Hey :D
I love your idea of the White Day Event, I think it's very creative and amazing! Anyway, I would really like to participate in that event, so here goes!
The character would be Levi Ackerman, and the date would be a late night picnic in a field, watching the stars, surrounded by candles etc. For his favorite things about me would be my reserved and caring personality and maybe also my eyes (which are blue). Finally, what we love to do together is drink tea while watching the stars at night, movie nights and cooking together.
Anyway that's all, I hope you have a nice day, thank you for this event! Can't wait for the 14th :D
15 notes
·
View notes
I just think
It’d be really neat if Danny looked more like Martha Wayne than Thomas Wayne.
LIKE
I love the Danny Fenton looks like Thomas Wayne or Danny Fenton is Thomas Wayne reincarnated — but the BEAUTY of Martha??
Of Alfred interacting for under five minutes with Danny, dabbing his eyes and going, “That is indeed Martha,” I WANT IT. I want Martha who was spunky and sassy and wanted to do good for her town the same way Danny wants to do good for Amity Park.
I want Martha who loved to take Bruce and the family out to star gaze because her baby had never seen the stars before, and the way his eyes light up like a mini galaxy takes her breathe away the same way that Danny feels when he turns his head up to the sky yearning for something he knew loved but doesn’t know what.
I want Martha who would literally find trouble in a paper bag because she can’t help her curiosity the same way Danny can’t help tripping over his own ghostly tail and making a mess of things before he figures things out.
I want Martha who would fight men who thought they held power, going absolutely feral from stress the same way Danny does when he’s tired of not being able to do his homework or pick up a vacuum against the wall to clean because ghosts.
I want Martha who loved the pearl necklace that Bruce had picked out for her birthday, and Danny reaches towards his neck and startles when his fingers only touch skin when he is certain there was something supposed to be there. I want Danny whose eyes linger on whites and pearls when he passes by open window stores in the mall, fingers itching to flick a nail against the smooth surfaces.
I want Martha who died bleeding underneath the hand of a gun, hoping to everything above that her boy would be safe, and Danny whose body burns at merely looking at the makeshift guns his parents create in the lab, his heart pounding desperately with a yearning to save there was someone she wanted to save the ghosts.
3K notes
·
View notes
i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.
but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”
but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.
people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.
until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.
i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.
and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.
1K notes
·
View notes