Tumgik
#who grieve
wiirocku · 1 year
Photo
Tumblr media
Isaiah 61:3 (NIV) - and provide for those who grieve in Zion— to bestow on them a crown of beauty    instead of ashes, the oil of joy    instead of mourning, and a garment of praise    instead of a spirit of despair. They will be called oaks of righteousness,    a planting of the LORD    for the display of His splendor.
44 notes · View notes
llovelymoonn · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
on anticipatory grief
victoria chang \\ louise glück averno: "persephone is wandering" \\ musubu hagi \\ @judas-redeemed \\ franz kafka letters to milena \\ musubu hagi
kofi
3K notes · View notes
nonasbirthday · 7 days
Text
Tbh? I don't like Paul. I don't want Paul. I understand that Paul serves an important narrative function and that Paul is the best possible ending for Camilla and Palamedes given their situation, personalities, and relationship. However what I really want is for Camilla and Palamedes to attend the ATN wedding as two individual humans and for Pal to be a lightweight who loses his tie in the garden fountain after three drinks and for Camilla to do exactly one shot with the group, keep Gideon from ripping the sleeves off her dress shirt, and absolutely kill it at lawn games during cocktail hour. Since this scenario is a wild tonal mismatch for the series and also Palamedes was already dead, this was unlikely to ever happen. However Paul is the final nail in the coffin for the theoretical existence of this scene and I can't help but resent them for that
1K notes · View notes
mp100days · 2 years
Text
Tumblr media
082 - the future is kind
16K notes · View notes
poorly-drawn-mdzs · 5 months
Text
Tumblr media
Flagrant Favourism.
[First] Prev <–-> Next
1K notes · View notes
dontbelasagne · 2 months
Text
desperately need to do a presentation on why the Twelfth Doctors journey perfectly represents the transfem experience
their previous eleventh incarnation being suave and hypersexual (i know moffat is mostly to blame but!) is reminiscent of attempts to fit into heteronormative ideals of masculinity. whilst it is not completely insincere, there are obvious signs this does not fit you as a person, it is acted out of desperate need to being seen. as Vastra put it, eleven wore that face, and subsequently that form of masculinity, to be accepted. on becoming twelve, realising even an "idealised" masculinity does not inherently serve them, they retreated into themselves as a person for self-reflection and trying to understand why they feel so detached from who they are.
the "am i a good man" arc mirrors being closeted and having to present as something not inherently tied to your sense of self, but still wanting to be the best of your perceived gender as any failure could leave you spiralling into self-doubt about simply being like any other "man". you ignore your gender dysphoria/questioning by trying to claim a moralistic view of gendered expression. made even more clear by Twelve rejecting Clara's heroic view of them, establishing that even though they have made efforts to be a "good man", that is just a placeholder for their loss of identity.
Missy appearing as she does, who as a character serves as a parallel to The Doctor on what they could become, and her eventual arc in trying to become good is symbolic of the fear around transition regret that internalised transphobia can create when you are closeted. Missy never gives importance to their fem existence other than nonchalant jokes, rather showing a more free and expressive personality devoid of any frustration. this immediately dismisses the transphobic assumption that trans people are only focused on their gender. also, Missy representing trans femininity is inherently tied to chaos and upsetting the status quo, she is the embodiment of what society considers accepting your womanhood as someone previously labelled masculine. what many others, and The Doctor themselves, saw as a need for attention and senseless disruption is Missy not needing to serve a false version of who they are, that they can now focus on becoming whoever they want to be now without losing energy to performing a gender that society has imposed on you. Missy could never have made the decision to stand with The Doctor if she had not given importance to her own queerness.
it wasn't coincidence with meeting Bill, she was the perfect foil for The Doctor to finally let go of their anxious attachment to masculinity. i would even argue for the majority of s10, The Doctor is largely ambiguous in their gender identity and does not fit into any construction of masculinity or femininity. whilst they still present as something socially labelled as masculine, they do not internalise that gender expression. they are uncaring about and not needing the validity that comes with heteronormativity, and thus is free to finally accept the decision they have to make. as Bill says, it is so hard to let go of The Doctor, and that rings true for twelve themselves. but they begin to realise The Doctor can be anyone. yes, they are tired, it would be so easy to simply rest and not give value to who you can become. but choosing to let go of everything you once were to survive is better than oblivion. it is better to let go, to choose another lifetime where the only person that dies is your falsity, to finally get it right and choose kindness. for yourself and for those who you love. they regenerate, not just into another person, but into someone who (if only tv scripts...) can now move forward.
554 notes · View notes
3lostyears · 2 months
Text
until i recently read posts on here about how there is an inherent queerness to the doctor and rose's relationship in how it's unspoken and filled with yearning that i'd never really considered that element, despite knowing for ages that RTD is gay but. man. it's just reframed a lot of the series for me, like the idea that you have this lonely man who's just watched his people die and is self-destructive and misanthropic and traumatised and he can love again and he wants to but it has so many risks.
but especially S3 and how it adds even more weight to the doctor's grieving widower status. how he tells martha that he and rose were together but martha refers to rose as a friend to tallulah; the fact that he can only say they were together once she is gone; how the only other person that both can feel how he feels but also understands the depth of his feelings is jack, a queer man himself. and I've been thinking to myself lately oh, it's ok, the doctor and rose probably accidentally got married on at least one planet or something but also the point is that there was no official title that could convey to people the extent that they meant to each other, that the doctor can really only tell donna that rose was his friend even though it is so wholly inadequate and she comes to see that by the end of the episode (and martha too of course). how people who saw the doctor and rose together assumed they were a couple, like on krop tor, but once there's no more physical evidence of the relationship it becomes more vague (and simultaneously clearer).
anyway something about how christopher eccleston said he based his portrayal of nine on RTD and something about RTD saying that his husband is "in every good man i write now" and how the doctor and ruby seeing each other in the club mimics his first meeting with his husband aka the one moment he would use a time machine to go back to hmmm
532 notes · View notes
wolfythewitch · 1 month
Text
I think it's fun when characters carry so much love and have nowhere to put it down
847 notes · View notes
atalana · 8 months
Text
so the good place is widely lauded on this site for its takes on morality and capitalism, which i totally agree with
but i think it should get more recognition for the line "all humans are aware of death. so we're all a little bit sad all the time. that's just the deal. we don't get offered any better ones. and if you try and ignore your sadness, it just ends up leaking out of you anyway. i've been there, and everybody's been there. so don't fight it. in the words of a very wise bed bath and beyond employee i once knew - go ahead and cry all you want. but you're gonna have to pay for that toilet plunger."
2K notes · View notes
betterthanbatman1 · 3 months
Text
Tumblr media Tumblr media
What if I’m crying in the club what then?
642 notes · View notes
daydreamingmiller · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
joel miller 13/?
569 notes · View notes
uncanny-tranny · 10 months
Text
Good news! You aren't required to make your hobbies and passions "marketable." In fact, your crafts, hobbies, and passions don't even need to be public if you so choose. You don't have to spend all of your energy becoming perfect if you aren't enjoying the process. You are not a product, you are a person, a creative, and your work also does not need to be a product.
1K notes · View notes
puppetmaster13u · 5 months
Text
Prompt 130
So. Danny, Ellie and Jazz are definitely Not on the run. They’re definitely not. They’re definitely not huddled up in an abandoned corner of Gotham being kept warm and guarded by Fright Knight, who has definitely not let his whole humanoid shape disappear into a more amorphous one of Fear and Shadow and Flame to keep everyone away. 
They’re definitely not alone now, their parents definitely aren’t dead now. They’re definitely not stitching up Danny or stabilizing Ellie. They’re not making a sling for Jazz’s broken arm and crying as the ghost of Autumn tries to soothe his ghostlings wards. 
481 notes · View notes
tubchunk · 5 months
Text
wdym that everyone who stayed back on the island stayed back for love. wdym everyone that ran to save themselves also did it for their love for each other. wdym people tried their best to save the people they'd spent two weeks fighting cuz at the end there was love THERE WAS LOVE.
thats what the qsmp has always been about. it's love. all kinds of love. and what you're willing to do for that love. its love its love its love
Tumblr media
593 notes · View notes
strawberrytalia · 5 months
Text
the fandom’s twisted takes on jack drake and tim kind of make me sad because i feel like its canon state is the most realistic, relatable, and ‘heartwrenching in its own way’ form of a parent-child relationship. jack loves tim, but fails to communicate that properly. he doesn’t understand tim. the lack of dialogue between two people who love each other, but physically can’t express it, especially from the parental side, is a pain that is so valid and one that i’m sure many people can understand.
making jack abusive also takes away so much of tim’s canon grief and devastation. tim loved his father! he gave up robin for him! in their very last moments, he was crying and telling his father how much he loved him and to just hold on a little longer. and then the utter tragedy of arriving just seconds late to the sight of his father’s corpse.
and the added context that jack drake wasn’t even murdered intentionally, it was a freak accident part of a larger scheme that didn’t even involve tim at all. can you imagine tim’s anger?? the bitterness???
anyways… i think the story of losing one’s parent and spending forever thinking about all the unsaid words, regretting what you did say, being angry at the circumstances, wishing for anything to bring them back, holds so much weight on its own and it really doesn’t need unnecessary non-canon details of jack being abusive or cruel when that wasn’t the case. you don’t need to vilify everyone. i know he was FAR from perfect but he did love tim, and tim loved him back and he will likely grieve for him forever.
473 notes · View notes
Text
Danny going around cleaning up headstones and placks in cemeteries and graveyards. Graveyards and cemetery’s are considered the resting places for the dead, so when he’s there he just super relaxed and safe feeling.
That’s how he meets superheroes/vigilantes/antiheroes/villains/civilians/side characters from different cities.
He just gives them advice on mourning and basically lends them an ear or shoulder for a few days before he goes to the next cemetery.
Eventually Danny runs into one of the Bat fam in a Gotham cemetery and they ask him what he’s doing, he’s completely distracted in a really calm state from the dead resting place vibes and says something cryptic about even empty graves deserving care while cleaning up a grave.
Right in-front of Jason’s grave.
4K notes · View notes