#this works better in a visual format but i don’t feel like making an edit rn

[writingjourney]

I’m in need of some advice and kind words. As a fellow writer I’m really struggling to believe people will and want to read my stuff. There’s no real engagement anymore and I’m worried that if I post my long-form fic that no one will give it a chance. It’s really bringing me down because I love it so much but it feels like no matter what I try to do my stuff just doesn’t get seen or liked? I’ve even thought about changing my entire way of how I do things since I don’t think the way I write is working for the masses. How do you keep up the motivation as a popular writer and do you have an advice?

Hello anon!! I feel like this is something many of us currently deal with. And first of all I seriously hope that you do share your story!! ♡

To be completely honest with you the lack of engagement in the fandom has for sure impacted my own motivation which is why I haven't been putting as much time into longer fics (nor the Friday Nights series or IKNBS, I do write but I refuse to force myself). I don't feel any urgency because uploading fics hasn't made me as happy as it used to. It feels like only other active writers are reading fic atm and it creates a lot of pressure on creatives to stay super active.

I'm aware that I'm insanely privileged to have the engagement that I do have, that the type of stories I want to write are also the type of stories that generally seem to appeal. However, engagement tells you NOTHING about the quality of your work, only how many people are active in a fandom or like a specific pairing/character/trope. Your own unique voice matters more than numbers.

I also notice that a lot of people who used to read my works have disappeared which I completely understand. The fixation can ebb away during times of inactivity or when a certain hype dies down. People just don't get that dopamine hit anymore and move on. It's also entirely possible they get tired of a certain style of writing and prefer other writers at times, what do I know. I definitely don't blame anyone for that. First and foremost people should read for their own enjoyment and engage with fandom in a way that makes them happy. It makes no sense to pressure people into engaging. A huge issue right now is people overthinking these things which makes support transactional instead of genuine.

I don't care much about notes but I REALLY miss the feeling of sharing a fic with people who are excited for it, that sense of an active community. BUT the activity will come back – the movie will come out, new music and videos, heck even a whole new Papa!!! That's the natural flow of things. We can't be excited and super active all the time, we need phases of calmness as well (which is an act of rebellion in the capitalist hellscape of overproduction and churned out content. I am honestly glad Ghost is taking it easy).

Now, I recommend you write your story exactly how you want to!!! do NOT change it for the sake of popularity because it will lose its very soul and you will struggle to be happy with it by the end. You know how you want to tell your story and nothing else matters. It will find its readers or you can wait and share it at a later point. I recommend that you approach other writers and readers and intensify that contact, make friends and talk to them about your stories, hype each other up, share snippets. It's even more meaningful to know people you like enjoy what you do. I am currently working on super niche fics for non-Ghost characters and I'm honestly having a great time chasing that dopamine by just writing what I'm really into and sharing it with friends. Fandom is community, fandom is fun and we can work to make it better for everyone.

A few general tips when it comes to making stories accessible: Format them to be readable (paragraphs!!), add a "read more" break, add proper content information and a nice summary to draw people in, add some visual appeal like a banners or stock image edits (like i do for IKNBS) and then tag the fics with relevant tags (and only those). Also make sure to tag the OG post, tags on reblogs do nothing for reach. Engage with the community when you feel like it and it's likely that the community will engage back. Being supportive is worth it, being kind is always worth it even if it amounts to nothing.

#your fear is valid and wanting engagement is valid!!! #but don’t let it stop you from writing :) #asks #anon

[jiveyuncle]

Hi omg!!!!! I just saw the book you posted for TNAHP and I am dying! It looks GLORIOUS!!!!! Turned out so beautiful binded like that! And the art is absolutely stunning, may I ask what company printed it? Like what shop did you use? I’ve wanted to print certain stories just for myself so badly over the years but there are so many places and I can’t decide and this is exactly what I’ve been looking for!!!!! 😍😍😍 thank you so much for sharing!

Hi, anon! Thank you! 💕 I was so happy getting to hold it and put it up on my shelf! Look!!! 😭💕

I want to preface everything I’m about to say with this: if you use a third party service to print any material (fics, art, art in fics, etc.) please, please, please reach out to the author/artist and get permission to use the service before printing! It doesn’t matter if someone else already has permission, make sure *you* have permission. Also consider if the art in the fic belongs to someone other than the writer (like if the work was a collaborative piece or if it features fanart of the fic) and get permission from them, too! You may have to wait for a response, or you may never get one (in which case, don’t print without permission), but it really is worth it to make sure the authors/artists feel comfortable and confident that they keep control over their own work.

This is the first service I’ve used, and I have no experience binding, so I’m just sharing what I did and what I noticed with my untrained eye.

First, the service I used is Barnes and Noble Press. Here’s a link:

You can make books publicly for sale or books strictly private for personal use. If printing fanfic, be certain that you are creating a “personal” print. It will appear like this in your projects section (note the “PERSONAL” banner above the cover art):

As you can see - the price is pretty decent as far as books go! After tax, shipping, and handling costs, this book turned out to be $21.82.

You can choose how you want to customize the materials your book is made up of. Different materials cost different amounts (i.e. printing color pages inside is going to increase your price a lot). If you don’t know where to start, here’s the preference settings I selected for my copy:

Now, understand that they are not editing your book for you - you’re still going to have to do all the formatting and arranging in a document yourself and designing your own cover (so be prepared to still spend a lot of time on this project). They simply print and physically put all the pieces together for you.

Lastly, I want to address quality. While this is far better quality than I could manage on my own, it’s still not 100% up to quality of most books I can purchase in a store. For comparison, I’ll show a couple side-by-side images of the fic print next to my favorite published book, The Raven Boys by Maggie Stiefvater.

Dust jacket: Feels great! Literally no complaints.

The hard cover: A bit cheaper feeling. Definitely noticeable difference with a printed visual texture instead of real texture. The printed texture creased and wore away to reveal the white beneath. It’s visible here after just a few openings of the book. Also, unfortunately, you cannot customize the hardcover under the dust jacket, so no spine labels and you’re stuck with this color blue:

Finally, my biggest concern, the binding of the pages: looks a lot more like a paperback that had its cover glued onto a hardcover than an actual standard hardcover. Again, I’m no expert and idk if that’s normal, what anything is called, or how this affects the lifespan of the book, but you can even see where the spine kinda hovers away from the hardcover casing and how that compares to the The Raven Boys.

Anyway, the service isn’t perfect, no, but it works for what I wanted, looks nice, is user friendly, and allows me to hold a fic I otherwise never would have had the opportunity to. I appreciate it for that.

Hope this was helpful! Print responsibly 😊

#asks

[snapscube]

i havent played very much of the turn based rpgs i've tried, and i think its because i'm not too used to the format. do you have any recommendations for someone who's new to jrpgs in general?

yes!! Yakuza Like a Dragon, Dragon Quest 11, and Persona 5 Royal are all games I think are GREAT for newcomers. And were also the 3 games that broke the barrier of enjoying traditional JRPGs for me!

Yakuza LAD is great because it’s an example of a long-running game franchise adopting turn-based RPG mechanics into an already existing gameplay loop, rather than the other way around, as previous games in the series were brawlers. That means it is HIGHLY approachable.

Persona 5 is, of course, WIDELY popular even among non-RPG-fanatics because of its emphasis on dating sim/visual novel elements alongside traditional JRPG gameplay. The game is like, only 50% dungeons and combat and the like. It is JAM-PACKED with a highly addictive social and time management gameplay loop where you build bonds, perform after-school activities, and learn more about the characters around you. And the work you put into the social aspects will ACTIVELY IMPROVE your experience in the RPG side of things, as you’ll unlock new abilities, bonuses, and all kinds of goodies!

and last but ABSOLUTELY NOT AT ALL LEAST, Dragon Quest 11 is the closest you can get to an “if it ain’t broke, don’t fix it” kind of modern JRPG. But that’s only because the Dragon Quest franchise basically created the JRPG genre, and they are DAMN good at it. DQ11 is one of the coziest, warmest, and most addictive games I’ve played in the past year. It’s a game that you can really just take your time with and soak in, and it’s always so welcoming once you come back to it. The story is simple, but in an inviting way that’s reminiscent of classic fantasy tropes, and it’s absolutely made by a wonderful cast of characters. And the combat, while admittedly simple, is EXTREMELY well tuned. Everything feels immensely satisfying. If you check it out, I would recommend making sure you get your hands on the “Definitive Edition”, as it features a better produced soundtrack than the original release!

Hope this helps!

[em-dash-press]

5 Things Literary Magazines Look for in Short Stories

Submitting your work for publication in a literary magazine can be nerve-wracking. They outline what they’re looking for when they open for submissions, but it can seem pretty vague.

Here are a few things they generally look for when searching for the next stories they’ll publish.

1. A Story That Sticks With Their Submission Requirements

Literary magazines plan their editions at least a month in advance, if not more. They may create new editions based on a theme, a seasonal motif, or another connecting idea that pulls every story and visual design together.

Always check the submissions page for their requirements. If a magazine wants to create a spooky edition for October but you submit a heartwarming historical fantasy story that has no spooky elements, you won’t get selected.

Requirements also include essential details like page length, word count, and formatting instructions. The editorial teams know how much time they have to read submissions and how much space they have for selected stories in their upcoming edition. Following these requirements makes you much more likely to get selected.

2. A New Perspective

People don’t buy literary magazines to read the same stories over and over again. They’re looking for new perspectives and points of views in stories that have fresh ideas. The editorial team also doesn’t want to read the same types of stories every time they open for submissions.

You can bring a new perspective or twist on their required themes or story details by thinking outside the box to connect with your readers while bringing something fresh to the table.

3. Vivid Characters

It’s almost impossible to enjoy a story when the characters don’t feel real. You can avoid that by creating character profiles or outlines for your cast. Imagine their backstories or write scenes from the most important moments of their life.

Also, consider what they want from your story’s plot. What’s their goal? What will they learn? Vivid characters are dynamic, so they should grow into a different (possibly better, but not always) version of themselves by your story’s resolution.

It’s also helpful to use free online tools to create characters. I have a huge list on this blog post for generating their faces, mapping their world, and inventing other details so they feel like real people to you and your readers.

4. A Meaningful Purpose

You might write a story just to get published, but that might lead to a story that lacks meaning. Published short stories have some kind of meaningful purpose to make them matter to the editorial team and readers.

Your readers might learn a life lesson from your work or process some shared human emotion or experience through your characters. It’s helpful to consider a theme for your story before writing it so it always has a clear purpose.

5. Unexpected Plot Elements

Readers want to be entertained. Entertaining stories sell magazines. Remember to add a few unexpected plot elements or twists as you’re writing a story with the intent to publish it.

I have a few ideas in this blog post that might inspire you, but you can also create plot twists by shifting your perspective.

If a story has a character who stops to talk to someone in a crosswalk, your readers will likely assume they’re about to get hit by a car or pushed into traffic if the scene has rising tension. Counter their expectations by asking yourself, what’s the opposite of what they’re expecting? Your character might face an oncoming car with a distracted driver by lifting it over everyone as it’s about to crash into pedestrians. Maybe they learn how to fly or lie flat on the road as the car passes over them.

Purposefully thinking about what your readers will expect and choosing to do the opposite is a great way to add unexpected plot elements that also pique the interest of editorial teams.

-----

It’s also important to remember that you’re likely submitting a story alongside hundreds if not a thousand other writers. It depends on how popular or well-known the literary magazine is.

You can write a great story and still not get published because a big part of that experience is getting lucky. You have to hope the right editor who will appreciate your narrative style and story choices will be the one to open your submission.

Sometimes writers take years to get published. Give yourself some grace as you send your work off. Whether or not your stories get accepted, you’re still learning from the process and developing your writing skills. Eventually, your work will shine in the place it’s meant to be.

#writing advice #writing tips #writeblr #writers of tumblr #publishing tips #publishing advice #publishing #short stories #publishing short stories #writing short stories

[fluffy-critter]

#crosspost #busybee

[simplysummers]

Weird Questions ask!

3, 6, 7, 11, 13, 18, 26, and 36

Damn Pax that a lotta numbers. It’s giving 2021 Sev vibes. But thank you!! 💛

3) What is your writing ritual and why is it cursed?

My writing ritual isn’t really cursed but it is lengthy. I don’t need a lucky charm or to flick the lights a certain way, but my editing process is as follows. Cry. Cry. Cry. (No I just have to go over it at least eight times in both audio and visual formatting. And considering my fics are around 8-12k a chapter, it’s a lot.)

6) What is your darkest fear about writing?

That people won’t like anything about it. I don’t mind constructive criticism, especially because I’m doing this for a degree and it’ll make me a better writer, but I just hate the idea of someone liking absolutely nothing about my work, that all of their reaction is just negative.

7) What is your deepest joy about writing?

Just the utter freedom it gives me. Cringe I know but, it really does just take me some place else and I love it. Also when I get positive feedback, that brings me so much joy.

11) Do you believe in the old advice to "kill your darlings?" Are you a ruthless darling assassin? What happens to the darlings you murder? Do you have a darling graveyard? Do you grieve?

Well I do and I don’t. I do in the sense that sometimes things can be unnecessary, and they need to go for the overall outcome of the story, but sometimes I just love a scene/character/line so much that I don’t want to take it out, especially if the impact isn’t changed massively, so I’m not super ruthless. Like with Greta Gerwig and Barbie, how she wouldn’t take out the scene with the old lady cause she loved it. But I do grieve sometimes, and I do have a little folder for pieces of writing that I love so much that I know I can use elsewhere if I do end up cutting them out.

13) What is a subject matter that is incredibly difficult for you write about? What is easy?

Easy would be anything family related, I think I handle that very well. I don’t think there’s anything I can’t write about, but I definitely have a preference to avoid certain things.

18) Choose a passage from your writing. Tell me about the backstory of this moment. How you came up with it, how it changed from start to end. Spicy addition: Questioner provides the passage.

Passage: Seren's hand dragged along the edge of the metal railing attached to the side of her hospital bed, the chilling surface instantly cooling the clammy flesh of her palm. She liked the cold, preferred it even, the cold had always been a bearable force that could be rectified with layers of clothing and hot beverages, or even embraced and allowed to consume ones person, to snap them back to the reality of the natural elements.

On the opposing end, the heat was practically inescapable, you can only extract so much coverage before you're as bare as the day you were born, and even then people fell short and were still consumed by its waves. The heat was a predetermined source of torture, and she'd had enough of it.

Four years of consistent heat, darkened hallways, cells and endless hours of binding pain were enough to convince her that moving to Alaska or Iceland didn't seem like a bad idea in the near future.

Much like a fever, hot climates were infectious too, she noticed immediately that her hand warmed the metal beneath it ever so slightly, natural body heat radiating from her skin and contaminating the opposing chill beneath it.

Heat concurred, heat destroyed. The world at its core was hot, and the world...the world at its core was evil.

This is a piece of original work I’ve been working on since I was in my teens. It’s about a story of a girl who is healing from a deep trauma, ikr so original, but it really focuses on the recovery from said trauma and how it’s not all one straight line uphill. I feel like so many thriller books focus solely on the trauma itself, and not what that trauma does to you afterwards. I also sent this to my uni professor, along with other extracts and he said it showed extreme promise. So win ig!

26) How do you get into your character's head How do you get out? Do you ever regret going in there in the first place?

I get in just by either watching/reading all of their clips/passages (if it’s a fanfic), and if it’s original then I literally just lay there and ✨think✨. Sometimes it isn’t nice coming out of that because I make myself cry, but the result is worth it.

36) They say to Write What You Know. Setting aside for a moment the fact that this is terrible advice…what do you Know?

I’m actually doing my end of semester assignment for scriptwriting on a girl who is suffering with an eating disorder, because I actually suffered with a very severe ED in my early teens. I’m doing a lot better now, that’s for sure, but those feelings and emotions are tied to me in a lot of different ways, so it makes for good writing material (which sounds grim doesn’t it).

#ask s #the moots 💛 #pax 🧬 #tw Ed #tw ed but not sheeran #fanfic asks #s fanfics #s writing

[gba-cheat-list-download-14]

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💾 ►►► DOWNLOAD FILE 🔥🔥🔥🔥🔥 Game Boy Advance (GBA) cheats, cheat codes, guides, unlockables, easter eggs, glitches, hints, and more. has more content than anyone else to. Download Cheat Codes For Visual Boy Advance Emulator. Game Boy Advance | Views: | Downloads: 0 | Added by: shukr | Date: is a community of video game hackers, and a place for codes, guides, tools, and more. Games w/ Codes, Total Codes, We've also got Gameshark codes for different country/regions (North America, Japan, UK/Europe etc). Top GameShark Codes. GBAPokémon Emerald. PSXDigimon World 3. Find all Pokemon Emerald cheats, browse the most popular Gameshark codes such as Walk Through Walls, Rare Candy, Shiny, Legendary and more. Forums New posts Search forums. Groups Public Events. Reviews Overview Official reviews. Downloads Latest reviews Search resources. Blogs New entries New comments Blog list Search blogs. Chat Top chatters. Search Everywhere Threads This forum This thread. Search titles only. Search Advanced search…. Everywhere Threads This forum This thread. Search Advanced…. Log in Register. New posts. Search forums. Install the app. JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding. You are using an out of date browser. It may not display this or other websites correctly. You should upgrade or use an alternative browser. Gaming GBA Cheat. Level 3. Website www. Edit for forum searchers. They were all named by release number only which can be a bit tricky especially if you are running an M3 Real and you don't patch the cheat to the rom. What I have done is rename each individual file to include not only the release number, but the name and location as well. Now you can find your cheats with ease. If you have a flash cart that is incompatible with the. To use them simply paste them into the cheats folder installed by the G6 or CycloDS patcher software overwriting the current files. 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[ashbicreativestudio]

Writing tips for content marketing

Define your audience.

When you begin to write, it’s important to define your audience. Know what they want and what they need, as well as the questions they are looking for the answers to. - What do they want? - What do they need? - What questions do they have? Once you know their needs and wants, determine if your content is going to meet any of them. If it does not, then consider creating an additional piece of content that could provide value for this group of readers.

Use simple language.

Writing for your audience means writing in a way that your reader can understand and enjoy. When it comes to content marketing, this means using simple language. To do this, you need to consider several things: the level of education (or lack thereof) of the readers you're targeting; their interest in what you have to say; their experience with the topic; and whether or not they have prior knowledge about your topic.

Add a little personality.

One way to add a little personality is to let your voice shine through. You don't have to be a professional writer, but you should write in a friendly tone and use humor if you can. While you're at it, try to use a conversational tone—even when writing about more difficult topics like finances or health care. Remember that people aren't reading your content for its literary value; they just want the information and advice they need!

Get visual.

Visual content is one of the most engaging types of content you can create. It’s also great for getting people to remember what they read. Here are some tips for creating visual content that will help you get readers engaged: - Use images in your written posts. Images are an important part of content marketing because they allow you to show off your products in action, make something easier to understand (like a flow chart), or just be appealing on their own—they’re better at grabbing attention than words alone! A picture is worth 1,000 words after all!

Write for SEO and mobile devices.

You want to make sure that your content shows up in search results, right? Then use keywords in the title and meta description. Then use them again throughout the body of your content. Also, make sure you have them in the URL, image alt text (text describing an image used by screen readers), image title and file name as well. And don't forget to include relevant keywords in any captioning around photos or graphics!

Mix up your content.

- Mix up your content. - Mix up the format of your content, such as by using different kinds of media (e.g., video, blog posts, and podcasts) or by creating an interactive experience (e.g., quizzes). - Mix up the topics covered in your content. You can also mix up the topics you cover by using a variety of voices—for example, if you're writing a series on how to use SEO tools but are blogging about it instead of having someone else write those posts for you.

Step away and edit later.

Editing your content is a vital part of the content marketing process. However, editing can be stressful and time-consuming if you don't have a system in place. So, here are some tips for editing your writing before it's published: - Step away from the computer. Editing after writing can be tough because you're too close to the piece and might miss things that need fixing. If possible, step away from your computer screen for at least an hour or two before re-reading what you've written. Reading on a different device may help as well—the size difference between a laptop screen and an iPad screen can make for easier reading and editing! - Edit later in the day (or week). When I edit my own work late at night or early in the morning when I'm tired, it sometimes feels like more effort than it's worth since my brain isn't working 100%. As an alternative, try not to edit right when completing new pieces—give yourself some space between finishing something and ensuring its quality before publishing it! - EDIT IN A DIFFERENT ENVIRONMENT! When we write something (whether it be blog posts or emails), our mind tends to fill up with distractions while trying out ideas--this makes us less likely to catch mistakes made by ourselves earlier on when reviewing them again later down this path... so how do we fix this problem? By changing environments entirely--going outside into nature or going somewhere else entirely such as another room inside our home where there's less clutter around us."

Be consistent with your voice and content.

Consistency is important for your voice, content, and brand. - Consistency of voice. Consider what your company’s tone is like on social media and in person. Then create a style guide to help your team stay consistent across all platforms. - Consistency of content. The best way to be consistent with content is to plan ahead for it by developing a strategy for creating or curating content that meets the needs of your target audience(s). You can also use tools like Canva or Snappa (with an Adobe subscription) so you don't need to spend hours designing every piece yourself—you just have one source file and make tweaks as needed when publishing each post! - Consistent brand identity across channels: Whether it's logo design or color scheme, the elements that make up your visual identity should appear everywhere so customers know exactly who they're interacting with at any given time without having done research beforehand.

Make it shareable.

Make it shareable. This should be obvious, but it’s important enough to list twice: if you want your content to get shared, you need to make it catchy and enticing. Your headline or call-to-action (CTA) needs to grab the reader's attention, while everything else should speak directly to their interests. You might even consider using a good image—a picture is worth 1,000 words!

These tips will help you write better content for your marketing

- Use simple language. - Add a little personality. - Get visual. - Write for SEO and mobile devices. - Mix up your content with infographics, videos, and podcasts as well as blog posts and emails. Be consistent with your voice and content so that readers know what to expect from you, but be flexible enough to change it up when necessary—or when the mood strikes you! Your readers will come back if they know what they’re getting each time they visit your site: good information presented in a fun way by someone who cares about them (you). Remember: having fun is part of the job!

Conclusion

There’s no one-size-fits-all approach to content marketing, but there are a few things you can do to make sure your content is the best it can be. By taking care to understand your audience and what they want, you’ll create better content that has a more compelling voice and better visuals than other brands in your industry. You’ll also have fun creating content if you remember that it should be an extension of who you are as a brand or company! Lastly, make sure you share your posts with people who might be interested—that way they can see how awesome it is too. Read the full article

[incorrect-genshin-impact]

Childe and Xinyan: *loud battle cries*

Lumine: Holy shit, there’s two of them.

#this works better in a visual format but i don’t feel like making an edit rn #genshin impact #genshin childe #genshin xinyan #genshin traveler #genshin lumine #source: it's always sunny in philadelphia #incorrect genshin impact #incorrect quotes

[duckprintspress]

How can I return to writing after a long hiatus?

This post is based on a conversation we had in the Duck Prints Press LLC Discord, and all contributors comments have been used/paraphrased/integrated into this post with permission. The people who contributed ideas to this post are: @nottesilhouette, @ramblingandpie, @arialerendeair, @tryslora, @deansmultitudes, @theleakypen, Owlish Intergalactic, myself (I’m @unforth), and one who preferred to remain anonymous.

Few things are harder than coming back to writing after a long period of not writing. Being creative takes a lot of energy, and starting after not doing so for a period of time takes even more energy. The writers on our Discord had a really productive discussion, where we talked about strategies we’ve each personally used to help us get our writing mojo back. None of these methods work for everyone, but if you haven’t written in a while, maybe one of these will work for you!

How to Revive that Creative Writing Spark:

doing sprints with a friend - knowing you’re all in it together can really help!

talking with writing buddies about what you’re each working on - the shared enthusiasm can be really helpful,

journaling, about daily life, or about dreams you’ve had - turning the dream into something coherent can be a great strategy (or, don’t bother, and just write it however crazily it took place!)

pick a random story you wrote in the past and read a chapter, paragraph, or 500 word segment - and look at it as a reader, say things you liked about it, praise it, emphasize the good things about your own writing.

transcribe a song with lyrics you find inspiring, or crack open a favorite book and transcribe a few paragraphs. You can even do it with something you’ve written yourself!

set a low-pressure, low-word count deadline - make it public, if you’re the kind of person that helps, or keep it to yourself.

sign up for a zero-consequence challenge, such as a bingo, or the Duck Prints Press #drabbledaysaturday prompts on Twitter - something where no one will mind if you don’t succeed, but you might find some inspiration.

create a small goal, either daily, weekly, or monthly - it can be a time frame (I’ll write for 5 minutes a day!) or a word count (I’ll write 1,000 words a month!) or even something tiny (I’ll write one sentence a day!) or a public sharing goal (post a ficlet a day!) and then do your best to stick to it, and reward yourself when you succeed.

open your ask box or otherwise solicit short prompts - for example, do a “three sentence” meme (”send me a pairing and a trope and I’ll write a three sentence fill”) or a story title meme (”send me a story title and I’ll write a little about the story I’d create with that title”) or an emoji prompt (”send me three emojis and I’ll write a ficlet”) or make your own fun one that will bring you joy (one of our writers created a “name two characters and I’ll make them kiss in six sentences or less” meme that helped them a lot)

participate in a prompt month, something with no consequences for failure but with prompts that can inspire daily ficlet.

write without editing, and just throw what you create out into the world - anything to get the words flowing.

challenge yourself to write a drabble day, no more and no less.

try changing how or when you write - get a nice journal and write by hand, or if that’s your normal, try writing in a word document instead.

write at different times of day, and see if it’s easier for you over breakfast, or after lights out, or during your lunch break, or by stealing a few minutes while you’re “on the clock” at work.

make an attempt at different formats of writing - if you usually write prose, try a poem; if you usually write really long things, try a drabble.

look out your window, or find a place you like, and just describe what you see.

do some free association exercises - for example, use a random word generator (I use this one sometimes) and then write literally whatever word comes into your head next - keep going until you fill the page, or until it starts to turn into a story, or just until you don’t feel like it any longer.

pick a random sentence (the person who suggested this often uses “Just write anything”) to be the start of a story, and “pants” your way through whatever comes next, without worrying about grammar, continuity, logic, or much of anything.

plan ahead - schedule your writing time and don’t let yourself put it off (rewards for success are always good!) and/or visualize exactly what you want to write ahead so you’re ready when you sit down.

if you get hit by inspiration, don’t put it off - even if all you do is scrawl a sentence in your phone or on scratch paper between other tasks, get it out of your head. Even a single sentence is a creation!

get out of the spaces where your usual things are - go to a park, or on a hike, or in your backyard, or even a different room in your own home, and bring a journal or phone or laptop, and see what strikes you.

pick That Thing You Haven’t Been Letting Yourself Write and ignore all the things you Think You Should Be Writing and just...write what brings you joy

fanfiction can be very helpful, especially in canon using canon-compliant ships/characterizations - there’s no need to do the heavy lifting. Even if you just write the characters going to a grocery store, or talking about what movie they want to watch, or arguing over take out - something short and sweet that’s just for fun, with no expectations for yourself or anyone else.

alternatively, if you’re the type who writes better for others and you’re feeling down - knock out anything, even something short, and post it, and take joy even in a single like or kudos. Knowing even one person out there loved what you wrote can really help.

Any or all of these may help you, but there’s one final one that I, at least, think is the most important of all - and that’s helped me most.

FORGIVE YOURSELF. You have work in progress up. It’s okay to leave them. You told someone you’d write something for them. It’s okay not to. You have a deadline looming. It’s okay to ask for more time, or to withdraw, or - in the end - it’s even okay to ghost. You think what you’ve made is bad. It’s okay if it’s bad. You’ll never be able to create when you’re raking yourself over the coals. Everyone in fandom has “been there” - has missed deadlines, has left challenges, has abandoned works in progress, have reneged on a promise to a friend to write something. Until you forgive yourself, you’ll never be able to create anything, and isn’t even a single sentence that isn’t on that Big Important Thing better than no sentences on anything?

Forgive yourself, and find that spark, inspiration, muse, whatever you want to call it - and write things that bring you joy.

We believe in you!

YOU CAN DO IT!

#duck prints press #original content #writing advice

[lovebecomeshim]

hello! your zutara posting today has finally motivated me to ask this question because I came to atla very late(last year, to be specific) and I Love It Very Much but am 1000% out of the loop as far as why what remains of fandom (at least that I've seen among my friends) is so very strongly zutara. I'm not opposed to it per se I just don't really know what has driven it to apparently be such a popular ship? can you help me understand and maybe convert me a little bit?

Hey!! Your ICON! :D I can try but I’m not sure how coherent I’ll be; however I AM sure someone a lot more competent will be willing to add to this. Either way, I’m glad you asked because my plan was to drag down as many people as possible with me.

*smacks the hood of zutara* this baby can fit so much mutual love and support!

This got so long, I’m so sorry. I don’t know how to put it under a cut on mobile and it already got deleted once so I’m scared to mess with it lol. Moving on.

I’m gonna start this with a disclaimer that im on mobile so formatting is tricky and I’m also really new to atla in that I only completed my first watch through in like 2019??? So some of my info is all just based on what I’ve picked up from Discourse 👀 so anyway the sparknotes version: zutara was wildly popular from the beginning. To the point where the atla crew internally disagreed on which ship should be endgame. (Ex. Bryke [showrunners] asked the writers to rewrite The Southern Raiders to make Zuko seem less ideal for Katara than Aang [which failed, depending on who you ask]; the animation team purposefully created a visual parrallel between Oma and Shu in the Cave of Two Lovers and Zuko and Katara in the catacombs under Ba Sing Se in the Crossroads of Destiny; etc.)

The ship was popular enough that Bryke actually chose to display zk fanart at a con for the sole purpose of mocking the fans, but that’s neither here nor there. The entire episode Ember Island Players, while a love letter to/parody of the whole show, was an opportunity to address zutara’s viability as a canon pairing (while, again, mocking zutaras for romanticizing that catacombs scene). Point is! It’s always been popular but with it not being endgame, there’s got to be something that’s given it staying power.

And that’s honestly got to do with three things: their dynamic, thematic cohesion, and potential.

(You know what... you know what, it’s four things. The fourth is they’re so aesthetically pleasing together and individually. Like, they’re just good looking people [specifically when they’re grown but they’re also cute kids] and that absolutely doesn’t hurt) (but it’s not the Point, it’s just nice to point out sometimes)

The dynamic is hard to get into without also looking at the canon pairings, but I think I can do that without unnecessary bashing. It’s just that part of the magic of zutara is really highlighted by what they give to each other that their other relationships don’t.

First off, it’s classic enemies to (would be) lovers. The absolute truest form of it. It’s not too different from how CS started out: a rogue antagonist with a job to do—but no personal vendetta against the future love interest—who is deeply and emotionally invested in his personal storyline (revenge/redemption) with little regard for how it effects other people after his entire life and genuine good nature are marred by suffering, and a fierce warrior girl with a strong moral compass and her own personal investment in stopping him (protect her family and save the world doing it). Obviously frustration and animosity grew between them by the nature of them being on opposing sides, but that just lends itself to the sweetness of their later reconciliation.

The thing is that while they’re wildly different on the surface (he’s a hot-headed prince of a fascist regime who is trying to capture the Avatar to please his father; she’s a nurturing daughter of the chief who is trying to protect and train the Avatar in order to topple his father’s throne) they find out that they have so much more in common both in their experiences and their personalities.

(What follows is an excessive use of the word “both” and I’m sorry about that)(I can edit it. I can do that. That IS an option............)

They both have an innate sense of justice that they are determined to see done (zuko, at the war meeting, sticking up for the Earth Kingdom kid when the guards torment his family, choosing not to steal from the pregnant couple despite his circumstances, abiding by his word to leave the SWT should Aang come willingly, etc.; katara, literally.... at any point). They both have pretty one-track minds at accomplishing certain goals once they’ve put their mind to it, regardless of a lack of support in that endeavor (it goes without saying I guess, but zuko’s entire hunt; katara’s determination to get the earth benders to fight back, her determination to absolutely destroy Pakku until he agrees to teach her, etc.). They both lost their mothers at young ages. Their worlds are war-torn and traumatizing to them both, if in different ways, but that ultimately forces them to grow up too quickly to be wholly independent individuals. They both have issues with their fathers (for WILDLY different reasons, but). They both hold extreme prejudices that they need to learn to overcome (which ties into thematic cohesion)(bit like Lizzie and Darcy in that way but magnified by a million). They’re both extremely emotional and empathetic—which can and often does result in loud outbursts. Katara’s a bit better adjusted and can temper her anger for longer than S1 Zuko can, but they both feel that anger deeply and have no compunctions expressing it (Katara is, usually, more justified, particularly in S1. Again, S1 Zuko is severely maladjusted but at the point when they could’ve feasibly become a couple, he’s so much better off with the way he carries himself). They both struggle with feelings of inferiority in their bending abilities when confronted with prodigal benders like Aang and Azula, but have the work ethic required to double down and become two of the most powerful benders in the three remaining nations. This is a little more minor but it is a parrallel that appeals to some shippers that they both have these alter egos in the Painted Lady (notably fire nation coded) and the Blue Spirit (water tribe coded) that are pretty different from who they are day-to-day and are useful in accomplishing a purpose that they as themselves cannot.

(I’m.... I just realized that this could potentially get very long. Should I have made a slide show with bullet points??????)

Anyway, similar. I know there’s more but there’s literally so much to love about zutara that I’ll drive myself a little crazy trying to compile all the ways they’re similar. (Just gonna say that at this exact moment I went back to add more similarities.... so okay then)

Once they’ve reconciled, we see how all of these things only lend themselves to a deeper intimacy together than they share with literally anyone else. There’s a steady partnership that positions them as the mom/dad of the gaang, while also providing the support necessary to allow the other to not have to carry so much responsibility. A lot of zutaras will point out how zuko is actually depicted doing the more domestic chores that are normally relegated to Katara once he joins the gaang, since the others in the group are two 12-year-olds and sokka. The one that sticks out the most is how he makes tea for the group and then serves them, while Katara is able to just relax with her friends around the fire. Fanon expands upon this a lot to Zuko helping with the laundry or the cooking or whatever else needs doing since he, as a once-refugee, is used to doing his own domestic tasks. Before Zuko joined, Katara was the one mothering everyone, sewing for them, cooking for them, etc. She’s always tending to the needs of the group, and that includes emotionally. She does the emotional labor for the gaang 99% of the time, but when she’s the one falling apart, she’s usually doing it alone and without the comfort that she normally provides for others. Until Zuko. And that’s before they’re even friends.

Which is WHY people romanticize the catacombs of Ba Sing Se so much. Katara is verbally attacking Zuko out of her own righteous anger but also her own prejudice when Zuko, surprisingly, chooses to be vulnerable with her. He’s been on a journey that’s opened his eyes a bit, but he’s never actively chosen to expose the rawest parts of his past to anyone. But for some reason he chooses to do that with Katara of all people. While she’s yelling at him. He sees her humanity, and for once can look past his prejudice and empathize with her. And this time, when she breaks down, she gets to be comforted. Katara normally talks about her mother when she’s trying to explain to someone else that she sees and understands they’re pain, as a form of comfort to them. Here, Zuko uses the exact same tactic. He sees her and he understands. And for zuko? He’s not being shut down. He’s allowed to articulate his pain regarding his mother without being ignored and made to internalize it, and he’s allowed to process how he feels about his scar out loud without being told that he deserved it. And then he lets her touch his scar, something we’ve seen him actively avoid before. He’s completely open to her and she’s completely open to him and all it took was one five minute conversation. She was about to use the little bit of Spirit water that she had, that she was saving for something Important, to heal the scar that still daily causes him pain just because they had, somehow, connected.

Plus there’s the whole parallel to the star-crossed lovers forbidden from one another, a war divides their people—

And then zuko messes up, he regresses, he gets what he wants and he HATES it. And the sense of justice he had as a child has been restored to him against his will and he can’t think of anything he wants to do more than the Right Thing, so he joins team avatar. Before he does that though, we get to see his relationship with Mai, which is where comparison really comes in. And what we see is Zuko, fresh off of his encounter with Katara in the catacombs, trying to be emotionally honest with Mai... and getting shut down and dismissed. Which is just how Mai is and it’s fine, but not for Zuko. Still, he keeps trying, and he keeps getting ignored or scoffed at or yelled at. Which is really a larger symbol for how he doesn’t fit in his old life anymore, but again that’s about thematic cohesion. He tries to articulate his anxieties about returning home, he tries to make romantic gestures, he tries to explain how morally conflicted he’s feeling—and Mai diverts to some kind of physical affection to shut him up and a parting comment that is pretty much always, in essence, “I don’t wanna talk about this.” So they don’t. On the other hand, once zuko and Katara are friends, we see him again emotionally distraught and caught up in his anxieties about facing Iroh, and it’s Katara who comes to him and listens to him and comforts and encourages him.

Similarly, we have Aang clamming up and getting uncomfortable whenever Katara shows any negative emotion, usually resulting in him making excuses or running away. Or, in the case of the Southern Raiders, lecturing her on how she needs to just let go of her anger about her mother’s murder. People have talked this episode to death and usually better than I ever could, so imma... keep it brief. There’s a serious disconnect between Aang and Katara in his ability to empathize with Katara and her needs that has her tamping down her vulnerability and amping up her anger. He tells her that he was able to forgive his people’s genocide and appa’s kidnapping (petnapping? Theft??), which is blatantly not true but also not an entirely equal parrallel to Katara’s situation, and continues making these little remarks throughout the episode. But it’s Zuko that Katara opens up to. It’s with him that she’s able to talk about the most traumatic day of her life, and it’s with him that she’s able to get the closure she needs, cementing their bond as friends and partners. This disagreement between Aang and Katara is then... never resolved. They just never bring it up and hear what the other is saying.

There’s a fic called The Portraits of Ember Island that has a line that so completely sums up the heart of the matter for why people love their dynamic. For context, zuko has woken up early to help Katara with the cooking and they spend the whole time just letting one another talk, and zuko stops to ask why she always just lets him talk. And so she stops to ask why he’s always helping, and it goes as follows:

There’s just... so much mutual support! Trust! Intimacy!! And it just continues like that from the Southern Raiders on, listening to each other, advising each other, watching each other’s backs! And then! Literally saving each other’s lives!! I will never be over the last Agni kai. Not ever. Zuko may have been willing to jump in front of lightning for anyone, but he actually did it for Katara. And in a show, that’s the thing that really matters. It’s a fulfilled trope usually exclusively applied to romantic pairings, and it ended up applying to Zuko and Katara. And then she ran out into the middle of a fight with tunnel vision just to get to him.

Also!! Also Zuko pushing Katara out of the way of the falling rocks at the Western Air Temple!! And Katara catching him as he fell from the war balloon that he fought Azula on!! Before they’re even getting along, they’re the ones reaching for each other. They come to this place of equal ground, as partners, who watch each other’s backs, call each other out but still listen attentively and understand, and provide the support that the other has been sorely lacking up until they knew each other (whether that be from lack of effort or lack of understanding from others, or an unwillingness to accept it for themselves).

Then, trailing along under the surface of this, we see the themes of the show totally embodied by Zuko and Katara as individuals and in their relationship to one another. There’s a YouTuber, sneezyreviews, who has a, like, 2-hour explanation on why she not only loves zutara but also believes that their endgame would’ve actually elevated the writing of atla to new levels particularly because of thematic cohesion and resolved character arcs. It’s the zutara dissertation I never knew I needed, and it’s funny and eloquent and effective, so I’m just going to sum up her section on thematic cohesion to the best of my abilities and then link it for whenever you have the time. And I HIGHLY recommend it, especially if you want a full understanding of what makes zutara so great and gives it such longevity.

Guru pathik has a line that goes something like this: separation is an illusion; things that seem different are just two parts of the same whole. Iroh also tells Zuko something similar: balance and strength are achieved when the different nations come together and influence one another and celebrate what makes them each unique. And this lesson is a massive central arc that both Zuko and Katara go through, moving past a black-and-white, good guys-vs-bad guys, us-vs-them mentality and into a greyer, more nuanced view of the world. Zuko sees the fire nation from an entirely new perspective and while he still loves and hopes for his nations future, he surrenders his blind loyalty to them in exchange for an unflinching loyalty to peace and love. Katara too had to come to terms with the fact that cruel people exist in the earth kingdom and water tribes, while some fire nation citizens are just regular, kind people who also need and deserve to have someone speak on their behalf. And this is honed in directly on how they view each other. They grow in their individual journeys to be open to the humanity in the other and then, once they’ve found that, they’re able to grow more in compassion for others in a beautiful feedback loop. And this is all matched in the symbolism repeatedly and intentionally associated with them in canon: sun and moon, fire and water, yin and yang, Oma and Shu who found love despite their warring nations. Their individual arcs are completed in each other and complement the themes of atla beautifully.

The canon pairs... just don’t. Which, again, is fine. But the very things that give atla longevity and popularity are anchored in zutara. Kat@ang doesn’t accomplish this. They’re... nice. Sweet. Especially when you erase a good portion of their interactions in S3. It could’ve been just a sweet love story. (Personally, the dynamic between toph and aang accomplish the same thing that zutara does, with complementary personalities that fulfill the theme of opposites blending in harmony) M@iko, on the other hand, is less sweet but I think wasn’t even supposed to last. Zuko’s relationship with Mai seems to represent his relationship with his old life as a whole. He can’t be emotionally vulnerable, he’s goaded into abusing his privileges, his agency and opinions aren’t respected. They just don’t have common ground with which to discuss anything that matters, so they don’t. As far as themes, the relationship doesn’t fit with atla. It’s zuko returning to and sticking with what is (on the surface) like him, what’s expected. Fire nation with fire nation. Fluid water bender with the flexible air bender. Like with like, separated from what is different and challenging and complementary.

And all of these things combined of course lead to the potential for the ship. I don’t know how familiar you are with the post-atla canon but... well, miss “I will never turn my back on people who need me”, miss “I don’t want to heal! I want to fight!” ends up living quietly in the SWT as a designated healer who turns a blind eye to the water tribe civil war happening right outside her front door. Which can be fine! People change! Some people just wanna stay inside. I just wanna stay inside! But the potential future for zutara is so much more satisfying, with Katara becoming the most unconventional Fire Lady the uppity old cads who are stuck on the old ways have ever seen. Fanon has her serving as a voice for the other nations within a kingdom at the point of its biggest political upheaval, as a confidante to Zuko who can actually help him while he’s trying to figure out how to move forward and make reparations. They have the opportunity, together, to accomplish what they both have set on their hearts to fight for: positive change that lends itself to harmony and balance. And the steambabies! A popular headcanon is that their firstborn daughter, the crown princess, is actually a waterbender, which causes such an uproar among the people who are adamantly clinging to the old ways. It’s just a future full of potential to be forces for good together, full of trust, intimacy, joy. The exact era of peace and love and balance that zuko announces that he intends to ring in with the start of his reign as Fire Lord is, again, magnified by the very personal zutara relationship. And we love to see it.

tl;dr zutara isn’t for everyone. Some people just don’t vibe with it. Some are nostalgic. Some love the canon they grew up with. Some have been disappointed for years. Some just see themselves in other characters and want their happiness instead. Whatever the reason, that’s fine. But for me, I love the way these two, from the moment they give each other a fair chance, are able to lower their walls and prejudices to see the other for the kindred spirits they are. They see each other’s humanity, and their response is to pour out love and support and compassion. I love that they’re a power couple in battle. I love the symbolism and, honestly, soulmatism that colors their every interaction. I love that they embody the whole storyline of atla in their relationship and how it develops, which is notably why their seasonal arcs always culminate in each finale with how they relate to one another. I love that zuko adopting a waterbending move is what actually saves his life and then katara’s. I love the chemistry! And I love the future they could’ve had, instead of the ones they were given.

So, in conclusion: I just think they’re neat and I hope you do too, at least a little bit. Even if it’s just respectfully from a disinterested distance cause you do you. And now here is the video I mentioned. I’m sorry this post got so long and then I gave you an even longer homework assignment, but I can’t recommend it enough. She says it all better than I can.

#zutara #atla #zutara rant #like really the way the canon relationships were written throughout s3 #it would’ve been more believable for zutara to happen #or at least be hinted at #all of the major issues presented in those relationship were dug up extensively and then... never resolved #and then they just slapped some kisses on a screen and said ‘there all better’ #and we just kinda had to say ‘oh ok guess it’s all better then’ #this got long I’m sorry #I wrote it all out and then tumblr ate 2/3 of it #which is why it took so long #and what I’ve written now doesn’t even match what I had before #because there’s too much to say about why I love zutara #and the stuff I left out the first time is what came out this time #rip to my original thoughts but this post is different #anyway that’s why this took so long #and I should’ve just made a PowerPoint... #I can do that too if you’d rather not read all of this lol #I won’t be offended #this is incoherent #Alia rambles uselessly #also hoping this doesn’t end up in any wrong tags because I don’t wanna step on toes lol #it’s not anti!! it’s just critical #in a compare/contrast way #I can pinpoint the moment when I started trying to rewrite my points from memory #because everything gets shorter and more succinct #like... I really said all that??? sounds fake and I don’t remember it anyway so here’s the condensed version #with no!! smooth!!! transitions!!!! #also why am I so lazy with proper grammar over text

[gogtopia]

image descriptions: what they are and why they’re important

hi! i just wanted to make a post explaining image descriptions to people here because i noticed that there are only about 10 people on mcytblr that write them. this is a repost because i changed my url so the links broke on the old one but i am back again to educate people on why adding descriptions to any visual media that they post (and transcripts on audio/video posts, along the same vein) would make their blog more accessible and make tumblr a better site for others.

what is an image description? an image description is a detailed description of an image/gif/etc that explains in detail what is in the image. i have a few examples on my blog of art descriptions (x x), social media screenshot format descriptions (x), meme descriptions (x), gif descriptions (x), and edit descriptions (x). I don’t personally do video descriptions because I am not very good with picking up detail in a moving format but here is an example of a video with a transcript (though a description typically would describe visuals as well) (x, check out @mcyt-transcribed).

why are they important? descriptions allow people who are blind or have low vision to access posts that they might otherwise not be able to. screen readers can read out the descriptions to them so that they can appreciate the post. these descriptions can also be helpful for other groups, like neurodivergent people that may have difficulty reading facial expressions or people without reliable internet to load images. there are also other people that might not fall into these categories that need/appreciate image descriptions. image descriptions are better than alt text on a website like tumblr that has no character limit because not everyone who needs descriptions uses a screen reader and it also normalizes the descriptions!

who should write image descriptions? anybody who is able, especially when you’re the one that is posting an image! typically, artists can describe their work far better than anyone else can because they know the intent behind their work and the details that are important. it is super helpful for people to describe images that they don’t post as well because it makes the internet in general a more accessible place (and personally I really enjoy describing art even if it takes some time because it gives me a much greater appreciation for the piece!) the absolute bare minimum that you can do is check the notes of an image to see if it’s already been described and then reblog the version with the description

how do I write them? my personal advice and what i did when i was first starting to write them last summer is quite literally to read other people’s descriptions of other image and try to emulate what they’re doing. here is a great resource that gives some more detailed tips! there are a few rules that are important to follow though:

make sure to signify when an ID begins and ends

write the ID directly after each image in a post if possible especially if there are blocks of other text in between

don’t put IDs under read mores because that’s an extra step that people need to do to get accessible content

do not put IDs in small text because some low vision people do not use screen readers but cannot read that text size.

I really hope this resource helps people understand the importance of image descriptions and encourages some people to begin writing them. here is another great resource if you want to know more. also feel free to ask me any questions that you have!

#mcyt #dsmp #dream smp #accessibility

[kmclaude]

Forgive me Father, I have no awful headcanons for you, only a general question on comic making. How do you do it, writing-wise/how do you decide what points go where, how do you plot it out (or do you have any resources on the writing aspect that you find useful?) Not to get too bogged down in details, but I attended a writer’s workshop and the author in residence suggested I transfer my wordy sci-fi WIP into graphic novel script, as it might work better. (I do draw, but I don’t know if I have it in me to draw a whole comic—characters in motion? Doing things? With backgrounds? How dare, why can’t everyone just stand around looking pretty)

I was interested but it quickly turned into a lot of internal screaming as I tried to figure out how to compress the hell out of it, since novels are free to do a lot more internal monologuing and such compared to a comic format (to say nothing of trying to write a script without seeing how the panels lay out—just for my own sake, I might have to do both concurrently.)

As an aside, to get a feel for graphic novels I was rereading 99RM and was reminded of how great it was—tightly plotted, intriguing, and anything to do with Ashmedai was just beautifully drawn. I need more Monsignor Tiefer and something something there are parallels between Jehan and Daniel in my head and I don’t know if they make sense but it works for me. (As an aside, I liked the emphasis on atonement being more than just the word sorry, but acknowledgment you did wrong and an attempt to remedy it—I don’t know why that spoke to me the way that it did.)

I thought Tumblr had a word count limit for asks but so far it has offered zero resistance, oh well. I don’t have much else to say but on the topic of 99RM, Adam getting under Monsignor’s skin is amazing, 10/10 (about the Pride picture earlier)

wow tumblr got rid of the markdown editor! or at least in asks which means the new editor probably has no markdown....god i hate this site! anyway...

Totally! So first, giant thank you for the compliments! Second, I have a few questions in turn for you before I dive into a sort of answer, since I can give some advice to your questions in general but it also sounds like you have a specific conundrum on your hands.

My questions to your specific situation are:

did the author give any reason for recommending a, in your words, "wordy" story be turned into a graphic novel?

is the story you're writing more, like you said, "internal monologuing"? action packed? where do the visuals come from?

do you WANT it to be a comic? furthermore, do you want it to be a comic you then must turn around and draw? or would you be interested in writing for comics as a comic writer to have your words turned into art?

With those questions in mind, let me jump into the questions you posed me!

Let me start with a confession...

I've said this before but let me say it again: Ninety-Nine Righteous Men was not originally a comic — it was a feature-length screenplay! And furthermore, it was written for a class so it got workshopped again and again to tighten the plot by a classroom of other nerds — so as kind as your compliments are, I'm giving credit where credit is due as that was not just a solo ship sailing on the sea. On top of that, it got adapted (by me) into a comic for my thesis, so my advisor also helped me make it translate or "read" well given I was director, actor, set designer, writer, editor, SFX guy, etc. all in one. And it was a huge help to have someone say "there is no way you can go blow by blow from script to comic: you need to make edits!" For instance, two scenes got compressed to simple dialogue overlaid on the splashpage of Ashmedai raping Caleb (with an insert panel of Adam and Daniel talking the next day.) What had been probably at least 5 pages became 1.

Additionally, I don't consider myself a strong plotter. That said, I found learning to write for film made the plotting process finally make some damn sense since the old plot diagram we all got taught in grammar school English never made sense as a reader and definitely made 0 sense as a writer — for me, for some reason, the breakdown of 25-50-25 (approx. 25 pages for act 1, 50 for act 2 split into 2 parts of 25 each, 25 pages for act 3) and the breaking down of the beats (the act turning points, the mid points, the low point) helped give me a structure that just "draw a mountain, rising action, climax is there, figure it out" never did. Maybe the plot diagram is visually too linear when stories have ebb and flow? I don't know. But it never clicked until screenwriting. So that's where I am coming from. YMMV.

I should also state that there's Official Ways To Write Comic Scripts to Be Drawn By An Artist (Especially If You Work For A Real Publisher As a Writer) and there's What Works For You/Your Team. I don't give a rat's ass about the former (and as an artist, I kind of hate panel by panel breakdowns like you see there) so I'm pretty much entirely writing on the latter here. I don't give a good god damn about official ways of doing anything: what works for you to get it done is what matters.

What Goes Where?

Like I said, 99RM was a screenplay so it follows, beat-wise, the 3-act screenplay structure (hell, it's probably more accurate to say it follows the act 1/act 2A/act 2B/act 3 structure.) So there was the story idea or concept that then got applied to those story beats associated with the structure, and from there came the Scene-by-scene Breakdown (or Expanded Scene Breakdown) which basically is an outline of beats broken down into individual scenes in short prose form so you get an overview of what happens, can see pacing, etc. In the resources at the end I put some links that give information on the whole story beat thing.

(As an aside: for all my short comics, I don't bother with all that, frankly. I usually have an image or a concept or a bit of writing — usually dialogue or monologue, sometimes a concrete scene — that I pick at and pick at in a little sketchbook, going back and forth between writing and thumbnail sketches of the page. Or I just go by the seat of my pants and bullshit my way through. Either or. Those in many ways are a bit more like poems, in my mind: they are images, they are snapshots, they are feelings that I'm capturing in a few panels. Think doing mental math rather than writing out geometric proofs, yanno?)

Personally, I tend to lean on dialogue as it comes easier for me (it's probably why I'm so drawn to screenwriting!) so for me, if I were to do another longform GN, I'd probably take my general "uhhhhhh I have an idea and some beats maybe so I guess this should happen this way?" outline and start breaking it down scene by scene (I tend to write down scenes or scene sketches in that "uhhhh?" outline anyway LOL) and then figure out basic dialogue and action beats — in short, I'd kind of do the work of writing a screenplay without necessarily going full screenplay format (though I did find the format gave me an idea of timing/pacing, as 1 page of formatted script is about equal to 1 minute of screentime, and gave me room to sketch thumbnails or make edits on the large margins!) If you're not a monologue/soliloque/dialogue/speech person and more an image and description person, you may lean more into visuals and scenes that cut to each other.

Either way this of course introduces the elephant in the panel: art! How do you choose what to draw?

The answer is, well, it depends! The freedom of comics is if you can imagine it, you can make it happen. You have the freedoms (and audio limitations) of a truly silent film with none of the physical limitations. Your words can move in real time with the images or they can be a narrative related to the scene or they could be nonsequitors entirely! The better question is how do you think? Do you need all the words and action written first before you break down the visuals? Do you need a panel by panel breakdown to be happy, or can you freewheel and translate from word and general outlines to thumbnails? What suits you? I really cannot answer this because I think when it comes to what goes where with regard to art, it's a bit of "how do you process visuals" and also a bit of "who's drawing this?" — effectively, who is the interpreter for the exact thing you are writing? Is it you or someone else? If it's you, would you benefit from a barebones script alongside thumbnailed paneling? Would you be served by a barebones script, then thumbnails, then a new script that includes panel and page breakdowns? What frees you up to do what you need to do to tell your story?

If I'm being honest, I don't necessarily worry about panels or what something will look like necessarily until I'm done writing. I may have an image that I clearly state needs to happen. I may even have a sequence of panels that I want to see and I do indeed sketch that out and make note of it in my script. But exactly how things will be laid out, paneled, situated? That could change up until I've sketched my final pencils in CSP (but I am writer and artist so admittedly I get that luxury.)

How do I compress from novel to comic?

Honest answer? You don't. Not really. You adapt from one to another. It's more a translation. Something that would take forever to write may take 1 page in a comic or may take a whole issue.

I'm going to pick on Victor Hugo. Victor Hugo spent a whole-ass book in Notre-Dame de Paris talking about a bird's eye view of Paris and other medieval architecture boring stuff, with I guess some foreshadowing with Montfaucon. Who cares. Not me. I like story. Anyway. When we translate that book to a movie any of the billion times someone's done that, we don't spend a billion years talking at length about medieval Paris. There's no great monologuing about the gibbet or whatever: you get to have some establishing shots, maybe a musical number, and then you move tf on. Because it's a movie, right? Your visuals are right there. We can see medieval Paris. We can see the cathedral. We can see the gibbet. We don't need a whole book: it's visually right there. Same with a comic: you may need many paragraphs to describe, say, a space station off of Sirius and one panel to show it.

On the flip side, you may take one line, maybe two, to say a character keyed in the special code to activate the holodeck; depending on the visual pacing, that could be a whole page of panels (are we trying to stretch time? slow it down? what are we emphasizing?) A character gives a sigh of relief — one line of text, yeah? That could be a frozen panel while a conversation continues on or that could be two (or more!) panels, similar to the direction [a beat] in screenwriting.

Sorry there's not a super easy answer there to the question of compression: it's a lot more of a tug, a push-pull, that depends on what you're conveying.

So Do I Have It In Me to Write & Draw a GN?

The only way you'll know is by doing. Scary, right? The thing is, you don't necessarily need to be an animation king or God's gift to background artists to draw a comic.

Hell, I hate backgrounds. I still remember sitting across from my friend who said "Claude you really need to draw an establishing exterior of the church at some point" and me being like "why do you hate me specifically" because drawing architecture? Again? I already drew the interior of the church altar ONCE, that should be enough, right? But I did draw an exterior of the church. Sorta. More like the top steeple. Enough to suggest what I needed to suggest to give the audience a better sense of place without me absolutely losing my gourd trying to render something out of my wheelhouse at the time.

And that's kinda the ticket, I think. Not everyone's a master draftsman. Not everyone has all the skills in every area. And regardless, from page one to page one hundred, your skills will improve. That's all part of it — and in the meantime, you should lean into your strengths and cheat where you can.

Do you need to lovingly render a background every single panel? Christ no! Does every little detail need to be drawn out? Sure if you want your hand to fall off. Cheat! Use Sketchup to build models! Use Blender to sculpt forms to paint over! Use CSP Assets for prebuilt models and brushes if you use CSP! Take photographs and manip them! Cheat! Do what you need to do to convey what you need to convey!

For instance, a tip/axiom/"rule" I've seen is one establishing shot per scene minimum and a corollary to that has been include a background once per page minimum as grounding (no we cannot all have eternal floating heads and characters in the void. Unless your comic is set in the void. In which case, you do you.) People ain't out here drawing hyper detailed backgrounds per each tiny panel. The people who DO do that are insane. Or stupid. Or both. Or have no deadline? Either way, someone's gonna have a repetitive stress injury... Save yourself the pain and the headache. Take shortcuts. Save your punches for the big K.O. moments.

Start small. Make an 8-page zine. Tell a beginning, a middle, an end in comic form. Bring a scene to life in a few pages. See what you're comfortable drawing and where you struggle. See where you can lean heavily into your comfort zones. Learn how to lean out of your comfort zone. Learn when it's worth it to do the latter.

Or start large. Technically my first finished comic (that wasn't "a dumb pencil thing I drew in elementary school" or "that 13 volume manga I outlined and only penciled, what, 7 pages of in sixth grade" or "random one page things I draw about my characters on throw up on the interwebz") was 99RM so what do I know. I'm just some guy on the internet.

(That's not self-deprecating, I literally am some guy on the internet talking about my path. A lot of this is gonna come down to you and what vibes with you.)

Resources on writing

Some of these are things that help me and some are things that I crowd-sourced from others. Some of these are going to be screenwriting based, some will be comic based.

Making Comics by Scott McCloud: I think everyone recommends this but I think it is a useful book if you're like "ahh!!! christ!! where do I start!!!???" It very much breaks down the elements of comics and the world they exist in and the principles involved, with the caveat that there are no rules! In fact, I need to re-read it.

Comic Book Design: I picked this up at B&N on a whim and in terms of just getting a bird's eye view of varied ways to tackle layout and paneling? It's such a great resource and reference! I personally recommend it as a way to really get a feel for what can be done.

the screenwriter's bible: this is a book that was used in my class. we also used another book that's escaping me but to be honest, I never read anything in school and that's why I'm so stupid. anyway, I'd say check it out if you want, especially if you start googling screenwriting stuff and it's like 20 billion pieces of advice that make 0 sense -- get the core advice from one place and then go from there.

Drawing Words & Writing Pictures: many people I know recommended this. I think I have it? It may be in storage. So frankly, I'd already read a bunch of books on comics before grabbing this that it kind of felt like a rehash. Which isn't shade on the authors — I personally was just a sort of "girl, I don't need comics 101!!!"

Invisible Ink: A Practical Guide to Building Stories that Resonate: this has been recommended so many times to me. I cannot personally speak on it but I can say I do trust those who rec'd it to me so I am passing it along

the story circle: this is pretty much the hero's journey. a useful way to think of journeys! a homie pretty much swears by it

a primer on beats: quick google search got me this that outlines storybeats

save the cat!: what the above refers to, this gives a more genre-specific breakdown. also wants to sell you on the software but you don't need that.

I hope this helps and please feel free to touch base with more info about your specific situation and hopefully I'll have more applicable answers.

#writing #making a graphic novel #writing a graphic novel #tutorial #writing tutorial

[fuckingrealityshifting]

Sup. How do you write a script. Like dos and donts and all the stuff i should know. Also things that i should definitely mention in it. Sorry i got right to it but your blog is really helpful so thanks.

Hi! So when writing a script, you can either write it on an electronic device (like computers and phones work, apps such as Notes on the phone or Docs/Word on computers are good!) or on paper. Personally I recommend digitally writing it as you can always print it out for a physical copy and hand-writing makes editing and revising harder in my opinion.

Your script also does not have to be writing. You can use images and anything else to help visualize or establish what your DR will be like! Personally, I like separating my script in sections (About me, about the relationships I have with others, about the DR in general, specific affirmations for my alternate self) and when I mention a person I insert a photo or visual.

Good to know

You are shifting to a fully developed reality just as complex as this one. When you script you are not creating a reality, just specifying which one you want to go to.

The same applies when you’re changing your script/scripting within the DR, you’re just manifesting what you want and shifting to a reality where you have that.

You can’t, in the literal sense, “forget” to shift something and either not get a reality with it or get a reality with the opposite or something.

You can, however, basically forget to want something and shift to a reality where it isn’t there. Shifting involves intent, and if you intend to shift to a reality with the detail and just forget to script it, it’s fine, you should still be there. A lot of people don’t go into major detail when scripting.

But if you don’t think about and solidify the thing you want in your mind before shifting, it likely won’t be there.

Example: I want to go to Hogwarts and I know I want to have a private bathroom. Unfortunately I forget to shift that I have one! No worries. I’ll likely still have it.

Versus

I want to go to Hogwarts. When I shift there, I realize it would be nice to have a private bathroom, but I didn’t consider that point before. In this reality there are no private bathrooms.

If you intend to have it, you should have it. If you didn’t, you probably won’t.

You don’t have to have a big detailed and complicated script, though this does help some people and I would probably recommend being fairly detailed for beginners.

If you intend to go to a reality where you have all you want, you don’t need to write down and manifest it, though I do recommend scripting to get your thoughts better together and to be sure. I especially recommend it for beginners.

Possible Format

There are shifting script formats on aminos, some tiktoks, and you could probably repurpose oc forms or story scripts or something but the format I use is basically:

My desired self (age, height, appearance, body, house, personality, past, job, hobbies, pets and family)

My relationships with people (my friends, what acitivies we do together, how we feel about each other, how they feel about me)

General desired reality info (what the location is like, the time difference, more general info about the world, that nothing can hurt me or is traumatic, that I’m safe)

Alternate self

Though this is unnecessary, this is just me making sure and affirming to be sure stuff my alternate self should do that I would do. (Homework, talk to family and friends, hobbies)

Waiting room information (description of the reality, how my script appears in the room, when I want to shift)

I can go more detailed in the future of course. Hope this helps!

#reality shifting #shifting #scripting #desired reality #desired self #dr #cr #current reality #spirituality

[writingdotcoffee]

#154: A Better Way to Write

I'm excited to announce the biggest update to Writing Analytics yet – a brand new editor designed to help you write more.

Early this year, I launched a product called Writing Analytics — a writing tracker to help writers stay motivated through projects that can easily take months and years to complete. The idea was simple: to track how much you write and get a visual representation of it with some other cool stats and predictions. Think Fitbit for your writing routine.

A week after the official launch, the pandemic hit. A few weeks after that, the UK went into lockdown. If you wanted pasta for dinner, you were out of luck. It was sold out everywhere. It didn't feel right to keep marketing a product. Instead, I made it free for two months and went back to the basement to work on more features.

Originally, I wanted to focus on the analytics engine. I wasn't planning to build an editor any time soon (certainly not in 2020).

I'm glad that I changed my mind.

I've been using the editor to write every day for the past three weeks. I wrote about four times more words compared to the previous weeks. The tracking must be addictive. It's insane how well it works.

How Does It Work?

Most conventional text editors focus on formatting – making sure the font is right, and the margins look good.

I decided to strip out those features completely. You can't change the font or mess around with the alignment.

The Writing Analytics editor gives you the tools that you need to write. To beat distractions and get your words done. And to create a sustainable writing routine.

There aren't any documents in Writing Analytics. The editor manages your work in Sessions instead. A session is a timed, focused writing sprint. Behind the scenes, it tracks your progress, how many words you're adding, deleting. It even tracks your focus and will let you know when you switched to another window and got distracted.

At the end of a session, you'll have a draft. You can either start a new session and revise it or export the copy for formatting and publication.

When I thought about it, it struck me that there's no end to word processors that have 20 different tools to tweak the font, but none of them has the tools to help you write in the first place. Isn't that what writers struggle with the most? The blank page and all?

Things like timing your writing sessions, being mindful of distractions, not editing while drafting, tracking your words to stay accountable. Simple but powerful.

I built all those things into Writing Analytics.

When you write, there's always a timer on which gives you a sense of urgency to get your words done.

The editor tracks your words as you write them. It counts how many you write as well as delete. That's great for revision, so you know how many changes you've made. It can also keep you in check so that you don't edit while drafting.

Another cool thing – the editor measures how much time you spend typing during your sessions. That's useful when you want to increase your writing speed.

Last but not least, it knows when you click away from the window. At the end of the session, you'll see how distracted you were. No more excuses.

And when you finish a session, the editor will automatically create an entry on your Writing Analytics dashboard.

The editor is available today. I can't wait for you to try it!

Get Writing Analytics

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Past Editions

#153: The Uncertainty of Being a Writer, July 2020

#152: Working with Creative Constraints, July 2020

#151: My Favourite Writing Podcasts, July 2020

#150: The Business of Making Art, July 2020

#149: All That Matters Is What You Leave on the Page, July 2020

#148: Keeping a Victory Log, June 2020

#writing #writers #write #writing tips #writing life #writeblr #update #personal update #me #writing analytics #writing update

[eunoiamaybe]

my “sort-of-complete” online classes and exams tips

This is a longer-than-usual post with tips for the 3 stages of online classes: focusing during an online class session, reviewing/studying for online classes, and preparing for online exams/ quizzes. So I decided to insert the “Read More” link to (a) not take up too much space on your dash, and (b) feel more confident in adding more tips as time goes on.

These are tips that I’ve compiled from my experience of taking online classes during my last 1.5 years at university. But having all of your courses moved online is so much more complicated. Since I’m currently doing an internship, I have tried my best to produce this post based on the comments of my friends IRL and on Tumblr (hence the “my”). However, I hope it can still be useful for you and many who were all abruptly put in this same situation.

So feel free to share your own tips and experience! I will probably go back to this once in a while to make some changes to it and add your tips. Good luck to everyone who is currently/ about to take online classes. You are almost there! 🍀 I believe in every single one of you!

~  Click away for them tips   ~

💻 DURING ONLINE CLASS SESSIONS:

- try to treat online classes the same as an in-person class, especially time-wise (set a specific time for each class and plan your own class schedule. even better, study for your classes at the same time they used to be held. this will create a sense of routine and trigger the brain's normal reactions to your usual class - which is to study)

- don’t be afraid to fix your plan/ schedule (aka don’t force yourself into one if it doesn’t work for you) (trials and errors, my friend. this applies to plans too. there’s no shame in not being able to keep up with the schedule you’ve made. if you’ve tried or if it hurts you mentally or physically, then that schedule is just not the one for you. everybody has their unique strengths and weaknesses. one’s perfect system might not suit another. finding a system that works for you takes time, patience, and courage. but it will be absolutely worth it)

- find a good spot with enough light and stable wifi (if you have multiple options, select the one that would make you most comfortable, most focused, and confident enough to take online tests/quizzes/exams at - create your “exam space” in advance to reduce the anxiety of tests and unfamiliarity)

- study at a desk, if possible (studying at a desk, with good posture, mimics the feeling of being in a classroom or the library. thus, it will create a sense of routine and help you focus better)  

- accommodate yourself (I’m all about making the best out of a bad situation, and this is one way to do it.  accommodate yourself, not just with comfort, but also with actual necessities that you cannot usually get in your usual classroom/library due to whatever reason. stress balls, stim toys, positivity cards, calming music/candles. comforting plushies. chewing gum. as long as it helps you focus better, it's on the table)

- get dressed (this will bring out that sense of structure and routine that you need. put on your normal outfits, uniforms and even perfume. trick your mind into being focused)

- minimize distractions (declutter your study space. put your phone out of reach. turn off notifications. close all other tabs on your browser. select non-distracting music/ sounds. don’t spam or pay attention to spams in your classes’ chatboxes. only bring along items that are absolutely vital to your focus)

- take notes, even if you can record your lessons and/or access the lessons later (it can either be digital notes or handwritten notes on paper - your call. this will force you to focus and prevent you from zoning out/ being distracted)

- be actively engaged in the lecture (if there are technical problems or if you have questions, chatbox away. this is also good practice for people with social anxiety too: the fact that you are in your home and behind the screen can make it easier for you to ask for help)

- if possible, put your teachers/profs on the big screen to create the illusion of being in a lecture (if your study spot has a TV/projector that can connect to your laptop and quality speakers, do it. it's more fun than you'd think. also super stimulating and kicks the boredom out of you too)

- if not, use headphones/ earphones (speakers can create a feeling of distance between the lecture and yourself. combined with unstable internet and/or monotonous voices of some instructors, this may result in your brain classifying your lecture as background noises and zone out. so use headphones or earphones with the appropriate volume for that optimal focus mode)

- give yourself breaks between classes (don't cram all your classes in one morning. but don't procrastinate either. time your breaks. look at something else besides a computer or phone screen while you’re on break too. maybe brew some tea/coffee for your next class or rearrange your notes from the previous one)

💻 REVIEWING FOR ONLINE CLASSES:

- make a schedule/ system - and be ready to change them (this is an elaboration of an earlier tip. your system doesn’t have to work perfectly right away. most of the time, you will have to make some kind of adjustments to it anyway. so take it easy. pay attention to how well you react/ adapt to the new schedule so that you can make necessary changes. and give yourself - especially your mind - some time to adapt to the schedule. don’t rush yourself or put too much pressure on being productive. remember to take care of your well-being too)

- it’s okay to give yourself some off-days (that’s the beauty of not having any physical or even abstract structure that forces you into an inescapable routine. Yes, I know this lack of structure sucks for a lot of us, especially for those who rely on external forces to keep themselves focused. But look on the bright side: now you don’t have to worry about missing classes or losing participation marks when you are unwell physically and mentally anymore)

- textbooks are your friends now (especially when your classes’ live-streams are just chaotic and hard to follow. or when the pre-recorded lectures aren’t loading properly and keeps lagging. practice speed reading. look for keywords and crucial information. take notes rather than highlighting everything. compare them to your lecture notes, your syllabus, or your friends’)

- take advantage of the online format’s availability + other resources (availability is here, baby! revisit lecture videos and podcasts as many times as you need to. check your email classes’ forums regularly for questions or announcements. re-listen to your lecture when you're cleaning or exercising. watch videos of Khan Academy or CrashCourse. look for online tutors. study at your own pace and in your own style. basically anything you wish you could do when your class was in-person)

- there’s no need to submit assignments early if it’s anxiety-inducing. but make a schedule/ tracking system/ set alarms to avoid forgetting to turn them in (take your time to double-check or edit your work - as long as the submission box is still open, of course. set aside about an hour or two before the deadline for submission to avoid any technical difficulties. and remember to start working on them early so that you don’t have to shorten that window of time and have more time for double-checking)

- don't be afraid to email the profs/teachers (if possible, compile your questions into a list. be as specific as you can about your concerns. put a subject for your email to reduces the chance of your email getting lost in your instructors' inbox.)

- reward yourself (don't stress yourself out by rewarding big accomplishments. reward small victories. reward baby steps. reward effort. you'll get things done eventually)

- take time to know your learning style (when are you most focused? do you like taking digital notes or do you prefer pen and paper? are you a visual or an auditory learner? do you like moving around while studying? what drinks or scents or sounds keep you going? you don't have to stick to your usual study methods or an online/paperless one now that you are studying in your own room)

- listen to your mind and body (it’s okay to feel a bit lost) (from my own experience, times that are without structure like nowadays is when most of us fall into this spiraling downfall of unhealthy sleep schedules, lethargy, and loss of purpose. so please take care of your mental and physical well-being during this very, very weird time. keep yourself active. re-ignite old interests/ hobbies. connect with people you love. give yourself some love)

- and more tips on productivity at home in my last post right here

💻 PREPARING FOR ONLINE EXAMS / QUIZZES:

- make a list of all the online exams and final assignment due dates (this will help you keep track of and stay on top of them due dates. from that list, trace backward to make a review or study plan to prepare for the tests and work on the assignments. if there are any time conflicts, especially for those who are now living in a different timezone from their schools or colleges, email the instructors to seek solutions or alternative options)

- again, find a good spot with good wifi, good lighting, and a desk (if possible, try to recreate your ideal exam environment as closely as you can while studying and reviewing for the exams. this can reduce the anxiety of tests and/or unfamiliarity)

- be prepared for technical difficulties (especially mentally, so that you don’t plan out a course of action to take if they ever arise. draft an email template. research in advance the contacts of people whom you can report to - IT personnel, your instructors, student office, etc.)

- bring everything you need to the exams - but no distractions (like mentioned earlier, if you need any special accommodations that are considered "unacceptable" in an in-person exam/quiz, now it's the time to bring them along - you’re in charge of your test space now, so make it as comfortable and accomodating as you want)

- plan your desk set-up prior to your exams (so many extra items. still so little desk space. therefore, plan ahead so your desk does not turn into a mess when you take your exams. plan where you want to put your notes, textbooks, calculators or scrap paper. think about how much use you’re gonna get out of each item and place them within or slightly-out-of reach accordingly. charge your laptop. sharpen your pencils. have your backup stationery handy. lay out everything you need onto your desk the night before your tests. this can create a feeling of preparedness and thus, reduce anxiety as well)

- make cheatsheets (the goals when making them are simple: (1) get you to rewrite your notes for that good memorization; (2) condense your information and find a connection between them for a thorough understanding of the materials; (3) reduce the time you use to flip through your notebooks or textbooks or google for information during the actual tests)

- time yourself with mock exams (if you are given mock exams to practice with, do them, with a timer. this will help you familiarize yourself with the stress of being timed, thus reducing your anxiety during the actual tests)

- get enough sleep and eat properly (even if the exams or quizzes are online, they are still, at their core, tests. and tests are always stressful and energy-consuming. so take care of both your physical and mental health, especially during the week leading up to your exams)

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