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#they're also antagonists in the story they're in lol
cactusju1c3 · 8 months
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the fucking. guys. most transgender trio in the wasteland
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unproduciblesmackdown · 2 months
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blade gunnblade !!!!!!!!
via eliza simpson:
There are no words for this true warrior. They kill me. MMM: went in for a post show hug. Me:"ow!" Asia: "oh sorry, that's my bullet necklace." 😳........ 😍
#blade gunnblade#asia kate dillon#kapow-i gogo#eliza simpson of [angel & others in the mysteries] & [the mother line story project] & [saw ak dillon in triptych yes we're jealous]#& [princess cloudberry in kapow-i gogo]#here we also see stephen stout in the 1st pic but going ''!! surely our dear cherished blade gunnblade's back. hair's long though hmm''#only to have that cleared up by the 3rd pic thank god =']#i guess at some point blade gunnblade has blue hair & i do love that for them#i believe they're in part 3 but i have all the less information about that plausible appearance#(and of course still no info on [asia perhaps doubling roles with the longer black haired wig & ultracorp jacket in that one pic?])#one thing that would be fascinating & fun is if part 3 blade has more of part 1 kapow-i's look. the bright blue hair#looks like pink lipstick. Pure Speculation but i know the like [this is reaction to You Know How Media Is] element discussed like#part 1 thinking most [sat. morning cartoons experience; the legend of] part 2 is like when these series get sequels or just some#ep or turning point that upends its own previous established conventions. Darker more Serious / Mature Themes etc#part 3 like well sequel to That which adds yet another layer of the same factor there lol#i'm not really that versed in All This Media directly b/c i'm not that versed in / familiar with much of any media directly but#i am also not completely at sea & also one thing i could think of is like. blade is our revenge vengeance tragic anti antagonist lmao#what if after that they get to lighten up in delightful contrast to the torment & tragedy. turn more optimistic moral support bestie etc#but like i said utter speculation based on ''oh this is a look they have?'' & comments on [comments on material commenting on itself] so#could be anything! or nothing! except that it's Something enough to have been photographed a couple of times. thank god#oh hang on also we can see that that's stephen stout's character in the pic of Wearing A Black Longer Haired Wig & Ultracorp Jacket#who's to say it isn't also: yes that's blade disguised or something. underneath they have this bright blue shorter wig & Blade Outfit lol#i would cheer for that. compelling#(also noting that it didn't preclude a doubling of roles instead but; that figure Is wearing blade's necklace. makes it easy to switch to#Blade Mode backstage; makes it easy to switch to Blade Mode onstage....)#which: noted! bullet necklace! makes sense lmao. sort of#also pic 2 ft. director kristin mccarthy parker fyi. and the typical blade hair length i.e. simply asia's own.#''😳........ 😍'' soooooo true ''MMM:'' standing for ''most memorable moment:'' and also sooooo true as well#blade gunnblade is everything to me. if they died in part 3 i'm blowing this whole building up. they have bright blue hair now
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crystalkitty1220 · 7 months
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Welcome back to tumblr! Hope you enjoyed your break
It was very stressful. Ended up failing the marking period for English, but not by as much as I was failing before. Could still pull up the overall grade by the end of the semester.
#started writing a fic a few days ago. been a while since ive done that.#so far felix is very out of character but he's only gonna be the focus for the first chapter. plus i might go back and rewrite him.#maybe i should wait until the new chapter comes out tho so it's relevant to updated canon#anyway echos started brainrotting about chris in a /pos way so yeah a lot of my break has been rethinking old analysis#started to notice that he's a lot more fun if i get in the mindset that he's not poorly written he's just literally isaac's antagonist#also my siblings have been hyperfixating on DC so i watched a batman series. i think they're very disappointed in me for choosing batwheels.#snowy best vehicle#. what else#oh ive been doodling a nightmare design#been liking the idea of him and dream not being skeletons but dont wanna draw/write them as their canon human designs#because (if i'm correct) they get those designs at some point later in the story. and i don't want to confuse the timeline like that.#so ive been working on concept sketches for a less human design for them. ive also noticed that them being humans in canon actually#makes a lot of sense because the other guardians don't really have any connection between their species and it can be assumed that#whatever they are exists in the universes/multiverse they're from. so it makes sense for the twins to be humans because the utmv has humans.#. but i also like how they couldn't be given the human forms at first because of the lack of holes.#so the design im working on has gill/stripe-looking vents for the energy to come out of.#also gonna try to add little fire wisps into the design because i love their true forms so much#anyway i dont think there's been more that ive done. other than schoolwork. and watching qsmp.#oh i started working on an animatic. but i do that all the time. it'll be a bigger occasion if i finish one lol.#think im gonna still keep interaction on tumblr to a smaller scale because i wanna keep getting stuff done
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Okay, so, there's one thing that I'm kind of tired of beating around the bush with white fans about, and it's this: if you pretend to "ignore" race in OFMD, you will miss a lot of what the story is trying to tell you.
Now, I do not truly believe that race is something you can ignore in a story. I just don't think it's possible, and when you try, what you wind up with is something like the conservative worldview of "not seeing color." Trying to ignore race will make you sound racist and ignore important racialized themes.
You can't understand Stede's need for character growth at the beginning of the show if you just focus on how he's "cringe" instead. When Stede makes his crew members of color serve them at dinner when the English board, this is gross, and their faces tell us exactly how they feel about it. Stede unlearning his biases here isn't subtle (guy who called him and Pete "fucking racists" I love you forever), and learning to take all of his crew members seriously as fully actualized people, moving away from the sort of Kindergarten-teacher behavior at the start to truly valuing them as people and taking their input and suggestions, it's an important aspect. Stede asking Abshir for intel at the party isn't just funny, it's also proof he's learned to see value in people in positions like Abshir's.
You can't understand the motivations behind Ed's actions, especially the violent ones, if you ignore the racist overtones. Ed is not a randomly violent person - he gets angry at a captain for calling him a "rich donkey," and if you think it's unreasonable for a brown man to want to get revenge on a white man for calling him that? Then fuck I'm glad you can't see the conversations I have with my other black friends, man. Ed's anger and frustration at the party aren't just because he fucked up with some spoons, lol, you can't get it unless you realize he's the only brown guest in that room. Yeah, he's ignoring Stede's advice, but he's immediately under a pressure Stede never has been. Ed's wanted posters in s2, too, rely on heavily caricaturizing Jewish features to make him look grotesque and monstruous. We're supposed to be horrified by that aspect.
And, yeah, when we ignore the racist tones to Izzy's behavior, I think that's undermining an important aspect of who he is as an antagonistic character. Him buying Ed from the English should feel like a gross violation, because it is. When he sits in front of the crew eating and making Fang and Ivan serve him, I think it's a pretty obvious parallel to how the crew members of color were similarly insulted in the pilot. It's impossible to ignore race in the way he dehumanizes Ed and tries to force him back into a caricature of behavior he hates and is horrified by - when he calls Ed a "wild dog" in s2, if that doesn't cause a visceral reaction of disgust in you, I dunno what to tell you. This doesn't mean that Izzy is irredeemable - just as Stede wasn't - but it does mean that racist biases are things Izzy had to unlearn.
OFMD so often takes so much care with how its characters of color are depicted. We get thoughtful, relatable moments (those French boat people getting humiliated and setting their boat on fire after they'd tried to touch Ed's beard is so satisfying, guys) and excellent, supportive friendships between men of color. The characters of color on OFMD are clean, smart, respected, and it's wonderful. And just because these things aren't always relatable to you specifically doesn't mean they're not important parts of the story.
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dbphantom · 10 months
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I'm a OP manga reader, sell me on watching G-8
Sure!
G-8 is post Skypiea filler and starts with the Strawhats landing right in the middle of a walled-in marine base after they fall from the sky island. They have to figure out how to escape this 'impenetrable fortress' with Merry without anyone getting captured or killed.
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To do this, most of them go undercover and infiltrate the marines so they can buy time, regroup, and figure out a plan.
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It goes about how you'd expect.
(If only Garp could see him now, lol).
The guy on the left in the above picture is this arc's amazing antagonist, Vice Admiral Jonathan.
He is so cool that he cameos in both Stampede and Film Z.
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G-8 has some of the funniest jokes in the series, including this iconic scene:
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The way it pairs off the Strawhats at the start leads to some great extended interactions between crew members who don't directly talk to each other too often, like Nami and Chopper + Usopp and Robin. They're all very in-character, too.
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It also lets the Strawhats show off in their respective areas- Chopper ends up in the medical wing, Usopp works with the shipwright, Sanji is dragged to the kitchens...
[Spoilers in case you're not post Water-7]
It even takes time to emphasize the set-up for the Klabautermann reveal, just to make sure you remember it before the emotional gut punch that is Water-7.
[End spoilers]
It's got a really endearing and memorable cast of side characters as well, who all get roped into the Strawhats' shenanigans.
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G-8 also has one of Robin's coolest outfits.
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The entire arc is basically a 4D chess match between Jonathan and the Strawhats, except the entire crew is shoveling pieces into Luffy's mouth as fast as they can whenever Jonathan isn't looking.
G-8 is what I show people who want to get into OP, but don't know if they'd enjoy it. It's short (only about 11-12 episodes iirc) and it encompasses everything I really love about early One Piece. I think it's a great litmus test for if you'd like the vibes of the show as a whole. Also, it is so well-integrated into the story that most anime-onlys don't even realize it's filler unless they're told.
Honestly, I would put G-8 on the same entertainment level writing-wise as some of the better movies. It's fun to watch, the jokes are great, and the characters are all enjoyable. I really recommend giving it a go.
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diientedegato · 5 months
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I'm curious if you have any thoughts on what Ben Paul would look like if he was alive years after S1 of TWDG :> I honestly prefer to imagine both him & Kenny going off on their own adventures after S1, because Idk if I'd've had Kenny as part of S2, it felt like when he returned it became less Clem's story & more his. That might be controversial among fans but it's how I feel :s I like to imagine Ben, Kenny & Sarita forming their own little family in fact <3 I'd expect Ben would end up with shaggier hair after a while but I wouldn't mind knowing what he'd look like with short, spiked up hair ;>
IM SORRY BOTH THE ASK AND DRAWING ARE OLD- but I came across the sketch I had eugeugeh. I do not have many headcanons but behind the cut is just a rant about. Kenny mostly. Too much should I warn? But yah I'm sorry it took me like 5 months lol
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The only headcanon (regarding Ben's appearance) is that he'd keep his school jacket for as long as possible. Until it thorns apart. Or until he dies.
I'm big fan of Ben lives possibility btw I've gotta draw sum about that sometime (I say, about every twdg character i like,)
And dude, do I agree about Kenny. Man doesn't belong in season 2. The character they made him to be in the second season is not Kenny, it's just a nostalgia element. Don't get me wrong, I love the guy, I'm biased as hell, I break that hug choice every time. But it made the character development in the first season just.... pointless. "For some reason, I saved that piece of shit Ben", man, that quote just disappoints me. Kenny lost everything. Father and husband of none no more, which was pretty much the arc of Kenny on the first season?? I think? . Everything he loved and he had he lost, and he killed the person responsible for it. But not as revenge, he killed a kid out of mercy. He saved the boy from suffering a painful death, and that was forgiveness, to the reason he hadn't any. He took a decision he would be fully responsible of, when it was time for him to go. And he was perfect.
Hell, if he had appeared during season 2, I do prefer the Kenny as Carver idea. Clementine wasn't even that close to Kenny in the past, the player was, so even then it feels... off, off to be forced to care about a man that says so much he wants to protect you. (They're not really family, but is as if Kenny tries to protect and have Clem on his side, to have Clem's loyalty through and through. Though he does let her go and is proud of her on her individuality... hm.) But still, I mean, second season Kenny is not first season Kenny, and it isn't even a change that made sense. If he had been antagonist (which pretty much feels like it in the Canon story already), he should have had some other background story, no Sarita or company. Maybe then the cynical view he has would have mattered. The violence and anger and whatever else. For him to change that way was a consequence of him losing what he represented, protection of family? Wasn't failure and grief and acceptance meant to be important after all?
But otherwise yea I think it would've been pretty cool if Ben survived :3 I am a sucker for tales of redemption, forgiveness, and found family. And I hadn't thought about Kenny, Ben, and Sarita, but hell yeah. Man, even if they appeared in the second season, it would've been interesting if the choice wasn't between two individuals, but between two families. Ben already had a relationship with Clem! He appreciated her and calls her his only friend during season 1, he did leave her behind during that scene, -but the point of Ben was that- He was a coward all the season, until when he wasn't. He wanted to help Lee help Clem. They would've had an interesting sibling relationship-? also Ben had a young sister before the apocalypse so ooooh projection and parallels and shi. And if Ben had lived, he would've completed his development to something close to bravery-?
Well, I don't know, at least I think that'd be one interesting way to bring back old characters. Otherwise, Kenny should only be mentioned on dialogue maximum. The way I see it.
(I repeat the same thing over and over when I talk about something I'm sorry
(I've developed no language skills whatsoever in my life
(Yippee
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downtroddendeity · 3 months
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@turnkeyassurance saw your tags and figured I'd take the opportunity to pause my descent into madness to give my more sober opinions on the Ni no Kuni franchise, lol. (Warning: I am a humongous JRPG nerd)
The NNK games are really odd ducks, quality-wise. You can call either one a good game or a bad game and call either one better than the other, and any combination of those opinions can be something I think is entirely justified. Both of them have things they do remarkably well and also serious, profound, deal-breaking flaws, and the really weird thing is that there's almost no overlap between those two lists for the two games. What clicks and doesn't about both of them is going to be deeply individual.
What Ni no Kuni: Wrath of the White Witch does, with resounding success, is Vibes. It sets out at every single step with the goal of being a playable Ghibli movie, and it sticks to that principle. It's all about beautiful, cel-shaded whimsy. It's a game for people who want to feel like they're wandering through the meadows in the movie version of Howl's Moving Castle. There are lots of puns, and you can befriend all the random encounter monsters and feed them ice cream.
But that's also its Achilles' heel: because it's dedicated entirely to imitation, it has trouble bringing things to the table that are really its own. It has the visual and narrative aesthetics of Hayao Miyazaki's films, but it doesn't have the raw emotion at the heart of them. And as a game, its mechanics combine the clunkiest features of menu-based combat and action RPGs, and while everything about the Pokemon-esque mechanics seems designed to encourage players to collect and experiment with them, the balancing turns attempting to do that into a miserable grindy nightmare.
The other problem is that it... isn't actually the first Ni no Kuni game. Wrath of the White Witch is, in fact, a remake of the Nintendo DS game Ni no Kuni: Dominion of the Dark Djinn, which was never released outside Japan. The reason for this is pretty easy to explain, because DDD had another gimmick besides its aesthetics: it came with a real-life physical copy of the wizard spellbook, and the player had to look things up in it and draw sigils on the DS touchscreen to cast spells. So, we've got a high-effort remake that had to completely cut the central mechanic... and which also expanded the plot so that the original main villain was no longer the primary antagonist. This results in a game with what is very clearly a final dungeon and very clearly a final boss and very clearly a resolution to the story, which suddenly has a completely different plot dropped on it like a fucking anvil that it expects you to be just as invested in even though it hasn't had anything like the same level of buildup.
And ironically, this is almost the exact opposite of the biggest problem with Ni no Kuni 2: Revenant Kingdom, a.k.a. the one with my new blorbo, the President of the United Union of Eagleland. 2 is an effort to try to cement an identity for the series that can be its own, rather than requiring them to depend indefinitely on borrowed Miyazaki nostalgia. It just has the teeny-tiny, itsy-bitsy problem that at some point in development it had a budget shortfall so bad that you can finish the game without ever realizing that there is a continent-sized crashed interdimensional spaceship on the world map.
This game has had a machete taken to it. Don't get me wrong, I genuinely respect the work they did to make what they could with what they had, but you can see the signs of massive scope cuts to literally every aspect of the game. The back half of the game has almost exclusively recycled enemy and environment assets; voice acting has been trimmed down to canned voice clips; the catboy protagonist's ears and tail are barely animated; one minigame was so inadequately playtested that a level 16 mission is massively harder than level 50 ones; and while whatever restructuring they had to do to the main plot still left the final version with a more solid and coherent central arc than WWW in my opinion, it also left a lot of truly gaping plot holes, like oh, I don't know, why the President of the United States got turned into a 19-year-old.
Literally, they just. Entirely forgot to explain that. Half the DLC is just the writers scrambling to fix stuff like that and add a bunch of character development that should have been in the base game.
However, despite all this, I personally enjoyed NNK2 more than NNK1 unironically, not just for Rolandposting reasons. Compared to the first one, it plays much more smoothly as a straight action RPG, and while it can't provide the same knock-your-socks-off aesthetic cohesion, to me it seemed a lot more heartfelt- that is, like a game that was made because people had a story they wanted to tell.
But, well, we wouldn't be here if it wasn't for the non-unironic reasons, because the story they really, genuinely wanted to tell was about a magical catboy growing up and learning to become a leader, and somehow, miraculously, they really thought that was the story I was here for too when they opened the game with the President of the United States being isekaied by Nuke-kun.
Sorry, guys, I have a crippling addiction to dramatic irony and my day job is tech work in local politics, you could not have more laser-targeted this at making me specifically laugh my ass off if you tried.
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chickenoptyrx · 4 months
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You do so right by z Broly, you understand his potential. Your au with him and Trunks is a delight
Glad we all appreciate my blatant misrepresentation of the character 😌 im partly joking but man fr, 12 year old me would hate that instead of him bein a badass edgy monster, I draw him as.. *checks notes* .. an immature loser with bad coping mechanisms uwu
Ok but in true ask tradition! :U im hijacking this ask to talk about a dumb theory thats been rolling around in my head for like 2 years now: android 16 and broly similarities:
Ok so. If you aren't aware. The android arc of dragon ball was originally going to focus on the androids 19 & 20 and trunks even names them specifically
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But Toriyamas former editor, Kazuhiko Torishima, didn't like them as the main antagonists and so Toriyama changed it to focus on 17 & 18 as the bad guys and introduced 16 as a sort of mystery
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Now. This gets almost completely dropped once that same former editor ALSO doesn't like these androids and cell becomes the main villian for the arc (yeah yeah, the bomb thing is technically *there*, but its so inconsequential most people forget its even a thing :T )
So. Idk exactly when movie 8 went into production, but we know Brolys LSSJ form was inspired by trunks SSJ grade3 form that appears several chapters after cell has been introduced and the androids have become power-up fodder, so im gonna argue its safe to say the decision to move away from their story had been made
(side tangent that I find absolutely hilarious btw- despite gokus commentary in the HTC, SSJ grade 3 was the strongest form of ssj we saw at this point, so its pretty appropriate to use it as the basis of the strongest scariest ssj form.... rrriiiiiiiiggght up until toriyama introduced SSJ2 on Feb 2, 1993- near exactly 1 month before the first Broly movie hit theaters. Completely undermined what, up til then, looked like a trend in stronger form = bigger and beefier right as the big beefy strongest guy ever movie came out 🤣 absolutely love it!)
So anyways. The movies overall also tend to have varying degrees of similarities with recent arcs in the show and Toriyama, while not overly involved, would give the studio designs and story notes. And. Idk. Yall can tell me im reaching if ya want, but: A guy who's made into a weapon by his father who's on a quest for revenge and has this conflicting view of his son as both someone he feels he failed to protect, someone he cares about, but also as a tool for that revenge, and someone who's destructive power hes become deeply afraid of.. now where have we seen somethin like that 🤔 may be an extra reach but I also think its neat that despite their different face shape, Toriyamas gave em the same expression
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Lol they're also both just ridiculously tall bastards. Like for no gd reason. And yeah, to me atleast, it explains why hating goku specifically gets shoehorned into brolys backstory (listen I can absolutely do the mental gymnastics to make it make sense! I'm fine with it! Its fine! I actually like it! ... but it IS a dumb shoehorned plot point! Both things can be true D:< ) look just lookit these tall ass shits
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Anyway. My last note is just this statement from Toriyama about 16 and Gero. The way gero is presented is really in line with how I see Paragus as this tragic failure of a father- honestly caring about his kid, but letting grief and revenge drive him into conflicting corners where he wants revenge FOR the life denied his son, but also actively shaping his son into such a terrifying weapon that ultimately hed rather his kid just never be conscious cause thats the 'only way to keep them safe'
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“Dr. Gero’s son who died young a long time ago served as the visual model for Android 16. He was a high-ranking soldier for the Red Ribbon Army but was shot down by the enemy. Dr. Gero reserved special feelings for 16 as “his son,” and although he equipped 16 with immense power and a frightening destructive device, he didn’t want to see him be defeated on the battlefield and thus programmed him to have a gentle personality. 16 was consequently considered a failed creation.” The smaller caption below Toriyama’s quote reads: “Was the reason Dr. Gero didn’t want to activate 16 perhaps because of his parental love to not see him destroyed?”
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bestworstcase · 4 months
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people who talk about "cast bloat" in v7/8 are so funny to me bc v4 and especially v5 really suffer from having so few minor and supporting characters—like. literally the only new faces are 1. nameless bit characters, and 2. arc antagonists (the albains, ilia, lionheart, raven, and vernal).
and i think that is the reason those two volumes feel so… empty. they're not actually that slow-paced and there is in fact a LOT of narrative meat on the bones, but v4-5 feel slower and feel like there's less going on in them. (and that is not exactly an uncommon opinion: "nothing happens in v4-5" and "v4-5 are slower paced and that's good actually" are both sentiments that i see a lot.)
but… like, v4 comes out swinging with salem putting her plan into motion, and while juggling between blake / weiss / rnjr / yang on their separate journeys does slow down the progression of character arcs in terms of watching time, narratively things do happen at a fair clip and the story does a good job of weaving these disparate threads together thematically. similarly, v5 murks up the timeline by being non-chronological but none of the characters are ever just sitting around and there is quite a bit of momentum. it just doesn't feel that way—
—because these narrative events feel isolated. menagerie is crowded with nameless extras, only one of whom gets a shred of actual characterization; the only side characters who get anything at all are the antagonists involved in blake's arc. similarly, rnjr meet a few bit players during their journey across anima and then… literally just lionheart, once they reach mistral. vernal is the only bandit with an identity beyond "bandit."
the atlas portions of v4 are comparatively memorable because we DO meet new characters of varying importance: jacques, klein, and whitley get a decent amount of fleshing out in relation to weiss and ironwood, with ironwood's headbutting with jacques giving an indirect glimpse into atlas politics; then there's smaller characters like henry marigold, the business people who talk about the faunus and economic inequality with jacques, the socialite who scoffs about the fall of beacon because how is this our problem.
the same can be said for the other arcs too. the blacksmith and the mayor at the beginning of v4 breathe life into that village; the friendly captain makes the ship feel more alive. nameless extras don't do much for a narrative—they just visually fill out a scene—but bit characters with a bit of personality bring the world to life.
so during the beacon arc, there's a steady widening of the supporting cast (team cfvy + sun and neptune + penny and ironwood in v2, winter and qrow and various tournament competitors in v3). and then in v6, we get dee and dudley, maria and jinn, the cotta-arcs and cordovin and the encounter with pyrrha's (probably) mother. and in v7-8 there's the ace-ops and the happy huntresses and pietro along with bit characters like the councilmen and racist grandma and fiona's uncle. and v9 is chock full of memorable side characters. there is a significant and consistent presence of side and bit characters.
compare that to v4-5, which have long sections of narrative where The Only Characters are… the core cast and the arc antagonists. it makes the world feel smaller and that makes the narrative events feel insulated and unimportant.
a bare-bones cast of only characters who are strictly necessary for the plot will not make v10 feel "tighter" or "better focused," it'll just make vacuo feel lifeless. lol. (and this is not even getting into how rwby uses side characters to develop its core cast; like the point of robyn being so prominent in v7-8 is not to develop robyn herself, it's to incite development with ruby, penny, blake, yang, ironwood, and qrow. she's a catalyst. this is true also of the ace-ops and may.)
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So my man what do you think of how bnha act 3 has treated the villains so far?
I think it's going exactly the way the story hinted it would. No surprises there.
In terms of narrative, people should give Horikoshi his flowers. MHA might not be as flashy as other mangas, but Horikoshi keeps it consistent and to the point. I'm glad that he doesn't sacrifice the writing of a plotline in order to create flashier or more action based fights. I'm also glad he's been with the villains' ideologies and their reasons to do what they do.
It's funny, the hero side might be the one who's more surprised with the current outcome of the final showdown. You have moments like Ochako risking it all for Toga, which is a dream come true for villain fans yet might be hard to process for other people. I'm personally satisfied with how the author treated the Enji and Dabi plotline, because in the end it was not Shoto who alone could do a miracle. A bit of a "family issues must be solved by the whole family" opinion, but I'm glad to see Rei, Natsuo and Fuyumi getting involved. They all had the spotlight in a heartwarming moment to stop and help Touya. They all took responsibility for their role in what happened to their family.
So far, so good.
To be honest, my perception is that Horikoshi has great respect for some of his villain characters. He has so far dedicated a lot of the story to Tomura alone, to his connection with Izuku. At least when it comes to the League, sacrifices are not simply plot twists, you know? They held meaning, they're respectful to the character.
I can't say the same for other antagonists and villains, tho. It's understandable, those secondary characters won't receive as much screen time and that's okay. It's just a bit sad to think that some of them have a lot of potential, but the story keeps them backstage. I certainly miss seeing some of the members of the Meta Liberation Army, for example. I loved the implications of corruption of power in the hero society. I miss Lady Nagant too, I can't wait to see her reaction to knowing that AFO is finally dead. Right now I wonder what the hell Horikoshi had planned for Hawks, lol. Every time I think his plotline is getting kickstarted, it runs for a second before stopping again. If he's there it's because there are unfinished businesses with him, maybe we will finally get a resolution on his connection with Toga and his past with Twice, but that's for later.
I have faith in Horikoshi, I guess. He has shown us that he does what the story demands and doesn't change the course of it for the public as much as other mangakas do. That is what movies are for.
I'm sure we'll see Spinner and Compress again, but most of all I'm curious worried about Kurogiri. I insist that the resolution between Kurogiri and Aizawa and Yamada will wreck me. In my wildest dreams I see Kurogiri begin for Tomura's life aka to save him, to give him a chance. I saw Aizawa's face when he heard Kurogiri talk about Tomura. He knew it was not only an order, but also a part of Oboro still alive. Oboro would do anything to help someone in danger, he'd pick any stray cat, give his life for anyone. I'm on the edge of my seat with that trio. Teachers on opposite sides of the war, once friends. Don't even get me going about Yamada and Kurogiri. Whenever I think of Mic and his role in that situation, it's pure torture.
If you ask me, I'm getting what I wanted. Act 3 has been great. It got a little boring for me when the whole focus was fighting AFO (I don't know why, maybe AFO is just not my favorite character to focus on). The rest? Amazing. Beautiful panels and drawing style, emotional instances that reveal the heart of the villains, their determination and dreams were respected, they got treated for once as real humans and not just villains... I'm behaving like a total kid with what is happening with Deku and Tomura in the 415 chapter.
Now, post-battle is another matter. We will cross that bridge when we get there, but they must be all alive and well or I'm ending what the League started and taking this whole world down with me (I'm not exaggerating at all haha why you ask?)
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zzpromptosides · 2 months
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i believe that prompto being different from gladio, noctis and ignis is just always there in ffxv, if it isn't mentioned until near the end of the game.
(some of these reasons may be quite out there or make no sense lol)
ffxv spoilers under the cut!
1. prompto is the character in the group with the lightest hair colour
- noctis and gladio have quite dark hair colours. ignis has hair lighter than theirs, but its not as bright as prompto's
- people are more drawn to look at brighter things, so they'd be drawn to looking at prompto because of his bright, blonde hair. prompto's attention is drawn more than the other character's because he's more 'bright'.
2. prompto's personality is also more 'bright' and different than the others.
- prompto is more of a 'brighter' person than the rest. they're all more laid back at times, whilst prompto is there singing, humming tunes and just spouting on about something.
- prompto's brighter personality makes players be caught off guard when the game reveals his backstory. his story is a contrast to his personality a lot - like light vs dark. this, again, highlights how different he is from the rest of the group.
- prompto also focuses on women in game like aranea and cindy. this could be him trying to fit in with the rest of the group and trying more to be normal, even though he doesn't know his past yet.
- prompto also mentions in episode prompto trying to fit in im pretty sure ? even then he was trying to fit in, which shows that he wasn't the same even when he didn't know that he was an mt.
3. prompto's choice of weapon
- prompto's main weapon in game is some type of firearm. everyone else uses a blade. yes, noctis can also use firearms, but the weapon he has first in game is a blade and the players ultimately decide what they make noctis use anyway.
- if memory serves me correct, the only other people who really use firearms in game are the 'bad' guys and antagonists. again, i could be wrong. but, this does ultimately show that prompto isn't the same as his friends. he's using the same weapons that the 'bad side' use.
4. prompto's name
- this is kind of out there, but the ending of prompto's name is also different (like him).
- noctis, ignis and gladiolus all end in 's'. noctis and ignis end in 'is'. prompto's name ends in 'o'. nobody else has their full name end this way.
- also, prompto's full name translates to quicksilver which is also a firearm thats in ffxv and also other final fantasy games. his name is about his gun.. which again brings me back to the whole weapon point.
hope anyone who read this enjoyed the ramble lol. i'd love discussing anything else related to prompto or ffxv - just drop it in the asks :)
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abomination05 · 5 months
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Some Kanker headcanons/projection/analysis? (mostly about Lee)
I think the reason they act/think they way they do is both due to growing up with a hooker who has a distain towards men, but also because of their mom's financial issues. They probably had to move around a lot to live with multiple of their mom's exes, which would've been weird for any kid, and also didn't help much with making friends as they were always switching schools. (Kids in peach creek literally avoid them like the plague lol)
From my own experience being born a girl with a deep voice and a syndrome that made me taller than most other people I went to school with and have gotten picked on multiple times I think Lee has also been bullied for her height and "looking/sounding like a boy" since those are generally viewed as more masculine traits.
Another thing about the Kankers I've been thinking about is the way the present themselves. I dont think any of them like the way they look. I imagine they think in a very "everyone says im [blank] so thats what im gonna be" kind of way. They know their reputation and they go out of their way to seem as gross and menacing to the other kids as possible. 
This is just all a front though. Just like Eddy, Lee doesnt want to let her sisters or any of the other kids notice her vulnerability (which is a trait she passed down to both of her sisters). This explains why the Kankers got so scared of the Eds in "A Twist Of Ed". They got intimmidated the second the Eds stopped acting scared around them, and were only able to get back the upper hand once it was Eddy's turn and they noticed how petrified he was.
they only really have each other and I think because of that Lee being the oldest has always been protective of her sisters.
I stuggle to understand why so many people sympathize with Eddy while the Kankers are so heavily demonized, I know they're antagonists but they're essentially just troubled kids using the same defense mechanism who dont know any better and probably havent experienced anything else. Can people stop acting like they're iredeemable monsters please.
rant over. Moral of the story is that I am a Kanker apologist.
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etrevil · 7 months
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Do you mind if I ask your top 10 favorite characters (can be male or female) from all of the media that you loved (can be anime/manga, books, movies or tv series)? And why do you love them? Sorry if you've answered this question before.....Thanks....
So sorry for the late answer!
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1. Athanasia de Alger Obelia (Who Made Me A Princess)
First hyperfixation, the manhwa I saw from start to finish. Art is just absolutely beautiful and I've been attached from the very start. Her character arc surrounding her father, Claude, had me clutching my pearls and sobbing my eyes out.
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2. Dazai Osamu (Bungou Stray Dogs)
Strongest hyperfixation on the series yet. There's a certain feel I get whenever I see or read content about him. Do I relate to him? Concerningly. But it's the sort of connectedness I feel when reading what Odasaku thinks of Dazai and me agreeing and being called out half of the time lol. Lastly, he's just so pretty.
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3. Chuuya Nakahara (Bungou Stray Dogs)
This man's backstory has me in a chokehold. He's gone through so much shit but, compared to other characters, he remains a "good" man. Such a complex character I can't get enough of tbh. Asagiri really paired the donut man and one of the most beautiful written characters together and I love it/pos. Lastly, also very pretty. Imagining him together with Dazai, whether platonic or romantic, is also a treat.
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4. Wilbur Soot (dsmp, qsmp, general yt)
His content just, helped me get through quarantine. Also his songs are just bangers, and Lovejoy is one of my top favorite bands next to The Neighborhood.
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5. Kim Dokja (Omniscient Reader's Viewpoint)
One of the first Korean novels I've ever read and finished. He is just such a well-done character, and ORV as a story in general should become a literary classic (in my humble opinion). The way he seeks comfort in a story and is willing to stay until its very end, I relate to that so much, and I just feel for this tragedy-surrounded man. I wish only the best for him and his company.
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6. Cale Henituse (Trash of the Count's Family)
I remember reading the novel in its early stages and waking up for school, to then eat cereal and slowly finish reading what's been published in the dim light. Haven't touched the second book yet, but the first book was just, woah. Amazing. Rollercoaster ride. Our young lord really should start looking out for his health more, everyone's so worried.
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7. Han Sooyoung (Omniscient Reader's Viewpoint)
Her story arc of being an antagonist, to the third member of their trio, and [spoiler], was an absolute blast. Her character was written with such a personality she touched my heart with her spunk and gentle care towards her friends. What she's done for KDJ is absolutely what tore my heart out. She deserves so much. They all do. Speaks even more to me since I'm a writer. Love her with all my heart <3.
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8. Achilles (Greek Mythos, the Song of Achilles)
He amuses me. His rage, his reactions, the slaughter he made across the battlefield, and the way he eventually died. The fact we have historical evidence from a vase that people back then saw him rolled up into a blanket burrito during his sulking period. That he sent out one of his "closest" men in his own armory and grew enraged (understatement) when he returned as a corpse. I just, love him. Words cannot explain how I hold him, and Patroclus, to a high regard in my heart.
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9. Tallulah (qsmp)
Best egg child to ever exist. Second is Chayanne. The admin for this character just stole us from the very start. Deserves a thousand bamboo flutes.
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10. Ayna and Ranonthean (Secret Lady)
Might be considered cheating but these two are a couple and the toxicity cannot exist without the other. The slow unfurling of how their love story that led to the actual FL and ML's current predicament (read the story it's so good) absolutely rocked my shit. Like, omfg their children. Her family. Fate itself. I wanna sock Fate in the face. They're in love, but their love cannot thrive in a place like that. At least not for long. And it shows; the chapter this image is from, side story 11, has me by the throat. Banana-nim's art just makes everything better. They're relatively good for each other, but because of the situations forced on them, shit happens. Doomed by the narrative indeed.
Special manhwa couple mentions:
Angela and Rayburn, "I Stan the Prince"
Penelope and Callisto, "Death is The Only Ending for the Villainess"
Ines and Carcel, "This Marriage was Bound to Fail Anyway"
Shuri and Nora, "Stepmother's Marchen"
Eris and Anakin, "Kill The Villainess"
Raeliana and Noah, "Why Raeliana Ended Up at the Duke's Manor"
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unamazing-sheep21 · 6 months
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Crimson Peak and Toilet Bound Hanako kun
For those of you unaware of Toilet bound Hanako Kun, trust me it's a great sereis it's name is just translated wrong, ok? Ok. It's about a girl whose fate gets mixed up with a ghost who haunts a bathroom and grants wishes and they get into a bunch of insane scenarios together.
For those unaware of crimson peak, it's a gothic romance movie released in 2015 ( a year after the serialisation of tbhk started) and stars Tom Hiddleston, Mia Wasikowska, and Jesica Chastain and takes place in a haunted old house.
Now I need to talk about the absolutely insane and sickening parallels between Crimson peak and TbHk they make me physically ill I can't not talk about them.
Both series center around two toxic siblings who are codependent on each other and are both figuratively and/or literally dead ( Amane and Tsukasa) and ( Thomas and Lucille). Both of these siblings live in, and have trauma steming from, haunted houses with red in their name ( The Red house for tbhk) and ( crimson peak for crimson peak lol). Both older siblings end up killing their younger siblings in the end ( Amane and Lucille).
Here's where stuff gets interesting.
Character wise, Amane and Thomas are far more similar to each other despite holding opposite roles. They both wanted desperately for freedom and to travel beyond places they were effectively bound to. They're both good at mechanics and are really smart boys despite not ever getting any of the recognition they deserve. They both end up falling for a girl who, to them, represents happiness and their own salvation. They're both naturally more effeminate and have low self esteem, they're both liars and do it for selfless but selfish reasons at the same time. All they really want is for their girl to live and be happy, going to insane lengths to do it ( Thomas ended up dying for her, Hanako did all sorts of pizza to the point where he dies a second death even). But Amane KILLED his younger brother,, Thomas was the younger brother who was killed.
likewise, Tsukasa and Lucille are also extremely similar character wise. They're both very unstable beings who became this way because of abuse and are both hell bent on saving/protecting/possessing their sibling very much, almost to ( and to) the point of perversion. In both stories they both cannonicaly perform acts of seggsual assault ( it's not debatable for Tsukasa 😐). They're both antagonists who end up harming the person they swear to protect and everyone else around them. They're both control freaks who are able to manipulate and take control of their victims with ease but they both have understandable origins of how they became like this. But Tsukasa is the little brother who was killed, and Lucille killed her little brother.
Also both Allerdale Hall and The red house have wells under them where deceased wives are burried and become ghosts and also lead to a supernatural realm.
I had to type this out because I thought it was super neat tee hee
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bambiraptorx · 6 months
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What is your opinion on the mystical magenta goat man? (Draxum)
Good dad? Deserved more screentime/emotional moments with the bois? (they gave us like 2 moments like that in the finale, and I'm sad that it's all we got)
owo
Ooh, I have so many thoughts about Draxum. Buckle up.
First of all, it's worst mentioning that when I started watching Rise, I knew ahead of time that he would get a redemption arc. (Reading the wiki and watching clips/analysis videos is what got me interested in the show, after all.) So admittedly, my view of how his redemption arc went was a little skewed just because I knew from the start that it would happen.
Personally, I wish more of it had been actually shown in the show. We get about ten seconds of him helpless in an alley then a hard cut to him in his apartment being bullied by Mikey, and I would love to see how that series of events played out. Also, his arc from mortal enemy to somewhat trusted by the turtles happened in one eleven minute episode, and I would have loved to see that tension be played with a little more. I do understand that the show was cut short, though, and I'm pretty happy with what we did get.
*looks at all my fics* honestly, I think part of the reason that they're all more or less about Draxum spending time with the turtles one way or another is because that dynamic was so underdeveloped and several things went unaddressed in order to give the show a decently cohesive finale.
For example, the roof incident. Leo is clearly very bitter about it and clearly mistrusts Draxum because of it, but the show just didn't have the opportunity to address it. Another issue that had to go unresolved was Draxum's relationship to Cassandra, because she seriously looked up to/trusted him in their episode together but he more or less threw her under the bus.
Not to mention all the little things that canon hints at but doesn't show. Like, somehow Donnie has Draxum's phone number, meaning they had at least one conversation off screen. How did that happen? Do they hang out or something? And really, the whole story of how Mikey got Draxum to move into an apartment and let him come over is so unexplored, at least within the show.
And speaking of things that canon doesn't show, I find Draxum's position among yokai to be absolutely fascinating, especially given that the only yokai he deals with in the show itself are antagonists to him (Big Mama, the Council of Heads, the cops) aside from the gargoyles.
There's a pretty big hole there about how he interacted with the rest of the Hidden CIty-- did he have friends? DId people know about his research and mutations? What did people think about him? And obviously the narrative doesn't address this because the story is about the turtles, not him. But still.
And why did he choose to create mutants in the first place? Its fascinating that the prophecy that motivates him is never actually shown in the show itself, just referenced. Why was mutating humans the best option to him? Did he try other things? When exactly did the Council tell him not to create warriors?
The timeline is pretty fuzzy, and frankly Draxum's motives aren't actually all that clear. That's probably why there's so many different interpretations of why he's doing what he's doing (and what, exactly, he's actually doing) throughout the fandom-- canon doesn't address it super deeply.
So yeah, his relationships with the turtles are really fun to think about and mess around with, but the gaps in the narrative (not a perfect phrase but the general idea) around him are fascinating to explore in their own right. And whether canon would have explored him more or not, I think its fun so I'm gonna do it lol. I have built so much lore about this man (almost none of which has showed up in my stories) because he's fun.
And he is genuinely a fun character, whether pre or post redemption. He's dramatic, he's arrogant, he makes bad quips (seriously, he has a line about "how very NOT NICE to see you" at one point, and that's how my sister used to talk before she figured out how to actually be sarcastic). He, the big bad of season one, ends up as a lunch lady at one point, which is frankly absurd and absolutely in tone for the kind of show that Rise is. He's a powerhouse at times and completely out of his element at others.
And once he's no longer actively fighting the turtles most of his screen time, there's a goofiness to the nature of his character, a powerful alchemist/warrior trying to live a normal life (mostly because a thirteen year old will yell at him otherwise) and not even trying that hard. Season 2 especially does a lot of fun things with his character, and I only wish that they're been able to do more.
TLDR: Draxum is probably my favorite character, and also I want to hit him with the hammer of 'forced to deal with teenagers'.
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amaiguri · 2 months
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The WIP Questionaire
Thanks so so much from @verba-writing for the tag! I had such a fun time reading your answers too and I'm very excited for paranormal romance 😍
I feel like I wanna flag that a lot of my answers are very anime/gaming-sphere oriented and I hope I'm not totally alienating my mutuals by revealing just HOW MUCH I'm not a book person lololol But this is with what we're working:
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The Questions are:
1. What was the first part of your wip that you created?
The very first thing I made was the high premise: It was synthesized from the Overly Sarcastic Productions question "What if all the Kings Under the Mountain came back...?" and then I added the context "...in a Nuclear Crisis to discuss piece?" And in my head, it was this HBO-style modern fantasy Game of Thrones meets West Wing type deal. But then... I didn't want to write the modern piece. (The modern piece should be written by people in countries from all over Europe about what it means to be a hero in various cultures.)
So I set it in 1800s fantasy world instead!
2. If your story was a TV show, what would the theme song/intro be?
The first arc would be Dance in the Game by Zaq
The second arc would be Lacrimosa by Kalafina
The Gods' Arc would be Paper Boquet by Mili
3. Who are your favourite characters you've made? Why?
Is it to cliché to be like "my current self-insert protagonist is my favorite character I've ever made"? Her and my antagonist are just THE BEST and I love them.
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4. What other pieces of media do you think would share a fan base for your story?
Mmm, I think Untitled Yssaia Game's story would appeal to queer Game of Thrones fans who could FEEL the straightness in GoT, especially if they also like anime. I would hope I could get general anime fans as well as Arcane and Genshin Impact fans, but I feel like those are too mainstream and Yssaia is not. Realistically, I think I'm gonna get the Wadanohara people and the Ib people and, if I get really lucky, the To the Moon people.
5. What has been your biggest struggle with your wip?
Marketing lol -- explaining what it is to people in a way that they realize they want it.
6. Are there any animals in your story? Talk about them!
Fuafua 🥺🥺🥺
Look at her! She is a six-legged, six-eyed slug cat called a Maret. Marets fill the same role as ocelots in Yssaia, except they're more semi-aquatic like otters and their skin has a stressball-like texture.
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7. How do your characters get around? (ex: trains, horses, cars, dragons, etc.)
They walk or ride Rumateurs (which are alpaca-like beings with ossicones) or take ships or airships or trains. I don't like writing about travel that much though so it is a background element.
8. What part of your wip are you working on rn?
I am pre-editing the first arc for my alpha readers and the third arc has another 50k to 100k words to draft. We're at like 250k words total right now and it is so unwieldy 😭😭😭
9. What aspects (tropes, maybe?) of your wip do you think will draw people in?
Oh, I have a convenient graphic for this. Hang on...
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10. What are your hopes for your wip?
I was just diatribing about this earlier but the DREAM is to turn it into an RPGmaker adventure game and have it go viral and make a million bucks off it. I'd love to be the next Undertale but it'll never happen because I am not positioned to be the next Undertale, you know?
So yeah, that's what's what! Thanks again for the ask! This was so fun! I'm gonna pass this to @maiemorrae, @moonfeatherblue, @zebee-nyx, @winterandwords, @modernwritercraft, @words-after-midnight, @spideronthesun, @theprissythumbelina, @thepanplate, @thetruearchmagos, @maskedemerald, @moondust-bard, @pluttskutt and @emelkae 😍😍😍 I actually internalized Verba's WIP so well from this tag and I wanna make sure I'm updated on what all you cool people are working on! Open tag to any of my other moots too! 🥳
IMPORTANTTTTT⚠️
I will edit this to have a blank easily copy-and-pasteable question section when I get back to my computer. If I forget, @ me!
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