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#two versions because I like both the colors of the background
skyeblue8 · 7 months
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Ɗᥙҽ 𝜏σ ᙏყ Ɲҽɯ⨍σᥙɳԃ Ƒιχα𝜏ισɳ... ♚
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Specifically with the Gluttonous Sin of Beelzebub being my favorite Sin of the group (not necessarily in Helluva Boss, but just in general), I wanted to make a ranking list of my favorite Queen Bee redesigns and their creators for really no other reason than I just feel like it. Now, this is all personal opinions and should not be taken to heart by any means, it's just for fun:
#1. "Beelzebub & Bibi" by @gravcore
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♡ In terms of an actual redesign of the original, I love how this artist made "Bibi" because, for one thing, they made sense of the originals hair by giving her a ponytail since way too many characters have a mohawk style (Loona included); two, I cannot explain just how much I adore the clothes they gave her. The top is actually insect based and gorgeous, and not some recolor version of Loona's outfit; and third, they made canon Bee her own character rather than a royal because nothing about the OG read "Ancient Sin" to anybody.
♡ Now, in terms of the actual Beelzebub, here, she's legitimately stunning. Rather than a redesign, I can tell this was the original long before the Queen Bee episode came out, and I love how it reads both "70's party girl" and "regal ruler" all in one. That, and the actual bug design aspect and the color scheme. Above all else, I love how they incorporated the lava stomach in her design, too.
#2. "Beelzebub" by @s3tok41b4
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♡ This design can best be described as a literal re-imagine of the canon Beelzebub as it shares almost all her similarities with the actual bug aspect to it that it desperately needed. It's legitimately simplistic but still appealing to the eye, futher showing us that Viv was perfectly capable of making something so simple, but actively chose to make it more confusing than it had to be.
#3. "Beelzebub" by @ruinxl0ve
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♡ Similar to the first two, this shares both a regal and party girl bug aesthetic with the added bonus of actually being beautifully emotive despite not even having a mouth. I feel this beautifully differentiates the design from the original while also making it recognizable and I feel that it kinda feeds into the original concept that Queen Bee could literally "feel the vibe", hinting to her being an empath in some manner.
#4. "The Three Bees" by @onehelluvatime
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♡ Long story short, these are three individual versions of the Queen Bee and her new placing within the Hellaverse outside of the canon one. For more in-depth explanation of these interpretations, it's best to check the blog yourself. Truly, I love these designs not only because of the visual redesigns themselves, but also the well-crafted and creative explanations and backgrounds regarding these characters. I especially like the idea that the hellhounds within society are half-undead with skull-like appendages and facial aspects.
#5. "Spontaneous Beelzebub" by @redd-byrd
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♡ I know it's essentially the same as the canon design, but with the small tweaks that were made to this one (the giant "Bee Butt", the added black lines, the actual bug-like wings, the blue-thin eyes), all of them give a more clear indication (at least to me) that this Bee is more higher up than her fellow hellhounds, meaning she looks a lot more like a hybrid thus making her more grand. It's nice how they added these small details for improvement while still essentially leaving the design like its original.
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Anyway, thanks for listening to my Ted Talk. Have a nice day!
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astronomodome · 3 months
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What’s Up With Those Title Cards, Anyway: An Analysis
Now that Mumbo’s second episode is out I find myself thinking about these title cards again. And as much as I realize that they’re meant to be a fun nod to previous Hermitcraft seasons and Mumbo’s place in them, the items included and the context of their presence raise a whole lot of questions for me.
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First of all, these aren’t blocks, they’re real items. Many of them don’t even have equivalents in the world of Minecraft (or even in Hermitcraft). Think about that. Are the blocky forms that we see on screen mere representations of a larger, more high-resolution world? A world with stickers and stamps and keys? A world where a ticket to Hermitcraft is a physical object you can hold in your hand? This certainly seems to imply so.
What is the context for these items? Where are they? Where are we? The stylistic choice was made to have them sort of resting on a solid-colored background. The selection of items makes me feel as though this is a representation of a desk of some kind, items important enough to Mumbo for him to keep around, lots of paperwork and stuff that you might find in a private office drawer. Which just raises even more questions. How does Mumbo keep these items from season to season? Where are they right now? Do they actually exist at all? (Not to mention smaller timeline questions. When did Mumbo receive the Grumbot message? When was it sent? Does the Grumbot left in Season 7 have a different consciousness than the one in Season 9, which last saw its dads only a month or two ago?)
If you follow the Rendog school of Hermitcraft lore, I guess you could say they’re kept on the Hermetheus along with all the other season-to-season holdovers and souvenirs. But that is one interpretation of many, canon to Rendog but never really canonized on a server-wide scale. Plus… if we take that interpretation in its entirety, how do the items from season 8 even exist, given that their entire world was canonically a simulation?
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I also notice the relationship between the real world and the Minecraft world, the distinction between Mumbo the youtuber and Mumbo the block man. The ‘Official Rich List’ certificate mentions a ‘screenshot of a Minecraft chest’, implying that whoever wrote this certificate knows what Minecraft is from an outside perspective and finds Minecraft diamonds to be meaningless as a measure of wealth. And yet the certificate is addressed to one Mumbo K. Jumbo. The middle initial, having its origin in a highly in-character storyline during season 8, makes me feel like it could be more of a character Mumbo thing, but there’s no hard evidence.
How does Mumbo even have a picture of real-life Grian? Is this redstone incident report out-of-universe too? Who is he reporting this damage to, anyway?
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And yet these are placed alongside items that are definitely from inside the world of Hermitcraft, if only the more fleshed-out version of it. A key to a mechanical car-horse would be functionless unless it was actually used, in-universe, by Mumbo the character. The ODEA manual was an idea considered but rejected by Mumbo during Season 7 in favor of tutorial videos, but perhaps this would make sense as an alternative for a world where the characters live in their Minecraft world as reality and have no capability to access the ODEA website.
Perhaps, in Mumbo’s view, there is little distinction between what we in the fandom call c!Mumbo and cc!Mumbo. We see both in-universe and out-of-universe items side-by-side, contradictory, because they are interchangeable here.
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I doubt we’ll ever get any answers to these questions because obviously Mumbo made these title cards as fun little references instead of serious or purposeful lore, but I still think it’s fun to think about. Neat little worldbuilding details like this are few and far between in most mcyt content so I was foaming at the mouth when I first saw these. Well done Mumbo!
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suzukiblu · 5 months
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Day thirty of fic NaNoWriMo, obligatory sugar daddy Tim/sugar baby Kon AU. And yes I DID win NaNoWriMo, thank you for asking. ❤ This is the last day of NaNo, obviously, so I'm gonna take a little bit of a break from this fic due to being just sliiiiightly burned out from writing 1k+ a day in it for the past month and all, but I intend to start editing it and posting chapters of it on AO3 in the next week or two, so it'll be both easily bookmark/subscribe-able and updating on there soon!
They go through all the boxes, Tim suffers a bit for it, and Kon laughs and makes him suffer more, the bastard. It’s fun, though, even if now Tim would really prefer to never stick his hand in another box ever again in his life. 
The last box Kon directs him to is full of layers of distinctly cashmere-esque fabrics, and Kon smiles a little and ducks his head again. Tim is disgruntled, but charmed. 
They wander through the exhibits, and Tim feels pretty good about his activity-picking when he realizes Kon’s stopping to look at all of them and actually seems interested in all of them. They have to circle back a couple of times so Kon isn’t doing anything too super-powered in front of other guests, but they do hit all of them. Some of them are more interesting than others, in Tim’s opinion, but Kon still tries them all. Tim wouldn’t complain even if he were bored out of his mind, though, given how invested Kon gets in sorting and mixing the tables full of colored glass beads and making waves and whirlpools in the water fixtures and manipulating the kaleidoscopes and chimes and everything else. 
Kon spends the least amount of time with the auditory and olfactory stations, though he’s happy to try all the little hors d'oeuvres that Tim assumes are supposed to be covering “taste” for the exhibit. Visual he seems generally curious about, but definitely tactile wins. Like–far and away, does tactile win. They spend twice as much time at the tactile stations Kon is least interested in as they do any two of the others. Tim doesn’t mention it in case it’s not on purpose. He still doesn’t want to make Kon feel self-conscious or anything. 
Anyway, the tactile parts of the exhibit were the whole reason he picked this as a date activity, so what, is he going to be bothered by having made the correct deduction or assumption or whatever? Not freaking likely. Actually if anything he’s going to need to privately gloat to himself about this later. Bask in it a bit. 
Also take some notes for future dates and things to buy Kon and whatever else. 
More cashmere, to start. A lot more. 
Tim sneaks a few more pictures of Kon as they walk from station to station. Kon laughs at him every time he catches him and takes one of him too, which is incredibly flustering. Tim cons him into a few selfies in self-defense, which turns out to be a terrible idea because it still involves him ending up in pictures and, worse, involves him ending up in pictures with Kon, who takes the excuse to press in close and kiss his cheek and just be all kinds of appallingly adorable, the asshole. 
Kon uses the first picture he took as Tim’s contact picture and makes one of their shared selfies his phone background. Tim is mildly mortified but also desperately wants to earn lockscreen status, which is a terrible idea because what if Kon ever takes his phone out around the team or Red Tornado or, god forbid, Bruce? 
Tim should definitely make sure Kon doesn’t put him on his lockscreen. 
. . . but like, if he did . . . 
There’s a clay station. Kon stays at that one the longest, making weird little abstract shapes and surprisingly accurate miniature versions of the sculptures tucked away in the corners of the gallery with TTK. Tim hadn’t even noticed him looking at any of the sculptures, but in retrospect he never actually needed to “look” at them, did he? And on that note, Tim guesses the accuracy shouldn’t be any kind of surprising either–Kon must have a really good sense of spatial awareness, if nothing else, and of how things “should” be shaped. 
By the time they get through the last station of the exhibit, they’ve been at the museum almost twice as long as Tim’s most optimistic estimates had allowed for and he’s had to sneak off to the “bathroom” for five minutes to push their reservation back an hour. Tim has absolutely zero intention of rushing Kon, especially if he’s having a good time, so it just makes more sense to reschedule than to put him on a schedule. 
Though he did have to actually make sure to go into the bathroom to do it, since Kon might’ve noticed him not heading that direction. Tim doubts Kon’s paying attention to what anyone’s doing in the bathroom, for obvious reasons, but he still probably would’ve noticed the date he was briefly concerned might be a supervillain just ducking around a corner to make a phone call ten yards away, no matter how Bat-stealthy said date was about it. Like, that seems like a stupid thing to expect him not to notice. 
They stop by the gift shop on their way out–well, Tim detours Kon to it with subtle herding, anyway–and Tim manages to convince Kon to pick out a couple of things. He ends up with a couple of sort of fidget toy-type puzzles and a little three-pack of little tubs of a clay-like play sand in bright colors, which Tim thinks is probably meant to function as some kind of stim toy and was probably something specifically sourced to go with the event, and Tim “accidentally” throws in a couple of fancy candy bars from the front register. Again: Kon needs calories that weren’t directly sourced from cafeteria food from a definitely-not-OSHA-compliant cloning lab. 
Maybe Tim can send Kon a fruit basket or ten while he’s still stuck at Cadmus. Those probably come in tropical themes. 
Alternately, maybe he can just kidnap Kon outright and trap him in a nice new cul-de-sac until he gets used to it. He could get him actual groceries, then. Lots of them. Fruit and vegetables and entire spreads of “things that weren’t made in an OSHA-noncompliant cafeteria”. That’d be nice. 
Also he could send that Hawaiian food truck by on the daily, if they were up for it. 
They share the candy bars on the walk to the restaurant–meaning, Tim takes two perfunctory bites of each and tricks Kon into eating the rest with basically zero effort–and it’s . . . nice, honestly, just walking around together. Just being together. Not that this is new knowledge, after the mall, but it’s still novel enough that Tim can’t help indulging in and enjoying the experience. They don’t usually get much time alone together, much less time that isn’t spent either fighting supervillains or dealing with emergencies. So–it’s nice, yeah. 
Tim likes it, he means. 
They make their adjusted reservation, and Kon peers around the restaurant awkwardly as they’re led to their table. Tim resolves to do whatever it takes to get him to relax, up to and including embarrassing himself in some way or another. He’s probably going to do that anyway, given how most of these meet-ups have been going. 
“Does it qualify for ‘nice’ enough so far?” he asks once they’re seated, and Kon blushes, then flashes him a grin. 
“It’s okay, I guess,” he says, then bites his lip with a brief flicker of insecurity as he glances down at the menu–specifically the prices on the menu. “Um . . . are you sure you wanna spend this much on me, though . . . ?”
“I want to spend my entire trust fund on you,” Tim says matter-of-factly, and Kon lets out a weird little laugh and ducks his head again. It works a little better this time, since he has the menu to hide behind right now. 
“I already like you, man,” he says, which is still inexplicable but not something Tim is actually gonna argue with. “You don’t have to keep buying me stuff.” 
“I like buying you stuff,” Tim says. “I’m gonna keep doing it as long as you’ll let me.” And after that, he’ll figure out a way to sneak doing it. 
“Just because you like it?” Kon says, glancing at him over the top of the menu. 
“Because I like you,” Tim says. “I mean, no offense to the hostess, but I wouldn’t enjoy buying her dinner this much.” 
Kon bites his lip, then ducks his head again. His face is red. Tim feels the urge to kiss him again. He probably should’ve found time to do that on the walk over or something. Or as soon as he first saw him. Or just at any point so far tonight, because the urge is getting seriously distracting now. 
“So when you said you wanted to go somewhere after this too . . .” Kon trails off, flushing darker. 
“There’s a late show at the planetarium about the sun’s role in our solar system and the life cycle of stars,” Tim says. It might be too loose an association, but . . . “I thought you might be interested in checking it out.” 
Kon stares at him for a moment, then turns absolutely crimson and hides behind his menu entirely. 
“Okay,” he manages, his voice a little cracked. Tim’s pretty sure he could’ve said he’d rented them a hotel room and gotten a less embarrassed reaction. So . . . that’s a thing. 
Okay. 
“I really do want to spend the money on you,” he says. “Apartment and all.” 
“An apartment,” Kon says, glancing over the top of his menu at him again. “And bills and groceries and an . . . allowance.” 
“Yes,” Tim says. No point in beating around the bush, he figures. It’s all things he’s already told Kon anyway. 
“And not just because I saved your life,” Kon says. 
“Not just because you saved my life,” Tim agrees. “I just want to give you those things. Or anything you want, really. Which–well, what would you want?” 
“Um,” Kon says, just barely lowering his menu as his eyes skate away. “Well . . . could we like . . . keep hanging out outside the theoretical apartment and stuff? If we did . . . that?" 
Tim feels something absolutely giddy and absolutely painful in his chest, hearing that question. Just–what does Kon think, that he just wants to toss a lease at him and never see him again? Or just only come over to . . . actually, wait, maybe Kon does think–ugh. Ugh. Fuck, that is not what he’s trying to make Kon worry about here. 
“Yes,” Tim says firmly. “As much as you want.” 
“Mm,” Kon says, biting his lip again. His face is still red. Tim wants to give him every single thing the world hasn’t given him, which he knows for a fact is a truly fucked-up and probably borderline-insurmountable amount of things. 
But he still wants to give it all to him anyway, and then think up a few more things besides.
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some-weebs-posts · 6 months
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Ok, so I've been obsessed with Monster High since it came out, and my favorite character has always been Jackson Jekyll. And you know what? Not only is he an underrated character, but like, they made his background super detailed and complicated for like no reason. I couldn't tell you how many times I've gone on long rants trying to explain it all.
Think of this like a combination of different wikis. This is based on Generation 1, the movies from Boo York Boo York and previous, the diaries, the webisodes, and some of the books. I have not watched anything from Gen 2 or 3, which really doesn't matter because Jackson isn't in any of the reboots.
Basic Information
Jackson Jekyll and Holt Hyde are two people in the same body. They have different memories and different personalities.
Jackson Jekyll is 16 years old. His favorite color is yellow, his favorite food is mac & cheese, and his birthday is May 30th.
Holt Hyde is 16 years old. His favorite color is orange, his favorite food is hot wings, and his birthday is May 30th.
They both have a pet chameleon named Crossfade.
Jackson is a bit of a nerdy type. He enjoys wearing bow ties and sweater vests. He likes to play video games. He's crazy smart, and his favorite subject is Mad Science.
Holt has a rocker style with his everyday outfit being a red leather jacket and purple pants. He also shows more of their fire elemental side than Jackson, so he incorporates flames in all his outfits as well. He loves music, so he always wears headphones (not to mention that later becomes his trigger), and music theory is his favorite subject. He has a hot temper and can become angry very easily.
Jackson Jekyll is their default character. However, he transforms into Holt due to different triggers. His original trigger was it being either day or night where he was Jackson during the day and Holt at night. Later, his trigger changed to music with a 4/4 time signature, which is most music. In the diaries, Jackson states that his doctor believes the trigger will change at least one more time, and he is deathly afraid it will be something important that he can't avoid like taking a shower.
Jackson and Holt did not know of each other's existences until they were 16. Since their memories were different, they thought they had consistent black outs. Holt considered it just a way of life and how it was, but in the books, Jackson (thanks to the suggestion of Melody Carver) thought is was due to his extreme anxiety.
Family
Jackson Jekyll is the son of Dr. and Mrs. Jekyll.
Holt Hyde is the son of Mr. and Mrs. Hyde.
Jackson was born half normie (mom) and half monster (dad). The thing is, his dad is not the Jekyll/Hyde. That's his mom. His mom is the normie half of the Jekyll and Hyde combo. His dad is a fire elemental.
Holt is a full monster. His mother is the Hyde, and his father is a fire elemental.
This makes Jackson and Holt half-brothers. They have different moms but the same dad.
They know they have different moms or at least more than one mom. They call her Moms in the books and diaries. Their mom (in both versions of Jekyll and Hyde as far as I can tell) is named Sydney, who is a science teacher at Merston High and likes to go by Mrs. J.
That adds on another layer because that means his dad took his mom's last name, AND his dad's last name changes depending on who his wife is because he married both the Jekyll and the Hyde. So does that mean every time he is asked his name, the dad has to be like, "I don't know. Let me call my wife,"? Like, does he just change his name every day or is he just Dr. Jekyll by default and then changes his name if he gets a call from his wife? And he's not Dr. Hyde but Mr. Hyde, so does he loses his doctorate when his wife goes crazy?
Anyway, Jackson and Holt are cousins with Heath and Harmony Burns. Harmony is Heath's older sister. Their mother is Jackson and Holt's dad's sister aka their aunt.
Friends
Jackson's best friend is Deuce Gorgon.
Jackson first met Deuce in the diaries where they played some pick-up casketball. Then, they met-met and actually started to hang out after the webisode Fear Pressure. In the episode, Jackson had started to attend Monster High but was being bullied for being a normie (or at least appearing as one), so Deuce decided to take pity on him and let him sit at his and Heath's lunch table. Later on, Deuce introduced him to others like Gil.
When they first moved to their neighborhood, which made them change schools and start attending Monster High, Jackson only became Holt during the night, so Jackson was the first one to meet their neighbors. One time, Draculaura made him a welcome-to-the-neighborhood cake, and when he returned the tin, he met Dracula of which he was not afraid and actually made a joke about stakes. This was considered weird because both normies and monsters were afraid of Dracula, for in the diaries, he was described as being like a creepy, no-nonsense Nosferatu. Later, Draculaura invited him to Clawdeen's Boo-B-Que where he met The Wolfs.
During the night, Holt would come out and walk around. There, he studied his neighbor's houses and saw them very occasionally.
Holt actually went and became a DJ with the nickname DJ Hyde. While working a party, he met Draculaura. She was dancing the Transylvania Trance. He thought she was attractive and approached her by calling her Ula D, but she became confused because they had never met before.
That adds on another thing. Apparently, they can share some memories.
Romances
Jackson and Holt had many romances.
In the books, Jackson went to Merston High. There, he met a siren named Melody Carver. They started to date, but Melody met Cleo, because Cleo also went to this school for some reason, and they hated each other. So to get Melody jealous, Cleo ended up kissing Jackson. But he felt nothing for her. Then Melody started a band and revealed Holt, which started a love triangle except Jackson didn't know about Holt, so he didn't know what she was upset about. They ended up breaking up where she then got with a gargoyle named Granite who was also into music, but unfortunately their relationship never went anywhere, and Melody and Granite never became official.
Then there was Draculaura. Jackson and Holt both liked her, but she only ever tried to date Jackson. She said in one of her diaries that they ended up "breaking up", even though they were never officially dating, because he never went to their evening dates and could never remember exactly why he didn't the next morning. Little did they know it was because of Holt.
Then there was Frankie. She slowly fell in love with him over the course of Volume II of the webisodes in episodes such as Miss Information, Hyde Your Heart, and Hyde and Shriek. She originally liked Jackson because he was the new kid, and she was fairly new too and remembered how hard it was. She even stood up against his bully, Manny Taur. But then she met Holt and became conflicted because she thought she liked both of them and had to choose between them. After she found out they were the same person, she introduced them to each other, which is how they found out about each other in the first place. She then would record them talking on her phone so that they could talk to each other, but that got old fast, so she gave them separate phones specifically for texting each other. She decided they couldn't date until they got over their differences.
There was Operetta. In the diaries, Holt said that he liked that she liked music, so they went on a date at a concert. But then Holt got angry at someone, and due to his anger issues, he got into a fight. He and Operetta were kicked out. Her dad did not like that, and they weren't allowed to date anymore.
Then there was Clair. Clair is my personal favorite and is my OTP. In the movie Ghouls Rule, Holt got arrested while he and other monsters were vandalizing the normie school of New Salem High. He transformed back into Jackson while in jail, so they let him go thinking that Holt somehow kidnapped Jackson and swapped places with him. He became a fugitive, so Jackson hid by attending New Salem High. There, he met Clair. She stood up to bullies for him and even later defended him against the police after they captured him and tried to behead him (and no, I'm not joking). They had a discussion at the end where Holt commented that while Jackson and him don't agree on much, at least they can agree on women. He tried to kiss her, but she swapped him to Jackson first and then kissed him because, well, she didn't know him that well yet. She's an anti-police, anti-racism/speciesism, goth baddie, and I love her for that.
Side Notes
Despite being a huge nerd, Jackson is actually really good at sports. Jackson and Deuce only initially became friends because of a game of casketball. In Deuce's diary, he went to the court to play, but only saw "a lame human kid" aka Jackson. He was initially going to ignore him, but then Jackson asked to play. Then it turned out that Jackson could play very well. Quote, "I was gonna slide out of there, but he asked if I wanted to play some one on one. I figured it wouldn't take long to make him look like a statue out there, but I was wrong. He had a scary good jump shot and even crossed me over a couple times. I had just started to play really hard when my glasses got knocked off and broke. Now I have to figure out a way to get home without stoning someone, but dude just took off his shades and handed them over to me. He said to keep them until I got home and he'd get them later. Told me his name is Jackson Jekyll. He said he wants a rematch. I told him any time, any place. Not a bad guy...for a human." Also, in Friday Night Frights, Jackson attempted to join the roller maze team before he was stopped by Manny Taur. Edit: I just remembered he also plays volleyball in the Gloom Beach line.
Additionally, Jackson and Holt have facial piercings and tattoos. This is very rare and somewhat strange given they are only 16 and would at least need parent's permission for the tattoos. The only other G1 characters that have tattoos, that I know of, are Operetta and Wisp from 13 Wishes. The only other characters with facial piercings, not counting ear piercings, are Clair, Cleo, and Manny Taur as Cleo has the gem under her eye, Clair has a classic lip piercing, and Manny has a septum piercing. Jackson has one tattoo of a Ying & Yang symbol on his back, and he has an eyebrow piercing on his left eyebrow. Holt has two tattoos with the same Yin & Yang tattoo and an additional face tattoo around his eye. He also has a left eyebrow piercing.
The tattoos admittedly confuse me because the fact that Jackson doesn't have one of Holt's tattoos may imply that they got the tattoos separately, so they both just so happened to pick the same tattoo and then Holt got one extra. Also, their parents had to sign off on allowing their 16 year old son to be allowed to have a face tattoo.
Edit: Some people have mentioned that Holt's face tattoo may actually be a birthmark due it being mentioned in one of the diaries. However, this doesn't make sense to me because Jackson does not have a birthmark. So like many, I believe this mention of it being a birthmark was only added after they made the design as an excuse, and it should be left up for interpretation.
That's alI can think of for now. Info may change later, but that's the story of The Strange Case of Jackson Jekyll and Holt Hyde.
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elitadream · 8 months
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🎆 Sing for Absolution: behind the scenes 🎆
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Hello everyone, and welcome to this summary on how the story was visually built! If you happen to come across this post and would like to read (or reread) the collab @drones-of-innocence and I have created together, just click on the title above and it will take you right to it! 🤗
With that said, let's begin! :D
As some of you already know, this was an idea that Drones had for a long time. It was brought up during one of our many conversations a few months ago, in which she briefly described the plot and sent me a condensed version. I- immediately and completely fell in love with the concept, so much so that I couldn't keep still. 😂💘 I practically begged Drones to let me draw a few frames for it, and she happily gave me permission. At first, what I intended to do was make about 3 or 4 thumbnails, like I had done with One Step Closer.
I returned with 22.
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And from there, we both decided "Okay. Yeah. Let's make this official. 🙌💯" LOL
What's interesting here is that, as you can see, some frames didn't make it to the final cut! 🤓 And inversely, new frames were eventually added as the collab progressed. Out of all the sketches that were either abandoned or later deemed superfluous, my personal favorite would probably have to be this shot of Kamek. 😈
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From the rough thumbnails I had presented, Drones helped me select the best and most eloquent ones, and I also changed a few other things along the way. For example, one panel that was entirely redone was frame 3 (where Mario enters Peach's room), because the initial composition didn't allow for the reader to see the setting very clearly, and I felt that the establishing shot needed to be wider.
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Many of the drawings were also ultimately flipped to give the visuals a more coherent direction and better flow, including this one!
I decided pretty early on that the palette should be made of cold hues, seeing as these events happen to take place at night and that a warm overlay wouldn't adequately have conveyed the more ominous and solemn tone of the story in my opinion. 🤔💁‍♀️
Oh! And I almost forgot: using cold colors for the backgrounds and characters was also very convenient because it helped make the magical effects (the fire, the spells, etc- all the bright, warm and/or complementary nuances) really stand out, which resulted in a more interesting and visually striking contrast overall. 😌🎨
As I do with all my illustrations, I started by cleaning the sketches and adding a unifying background filler for all the frames. Then, I selected the colors I wanted to use (a gradient made of a mix of navy blue and purple) and worked on each drawing individually. Even with simple tones, we can observe the sheer difference that shading makes! 👀😉
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There's a visual element that appears in the story and which I had borrowed from Drones before, and that would be Peach's healing magic.^^ ✨ I remember I was fascinated by the idea when I first discovered it in Un Fiore Per Te, which had prompted me to ask her if I could feature it in a piece where the Princess is seen using said power while at Mario's bedside in one of my other tangents. 💞
I kept the effect similar on purpose in Sing for Absolution, so that the slight reference would be easier to catch! 😊
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And last but not least, there's that cheeky little Fire Flower! 🤭🔥
As mentioned in a previous ask, the flower actually signifies a lot in this case as it somewhat embodies the deeply affectionate bond between Mario and Peach, glowing brighter and closing its eyes in happiness when the two are close. 💖
While admittedly not the first drawing I made in which a Fire Flower appears, the one that actually inspired both Drones and I to include this symbolic power-up in the story was one that I made all the way back in February for Valentine's Day. 🥰 The subtle yet direct reference can be spotted twice in the text, linking this piece to the collab and establishing a bit of a chronology as well. I was very honored that Drones added this small detail, and I very much look forward to working on more ideas with her in the future! 😁🤝
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Big thanks once again to all of you dear friends and followers who have commented and given their thoughts on this projects. Drones and I can't thank you guys enough for your interest and enthusiasm!! 😇💗
ALSO ALSO- I have shared here my visual side of the collab's progression, but Drones intends to give her own side of the story's development soon (explaining some of the themes and narrative elements a little more in depth), so make sure to stay tuned and check her blog as well! ^-^ 💫
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thesupreme316 · 4 months
Note
How aew men react to yn being girl version of them
nick wayne x female reader, darius martin x female reader, hook x female reader, action andretti x female reader, dante martin x female reader, Eddie kingston x female reader, ricky starks x female reader
AEW STARS REACT TO: You being them in a different font
Pairings: Nick Wayne x female reader, Darius Martin x female reader, Hook x female reader, Action Andretti x female reader, Dante Martin x female reader, Eddie Kingston x female reader, Ricky Starks x female reader
Word Count: 1.3K
Supreme Speaks: hey yall happy new year! hope everyone is doing well! here is my hc for today, plz enjoy! and remember that you are loved and appreciated.
Warning: none i think
Taglist: @hooks-martin @hookerforhook @batzy-watzy @wwenhlimagines @triscillal @cassie0sstuff @sheinthatfandom @eddie-kingstons-wifey
Ricky Starks
Omg does he have a field day with you
But y’all aren’t exactly friends but frenemies
Like on some mean girls type shit
Cause you are the exact same; slick, fabulous, luxurious, and funny
Sometimes you be stumping him with your comebacks
Ricky: At this point, I’ll join the circus
You: You don't have enough talent to join the circus…but then again you are a clown
Cue yall weakly slapping each other
Loves to bicker with you
Hates when other people are bickering with you; will jump to your defense
Eventually, you become the Gunther and Tinka (from shake it up) of AEW
You two frequently share Pinterest boards and give fashion advice to each other
At this point, you two are either color-coordinating or complete opposites in outfits
Will text you and see you as the only person who understands him (in front of Taz, Hook, Big Bill)
Yall go on friendly dates and love to gossip
Ricky: And they were roommates
You: Not the roommates
Ricky: Right?!
Nick Wayne
You’re a sibling to him
Personality wise: you are both shy golden retrievers
THAT IS THE BEST WAY I CAN DESCRIBE NICK
I think yall got along because no one else was around your age that thought the way yall do
Nick was shy about meeting others until he got introduced to you
Now you talk all the time
Loves exploring new parts of arenas or working Christian’s nerves
I can just see him being annoyed at the point that there are two Nicks
I also see Nick’s energy being on low until you come around
THEN HE’S BOUNCING OFF THE WALLS
Hates when people pick on you, and he goes to your rescue
Now both of you are pouting in a corner cause yall got your feelings hurt (think of Tamaki from ouran high school host club)
I also think that you would be his personal journal (he’ll tell you everything)
He feels comfortable telling you stuff because he knows you’re gonna keep it
Or you’ll just forget about it and you have to pretend you know what he’s talking about
Darius Martin
YALL ARE SO CUTE
He calls you his reflection
Cause he said looking at you is like looking at a mirror
Yall are the most unproblematic duo ever
Have yall seen fights where people in the background are in their own little world?
Yeah…that’s yall
You two are so unbothered by the drama around you
I feel like he would see you like as a sibling so everything he tells Dante, he tells you
You are on speed dial; he calls you now more than he calls his brother
Secretly Dante’s jealous of the relationship between you and Darius
Asks you to do the simplest of tasks like braid his hair or record his training sessions
I also feel like so many people would think yall are dating the way he treats you
He always holds the door, pulls out your chair, keeps on the inside of the sidewalk, will hold your hand if you want as you two walk
To him, it’s not romantic (it is to me damnit), it’s just him being a gentleman and doing the bare minimum (AS A MAN SHOULD)
Because of him, you raise your standards for men
But it doesn’t feel right without him next to you
Hook
Mans secretly in love with you
I think he would think your personality is refreshing cause he doesn’t see it often in women
At first he thought it was a gimmick or you’re trying to get him to like you
But nope, this is you 100%
Many people think it would be boring between you two
Nope…just comfortable silence
Tbh yall are the real unbothered duo; truly not giving a fuck about anything around yall
Can tell your thoughts just by looking at you
Over time, I think he sees you as a bestie OR SO HE THINKS
Allows you to handle your own business cause he knows you can handle yourself
Is always surprised by how well you know him
He’s just not used to anyone really remembering small details about him
He made sure that you were a part of the Lads now
The group welcomed you with open arms
I think he forgets that you’re in the room sometimes with how silent you are
OOO idea: he teaches you Italian so you two can talk in private in public
He also buys you the same hoodies and sweatpants that he wears…cause yall already take each other’s anyways
Action Andretti
Yall are the Himbo/Bimbo combo (non-derogatory)
You share the same braincell
Respectfully of course
Like yall look so cute and cool okay? You guys are sweethearts
BUT JESUS SOMETIMES-
You two are truly in your own world
(respectfully again, don’t take it seriously billy)
Yall are not unbothered but just oblivious to the drama around you two
He pulls out the best jokes for you just to hear you laugh
Yall just get hyper together a lot
I wanna say you two together are very innocent and happy-go-lucky
But it is very balanced between the two of you
Everyone who sees you, can’t help but think that you two are adorable
Listen I think in terms of feelings developing, Andretti is too caught up in trying to make sure that you two are having a great friendship to see if anything can develop
If anything, he’s just happy to have you by his side and he doesn’t want anything to ruin it
Dante Martin
Yall have bff necklaces
Or bracelets
whatever you prefer
Very playful relationship yall have indeed
Dante will tell you everything but not his brother
Dante has see you every day, if not, it’s an off day for him
You two will say the same things at the same time like twins or some shit
I think it’s very surface-level thinking with your friendship
He really does appreciate you and he doesn’t really see you as anything more
If anything, he sees you as a little sister that he is molding to be more like him
Drags you everywhere
Super protective over you
Hates to exclude you
Like with Hook, He made you a part of the Lads
I feel like Dante takes you very seriously in terms of yall’s friendship
There’s never a dull moment with him
Eddie Kingston (one day I really want to do a character/in-depth analysis on him)
Compared to the other men on this list
Eddie would think about you subconsciously and really does see you as another version of himself
And it bothers him to a certain extent
because your attitude, actions, and even the way you talk is just like him
Right down to the stubbornness
Will try to tell you certain things to calm you down or anything but really it’s what he wants to hear himself
I also think he finally gets what everyone sees in him cause he can see it in you (underdog vibes)
He can’t tell if he loves you as a BFF or more
Cause he never really met a woman who has the same strong yet realistic mindset as him
And it makes him feel butterflies
But he really loves your hustle and how quick-witted you are
He also loves how true you are to yourself and how you won’t change for people
Knowing Eddie he rather keep your friendship than lose you entirely
Even though he’s very close to Ortiz, Santana, Mox, and Ruby
You are #1 to him
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pippin-katz · 7 months
Text
Okay I noticed something during the Red Room scene after watching RWRB for the "who knows how many"-th time.
When they hit the wall, Alex puts his right hand on it:
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But then they cut and it’s not there anymore:
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Now, I’m not pointing this out as an "oh look an editing error" or anything because that’s something that happens in pretty much every movie ever made. Somebody’s hand or leg is in one position, they cut to another angle, and it’s in a slightly different position. It’s what happens when you’re editing together several different takes of the same scene.
Hell, quick and fun tangent, feel free to skip ahead to where the text changes back to the normal color, but there’s a sequence in Clue, the movie, where Wadsworth, the butler, is retelling the events of the evening in very specific detail and reenacting it. This is a fantastic example of a moment where a very attentive viewer can see into the behind the scenes, and remember that when filming movies, they always do multiple takes of a scene, even if nothing went wrong; there’s only very unique circumstances where they film a scene and the entirety of the very first take is used.
Earlier, Mrs. Peacock freaks out because they think there might have been poison in the drink, and Mr. Green slaps her in the throat to stop her from screaming:
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GIF from here.
After he hits her, he says this:
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GIF from here.
When Wadsworth reenacts it later, he says the same line:
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GIF from here.
Notice that he’s accurately in character as Mr. Green, but he makes the gesture to push his “glasses” back up, which Mr. Green didn’t do. Tim Curry went through great lengths for this very long sequence to get all the little details right. The only reason he would do that would be if he did push his glasses up, but it was in a different take. That take wasn’t used in the final cut of film, but they had to have filmed a version of the scene where Mr. Green pushed his glasses back up, and Tim Curry copied it because he wouldn’t have been able to predict which version of the scene they would use, and that’s a specific detail he wouldn’t want to miss if they used that take.
In the easiest and perfect scenario, they pick the best take of each shot and splice them together, but sometimes they use multiple takes of one of the shots and use different pieces of them. Maybe the delivery of one line was better in one take, but another line was better in the other. If there's going to be a cut between those lines, they can cut out the line delivery they liked the best and splice into whatever take they're using the most of.
This is common knowledge, but I'm covering it just in case someone is completely unfamiliar with how films are made.
When the camera angle changes during a sequence, it doesn’t mean that they filmed up until that point, stopped and repositioned the cameras and the actors, and then continued. They set up a camera for one of the shots, they run through the scene start-to-finish, and once they have several good takes to choose from, they move the camera position to the next angle, and shoot the scene start-to-finish again. Sometimes they can knock out more than one angle at once if the cameras won’t get each other in the shot.
For example, scenes like Alex and Henry talking on the couch, in the cafe, on the phone on the bed, basically almost any scene where they’re looking directly at each other, has to be shot from at least two angles separately, at least if they want to show us both of their faces throughout the scene. If they filmed both of them at once, you would see the other camera in the background behind the actors.
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In the case of the kissing in the Red Room, there's three cuts, until the end when Amy walks in. I'm talking specifically about from Alex grabbing him up to the shot right before Amy walks in.
So starting there, we have the first shot:
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Then the first cut:
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Then the second cut:
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Then the third cut:
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Then Amy walks in:
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Now, cameras do move and/or zoom during most shots, even if it's a barely noticeable. For example, there is no cut while Alex crosses the room; the camera moves with him. It also rotates/pans a bit once they start backing towards the wall to keep that shot connected up until the first cut.
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Based on the angle, the framing, and their positions, I'm pretty sure these two are from the same shot/camera position, possibly the same take, with the close-up spliced in:
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Even if they aren't from the same take, I'm fairly sure, like I said before, that they ran through the scene start-to-finish with this camera blocking, and that these are both from that blocking, even if the second one seems slightly different. It's really hard to be 100% sure, but when I watch them side-by-side, their positions seem to line up. If you map out their starting point and ending point, and the gap of time where the close-up is, it feels like enough time and movement for them to get from A to B in one shot had the camera not cut.
But the camera does cut, which leads me back to here:
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The camera angle alone is a big indicator that they cut together multiple takes. I can't be positive, but I'm pretty sure that they couldn't have filmed this angle at the same time as the main shot.
I think about these sorts of things while watching movies; it's something I can't turn off in my brain. I'm hyperaware of the cinematography. I notice it, and thoughts/questions just bounce around in the back of my head.
Like if I was watching this for the first time, excluding all the internal screaming that would've been occurring, I would have probably thought: "Oh hey, that was a big camera change! They probably filmed this separately!"
But it's so brief and subconscious that I would've had the thought without those words actually forming in my head, does that make sense? It's like there's a little version of me chilling in my brain with a clipboard that writes interesting things down while the rest of me is screaming. He's just chilling, taking notes, and I can feel when he writes something down, even if I can't process it in the moment. Does that make any sense?? Whatever, it doesn't actually matter lmfao
What I'm saying is, while the camera change suggests the use of multiple takes being edited together, Alex's hand on the wall 100% confirms it, since it's not in the same position when they cut between the angles.
Which FINALLY brings me to my POINT!
Everything I went over essentially just proves that this shot:
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-is from it's own, separate take than the other shots.
And as I explained, they typically run a scene start-to-finish several times from each angle, which is why there's this variation. With choreography like this that's meant to be spontaneous and aggressive is impossible to perfectly recreate each time. It happens too fast, and their characters are so wrapped up in the moment that they're just grabbing and touching each other however they can, so there is going to be variation between the takes in what they do with their hands or exactly how they kiss.
WHICH MEANS
It is very possible that there's a version/take of this sequence of events from the other angle where Alex's hand is on the wall, and he is half pinning Henry against the wall for this interaction.
His hand is in the classic "hands on either side of their partner's head while kissing against a wall" position that basically traps them against the wall and the person they're with.
So there's possibly a version of this shot:
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-with Alex's hand pinning Henry against the fucking wall, before he lifts him onto the table.
And I want to fucking see it.
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soupandcats · 10 months
Note
Sorry abt the big ask, but your colours are always really vibrant and interesting! They seem both saturated and subdued. What’s your general method for choosing them or are there any tricks/layer modes you use?
Thank you! This is gonna be a long one sorry😭
My favorite digital art trick for color is the curves tool! In procreate you press the wand tool in the top left corner (Adjustments) > Curves. I recommend just playing around with this until something you like happens.
Here’s a study I did with pretty standard colors.
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Here are some versions of it after moving the curves around.
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What I like about this is it’s a really quick way of changing the color scheme that’s more precise than applying a filter. It lets you see how far you can push things outside of what’s expected!
When I first started digital art I had so much trouble with color because unlike traditional, the colors have the ability to be fully opaque. With traditional if you’re doing a painting the paints/colored pencils/etc will naturally mix with one another creating a more cohesive overall image.
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Here’s a drawing I did in 2020. As you can see it’s incredibly saturated. When I was picking colors I was working in the most saturated section for nearly every color.
These days even when I’m trying to make something super colorful I’ll force myself to desaturate it more than I think I need to. There are two ways to desaturate something. You can move it towards white or towards black.
Another thing I try to keep in mind is that colors look different based on what colors are around them. If you put gray next to a color it will look like that color’s complement. If you put a warm color next to a cool color they’ll amplify one another making both look more intense. In that same way if I put a super saturated color against a more neutral background the color will look even brighter.
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I like this tapestry by Sheila Hicks. See how the orange is glowing against the more muted purples and blues?
Another thing I try to keep in mind is value. Like color it’s influenced by its surroundings. If you place a lighter color over a dark background it will look brighter than over a light background.
So in a piece the eye will be drawn to the areas of highest contrast first. And area that’s similar in both value and hue will recede into the background.
I really am not an expert on color I have so much to learn. I recommend Marco Bucci’s videos as well as the book The Art of Color if you’d like more detailed+accurate info! Color theory is the most fascinating thing I’m obsessed with it.
You don’t really need to know theory to be good at color though! Just playing around and figuring out what you like (I LOVE PURPLE) will make you better!
The most satisfying thing is when you’re making a drawing and you decide to add a little gray or a little orange or whatever and suddenly your piece just starts to SING!!!! (That purple/blue/orange part of the Sheila Hicks tapestry is singing to me it will forever make me happy)
Anyways I hope this helps! 💜💜💜
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raydays-swap-au · 1 month
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Rayday's Swap AU ~ Angel Dust
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Here's the first design I did for my silly lil' AU! Swap Angel Dust ( meaning he has the personality of Valentino and all )
More information about the design + "sprites" under the cut
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The black sclera - I know about the theory that characters with a/two black sclera(e) have sold their soul and all, but since that's not entirely confirmed ( and also has questionable due to Husk's flashback to when he lost his soul to Alastor or whatever where he has black sclerae before losing ) I decided to keep it.
The curly-er hair/heart motif - I tried to give Angel more of a heart motif as I thought it'd fit ( not to mention Valentino sort of has a heart motif. ) I also just like adding heart-shapes into character's hairs whenever it's fitting. :3
Freckles/facial markings - I decided to make it a single heart on his right cheek because having multiple ( hearts or dots ) on his face was cluttering it up.
His golden tooth - Yes, I know it's on the "wrong" side. I just thought it'd balance out the heaviness in terms of darkness/detail. ( Dark sclera to his left, freckle/facial mark to his right, golden tooth to his left. )
Spider mandibles/abdomen - Since Angel's original design doesn't have much of a spider motif, apart from the multiple limbs, there isn't much the screams "spider." The fact that Valentino is pretty clearly a moth also helped with this decision, which might mean I'll turn down the moth motifs for Valentino ( we'll see though when I get around to him. )
Arm fluff - The arm fluff servers to emulate the wing-sleeves Valentino has in the actual show, but in a way that makes more sense if you ask me ( cuz where tf does the wing sleeves go when he's not wearing his wings as a coat??? ) It also just adds a lil' bit more character imo.
Hands/nails - This was mostly inspired by actual spider feet ( most spider feet are surprisingly cute tbh ) Their feet are basically two claws hidden behind a bunch of fluff that sort of looks like two toes/hooves. The hands and nails both count for the claws of actual spider's feet. Do note that his feet look a lot more similar to spiders' though. Just thought I'd mention.
No coat - The silhouette was already pretty busy with the arm fluff and abdomen, and I honestly wasn't willing to get rid of either. This meant I had to sacrifice the coat, sadly, though I think it leans into another motif I tried to lean into a little more:
Drag queen inspo - Simply put I tried to lean into the drag queen thing a little more. I know he's not supposed to be in drag 24/7, but still. Also, yes, I know about the stereotypes about drag queens being predators, but a drag queen can be a bad person without it being blamed on them being drag, similar to how a gay person can be horrid without the horridness stemming from them being gay.
Why Angel is suddenly thick as fuck and big ass hips - The reason why he got thunder thighs and wide hips suddenly is cuz of padding. He's still skinny as fuck underneath all that. It's also why I added no fluff to his thighs, as he's wearing white stockings over the padding to hide it better/keep it in place and all, all the while making it seem it's actually part of his body.
Height - Characters keep their height despite being swapped in my swap AU. This means Angel is like 8 ft or something.
Color scheme - I've decided to mix color schemes for most- if not all- characters. This means I'll pull some colors from their original color scheme, while others are pulled from the character they're being swapped with. In Angel's case I obviously got his body colors from his original design, while his one-piece(?) main color comes from Valentino's design.
Why there's no name change - I've decided to switch The Vees over to The As. It was a bit hard finding someone to swap Velvette with, but I figured it out in the end. I just need to actually design the swap design and all.
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Here's the design alone without any background ( 2 arms and 4 arms versions )
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cloveroctobers · 7 months
Text
OCTOBER PROMPTS 🎃 — 1. Luca
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PROMPTS from here + here and I’m using: “I really appreciate that you’re getting into the Halloween spirit, but it’s ten in the morning, please turn off the slasher films so I can eat my breakfast in peace.” + “Pumpkin spiced latte, please.”
A/N: so glad Luca was voted for the most on the poll lol because he’s the only one out of the options I started writing for in the drafts! let’s see if I can keep up with making these short this year 🤭! This is nothing but fluff and a smidge of annoyance — reader on Luca’s nerves just a bit really. Mentions of a classic horror film, that I actually need to go back and watch! I think I watched it once before since I won’t lie I usually watch the more updated versions when it comes to that franchise more so,, although I’m not the biggest fan of the series anyways like dear Luca…don’t drag us too much ⚔️!!!
WARNINGS: Reader being a bum for the day? Luca just wants to eat without background noise? + slight language, oh and pumpkin slander!
*GIF BELONGS TO: @wiha-jun !
⛧°。 ⋆༺♱༻⋆。 °⛧ ⛧°。 ⋆༺♱༻⋆。 °⛧ ⛧°。
Luca prefers his mornings to be soothing, not filled with screams that can make anyone’s ear drums bleed or have the neighbors in the cul- de-sac sending the coppers right over. He had just gotten back from his morning run around the city, finding you sleeping down on the couch now compared to your shared bed. Which was humorous that you had the energy to climb out of the bed wrapped in mountains of blankets that you kept stored in a woven basket tucked away in the living space; during his absence just to continue your rest on the pale gray sofa.
You barely budged when he announced he was heading out into the damp morning and also repeated the same motion when he’s back, gently bending down to press a kiss to your edges before disappearing upstairs to shower. You’re awake with lidded eyes once he’s arrived downstairs, smelling of fresh mint soap and Olibanum as you’re messing around with the flatscreen on the entertainment center.
“Are you truly awake for the day darling or is it going to be another two to three business days?” Luca jokes on his way by, not expecting what you were going to set the television on.
You’re mocking him, voice still full of sleep, leaving the taller man to chuckle to himself as he heads into the kitchen, searching the fridge around the corner to ponder over what he can whip up. There’s plenty of possibilities as Luca’s eyes scan over what’s stocked in the fridge, finding that’s something he had to do now that you both shared a home together.
He could do cold smoked salmon…putting the protein to good use along with the radish and watercress…yet you were out of cream cheese. He could always ask his favorite critic, brace yourselves, it’s not Luca himself but rather you, what you were feeling like for breakfast but he knew regardless what he prepared you’d probably eat.
Thinking to himself, fingers tapping against the handle of the open fridge, he decides to go for something simple and more festive if you will. So he decides on homemade maple pancakes, without the walnuts since you were allergic and picks the pecans that your grandfather brought over from his pecan tree back in Georgia earlier this year. He’ll fry up some danish bacon with thyme searing the pan—hoping to bring flavor to the pork—or really to basically get rid of it, although it was a kind gesture from a neighbor who learned Luca was in the culinary field—the both of you were not the biggest fans of Denmark’s bacon.
No disrespect of course.
“Hey, want some of this Risalamande?” Luca calls out as you began to get engaged into the film, that’s probably been on for about twenty minutes since Luca takes more time debating on what to eat at home than when he’s out in the city.
Immediately your nose scrunches up as Luca is diving into the colorful rice pudding, leaning against the doorway that leads to the living room and front of the detached home, “Texture, Luca. Come on!”
Luca snorts with a slight roll of his eyes, “Ah, I see I’m getting picky you this morning, yeah?”
A wag of your finger as if it were a wand goes shooting into the air while you respond, “Sssh!”
“Rude.”
Luca spins back into the kitchen with a shake of his head, downing what most would consider a Christmas dessert but he doesn’t care one bit. He’s a man that enjoys eating and Christmas was more of his holiday anyway.
That holds him over long enough and he’s got the comfort of him whisking the dry ingredients together, focus steady on getting just the right mixture before moving onto the wet ingredients. It’s easy work really, which means Luca doesn’t mind making breakfast more than any other meal. It was similar to his own work, yet pastries were more his speed and he often challenged himself to try out new techniques majority of the time, so it wouldn’t always be easy but it was the pleasure in knowing that this is the starting point of your day, which beats a protein bar any way.
Luca uses his hands everyday and yeah it so happened to surprisingly be his weekend off, he didn’t mind keeping his hands busy when it came to breakfast and serving to the person he truly adores.
He’s at the stove, with minutes passing by at ease, his arched brows raising so often when the tempo of the movie begins to picks up. “What are you watching?”
He can’t help but to ask.
“…The Evil Dead, 1981.” He’s shocked he even gets a response from you since you tend to zone out when it comes to media.
Sometimes it was certainly a bad habit. You were an environmental documentary editor so it wasn’t unusual for you to get wrapped up in screens. Yet Luca couldn’t really blame you for that since he got lost in his craft as well; the both of you were working to get better with turning those habits off when together.
…if you don’t count right now that is! There was nothing wrong with being passionate about your interests but it was also always important to prioritize your partner, especially when work was a good chunk of your lives, yet it wasn’t the only thing that mattered. The both of you understood that.
He hums, finding possession films and gory themes weren’t really his thing. He actually has a weak system when it came to those type of horror films or rather blood (passing out from the mere sight fake or not or simply the stench of it is not something Luca was proud to admit) and let’s just say he was glad to not be in the room with you now. Horror really wasn’t your lane either, you were more into sci-fi films whereas Luca loved a good action film or documentary.
You were both each others test subjects, you with his food and him with your edits on your hybrid schedule.
“Come eat,” Luca says after while, the food steaming and filling the house with a sweet, salty and slightly earthy aroma.
He’s wiping his hands off with a rag, which he steps to the center of the kitchen, balling up the used rag to toss with a swift flick of the wrist into the laundry room up ahead. The rag plunks right on the washer and Luca smirks to himself before heading back to the dining table tucked in the corner by the oven. He always sits with his back to the oven because in a sense it’s brings him placidness. It didn’t make much sense to you since you originally thought Luca just wanted the view of the screened in conservatory all to himself but he flirted that you were enough of a view for him. Nonetheless he didn’t really need to explain it to you, if that’s the spot Luca wanted then so be it. You rarely argued about it simply because you could eat out there if you really wanted. He could keep the meaning of sitting with his back to the oven to himself. Perhaps it was his way of putting it behind him for awhile when engaged with you? Who truly knows but you did think about it a bit once you settled into the shared home.
Luca’s pulling himself up to the table, picking up a fork to start plating and clenched his eyes as more screams fill the home.
“I really appreciate that you’re getting into the Halloween spirit, but it’s ten in the morning, please turn off the slasher film so I can eat my breakfast in peace.” Luca calls out to you, after picking up that you were in a lazy mood and not ready to join him at the table.
The film actually gets lower as Luca shoves the pancake into his mouth, beginning to chew the meal as you say back, “pumpkin spiced latte, please.”
Luca questions with his mouth full, “what was that?”
“I’ll join you if there’s a pumpkin spiced latte waiting for me.”
Luca sits back in his chair and swallows, “you don’t even enjoy pumpkin so what are you on about?”
“But it’s fall, Luca.”
Luca pinches the space in between his skinny brows, “…for fucks sake, you’re quite spoiled you know that?”
“I love you.” You sing out while Luca scoffs.
He comments, “You better.”
So now he’s up on his feet again, messing with the olive espresso machine that you still won’t tell him how much you paid for last Christmas, he’ll use the last bit of maple syrup that he had leftover from the pancakes, there’s no pumpkin spice in the flat since he isn’t a big fan of pumpkin flavor either so he uses: 2 teaspoons cinnamon, 1/8 teaspoon nutmeg, 1/8 teaspoon ginger, and 1/8 teaspoon of ground cloves, yet he brought home some pumpkin purée that one of his fall-loving co-workers gave to him; homemade from her mini pumpkin patch in her backyard, he steams the oat milk, mixes the espresso, puree, syrup, spices, and vanilla all together before combining it with the milk. From there he frothed it just for a few seconds to get some foam and finally tops it off with whipped cream and more cinnamon.
Sitting back down, he slides the drink over to your side of the table and before he can call out to you to inform it’s ready, he’s hearing the shuffle of your feet in those ridiculous hot pink fluffy slippers. Luca glances at you and finds you rather cute still in your cozy pj’s and hair a complete mess.
“Your royalty,” Luca bows towards your drink, making you gasp playfully as you approach him, placing a hand on his shoulder to get his attention, “it’s still hot,” he warns as you reach over for the handle of the mug at the same time but you pick it up with ease.
You peek at the latte and then back at him saying, “Shoo,” you wave your hand making Luca frown up at you.
You and these damn hand movements, you should be a conductor like your older sibling instead.
He soon picks up on what else you want, making yourself comfortable right in his lap, making Luca shake his head at you, tangling around you now so he can finish the breakfast but with you in his lap.
You on the other hand werent much of a breakfast person, although you loved a good brunch moment with your mates! but you hardly turned down much of what Luca prepared. He knew you’d get around to the pancakes if you didn’t start picking at his own plate soon.
“How is it?”
You nod, running your tongue over the top of your lip to get rid of the whipped cream, “hmm, now I kinda see what those pumpkin bitches go crazy over.”
Luca chuckles, “do I get to sample?”
“It’s the least I can do,” you tease as you blow on the steam before tipping the mug towards Luca’s lips.
He ends up blowing on it more before sipping and it’s your turn to watch his own opinion before he says it. You can always tell what direction this may go based on the way his eyebrows and eyes move.
“Not half bad if I do say so myself but a smoked butterscotch latte from Café bønne is actually better. I frankly don’t see the hype with this latte.” Luca shrugged with a pinch of his lips in thought before turning his hand back to the bacon.
You groan, “we haven’t been there in ages! We should go there today.”
“Nope, storms coming in this afternoon actually with a chance of power outages which is why you should eat those pancakes sooner than later, love.” Luca explains before adding, “should have gone running with me this morning. I passed by that route today too.” Luca tells you while you take another sip of the latte.
You weren’t aware of any storm coming in but you had to admit that you fell asleep on the news last night after the show you stayed up to watch with Luca went off. It really amazes you how he can stay up late and get up to function the next day. You on the other hand? Had to follow a routine or else you’ll be no good at work, hybrid schedule or not.
“Fine, I guess the shitty pumpkin makes up for it.”
Luca peeks at you mid chew, “Are you insulting my beverage when you asked for it?”
“Never! This definitely gets a 8.5 across the board. So I’ll shut my spoiled self up, babes.”
“Now that’s the spirit.”
A shove to his shoulder makes Luca wink and grin over at you, poking his lips out for a peck, making you aware that he was only teasing you.
Sighing you lean forward to press your lips against his in a chaste kiss, “thanks for breakfast.”
With his free tatted hand, he runs the pad of his thumb against the childhood scar on your kneecap stating with a smile, “anytime, darling.” He says as he peers at you from underneath his eyelashes before tossing in, “Even when you’re being a picky pain in my arse.”
“Welp! Moment’s ruined.” You hopped off Luca’s lap while he tried to latch onto you with a laugh but you swung your hips out of his reach, however not without plunking up his last pancake to take with you.
See!
Luca huffs, sticking his tongue into the side of his cheek before taking your plate with him to follow you into the living room. You’re seated back on the couch and he sits on the opposite end of it, tangling his limbs with yours as you cover each other with the blankets.
“This pancake is delicious.”
“So are yours,” Luca is smug as he eats from your plate now before glancing at the horror film on screen with disgust, then softening his expression as he sets his eyes back on you.
Which leads to the both of you taking turns eating pancakes and sharing the pumpkin latte, making the feel of autumn in the atmosphere sink in with the warmth of each other.
Hours later…you’re laying cuddled up to Luca’s chest on the couch, the rhythm of his chest rising and falling along with his hands clasped together against the small of your back is enough to almost put you to sleep. The wind has picked up now, whistling through the cloudy skies of Copenhagen followed by a harsh patter of rain that can be heard from the ceiling of the living room.
Which is just enough remedy for the both of you while you rest until you suddenly ask, “what did you think of the evil dead?”
Luca almost grimaces before he states, “…I prefer midsommar.”
“I want to debunk that with you but I also want to go back to sleep.”
Luca laughs before nuzzling his cheek against your head, “Fine by me, we have time to get into it later.”
“Over pancakes?”
“Breakfast for dinner? As long as you promise to actually sit at the table with me?”
“There’s no place I’d rather be…and I also want to hear your thoughts on that film. A true Mukbang starring us two, can’t get any better than that, no?”
A smile curls onto Luca’s lips at your excitement, then he speaks, “who’s the audience then?”
“The entities that maybe lurking around this house.”
Luca pops a eye open, “I really don’t like how you just said that. Especially after you had me watching that horrid fucking film.”
“Hey! A lot of horror lovers will definitely drag you for that but don’t worry, I’ll fight anything and anyone that dares to step to my man and that’s on what?”
Luca shakes his head while pretending to think about it, “period? Or whatever it is you say. You’re still a brat for saying that though. I don’t know if you notice but Halloween isn’t until the end of the month.”
“I’m sorry,” you coo squeezing his shoulder, “but Halloween starts as soon as September hits and don’t you forget it you big baby.” You curl your hand from around Luca’s shoulder to squeeze his cheeks together.
“You’re the…baby.” Luca mimics, his cheeks now appearing like a gapping fish due to your actions, “Taking thirty naps a day and being a massive pain in my bum.”
“NAURR,” you exaggerate making Luca lift his brows in annoyance before you continue, “I’m your favorite headache.”
Luca let’s out a sigh, “you’re not wrong.”
“I never am,” you sass before the room goes quiet a bit more—besides the weather outside until you voice your thoughts out loud, “Midsommar though? Really? I wouldn’t put that and Evil Dead in the same category.”
Now it was Luca’s turn to shush you.
⛧°。 ⋆༺♱༻⋆。 °⛧ ⛧°。 ⋆༺♱༻⋆。 °⛧ ⛧°
Continue along with my October anthology prompts here.
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rjalker · 4 months
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well. just noticed something about Steamboat Willie I don't think anyone else has pointed out yet...
let me make it easier to see
Edit:
Uhh, well hard to really make it easier, but here's with a little bit more contrast and brightness.
This is the title card for Steamboat Willie, showing Mickey with an alternative outfit! Striped pants, white gloves, a cane and a hat! Minnie gets the same hat, heels, and a polka dot skirt!
These designs are also public domain because they're in Steamboat Willie!
You can watch it here on the web archive. and on youtube. and probably lots of other places at this point.
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[ID: A screenshot from the Web Archive's video player showing the video paused at 00:04, showing the title card that reads, "Disney Cartoons presents A Mickey Mouse sound cartoon: Steambie Willie, A Walt Disney comic by UB Iwerks". The rest of the text is blurrier, but seems to say, "recorded by cinephone system, copyright [illegible]". On either side of the text are Mickey and Minnie, smiling at eachother. Mickey is holding up a hat in one hand, and a cane in the other with a wide grin of greeting. He has a white face, a buck tooth in his open mouth, white gloves, and light grey shoes and shorts, with the shorts having dark buttons and darker vertical stripes. Minnie has her hands clasped as she smiles at Mickey with lowered eyelids in a flirting pose. She has the same hat as mickey, with a flower stick behind it. She has two circles on her chest like a bra or bow, with a polkadot skirt with a wavy edge. She is wearing light grey heels. End ID.]
Edit 2:
Here's some slightly more cleaned up versions from MS Paint!
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[ID: the same versions of Mickey and Minnie mouse, now with the background solid gray so they are easier to see. End ID.]
Made lineart and colored it for fun. You can download them here from the web archive :)
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[ID: Two more versions of Mickey and Minnie shown above. One is just black and white lineart, the other has color added. They both have light green shoes, tan and black hats, and purple with grey accented clothes. Mickey's cane is tan, Minnie's flower is light purple. End ID.]
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hobiebrownismygod · 4 months
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Let's talk about Desi representation again!!
I don't talk about this stuff often but when I do, I have some strong ass opinions
and yes I'm gonna be talking about none other than Pavitr Prabhakar at the end cuz he's just special to me <3
Hollywood is lagging behind on Desi representation
You'd think one of the biggest film industries in the world would be able to represent us properly, considering the fact that we make up the largest group of South-Asian Americans and the second largest group of Asian-Americans in the US, but instead-
Western Television forces Indians to conform to harmful stereotypes
Some of the most popular Desi characters on screen are Raj Koothrappali from the Big Bang Theory, Devi Vishwakumar from Never Have I Ever and Kelly Kapoor from the Office.
Indian men are almost always portrayed as robotics engineers and computer whizzes, but with terrible social intellect, making them seem like awkward nerds.
Indian women are almost always portrayed as "whitewashed", or wanting to appear more western, with zero understanding of their own culture or language along with an unrelenting need for attention from white friends/colleagues.
These are both based on stereotypes that Indian culture is "toxic" and "too traditional" and that Indians are only interested in studies.
Most Desi characters in western media have stories that are solely based around their ethnicity and/or racial stereotypes.
British television actually showcases a lot more representation than Hollywood does
I was watching Polite Society, a movie starring two Pakistani characters as the main leads, and there was a dance scene where both the leads are wearing traditional desi attire. My mom turned over, looked at me, and asked, "Is this Hollywood? It can't be."
And she was right. It's a British movie with British-Pakistani actors.
The reason she didn't believe that it could've been Hollywood was because the dresses the two leads were wearing were traditional and beautiful and the song playing in the background was authentic Hindi music, not some random westernized DJ version of it.
A Hollywood movie would've never dressed up their Desi actors in actually flattering attire (*cough cough the Patel twins from Harry Potter) or have used real, popular Desi music in the background.
You see my point?
It is so uncommon to see well-thought-out Desi representation in TV nowadays, where to see real diversity we have to watch movies made by the same country that colonized us.
Ironic.
British movies/shows with desi leads have far better South Asian representation than anything I've seen in Hollywood recently.
The Hollywood movies starring Indian leads, like Slumdog Millionaire or Bend it like Beckham were filmed in the UK, and because they were filmed in the UK, they had fantastic South Asian representation.
Not only does Hollywood refuse to create shows and movies about real problems that South Asians face, but they also don't cast South Asian actors in good roles.
When's the last time you saw a South Asian actor playing a character that wasn't a walking stereotype? When's the last time you saw a South Asian actor playing a character that was a genuine part of the story rather than just comedic relief or a random smart kid in the classroom?
Not often, right?
Me, personally, I didn't grow up with a lot of South Asian characters or actors in shows/movies that I watched. In fact, every time someone even close to my skin color showed up on TV, I was on the edge of my seat because it was just so rare to see it.
This is why representation matters.
You've heard about all the young girls with braids being so excited when the new little mermaid with Halle Bailey came out. Well, us desi kids wanted that too.
I wanted to see a Telugu speaking girl with wavy hair and dark skin who would wear traditional clothing to Desi get-togethers and parties, go to the temple with her family, eat vegetarian Indian meals, etc...
I wanted to see a character who was a representation of me and my experiences as an Indian-American. I wanted to see a character that was at least a representation of Indians or just South Asians in general.
Instead, we were given characters that ridiculed their own culture, were extreme stereotypes and furthered the existence of casual racism in western society today. So many Desi kids experience small acts of racism on a daily basis because people have been so desensitized to the existence of these stereotypes.
Telling South Asians that their culture is a joke and feeding non-asian children media which pokes fun at other cultures is harmful, not only to us South Asians but also communities that could end up being targeted next.
Pavitr Prabhakar; Representation Matters
If you've been following me or if we're mutuals, you probably know I have a tiny obsession with Pavitr Prabhakar. But why?
Because of all the reasons I just listed.
There are few South Asian characters us Desis can look up to these days, and Pavitr Prabhakar is one of the maybe two or three characters who have great writing, magnificent representation, and overall a fun vibe.
He's likable, funny, smart and best of all, unapologetically Desi.
He's just like all the other side characters, with a little bit of his own culture mixed in. He's not being shoved down our throats to further an agenda about fake diversity, he's not a walking stereotype and best of all, he was designed by Indian creators.
He's refreshing and exciting to follow in a world full of a demand for half-hearted representations and the people who created him were obviously putting their hearts and souls into it.
He's awoken a love for Indian culture amongst, not only Desi children themselves but also among westerners who, prior to this, had thought of India as a "3rd world" country, because that's the agenda that Hollywood pushes onto many South Asian countries today.
WE LOVE PAVITR PRABHAKAR!!
This was kinda all over the place but I just had to get this off my chest <3
Sources:
https://www.washingtonpost.com/politics/2021/06/10/discrimination-against-indian-americans-happens-more-than-you-might-think/
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respectthepetty · 4 months
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Cooking Crush Ep. 5 Cut Scenes
I reported on the missing scenes from YouTube's version of Cooking Crush for the first four episodes [first, second, third, fourth], so I'm here to do it a fifth time.
The day after Ten's dad met with Prem, Prem is still upset at school.
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But Ten is waiting for him outside the school. He states he has been waiting a long time.
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BECAUSE HE MADE PREM SOUP!
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Prem states that soup takes a while to make, but Ten lies and says he woke up at his normal time so it's no big deal when he actually woke up at 5 am to make the soup (Personal, but if I don't wake up by 5 am, I feel the day is already wasted, and yes, I do feel superior to everyone else)
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Then, Prem tells him that soup takes a lot of prep work so it must have been hectic trying to do all of it, but Ten lies again and tell Prem it went smoothly because he followed all of Prem's steps exactly. It was not smooth. It was chaos.
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So this is how Prem tries to ease out of teaching Ten lessons since his conversation with Ten's dad is still on his mind. He tells Ten since he cooked all by himself with no issues, they don't need to have lessons anymore, but Ten confesses that it was a disaster and he actually hurt himself multiple times and shows Prem his wounds.
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Prem says the soup tastes good, but Ten still questions Prem about trying to get out of teaching him since he still has two dishes to learn, and one of the lessons is that day, but Prem tells Ten he doesn't know when his class will end.
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Ten says he'll wait. Off is selling the hell out of this character!
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Prem goes to class (where the bullies bully him), but Chang Ma's lesson is plating techniques as he explains we eat with our eyes first, so the students need to make the food look appetizing.
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And I will use this image in the future when I discuss visual rhetoric, background noise, and color coding.
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Chang Ma asks the students what are some of their cooking principles, but he only remembers Prem's name to the shock of the class and Prem.
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And, of course, Prem says he wants his food to make people happy, to which Chang Ma makes this face, you know, like how every boy in a show with Gun looks at him and tells Prem passion is the most important ingredient.
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He reminds the students that for the first time ever, the cooking show Super Monster Chef is allowing a team competition, so he wants to see how they work together and will give their instructor his recommendation.
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And that's it for cut scenes! Fire still thought for a second that Dy was a sex worker in both versions, and that will sit in my heart forever.
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whirligig-girl · 1 year
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D'v: "Hahaa... we're holding hands again... I’m so sorry I wasn't watching where I was going and I was just reading up on--well what I was reading wasn’t important--I was..."
T'l: silent Vulcan noises and depraved illogical thoughts
some artist’s notes and fic snippets below the break:
Getting the pose right was a nightmare!
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I drew Tendi and T’lyn on different layers with different colors because otherwise it’d be too confusing. The mess going on in their legs and hands especially. It was a challenge to find a relatively natural looking pose that allowed their hands to match up without hiding anything important. I found i could draw a four-segment stick-figure limb connecting their shoulders, and that helped me get their arms right. The legs were also a mess to figure out, but mostly just because they’re a confusing mess of limbs--they don’t have to intertwine nice.
Also, T’lyn is going to make me learn to draw hands right I swear to god. I could not half-ass the hands on this one.
narrative snipets break:
at that second panel, when Tendi realizes what's happened and gets embarassed, she immediately like, tries to let go and raise her hands respectfully......... but t'lyn just... doesn't let go. for a moment.
Ray Daly’s contribution. (Actually Ray contributed to feedback while I was drawing it, but...)
Mariner: it couldn't have been that bad, tendi Tendi, still flustered: not that bad?? Not that bad?!? would it be fine if you tripped and Bradward’s D--?! Mariner: eekaaay! you've made your point!!
Earlier version when I thought I was finished:
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It’s good to go the extra mile on your art. I think this plainer version would still have been fine, but since I went so far as to actually draw the background for a change, adding the dropped/thrown clutter (PADDs and Tricorder) helped a lot.
T’lyn and Tendi’s mess of legs was hard to differentiate (though adding the shading helps). I made Tendi’s pants slightly darker, though with the shading you can barely tell. I also gave them different boot colors. The original idea was that pure science officers have black and blue boots and medical officers have white and blue boots. We can see that in a few places in season 1. But it seems like they eventually abandoned that concept and just give all science officers white and blue boots. T’lyn is not a medical officer, so obviously she gets black boots. Technically since Tendi is in Senior Science Officer training instead of Medical, she should have black boots, but I gave her white boots so you could tell them apart more easily.
I wasn’t even going to add the facial expressions. I drew this to figure out which one I wanted to use:
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Then I put it in the drawing.
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But I just kept looking at the sketch and thinking “both are good. Both are good!”
So I made it two panels. Because of how the layers were set up this was easier said than done. But I managed it just fine in the end. I really like how she’s backlit by the ceiling lights in the inset panels. Some kind of like, contrast between the angelic goddess looking down at you and the reality that she’s an emotional mess who wears her emotions on her sleeve.
It was also really important to add the inset panels because I don’t want to give the impression that either Tendi is doing this on purpose nor any orion fem dom stereotypes. It’s way funnier and cuter if she just keeps accidentally finding herself in these scenarios, worried that T’lyn’s resentment for her is growing because SHE KEEPS AVOIDING ME OUTSIDE OF STUDY SESSIONS! AND WHEN WE MAKE EYE CONTACT SHE LOOKS AWAY! I FUCKED UP! but actually T’lyn is just struggling to control her mad nasty thoughts about just what she’d like to do to Tendi (she’d like to hold her hands some more)
Adding the inset panels lets me make sure Tendi’s character is adequately captured so she’s not just A Thing Happening To T’lyn.
The dropped PADDs and Tricorder make the scene seem more diagetic, and just more real/plausible. They’re busy looking at their PADDs and not looking where they’re going, see? The one that’s face down is T’lyn’s, the two face up are Tendi’s. The PADD screens are cropped screenshots from the show that have been edited and then skewed/rotated/rescaled into place
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The first PADD is Tendi doing research on Vulcan touch telepathy (after being told by someone else what the significance of handholding is to Vulcans), the second one is actually breaking the fourth wall and addressing the viewer directly.
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one of the last touches I added was to erase the line-art around her pupils, so the pupils would look smaller (aids to the feeling of shock) and add a nostril (Dunno why--I never draw nostrils on Lower Decks characters, but it just seemed correct in this case) and a little wrinkle on her eye. All this was added because, when I drew Tendi’s face, it felt more detailed than T’lyn’s for some reason (freckles I think?) and I felt I had to make them match.
T’lyn’s face here was fun and took a while to get right. She (and all Vulcans in Lower Decks) are usually half-lidded, but we see T’lyn’s kinda shock when Tendi grabs her hand in the One Canon T’lyndi Scene We Have At Least Until Next Year--even then she looks attentive, not necessarily shocked.
I just think it’s kind of cool that they both have non-red blood and colorful blush.
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emerxshiu · 1 month
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FORGOTTEN LAND'S SECOND ANNIVERSARY :3
I AM SOOOO BACK
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I started this drawing yesterday around afternoon and finished it just a few minutes earlier.
I went with a messier type of drawing instead of more clean like the elfilin one from yesterday, i find it fun doing it like this, mostly cause i dont have to worry about making it perfectly so i dont get as frustrated as normal. Id place this one as my second best digital drawing. im pretty sure i havent posted what i consider my best digital drawing here, tho i do have it in instagram, i might post it here one day, tho these two are way too tied up, i love how this came out, its not exactly like how i imagined it but its really close to it, and also itd say that since i dont tend to play around lighting that much, this was such a joy to draw and i cant help but stare at it a lot, at least until i start hating it because i made quite a lot of errors. i also changed my elfilis gijinka just a tad bit from last time, but its not that big of a difference, mostly.
ofc i had to draw elfilis for forgotten land's anniversary, i tend to deny it in my head but yeah they're my fave of the kirby characters even tho i hate them a bit. I wanted to draw some more doodles, like, elfilis eating cake, kirby car, a bunch of other stuff (not elfilin cuz i already drew him yesterday) but when i tried i couldnt draw anything more, guess this drawing burned me out a lot, huh?
you can definitly tell i spent all the efforts on him cuz if you look a bit closer to the bottom part you'll see its almost barely detailed, but i mean, they're the focus so make sense i guess for me not add that much detail there. um also, maybe because i dunno i had OVER 130 LAYERS jeez no wonder firealpaca was slowing down so much, i need to manage my layers better next time, tho i did do something i keep forgetting, wich is naming them (most of them at least) that was a real life saver
Also, antares (fecto elfilis' spear/cadaceus), as always, was a pain to draw, but this time its probably been draw the most accurate out of every other drawing ive made with it in it, i didnt notice it was like, a little curved when it reached the blade
some close ups since his face is a bit hard to see
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silly :3
fun fact! actually, this is technically a redraw, somewhere around between february and march i started a fecto elfilis drawing for the first anniversary, but i couldnt finish it in time, and i never finished it
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thats...quite the improvement! (i remember being so proud of it)
also his wings are like that cuz i did not want to draw the pattern, its way too hard, i literally copy pasted it, wait, i was talking about the 2024 version but i looked at the 2023 one and i just noticed it also has the pattern copy pasted, i guess some stuff never changes since i still abuse the ctrl+c ctrl+v to this day
Also i ended up making a huge error there, i was planing to add the phantom spears from orbital pulsar (the attack he does first when you battle them at lab discovera) but theres an innacuracy, when they do the attack, they always close their eyes, i had actually sketched him (well i mean both these drawings are basically the first sketch (2023) or second sketch(2024) with some color, shadows and lighting. i didnt do lineart in the 2024 one cuz i wanted to be a bit like the og i made (too bad i sketched that one with black since the og was sketched with white due to me drawing the bg first)) with his eyes closed but them decided to make them open for a reason i cant remember, maybe i thought itd look nicer? idk
ive had the idea of redrawing this for quite some month now so it was kinda already planned
background cuz i think it came out really pretty
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doesnt have the little stars since without elfilis and the structures it looks fucked up. the actual sky in game is more blue, but the clouds have some orange, in the 2023 ver. i made the sky orange, and in the 2024 ver i wanted it more accurate, but i didnt wanna loose the orange sky, so i did a gradient. pretty...
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also here's a screenshot i took when i was like halfway trough it, its barely noticeable but i changed his mouth in the final drawing
I really love katfl, like a buncha whole lot, its basically almost my first mainline kirby game. 100% the demo, finished the game in almost one day, i literally play it monthly, like, every month i put the card in my switch, start it up, get morpho sword, and go shred elfilis in lab discovera. i would probably not even be here on tumblr and the kirby fandom if it werent for it. and i love it so much i genuinly cannot express how much i like it and treasure it with words or anything
Thank you for reading my unnecesarily long rambles lol
I hope i'll post tomorrow and dont forget like usual
Jambuhbye!
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maxwell-grant · 11 months
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(SPIDERVERSE SPOILERS)
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Something I always really liked about the first movie was the way Kingpin’s design, besides being a Sienkewicz homage and all, complimented the handling of Fisk as a character and the threat he poses, and it’s more than just him being big and terrifying especially by contrast with Miles. Spiderverse Kingpin is a hate volcano tearing open the city and universe in the hopes that doing so is gonna get him his family back, get the only thing that can fill the void inside him that they left when they died, and nothing else matters. Kingpin takes up so much space everytime he’s on screen that every second of screentime he shares with another character is overpowering by default, and the wholly black suit makes it so that everytime Fisk shows up, the movie’s colors and style and everything it has, it all gets punctured to leave room only for him, to the point that in the final battle with Miles, Fisk might as well be part of the background multiverse debris overtaking and suffocating everything.
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Doc Ock and Prowler get to have the fun, of sorts, they get to have colors and styles and cool fights, the movie has no shortage of vibrant and lively and colorful characters, but Fisk himself is a walking casket and little else, basic and banal even compared to other versions of the character. He is the Sydney Greenstreet gangster of old blown up to astronomical proportions befitting a danger to the entire entire multiverse, not so much an enemy for Miles specifically as he is one to Spider-Man the concept, The Ultimate Gangster as someone who couldn’t deal with grief responsibly and has to make it everyone else’s problem (that also being kind of an apt description for Miguel O’Hara, who both triples down on the “all-encompassing grief as poison that harms not just you but those around you” part and is also a much more sympathetic character trying his damndest to do the right thing).
It’s only for a few seconds in his flashback that we see what he looks like with colors, and textures, and a little bit of warmth on his face in the life he had, before his family died running away from him, trying to escape The Black Hole Monster that he is. Figuratively, Fisk is not so much a person, as he is a a person-shaped hole in things, losing what little claim he has to personhood right when his family, and all the families he could ever have, leave him again and so he has nothing left but to take away other people’s families.
And I emphasize that figuratively, because it turns out they decided to turn that into a literally, for the villain in the sequel.
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The first movie’s villain was a lifeless thug threatening to undo everything and everyone as collateral damage to try and fill the all-consuming void in his soul. The sequel had exactly that, except we got to see The Spot work to get there in real time and on purpose. And so instead of a generalized enemy to Spider-Man, the hero Miles is trying to be, we get the enemy to Miles Morales, the person he is.
The Spot, funnyman nerd sidekick to the previous villain’s number two, just a gag character without even a name to him that we didn’t even know was there, was pushed every step of the way by the frustration of being perceived and put down as a wannabe never-will-be, driven to uncover the multiverse and make himself noticed and respected by his peers, (like a certain someone who was going to define his entire career prospects around the possibility of getting to meet his spidery friends again, and then they did that to him)
turning out to be a anomaly that was never supposed to be and is hunted as such, their spite nipping at their heels to push them forward, twisting themselves to be free from the expectations and scorn of potential-peers-turned-enemies.
And so at the end, obviously Miles must face the worst version of himself, before he can face the worst version of himself, and it has to be right after he finally understands what he’s up against, his own nemesis, and it has to be right after he declares, after embracing himself as a fugitive and someone-that-shouldnt-be-but-will-anyway,
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“I beat them all“
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