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#they're not flaws
welcometogrouchland · 3 months
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ANOTHER SKETCH DUMP! Featuring more of me playing with lineless art. Batman reborn era trio (dick, damian and steph) I miss you...when will you return from war. Also featuring Steph designs bc I've seen ppl dissatisfied w/ her current look, some good mom Talia, and Jason Todd poetry club. Duke is confused not that Jason would start a poetry club but that he'd have such mid poetry opinions. (ID in Alt)
#dc comics#batfamily#damian wayne#stephanie brown#dick grayson#talia al ghul#duke thomas#cassandra cain#mine#woo new art tag. please god let me keep this up all year#uhh anyway yeah! still a big backlog of sketches but i got burnt out which means i had time to collect some#i feel like my art looks. extremely different w/o lines compared to with? idk i worry that's it weird/off-putting#but hey at the end of the day I'm hardly worrying about my brand integrity on tumblr dot com#duke and cass being at poetry club is based on them canonically being into poetry and for a good while duke and jason got along well#Steph is there for both jason and cass' emotional support (unfortunately there's a design flaw. she can't do both simultaneously)#(which is fine bc cass is fleeing the scene at the idea of having to casually hang out with jason)#(they're the exact amount of similar and more importantly different that it's like putting two firecrackers together. bad)#i really like the steph mask designs... it'd be fun to do something with them but idk what y'know?#I'm just like. if we're assuming that her mask has to be different from both babs and cass then this is what I've got as alternatives#i mostly wanted to practice character interaction with the talia and damian one... and also i love them#looking at james gunns batman movie proposal. you keep your hands OFF HER MR GUNN#please if shes evil in a movie they're never gonna let her be good in the comics again 😭#dc when you inevitably cave and do your next big reboot let the ppl finally have the son of the demon origin (w/ tweaks of course)#idk it's canon in my heart. heartcanon if you will <3#anyway yeah uhhhhhh enjoy?
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icearts · 2 months
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My favorite thing about the Live Action Atla is that people are finally realizing Katara was a well-written character. For years, she was constantly memed for being "too emotional" and "talks about her mom too much" and yeah there's a scene or two she says something completely uncalled for (you all know which line) but sometimes people lash out and say things they regret. Katara wasn't supposed to be perfect in the original show, Sokka wasn't supposed to be perfect, Zuko wasn't supposed to be perfect, and Aang wasn't supposed to be perfect. Now that the live action stripped most of the characters of necessary flaws needed to develop, you all see how hollow they are. Katara's fault wasn't that she was too emotional and that is evidenced by the charm of her character being nonexistent without those strong feelings. Similarly with Sokka's sexism he needed to get over (which happened quickly as a mercy for the audience and thank god). Similarly with Toph realizing it isn't weak to rely on others every now and again. Similarly with Zuko realizing true strength is having a strong moral compass and following it no matter the consequences.
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bruciemilf · 1 year
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One of my biggest pet peeves is the justice league being labelled as " The Avengers of DC" and its like. No? The avengers are law enforcement. The Justice League are volunteers
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julissart · 1 year
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Miraculers, how are y’all feelin’?
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n3felibata · 22 days
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I feel like when stolitz becomes canon, people who didn't realize that it was supposed to be the endgame ship will act like it came out of nowhere and that the writers suddenly made Blitz fall in love with Stolas
Kinda like how they thought Stella being abusive was some huge plot twist
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blueskittlesart · 3 days
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deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao
not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad
#people ask me sometimes why ill occasionally talk about something i like and then go 'but it's bad' and the answer is usually because it is#i love teen wolf. i love genshin impact. i love detective conan. and i fucking LOVE taylor swift. that doesnt mean theyre good#it just means i like them. and recognizing their flaws actually helps me better identify what i like about them!#it's like. in my mind bad > good is the x axis and i like it > i dont like it is the y axis yk. they're not mutually exclusive#tldr it's not that serious. we can all relax a little#irt taylor swift i do also think she has done some real harm to her fans in enabling them to deflect all criticism of her as misogyny#and i don't think it's fully the fault of these people who are parroting that response bc so much of her marketing has deliberately#reinforced this idea that to be a swiftie is to be a part of a sisterhood and that any attack on taylor is an attack on all of those women#who are in that in-group. when that's obviously not the case. but she's marketed herself as. for lack of a better term. 'girl music'#to the point where it makes her fans feel as though any criticism of the music or the woman responsible for it is an attack on their#personal experience of womanhood/girlhood/sisterhood/etc. and that's how you get all of thess bad-faith accusations of misogyny#i don't necessarily think this was her deliberate goal with her marketing tho because like. on first glance such a strong sense of communit#among fans sounds like a great thing. the friendship bracelets i got at the eras tour movie are really genuinely special to me.#but it does present a problem when your fans are unable to separate how they feel about the community and experience your music has fostere#from how they feel about you as a person. especially when you are a billionaire who absolutely CANNOT be above criticism in this economy#anyway. tldr i love taylor's music and i don't think swiftie hivemind is as deliberately malicious as it may seem#but it's obviously necessary to be able to take a step back and look objectively at what you're participating in.#anyway stream ttpd or don't idc <3#taylor swift
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everysongineverykey · 8 months
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i've said this before but i think a huge part of the reason undertale's character writing works that doesn't get talked about enough is the fact that it doesn't fall into the trap of having FRIENDSHIP fix everything. i mean in a way it kind of does but like. the characters fix their own mistakes. they are the ones to decide they've done wrong and take action to fix it, not you. they just realize that through frisk. friendship gives them the new perspective necessary to change their ways, but it's only half the solution.
it's alphys who decides, on her own, to take the amalgamates home and admit her mistakes. it's undyne who, when it's her turn to attack you, outside her flaming house, decides there's no point in this path of mindless murder and destruction she's dug for herself, and breaks the cycle herself by dropping her weapon and deciding not to fight you anymore. it's asgore who, after you've done nothing but attack him, realizes what a coward he's been and decides to end the cycle of violence at the cost of his own life. it's mettaton who hears the voices of the hundreds who love him, and who he loves, and realizes that for now, it's more worth it for him to be content where he is. it's asriel who, despite the comfort of pretending chara's still with him, chooses to recognize frisk as who they really are, and face a harsh reality so he can save his family. sans sees your determination and perseverance in the face of hopelessness and decides that maybe there is something to fight for, all by simply watching you. hell, papyrus gives up his fight entirely on his own- all he needs is an opportunity to really think his plan to join the guard through, and a taste of what that guard actually stands for, and he decides it's not worth it without you saying a word. undertale presents you with all these flawed and complex characters and says, "here, look. they're just like you, and they chose to save themselves, despite everything in them telling them they were damned. will you do the same?"
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tadfools · 4 months
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I don’t want to say this where this comment was added because while it was rb’ed from me, the root post isn’t mine and I don’t want to drag op in a circus tent. Do we really need to put homophobic on the highest shelf up from the tik tok folks?
This is about Kethric and ????? Homophobic coded??? Statistically and logically speaking, there are going to be queer people that you do not get along with and that you don't like in real life. That's just the way people are. And it's not because we're queer, it's because we're human
Kethric doesn’t hate Aylin because she’s a lesbian. He despises her because she is the child of Selûna, because he believes that she corrupted Isobel - not with queer cooties but with the love of a goddess who he felt betrayed him
If Aylin was a man, the hatred would not be diluted at all
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hippielittlemetalhead · 2 months
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Never Took The Time (To Forgot) part 4.1 : With a Capital 'P'
Part 4.2 (Hey Dingus? Idk, the title for that one is up in the air.) will be up as soon as I have it somewhere I like (doing a different character's pov instead of Hop so it's giving me some trouble). Felt really bad that I hadn't updated in a while and this one was getting longer than I expected and I hadn't even gotten Robin really talking yet so... Happy Valentine's Day?
Part 1 (Hop Fucks Up), Part 2 (Pride and Prejudices: Joyce Edition), Part 3 (One of Us)
Family Video and the Arcade were two of the few businesses still operating after the inter-dimensional earthquakes that had tried tearing their town to pieces. Hop knew the kid who used to run the place for his uncle, Keith, had split town with his folks (said uncle in tow) leaving the store and arcade in the care of whatever employees had been willing to stay on payroll while the world fell apart.
He watches as Harrington's (more banged up than never remembers it being) car stops in front of the video store, parked parallel to the curb across at least 3 parking spots, as a wildly gesticulating Robin rolls herself out of the idling vehicle, jabbering loud enough that Hop can hear her voice from down the block. With most cars owned by the folks of Hawkins being commandeered by Owens' government goons to fill the gaps left by lost military vehicles it doesn't much matter but Hop can't help a bit of an eye roll at the kid's audacity.
But then again, he catches himself thinking, Steve was one of the only 'civilians' in-the-know and was well-known for carting around and protecting proven assets to the War Of The Worlds shitshow going on. So was there really an issue if the kid was one of the only cars on the road anyway and because he was even more read-in on the situation than even local law enforcement? If he was not only transporting and protecting people the government had a vested interest in but had proven himself more effective than even Hop and Joyce in wrangling the kids who had basically been saving the world for the last 4 years? If he kept them safe and out of harm's way in the thick of it but also kept them entertained and out from underfoot during the downtime?
Hell, the kid being one of the only employees left at some of the last businesses in town these brats would have any interest in almost guarantees the whole lot of them are continuously stocked in movies, snacks and quarters to distract them from even the most world shaking of calamities.
It hadn't occurred to him until just now what it meant for The Party that Steve and Robin seemed to be the only ones willing to hang around behind the counter at the arcade and sell and rent movies to shell-shocked townsfolk and tight-lipped government goons alike. Fuck, Lucas and Mike were right. He was an asshole.
He's pulled out of the slow spiral of realizing Mike Wheeler of all people had been right about something by Steve hollering one last "Love you, Bobby!" at a grinning and waving Buckley as she flung open the video store door and stumbled inside. He waits for the car and it's driver to round the corner before he gets out of his own government-issued station wagon. Fuck but he missed his truck.
"Welcome to Family Video, I literally just got here so you're gonna have to give me a minute before I can help you."
"I'm uh, I'm not here for a movie." He can tell she recognizes his voice (and it's a little impressive how quickly she clocks him since he's spoken only a couple words anywhere near her maybe twice in his memory. Girl has a good ear) from the way her entire body stills for a split second before whirling back into the hurricane of motion he's come to associate with her.
"Afraid we've only got movies round here, officer. You want any other medium of entertainment I'd suggest the arcade or the distribution yard." She's still not looking at him, hands busy shuffling papers and flipping open VHS cases. "Sorry, guess we'll have to catch up another time."
Hop sighs, running a hand over the short growth he's slowly getting used to again. He'd almost shaved it down again but El had been so happy when she'd realized they were growing out at about the same rate. He couldn't ever say no to her.
"Look, I know you don't like me. And it has been brought to my attention just how much I fucking earned that. But I- I need your help here, to fix it."
The flurry of movement doesn't stop but it's tighter, she's fiddling with something shoved up her shirt sleeve and tapping at the casing of a button connected to a wire leading into her green vest. Bright blue eyes are focused on him and he's almost reminded of the no-nonsense look Nancy Wheeler gets whenever they're faced with the world ending, but the girl in front of him is colder. He has no doubts that where Nancy Wheeler would tear down giants for what she believed is right, Robin Buckley would burn the world if it meant saving her people.
"Fine. He'll be back from his patrol-" He didn't remember assigning a patrol schedule and he's not sure if this is Steve's own initiative or if he's been roped into something by Owens' people. "in about twenty minutes. You have fifteen. Now why should I help you?"
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lunar-wandering · 10 months
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alright, i'll do it.
I'll go off the deep end over the argument scene
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First and foremost: they're kinda both in the wrong, obviously. But also kinda both in the right?
Macaque, is in the right for being upset that Wukong didn't listen to him, that Wukong drove himself to this point, etc etc. He, even, is not the one to start this argument, and instead approached peacefully, and attempted to leave when he was getting irritated. It was Wukong that pushed him over the edge into blowing up at him.
He even leaves afterwards, which, actually, is technically the right course of action. In a healthy relationship (platonic or romantic) it'd be best to give both parties time to cool off, and then return and discuss the issues calmly to find a solution.
The main problem is; they don't do this. Macaque doesn't come back, and Wukong doesn't cool off.
On the other hand, Wukong is in the right for being mad, mad that Macaque isn't working to free him (cause, from his position, it sure seems like he isn't), and is instead 'wasting time'. Mad that Macaque would dare to say he was dragged into a mess when he isn't the one trapped under a mountain. (On some level, mad at himself, likely, for letting all this happen).
He, of course, doesn't have the choice to leave, so instead he's left.
The core issue here, as is usual with most relationships shown in media; is their lack of communication. Wukong didn't truly listen to Macaque, and Macaque was too upset to understand Wukong's side of the issue.
...And they let this fester.
Of course, this isn't the end of the falling apart between them. No, there's more to this, the show makes this adamantly clear with MK trying to get Macaque to tell him "what happened between them".
Things continued after this, this was just the barest tipping point.
So. Macaque (probably) didn't come back.
We don't know why. We don't know if it was his choice, based on hearing Wukong yell that he "never wants to see your face again", or if it wasn't his choice, if something else happened.
So Wukong is left alone.
It is shown, in Journey to the West, that Wukong is prone to anger.
Quite usually, this is his response to most situations that upset him (followed later by crying), anger and destruction is usually his first response.
Whether viewed under an "autistic Wukong" lense or a "traumatized Wukong" lense, this makes perfect sense.
It's even shown in the show, if you look at the early pieces of flashback art that show bits of the Journey, you can see that Wukong looks pissed in most of them, and that he slowly starts to look happier as the images go on, as, in the story, he worked on this issue, and got better, less angry, less prone to immediately resort to violence.
(Notably, as far as I remember, the tipping point for when he slowly starts becoming less violent literally is the Macaque Chapter. Interesting, huh?)
Wukong, likely, logically knows that there was nothing Macaque could do to free him. Emotionally, though?
He's going to be upset the next time he sees him. And when he's upset, he's prone to anger.
Macaque, on the other hand, is going to see Wukong, with the Journey to the West group, slowly becoming a better person, old parts of him returning, creating someone new. Wukong... changed for these people, he listens to them.
But not for him. Wukong didn't change for him, and he never listened to him.
So. They meet again. We're not sure how. We don't know if that whole thing of Macaque pretending to be Wukong and attacking the JTTW gang is still actually a thing in Monkie Kid. It's possible he might do it out of jealousy, but we're not sure if it happens.
Maybe Macaque came to Wukong for help. Maybe Wukong, still mad about being left behind, refused. (I consider this possible based on the the way the special shows Macaque when MK says that "Monkey King would try to save us if one of us was trapped" + his reaction to MK saying he'd never abandon his friend in s3ep10. It's possible he's regretting not trying harder to free Wukong, but...)
We don't know.
What we do know is, they fought, and Wukong, in the end, successfully killed Macaque.
A Key thing this show hasn't brought up though is... how.
Shadow Play, vaguely, implies that it might've been via his Kaiju Form.
Notably, we are now at the point where Wukong, who, once again notably, has the most memorable Kaiju Form within the story of Journey To The West, is the only one of the three monkeys in this show who hasn't used their Kaiju Form.
We've been told, quite a few times, actually, that Wukong is holding back.
He held back against Nezha. He held back in episode 9, in the fight against Macaque. Even when he was possessed he wasn't using his full power- we're outright told that Wukong was fighting her control the whole time- he couldn't do that while also going at full power.
We've never seen Wukong go all out in the show.
...Why?
Why would the most powerful character, of all time, not use that power to defeat world-ending threats? Why would he choose to not pull out all the stops?
...
("You can't just ignore your power because you're afraid of it.")
Why else, would he not be using his full power, if it wasn't what killed his best friend?
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novelconcepts · 5 months
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In watching more interviews with Liv about Van and the escalation of Van's pragmatism to such dark degrees, I find myself genuinely baffled that anyone could ever think Van the bad guy. I mean, I'm perplexed at finding ANY of these girls The Bad Guy. The bad guy is the situation. It's being lost. It's freezing. It's starving. It's being scraped down to the barest bone of being alive. They make choices that might be snippy, or cruel, or hard-headed, sure--Shauna refusing to just hash it out with Jackie; Jackie being too stubborn to come inside; Taissa refusing to discuss her situation plainly; etc--but by the time we reach the end of season 2, it doesn't even matter. Petty bullshit doesn't matter. Jealousy doesn't matter. Those things are still going to be present and complicated, because--for all their choices, for all the distancing they're trying to do--these kids ARE still human beings. But it isn't the point.
The point is survival. Plain, simple, straightforward. Van's pragmatism is survival. It is the difference between living another day with blood on your teeth or dying pretty. It is the difference between fighting forward through the fire and the snow and the hell of it all, and laying down to die. Van knowing, in watching the ritual violence of Shauna beating Lottie nearly the death, that they will be killing and eating one another soon. Van coming up with the cards for the hunt. Van not blinking when the moment comes, Van choosing a weapon that doubles as a tool to bring the body back, Van refusing to apologize for staying alive--it's not evil. It's not Bad Guy behavior. It's purely about survival, because there is nothing else left to her--or to any of them. They can play the pretty little Sweet Angel Girl game and die, or they can get dirty, bloody, horrific and fight. Van chooses the fight. Van chooses to fight for herself, for her lover, for her team, even knowing not everyone is going to make it out...because the alternate path there is that no one makes it out. Van knew the baby wouldn't live. Van knows the rest of them won't, either. Not unless they start making the hard choices.
And, honestly, the fact that Van sees this narrative coming. Comes up with this plan. Brings out the cards. To me, that is the opposite of Bad Behavior. That is as close to justice as anyone can find in the wilderness. If someone else came up with an idea, maybe it would have come down to voting--but that would have had such a human element to it, with bitterness or hostility or whatever ultimately petty shit always comes of humans selecting who to Other. The cards don't leave room for that. It isn't fair, because the situation isn't fair, because Man vs. Nature isn't fair, but it's as close to a just system as they could possibly find. It's the kindest solution to an unwinnable game. Not to bring it back to American Gods again, but all I can think is "it's easy, there's a trick to it: you do it, or you die." Van gave them that.
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galactic-rhea · 23 days
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[ID: Screenshot of a chat that says "just leave my queen alone, she's already suffered enough. She wanted a life with her malewife murder monk pilot mechanic racer and you should respect her for that!]
It's Padmé defending's hours for me
I have been seeing more negative (with very weird connotations, tbh) posts about Padmé on my dash lately, and while I'm a firm believer of the "scroll past it" rule, it really irks me a lot because MOST of these takes sound a bit mysoginistic to me and also (to me) shows a lack of trying to understand her as a character, not in a "you don't get her" way, but in a "you don't even try to understand the character and her context in the damn story just because you wanna sound holy than thou" way.
I'm all for accepting takes about Padmé's flaws or having a slightly more privileged/closed view (and that makes sense, she's aristocracy) but these people are SO WEIRD whenever they wanna talk about her 🤨
I'll forever mad that George eliminated SO MANY scenes with Padmé in the movies, but I feel like even if we had those scenes, people's complaints would be exactly the same.
But also i think half of the time people fail at understanding Padmé is because they're also failing to understand Anakin's as a character, idk
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hood-ex · 6 months
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World's Finest: Teen Titans #4
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chaosxcrushed · 14 days
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There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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candied-cae · 7 months
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Real talk y’all?
They musta put something extra special in his water this season because - lord have mercy - he is GLOWING and I am ON MY KNEES. I keep coming back to this one just to look at him. Look at him, y'all. LOOK AT HIM!
HE'S SO FUCKING GORGEOUS I'M GOING TO DIE!
JUST ONE CHANCE- JUST ONE CHANCE IS ALL I ASK-
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jessepinwheel · 1 year
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my very serious writing advice for people who are trying to write more morally complex characters is to stop caring about their morality and focus instead on their individual motivations
it’s hard to articulate exactly what I mean, but the essence of it is basically: when a character does a murder, not only do I not care about whether they’re justified in doing so, it’s straight-up irrelevant. a character’s moral standing from some nebulous universal standard has no bearing on the plot or their interactions with other characters and has no use in the story for me as a writer. what does matter is why the character thought they were justified and then if it comes up to other characters, what they think about it.
you can obviously think about your characters’ morality but it’s not your job as a writer to interpret your stories for your readers and tell them how to judge your characters. your readers can see the evidence for themselves and draw their own conclusions. your job is just to understand why a character is motivated to act in a certain way and have it make sense
focusing on character motivations is a much more versatile framework than trying to give them specific personality traits or moral alignments, and frankly more useful to understand why a character would do a certain thing instead of just what they do. that way when something fucked up happens and your character starts acting differently, there’s an actual logical reason for it that isn’t you forcing characters to do things because it’s what’s required to make the plot go
when you write your characters with the understanding that people are not static and they act differently under different circumstances, complexity in character and morality follows naturally.
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