fight the Rangers? “You’re so silly!” you may be thinking. “Not everything has to be packed into this one movie alone. That’s what the sequels are for!” Except, no, it’s not. If there was a film to actually explore and properly utilize the “Rita is the Green Ranger” plot, it was this one. In future movies, villain-wise, we’re gonna be introducing and dealing with Lord Zedd or King Mondo or whoever. Sure, Rita will probably still be around and team up with Zedd or something, but by then Tommy is going to be the Green Ranger (or Tammy, if the cast has their way). The time for “Green Ranger Rita” has passed.

I feel like Zordon and Alpha desperately needed a scene of their own. Every scene they’re in, they’re either instructing or yelling at or reacting to the Rangers, but they needed a moment to just be characters by themselves. Especially after Zordon loses his shit and the Rangers have their little campfire chat. Alpha: “Zordon, they… They’re trying, y'know? This is a huge thing we’re asking of them. They’re just kids.” Zordon: *sigh* “I know they are. I shouldn’t have yelled at them. I just… I don’t want what happened to my team to happen to them.”

Also, and I will totally chalk this one up to personal preference, but it felt weird with Alpha calling Zordon “Master.” Nothing wrong with it, necessarily, it just felt off to me.

Also also, the Rangers clearly need a strong emotional bond in order to unlock their suits, which Zordon hopes they achieve by punching hologram Putties…?

ALSO also also, was Rita not imprisoned? Like, in any fashion? Wasn’t there an image released of Rita (in her modern Green not-quite-a-Ranger suit) trapped in crystal or something? Wasn’t she sealed away along with the Power Coins? I thought the Rangers were supposed to free her or something. This leads into another issue…

The Rangers and Rita have nothing to do with each other. What I mean is, the Rangers mess around in the quarry and stumble upon the Power Coins by pure chance. Meanwhile, Rita is accidentally dredged up out of the ocean by some fishermen. The problem is… These are two completely unrelated events. The Rangers aren’t called to the Coins because Rita is nearing. Rita doesn’t wake up because the Power Coins are activated. They are literally just two things that coincidentally happen at the same time. What if the fishermen were fishing in a different area that day and the teens got the Power Coins for no reason? What if the teens decided to not hack into that crystal and pull out the Power Coins, but the fishermen still pulled Rita out of the ocean? These are both legitimately things that could have happened. There’s no predestined “The Coins found you because Rita is coming” or anything. The teens stumble upon the Coins and the fishermen stumble upon Rita.

And finally, the Megazord backhands Rita into outer space (which, I will admit, was hilarious and awesome). But then the Rangers just go about their day. They don’t say anything about her. Zordon and Alpha don’t say anything about her. Do they think she just disintegrated when the Megazord slapped her? They didn’t even recover the Dragon Coin, did they? Do they know where she is? Are they just assuming she’s going to be back at some point? For all they know, she’s somewhere on Earth, alive and active, raising an army of Goldars.

GOLDAR:

I will admit, this entire bit is simply “What I would’ve done instead,” but I feel like this one is worth mentioning.

There is literally no reason for Goldar to be reduced to a voiceless kaiju. They could have told the same story while keeping him much more akin to his television counterpart: Rita creates Goldar much earlier in the film, in the jewelry shop sequence. He’s the one that kills the police officer, not a Putty. Rita: “It’s good to see you again, old friend.” Goldar: “It is an honor to serve you once more, my Empress.” Later, when the Rangers arrive for the final battle, Rita simply makes Goldar grow. He still gets his ass beaten by the Megazord, but instead of dying, he merely shrinks back to human size. When Rita gets smacked into outer space, Goldar panics and follows, flying after her. This keeps Goldar faithful to his character while literally telling the exact same story the movie wanted to tell, and also keeping Goldar (one of the franchise’s main villains) alive for future appearances. They could’ve even used the same “chocolate fountain” design.

THE ZORDS:

But you know, as much as I dislike Rita and Goldar’s redesigns, they at least serve a purpose, story-wise. Rita has the skintight green suit because she used to be the Green Ranger. Goldar is a big messy blob kaiju because Rita hastily creates him out of molten gold. But the Megazord… The Megazord is quite possibly the most ugly, unappealing, least cool/awesome/badass-looking giant robot to ever be conceived in all of cinema history, from either the U.S. or Japan… And there is absolutely no reason for it. The Zords weren’t hastily thrown together by Alpha at the last minute. They weren’t in the middle of altering their appearance into dinosaurs and then got interrupted or lost interest or something. They just look like shit.

As far as the individual Dino Zords go, the Tyrannosaurus doesn’t look too bad. The Triceratops is okay, kind of. I can make out the horns occasionally. The Sabertooth Tiger and the Mastodon are always moving around so quickly that I can never make them out successfully. I can’t even really complain about the Mastodon’s eight spider legs because the damn thing was always jumping around so fast I couldn’t see the legs, I couldn’t see the trunk, I couldn’t see the tusks. For most of the movie it looked like Zack was piloting a big black aspirin. The Pterodactyl was just this big pink… thing in the sky. Did it even have a head?

And I’m sorry, but they’re way too small. Size wise, they’re essentially tanks on legs. They should not be smaller than a noticeable majority of the buildings around them (most of which are of the single story, small town, “mom and pop store” variety) and they should most certainly not be in danger of being overwhelmed by the Putties. Zords are supposed to be gigantic, not “kinda big.”

And then, in the middle of the climactic Zord fight, basically the moment the entire movie has been leading up to, the film suddenly gets massively, inexcusably, infuriatingly lazy. As bad as the Zords look, I was at least looking forward to seeing how they all come together. After all, looking at the Dino Zords, then at the Megazord, I honestly had no idea how they all came together and formed their various Megazord parts. Well, apparently, the filmmakers couldn’t figure it out, either. The Dino Zords fall into a hole, there’s a cloud of smoke and dust, and then the Megazord walks out of the cloud, fully formed. I was absolutely stunned at the complete and utter lack of giving a shit when it came to this sequence. Debatably one of the world’s most iconic combining robots AND IT DOESN’T COMBINE ONSCREEN? Can you imagine if you watched the first Transformers movie and Optimus Prime never transformed?! There’s a single extreme close up of some gears turning or something, but that’s it, and even that is mostly obscured by smoke and fire. Even Turbo: A Power Rangers Movie gave us a Megazord combination sequence and that thing barely had a better budget than an Asylum movie!

Also, this seems to be the first time Rita has ever seen a Megazord. But… it can’t be, right? Surely this can’t be the first time the Megazord has been formed. Surely Rita and Zordon know about Megazords.

“GO GO POWER RANGERS” AND THE SOUNDTRACK:

So, they use “Go Go Power Rangers” in the movie, which is awesome. The same version from Mighty Morphin Power Rangers: The Movie, even. While it was really cool in a Easter egg sort of way, there are two problems with this.

1) We don’t get anything else. There’s no new “Go Go Power Rangers 2017 Version.” They literally could not bother recording a new version of the franchise’s main theme for their big budget blockbuster feature film adaptation. They literally just used a twenty two year old track for about thirty seconds.

2) Does the movie play “Go Go Power Rangers,” the team’s triumphant, ass-kicking theme song, when the Rangers morph for the first time? When they fight the Putties? When they fight Goldar? When they form the Megazord? When they kill Goldar? When they bitchslap Rita into the stratosphere? No. We get it as the Zords run from Point A to Point B.

Thrilling.

What makes it even worse is that they play a rather awesome sounding orchestral version of the theme during the end credits, after the mid-credit sequence. This rendition would’ve been amazing to hear as the Megazord fights and slays Goldar.

In a slightly unrelated note: Power Rangers, particularly MMPR, is known for having a rockin’, kick ass soundtrack. This movie’s soundtrack is all sad, slow shit. WTF? I’m not saying it should’ve been filled with covers of “I Will Win” and “We Need A Hero,” but SOME rock songs would’ve been nice. Literally every song in the film sounded like its own sad, depressing cover version.

THINGS I DID LIKE:

The cast really does well with their roles. Jason interacting with Billy was done really well, as was Jason and Kimberly’s “Let’s just up and leave this shit hole town” scene.

I don’t know if it was intentional, but when the cow roars at Jason at the start, it’s the same sound effect the TV show used for the Tyrannosaurus Dinozord.

Alpha being Billy’s “training dummy” as he practiced fighting. It was a nice little moment that I could see happening with the original characters.

Trini and Kimberly’s little lunch training session at the diner. I ship it.

Zordon reciting the classic three rules of being Power Rangers to the teens. Honestly, it stuns me that they not only remembered them, but bothered using them.

Rita enjoying a donut as Goldar destroys the city.

The Rangers forming the Megazord for the first time… And then not knowing how to pilot it, so they fall over.

The Megazord bitchslapping Rita into outer space. That was classic stupid goofy MMPR.

THINGS I SHOULD’VE LIKED BUT DIDN’T:

The aforementioned use of “Go Go Power Rangers.” It was nice to hear, but it was way too little and most certainly not the wisest use of the theme if they could apparently only use it once.

“Make my monster grow!” Uhh… he’s already giant when she says that. He’s a permanently giant monster. The line makes no sense. “I’m at the corner of Mariner Bay and Reefside…” Again, I appreciate the Easter egg, but it was just so clunky with its reference-ness. Maybe if it had been said in a news report or something.

The cameos by Amy Jo Johnson and Jason David Frank. Not that they shouldn’t have made cameos, it just felt like it was left over from a different, more fun film. “Hey, look, it’s the original Tommy and Kimberly!” feels severely out of place when shoved into the middle of this grim and gritty teen drama. That’s actually a problem with a lot of the Power Rangers elements in this film - They feel out of place in their own movie.

The mid-credit sequence. Really? They’re planning five sequels to this shit and the best they can do is a green shirt? No hints or tease for Lord Zedd, Master Vile, the Machine Empire, Divatox, Dark Specter, the Dragonzord, the Thunder Zords, the Ninja Zords, Saba, the Alien Rangers, Ninjor, Lt. Stone, nothing? We’re not even really allowed to enjoy the Tommy tease because it’s immediately interrupted by “lol, Billy blew up his locker again.”

OTHER THINGS:

Joseph Kahn, Adi Shankar, and Jil Hardin should look into a plagiarism suit because the opening of this movie is almost verbatim the opening of POWER/RANGERS. It even has the exact same establishing shot of the Red Ranger’s helmet laying on the charred ground, with death and destruction happening in the background.

“Send the meteor to my coordinates!” Wait, what? Zordon and/or Alpha can cast Meteor? What is this meteor? What does it do? It can’t be Zordon’s ship/the Command Center, because he wouldn’t call that “the meteor,” he’d call it “my ship.” Zordon buries the Power Coins on his own, so it doesn’t help with that, either. I guess it just kinda knocks Rita into the sea? And maybe kills the dinosaurs? Good job? I freely admit that this is an oddly specific thing to focus on, but what was up with that slim, “independent film” title, shoved way off into the corner? Where was the big block letter logo with the lightning bolt in the middle, smack dab in the middle of the screen, optionally accompanied by an instrumental “Go Go Power Rangers” riff? The trailers got this right, why change it?

They actually used the idea of the Rangers’ helmets opening up and revealing their faces, a la Iron Man. This was an idea they originally had for Mighty Morphin Power Rangers: The Movie back in 1995, but scrapped it because it looked stupid, deciding that their helmets should be, y’know, helmets. I don’t understand why they brought this idea back, as it doesn’t suddenly look better just because it’s 2017. Not to mention it allows the movie to do the “Can’t keep the stars’ faces covered for too long!” thing that always ruins climactic fights in superhero movies. It was so awkward and obvious whenever they’d state the Rangers’ full names. It was like the movie was making a point for everyone in the audience to know what their last names were. This wouldn’t be a problem except the only Ranger they don’t do this with is Trini (who clearly is not a “Kwan”) and it’s really noticeable. “JASON SCOTT!” “KIMBERLY HART!” “BILLY CRANSTON!” “ZACK TAYLOR!” “…and Trini.” The fact that Krispy Kreme was literally a plot point and central location in this film is beyond stupid. It was the level of product placement in a movie you’d expect to see from someone making fun of product placement in movies. Couldn’t the location of the Zeo Crystal have been the Youth Center? The Krispy Kreme could just be a business next door, or Ernie could’ve been doing a little promotional “Come buy Kripsy Kreme fruit smoothie donuts!” It kinda made me regret getting those PR donuts a little bit, truth be told. I thought it was just a fun little promotional thing, I didn’t realize Krispy Kreme had a supporting role in the film.

BOTTOM LINE:

Takes far, far too long for anything Power Rangers-related to happen. Yes, Zordon and Alpha are in the movie a lot, but they alone can’t carry the entire film.

No real sense of fun at any point.

The Power Rangers elements feel out of place in their own film.

The biggest problem with this movie is that the filmmakers had absolutely no sense of proportion, ratio, or balance. The teens and their characterization were great, but they took over the entire movie, while the actual Power Rangers elements were shoved into the corner and all but forgotten about until there was almost no time left to do anything with them. It was 85% teen angst and 15% Power Rangers when it needed to be 60% teen angst, 40% Power Rangers. Or, Heaven forbid, maybe even 50/50. It felt like the filmmakers were all “Shit, there are five more of these things coming. Let’s get all the characterization out of the way now so the sequels can be Power Rangers kung fu fun out the wazoo!” But that’s no way to make a film. What happens if something goes askew and this series goes the way of Divergent? What if the series is suddenly cancelled at some point and they never actually get around to what the hell the entire point of the franchise was? Even the MCU, which has movies planned until roughly 2055, still tells a complete story and gives their titular heroes plenty of time to shine in each individual film. This movie felt like a really good first draft that, while promising, was still in some serious need of going over and editing/rewriting. As it is, it feels like a Power Rangers film that has absolutely no interest in being a Power Rangers film.

#me #power rangers #power rangers 2017 #elizabeth banks #bryan cranston #film reviews #film discussion #mighty morphin power rangers #mmpr #rita repulsa #zordon #alpha 5 #goldar #dino zords #megazord #dino megazord #long posts

[jay-hickey-blog]

The man in computer land represents an enhanced version of Bruce’s Project 3, which included a capacitive sensor. This sensor acted as the nose of a cardboard cutout man. When the user touched the ‘nose’, processing would pop up with an illustration of the man and one of twenty canned responses would be played through the speakers of the computer. We decided to take this one step further with “The Man In Computer Land” by adding another capacitive sensor and creating a conversational interaction between the user and the virtual world. Instead of having a random, canned response, the user actually gets to choose what they are saying to the virtual “man” and in turn, they effect the direction of the conversation. The instructions are quite simple, just run processing and the Man In Computer Land will say something to you. You will have the choice of two responses that you can control with the capacitive sensors. What you choose will effect the conversation and will do so as you continue to choose responses. Our inspiration stems from everyday conversational interactions that the three of us experience. Video games were one of the main things that came to our mind when brainstorming for this project. This is due to how particular video games such as Fallout 4 represent dialogue. When a character wants to talk to you, a dialogue box pops up with what they are saying. After this, the user, or player, has a choice of one or several responses, which may impact the course of the rest of the conversation. Another inspiration that helped us come across the idea for our project is the growing popularity of voice commands in phones, which was popularized by iPhones Siri application. We thought it was interesting that people talk to their phones and sometimes go as far as having a full on conversation with Siri. It made us think that Siri is becoming somewhat of a “real person” in the sense that we can converse with it so well. This inspired us to blur the lines between real and artificial intelligence within our project. Upon further investigation, we realized that if you say rude things to Siri, the phone would actually respond with a sad retort. This means that showing empathy towards Siri is a crucial part of the interaction the cell phone user has. This is what inspired us to tie our project in with the idea of empathy. Our third and final inspiration for the project is human communication. What we say to people has an affect not only on our day but also on the rest of our lives. Likewise, what we chose to say to people may have an affect on them. This is what inspired us to create this project in such a way that the user will influence the final outcome of the conversation, and in turn, what happens to the virtual character in “computer land”. We decided to tie this interaction in with the idea of empathy. This is because empathy is a crucial part of the interaction. If the user shows more or less empathy, it will affect the final outcome of the entire interaction. One of the main goals we had in mind when approaching this project was the enhancement of the last project that Bruce did. We really wanted to take it a couple steps further by adding another layer of interactivity to the previous project. We achieved not only by adding a second capacitive sensor to the project, but also by adding a whole new level of interactivity. Instead of being fed one of twenty canned responses, the users interaction affects the outcome directly and has the ability to change the course of the overall interaction. Another one of our goals was to make something fun. We wanted to make “The Man In Computer Land” something approachable that people could have a laugh with. This is achieved through our use of quirky videos and black humor throughout the storyline of the interaction. In order to tackle the theme of the project, we decided to add an element of empathy to the interaction. If the user is more empathetic in his/her choice of responses, this will have a more positive outcome on the Man in Computer Land. If the responses the user inputs are less empathetic, there will be a negative outcome to story of the Man in Computer Land. Our hope is to make people realize that being empathetic is a valuable trait. We also want to illustrate the point that in this day in age, it is common for people to feel empathy even for “virtual beings”. We decided to use wood as the material we would make our controller out of. We chose this because it is an everyday material that can be recycled and used for anything. Rather than throw scrap wood away, we decided to reuse it. To make the capacitive sensor we used aluminum foil. We wanted there to be a button like feel when pressing the capacitive sensors. This is why foam and fluff was added. A wood burner was used in order to write the letters A and B in the wood. Other than the wood controller with the sensors on it, our other materials include a computer with a monitor, 7 jumper cables, 2 1M resistors and a Genuino Uno with the USB cord and the Arduino and Processing software. Interaction is absolutely integral to our project. This is because without physical human interaction, our project would be useless. For starters, the press of a capacitive sensor is required to engage the Man in Computer Land and commence the interaction. As the interaction progresses, the user retains an integral role by choosing responses to what the Man in Computer Land is saying or doing. Without this interaction, the project and the story that goes with it is absolutely worthless. Furthermore, the interaction involved in this project goes beyond simply pushing a button. The user must think and chose what to say to the Man in Computer Land. Making the user do this adds a layer of interactivity to the project, which was not present in the previous iteration created by Bruce. When we were first introduced to this assignment, the three of us desperately wanted to make a racing game involving two pulse sensors. We discovered however, that this would be impossible due to the lack of accuracy the pulse sensors offered when subjected to excess movement. This realization is what made us think of enhancing Bruce’s previous project. We quickly came up with our idea for “The Man in Computer Land” and thought it would be easy to achieve. We were dreadfully wrong. One of the first problems we encountered was in processing. We could not get a video and its audio to properly sync up when launched. This caused us to almost abandon “The Man in Computer Land”. However, upon realizing that the problem with the synchronization of the audio and video was a bug in processing, we were able to work around it using Boolean functions. Another problem we came across was in our Arduino code. It took us a good amount of time to sort out how our capacitive sensors would affect the serial monitor, and intern, processing. We had to think of two mathematical equations that would result in different numbers being read by the serial monitor depending on how many times one of the two capacitive sensors was touched. After a long battle with math, we sorted this issue out. One of the issues that always looming in our heads while sorting out the odds and ends of the project, was the possibility that processing may not be able to handle our fifteen separate video response. To our surprise and appreciation, this was not a problem. The dream version of this project would involve communication with The Man in Computer Land being as close to actual human interaction as possible. This could be achieved by increasing the amount of potential responses the user could input. Another steps forward for this project would be adding multiple characters and storylines for users to explore. These characters could include characters that speak different languages as well which would broaden the potential audience who could engage with our interaction.

CODE

Arduino

/ import the library (must be located in the // Arduino/libraries directory) #include <CapacitiveSensor.h> int x; // create an instance of the library // pin 4 sends electrical energy // pin 2 senses senses a change // (as well as pins 8 and 7 that I added) CapacitiveSensor capSensor = CapacitiveSensor(4, 2); CapacitiveSensor rapSensor = CapacitiveSensor(8, 7);

// threshold for a finger touch to trigger it int threshold = 200; //tinfoil // lower the threshold number, greater the range of detection (distance increases)

void setup() {  // open a serial connection  Serial.begin(9600);  // set the LED pin as an output  //pinMode(ledPin, OUTPUT); }

void loop() {  // store the value reported by the sensor in a variable  // as well as the second variable  long sensorValue = capSensor.capacitiveSensor(10);  long sensorValue2 = rapSensor.capacitiveSensor(10);

 // if the value is greater than the threshold

 if (sensorValue > threshold) {

   x = x* (x+1)+2; //I had to make an equation that would be different if the order was A,B compared to B,A

   if(x==14522){x=22;} //processing only reads numbers from 0-250 so if they exceeded that I had to assign them numbers    if(x==12658){x=58;}    if(x==274){x=75;}

   Serial.write(x); //processing only reads serial write properly, not serial print. Although it's there in case I need to look at the serial monitor    //Serial.println(x);    delay(1000); // this makes it so only one number goes into the serial port credit to Phil for showing me this.

 }  //here's the second sensor stuff  if (sensorValue2 > threshold) {

   x= x*(x+1)+10;

  if(x==282){x=83;}   if(x==14530){x=30;}   if(x==12666){x=66;}

   //{x=0;}    Serial.write(x);    //Serial.println(x);    delay(1000);}}

Processing

import processing.video.*; import processing.serial.*;

Serial myPort;  // Create object from Serial class  

// Here I'm just making the video variables A is the A response, p is also the a response for future reference Movie A; Movie B; Movie AA; Movie BB; Movie AB; Movie BA;

Movie AAA; Movie AAB; Movie ABA; Movie ABB;

Movie BBB; Movie BBA; Movie BAB; Movie BAA; Movie Hi;

// here I'm creating the booleans that go with each video, p is A and n is B so pnp would be for the video ABA int x; float val; boolean p = false; boolean n = false; boolean pp = false; boolean nn = false; boolean pn = false; boolean np = false;

boolean ppp = false; boolean ppn = false; boolean pnp = false; boolean nnn = false; boolean nnp = false; boolean npn = false; boolean pnn = false; boolean npp = false; boolean hello = false;

void setup() {

 println(Serial.list()); //list serial ports  printArray(Serial.list());

 String portName = Serial.list()[1]; // pc  myPort = new Serial(this, portName, 9600);  size(1280, 720); Hi = new Movie(this, "hi.mov"); A = new Movie(this, "p.mov");  B = new Movie(this, "n.mov");   AA = new Movie(this, "pp.mov");    BB = new Movie(this, "nn.mov");     BA = new Movie(this, "np.mov");      AB = new Movie(this, "pn.mov");       AAA = new Movie(this, "ppp.mov");        AAB = new Movie(this, "ppn.mov");         ABA = new Movie(this, "pnp.mov");          ABB = new Movie(this, "pnn.mov");           BBB = new Movie(this, "nnn.mov");            BBA = new Movie(this, "nnp.mov");             BAB = new Movie(this, "npn.mov");              BAA = new Movie(this, "npp.mov");

 val=0;

}

void draw() {

   while (myPort.available() > 0) {    val = myPort.read();    println(val);}

  //this plays the starting video right off the bat   if (val==0){     hello = true;}   if (hello=true){     Hi.play();     image(Hi, 0, 0);}   if (val>0){     hello = false;}   if (hello=false){     Hi.stop();}

// if arduino sends a 2 over, make p true, which in turn plays A and stops anthing else playing.

  if (val==2) {    p = true;    n = false;    pp = false;    nn = false;    pn = false;    np = false;

   ppp = false;    ppn = false;    pnp = false;    nnn = false;    nnp = false;    npn = false;    pnn = false;    npp = false;}

  if (val==10) {    n = true;    p = false;

   pp = false;    nn = false;    pn = false;    np = false;

   ppp = false;    ppn = false;    pnp = false;    nnn = false;    nnp = false;    npn = false;    pnn = false;    npp = false;}

   if (val==8) {    n = false;    p = false;

   pp = true;    nn = false;    pn = false;    np = false;

   ppp = false;    ppn = false;    pnp = false;    nnn = false;    nnp = false;    npn = false;    pnn = false;    npp = false;}

   if (val==16) {    n = false;    p = false;

   pp = false;    nn = false;    pn = true;    np = false;

   ppp = false;    ppn = false;    pnp = false;    nnn = false;    nnp = false;    npn = false;    pnn = false;    npp = false;}

      if (val==120) {    n = false;    p = false;

   pp = false;    nn = true;    pn = false;    np = false;

   ppp = false;    ppn = false;    pnp = false;    nnn = false;    nnp = false;    npn = false;    pnn = false;    npp = false;}

      if (val==112) {    n = false;    p = false;

   pp = false;    nn = false;    pn = false;    np = true;

   ppp = false;    ppn = false;    pnp = false;    nnn = false;    nnp = false;    npn = false;    pnn = false;    npp = false;}

     if (val==74) {    n = false;    p = false;

   pp = false;    nn = false;    pn = false;    np = false;

   ppp = true;    ppn = false;    pnp = false;    nnn = false;    nnp = false;    npn = false;    pnn = false;    npp = false;}

     if (val==82) {    n = false;    p = false;

   pp = false;    nn = false;    pn = false;    np = false;

   ppp = false;    ppn = true;    pnp = false;    nnn = false;    nnp = false;    npn = false;    pnn = false;    npp = false;}

     if (val==83) {    n = false;    p = false;

   pp = false;    nn = false;    pn = false;    np = false;

   ppp = false;    ppn = false;    pnp = false;    nnn = false;    nnp = false;    npn = false;    pnn = true;    npp = false;}

       if (val==75) {    n = false;    p = false;

   pp = false;    nn = false;    pn = false;    np = false;

   ppp = false;    ppn = false;    pnp = true;    nnn = false;    nnp = false;    npn = false;    pnn = false;    npp = false;}

       if (val==30) {    n = false;    p = false;

   pp = false;    nn = false;    pn = false;    np = false;

   ppp = false;    ppn = false;    pnp = false;    nnn = true;    nnp = false;    npn = false;    pnn = false;    npp = false;}

       if (val==22) {    n = false;    p = false;

   pp = false;    nn = false;    pn = false;    np = false;

   ppp = false;    ppn = false;    pnp = false;    nnn = false;    nnp = true;    npn = false;    pnn = false;    npp = false;}

       if (val==66) {    n = false;    p = false;

   pp = false;    nn = false;    pn = false;    np = false;

   ppp = false;    ppn = false;    pnp = false;    nnn = false;    nnp = false;    npn = true;    pnn = false;    npp = false;}

       if (val==58) {    n = false;    p = false;

   pp = false;    nn = false;    pn = false;    np = false;

   ppp = false;    ppn = false;    pnp = false;    nnn = false;    nnp = false;    npn = false;    pnn = false;    npp = true;}

 // this is where I specify videos to stop if they're not playing  if (p==false){    A.stop();}

    if (n==false){    B.stop();}

    if (pn==false){    AB.stop();}

    if (np==false){    BA.stop();}

    if (pp==false){    AA.stop();}

    if (nn==false){    BB.stop();}

    if (ppp==false){    AAA.stop();}

    if (pnp==false){    ABA.stop();}

    if (ppn==false){    AAB.stop();}

    if (pnn==false){    ABB.stop();}

    if (nnn==false){    BBB.stop();}

    if (npn==false){    BAB.stop();}

    if (nnp==false){    BBA.stop();}

    if (npp==false){    BAA.stop();}

// this is where I specify videos to play if their specific boolean is true  if (p==true){    A.play();  image(A, 0, 0);}

    if (n==true){    B.play();  image(B, 0, 0);}

    if (pn==true){    AB.play();  image(AB, 0, 0);}

    if (np==true){    BA.play();  image(BA, 0, 0);}

    if (pp==true){    AA.play();  image(AA, 0, 0);}

    if (nn==true){    BB.play();  image(BB, 0, 0);}

    if (ppp==true){    AAA.play();  image(AAA, 0, 0);}

    if (pnp==true){    ABA.play();  image(ABA, 0, 0);}

    if (ppn==true){    AAB.play();  image(AAB, 0, 0);}

    if (pnn==true){    ABB.play();  image(ABB, 0, 0);}

    if (nnn==true){    BBB.play();  image(BBB, 0, 0);}

    if (npn==true){    BAB.play();  image(BAB, 0, 0);}

    if (nnp==true){    BBA.play();  image(BBA, 0, 0);}

    if (npp==true){    BAA.play();  image(BAA, 0, 0);}

}

void movieEvent(Movie m) {  m.read();

// this prints a value in the console so I can see what is being sent   println("value: " + val); }