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cafe-de-lune · 3 years

Note

ooo can i request headcanons for wakasa, izana, kazutora and rindou with a s/o who is an analyst or a therapist?? I really love every one of your writings ❤❤

꒰ ☕️ ꒱ؘ Order: black coffee ࿐ ࿔*:･ﾟ

꒰ ☕️ ꒱ؘ Order details: gn!s/o who is an analyst/therapist

꒰ ☕️ ꒱ؘ Tags: angst to fluff, oocness, ngl these are some of the weaker characters I have grasp on in terms of characterization so forgive me if they seem ooc !

ft. imaushi wakasa , kazutora hanemiya, kurokawa izana, rindou haitani

I have to preface by saying that in terms of therapy, I am not very well informed when it comes to how they do their job, so forgive me if I get any practices wrong

.˚🌙 ༘┊͙ wakasa imaushi ;

You are a business analyst

he’s not the type to care what his s/o does as a career but that doesn’t mean he doesn’t support it.

So let’s say you work for Brahman and you help the gang with deals and stuff. Rip to u because of senju’s stubbornness

During business deals, wakasa always comes with you. It doesn’t matter if Senju or Takeomi is with you as well, he is coming. In a way it’s his way supporting you without actually vocalizing it

A lot of people may look down on Brahman during business deals because of senju’s young age, but she is not the one they should be focusing on. It’s you.

So imagine, Senju looking bored out of her mind, just thinking when this meeting would end while Takeomi non-discretely scolds her to pay attention.

And you just sitting beside Senju with your legs crossed and just pressuring the other party to give you a better (and more ethical for the sake of Senju) deal all while Wakasa is just standing behind you, watching the other party’s every move

The other party… poor them. He has the pressure radiating from you as well as the pressure radiating from Wakasa.

If the other party does one thing that threatens even a single hair of yours, you can bet that Wakasa would be attacking him before the other party can even understand what happened

And when the other party is being stubborn and is holding their ground? His lazy eyes just quietly stares at them. 99% of the times his presence is scary enough.

After a long business talk he just drags you to his chest and pats you head while saying you did well. He knows how mentally draining it could be to argue with old, money-hungry men who has nothing better to do than to argue

Wakasa, I feel, is more of an action than words guy. So after a particularly tiring day, he would do acts of service such as drawing a bath for you, putting on your favourite show/movie, or just cuddling with you

Of course this all happens behind closed doors

Sometimes, you would just crash into his back when he and takeomi are talking about something. He’s gonna turn around and wrap his arm around yours

“Long day princess?” A small smile would just appear on his face when you just nod into his chest

“Another deal fell out. They didn’t want to oblige with our ‘ethical’ terms even though they agreed when you were there…”

“Hmmm. It was (random/gang/name) was it?”

Definitely isn’t plotting something. Definitely not

.˚🌙 ༘┊͙ kazutora hanemiya ;

This man needs a therapist. Especially the younger version on him

He has a lot of issues stemming from being forced to choose between his mother and father. This along with the tragedy of Shinichiro further pushed his mental state into outer space

You know you can’t be his official therapist as you aren’t a neutral party (you are biased), however it doesn’t mean you can’t at least apply some of your practices when he is feeling particularly down.

During those days, you become the big spoon and cuddle with him, stroking his hair and rubbing gentle pats on his back. You let him talk or vent about what is on his mind and you do your best to comfort him

You become his voice of reason when his emotion are running wild and crazy. You guide him through his trauma as best as you can and offer some advice/coping skills. But you know it probably won’t be as effective as an unbiased party

But Kazutora really, truly appreciates you and how patient you are with him. It’s the patience and your welcomeness that he loves so much and sometimes, all he needs is to be in your arms

You are his safe space where he can be as vulnerable as he wants to be and that just makes him fall in love with you all over again

I’d like to think that being a therapist can be emotionally taxing on a person. And you are definitely not immune to it. So there would be times where you would just come home, emotionally drained and kazutora would pick up on that

The telltale signs for Kazutora is not greeting him with your usual cheeriness. During those times, he would open his arms and just let you cuddle with him. He would stroke your hair gently and the arm around your waist would be secure-tight. He would just whisper “you did well.”

He thinks he is really blessed for someone like you to be with him. He will no doubt be loyal and treasure you and spoil you at times

Oh oh oh, and I can see you adopting dog and cats from the pet store that Chifuyu and Kazutora works at and training them to be therapy dogs or cats

It would just put a smile on his face as you are sitting on the ground, training the dog or cat to help you with therapy. And if the dog or cat is not suitable for being a therapy dog or cat? It’s no problem, kazutora now has a son or daughter

“Kazu, how come Kei clings to you every time we get home even though I’m the one who feeds him and takes him out on walks? You haven’t been secretly feeding him treats did you?” You raise a brow as you look at your dog happily grow over to kazutora

“Nope. I guess he just likes me better. Isn’t that right Kei?”

“Kei even likes the kids who are coming to therapy better then me! Did his hierarchy change somehow?”

Kinda really out of topic but when you and Kazutora have kids, Kei is gonna be so so so gentle with your baby. He was trained to be a therapy dog and so he doesn’t mind touches but sometimes you have to tell your baby to be more gentle with Kei

Not that your baby understands but that’s besides the point

And sometimes, when it’s just Kazutora and the baby, he’d be like “I’m so lucky to have you and mommy and Kei after everything…” and his baby is just gonna use their chubby hands to slap his face as if they were telling him to snap out of it

He would laugh and say “are you trying to comfort me? You trying to be a therapist like mommy?” MY HEART IS DYING IT HAS STOPPED SOMEONE DO CPR

.˚🌙 ༘┊͙ kurokawa izana ;

He is another boy who needs a therapist

Like Kazutora, you are going to be his safe space. When he is feeling particularly frustrated, he would rant to you about how stupid some of his members are

And when he is feeling melancholy, he would tell you to come over to him and he would pull you in to cuddle. He would tuck his head to the crook of your neck and just bask in your warmth. It would feel ticklish to you because of his breathing but you don’t mind

He probably brings you with him wherever he goes. He is protective of you because you are one of the people he can fully trust and rely on. Unlike the rest of people in Tenjiku, he views you as an equal. Why?

At first he viewed you like everyone else—under him. he rationalized it as ‘you proved yourself useful to him’ by calming or stabilizing him. But as time passes, it grows into something more. You become a person who he can be vulnerable with and rely on—almost like a family, and in some aspects, like Shinichiro

The moment he realizes that, he pulls you into one of many hugs/cuddles. But this one felt more different. His arms were more tight around you and the cuddle was for a longer period of time

From that moment on he starts to be more gentle and open towards you. His kisses noticeably become softer compared to the dominating kisses from before, and he talks to you differently as well

Shortly after that he makes it very clear to the members of tenjiku that you are strictly off limits. And if he finds anyone of them bothering you, well… they know what happens

The members of tenjiku all know that their boss is soft only around you. (Though at first they were shocked. They thought you were just some girl you that he is gonna discard like how he does to useless people. But it changed when they saw his attitude towards you change) But they don’t dare say anything

I think I mentioned it earlier, but you have the privilege of being able to calm him. Like the members of Tenjiku would just desperately call you whenever Izana is being too much and once he sees you, he drags you to somewhere more discreet and let’s you comfort him

He is, in many aspects, like a stray cat you tamed. He listens to you and will do what you say, whether that be breathing techniques to calm down, or just restraining himself

God forbid someone tries to hurt you in revenge. All hell is going to break loose. They touched his beloved and the person he can be vulnerable with. He’d be damned if he lost someone as special as you

In that scenario, he’s probably going to personally drag that person to the depths of hell. And the gang that dared to touch you? They were eradicated

He would be more protective of you from there. He doesn’t want to be abandoned again. There is not many things he clings onto as desperately as he clings onto you

“Please don’t go. Please stay with me. I’ll do anything… just stay with me…”

I can see him becoming a lot more happier around you. And of course, Kakucho could attest to that. After all, he is another person who is close to Izana. He can see the positive effect you are bringing to him and he welcomes it fully. When Izana is busy doing something else, he entrusts you with Kakucho

Oh boy, and if you come to him crying? He would be like “who did this. Tell me their names and I will have them—”

“Izana, it’s not that. No one hurt me. I’m just feeling a little down and overwhelmed…” his tense hold on you will loosen and his expression would soften. It would be cuddle session next to be prepared!

.˚🌙 ༘┊͙ Bonten!rindou haitani ;

Lets say you are a financial analyst

You two probably met via Koko when the latter hired you to support him in dealing with Bonten’s finances. Tbh Rindou was kinda indifferent of you. You were just another employee of Bonten after all

But it all changed when Koko announced that you would be leading a large deal that would greatly affect Bontenz

He’s like “the stingy Kokonoi letting someone else make decisions for this deal??? What’s happening?”

But then he saw you in action.

The meeting took place in a VIP room of a bar and things were eerily quiet expect for the paper flipping sounds. The other executives were there as well and they were quietly waiting for you to finish reading the report

He was observing you. And he saw your cordial, polite expression turn into a dark and scowling one the more you read the projected data of the business.

He had the same copy as well. And when he skimmed through it, the deal sounded like one that would greatly benefit Bonten. So he didn’t know why you were scowling like that.

Finally, when you put the paper down, he saw your expression morph back to the friendly, cordial one.

Rindou could only roll his eyes at the prospective business partner as he was sugarcoating the deal with lavish-too-good-to-be-true numbers and basically being a kiss ass

But to his surprise, the more you talked, and the more you questioned the prospective business partner, the more that partner began to sweat and started to shift uncomfortably

“You and I both know the numbers you stated and the numbers written on this report are bullshit,” you say as you grabbed the paper and waved it around. “At first glance, sure, it seems like a good deal, but in reality, it’s using clauses that would benefit you and we would lose out. Did you really think I would be dumb enough to not notice that?”

Rindou can’t help but to smirk at the cowering figure of the prospective business partner. He wasn’t even cowering at the executives, it was you. In the corner of his eyes, he swore he saw Koko smirk as well.

“Listen up, if it were any other person in here, you would have been shot dead already. But I’m giving you a choice. A: agree to my terms and to the contract that I make and fulfill it, or B: I can just leave the room and leave you with these boys. I’m sure they are just as unhappy as I am with this deal.”

Basically, he saw you corner that prospective business partner into agreeing with whatever you come up with.

And when it came time for the contract to be signed, he voluntarily tagged along with you, claiming that the prospective business partner might attack you out of spite so he’s just going to make sure they don’t do anything fishy.

When you two start dating, he is mostly the one accompanying you to deals and stuff. And when the prospective business partners scoffs because they sent a weak-looking person, Rindou will be your scary guard dog, keeping them in check

He’s not gonna say it out loud but he is fiercely protective of you. Ran sometimes teases him about it lolololol

For example, the prospective business partner is actively belittling you and mansplaining? Oh well would you look at that, Rindou is just casually cleaning his gun WHILE making eye contact, glaring, at him.

The business partner starts being loud and demanding? Oops Rindou’s hand accidentally pressed the trigger of the gun, shooting a bullet into the ceiling.

You two are a power couple. Deals always get made and more often or not (due to threats), it’s in Bonten’s favour.

And when he sees you have been staring at numbers, papers, and screens for too long?

“Babe, c’mere,” he says while lounging on the couch. You look up, tilting your head in confusion, and then you walked to him ur gonna be the death of him being so cute he such a tsundere istg

And when you are near him, he pulls you by the wrist so that you landed on his lap.

“Someone is needy today,” you tease as you wrap your arm around his neck.

“…shut up. You were looking at numbers for too long.”

. . . . . ꒰ ♡ ꒱ ,, rindou’s ended up being the longest I’m sorry. I just love the haitanis so much. And I just realized rindou’s icon doesn’t fit with Bonten 🤡 ⌲˘͈ᵕ˘͈

#tokyo revengers headcanons #tokyo revengers x reader #tokyo revengers #imaushi wakasa #wakasa x reader #wakasa imaushi x reader #kazutora hanemiya #kazutora x reader #hanemiya kazutora x reader #kurokawa izana #izana x reader #kurokawa izana x reader #haitani rindou #haitani rindou x reader #rindou x reader #.˚☕️ ༘ black coffee

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astrologanize · 3 years

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2021 for the ascendants

aries ascendant: man, it’s like you’ve forgotten what you want for the past few years but you’ve been trying with all your might to run through a list of desires with the hope that eventually something will provide you with contentment. worry not, you will be met with situations that highlight your principles so that you are able to decipher what it is that brings you oneness. ask yourself if the company you keep is meeting expectations and if there are behaviors you’ve been allowing, but more importantly, ask yourself if you are leading by example and what you are leading with. this is a time for you to make sure that you are taking the proper initiative towards your own fulfillment, if you’re feeling a disconnect then maybe you should seek for an understanding of the objective; how can you expect others to meet expectations if you aren’t doing the same for yourself? why are you tolerating what you shouldn’t have to? it’s time to up your ambition and strive for resolution by making sure that you are setting yourself up for greatness. “if you don’t stand for something, you’ll fall for anything”

taurus ascendant: life has been a slippery slope for the past couple of years, the way life can change in the blink of an eye and the way we can get carried away without intending to is something you’re awfully familiar with by now. you’ll feel like you’re getting somewhere, you figure things are on the up ya know, and then of course something totally stops you in your tracks and it makes you question yourself - which has only made your taurus ascendant self clam up harder buuuut you’ve been trying to process it. you will be met with situations that allow you to reap the benefit of your efforts. it is time for you to go after what you want, this is prime manifestation time so if you are desiring change to circumstances make sure you are working towards it and utilizing the power of affirmation. if you don’t have a job then i would strongly advise this as a time to obtain one or attempt to obtain one; if you do have a job/are in a career then expect there to be change that is ultimately positive for you even if it may not seem like it at the time.

gemini ascendant: you guys have been on a mission of self-discovery through the numerous voids we utilize to dissolving other parts of ourselves, i’m getting very “cranes in the sky” by solange - “i tried to drink it away, i tried to put one in the air, i tried to dance it away, i tried to change it with my hair” (etc. read the rest of the lyrics if you’d like!) sometimes in us getting caught up in excessive behavior we’re able to understand that there’s a bigger issue at play and we’re acting from a place that is without authenticity. you will be met with situations that reveal the answers that you’ve been searching for and your perspective will begin to breakdown and reform. this year you should try to think before you speak, in fact, let your actions speak for themselves so that you don’t have to start running off at the mouth. absorb and filter through the information that you have so that you are leading with the facts; no more following unreliable curiosities, bouncing back & forth, and wallowing in careless behavior.

cancer ascendant: for a while you’ve had to take a hard look at family, support systems, what you bring the to the table, and how you can find liberation for yourself in relation to these things. it’s been easier for you to fall into a pity party because you’ve had to deal with and be met with responsibility in a new way, a way that has showed you where you’re needing to grow up, and this can make you want to sink further into your shell with all your vices of comfort (those ‘security blankets’ can be so pesky). you will be met with situations that can soften out your old ways and in doing so provide you with a chance to have a legitimate regeneration. finding acceptance and embracing vulnerability at it’s most candid is how you will find your footing. this is a time to try to re-evaluate your patterns of behavior so that you can work on creating new, healthier habits for yourself so that you are able to lay down those roots of security that you long for. you have been receiving the tools you need and all you have to do is utilize them instead of trying to shield up and be overly defensive.

leo ascendant: i feel like life for you has kind of felt like someone took you out of your home, drove you to a forest in the middle of nowhere and dropped you off with the bare necessities and said, “okay, now figure out your way back.” thankfully you are getting a groove back for yourself and taking on a new outlook of the hindrances in your life. you will be met with situations that make you reconsider the way you’ve been carrying yourself, what you’ve been allowing, and the situations that you have been placing yourself in. it’s time for you to be more selective and imagine what you want for your life, what is your ‘dream life’? - answer this question and start taking the steps to getting there, decide what isn’t aligning with this dream, what you need to pull back from, and what is worth the effort. if you have family or a support system then examine your relationship with them - are they holding you back or are they willing to work on things with you and vice versa because it could be you who is needing to be more deliberate with people. if your home (life) isn’t ideal then find a way of to move elsewhere or renovate your space by getting rid of what has no use in your life so that you can add or rearrange accordingly.

virgo ascendant: ah, attachments and feeling withdrawn, dissatisfied, ineffective are issues that you have been dealing with but this year you will be tending to the source of this by learning how to keep momentum. though you have been putting in effort, it’s you working harder and not smarter because you’re working from a place of inadequacy instead of working from a place of ingenuity. along with working harder and putting in unnecessary effort is you nitpicking to the very last crumb when really this is you just, again, being dissatisfied with where you are in life. you will be met with situations that force you back down to earth and emphasize what it is that you have been evading or how you’ve been evading. this is a time to make the transitions that you’ve been yearning for, this is not a time for waiting things out, if you want something then you need to act on it. you’ve been in your head in a very unhelpful way, you’re like “nope, this won’t work for me because xyz, i can’t do that because of abc, this is too wrong, this isn’t lmnop enough, blah blah blah” and it’s been excuse after excuse. get out of your own way and revise!!! make the best with what you have!!!

libra ascendant: gosh, why has everything felt like it’s been crumbling away? things are supposed to come together, not fall apart, right? as of late your efforts have felt as though they’ve been in vain - other people aren’t taking to you, you’re not attracting what you want, and everything has felt unfair. this balance beam has been feeling anything but balanced! you will be met with situations that bring you back to the notion that what we attract is based around what we’re putting forth. have you ever pointed the finger at yourself? are there any issues that could be stemming for you? maybe it’s you who is needing to learn how to keep yourself in check. after all this crumbling away you should be able to start piecing together the leftover fragments to gather an understanding of what life has come to be. omg i just envisioned the mulan scene: “when will my reflection show who i am inside” - this is your mulan moment!!! negativity has clung and been projected from you in recent years and it’s on you to mend those behaviors and in doing so your paths will narrow down, the indecision will cease, and you’ll see where you can go, where you’d want to go.

scorpio ascendant: feeling as though you’ve missed something is not something you’re that familiar with because you like to think you have awareness but unfortunately recognition has not been your strong suit as of late. you’ve reached that “who am i?” stage of rock-bottom and the “what in the hell am i even doing?” but what a year 2021 will be for you in terms of being able to end certain cycles, which is a pretty major thing for your ascendant. you will be met with situations that force you to gather your bearings and revise your demeanor, which can be a nerve-wracking thing for someone who doesn’t like to adhere to what they would consider the follies of others. it’s a time for openness so lessen your grip and consider the possibilities rather than feeding into your sensitivities and fixations. how can you transform if you’re too busy digging yourself in deeper? the way scorpio is able to bring together both boldness and vulnerability is what you should be striving for, the self-sabotaging is for the other birds - you’re a Phoenix!

sagittarius ascendant: i extend my deepest condolences for the past couple of years but you’re starting to get a better idea about the part that you play in matters and what you’re needing to improve upon so that you can find a direction, or better direction, in your life. hopefully you have been paying heed to the areas in your life that have accumulated to the point of no return and are planning a big ol’ yard sale because it is time to bring back some decency. you will be met with situations that test your ability to make the right choices/decisions by infringing upon your lifestyle. this is a time to explore inwardly and address the emotions that you’ve kept tucked away, seeing as your decisions are too often dictated by these unturned emotions. you’ve done enough wandering by now, these upcoming days should be about you tying up loose ends and bettering the circumstances you currently have so that you don’t feel the need to flee. don’t let things go unexpressed this year because this baggage is what is hindering you and freeing yourself of this as much you possibly can would be in your best interest.

capricorn ascendant: ah, those dark feelings of being misunderstood and having a chip on your shoulder because let’s be honest, you’ve been having an identity crisis and haven’t been the most reassuring person to have around. all i’m hearing is “it’s my life!” and envisioning a person who is refusing to be told what to do, we get it - you think you’re above cooperation. you will be met with situations that challenge the security within yourself and in your life through having to face your own inability to properly articulate yourself to others. it’s time for you to take on the mindset of a novice. everything you’ve established or think that you’ve established? yeah, leave it at the door. try your best to pretend that you know nothing and that the world is brand new because it’s your own preconceived notions that are clamming you up. other people won’t be receptive to you if you’re not being receptive to them. not everything is about standing on the mountain or being ready to die on a hill, you should be enjoying the process and experimenting and considering alternatives because that’s how you find what works.

aquarius ascendant: so you guys have totally recoiled into yourselves to the point of being lost within, huh? i just know y’all have been going full weirdo and doing shit that probably even you can’t grasp because it’s been coming from such a subconscious place. once you’ve hit a low point it’s easy to become a bitter betty and partake in not the greatest of coping mechanisms because you’re feeling alienated from yourself. there is a reason for this though - you have unacknowledged feelings! have you had any regrets or lingering emotion towards people or towards situations? perhaps these are stifling your ability to feel present. you will be met with situations that turn you inside out by taking away the option of preparing yourself so that there’s no time to go robotic about it. this is a time for you to revel in activity, get out of your ~woe is me, nobody wants what i have to offer~ and start showcasing your abundance! give for the sake of giving, have fun with your generosity, try to tap into that aquarius energy of playful but well-intentioned nonchalance.

pisces ascendant: well, you have been trying to work on your celestial flow and have dove deeper into your visions and idealisms for life but your moods have never been more easily swayed. these have not been the sort of tides that you have cared to ride because they don’t lead anywhere! they crash and dissolve, crash and dissolve, crash and dissolve - when will they carry you somewhere you’d like to go? your escapisms and illusions have been getting the better of you and floating is a pretty accurate way to describe where you’re at. you will be met with situations that question/alter your reality and reveal to you what you’ve been overlooking. i imagine it as your *record scratch* *freeze frame* “yup. that's me. so you're probably wondering how I got myself into this situation.” moment. it’s time for you to gently pull back and take note of what you’re investing your energy into and what this has been producing in return. your energy is best left being funneled into yourself this year so that you can thoroughly examine where you’ve been pigeonholing yourself; in you examining such you will be able to tap into your intuition in a way that you have not been able to before, it’ll be like unlocking a new level of your own consciousness.

#2021

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calpalirwin · 3 years

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Let The Walls Break Down

Summary: Calum gets over his skepticism

Word Count: 2.7k

And away, and away we go!

“It’s almost impossible. Love sucks. Don’t try it. It’s a scam.”

That had been Calum’s general thoughts on relationships since the two of you called it quits. The “almost” bit was in admittance that 1.) your relationship had been amicable from start to finish, in fact the two of you were still close with each other, and 2.) he knew love worked for some people, however he didn’t view himself as one of those some.

Being close to Calum post breakup meant you had a front row seat to the man’s brief stints at romance, which was a nice way of saying “endless stream of one night stands.” The flip side was he had a front row seat to your own count of nameless men. While in the beginning, the others in your friend group joked in hushed tones that it was an act on both your parts to stir up jealousy, the longer it went on without any animosity building up between you and Calum, the more the whispers died down until they disappeared all together. Because the simple truth was that the one night stands were just about sex. After all, you and Calum had learned together that the two of you were too busy for anything more than casual sex. A lesson both of you considered well-learned until Michael got engaged and flipped everything into a new perspective.

“It’s not that I don’t believe in love,” you said after Crystal recounted all the details and you stopped squealing in excitement for her. “I mean, anyone who sees you and Michael has to believe it’s real.”

“Aw, Y/N,” Crystal blushed shyly.

You laughed, “I’m serious. You and Michael. Luke and Sierra. Ashton and Kaykay. I’m surrounded with reasons to believe love exists. The real ‘can’t imagine my life without you’ kind of love. But for me?” You waved a hand dismissively. “Pfft, nah.”

“Because you don’t believe he’s out there for you, or because you already had him and the timing was wrong?” she pressed suggestively.

You rolled your eyes. Right person, wrong time was the excuse you had given when asked when you and Calum split, because to you, it was the closest thing to the truth. “Okay…” you started slowly. “Of course I loved Cal. And I still love him now. But when we were together… We were kids who were focused on our careers. And we’re still those career-driven kids. Understanding the balance between professional life and personal life without feeling like we’re sacrificing a piece of it for another was something Cal and I will never master. We tried. I thought if I could find that balance with anyone, it would be with him. But it wasn’t. And that’s okay. I’m fulfilled in other ways.”

“But…” Crystal kept trying to press.

“But nothing,” you laughed. “I’m happy with my life the way it is, Crys. And beyond happy for you and Michael. You’re getting married!”

~~~

Across town in a celebration of their own, Calum was under similar fire. “Happy for ya, mate,” Calum said, clapping Michael on the shoulder.

“Thanks, Cal,” Michael beamed. “I think I’m still in shock from all of it.”

“I think that’s probably a natural feeling,” Ashton told him, playing the voice of reason. “It’s an exciting change that pulls things into sharper focus.”

“Yeah, like all I wanna do now is tell Sierra how much I love her,” Luke put in.

“Oh, you fuckin’ sap,” Calum laughed.

“Just because you’ve never been in love…”

“I have too!” Calum defended.

“Oh, really? Who?”

“Y/N, idiot…” Ashton told Luke with a roll of his eyes.

Luke nodded in a “Oh, yeah!” fashion, before going on, “Is she the only girl you ever loved?”

“Yep.”

“So why aren’t you still with her?”

Calum shrugged. “Timing was off. And we haven’t changed. So why would the timing have suddenly changed?” The question was rhetorical, without the slightest hint of hurt. A simple fact of life, nothing less, nothing more. A fact Calum had made peace with long before.

“So what? You’re fine with the greatest love of your life being over 2 years ago?” they questioned anyway.

He shrugged again. “Have been for a while, in case ya haven’t noticed. And no,” he raised a hand, cutting off any protest, “this isn’t a bitter, ‘oh convince me otherwise’ deal. Y/N and I are both more than happy with the lives we’re living.”

“How do you know?”

“Because I talk with her, and I trust she’s telling me the truth…”

“Alright, alright,” Ashton was willing to let the conversation rest, but he had one last question. “Is there any part of you that would want to try again with Y/N?”

A third and final shrug. “I mean, she was the only one I ever saw a future with aside from the band.”

“That has to mean something, Cal. C’mon. If there was ever a time to give love a chance, it’s now.”

~~~

While Calum’s head raced with his friends' words of encouragement, if he could call it that, yours raced with thoughts of feeling like you somehow failed in life. Sure, your career was everything you wanted it to be and more. You wouldn’t trade a single moment of your life for anything else. But now that your friends were clearly doing more than simple dating, the doubt started to trickle in. Would it be nice to share a life with someone? Absolutely. But not at the risk of your own independence. And the only person who had ever proven that you could maybe have the best of both worlds was Calum. And even that hadn’t worked. But maybe there was something to Crystal’s words about it being a case of bad timing. Maybe it was worth another try.

So that’s where you found yourself, sitting on the edge of your bed, sharing at Calum’s contact, finger hovering over the call icon, trying to figure out where and how to start again with the man. And then your phone was buzzing in your hand, and you gasped. Had you accidentally hit the call button?! No. Calum was calling you. Confused, you hit accept. “Hey, Cal. What’s up?”

“Not much. Just had a quick question for ya.”

“Well I might have a quick answer for ya.”

You heard his soft chuckle and then a brief pause as he cleared his throat, and you knew he was pushing a hand through his hair, stemming whatever nerves this “question” was creating. “You got any dinner plans for Friday?”

“No. Why?”

“There’s this new place I’ve been wanting a try, and you know how I am about eating out alone. And it’s been a minute since just the two of us hung out. So I’ll pick you up at 7?”

You gave a small laugh at the rushed excuse, wondering what he was really up to. “Sure thing, Cal.”

“Cool. Oh, and uh, dress in something nice-ish? The restaurant’s kinda uppity.”

Another small laugh. “Alright, Cal. See you Friday then.”

~~~

“It’s just dinner. It’s just Cal,” you told your reflection as you finished getting ready. “Nothing you haven’t done a million times before,” you kept trying to calm the butterflies in the pit of your stomach. While you had a pretty good idea on what this dinner really was, you didn’t want to get your hopes up that Calum was having the same change of heart that you’d been having. The man really did hate eating alone at restaurants, and if the place was as upscale as he had told you, then it made sense that he’d rather bring you along than Ashton. And he had been right about it being a good while since it was just the two of you spending time together rather than a larger group outing.

But when Calum knocked on your door rather than texting that he was in your driveway, you couldn’t stop the blush coloring your cheeks. And when you opened the door to reveal the man on the other side, dressed sharply with a bouquet of your favorite flowers in his hand, you felt your heart skip a beat. “Oh, Cal,” you breathed. “You didn’t have to do that,” you told him, taking the flowers and moving to put them in a vase of water.

“It’s how you deserve to be treated,” he said simply with a shrug as he leaned against your doorway.

“You’re too sweet to me, Hood,” you teased lightly. “Ready?”

“After you.”

When he went as far as to get the car door for you, you had to laugh. “Okay, Hood. What gives?”

“I told you. I’m treating you the way you deserve to be treated.”

“Nah, there’s more. I can tell. C’mon. Spill it,” you pressed when he got in the driver’s seat. “Flowers. Getting the door. Dinner at a place that requires me to dress like this. You’re up to something.”

“You look stunning, by the way,” he said, reaching over to give your thigh a squeeze.

“Calum Thomas Hood.”

He sighed. “We were good, right? Like when we were together? It’s not my memory playing tricks on me?”

“You were the best boyfriend I ever had,” you answered honestly.

He nodded. “Okay. You’re not allowed to make fun of me. But since Mike got engaged, it’s gotten to me a bit. Almost like I’m missing out on something, but it’s weird because my life is already everything I want it to be. So what could I possibly be missing out on, you know?”

“Why would I make fun of you for that?”

“Because it’s a stupid ass reason to take you on a date.”

“Oh, is that what this is? I hadn’t noticed.”

“Ha-ha,” he deadpanned. “Look, I guess what I’m saying is, recent events made me reevaluate things in my life. And I think I’m in a better position than I was a few years ago to be a real partner to someone. And even when I wasn’t that person, you were the only one I could see myself becoming that person for. So… if you’re up for it, I’d really like for us to try again.”

Underneath the streetlight casting him in a soft reddish hue, he turned his head slightly to look over at you, brown eyes hopeful and solemn. When the light turned green, he turned his attention back to the road, but kept stealing glances over at you, still waiting for your response.

“I guess it’s only fair to let you know that I’ve been thinking the same thing.”

The corner of his mouth curved up in a smile. “Really?”

“Really,” you said with a soft smile and a small nod of your head. “I was actually hoping this was more on the date side than the friends grabbing a bite to eat side.”

“Good, because this is definitely a date.”

“Good,” you nodded again before leaning across the center console to press a kiss to his cheek, grinning as warmth spread across his face.

~3 Years Later~

You startled awake at a phone ringing nearby, a tangled mess of limbs and bedsheets. “Mmm?” Calum rasped, voice heavy with sleep as he answered the phone, followed by a quick, “Whoa, mate, stop yelling. You did what now?” There was a small pause as whoever was on the other end of the conversation spoke in a rapid flurry that you couldn’t decipher. “You did?!” Calum clarified whatever the news was, sitting up straight in bed, your head falling from his chest to his lap.

“Ow…” you giggled, shifting to sit up against the headboard like Calum was.

“Sorry,” Calum mouthed, listening intently to whoever he was still talking to, raising a finger for you to give him a minute when you raised an eyebrow in silent question. “That’s fuckin’ great, Luke! Congrats to the both of you. Lemme know what the plans are for celebrating and give Sierra a hug from me in the meantime, yeah? Alright. Talk to ya later, mate. Bye.”

“Well?” you demanded.

“Luke and Sierra are getting married. Or he proposed anyway, and she said yes.”

“Oh, that’s great!”

“Yeah, I’m really happy for them. Wow… first Mike, now Luke. We really aren’t the same kids we used to be, are we?”

“I think in some respect you guys still are. You still cling to those roots of who you used to be, the things that shaped you into the people you are now. But you guys are also growing up, too. It happens, Cal.”

“Yeah, no, I just… Wow. It’s not something I really pay much attention to, us growing up, until something like this happens.”

“The last time one of your band members got engaged, you got a case of feeling like you weren’t measuring up somehow. You’re not feeling that way now, are you?”

“No. Not at all. In fact… Luke said something when Mike told us he got engaged. That he wanted to go tell Sierra how much he loved her.”

“Aw, that’s really sweet.”

“Yeah, and at the time I made fun of him for it. But… I dunno… I get it. This type of shit really shifts things into perspective.”

“I mean, yeah. Last time it resulted in both of us thinking we should try being an ‘us’ again. What’s the perspective shifting to this time? You’re not gonna go out, and buy a ring, are you?”

“No, I already have one in my sock drawer.”

You choked. “What?”

He climbed out of bed with a laugh, making his way to the dresser and rummaging around in one of the top drawers. Then, something small was soaring through the air as he tossed whatever it was onto the bed towards you. “Told ya,” he said simply, as you grabbed the small box, popping the lid to find a ring inside.

“How long have you had this?” you asked, your voice a small whisper.

“Uh… 2016 I think,” he said as he rejoined you in bed.

“So, since the first time we dated?”

“Yep.”

“Calum!”

“What?” he laughed. “I told you our entire relationship, both then and now, that you’re the only person I see a future with. Did you think I was lying?”

“No! I- I just didn’t know you went so far as to get a ring, and keep it for 5 bloody years.”

“Well, it would have been a little weird if you had it all these years, considering… ya know.”

You laughed in a mix of disbelief and shock. “You are absolutely crazy.”

“I’m not actually proposing, you know that, yeah? I mean, yes, the ring is yours. But only if you want it to be. I love the life we have together, more so than I thought I could love any other version of my life. I never feel like I’m stuck in place, or missing something when I’m with you. I’ll be just as happy if you never wear that ring, as I would if you wore it every day for the rest of your life. You, me, Duke, and music is all I’m ever gonna need in life. I’ve known it since the first time I said I love you. Even in those years we thought chasing our careers was more important, you were still the only person I’ve ever been in love with.”

“Calum…” you breathed, your lip trembling.

“Shh, if you want the whole deal of the proposal and the picture perfect wedding, I’ll give that to you gladly. That’s what the ring’s for. But if you’re content with what we have now, this will always be enough for me, and that’s a promise.”

“I don’t want a proposal only because Luke and Sierra made you extra sentimental. I don’t want to take their moment away from them either.”

“That ring has been yours far longer than any extra sentiment our friends getting engaged could stir up, but I get what you’re saying. If/when you want it, say the word.”

“Ask me again in a year,” you decided. “And I mean really ask me. The whole deal.”

“I can’t fuckin’ wait,” he murmured as his lips crashed into yours, his hands cupping your face. “I’m so in love with you. Always have been. Always will be.”

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#let the walls break down #calum hood #calum hood fic #calum hood x reader #5sos #calpal irwin

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nightswithkookmin · 3 years

Note

Hi Goldy, JK was bold in the past, around 2017-2019 (to me, gcf & rosebowl can be considered as ‘coming out’). But it seems he now prefers to stay closeted? E.g. he snatched JM’s hand in the Xylitol x BTS shoot, then looked at the camera. Holding hands is normal among members… a lot of his interactions with Jin, V and other members are more intimate than holding hands… his reaction makes me feel like he wants me to pretend I didn’t know…?

Sorry I've been a bit AWOL lately...

I'm busy being the man of my woman's dreams in a cis het anti black capitalist world

Fun times.

I saw that bit, uWu-ed and kept it pushing.

It's nothing new really. I think a few months back when I was out here screaming Jikook are toning down, acting super professional around the cameras yadda yadda people out here were looking at me like I'd lost my two delulu heads- but this segues into that theme for me and since I've exhausted the topic I don't know what else to add.

I've said before they've both been very conscious of the cameras within certain periods post October- again nothing new, they be like that every now and then every season every phase and the whys will always be up for debate in these ship streets- on that subject, I've read a lot of opinions yet I think like mine better and will stick to it. Thanks Kimberly of Delulu precinct. Walk along now. Lol.

Jimin was like that during the Coway behind the scene shoot too when he noticed the cameras and quickly elbowed Jk to draw him away from the gaze of the cameras.

I don't think it's because they stopped being 'bold' or want to pretend. It takes a lot of courage to even pretend or even perform the gay in front of the world and your peers. I think they are just awfully aware and conscious of the people they work with as well as corporation's growing awareness, intentions and interests in them. You just never know which saessang is moonlighting as a brand PA or marketing director for a company they are working with. You just never know who is watching especially whenever they have to work with these 'outsiders.'

Think of Dispatch. Were they not allies or business partners, they'd be careful around them too if they worked with them. Know what I mean?

Toning down and exercising caution is necessary sometimes. I don't know why some people think that's absurd or Tuktukkerish when I say stuff like that. Especially with the kind of reputation they have as a ship and just how commercially attractive that image is. It's common sense at this point if you ask me.

Jikook sells. Argue with the analytics. I don't know who thinks they don't. Must be the clowns and penguins. They sell period. BigHit knows this, BTS knows this, companies know this. We don't scream Jikook is a brand within a brand for no reason.

And a lot of the toning down in recent times has perhaps inadvertently mitigated that growing power and demand of them as a marketing resource- who knows, that could have as well been by design, intentionally instigated for obvious reasons which I argue is the case but don't mind me. I'm delusional, gay and apparently the man of my woman's dreams uWu. Gotta wear that pants in my relationship. Ayaya Hwaiting.

When you say he prefers to stay closested- I thought they are both closested already?? They both have never been fully out in our opinion. Yes our opinion because I feel we are like minded. Let's be delulu mates.

On the topic of closets, I want to save that for a separate post. What I can say though is they are both growing and maturing and learning and unlearning. Jungkook's desire to 'come out' or act reckless with his glass closet in my opinion stemmed from him placing more value on his personal happiness over other values perhaps because he was young and hadn't fully grasped the full and complex nature of happiness or understand the privilege he has as part of BTS.

We make decisions based on our values most times. It's how I make sense of their actions really. I'm more likely to assume things that are consistent with the values they each have expressed openly and tend to reject any theory that contradicts or is inconsistent with those values. A guy who values his career is less likely to act in a way that puts that career at risk. And I'm well aware their values evolve over time.

These days he has never quit as one of his mottos next to rather dead than cool- do you see the contradictions in those values? Rather dead means quitting life. Yet now he says never quit. Don't mind me. I'm in a grumpy mood.

But what I'm saying is, the desire to want to show the world who this person means to him is not fixed or a priority all the time. Now i think he values his career a lot more than before which means he is more likely to compromise and less likely to do things that may put that career in jeopardy.

Transferring that to his relationship, I don't expect him to be breaching the glass closet anytime soon. And if he do, it might be incidental and may carry with it consequences which I believe he is well aware and concious of now. Will that change? You bet. Again it depends a lot on what his values in a given moment are and which ones he prioritizes.

It's their relationship. They chose which aspects of it they want to share with the cameras. Some of it get written off as fanservice. Fair enough. But the nonfanservice passing moments has always been questionable- although I must say, I find all Jikook moments and interactions questionable lol.

It's just skinship. Holding hands I mean. Why would he be conscious of that right? II'vetalked about consequences and repercussions of their actions. Sometimes I think it's the off screen scolding that gets to him. The ones silently whispered at his back. I mean we saw his reaction when Jimin was getting scolded by the hyungs for sleeping late. He's talked about skipping sleep too if I recall correctly. Jimin is hyung and I know the hyungs expect him to know better and do better. I'd Imagine Jimin would equally scold JK if his actions reflected poorly on him too.

So why the hell would he not say anything to Jungkook for posting on his birthday when he hadn't posted at all for any hyung's??? Sigh.

It's sad his guards are back up- but it's for good reason I believe given the context of the situation.

I don't think dramatizing his dynamic with Jimin makes him bold. Nor does Jimin's propensity to over express himself with Jungkook mean he loves Jungkook more than. Both are extreme takes for me.

Nevertheless, I contrast that moment with a Tae Kook moment which is one of my favorite tuktukk moments. In this moment, JK is staring at Jimin, his whole body turned towards him. Tae notices the cameras and draws JK's attention to it. I think there are two such moments like that from the recent contents? I don't know I have to cross check.

Tae in that moment reminded me a lot of Jimin. Jimin does this too- play out their relationship infront of the cameras to the point one might say he likes to show off their bond- which is such a BTS thing to do too so no big deal. I mean they like to show off their bond and chemistry as Tae said a while back.

It's one thing for JK to hesitate to act with a member because of the cameras, it's another for him to act self conscious only after the fact.

And JK has always been him like this with Jimin as Jimin used to say- JK acts different with me off cameras than he is on camera. He had a history of suppressing himself around Jimin owing in part to his personality

He's talked about putting on a mask around people and in a recent interview Jimin have talked about pretending and acting one way when he's not- I mean I've ever talked about the boy being in love with the Maknae being a facade- one of many.

They have public personas which, from what BTS themselves say, looks slightly different or similar to what we see on screens- or that they've grown to be more like what we see on screens.

I guess what I'm getting at is that 'pretending' isn't exactly a new thing or out of the ordinary. Personally I'd say he's being conscious of his surroundings like Jimin was and not that he is 'pretending.' If you know what I mean.

If he's pretending he has good reason to I believe and we can only speculate on that- we can't know for sure why.

If Jikook is fanservice then there's no need for either of them to worry about the cameras picking up on their interactions or who's watching them.

What goes on in Tae's head? I wanna know.

I don't know where to direct this post because you didn't really ask a question.

I'm fine thanks for asking. I'm really fine. I'm thinking of joining Jimin in the gym at 3am to bench press and build some biceps to match my role in my relationship😒

And no I don't need any advice. Keep it.

This is going to be my attitude until we switch back😐

I'm gonna be a boyfriend from hell and a blogger from satan's ass.

Also I think I overshare💀

GOLDY

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rebelcourtesan · 4 years

Text

Romance Comics for Adults

I love comics, and lately I’ve enjoyed mature looks on romance and relationships without it being bubbly high school drama with misunderstandings littering the plot and stories that really examine what it means to be in a relationship.

Unlucky in love Edith is strugglin when it comes to her adult life. She has few friends and is struggling financially as a romance novelist. Her love problems stem from trying to find Mr. Perfect which she believes comes in the form of Jack, a childhood crush that barely noticed her when she was a child. Then she meets Phillip, a bad boy model who understands her more than any man ever had.

It’s a love triangle romance, but it really focuses on deep issues like open communication between partners, struggling financially as an adult, and dealing with past trauma like being bullied as a child.

Status: Currently ongoing!

Imagine a society where a dating app which decides your match via the similarities in finger prints decides everything for you. Your career, success, education, and even health care! Beatrice ‘Bea’ Torres has ambitions of being of the first scientists to work on a mars colony, however in order to get the money to further her education out of the country, she has to register at LUFF to see how high her match score is.

Much to her surprise and to everyone, not only is her match at a high score of 97%, but has TWO matches with the same score!

Yes, this is definitely a love triangle set up, but there is much depth to it. It explores why people rush into romance while having an independent female lead who is more focused on her career goals than falling in love. It also has a dystopia society where people with low scores struggle with jobs, finances, and healthcare while the lofty high scores who use their numbers for elitism.

It also has an interesting side story of a lesbian forced into matching with a male partner to get the money for her mother’s healthcare.

My only comment is that it ends rather quickly. I think there could have been more story to tell, but it does tie up all loose ends by the last panels.

Status: Finished! Had it’s series finale today!

I love this webtoon. The artwork is beautiful and the characters are third dimensional and endearing. It’s a modern take of the Greek Myth, Hades’ taking of Persephone.

Hades, God of the Underworld, lives a lonely life as a social outcast among his peers and is trapped in a toxic relationship with a nymph. Until he meets bright, bubbly college student Persephone, the young Goddess of Spring. It’s the most unlikely of matches, but it has the most chemistry out of any romance I’ve seen in comics! And it’s not just Hades and Persephone stories, other gods have their own stories told about their own relationships.

It’s an adult take on falling in love between an older man and a younger woman (don’t worry, it’s nothing illegal, Persephone is 19 years old). Also, it takes on the themes of toxic relationships, sexual assault, trauma, and communication.

Status: Still ongoing!

Beatrice ‘Bea’ Rosario needs a date for her sister’s wedding pronto! Her ex-girlfriend is going to be there and she can’t possibly show up without a date of her own! With no other choice, she summons a demon, makes a deal with him to attend the wedding as her date. Unfortunately, he tricked her into overlooking a clause in the contract. He’s her roommate until her heart has been fulfilled.

What begins as a hilarious romance romp, soon becomes a story of a depressed woman trying to find her way in the world. There’s some heavy punches in this comic I was no expecting. And it hits pretty close to home for me sometimes.

What I love about this webcomic is Bea is a bisexual plus size woman who is NEVER EVER told to lose weight to find happiness. There is one scene where a date tells her to ‘pick a side’ and he is quickly shut down for his rudeness and shortsighted views.

Discusses themes of mental health, bisexuality, toxicity from both family and partners. There’s a love triangle, but it serves as a contrast between a supportive partner and an abusive one.

Status: Ongoing!

#webcomics #romance for adults #webtoons #Lore Olympus #brimstone and roses #luff #edith webtoon

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addictedtostorytelling · 3 years

Note

What do you think of Grissoms growth as a character from S1-Immortality to now, CSI Vegas. Do you think his marriage to Sara has changed him In anyway? Even from immortality to CSI Vegas I think the character of Grissom has changed quite a lot.

hi, anon!

so i have an old meta that goes over my take on grissom's character development in the original series here, if you're interested.

i'll use that post as a preface to what i'll say in this one, which will center more on his development between "immortality" and the reboot.

more discussion after the "keep reading."

as stated in the above-linked post, i think the main thing that really changes with grissom in the original series between s1 and s9 is that he learns to allow himself to love and to admit how much he needs other people, even though it scares him to do so.

this development in him is inextricably tied to and largely even stems from his relationship with sara, which, as he describes in "immortality," causes him to open the "shell" around his heart.

that said, even after he learns to allow himself to show love to others, he still has one major bit of character development left to undergo: namely, to learn to trust in his own lovability and believe that others can love him in return.

and that's something he continues to struggle with, even after his and sara's reunion in costa rica.

hence the s13 divorce.

for a long time, though grissom can accept that sara loves him in the moment, he cannot imagine that she will love him forever; he always fears that someday, the other shoe will drop, and she'll see him for what he truly is—an old, socially obtuse, misanthropic, dark-souled, broken man with nothing to offer someone as vivacious and light-filled as her—and eventually become repulsed by him.

—though only after he's changed everything in his life and sacrificed his career, reputation, sense of personal autonomy, and heart in order to be with her.

he fears a total loss: that he'll give up everything for a shot at a relationship with sara, and then she'll eventually leave him anyway, and he'll have nothing in the end.

he thinks so highly of sara and so lowly of himself that he can't envision how she could ever love him in the long term.

sure, she might love him when she's young and idealistic and doesn't really know any better, but later on, her wants and needs might start to change, and her willingness to tether her life to his might diminish—and particularly after she sees him "up close" as he truly is and realizes his many deficiencies.

certainly, these fears in him come to bear in the early seasons of the original show, which is why for so long he is reluctant to be with sara, even though he does love her.

however, they are also present even once he and sara get together—and even after they marry the first time around.

in the back of his mind, there is always this nagging question: will sara actually stay with him forever, or will she one day leave him?

his doubts in this regard are less reflective of his views on sara's character—he knows she's stubbornly loyal, even to a fault—than they are the extremity of his own self-loathing.

he views himself as being so fundamentally flawed that he just can't believe that someone as perfect as she is will be able to deal with his bullshit indefinitely.

it's this whole "for who could ever learn to love a beast?" thing.

that's why when the cracks start showing in their long-distance marriage—when a few months pass without them seeing each other or calling—his impulse is to go, "well, it's finally happened: she's realized that she's better off without me. we had a nice run while it lasted, but clearly she's done with me now, as was always inevitable. the best and kindest thing i can do for her at this point is to set her free so she can go seek her bliss elsewhere, even if it kills me to do so" rather than to, oh, i dunno, FUCKING CALL HIS WIFE OR GO SEE HER LIKE A REASONABLE PERSON.

like.

his whole mode of operations during the divorce era is reflective of the fact that he ultimately doesn't believe that he is lovable in a permanent, unconditional kind of way.

and to me, that's the thing that really changes in-between "immortality" and the reboot:

grissom learns to trust that sara's love for him is permanent and unconditional, and, even more than that, that he is deserving of it.

for the first time ever in all the twenty-one years we have known him, he isn't afraid that one day he'll end up alone anymore; he isn't afraid that she'll leave him at the first sign of trouble; there isn't some part of him that, deep down, believes that she would be better off without him or that he is unworthy of her companionship; he doesn't think he deserves to be alone in the end.

of course, much of this change in him is likely the result of the reunion in "immortality" in itself.

learning that sara never stopped loving him even after he divorced her—and, even more so, that she'd never actually wanted to be rid of him in the first place, despite what he had (erroneously) assumed—is something that absolutely shifts his paradigms and causes him to see that despite what he had always feared, she's not going to reject him.

that said, i also tend to believe that a lot of this newfound confidence in him is something he develops after she finds him on the pier and which stems from just living with her over the last six years and being loved by her every day.

not only has her constancy through all the metaphorical—and perhaps even literal—storms helped him to develop a trust in her feelings, but her genuine adoration of him has helped him to see himself in a better light.

as we observe throughout the reboot, she is constantly validating him, both verbally and through her body language—look at all those "you're my favorite person" smiles!—plus reassuring him when he's anxious and even praising him to other people when he's not around. she loves him so openly and unreservedly and intensely that he's finally become convinced that he is in fact lovable in the long term; he can at last believe that he is worthy of her and, moreover, has an inherent value as a person.

the grissom of 2021 is so comfortable being himself, not just with sara but with everyone he meets. all of his best qualities shine through in him, completely uncovered to the world. he's witty and clever and wily and compassionate and analytical and kindhearted and quirky and smart. he's also delightfully weird—more so than ever.

though he's got problems and is wading through a deep quagmire of deception and conspiracy, there is an undeniable lightness to him that was never there before.

it's like that old quote, you know?

"sometimes i think a soulmate is someone who will make you be the most you that you can possibly be."

that's what being with sara has done for grissom.

that last bit of fear and self-loathing in him is gone.

as i talk about in this meta:

there used to be a time when grissom's deepest fear was that if he were ever anything other than 100% whole, sara wouldn’t love him anymore. and the thing is, she knew. she once stood on the observation deck outside of a pd interrogation room and listened to him say that he was afraid that if he ever dared to share “the beautiful life” by her side, she would someday take it away from him when she considered him no longer worthy. back then, she wished she could have told him that his concerns were unfounded, but the thing is, now, she actually has that chance.

he reveals that he has a potentially incurable disorder, and her immediate, unflinching, unwavering response is to gather him in an embrace and lay her head on his shoulder, kissing gently at the fabric of his shirt. her promise is as sure as it is simple: “i’ll never go away.”

with those four words, she silences every doubt he’s ever had regarding his own lovability. she looks his fear right in the face and says no. she could not be clearer: her love for him is unconditional and unending. she loves him in sickness and in health, for better or worse, and whatever he’s facing, they’ll face together.

the comfort she extends him here is so much more than just balm for the moment; she is healing fifty years of bruising, heartsick “if anyone knew what i really was, they’d reject me” pain in him.

she is with everything in her proving to him that he doesn’t have to be afraid of being alone anymore. he can hold onto her, and she won’t let him go. she loves him, she loves him, she loves him so much, and part of how she loves him is to make sure that he knows he doesn’t have to be scared of losing her anymore—not now, not ever.

anyway.

to me that's the biggest change in grissom: that through loving sara, he's finally learned to love himself and to believe that he is deserving of love—from his friends and family, and especially from her.

gonna go gently weep over it now, brb.

thanks for the question! please feel welcome to send another any time.

#answered #anon #asks: csi #**#my meta #meta: csi #meta: vegas #meta: grissom #gil grissom #let's talk shop #csiverse

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dailytomlinson · 4 years

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While many artists would jump at the chance to tell you how lockdown has been a fruitful opportunity for self-improvement, full of pseudo self-help books and pompous podcasts, former One Directioner Louis Tomlinson is adamant that he has done, well, nothing.

“I’ve just watched loads of s___ TV,” he says after a long pause. “The Undoing is decent, isn’t it?”

Twenty-eight--year-old Tomlinson from Doncaster was always the down-to-earth Directioner, frequently describing himself as fringe member who spent more time analysing the band’s contracts than singing solos, known for chain-smoking his way through several packs of cigarettes a day and swearing like a trooper. A rarity, these days, among millennials who’d rather suck on a stem of kale and tweet about their #blessings.

He's getting ready to rehearse an exciting one-off gig that will be live-streamed from a secret London location on December 12, announced today exclusively via the Telegraph. The proceeds of the night will be split across four charities: The Stagehand Covid-19 Crew Relief Fund and Crew Nation, Bluebell Wood Children’s Hospice and Marcus Rashford’s charity FareShare, to help end child poverty.

The gig means a great deal to Tomlinson, whose first ever tour as a solo artist, to promote his debut solo album WALLS, was cut short back in March after just two concerts in Spain and Mexico. It was an album he’d spent five years working on: a guitar-led project that ruptured with the preppy pop anthems of One Direction, inspired instead by Tomlinson’s love for Britpop.

No doubt he was anxious to get it right following a decade “grown in test tubes”, as Harry Styles once described the band’s formation on the X Factor, where they came third before going on to make a reported $280,000 a day as the most successful band in the world. The pressure, too, was intense: all four bandmates had already released their own solo debuts.

Was he left reeling, I ask, unable to perform at such a crucial moment?

“The thing that I always enjoyed the most about One Direction was playing the shows, so my master plan, when I realised I was going to do a solo career, was always my first tour. It’s something I’ve been looking forward to for the best part of five years now. I got so close, I got a taste for it, and it’s affected me like everyone else, but I’m forever an optimist,” he says down the phone, with what I can only imagine to be a rather phlegmatic shrug.

Sure, I say, but the last year can’t have been easy. Didn’t he feel like his purpose had popped?

“You know what,” he says, reflecting, “maybe because I’ve had real dark moments in my life, they’ve given me scope for optimism. In the grand scheme of things, of what I’ve experienced, these everyday problems...they don’t seem so bad.”

Tomlinson is referring to losing his 43-year-old mother, a midwife, to leukemia in 2016, and his 18-year-old sister Felicite, a model, to an accidental drug overdose in 2018. The double tragedy is something he has been open about on his own terms, dedicating his single, Two of Us, from WALLS, to his mother Johannah, while often checking in with fans who have lost members of their own family.

It’s not unusual for Tomlinson to ask his 34.9 million followers if they’re doing alright, receiving hundreds of thousands of personal replies. It’s not something he will discuss in interviews, however, after he slammed BBC Breakfast for shamelessly probing his trauma in February this year. “Never going back there again,” he tweeted after coming off the show.

“Social media is a ruthless, toxic place, so I don’t like to spend much time there,” says Tomlinson, “but because of experiencing such light and shade all while I was famous, I have a very deep connection with my fans. They’ve always been there for me.”

In return, Tomlinson is good to them. Last month he even promised some new music, saying that he’d written four songs in four days. Does this mean that a second album is on the way?

“Yeah, definitely,” he says. “I’m very, very excited. I had basically penciled down a plan before corona took over our lives. And now it's kind of given me a little bit of time to really get into what I want to say and what I want things to sound like. Because, you know, I was really proud of my first record, but there were moments that I felt were truer to me than others. I think that there were some songs where I took slightly more risk and owned what I love, saying, ‘This is who I want to be’. So I want to take a leaf out of their book.”

Fans might think he’s referring to writing more heartfelt autobiographical content such as Two of Us, but in fact, he’s referring specifically to rock-inspired Kill My Mind, he says, the first song on WALLS. “There’s a certain energy in that song, in its delivery, in its attitude, that I want to recreate. People are struggling at the moment, so I want to create a raucous, exciting atmosphere in my live show, not a somber, thoughtful one.”

He sighs, trying to articulate something that’s clearly been playing on his mind for a while. “You know, because of my story, my album was a little heavy at times and a little somber. And as I'm sure you're aware, from talking to me, now, that isn't who I am.”

It must be draining, I say, the weight of expectation in both the media and across his fanbase, to be a spokesperson for grief and hardship. To have tragedy prelude everything he does and says.

“Honestly, it’s part of being from Doncaster as well, I don’t like people feeling sorry for me. That’s the last thing I want.”

Too many incredible memories to mention but not a day goes by that I don't think about how amazing it was. @NiallOfficial @Harry_Styles @LiamPayne @zaynmalik . So proud of you all individually.

The problem is, says Tomlinson, he doesn’t have the best imagination. “I have interesting things to say musically, but what’s challenging from a writing perspective is that I write from the heart, and I can’t really get into someone else’s story. And right now, being stuck at home, you have so little experience to draw from. It’s actually quite hard to write these positive, uplifting songs, because actually, the experiences that you're going through on a day to day basis, you know, you they don't have that same flavour.”

There is something that’s helping, though: a secret spot near Los Angeles, where he divides his time. “It’s remote and kind of weird, and I’m going to go there for three days and write. I don’t know why I’m so drawn to it. I found it via a YouTube video. It’s got some very interesting locals who live there, it’s sort of backwards when it comes to technology. It feels like you’re going back in time when you’re there. But I don’t want to give it away.”

Another source of inspiration for his second album is the Red Hot Chili Peppers’ back catalogue. “I grew up on their album Bytheway. And during lockdown I've been knee deep in their stuff. I’ve watched every documentary, every video. And I find their lead guitarist John Frusciante just fascinating.”

Has he spoken to Frusicante?

“I f______ wish,” snorts Tomlinson.

Surely someone as well-known as Tomlinson could easily get in touch?

“No, honestly, I think he’s too cool for that. He’s not into that kind of thing.”

Tomlinson’s passion for all things rock is also spurring on a side hustle he picked up as a judge on the X Factor in 2018: managing an all-female rock band via his own imprint on Simon Cowell’s Syco label. While the group disbanded before releasing their first single, and Tomlinson split from Syco earlier this year, the singer is keen to nurture some more talent.

“I'm not gonna lie, my process with my imprint through Syco, it became challenging and it became frustrating at times,” Tomlinson says a little wearily. “The kind of artists that I was interested in developing – because I genuinely feel through my experience in One Direction, you know, one of the biggest f______ bands, I feel like I've learned a lot about the industry – they weren’t ready-made. So I had lots of artists that I took through the door that were rough and ready, but major labels want to see something that works straight away. I found that a little bit demotivating. I love her and she's an incredible artist, but not everyone is a Taylor Swift.”

Tomlinson spends much of his free time scouting new talent either on YouTube, Reddit or BBC Introducing – he’s currently a huge fan of indie Brighton band, Fickle Friends. His dream is to manage an all-female band playing instruments. “Because there's no one in that space. And I know eventually if I don't do it, someone else will!”

Before he drives off to rehearsals, we chatter about how much he's been practising his guitar playing, and how he can't wait to take the whole team working at his favourite grassroots venue, The Dome in Doncaster, out ice-skating after he performs there on his rescheduled tour. “Because I've got skills,” he says, and I can hear his chest puff.

And then I ask the question every retired member of One Direction has been batting off ever since they broke up in 2015, after Zayn Malik quit. Rumours that his bandmates saw him as a Judas went wild after some eagle eyes fans noticed they’d unfollowed him on Instagram. Payne, Tomlinson, Horan and Styles have barely mentioned him since. Recently, however, they re-followed him, and Payne has teased that a One Direction reunion is on the cards.

So: might 2021 be the year of resurrection?

“I thought you were going to ask something juicier!” say Tomlinson witheringly. “Look, I f______ love One Direction. I'm sure we're going to come back together one day, and I'll be doing a couple of One Direction songs in my gig. I always do that, so that's not alluding to any reunion or anything. But, I mean, look, I'm sure one day we'll get back together, because, you know, we were f______ great.”

#telegraph uk #press #louis tomlinson #241120 #its FULL of stunts as telegraph usually goes #stunt mention #Eleanor Halls

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interstellarflowers · 3 years

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Professor Parker Ch. 1| Professor, Peter Parker x Student, Reader

a/n this fic doesn’t follow the marvel cinematic universe but assume that peter has been what he’s been through with the exception that tony lived, and bruce is still bruce, sorry but i just can't deal with endgame hulk/bruce rn emotionally or mentally. im sorry nat is still dead but dw i'll actually treat it with respect unlike endgame like goddamn where was her funeral, am i right? the stages of grief thing they did was interesting though. im sorry i digress, this is set in nyc (because heyo im a new yorka) and the avengers/stark tower is still a thing, peter is fucking traumatized and has turned kind of cold as a result. this fic may contain a smut chapter in the future? not sure yet, where this fic goes depends on the feedback, thanks for reading also sorry im not the proudest of this first chapter so ill probably edit it but promise itll only improve from here just not in the best mental state rn

University life wasn’t exactly everything that you imagined it to be. There was hardly time to do anything that people claimed was good about coming to university. The parties, the epic heartbreaks, and romances, they were just nowhere to be seen. In fact, there was nothing particularly extravagant about your experience thus far. You went to class, studied, and went to your internship. Your internship was probably the most exciting thing about your life at the moment, you were lucky to be accepted into the Stark Industries student internship, the company paid college tuition and only required around twenty hours of lab work a week, you couldn’t complain. Of course, the exciting part of the whole ordeal was the name attached to it, “Stark,” not that you had ever met him, but it was nice to have a unique feature like that in such an impressive student body.

So here you were on the first day of your third year of university. You lived off-campus, about a five-minute walk from the Stark Tower, but a twenty-minute subway ride to your campus. However, having an 882 square foot space to yourself was really nothing you could truly complain about despite the distance. The studio apartment being yet another benefit reaped from Stark Industries. Thank you Tony Stark, the unseen benevolent God in your life.

Typically you would start your mornings off quietly and in no rush, a shower, a cup of coffee, maybe some studying before heading off to your campus, but your phone had other plans for you today. Instead of your alarm going off like it was supposed to, you were woken up by the sound of a particularly loud car horn, and oh how grateful you were for that. As soon as you were jolted awake you shifted to grab your phone and turned it over to see an alarming 8:40am glaring back at you.

Holy shit. You were late.

You scrambled out of bed nearly face planting several times in your hurry to get dressed and only barely ran out the door with everything you needed at 8:47am.

By the time you managed to get to the subway and clamor onto the right train it was already 8:55am. Out of breath and panicking, you considered your options. You could explain after class, you could shoot an email, there were a plethora of things you could do but none of them seemed to justify being late as a third-year to a level 500 class. You had googled all of your professors while registering for classes as was common practice. You couldn’t find a RateMyProfessor on Professor...Parker? You were pretty sure it was Professor Parker, but you do remember seeing on the STEM department page that he was currently a Ph.D. student, so you could only hope that as a fellow student he would be at least a little understanding towards your lateness.

You stood outside of the lecture hall huffing and trying to catch your breath at 9:32am, psyching yourself up, you pushed open the door to the class and attempted to go unnoticed. The class was in a lecture hall despite being only composed of around thirty students, so if you were lucky maybe nobody would even see-

“Ms.(y/l/n), I presume?.” Shit.

“Professor Parker?” Shit.

“You are aware that class starts at 9am, and not 9:30am, would this be correct Ms.(y/l/n)?”

“Yes, Professor, it’s just that I had an emergency.” The lying route. Not exactly the highlight of your academic career.

“I regret to inform you that I only take valid excuses Ms.(y/l/n), please take a seat, and next time, don’t bother disrupting class halfway through the lesson.” Fuck. You mustered a quiet “ok,” and a small nod before escorting yourself to the back of the room, thirty-something eyes following you until you sat down.

You couldn’t focus for the rest of the class, it was just too embarrassing, time moved forward but you couldn’t help but be stuck on what had just happened. For the first ten minutes after sitting down you felt like dropping out of the whole class out of sheer fucking humiliation. This was of course before you reminded yourself that this class was a requirement to graduate in your field of study. You quietly bargained with yourself before sighing quietly and settling on the conclusion that Professor Parker was just a dick. A dick who certainly didn’t deserve the satisfaction of you switching out of his class. If he wanted to be like that, you decided, you would simply return the favor.

“I know, Ms.(y/ln), why don’t you tell us DeBroglie’s equation?”

“With pleasure, Professor Parker.” Yeah, you’d return the favor alright.

“Ms.(y/l/n), you stay.” Fuck that. You looked the other way and feigned ignorance as you kept making your way towards the door. About to leave, the door shut on your face.

“What the fuck!” You jumped before turning around and you felt your face heat up.

“Ms.(y/l/n), please refrain from using profanities in my classroom.”

“I’m sorry Professor Parker. I was just startled.”

“Mhm,” he took his glasses off and laid them on his desk, “Just don’t do it in the future Ms.(y/l/n).”

“Of course. My name is (y/n), by the way, Professor Parker, you can just call me that, actually, I prefer that people refer to me by (y/n).”

“Rest assured, I’m aware of your name, Ms.(y/l/n). My name is Peter, but you can continue to call me Professor Parker.” You could have sworn that you saw a ghost of a smirk on his lips. He knew what he was fucking doing, asshole. You held back from rolling your eyes into the back of your head.

“Of course, Professor Parker.”

“As you know, Ms.(y/l/n), I did request that you stay after class.”

“Oh? I sincerely apologize Professor Parker, I really didn’t hear you.”

“I’m sure, Ms.(y/l/n).” Fucking. Dick.

“Well, what exactly did you want Professor Parker? I do have another class soon.” Professor Parker narrowed his eyes at you in obvious distaste before reaching behind himself into a bin underneath his desk and pulling out a stack of papers,

“These are the handouts you missed from the beginning of the class. Textbook requirements, syllabus...Crucial information to have if you care to succeed in my class Ms.(y/l/n).” So coldly, so maliciously, Professor Parker placed the stack into your arms.

“I take my work very seriously, Ms.(y/l/n), I do my part as your professor so I only have the simple request that my students do the same.” You nodded feeling your face heat up again.

“Of course, Professor Parker, it won’t happen again,” you said with a tightlipped smile.

“Mhm,” Professor Parker turned around and began shuffling around some paper and without giving you a second glance said, “You are dismissed.” You nodded and hurriedly made your way out of his classroom. Of course, you had lied. You didn’t have another class until late in the afternoon. So you called your coworker instead,

“Hey, Harvey.”

“(y/n).”

“Wow, okay, don’t get too excited.”

“Sorry, just woke up.”

“Tsk, the early bird gets the worm, Harvey.”

“I don’t want a worm.”

“Fuck you. I’m headed to the lab, can I expect you?”

“Yeah, yeah.” You had been working with Harvey for around four years now, he was quite the impressive specimen, having attended MIT and graduating Summa Cum Laude at age 20 was no easy feat, he was closer to Tony Stark than you would ever get, he was quite personable, and you couldn’t deny that he was quite good looking. You’d never tell him that though, he didn’t need another ego boost. Besides, you had some connections of your own.

“Hey, (y/n).”

“Banner!”

“Can we expect Harvey today?”

“Honestly, not sure.” You both knowingly smiled at each other before you made your way over to what he was working on,

“Do you ever get bored here?”

“With you and the other idiot always running around? How could I?” You laughed,

“No, seriously, like wouldn’t you rather be doing nerd shit with Tony or something? Isn’t it a little tiresome babysitting us?”

“Tiring? Maybe sometimes, but not nearly as tiring as doing ‘nerd shit’ with Tony. He’s exhausting,” Bruce smiled at his own joke, “I don’t mind playing babysitter at all kid.” He fiddled with the handle of a mug that read, “Don’t be so Na Cl,” which you had gotten him a year back as a joke, but he still used it.

You really loved Bruce for all he was. Since losing your family back in 2012 during the battle in NYC, you didn’t really have any familial figures. But since landing this internship you found yourself with a parental figure again, and you would never be able to put into words how much it meant to you, so you didn’t. Besides, you didn’t want him to feel pressured about it, especially after everything he had been through himself. Frying half your body and losing the love of your life in such a short span of time was really nothing less than horrifying. Yet, here he was, smiling, laughing...You loved him for it.

“First day of junior year? How was that?”

“Shit.”

“Huh?” Bruce stopped tinkering with the device in his hands and looked over at you, “I’ve never heard of a course being too hard for (y/n) (y/l/n), what is it? Aerospace? Quantum?”

“No, just one giant dick.”

“Pardon-”

“My professor, he’s a fucking asshole.”

“Ah, I see. If he’s really harassing you (y/n), I don’t mean to overstep, I really think we should alert administration, what’s his name?” Bruce took a sip of his coffee.

“Professor Parker,” Bruce choked on his coffee, “Oh my God, Bruce, are you okay?”

“Yeah-” he said, still coughing, “Just a little too strong.”

“Okay, are you sure?”

“Yeah, yeah,” Bruce caught his breath, “What did he do kid?”

“He’s just a dick that’s all.”

“You sure you don’t want me to do something about it?”

“Yeah, it’s fine, I don’t know what you could do anyways. Thank you though.”

“Actually, you’d be surprised.”

Sitting at your desk stressing over school work at 3am, it was nothing out of the ordinary for you. Everything appeared ordinary. The ordinary cup of tea, the familiar glow of your computer, and a morning chill creeping through your window. It was all so breathtakingly normal until there was a rap on your window. You took an earbud out of your ear, certain you were just hearing things, you looked to your window. Holy shit.

You opened your window wide so that he could crawl in.

“(y/n)?”

“Mr.Spiderman.” Still too in shock to fully process the situation you started to take in the scene in front of you,

“Please, it’s just Spiderman.”

“Oh-Oh my God, what happened?” Head to toe the suit seemed to have blood seeping through, tears in the body of the suit revealed gashes and a bullet wound.

“Bad guys. I know this guy-said he knew a medical student close by, you are (y/n)? Right?”

“Y-Yeah, but I’m really just a student, I’m not really a prof-”

“This guy, he said you might as well be.”

“I don’t know Mr.Spiderman, really, maybe I could take you to the hospital though.”

“-Spiderman, it’s just Spiderman, listen, (y/n), you know I can’t go to a hospital, it would ruin this whole secret identity thing I got going on here, and this guy, he’s probably the smartest guy I know, so if he says you can handle it, you can.” You swallowed and nodded,

“Yeah-” you wring your hands together, “Yeah-Sorry, let me go get my first aid kit.”

#tom holland x reader #peter parker #peter parker x reader #tom holland #spiderman #spiderman x reader #marvel #marvel x reader #bruce banner #tony stark #iron man #idk #sorry #ill prolly rewrite this seven times

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caffernnn · 3 years

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Ok but imagine haru with the rage of achilles if something really did happened to makoto. Haru ripping through the waters desperate to finish his heat, winning race after race without thinking about actually winning but catching after a hand that's supposed to be reaching out to him at the end, only to realize that there will be no one waiting for him at the starting block; hurrying up to finish his events and racing to arrive home yelling "tadaima" only to realize no one to call him back with "okaeri"; the meaning of swimming lost to him as he only wishes to crush anybody before him, because he is achilles who lost his patroclus, his better half, the one who reminds him who he really is, and he races like there is no tomorrow because he doesn't have anything to lose because his everything has already been lost.

Haru who exhausts himself to death because the only voice of reason he really listens to is no longer to be heard; refusing to sleep because the memories of a face he gazed at since forever haunting him whenever he closes his eyes, too close yet too far only to remind him he can no longer see that face once he opens his eyes; haru who longs for yet despises the smell of chlorine, the smell of someone so etched in his memory that he cannot intake ever again. He refuses to sleep in a bed too wide for his slender build, too cold without the embrace of a warm furnace that envelops his entire figure, him feeling like a puzzle with a missing piece slotting into plqce with his.

Haru as achilles without his patroclus who keeps him human. Haru without makoto who he will return to, to share a bath and late night swims with, who reminds him that swimming is not about the competition but the fun of being together in the water. Haru as achilles, whose only goal is to defeat anyone and everyone, and longing to be with someone who no longer exists. Haru as achilles who wishes to be with his patroclus, and nothing else matters as long as they're not together. Haru with the rage of achilles, an entity with no reminder of the human he once was.

Fuck this greek mythology brainrot I've been rereading the illiad over and over again with my favorite gay couple and with the new trailer I really can't help but correlate patrochilles with makoharu and think of an impending tragedy for our swimming soulmates since birth.

Oh this one hurts! It’d be like what we saw with Rin when he lost himself before/during season one — feeling steeped in grief and isolated from that ineffable thing that makes swimming more than just a means to an end for him. There are so many aspects of this that make me ache because trying to do any sort of healing would involve some of the hardest conversations.

Haru beating himself up in confusion because he always said he swam for his friends, and he did, for all of them, he swears. His swimming heart has been split and stored for safekeeping with his friends and teammates as he’s rediscovered and reinvented his motivation/dream over the past few years. He tried so hard to protect himself in subtle ways from his worst fear, giving himself a whole family to rely on no matter what… so why does not having Makoto by his side make him feel like he’s drowning?

Arguing with Azuma because he thought Haru was going to prove him wrong and not fall into hopelessness like he did. Haru argues in his rage that he’s being strong and “not quitting like you did,” and it doesn’t take long for Ryuuji and everyone else remotely close to Haru to see that this is almost worse than if he’d just quit or taken a break.

His friends are scared because they aren’t used to Haru falling into rage. Friends like Rin were always the ones to ignite in their despair, and friends like Sousuke kept trudging on in denial and/or spite of the problems. Haru was one who drew into himself anytime the world got too scary, isolating from people and water. Something in him must’ve broke this time around, because he isn’t looking at the world like it’s this overwhelming thing to hide away from — Haru wants to fight.

The situation sucks because Haru would have to be the one to ultimately pull himself together enough to stop punishing himself with racing/training/etc, but I wonder which friends would be crucial in keeping him afloat. Makoto’s position in all of this hurts because this isn’t just something that could happen with him dying; I can imagine Haru falling into this grief if something happened that made Makoto have to leave Tokyo and/or put his college career on hold indefinitely while he heals. It would break Makoto to hear about it all secondhand while stuck in Iwatobi, trying not to feel like it’s his fault when Haru’s shutting out the world again and insisting he’s fine on the few phone calls he answers. The Tokyo guys (Asahi, Ikuya, etc.) would be important because they’re the ones witnessing it all firsthand, who are close enough to see Haru and try to reach out face-to-face. I honestly think it’d have to be Rin and Sousuke who try to help him through it all, though — the rage mirrors too many of the emotions they both went through in the early stages of knowing about and struggling with Sousuke’s shoulder injury. I just know sitting Haru down long enough for them to talk about their old emotions and work through Haru’s fresh and confusing ones would suuuuck.

It hurts because even though the reaction is violent and confusing at first, it goes back to that self-sacrificing and punishing way makoharu deals with the impending tragedies they find themselves stuck in in so many universes. It’s this beautiful relationship because there are so many ways in that it feels seamless and soothing, but that stems from a lifetime of working to stay close and learning how to love each other. Their bond is built on an intensity that beckons despair because they’ve built each other so high up that you just know losing each other in any way would make them fall hard.

I hate the idea of anything actually happening to Makoto in the movies, I really do, but I’m still morbidly curious to see what Haru would do in the wake of it all: implode, or explode.

#ahh yes tragic makoharu. delicious #Haru sweetie I’m so sorry #makoharu #harumako #long post #meta #(kinda)#makoharu headcanons #thanks for sending!#anonymous

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flickeringart · 3 years

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The Megxit Drama

A peek at Meghan Markle’s chart

The British Royal Family has certainly been the subject of dramatic events recently – Prince Harry and Meghan Markle doing an interview with Oprah in order to explain their break with “family”, royal duties and royal life – revealing quite unsavory things sufficient to depict the firm, staff and members of the family in a bad light. Essentially, Meghan was retelling her traumatic experiences of being treated unfairly, feeling trapped, being subjected to racism, getting no help in times of emotional crisis and robbed of freedom, while her husband Harry passively went along confirming all of it. Whatever the truth is, they certainly painted themselves as victims – compassionate and good-natured. They attempted to remain respectful to the people involved in the story, yet if actions speak louder than words, they certainly weren’t particularly “respectful” by throwing the Royal Family under the bus with this interview. The couple has gotten a lot of backlash as people are disinclined to buy their narrative, partly because both seem to be quite self-serving under the guise of selflessness. Meghan made it clear during the interview that she didn’t know much about life as royalty and went into it all surprisingly clueless, almost setting herself up for disappointment. One could assume that by committing to such a structured existence as becoming a royal, that one would do the homework and at the very least expect to give up the privilege of being “an ordinary person” in favor of being of service. The British Monarchy obviously has symbolic value more than anything else, which is not to say that it’s unimportant or trivial. Symbols carry meaning and the Royal Family upholds that meaning through attempting to embody it physically. The members are not supposed to be inflated and begin to believe that they in and of themselves are princes and princesses or whatever titles they are given. They are supposed to serve the titles rather than the titles serving them. In becoming a part of this symbol of divine reign, one merges with something far greater than the limited self. One serves to uphold an image that is immortal, ancient and has a function in the psyche of the British people. I dare assume that Meghan didn’t fully grasp this concept and went into it all with far more attitude than people would like – perhaps understandably so considering her lack of experience of monarchy. Prince Harry seemingly got pulled along with it all, presumably wanting to rescue his wife from that which killed his mother while piggybacking on the momentum of the situation and metaphorically breaking free from the “limiting container” of the institution. Harry said in the interview that he felt sorry for his father and his brother being trapped by their roles, which seems like a desperate attempt to try to gain some significance, to end up in the role of the hero and avoid living in the “shadow” of more prominent members of the family. People generally seek significance in some way and will come up with the most creative attempts to cast themselves in the role of superiority, whether it’s through victimhood, humility, bravery, sacrifice or anything else that elevates the self in some way. Whether someone’s behavior stems from an attempt to make up for the lack within or not can be hard to spot, but considering the skepticism the interview has been met with – and the scrutiny (and ridicule) that it has been exposed to – it is safe to say that people’s gut feeling tells them that something is not quite right.

(The chart of Meghan Markle on astrotheme.com)

Meghan Markle has been accused of a lot of things, of twisting the truth, of exaggerating in order to further her own agenda, of being self-serving and manipulative. Some call her “narcissistic” – which is the “usual” label thrown at anyone who lacks genuine care for others, stirs up drama and drags other people through the mud in order to benefit themselves. However, her behavior might not be intentional, but compulsive. After all, no one is 100% sure of why they’re the way they are, whether it’s deemed good or bad by society at large. Where the line is drawn between intentional and unintentional is unclear, yet the odors of shady business and dishonorable motives can be sensed – and people don’t usually like being “sold” something that isn’t what it seems. Generally people don’t appreciate being deceived, which is obviously why the backlash has been so extreme.

She has quite a charming and radiating outer appearance, which is typical of someone with their Sun in the 1st, and in its domicile at that. She also has the sweet and innocent “puppy eyed” look of a Cancer Rising, which displays emotion and vulnerability. It’s not surprising that she pursued an acting career before meeting Harry. The spotlight-seeking Leo Sun in the 1st house of self, the Moon-Saturn-Jupiter stellium in the artistic sign of Libra in the 3rd house of communication and (inter)action, as well as the boundless imaginative Neptune in the 5th house of creativity all contribute to the personality of the actress. Considering that she has an emphasis on Leo and Libra, it’s safe to say that she was in it for the refinement, admiration and class that being an actress could provide. She thrives on positive attention, and is undoubtedly sensitive to discord. With a Cancer Rising and a Libra Moon, she craves gentility and fairness, for everything to be “ok” socially. Cancer is a cardinal sign, and although it’s quite emotional, it’s also very active and motivated to create safety for the self. It does this by avoiding direct confrontation, of appealing to people’s caring side. There’s nothing wrong with this, but people might feel as if the Cancer Rising person’s innocence is “put on”. In the interview, Meghan had no problem displaying her own weakness and emphasizing her own vulnerability. She used these attributes to gain esteem, whereas another person of a different nature, with different archetypes protruding, would’ve felt humiliated leading life with that energy. Her Moon is her chart ruler, which makes her emotions the primary focus – in other words her subjective experiences, mutual care, needs and requirements is particularly emphasized in her life. The Moon is in Libra, the cardinal air sign that strives for balance and justice and awareness - especially as it relates to interpersonal relationships. Libra is famous for wanting to keep everything “civilized” and “respectful”. The tight Moon-Saturn-Jupiter conjunction in this sign points to emotional exaggeration (Jupiter) and restriction (Saturn). By entering into a relationship/business deal (Libra) she experienced harshness around her emotions (Moon-Saturn) on a grand scale (Jupiter). On a side note, Capricorn rules the 7th house, indicating that she encounters discipline and structure through partnership. The institution and structure (Saturn) that she entered into through her marriage with Harry (Capricorn in the 7th) would challenge her emotions (Moon) and it put limits on her freedom (Jupiter-Saturn) and affected her overall health (Sagittarius in the 6th).

Meghan has an Aries Midheaven, indicating that her career involves breaking new territory, doing her own thing, leading her own way. This usually doesn’t go over very well when attempting to work for authority. The person usually becomes frustrated and eager to venture out on his or her own. This is exactly what has happened. Her Moon-Saturn-Jupiter conjunction in Libra opposes her MC in Aries, which perfectly points to her attempts to keep things civil and non-aggressive (Libra), while coming off as selfish and individualistic to the public (Aries). Aries as a sign is famous for not listening to anyone and moving into unpaved territory, which she certainly has accomplished. The public now sees her as someone who goes her own way – doing her own thing and standing up for herself, for better or for worse. Her Mars is in Cancer, which is why her aggression isn’t direct and rather passively expressed. She has the stereotypical female aggressiveness that implies playing on one’s weakness and hurt in order to wear down the target. It’s also in the 12th house, which hints to it being disowned by the conscious personality. Meghan might have a hard time conceptualizing of herself as a force of impact and might not see how her pent up frustration might become an enemy to herself. She has complained about feeling attacked by the media and this is classic of a 12th house Mars attributing aggressiveness to anything but the self. Attack and unpleasantness seem to flood the person from the unspecified sources, and it can arguable be a horrific experience. In the interview she mentioned feeling suicidal at one point and desperate to not be alone with the threat coming from the outside, her own mind, or both. It’s difficult to attribute the cause to any single factor with planets in the 12th. Mars squares her MC and her Moon-Saturn-Jupiter conjunction which indicates struggle in the psyche concerning her emotional involvement with structure and beliefs, vs. her public image vs. her own fighting spirit. She certainly has confronted and challenged established structure (Mars square Saturn), albeit with an attempt to be “respectful” resulting in a passive-aggressive understanding of everyone’s difficulties and struggles.

The thing that drew her to The Royal Family in the first place must’ve been her Libran urge for class, style, aestheticism and beauty. She undoubtedly found it glamorous and exciting to get to be in the spotlight, to be respected as part of something elevated and glamorous in nature. She probably has a need for spiritual meaning, indicated by her Moon-Jupiter contact – and to have her daily work based on sharing “truth” and “generous” disposal of knowledge gained through experience (Sagittarius in the 6th). She also craves structure and order indicated by her Moon-Saturn contact, which she pursued through partnership (Capricorn in the 7th) with a member of a family with unparalleled saturnian streaks of tradition, custom and regulations. To establish herself within the family would not have been such a terrible idea for her because it could’ve met all of her needs for purpose and order. However, her Mars in the 12th house didn’t allow for this plan to work. One could say that her own self-serving function rebelled after having yielded to outside influences for too long. Planets in the 12th house are usually “given up” to whatever circumstance one is in – which often results in the person acting through being “overcome” by something - pushed into a position of having to act. Meghan declared feeling imposed on by the outside, emotionally unsafe and unwell. The 12th house is the house of self-undoing after all, and her actions might’ve proven to be quite detrimental - perhaps continuing to be. Square aspects, as that between her Mars and Moon-Saturn-Jupiter conjunction stimulates action because it’s indicative of friction. She had to fight (Mars) for her needs (Moon), control and integrity (Saturn) and for her beliefs (Jupiter).

#astrology #meghan markle #astrology analysis #megxit #cancer rising #libra moon #leo sun #sun 1st house #neptune 5th house #saturn conjunct moon #jupiter conjunct moon #meghan markle natal chart #natal chart #natal chart analysis #mars in 12th house #cancer mars #moon 3rd house #jupiter 3rd house #saturn 3rd house

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rorodawnchorus · 3 years

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Ep 2-4: Theatre of Justice

No, I didn't come up with the title. While looking at some scholarly works around Eichmann in Jerusalem: A Report on the Banality of Evil, I came across this paper which very aptly describes what this whole live TV show in The Devil Judge is. The entire process, the production team behind the TV show, the public voting process and the live televising of adjudication are all theatrics for both entertainment and catharsis. It is created to placate the people by creating the illusion that justice is now in their hands and that the people knows best although manipulation by people behind the scenes leave much to be desired in terms of achieving idealistic justice.

Perhaps even as an audience, the concerted effort to properly portray the unforgivable evilness that seem so innate in the Minister of Justice's son prompts the audience to cheer for the judges who mete out severe punishment against the rich. In a deeply divided society where the rich is unimaginably wealthy while the rest struggles and straddles the poverty line, it can be cathartic to see powerful, rich people being severely punished.

Kang Yo Han begins to have a cult following in which members wear T-shirts with his face on it, wave the Korean flag and cheer for him, flailing their hands in the air as though worshipping a deity. Ga-On looked on at the small group of young men who struts into the street and cheer loudly (although this was muted; I'd imagine they were extremely loud from everyone's reaction). This is very symptomatic of what seemed to me like the inception of a violent cult which can grow into something more sinister. Genocides in different countries have all seen a process of designating certain groups as deserving violence inflicted upon them, that they should be exception to the rules of human rights.

The way audiences of the People's Court TV show reacted and were a little too keen about flagellation wasn't surprising at all but it still made me squirm. In my head, the most recent scene of flagellation (albeit also fictional) was the scene in Outlander. Whipping/flogging/flagellation are extremely brutal methods of punishment. Caning still exists in prison, behind closed walls, tucked away from the public eye and mind. Like some others who have mentioned, this form of punishment does nothing to address the problem which the justice process is trying to deal with.

Here we have a young man who seems to have the world at his feet. Groups of older men who seem like executives in his father's company tremble before him. He treats everyone beneath him as though they were dust, only deserving to be trampled on. He drives around the city threatening or actually running into people. But then we are given a glimpse of his backstory where he was raised without his parents' affection, love or attention. He seems to be on medication for perhaps anxiety or other mental health issues and also has substance addiction. Do I think any of this can be mitigating factors? No. But his eventual explosion of emotions in court, his plea to the judge in utter fear and his lashing out at the spectators of his trial ("Do you think you're better than me?") do point to certain things. 1) people wanted an outlet, revenge, and something through which they can vent their frustrations. 2) his anger at society stems from his emotional instability and childhood which continues to be left unaddressed. 3) is it perhaps a latent desire in people to want to have violence inflicted on others and a justifiable reason would easily prompt them to cheer on such use of violence?

1. Both Kang Yo Han and the people from the foundation are using this in the theatrical performance of the People's Court. Kang Yo Han knows that people want to see these politicians and elites punished so he uses this to serve his personal purpose of revenge.

Ultimately, Kang Yo Han brings up the proposal to punish him by flagellation. The TV producer immediately gets his team to search what that means and project images and description for the punishment on screen. Then, Kang Yo Han announces that the audience can vote whether or not to flog this man through the voting app. (Because the lawyer was saying imprisonment is an unsuitable sentence for his client). Because the court seems to be constructed on this concept of unprecedented justice process, Kang Yo Han uses the voting app to create this public demand for the punishment which the minister of justice cannot possibly prevent unless she is ready to throw her political career away.

There are sentencing guidelines and a presumably developed human rights principles with regards to punishment (ie. State violence). Even if we consider this version of Korea to be different from the current one, I believe it can at least be premised on development closer to our society before it diverged into the one found in this drama. That said, Kang Yo Han is overriding all of these and urging the public to choose. He tells the voters, here's your chance so what do you choose? Witness statement without verification of identity, reliability of statement, evidence, cross-examination were all thrown out the window and he sentences him right after a public vote. Having been provoked by the videos and testimony of random people who were mostly working class, this can be likened to a virtual type of mob violence. They were out for blood because of how this man (with issues that should perhaps be dealt with through therapy, etc.) treated all these people who were working and serving him in some way.

I think this juxtaposes the war Kang Yo Han initiated in his classroom when he was young; he knew what it was that pushes all the right buttons to get the outcome he wants. Is it manipulative? Sort of. But it only works because he knows how people will react to something if prompted.

This leads to the 3rd point I mentioned. Kang Yo Han is banking on the frustration that has been aggravated by a widening gap between the rich and poor. The poor has nothing but the smartphone app where they could seek some form of justice. Indeed, we do not live in a very different world from the one which is depicted in this drama. We have virtual mob violence, or perhaps what most calls "cancel culture". Because the justice system cannot deliver the justice people want, Twitter and other forms of social media are used to deliver the brand of justice that people want. In Korea, online communities are where people initiate a certain exposé that could take a celebrity's career down. Just very recently, Kris Wu has been exposed online to have been sexually involved with a minor. Now allegations that he has asked for sexual favours from fans. His career in China, it seems at this point, is well over. It is too early at this point to tell if he will face legal consequences or be officially investigated. The entire process in these few episodes struck me as very true to life (perhaps with lesser flair and live TV theatrics).

I think the judge who wrote this script is really crafting an intricate commentary of our society. How public justice is delivered and how different it is from the judiciary. Kang Yo Han thinks like a politician, as Ga-On's mentor says. He wants to give the people what they want, not deliver justice as a jurist by following legal principles. In fact, he abandons almost all of that and offers an extremely violent solution to quell the anger of the mob. It isn't until later (in the next few episodes) that random comments of a civilian squirms at the violence inflicted on this despicable young man while watching TV. It is different to say you want punishment against a person and then to actually see it happen before your eyes. Yet, there are people who indulge in this spectacle of state violence. Perhaps they are working class and have experienced bullying by the rich. Kang Yo Han builds a cult following (albeit unwillingly as he complains about the difference between his fans and Ga-On's fans lol). His avid fans are often performing an obsession for Kang Yo Han as a symbol of new justice. They praise and practically worship him like cult followers tend to do, raising their hands in the air in praises, hollering his name and has Kang Yo Han's face on the front of their T-shirts.

(This got a bit too long but the next 2 episodes are also a rather similar commentary which continues this one. It can be seen as an extension of this case and the theatrics that emerged around it.)

#The Devil Judge #Kim Ga On #Kang Yo Han #Jisung #park jinyoung #got7 jinyoung #Kdrama

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itsclydebitches · 3 years

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Hello, everyone! Can you believe this is the third time I've started the recap for this chapter? Between a dying computer and a mass edit during my monthly state of, "Oh my god get rid of everything we can't let people know that we wRITE!" this project is cursed. This is the version though, I can feel it. Be positive!

Now, where were we? It's been some months (RIP) since I last posted, so I wouldn't be surprised if everyone's forgotten what's going on in this insane novel. A quick recap before the recap then: new teams have formed, no one is happy about it, Sun and Velvet went off to a shady club run by The Crown and — shock shock, surprise surprise — got themselves into a heap of trouble. That's the long and the short of it. We have to wait a while to find out what happens to them though because this chapter is focused on Coco.

We learn that Professor Rumpole has sent Coco and her new team — Team ROSC — out into the desert to take care of the grimm around the city's borders. To say that Coco is disappointed in this assignment is an understatement. We learn that they've been at this for a week straight and have gone without showering or a change of clothes that entire time (no one packed a bag?), so for a second I was hugely sympathetic. You know this vine?

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I feel this vine in my soul. Give me hot water and hot coco or give me death. Besides, work is work and dangerous, physical work without a break or basic comforts is incredibly taxing. Toss in the extreme heat of a desert and I'd be pissed at everything too, no matter how important my work was. That's human.

Yet instead of humanizing Coco like this, it turns out she doesn't care at all about the hardship involved. It's fighting grimm that she's annoyed by. She thinks that "Searching for the person or persons kidnapping innocent people for some unknown but dark purpose was way more useful than fighting Grimm far from the city" and I'm just like, Coco, honey...

Do you know what your career path is?

IT'S TO KILL GRIMM.

Okay, there's admittedly a justification here, but it's a stupid one. Coco goes on to say that "This area was called the Wastelands for a reason." She's snarky about it, saying that it wastes “her time, her talent, and her patience," but the real takeaway is that it's, you know, a wasteland. Deserted of grimm and of people. What's the point of defending an area that doesn't need defending? A huntress' job might normally be to fight grimm, but when those grimm aren't around and kidnappers are, that's a whole new set of priorities.

The problem with all this is that the Wastelands is definitely not deserted and it's definitely not as far from the city as Coco would like to imply. In just a few paragraphs an alarm is going to trip and Coco will find six grimm roaming in a pack. Then she finds a person. Then that person says she needs to get back to see someone in the city within half an hour. So there are grimm, there are people about, and this area is apparently close enough to the border that you can get back to the city proper, on foot, and then get wherever it is you’re going in a bustling metropolis... all within half an hour. By that logic these grimm aren't out in the boonies, they're right outside everyone's door.

Yet Coco isn't convinced, saying that "Post Beacon [killing grimm] had been for a noble cause, but this just felt like … busywork." I cannot possibly emphasize enough that this is the job she signed up for. Not to be a detective specializing in missing people, not a war hero always on the front lines of a battle, but one of many huntsmen who perform the daily, routine, very necessary task of protecting the people from grimm. With "protecting" covering both immediate threats and preparatory work that ensures more threats don't come about — like taking care of grimm outside before they become a larger threat. You know what would have happened if Beacon had a daily chore of students killing grimm within a few miles radius of the school? There would have been far less grimm charging a mass of unprotected students when negativity unexpectedly skyrocketed.

And, as always, I am aware that Rumpole is the likely villain here. From a writing perspective, this is very much presented as her getting Coco out of the way so that she can go about her nefarious deeds in peace... but that doesn't erase the fact that the task itself is a sound one. Rumpole's motivations don't matter here, only Coco's annoyance that she... has to do her job?

I mean yeah, everyone complains about their job to one extent or another, but can you imagine if you stumbled across a firefighter complaining about all the kitchen fires they've had to put out lately? "It's so boring! There are much better things I could be spending my time and talent on. I mean, that inferno that took out a city block last year? Putting that out was noble. But routine fires? House fires? Giving lectures on how to prevent fires in the future? Ugh, I can't believe the department expects me to do this grunt work." Meanwhile, you're sneaking off, hoping that this firefighter is never called to your house, nursing mild worries about how much they're romanticizing the recent tragedy that took so many lives...

Complaints about the job turn into complaints about the teams, which makes far more sense for Coco's character. Anyone's, really. Despite my insistence that it's a good thing they're learning to fight with people other than their three besties, that was absolutely a sudden and rather traumatizing change, just given how attached the teams already are. I'm not at all surprised that Coco is struggling to cope.

She says she misses her friends, obviously, but also "surprisingly, Coco missed being in charge."

...That's supposed to be surprising? Coco, you love being in charge! How is this in any way a revelation?

Apparently it is though, stemming from how bad Reese is as their leader. As with so many things in RWBY, I find myself disagreeing with a perspective that's presented as a fact: "She liked to lead by group vote, which wasn’t leading at all." Yes... it is? We could go down a rabbit hole of literal definitions — to lead is to direct, to direct is to regulate, to regulate is to direct again — but ultimately our understanding of a word does not adhere to the dictionary alone. It's a knowledge built on experience and I would hope that everyone's experience with the term "leader" includes that person considering multiple perspectives before making a decision. A leader doesn't impose their view on a group without due consideration of their preferences and needs — that's a dictator — a leader guides the group based on feedback and their personal knowledge. If that feedback and knowledge results in a standstill, or if their knowledge outweighs preferences, they are the deciding vote because the people have previously said, "We trust your decisions" through the act of making them leader in the first place.

Asking for a group vote isn't avoiding leadership, it's an act of leadership. Reese decided that these situations warranted a majority rule. She further decided that whatever they settled on was indeed an appropriate course of action. Leadership skills are required to assess a situation and determine whether it's appropriate to vote on in the first place. If I announce to a group that we're voting on whether we go to the movies or the museum, I've done the work to determine that both of these choices are of roughly equal value and roughly equal availability. I haven't hit on any snags like, "The only movies playing are mindless blockbusters and I want this to be an educational outing" or "The museum is too far away. We'll never make it to dinner on time." Figuring out that a group can vote is its own kind of work. This avenue is particularly useful when the group is of roughly equal standing. With a few exceptions (like Ruby and Jaune) huntsmen classmates are all the same age, underwent the same training, and have had the same combat experiences. This isn't a case of one elite huntsmen lending their knowledge to an otherwise green party, it's a school randomly pointing at a somewhat outgoing individual during orientation and saying, "You. You're leader material, I guess, even though you've done little differently than the person standing beside you." Someone has to lead and Vacuo's switcheroo proves that anyone can be the leader if they're just put in that position. Coco claims a group vote is just "passing the responsibility off to your team" and yes! You want to share the responsibility because you are a team. They are a group of four equals working together with one person to guide them, they are not a boss with three subordinates. Why wouldn't Reese utilize the skills and ideas of those teammates? When making a decision, why wouldn't she see if everyone believes it's a good idea to do Thing A as opposed to Thing B? Unless Reese is outright ignoring her own ideas, beliefs, or gut feelings to cater to the others — which there's no reference of — this is good leadership. She's assisting her team in making decisions as a whole, rather than arbitrarily imposing her view on three others of similar skill and experience.

Yet Coco acts like because Reese doesn't go, "We're doing Thing A! End of discussion!" it's not leadership. Which, frankly, says a lot about how the RWBY-verse sees leadership as a whole.

I realize I'm rambling a great deal, so let me quickly provide a different media example. I'm currently immersed in Star Trek: Voyager and in season two, episode 14 "Alliances," Captain Janeway is faced with a difficult choice: align herself with a violent and so far untrustworthy species, or risk traveling through this quadrant of space without any allies. At first she's entirely against the idea of an alliance, going so far as to say that this isn't a democracy. She's the captain, dammit, she makes the decisions! But her first officer begs her to reconsider. Then the crew express disappointment — even disgust — that she won't consider this alternative. Then her chief of security, being a Vulcan, provides a persuasively logical argument for why an alliance is worth the risk... Long story short, Janeway finds herself in the minority and changes her decision accordingly. She attempts to garner an alliance and the fact that she was right — the species wasn't trustworthy and the alliance fails — is entirely beside the point. She realized that the majority voice matters. As far as we know, Reese is already practicing what Janeway learned.

ANYWAY the point is none of it matters because these characterizations are a mess. Coco also throws out that Reese "dressed like she was a twelve-year-old hanging out at the mall" and supposedly acts like one too. We're not given any examples of what that behavior looks like and, sorry, but I'm not personally inclined to judge someone based on their fashion sense. It would be great if this story actually engaged with some of the flaws the characters demonstrated, rather than just throwing them out to exist in this unacknowledged void.

Not that Coco's fashion-focused personality is really that important. Truly, the best thing about all this is how contradictory Coco's own thoughts are. She also listens to her teammates... except when she doesn't. She know when to go with their ideas and when to dismiss them for her own... except when she gets it totally wrong. As with so much in RWBY, this doesn't feel like the author giving Coco deliberate flaws that the story will grapple with down the line, it just comes across as a nonsense philosophy about leadership we're not meant to examine too closely. Coco gets to make references to the fact that her own, supposedly superior leadership is filled with holes, but heaven forbid she engage with that.

She ends all this with the thought that no matter what she might decide, she trusted her team to "do what she demanded of them” and is now extending that courtesy to Reese. This I'm inclined to praise Coco for. No matter what she might be thinking, it doesn't appear as if she's tried to undermine Reese (well, not yet. More on that at the chapter’s end), and she doesn’t appear to be refusing to listen to that leadership, even if she doesn't like how it comes about. As we're about to see, Coco has her team's best interests at heart, no matter the challenges they're facing.

Her thoughts turn back to her old team and we get... this.

Velvet was with a team that didn’t recognize her awesome capabilities. Fox was withdrawing, having lost his family for the second time. Yatsuhashi was going mad with worry about Velvet and his teammates, knowing that he couldn’t be there to protect them, and worrying he would accidentally hurt someone on his new team.

This is so unnecessarily dramatic. First, how does Coco even know any of this? Because it's been heavily implied that the old teams are barely in contact with one another. See: Velvet refusing to loop anyone in about the club and Coco stuck in the desert for a week. Second, why aren't they in contact, at least those who aren't on away missions? The entire group is acting as if changing teams means they're no longer allowed to be friends — family, as Coco puts it — when the relationship between Team RWBY and Team JNPR creates the opposite expectation right at the start of the series. Clearly, people from different teams can be close. Yatsu's worry that he might stumble using his semblance with new people is the only conflict that holds up here. Everything else has fairly straightforward solutions. Velvet needs to prove herself to new people. Yatsu needs to text Velvet if he's that worried about her. And Fox "having lost his family for a second time" is a pretty ridiculous exaggeration. You're attending the same school! Your family is still living down the hall if Vacuo has dorms like Beacon! In what world are these students unable to interact largely as they did before? They're acting as if the school has outright barred them from hanging out, rather than doing what will no doubt occur the moment they graduate: force them to work with different people. Just catch up with Fox over dinner!

Honestly, this chapter is pretty short, I'm just continually bewildered by this story.

To get back to the actual plot, something trips a sensor the group has set up and Coco responds to the situation in what I think is both a smart and empathetic manner. Previous experience has taught her that it's likely just a lizard, so she doesn't want to wake up her team for no reason. Disagreements aside, she cares enough to let them rest — "They’d probably appreciate the extra sleep." However, if it's a "rare case of something she couldn’t handle alone" she'd immediately call for help. Great plan! It's not often in this novel that I feel like I enjoy the characters, but this little moment actually had me liking Coco. Which, yes, I realize is a complicated claim. Characters should test the reader to a certain degree, mirroring all the personalities we see in real life, including biased, mean, or contradictory people. It's often a good thing to write a character that your reader is frustrated with. That can be the point! The problem with Myers' writing is that it isn't the point. Coco, as the former leader of our heroes in this tale, should be someone we enjoy spending time with and her flaws should be the basis for growth, or an acknowledgement that she is an imperfect, but well-rounded person. As it stands, flaws in this novel just sort of... exist? They bop around in the RWBY universe with almost no acknowledgement from the narrative or other characters, leaving the reader with little to nothing to take away from the text. Is Coco correct in her judgement? Is this a bias she needs to work on? Is she putting on a facade and her natural instinct to care for her team is the real Coco hidden underneath? Who knows! She’s just frustrating to read about most of the time and nothing comes of that.

Regardless, she heads out into the desert, using the night vision glasses Velvet made her.

Now see, this would have been the perfect thing to introduce before Velvet was fixing relay towers after the expert was injured. Remember how I said the novel didn't do enough to establish Velvet's own expertise? Not that a pair of goggles is really comparable to fixing a communications issue, but it still would have gone some way towards convincing me that Velvet is this super impressive tech gal, capable of handling any and all situations that might come her way.

But no, we get this impressive display of skill after Velvet's knowledge was needed in a pinch.

The glasses help Coco navigate the terrain, allowing her to both see in the dark and zoom in on things in the distance. This allows her to spot the six jackalopes that tripped the sensor, as well as the woman currently fighting them: Carmine, a villain from After the Fall that I know nothing about. Ah well. Note though what I said at the start, that Coco's dismissal of this assignment is based entirely in its supposed uselessness. Yet now here we have a pack of dangerous grimm and an enemy to content with.

Also, this is where Coco moves from kindly teammate to overconfident fool. She said she'd call for backup if she needed it... and she clearly needs it! From what I can gather, all of Team CFVY lost to Carmine last time they met up. But now she wants to risk fighting Carmine alone? Go get the others!

She doesn't, of course. Carmine doesn't notice Coco at first. She's talking about how she has to get back into the city. "He’s going to kill me if I’m not back to the Mirage in thirty."

As said, this also implies that Coco isn't nearly as far out as she initially suggested. If Carmine can feasibly finish this fight, cross the desert, navigate who knows how much of the city, and meet up with the mysterious "he" all in under half an hour, then Coco is patrolling pretty much right at the walls. AKA, the area that absolutely needs to be grimm free.

Luckily for those of us who are reading the books out of order, Myers gives a quick recap of Carmine's significance. Last book she had kidnapped Gus and "held off the combined might of Team CFVY in the desert” (oh hey, I was right), presumably escaping afterwards. Now here she is again, likely up to some new, nefarious deed.

Our of curiosity, I googled to see what she looks like and...

WHAT IS THAT OUTFIT?

Coco watches as she works to keep on top of the six grimm, debating whether she should help or walk away, but when Carmine is taken unawares, Coco acts without thinking, throwing herself into the fray.

Sometimes decisions were like that—your body already knew what to do while your brain was still processing the situation. Only in this case, Coco’s body wasn’t necessarily the clearest judge of character. Her brain would have said that Carmine didn’t deserve her help.

Now see, this is a scene I can get behind. The entire RWBY-verse is based around a type of superheroism: people with unnatural abilities, fantasy weapons, and extensive training devote themselves to protecting the people from various threats. Yet too often RWBY fails to convince me that these people are actually heroic, taking the standard flaws of a character and unknowingly exacerbating them to the point where I think, "Is this meant to be a commentary on the anti-hero? Or a critical look at these fantasy formulas? Because we've got the elements of that here, but no indication that the authors realize they're writing something other than that standard story." But this? This works for me. Coco, as a huntress, is so conditioned to help others that her body responds instinctively to someone being in danger, regardless of who that someone is. She outright admits that if she'd had the chance to think about it she would have decided against helping Carmine. The fact that she recognizes this and move anyway says a lot of good about her. Well done, Coco!

We see later that Carmine probably didn't need the help, but between the two of them the grimm really don't stand a chance. What's interesting though is how chummy the two are while defending themselves. Coco comments on Carmine's tendency to talk to grimm (like she does) and Carmine freely offers information about her movements, the fact that she lost her other sword, and that her partner, Bertilak, needs to "recharge a little" before getting back in the game. Carmine asks Coco if she'd like to team up with her instead (she does not) and the two have a number of flirty exchanges to top things off:

“I’ve been dreaming of a rematch with you,” Coco said.

“You’ve been dreaming about me? I’m flattered.” Carmine winked.

***

“Hot date with the Crown?” Coco asked.

“Don’t be jealous, darling.”

I bring all this up not as a criticism of the buddy-enemy dynamic (it's a favorite of mine), but simply because of something that happens next. Before we get to that though, I admit that I am on the fence about the flirting. Given that I haven't read After the Fall (assuming this characterization exists there), I know that Coco is a lesbian mostly via RWBY cultural osmosis, rather than through the text. This is one of the few (the only?) times that I've gotten a hint at her sexuality, yet it's associated with predatory behavior. Carmine, her enemy, is the one who turns an angry dream into a flattering one, the hot date with the bad guy into something to be jealous of. I'm honestly struggling to remember what, if anything, Coco has had to say about women in this book — this is what comes of such slow recapping and I acknowledge that this is entirely my fault — but I'm nevertheless discomforted by knowing Coco's canonical status, knowing RWBY's struggles with queer rep, and then reading a scene where the most overt representation thus far is the bad guy twisting Coco's words into something sexual.

I'm no purist. Give me a good enemies-to-lovers fic any day of the week, but that doesn't mean that kind of dynamic is the best to pull from in a franchise already facing heavy criticism for its queer rep.

Especially since the moment the grimm are gone Carmine turns her sai on Coco.

This is the "something that happens next" that I referenced above. It's weird to have them attacking one another after a whole scene of pretty genuine companionship. Coco doesn't help Carmine as a consequence of defending herself, she willingly gets involved. They tease one another. Carmine appears to answer her questions honestly. There's both implied and overt references to how well they work as a team. Then, suddenly, Carmine is outright trying to kill Coco, not just with her sai but by burying her alive. It's not the sort of banter that Ruby and Roman used to engage in, trading fake compliments and, in Roman's case before his death, legitimate feelings while attacking one another. Nor is Coco prepared for an attack the moment the grimm are gone, and she's not surprised by it. It’s just this sudden change that feels rather jarring.

Though it's far from the first time BTD has failed to convey the emotion of a scene. Here's another example rnow. As said, Carmine is attempting to bury Coco alive by moving the sand with her semblance. That's horrifying enough on its own, but remember that Coco is claustrophobic. Yet none of that panic shines through here. She comes across as indifferent throughout the attack, thinking back to summers when her brother tried to bury her while she sunbathed, amazed that she could ever consider this fun. You know who Coco sounds like in this scene?

At no point during this attack did I get the sense that Coco believes she’s in serious danger, let alone that she's struggling against a long-term phobia. The only time I even remembered that claustrophobia is meant to be a challenge for her is when she throws out the oh-so casual line, "One of her worst nightmares was being buried alive." Oh really? Because it doesn't seem like it! Coco is calm enough to remember that she used to be able to hold her breath for exactly three minutes and forty-two seconds. That doesn't feel like a character fighting against her worst nightmare.

So this scene isn't exactly compelling. Which is too bad because, as said, Coco as some other nice moments in this chapter.

However, during all this we do learn a little more about Carmine. Prior to getting trapped in the sand, Coco comments on how shockingly strong she is. "Carmine should have been at least a little bit worn down from fighting Grimm," but she's not, "She seemed nearly unstoppable now." Coco hits her full in the face, but she doesn't seem fazed. Earlier in the chapter there was that comment about how she previously took on Team CFVY alone and at the end of the battle Coco observes that Carmine "still seemed as fresh as she had at the beginning of the fight. How was she even doing that?" My basic reading comprehension skills tell me that this is setup for something, likely some change enacted by the Crown. Surely the text wouldn't put so much emphasis on Carmine's strength — have Coco questioning it to this extent, framing it as unnatural — unless we were going to get an answer, right?

But this is RWBY, so I'm not inclined to count my chickens before they hatch.

The rest of Coco's team arrives and it's then that she decides to pull the super dangerous stunt to free herself. Yeah, yeah, I get that she's suffocating and needs to do something now, can't wait to be dug out I suppose, but the timing is pretty ridiculous. The cavalry has arrived, yay! Time to blow myself up.

Seriously. She blows herself up. Using her own semblance, Coco focuses on one of her gravity dust bullets and detonates it, causing all the others in her arsenal to detonate too. It gets her out of the hole and "knocked her Aura down to a dangerously low level."

So... let’s see. Coco can literally detonate a bunch of explosives on her person, after suffocating under stand, after fighting Carmine, after fighting grimm, after a week long mission, and her aura doesn't break... but Yang's does from a single Neo slash?

Okay, RWBY.

Reese and Olive try to attack Carmine together, but end up eliminating one another's attacks. I like that a team actually has some realistic difficulties for once. Coco, however, is internally an asshole, calling them "idiots" and saying that they need to learn to coordinate their attacks. Thing is, she apparently hasn't done anything over the last week to help with that. She's been too busy complaining about Reese's clothes.

Carmine runs off as more grimm show up, drawn by Coco's non-existent panic. To her credit she does thank the others for saving her... but then immediately tries to downplay that. “It wasn’t a fair fight,” Coco spat when Reese (correctly) points out that she's the one who was ambushed. She also starts giving orders and when Reese (again, correctly!) goes to point out that she's the leader, Coco talks over her, saying they can't waste any more time out here because she has reason to believe that Shade has been compromised. She needs them only because she's out of bullets and low on aura, but they definitely need her because "let’s face it, I’m the best strategist around for miles."

Coco's a strategist?

And why does she sound like a villain trying to convince the heroes to work with her? She’s already part of the team!

Putting all that aside for the moment, we're back to this prideful characterization. I liked the well-rounded Coco from a few pages ago who balanced caring for her team with the likelihood of needing backup. Now she's flinching from the idea that she'd ever need help (hello, Sun characterization too) and snatching Reese's role the moment she's given the chance. So much for respecting her position. If the book wants me to believe that Reese is unfit to be leader and this is a golden opportunity for Coco to right a wrong... how about we actually show Reese being a bad leader?

Regardless, yay working together? The chapter ends with them presumably taking out the grimm before heading back to Shade, along with an important revelation. Prior to leaving, Carmine asked Coco why Yatsuhashi and Fox weren't rushing to her aid. It's only now that Coco realizes she didn't mention Velvet. Why? Perhaps because Carmine already knows where Velvet is, which obviously doesn't imply anything good.

And that's the end of Chapter Ten! Can you tell I never know how to finish these recaps? Describing cliffhangers doesn't have quite the same punch as, you know, actual cliffhangers. You all just have to suffer through my mediocre endings with me.

But would you look at that! Turns out the third attempt at writing this was the charm! :D

See you for Chapter Eleven! 💜

#rwby #BTD #Before the Dawn #BTD Recaps #mymetas

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bciwasinlove · 3 years

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how would you analyize or interpret the song walls?cause i‘ve heard a lot of people say it‘s a break up song as it‘s written in past tense and basically saying he‘s stronger now after a break up (maybe even from a toxic relationship), he‘s risen above it and it doesn‘t really sound like a love song about an ongoing romance, does it?

Hi anon this is going to be a long one bc there is no quick answer to this so just know you asked for this.

First let's get one thing straight the ones who claim Walls [the album in general] is a break up album are the "Rads" short for Radical Louies. Essentially they are toxic louies who once were a larry shipper [not even a real larrie] but now hate Harry bc their mad Louis hasn't gotten the same promo and solo opportunities Harry has and some how in their eyes that's Harry's fault. They don't see it was Syco trying to sabotage Louis and in no way is Louis being sabotaged Harry's fault. Rads try to twist the truth and believe Harry left Louis for fame so since they hate Harry they have twisted the meaning of Walls to in their head a break up from a toxic relationship. They also really want LT2 to be a HUGE SHADE break up album which is 100% not the case so don't believe their crap.

Tho I heard you may have sent this same ask to others [who probably ignored you] so there is a chance you are a rad trying to find out what larries believe. Either way if you are a confused larrie or an undercover rad you probably need this info that no one else will bother giving you the time of day to tell you but I myself thought why not I'll answer you.

Second Louis and Harry have been happily in love for 10 years and have not officially broken up. Yes they have had issues like any couple does but it did not stem from eachother their issues stemed from them being forcibly closeted, the stunt gfs and their labels thus their songs are not break up songs but songs about not being able to be free and forced to fake date others when all they want is to publicly be with the one they love.

Now that that is out of the way here's why Walls is about Louis loving one person and one person only since he was 18. I'm doing the whole album [minus TOU] bc it is impossible to state why Walls the song is not a break up song without mentioning the others like Too Young [which rads also claim as a break up song] bc the album as a whole paints the whole picture.

Bree's analysis on Walls

Kill My Mind:

You kill my mind, raise my body back to life and I don't know what I'd do without you now.

KMM is definitely the sexual song of Walls [not No Control type sexual but just we click right from the start sexual] It has the I just met you and we are figuring one another out vibe [both physically and just as people] and how right from the start Louis craves Harry and his attention. It has a similar vibe to Watermelon Sugar which Harry said is about the euphoria of falling in love and the way the other person makes you feel right from the start. Louis in KMM is saying I've just meet someone and they are now all I think about, crave and I don't know how I would be able to live without them.

Don't Let It Break Your Heart:

And I know you left apart of you in New York under your bed in a box, but your doing better.

Flashback to HS1 "Ever Since New York" seems like they both love to mention something happening in NY with their lover. We may never know what happened but it's always a funny coincidence when they mention the same places in their songs almost like their singing about the same situation.

Life gets hard and it gets messed up when you give so much, but it's not enough when the highs to high and the lows to low when you love somone and they let you go.

As I stated before their issues involved the stunts [fake dating women] so when Louis says love someone and they let you go he means when his lover gave into what they were being told to do for the sake of their careers. As young as they were when this all started it's hard not to think they may have fell for the lies being fed to them. So Harry let "Louis go" by being seeing with a ton of women gaining himself the brand of "lady's man" while also being forced to watch Louis be with someone else [Eleanor] and publicly act like that was the one he loved. Harry wrote the song Just a Little Bit of Your Heart which is a prime exactly of those feelings. Harry loves Louis so much but he only gets to love him privately while Eleanor gets to loves him publicly and as Harry wrote a little bit of your love is better then none.

Were driving down a one way road to something better. What hurts you is going to pass you'll be doing better.

This shows they know the pain all the bad things thrown their way won't stick around forever. They will overcome this and one day they will see the light at the end of the tunnel or the rainbow after the storm.

We Made It:

Cause we made it, Underestimated and always underrated. Now we're saying goodbye waving to the hard time yeah it's gonna be already.

Do I need to explain it I would say the title alone and this chorus makes it very clear. Break up who when where how? They had hard ships but NOT from their own doing. WMI is about how decpite all they were put through they made it. Flashback to Harry HS1 tour with Kacey in a rainbow dress at MSG in front of 36k people singing "[their/where] still together still going strong." They want you to know nothing will break them apart no matter how hard anyone tries. We are keeping the bad in the past and moving forward to a better tomorrow.

Share a single bed and tell each other what we dream about. Things we'd never say to someone else out loud.

This reminds me of their Xfactor days or early 1D tour days bc in 1D interviews it was always made clear they would share rooms and also how on the bus Louis bunk was filled with his junk so where did he sleep then? Also there are many former Xfactor contestants that have come out and said they were forced to be in the closet on the show. Flashback to an article claiming the people in charge of the 2010 Xfactor season tried to hide and keep a same sex couple apart wonder who that was? That line is about when they were young and the late nights they spent together wondering how their future was going to go. They were still just big smiles, wide eyed, oblivious young boys when they imagined only good things to come of the future with them and the band.

We were only kids just trying to work it out. Wonder what they'd say if they could see us now?/ Don't know why they put all of this on us when we're so young. Done a pretty good job dealing with it all.

We were only kids [when Louis fell in love with said person] and we're so young reminds me of Harry's song To Be So Lonely where he says "Don't blame me for falling I was just a little boy." They both mention falling in love at a young age and both mention how after all this time they are still just as in love as back then but just a little less naive/oblivious. They are both hinting at a higher person [their label/management] who didn't approve of their love and telling them it wasn't going to work out. Harry going you can't be mad at me I was only a boy and Louis going wonder what would happen if they saw us now meaning look we didn't let you win. They tried so hard to separate Louis and Harry but it didn't work and Louis wants us and THEM especially to know they are still very much together, they handled it as best at they could and they weren't going to let them keep Louis and Harry apart.

Meet you at your uni, cheap drink, drink em all night

This is what we call a stunt line to push a narrative. Harry does stunt songs [Carolina and Cherry] while Louis does stunt lines. This line is suppose to allude to the album being for Eleanor [bc she went to Manchester Uni] but the rest of the album is so clearly not for her. If this song was about a break up from Harry then why would they bother adding in a stunt line about Eleanor when the public story is El and Louis are happily still together with Louis planning to marry her? Unless Walls isn't a break up album and it's very loudly Louis declaring him and Harry are still happily together and they wanted to try and force the image that Louis is happily in love with Eleanor. Also funny how this album is gender neutral and has no she pronouns in it unlike Zayn's new album having she pronouns.

Too Young:

We were to young to know we had everything. Too Young, I wish I could've seen it all along. I'm sorry that I hurt you, darling, no we were to young

This song is all about how when Harry was only 16 and he was 18 [Louis himself saying the song is about meeting the one at 18] he was to young to realize he had the best lover he was ever going to have, he had it all. As I said before issues in songs = management/stunts and this is Illuding to how Louis let them minupulate them and do what it was they wanted aka stunting and forcing Louis to be with Eleanor and Harry have a "lady's image" since he was only 16 and Louis now looking back and realizing he should have fought harder. Louis at the time didn't realize how much all this would hurt Harry having to share Louis [once again Just a Little Bit of Your Heart is Harry's feelings about that] and its once he's older he realizes what he did to hurt the only one who he ever truly loved and it pains him to know he put his lover through that even if it wasn't Louis fault Harry went through that.

I've been looking back a lot lately me and you is all I've ever known. Oh I can't believe I gave in to the pressure. When they said a love like this would never last. I didn't know no better now I realize yeah I realize.

So similar to before he's saying Harry is all he's ever known and him giving in to the pressure was about agreeing to fake date Eleanor and allow them to be heavily closeted. Reflecting back on those days he regrets so much what he agreed to do. They said a love like this wouldn't last is their management/label not agreeing with them being together and how two boys in a boyband marketed towards young women won't last, they won't sell records as an out gay couple with Louis believing their lies for a bit and he now regrets ever thinking they were right. This is a reflection song of not understanding what he had when he was so young but he sees it clearly now and he will never let THEM win he loves Harry and won't ever let him go ever.

Walls:

These high walls, they came up short now I stand taller then them all. These high walls never broke my soul and I watched them all come fallin down for you.

The high walls he refers to is all the assholes who tried to break him, break Harry and tried to ruin his career out of spite. This is towards the ones who told him they would never succeed being as they are a committed gay couple. Louis for a time believed them when they said their love wouldn't last, no one will want to listen to their music as a gay couple but eventually he realized they were wrong and those walls he had up filling him with doubt and insecurities were broken down. He allowed his "high walls" to come down because Harry was worth the effort it took to bring them down.

So this one is a thank you for what you did to me. Why is it that thank you's are often bittersweet? I just hope I see you one day and you say to me, Oh.

This is what one calls a metaphor he does not mean a physical person he means the walls he had up for a long time making him feel so insecure bc of how some of the people around him that made him feel so worthless crushing his spirt for so long. The metaphorical person he is thanking for helping him become the person he is today is the wall he broke down. The hardships he dealt with when he was younger got him to where he is today.

For every question why you were my because

Why am I still fighting?

Why have I not given up yet?

The because to his question is his lover HERE is where he directly refers to his lover. Harry is someone who is worth fighting for and will always be one of the reasons he hasn't stopped fighting. He loves Harry more then anything and will fight until the day he can publicly hold his hand, publicly post pictures of them together, publicly go on dates and publicly declare his love for him.

Habit:

You're the habit that I can't break, you're the feeling I can't put down, you're the shiver that I can't shake, you're the habit that I can't break, you're the high that I need right now.

Written over and over throughout the song these are some of the most important lines he wrote about Harry. It's Louis way of saying even if he wanted to, even if it would be easier for him and Harry he can never let him go. Harry's version of this is in Adore You when he sings "You don't have to say you love me, you don't have to say nothing and you don't have to say you're mine. I'd walk through fire for you just let me adore you like it's the only thing I'll ever do." Harry is saying even if publicly you can never say you love me I know you do and I will do anything for you because I am madly in love and could never let you go. They both would go through hell along side each other then being partially happy and the other not being by their side. Harry is the only one he ever wants to spend his life with and no matter what hardships they are put through there is no scenario where being without each other is a better alternative.

I took some time 'cause I've ran out of energy of playing someone I heard I'm supposed to be but honestly, I don't have to choose anymore

The line of all lines he took time away bc he was tired of the facade of faking what makes him happy, faking loving some girl, faking being anything but himself. He's back now and knows without a doubt who he is and is proud of it. No more confusion, no more lies he loves a curly haired dimpled boy and no one will tell him he can't love him. Harry's version of this is the chorus of Lights Up "All the lights couldn't put out the dark, runnin' through my heart. Lights up and they know who you are, know who you are. Do you know who you are? Shine step into the light, shine so bright sometimes, shine I'm not ever going back." They both tell you they have figured out whi they are and are very proud of who they have become and no one will tell them they can't be anything but themselves. They WILL scream it out loud and proud letting everyone know who they love one day [as if 16 and 18 year old H&L didn't already do that.]

And it's been ages, different stages come so far from Princess Park. I'll always need ya in front of me, in front of me

Oh the line that shocked every larrie I know. When he first sang this song and we first heard this line at a live concert everyone was shocked because we all knew what their was only one meaning to it. It was such a drastic line that the Elounors tried to claim he sang Starbuck [until the official lyrics came out.] Princess Park is the name of the apartment/flat complex all of the 1D boys lived in after the Xfactor BUT Niall, Liam and Zayn had their own apartment/flat while Louis and Harry shared one and they always made it very clear to everyone they met that they lived together.

So in a love song Louis sings about how him and his lover have come so far since their Princess Park days and his lover will always be the one he needs. Putting Harry's fav love song Sweet Creature plus Louis line about his lover together it would read " And, oh, we started two hearts in one home, come so far [since] princess park. I'll always need you in front of me. Wherever I go you bring me home" you do the math here. Their lyrics sink up just as much as their tattoos do.

Always You:

I went to Amsterdam without you and all I could do was think about you and oh-oh-oh I should've known

The Amsterdam line one of those lines that can be fact checked and proven to not be for Eleanor. So Louis took Eleanor to Amsterdam for her birthday at a gay bar no less back in July/August of 2017. Then a week or two later wrote the song Always You leaking a snippet of it to us where the lines of him singing about how he went to Amsterdam without his lover and his lover was all he could think about were heard. If he went with Eleanor then clearly that isn't his lover but we know this. Fast forward 2020 Walls comes out and we FINALLY hear the full song of Always You.

Louis said he only put the song on the album because the fans wanted it but if it was just because of us and the song wasn't THAT important to him why did he leak those lines back in 2017 that could easily be fact checked that the lover he sings about isn't Eleanor? It's like he wanted us to know it's not for Eleanor this line is important. So the fact that almost 3 years later he still put the song out shows the song means a lot to him and even in 2020 the meaning of the song still resonates with him and how it will Always be THIS one person that means everything to him. Funny though how his loudest, easily fact checkable songs [to not be about Eleanor] are the ones he downplays the most about importance to him.

I went to Tokyo to let it go. Drink after drink, but I still felt alone I should've known

When it comes to this song the Amsterdam line is Louis speaking [because he went to Amsterdam without Harry] while the Tokyo line is Harry speaking [because Harry went to Tokyo without Louis] and after Harry came back from Tokyo, Japan Louis was seen wearing a ton of new clothes from Japanese clothing brands. This is both of them saying I may be in a wonderful new place but it's not the same without you here. They are sad and alone and would rather be with each other then traveling around the world.

I'm wastin' my time when it was always you, always you. Chasin' the high, but it was always you, always you

I think this is self explanatory he sees no reason to even think about being with someone else because he knows without a shadow of doubt [thinks he always knew deep down] it was always Harry. There was never going to be anyone else for him but Harry.

I went from LAX to Heathrow. Walked through my door, but it felt nothing like home cause you're not home. Waiting to wrap your legs around me

LA and London are their two main residences and places they tend to go back and forth a lot. When he "goes home" if Harry is not there Louis feels as though it doesn't really feel like home because home to Louis is wherever Harry is. They can travel all around the world, meet a ton of new people but no place and others will ever make them feel fully satisfied unless their lover is by their side.

Fearless:

Cashin your weekend treasures, for a suit and time a second wife. Now I'm not saying that you could have done better just remember that I, I've seen that fire alight.

The first line is a nod to the industry itself and how to get your "weekend tresures" [be famous and earn a lot of money] you have to put up a fake facade, acting and looking the way they want you to because in their eyes if you are not the conventional person Hollywood wants they believe you will not make them the money they desire because we all know they only care about money nothing else. At a cost of the real them they must put on a fake smile, go out there sing doing nothing unconventional and they will get money and fame.

The second line yes they are happily together and Louis doesn't want or believe Harry will find someone else but he has seen Harry when all of this gets to be to much and when Harry puts up a facade of I've never had an issue with all of this Louis reminds him that I've seen you when your not fine, it's ok to not always be fine and I am here for you when things are not rainbows and sunshine.

Tell me do you still remember feeling young? And strong enough to get it wrong in front of all these people? Just for tonight, look inside and spark that memory of you.

Refering back to Xfactor and early 1D days he's asking Harry if he remembers those days together back when they hadn't really gone through hardships yet and all the strength they had during their youth willing to take on the world together. He's asking him to bring that strength back and remember the younger version of himself. He's asking him to not give up because the younger him wouldn't want him to. It's been 10 years and they are still fighting, fighting as hard as they did when they were merely teenagers not knowing what lied ahead but wer happy as long as it meant they had each other in the end.

Now if happiness is always measured by the life we design, the car on the drive then you should feel better then ever but you know as well as I it's all lies.

This line speaks volumes as stated before with Fearless we have references to the industry and even just life in general. From the outside looking in they got money, fame, material things, they have it all and if deciding who is more happy in life was based on those things then they would win but Louis is telling Harry we both know that isn't the case. The industry isn't sunshine and rainbows, they treat people like shit and strip away everything about a person if they don't think their real self will sell. They only want to make a profit off them and don't care about how they feel about any of it. Everything is a lie the truth must be counseled.

Perfect Now:

You say to me your jeans don't fit, you don't feel pretty and it's hard to miss. I wish you could see my point of view as someone staring back at you.

This song is personally underrated to me I love this song. This song is so uplifting when you are feeling insecure and negative about yourself. Louis personally had a certain curly haired boy in mind when he wrote this. He's talking about Harry's insecurities with himself and Louis wishes Harry could see things from his view and how amazing and perfect Harry is to him.

Cause everybody is looking at you now. I guess some queens don't need a crown and I know why. Even when your tears are following now still someone, you're perfect now.

One of those it's definitely not for Eleanor moments. We all know [especially during fine line era] everyone was talking about Harry, knows his name and eyes turn to him when he walks in the room. Louis is so proud of Harry and is happy everyone else sees what he sees but Harry doesn't always see what others see in him and during those times where he is not already Louis is saying I will be right there with you. I am with you through the good and the bad because even when tears are running down his face Harry is still perfect to Louis.

Cause you're the only one when it's said and done. You make me feel like being someone good to you. Even at your worst you steal the scene.

No matter where life takes them, no matter how hard it gets Louis is reassuring Harry he will always be there by his side. At the end of it all when the final act is over and the curtain is closeting he will still be there because there will never be anyone else he wants to be next to at the end of all of this. Louis looks into Harry's eyes he watches all he does and is intrance wanting nothing more then being the one to be there when he is down and always being the who makes the pain go away even if for a moment.

Defenseless:

I hate to say, but I do we're sleeping on our problems like we'll solve them in our dreams. We walk up early morning and they're still under our sheets.

*Sigh* this is reality setting in things aren't perfect. In their line of work, being who they are, being a closeted gay couple things aren't going to be perfect 100% of the time. Most of the time they would rather ignore all the shit they are forced to indure but Louis realizes just ignoring it all won't make it go away he will wake up each morning next to Harry knowing those issues will always be around by neither fault of their own. He hopes one day they will get to be a happily open couple who posts pics online, goes out on public dates and gets to live the domestic life they always wanted but right now that just isn't their reality. Their reality is I can only look at you for more then 5 seconds or touch you when no one is around to notice.

Been up all night, all night running my lines but it's only the truth. Been up all night not sure how to say this right got so much to loose. / You just keep on building up your fences but I've been so defenseless.

Another metaphor here Louis wondering how to bring this up to Harry and not upset him. The last thing Louis ever wants is for him to be the reason Harry has a frown upon is wonderful face. Harry is more the one to bottle up and ignore the negative things while Louis is the more practical one and he knows he has a ton to loose [Harry and his love] if he doesn't go about this situation right.

No you don't have to keep on being strong for you and me acting like you feel no pain I know you do. And I can't get inside your head when you're lost in your pride but you don't have a thing to prove.

Harry is the one who bottles up his pain, puts on the fake smiles, and makes everyone believe he is perfectly fine. He acts like he can handle what he is forced to indure 100% of the time but Louis sees through that and just wants him to open up more. He knows Harry feels just as much pain as he does and wishes he wouldn't hide it and pretend everything is always fine. Louis wants to be able to help Harry through the pain and to let know he will always be there for him no matter what so don't pretend your always fine just to make others around him, make Louis feel better.

I hope I'm not asking to much just wanna be loved by you. And I'm to tired to be tough just wanna be loved by you.

Louis is tired of pretending, wishes everyone understood, wishes what he is asking for wasn't to much. All he wants is to be loved by Harry and live the domestic life he always invisioned with Harry and no one else but his live is not that simple.

Only The Brave:

Pour mercy, mercy on me, set fire to history. I'm breaking my own rules, I'm crying like a fool. It's a church of burnt romances and I'm to far gone to pray. It's a solo song and it's only for the brave.

I'm sure you understand Louis is gay but if you didn't this line right here is all you need to understand that. No straight man is going to write or sing those lines. He's gone down a path of self discovery and figuring himself out he knows he is and he is to far gone to turn back now but he has no desire to even if he could turn back. He is proud of who he is and doesn't care what anyone else thinks of him.

If the truth tell, darling, you fell, like their ain't enough dying stars in your sky. It's a tell tale and it's only hello, hello, no goodbyes.

It's only hello no goodbyes meaning the confusion, the is this for life between Louis and Harry questions are gone. They aren't turning back, they aren't saying goodbye, they are only saying hello to what lies ahead. The truth is clear, their story is clear, they fell for one another and Harry metaphorical speaking fell for Louis in a way where his star shines brighter then ever just by being with him.

Pour mercy, mercy on me, I'll fall upon my knees and they'll say, I told you so come on when you know you know. All the lonely shadows dancing from the cradle to the grave.

When you know you know they knew right from the start it's me and you until the end. Some won't agree but in the end that does not matter to Louis because he only cares about Harry being by his side. He will not apologize for falling in love he loves who he loves and that is it.

We Made It Directors Cut MV:

If the lyrics alone don't tell you the full story then the music video mini movie should. It sums up everything I explained. Louis being forced to do things he doesn't want, it effecting his relationship to the point their drowning [Harry in Falling MV] but manage to survive. Louis lover never speaking but the girl with ties to the evil one in charge does until eventually Louis breaks free from the man in charge controlling him and Louis finally gets to run away with his lover because he made sure they would make it in the end.

Ending:

Walls is about self discovery, learning to overcome your insecurities "breaking down your walls" no matter how hard it may be and Louis understanding he met the one at 18 and how Harry will always be worth fighting for, THEY will always be worth it bc they knew even as young as they were they were going to get married, have kids and grow old together. So you still want to tell me how any song on Walls is about a break up or Louis moving on from Harry because I certainly don't see it. Walls is Louis perspective on their 10 year relationship and his support and love towards Harry if you want Harry's perspective and his support and love toward Louis you would have to dive into HS and FL but that's a whole other analysis.

They have not given up on each other even if at times it would have been easier they didn't so I will never give up on them. They continue to fight I have been in this fandom supporting them for 10 years watching their continous fight and I will be here another 10 years supporting them if that is how long it takes for them to get the life they knew they wanted when they were only 16 and 18.

#larry is still together going strong #walls lyric analysis #walls is not a break up album #larry is and always will be real #louis #harry #larry stylinson

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richincolor · 3 years

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New Releases for the Week of May 3, 2021

It's great to see so many new books hitting the shelves this week. I know I've been waiting for several of these and am happy to be able to finally read them.

The Ones We’re Meant to Find by Joan He Roaring Brook

Cee has been trapped on an abandoned island for three years without any recollection of how she arrived, or memories from her life prior. All she knows is that somewhere out there, beyond the horizon, she has a sister named Kay. Determined to find her, Cee devotes her days to building a boat from junk parts scavenged inland, doing everything in her power to survive until the day she gets off the island and reunites with her sister.

In a world apart, 16-year-old STEM prodigy Kasey Mizuhara is also living a life of isolation. The eco-city she calls home is one of eight levitating around the world, built for people who protected the planet―and now need protecting from it. With natural disasters on the rise due to climate change, eco-cities provide clean air, water, and shelter. Their residents, in exchange, must spend at least a third of their time in stasis pods, conducting business virtually whenever possible to reduce their environmental footprint. While Kasey, an introvert and loner, doesn’t mind the lifestyle, her sister Celia hated it. Popular and lovable, Celia much preferred the outside world. But no one could have predicted that Celia would take a boat out to sea, never to return.

Now it’s been three months since Celia’s disappearance, and Kasey has given up hope. Logic says that her sister must be dead. But as the public decries her stance, she starts to second guess herself and decides to retrace Celia’s last steps. Where they’ll lead her, she does not know. Her sister was full of secrets. But Kasey has a secret of her own. — Cover image and summary via Goodreads

Meet Cute Diary by Emery Lee Quill Tree Books

Noah Ramirez thinks he’s an expert on romance. He has to be for his popular blog, the Meet Cute Diary, a collection of trans happily ever afters. There’s just one problem—all the stories are fake. What started as the fantasies of a trans boy afraid to step out of the closet has grown into a beacon of hope for trans readers across the globe.

When a troll exposes the blog as fiction, Noah’s world unravels. The only way to save the Diary is to convince everyone that the stories are true, but he doesn’t have any proof. Then Drew walks into Noah’s life, and the pieces fall into place: Drew is willing to fake-date Noah to save the Diary. But when Noah’s feelings grow beyond their staged romance, he realizes that dating in real life isn’t quite the same as finding love on the page.

In this charming novel by Emery Lee, Noah will have to choose between following his own rules for love or discovering that the most romantic endings are the ones that go off script. — Cover image and summary via Goodreads

They Better Call Me Sugar: My Journey from the Hood to the Hardwood by Sugar Rodgers Black Sheep

Growing up in dire poverty in Suffolk, Virginia, Sugar (born Ta’Shauna) Rodgers never imagined that she would become an all-star player in the WNBA (Women’s National Basketball Association). Both of her siblings were in and out of prison throughout much of her childhood and shootings in her neighborhood were commonplace. For Sugar this was just a fact of life.

While academics wasn’t a high priority for Sugar and many of her friends, athletics always played a prominent role. She mastered her three-point shot on a net her brother put up just outside their home, eventually becoming so good that she could hustle local drug dealers out of money in one-on-one contests.

With the love and support of her family and friends, Sugar’s performance on her high school basketball team led to her recruitment by the Georgetown Hoyas, and her eventual draft into the WNBA in 2013 by the Minnesota Lynx (who won the WNBA Finals in Sugar’s first year). The first of her family to attend college, Sugar speaks of her struggles both academically and as an athlete with raw honesty.

Sugar’s road to a successful career as a professional basketball player is fraught with sadness and death–including her mother’s death when she’s fourteen, which leaves Sugar essentially homeless. Throughout it all, Sugar clings to basketball as a way to keep herself focused and sane.

And now Sugar shares her story as a message of hope and inspiration for young girls and boys everywhere, but especially those growing up in economically challenging conditions. Never sugarcoating her life experiences, she delivers a powerful message of discipline, perseverance, and always believing in oneself. — Cover image and summary via Goodreads

Excuse Me While I Ugly Cry by Joya Goffney HarperTeen

Quinn keeps lists of everything—from the days she’s ugly cried, to “Things That I Would Never Admit Out Loud,” to all the boys she’d like to kiss. Her lists keep her sane. By writing her fears on paper, she never has to face them in real life. That is, until her journal goes missing…

An anonymous account posts one of her lists on Instagram for the whole school to see and blackmails her into facing seven of her greatest fears, or else her entire journal will go public. Quinn doesn’t know who to trust. Desperate, she teams up with Carter Bennett—the last known person to have her journal—in a race against time to track down the blackmailer.

Together, they journey through everything Quinn’s been too afraid to face, and along the way, Quinn finds the courage to be honest, to live in the moment, and to fall in love. — Cover image and summary via Goodreads

Hurricane Summer by Asha Bromfield Wednesday Books

Tilla has spent her entire life trying to make her father love her. But every six months, he leaves their family and returns to his true home: the island of Jamaica.

When Tilla’s mother tells her she’ll be spending the summer on the island, Tilla dreads the idea of seeing him again, but longs to discover what life in Jamaica has always held for him.

In an unexpected turn of events, Tilla is forced to face the storm that unravels in her own life as she learns about the dark secrets that lie beyond the veil of paradise—all in the midst of an impending hurricane.

Hurricane Summer is a powerful coming of age story that deals with colorism, classism, young love, the father-daughter dynamic—and what it means to discover your own voice in the center of complete destruction. — Cover image and summary via Goodreads

Indivisible by Daniel Aleman Little, Brown Books for Young Readers

There is a word Mateo Garcia and his younger sister Sophie have been taught to fear for as long as they can remember: deportation. Over the past few years, however, the fear that their undocumented immigrant parents could be sent back to Mexico has started to fade to the back of their minds. And why wouldn’t it, when their Ma and Pa have been in the United States for so long, they have American-born children, and they’re hard workers and good neighbors?

When two ICE agents come asking for Pa, the Garcia family realizes that the lives they’ve built are about to come crumbling down. And when Mateo returns from school one day to find that his parents have been taken, he’ll have to come to terms with the fact that his family’s worst nightmare has become a reality.

With his Ma and Pa being held in separate detention centers, Mateo must learn how to look after his sister and himself. The choices Mateo makes, and the people he turns to for help, might reunite his family… or tear them apart for good. With his parents’ fate and his own future hanging in the balance, Mateo must figure out who he is and what he is capable of, even as he’s forced to question what it means to be an American teenager in a country that rejects his own mom and dad. — Cover art and summary via Goodreads

Counting Down with You by Tashie Bhuiyan Inkyard Press

Karina Ahmed has a plan. Keep her head down, get through high school without a fuss, and follow her parents’ rules—even if it means sacrificing her dreams. When her parents go abroad to Bangladesh for four weeks, Karina expects some peace and quiet. Instead, one simple lie unravels everything.

Karina is my girlfriend.

Tutoring the school’s resident bad boy was already crossing a line. Pretending to date him? Out of the question. But Ace Clyde does everything right—he brings her coffee in the mornings, impresses her friends without trying, and even promises to buy her a dozen books (a week) if she goes along with his fake-dating facade. Though Karina agrees, she can’t help but start counting down the days until her parents come back.

T-minus twenty-eight days until everything returns to normal—but what if Karina no longer wants it to? — Cover image and summary via Goodreads

All Kinds of Other by James Sie Quill Tree Books

In this tender, nuanced coming-of-age love story, two boys—one who is cis and one who is trans—have been guarding their hearts to protect themselves, until their feelings for each other give them a reason to stand up to their fears.

Two boys are starting at a new school.

Jules is just figuring out what it means to be gay and hasn’t totally decided whether he wants to be out at his new school. His parents and friends have all kinds of opinions, but for his part, Jules just wants to make the basketball team and keep his head down.

Jack is trying to start over after a best friend break-up. He followed his actor father clear across the country to LA, but he’s also totally ready to leave his past behind. Maybe this new school where no one knows him is exactly what he needs.

When the two boys meet, the sparks are undeniable. But then a video surfaces linking Jack to a pair of popular transgender vloggers, and the revelations about Jack’s past thrust both Jack and Jules into the spotlight they’ve been trying to avoid. Suddenly both boys have a choice to make—between lying low where it’s easier or following their hearts. — Cover image and summary via Goodreads

Luck of the Titanic by Stacey Lee G.P. Putnam's Sons Books for Young Readers

Southampton, 1912: Seventeen-year-old British-Chinese Valora Luck has quit her job and smuggled herself aboard the Titanic with two goals in mind: to reunite with her twin brother Jamie--her only family now that both their parents are dead--and to convince a part-owner of the Ringling Brothers Circus to take the twins on as acrobats. Quick-thinking Val talks her way into opulent firstclass accommodations and finds Jamie with a group of fellow Chinese laborers in third class. But in the rigidly stratified world of the luxury liner, Val's ruse can only last so long, and after two long years apart, it's unclear if Jamie even wants the life Val proposes. Then, one moonless night in the North Atlantic, the unthinkable happens--the supposedly unsinkable ship is dealt a fatal blow--and Val and her companions suddenly find themselves in a race to survive.

Stacey Lee, master of historical fiction, brings a fresh perspective to an infamous tragedy, loosely inspired by the recently uncovered account of six Titanic survivors of Chinese descent.

#new releases #YALit

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