Tumgik
#worm write-up
wormwormwrm-worm · 6 days
Text
by popular demand (from the ants) the ants in my room are back. in my room. (the ants)
3 notes · View notes
bluerosefox · 7 months
Text
Tim, buddy, what do you mean you might had accidentally made a Love Child?!
Danny finds out that
1. He's a clonish 'love child' of two heroes
2. He was accidentally created during one of his donors mental break downs after losing his father and best friends (one of which was his other donor)
3. CW interfered before his creator realized what he made and pulled him out of that dimension because "it would had lead that world to true ruin if he found out at his state of mind. He's better now but it would had been the final straw for him should anything had happened to you in his care and given who he had to partner up with later... I did what I had to."
4. Due to Danny having a bad fall out with his parents after he told them about being Phantom (they didn't attack him... but they did disown him.) Danny is left adrift of what to do. He doesn't wanna bug Jazz, she's in college and dorming. Tuckers place has no room. Sam's parents would never let him stay. Vlad was a definitely a no go. And Dani (Ellie) last check in was near the Amazon rainforest.
5. Danny finds out some of his powers might not be as ghostly as he thought... it does explain the huge power boost some of his powers have compared to other ghosts.
6. He went to Clockwork... who proceeded to tell him the truth, smile his cryptic smile while saying "and now. Have fun this time around. I'll see you again in due time Daniel." Before yeeting him into a portal.
7. Danny woke up in his home dimension.... deaged to being five years old (the age he would be if he stayed and grew by now) (DC timeline is slower than DP in this)
8. He woke up apparently his creator's home city... during a Gala (Danny woke up in a garden, dazed and confused. His memories are fuzzy)... and wandered into the party... and apparently he looked like a perfect mix of his.. dads? Which catches A LOT of peoples attention.
9. Especially with Tim Drake-Wayne and Conner Kent-Luthor just announcing they're dating that very night.
10. Rumors and gossip of a random kid, who looks just like the recent happily announced couple, go flying quickly among the elite... and reaches certain ears before it gets to batfam and supers (I have a feeling they learned how to block out rumors and gossips during these events)
11. Those ears happen to be Lex Luthor and Ra's al Ghul (both who are there at the Gala just to annoy and unnerve the Bats and Supers)
12. By the time the rumors get to Tim and Conner, they find Danny almost getting taken away by one of those two.
3K notes · View notes
radiance1 · 9 months
Text
Danny is so, oh so very tired about the amount of marriage proposals that popped up in front of him. Not even a day past his announcement as Crown prince either.
He's thankful that neither of his four parents are pushing him towards accepting it, but it's everyone (besides his friends of course) else who either try and subtly suggest it or outright asks him if he's chosen a spouse yet.
He's only 14! He doesn't need a spouse! And they were probably far older than him too!
Even Vlad of all people took some kind of pity on him and just decided to be a normal (for a billionaire) guy who isn't trying to kill his dad.
...However, that doesn't mean he wants him to seduce him either!
(Danny: Stop trying to seduce my dad you low-budget vampire!
Vlad, calmly sipping tea: No.)
If he wasn't majorly burnt out from the number of proposals he has to sort through, he would most definitely throw him far across town, away from his dad and mom.
He needed to find a way to stop all of these letters that just keep coming, and fast. He doesn't know how much longer he could take of reading fancy script over and over and over again, his eyes already hurt enough.
He tried to ask his Father for help, his only response was to choose a consort that he saw fit to stand alongside him. Then he had to flee before he gushed about his pops.
He asked his pops, who only said that the answer would come to him in time. Which was of no help whatsoever.
He asked his mom, she at least tried to help somewhat. Giving him some equipment to ward off any ghost who would try and forcibly take him as a consort, which had a low chance of happening considering his strength, but he was happy about it regardless.
He then finally asked his dad, after making sure that vampiric leech isn't near any of his human parents. Surprisingly, he had a pretty good idea of what to do.
He was a halfa, wasn't he? Why limit himself to just ghosts? Surely, due to his half-human status he could choose someone near his age among humanity.
Well, not in those exact words, but it was a great idea regardless! Plus, they never did specify if he had to choose a ghost consort anyways.
Now he just had to decide who to pick, really. His two best friends are out of the option, they're close, but not in that sort of way. Plus, Sam is busy with Undergrowth and Tucker bonding with Technus who was apparently apart of his family tree somewhere along the line.
Then, when he was sorting through the letters and was sure his eyes were about to bleed from reading so many fancy words, he felt it. A tug in his chest, gently urging him somewhere, and you know what, it's way better than what he was doing now, so he answered.
He felt the clothes he was swearing in that moment fade into away into the outfit he wore for his coronation. A suit, a crown made of the coldest ice from the Far Frozen, a cape made from the stars along with various little knickknacks made from various gems and a veil hung over his face.
He looked pretty good, if he says so himself. Though he didn't and still doesn't know the purpose of the veil.
He appeared in what looked like an event for a high society party, most likely filled with various rich people. He floated up and quickly looked over the people and released a sigh of relief that Vlad wasn't here, say what you will, but he doesn't fancy meeting with someone who's actively trying to seduce his dad.
He folded his arms behind his back, trying to imitate the imposing figure of his father from his place in the air, looking down at the cultists(?) below who summoned him.
"Who dares summon me." He stated, rule number one, statements hold power, questions do not. The cultist below fell to his knees, either out of devotion or fear, he didn't know.
"Oh, Prince of the infinite, we called you today for the sole purpose of serving this world to one of your standing, please let us be your servants and spare us when you plunge the world into ruin!" Ah, devotion, then. His eyes bore into the woman (from the sound of her voice) below, his silence working well to unnerve her and the other guests.
"Hm." The reward was already stated, but he neither wants too nor will take over the world. "Denied." It was short, swift, and to the point in his books, he thinks he's doing well acting out Pariah Dark!
"B-but my liege, the king-"
"What the king has been known for in the past, has nothing to do with me. You dare to assume something about me, lowly human." The human below him was actually fully blown shivering, now, slamming her head down onto the floor and shouting out a number of apologies.
Rule number two, do not take back requests you have already denied.
Ok, now he feels bad, that probably hurt a lot. But he's already come this far so-
"Is that the only reason you have called me, or do you require something else. Much of my time is not something you can afford." The woman was most undoubtedly about to say something, probably more apologies, or maybe something else, but the sounds of fighting reached the room and the doors slammed opened, the body of a cultist(?) flying through the air and the appearance of what were most likely heroes.
"Well?" He let that question slide, the cold around the room descending around the woman below as a bunch of other cultists tried to fight off the heroes.
The woman seemed hysterical with worry, most likely not wanting to go to jail, perhaps. She quickly took her head off the floor and tried to stand up, almost falling back to the ground but managing to find her footing. "M-my liege, please help us!"
He tilted his head. "And as to what, would you give me?"
"The sacrifice, yes! The sacrifice!" The woman quickly pointed below him, and only then, did Danny realize there was a boy bound below him, only to be met with a glare.
Danny hummed. Yes. That will do. "It shall be done."
Danny waved his hand, ice sprouting from the ground to force the heroes and cultists apart and then blasting a hole through the nearby wall and to the outside, a path of ice leading down to the ground. "Go." He commanded, the woman nodding her head quickly and calling to the others and disappearing outside, he then blocked off the hole with ice.
He then slowly floated downwards, besides the bound human, ignoring the shattering of ice and footfalls of no doubt the heroes trying to stop him from what he was doing. He leaned over the boy- about his age- and asked one question.
"Do you wish to become my consort?"
1K notes · View notes
Text
Hannibal: Tell me will, does your act of rescuing worms from the pavement represent an attempt to play God, to exert your power and control over the natural world? Or is it an acknowledgment of our responsibility as intelligent beings to act as stewards of the earth and its creatures, to use our abilities to help and protect those who cannot do so for themselves?
Will, soaking wet from the rain, shoveling worms into his pockets: I am going to KILL you
2K notes · View notes
ghcstcd · 7 months
Note
have a you ever seen what a velvet worm is? If not then I highly suggest you do. Trust me, you’ll be pleasantly surprised
This creature looks so pathetic, I was compelled to draw it.
Tumblr media
164 notes · View notes
canarydarity · 5 months
Text
(Thought a little bit too hard about Romeo and Juliet ranchers...)
Keeping his head low and his tread light, Tango ducks from tree to tree under the cover of dark from the canopy, protecting him from the spotlight of the moon and therefore his discovery. Behind his back, leftover laughter from Skizz and Etho drifts further away; the volume of Skizz’s last protests, however, remains annoyingly the same as it continues to plague his mind, as does the memory of Etho’s agreement that Tango was—for lack of a better word—fucked. 
Louder than all of that, though, more insistent, more pressing, was the ghost of Jimmy’s lips against his. The sole force of it drove him on, his heart tripping in anticipation when around the trunk of a tree he’d glimpse the stone of the house of Solidarity, or through a break in the leaves he’d catch a glimpse of light from a brazier. 
Voices draw near just as the treeline breaks at last, and Tango ducks behind the nearest trunk as two servants meander by, following a worn path toward the back of the manor; his courage returns to him as they fade, and as if pulled by some rope falling taught or some string being coiled, Tango draws as close as he dares to the base of the stone without giving up the shade of the last tree. He kneels.
Now that he’s here, he must admit, his mind draws blank of any possible plan for continuing on. It’s not like he can wander the house of Solidarity unattended, making it clear in every way that he did not belong, and, on top of that, with one of Verona’s most recognizably unwanted faces. 
Idiot, Skizz had called him; blinded, his friend had laughed. Always the most cautious of them, Etho had recalled that even a masquerade hadn’t been enough to conceal his presence from Grian. 
And Tango hadn’t really until now heard a word. 
Movement in the far window, the unmistakable shifting of the curtains, drawn by an imaginary force—the manmade wind of someone passing through. After a moment, a more permanent form takes shape, and Tango finds himself wondering how he could have stayed still for so long, how the sun could possibly have risen while he had been unaware. 
But it of course is not the sun. He blinks and darkness is restored around him as his eyes adjust to the sight. 
Jimmy, framed in beiges and creams and white—the masonry, the curtains, his blouse—fair as any portrait, as any bolt of silk, as any fine jewel. The slightly damp flop of his hair, the color like spun gold; the curve of his shoulder, the tan glow of skin shimmering beneath the cotton—he’s breathtaking, breath-robbing, even at such distance away, and Tango wobbles enough in his stance that he places a hand on the ground for stability. 
How clear it is that this is a setting in which he doesn’t belong; how envious must be the moon for how dull it shines in comparison. Its colors—silver, the cool tones it usually accompanies—they were despicable in their wrongness. Tango thinks he’d be suited more enveloped by heat; in open fields of flowers, stranded in miles of wild wheat and tall grass, in places without trees, without shade, without reprieve. 
The masquerade, Tango thinks, was not to foster intrigue amongst the guests, but to shield them from such raw beauty, to protect them from its temptation. 
Jimmy’s chest bellows with what Tango imagines a sigh, and he continues on, momentarily disappearing from Tango’s view only to appear again in the following window, and then the one after. Tango follows, and they walk together along the length of the manor, albeit separated by its walls.
Bound, tethered, Tango’s heart tugs him along. 
A corner is turned, and instead of a further row of windows through which to watch, Tango finds a balcony jutting out of the stonework, grand and open to the air. He swallows as Jimmy steps out onto it; stares, enraptured, as Jimmy wanders over to the railing, balances his elbows on top of it, and then drops his head into his hands. 
Through the stillness of the moment comes an unmistakable and truly inspired groan, and Tango startles and glances around expecting to be caught by a rather resentful servant before realization alerts him to its source. 
Jimmy drops his hands and sighs again, and this time Tango can hear the puff of his breath as he exhales.
“Stupid,” he mutters, “so incredibly stupid. Why did I…” He shakes his head and decides better than finishing the thought, squeezing his eyes shut tightly as if he can will the arrival of more to a complete halt with just enough concentration.
Tango is familiar with this method, and, he’s gotta say, it is not as successful as he’d like it to be. 
Jimmy’s lips move again, but too little sound comes out for any of it to be heard, and Tango finds himself wandering closer before he can arrive at any of the reasons why he absolutely should not—too distracted by the thought of those lips touching his mere hours before. 
Just as he’s braving closer ground, Jimmy’s voice rises to exclaim “Tango!” and Tango’s foot finds false purchase over a well-placed root and he slips, catching himself on the cool dewy grass. His head raises slowly, ready to be forever expelled from the grounds—or more likely stuffed and made to decorate Grian’s quarters—but Jimmy’s gaze remains safely away, off into the distance beyond. “Why did it have to be Tango?”
Tango does not dare move. 
Jimmy grabs the balcony railing with both hands and leans back, closes his eyes and takes a deep breath through his nose. When he opens them, he draws himself back in and lets his arms go slack. His brow furrows in thought, his nose forming a little scrunch by the action, like his tutor’s just posed him a particularly troubling set. “But…it’s not Tango that’s the problem, is it? It’s just his name…Tek.” 
Should he be listening to this? Tango doesn’t bother thinking about it, he already knows the answer; not that that stops him, or compels him to turn around and proceed the way he came—for how could he when he’s hearing the echo of his own musings? An utterance of reciprocation for the feelings to which he’s fallen victim? Shared dismay at the grandeur of their circumstance?
“Maybe…maybe if he weren’t Tango.” 
Even before Jimmy drops his head in defeat, Tango knows that line of thinking is for naught. Maybe if he wasn’t Jimmy, maybe if his cousin wasn’t Grian, maybe if his name wasn’t Solidarity and his very existence meant to be an offense. Maybe if the sun didn’t shine, or the moon didn’t beam, or resentment didn’t flow through the streets like blood spilled. Maybe did not stand the test of time nor outlast the memory of a grudge. 
“Perhaps, should I not call him Tango, but assign him some other name…”
If only Skizz was there to witness Tango blurt out, “You can call me anything you’d like.” Idiotic and blind would not have been the only adjectives he was assigned if he had. A few immediately come to Tango’s mind himself—stupid, insane, absolutely and completely screwed. 
He has no memory of deciding to speak, but the words have undeniably come out of his mouth, and there’s no hope of them not having been heard based on the way Jimmy rises to attention. 
“Hello? Is someone there?” Alert and understandably perhaps a little frightened, Jimmy's eyes scan the treeline in which Tango dwells.
Intelligently, Tango replies, “uhh.”
“Who are you?”
Tango flounders, his voice raising a dozen octaves, becoming high and stringent as he at once wheezes out, “God, why has that question become so complicated all of a sudden?”
Jimmy shuffles to the corner of the balcony, his waist pressed against the perpendicular juncture of stone as he leans over the railing to squint into the orchard. “Wait—Tango?” 
Tango is left with no other option than to abandon his haven of trees and shade and step into the torch light of the Solidarity’s garden, lest he’d rather Jimmy lean so far over the balcony that he falls. He catches the moment that Jimmy sees him—the softening of his features, fear being overtaken by the more welcome feeling of surprise, the nervous tightening of his jaw, the biting of his lip. 
If he thought revealing his presence would mean less of Jimmy’s precarious balancing act, then he thought wrong; Jimmy doubles over more, if possible, and Tango throws his hands out in a gesture he hopes is universally interpreted as stay put while some sort of alarmed squeaking comes out of his mouth. But Jimmy just fervently whispers, “What are you doing here? Are you crazy?!”
“Are you?!” Tango whisper-shouts back. “You’re giving me a heart attack here, lean back wouldya?”
Jimmy thankfully returns his upper body to a standing position safely behind the balcony’s edge, but his voice gets no less intense, his words no less urgent. “They will kill you if they see you here, you know that right?” 
In return, Tango can only nod as if this realization has only just, for him, come to light. Of course, it hasn’t—Skizz and Etho had been trying to tell him since they left him outside the Solidarity’s walls, and by instinct alone he knew to hide if he suspected someone walking too close by, and yet. His frantic nodding does not cease as he says, “You know, I hadn’t really thought about it…to be quite honest.” 
“You hadn’t thought about it?!” Jimmy grabs at his hair, incredulous, and Tango is momentarily distracted for the amount of time it takes to imagine doing it himself and wonder at what it would feel like. “I can’t believe this.” 
Shaking his head, desperately trying to restore function, Tango delivers the only defense with which he’s come equipped. “I just—I had to see you!” 
Once more, Tango curses the moon for its inadequacy, for what must be its deliberate hindrance to the wonder of this scene. Because, though it’s too dark to really tell, firelight falling much to short, Tango swears that Jimmy begins to blush. 
Since he can’t completely be sure, he’ll have to make due with admiring this: the way Jimmy tucks his head down, closer to his shoulder, the shifting of his weight from one foot to another; how his eyes seemingly impossibly get a fraction of an inch bigger, wider. 
He doesn’t quite look back at Tango when he says, “You really mean that?”
Tango smiles, “I do, I swear it.”
Whatever modesty was held in his expression before disperses and Jimmys face holds room for little more than mirth when he turns back and demands, “On what?”
“On…” Tango draws his shoulders higher, his hands raising with them as if attached by puppeteers string. They suspend there momentarily, waiting to be released by the arrival of a coherent thought that unfortunately never comes. “I don’t know…” 
Tango bites the inside of his cheek. “What would you want me to swear on? Name it and it’s done.” He holds his hands up in pure complacency, a promise and an offer; take me, im yours.
Jimmy laughs at his near madness, and Tango swears that it moves like wind through the orchard, rippling across all the branches and leaves of all the trees; he sways on his feet to the music of it, doesn’t bother to curb the urge to smile harder at it—his face a perfect mosaic of every feeling he’s every felt. 
With a shake of his head, Jimmy admits, “I dont know either.” 
“Ah, an impasse.” 
Though his head doesn’t move, Jimmy’s eyes duck away again, seeking safer purchase as he instills the night sky with his reply. Tango doesn’t mind, for it’s easier then for him to continue to to watch. “Maybe just…say it again then. Instead.” 
“I came because I had to see you, Jimmy.”
Jimmy’s eyes dart back and then away again, needing to see Tango to truly be sure, but needing privacy to be able to comprehend. “Alright…” He glances back into the room behind him, whatever is beyond the curtains that are all Tango can see. “They’ll come looking for me soon, you really should go.” 
Playfully outraged, Tango sputters, “What! That’s it, I don’t get anything in return?” 
The dramatics earn Tango an eye roll, but Jimmy also begins bouncing a little in place—resevoired anxiety that lets Tango know he was serious about the chance that someone would soon seek him out. Whatever stolen time they had managed to accrue was fleeting and not a second more. 
Even so, Jimmy plays along. “And what am I supposed to give?”
“I don’t know, something!” 
“You’re very helpful, has anyone ever told you that?”
Tango laughs, “A fair hit.” He watches as Jimmy turns around again to assure their privacy once more, understands for both of their sakes the importance of not overstaying his welcome, and his hands tucked behind his back, comes up with, “alright, just tell me this: are you glad I came?” 
Jimmy turns back to him, and this time Tango is absolutely certain of the blush present on his cheeks by the way Jimmy raises a hand as if to feel his own temperature on instinct, or to hopelessly pat it away with the back of his hand. He’s smiling, but it’s clear he’s trying not to, and that’s all the answer Tango needs. 
Before Jimmy can, in his bashfulness, form a verbal reply, from inside a voice does indeed call “Jimmy?” 
Bliss turns to panic in an instant, and instead of earliers soft tone Jimmy near hisses when he says “Tango!” 
If he was smart, he would heed the warning and go, but Tango is still drunk on their proximity alone, on the events of the night—all of which were set in motion by the taking of a chance on an innocently shared kiss. He figures if this is where one chance has gotten him, then he can stand to risk another. 
“I mean, I’m perfectly content to wait, Jimmy.” Tango steps to the nearest tree and leans against it like he’s planning to stay for some time, tries not to laugh as Jimmy’s eyes practically bug out of his head. 
“You—” Jimmy’s head swivels back and forth, caught between the harmlessness in the tease and the actual realistic harm in its consequences if Tango legitimately followed through. Of course, he isn’t going to—the second Tango sees another silhouette in the window he’s out of there, blending back the way he’d come into the trees—but where was the fun in it if there wasn’t just a little bit of real life pressure? “You’re insane,” Jimmy berates, but before he turns and disappears behind his walls that are meant to keep out Tango and Tango specifically, he whispers, “Yes, I’m glad you came.” 
Jimmy’s already gone, but when Tango says, “That’s all I needed,” its more to himself than anything as he turns to go back the way he’d come. 
He did not imagine when the night began that he’d find himself betraying the one rule his family had ever demanded he follow, nor did he expect to feel little concern for himself in spite of this fact, but he did know he’d be helpless but to do it again had the situation started anew, because Tango doesn’t know what greater purpose he could have than to love this man. It wasn’t just the remembrance of a kiss that drove Tango to Jimmy’s window, but the sense that it was only the first, and where there was one would come more. Of this, Tango was certain: attending the masquerade, glimpsing Jimmy through the party-goers, risking following him through the crowd and delighting in that first, perfect kiss had set off more than the events of tonight, one singular night, but rather of whatever was in store for him—for them—all the rest of their lives.
(gonna put "can translate Shakespearean English into gamer speak" on my resume under special skills. [read on ao3 here])
102 notes · View notes
svtskneecaps · 10 months
Text
my personal pipe dream is that one monday the egg statistics drop and flippa (and maybe tilin) are just there. at the end. with one heart, and one gray checkmark.
what i imagine is the server flips their shit. alive!!! alive!!! but they log in and they don't see the eggs. instead they get a message. i do not care who it's from or how it's delivered. they're told the eggs are being held captive somewhere, but they're alive. all that's left is to find them, before sunday at midnight pst. bc if their tasks aren't done, they die (one checkmark, one quest set. once rescued they become triple check like the other eggs)
slimeriana come CRASHING back into the server, they don't know jack shit, ESPECIALLY mariana who doesn't recognize 90% of the island anymore but holy fuck, flippa is alive somewhere and they have to find her. and maybe mariana's still in the old server days mindset of raising his kid alone but slime's slowly been indoctrinated into "it takes a village" and honestly the absolute second mariana logs on, someone's gonna be in chat already like HEY MARIANA CAN I TALK TO YOU? be it baghera or cellbit or forever or bad or I DON'T KNOW, COULD GENUINELY BE ANYONE LMAO but like mystery and eggs in danger is chumming the water for this server
which is great bc A) mariana has a concrete goal for logging into the server (finding his daughter) and B) he would be interacting with the rest of the server along the way, because he's not going to be doing this alone (he wouldn't even be allowed lmfao the rest of the server would be at his doorstep asking to help him in like 15 seconds flat) which means C) he might get reasons to log in extending outside flippa and slime. bingooooo
i call this a pipe dream bc i can poke so many holes in this even rn (does cc!mariana want flippa back, like fr? i'm not up to date) but can you IMAGINE. LIKE DAMN. i'm putting this idea into the public domain fr go nuts with it.
203 notes · View notes
cyrassol · 10 months
Text
Sometimes Eden thinks things he shouldn't think. Feels things he shouldn't feel. He doesn't ever share them, though, because that's just not who Eden is.
Sometimes he remembers the beginning, the very first time he met you. He remembers you trying to resist the inevitable, doing your best to punch and scratch and kick and bite, and he remembers that your best wasn't good enough. He remembers subduing you was easy, and he remembers that he wasn't gentle. You had to learn, and pain is the best teacher of all.
"These woods are dangerous. You could have gotten hurt," he'd said afterwards.
I did get hurt, is what your vacant eyes and tear-stricken face had said when your mouth didn't.
But not as bad as you could have been. I'm protecting you, he'd wanted to reply, but right then his mouth hadn't moved either.
You agree with him now. But sometimes, late at night with you sprawled across his chest, he wonders if he agrees with himself.
He wonders if you would have loved him if he hadn't made you. Sometimes the question keeps him awake long after you've fallen asleep. The question distracts him just as he's about to pull the trigger on a target, the question sours the sweet moments when you look at him with nothing but softness in your eyes.
Sometimes, you wake up in a cold sweat and look at him with the same eyes as in the beginning, and the question returns again.
"Please, Eden," you always pant as he rams into you while your climax approaches and sometimes, for a moment, his mind flashes back to when you'd said those words while begging him to stop.
Sometimes Eden thinks things he shouldn't think. Feels things he shouldn't feel.
He doesn't ever share them, though. Because he can't risk those thoughts becoming yours too.
204 notes · View notes
domokunrainbowkinz · 4 months
Text
Tumblr media Tumblr media
Anharion and Sarcean sketches 😌
79 notes · View notes
wormwormwrm-worm · 1 year
Text
Tumblr media
LAPTOP DECORATED.
2 notes · View notes
blindmagdalena · 11 months
Note
really obsessed with soulmate au’s recently and it got me thinking… what if john’s soulmate was part of the boys? a girl trying to kill him with an entire group of people also trying to kill him… and he’s fated to her? could picture him finding out and just putting his hands on his hips while turning his back to her and doing that click chuckle thing. just in utter disbelief but it is definitely on track for fate’s little play with him and his life lolol
Oohhh, you know, I've never played much with the soulmate au concept, but this struck me just right because I can so clearly see the slow, building meltdown that strikes him when that reveal drops.
The mirthless laugh, shaking his head, the hapless gesture to the ceiling before his hands drop. "Of course. Of course it's you. Why wouldn't it be? I mean—Christ, it makes sense, doesn't it? Every single person who was supposed to love me has-has fucked it, so why—" he keeps cutting into this escalating, unsettling laughter. There's nothing funny about it: you're sure that you're watching someone lose the last shred of their sanity in real time. "Why would my 'soulmate'-", he says, miming big, dramatic quotation marks. "-be any different?" That manic grin has shifted into tight baring of his teeth, a vicious sneer. He closes in on you, stands so near you can feel the heat of his breath when he hisses, "I should put you in the fucking dirt with the rest of them."
It should be terrifying, but it's hard to focus on anything other than the glassiness of his eyes. The sheer devastating heartbreak of it all, telegraphed clear as day in the way he carries himself. His eyes flare red, sizzling up the tears before they can fall. "And then you really will be all alone," you say. Maybe it's the hopelessness of the moment, maybe it's the shock of learning for yourself that he's supposed to be your one and only, but you feel numb. Frayed in a way you didn't know you could be. The crimson light of his eyes disappears in an instant, revealing surprise, followed by a wounded kind of look, before that familiar seething rage returns. "We'll see about that."
196 notes · View notes
Text
Alright, I've got a few ideas with a Genius reader. I've started to work on all of them, but it'll take forever if I don't pick one.
48 notes · View notes
sciderman · 5 months
Note
Were Peter and Harry properly a thing? Or was it more of a spur of the moment hook-up?
in 9319? it was just two sordid nights – and sweet, sweet lingering trauma...
Tumblr media
harry so nice, peter had to have it twice.
Tumblr media
83 notes · View notes
dazais-guardian-angel · 7 months
Text
Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.
First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.
With that out of the way, let me continue.
So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.
Tumblr media
First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.
Tumblr media
Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?
Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:
Tumblr media
This Fucking Hand™️
As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.
Tumblr media Tumblr media
Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.
Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.
Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.
I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".
When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.
When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?
You can probably already see where I'm going with this.
This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.
I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?
After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.
There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.
I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.
...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.
Tumblr media Tumblr media
Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.
Tumblr media
Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.
I guess we'll find out on Tuesday.
#bungou stray dogs#meta#bsd season 5#bsd s5 spoilers#alternatively titled 'when you copium so hard out of stewing in your denial anger and grief that it becomes reality'#is it still copium if there's strong evidence for it? idk#i DON'T know what i'll do if the stuff in this finale ends up being canon :))) make no mistake about that#but until the very moment the schrödinger's cat box is opened and i am forced to acknowledge it with my own two eyes in chapter 111/110.5#i am choosing to stay calm and rational and look at things with a sound mind... and acknowledge all the signs that are there#of which there are so many#Asagiri is a troll. he has always been a troll and this is more evident than ever lately#and he would know that everyone who watched the finale would take it at face value#never expecting it to go completely differently in the manga#and he's so much smarter than what was in that finale. he would never write those things. i would stake my life on it.#i don't care how many flaws BSD does have that i do acknowledge; he is a good writer in so many ways and he is so much better than /that/#i could fill an entire BOOK (ha ha) with all of the reasons why this finale does not work. seriously it is a never-ending can of worms#of ooc characterizations and plot holes and abandoned threads and straight up CONTRADICTIONS with what has been stated before in the arc#with fukuchi's motivations and presentation; with things that were happening in meursault; just.... so much illogical shit in general#THE MACHINE HEALED THEIR WOUNDS??? ARE YOU FOR REAL????#*sigh* but i said i wasn't gonna rant alskdjgfkdls#tbh though the only REAL thing i need to know that the finale was anime only was what the youtuber i watch pointed out:#that Bram magically regenerated all his clothes. because if it were Asagiri Bram would be naked from the shoulders down fjdkslsaskd#...anyway. This theory is real and true. I am manifesting it into existence 🙏🙏🙏#Asagiri my man...... you have never let me down yet in all the years I've known your series. Please don't let me down now.#I'm trusting in you more than ever right now...... and your ability to blow all our minds in the best possible way#(guys i'm really really really scared deep down; please hold me hahaha ahahahahaaaa- *cries*)#this would the coolest thing in the history of ever though if it happened though. I am SO EXCITED FOR THE POSSIBILITY!!!!!#ASAGIRI YOU SICK AND TWISTED MF; HOW DARE YOU MAKE ME BEG FOR MY FAVES TO SUFFER JUST SO THAT THIS BAD WRITING DOESN'T BECOME REALITY!!!!!!#he knows exactly what he's doing *SCREAMS* :))))))))
75 notes · View notes
corrodedcoughin · 2 years
Text
Steve gets a job in a sex shop. He’s everyone’s favorite. He’s so approachable, looks harmless and like he shouldn’t know anything but he DOES! He takes feedback from customers he’s helped to heart and adds it to his Big Sexy Binder. Steve Harrington is in the business of orgasms and he takes it very seriously.
Eddie walks in one day after a recommendation from a friend ‘in the know’. Eddie might be an absolute virgin but he’s done a lot of self research into toys/kink/etc. He comes back again and again and again. it might because of the pretty boy with the hair, might be to hear him talk about ‘personal pleasure’, ‘self stimulation’, ‘powerful internal vibrations’ and ‘sensory deprivation for a whole new experience’.
Steve has even been known to slip in a comment about which toys are his favourite. Eddie blue screens for a good five minutes. He all but runs out of the shop, he goes to hide in the shelves to avoid being seen with his tented jeans. Steve and Eddie curse themselves for not making a move, both convinced the risk is calculated enough yet.
Steve has a separate section of his ‘Big Sexy Binder’ just for Eddie where he takes notes on what he might like. Eddie comes back one day visibly frustrated and explains he couldn’t get his newest toy to work. Flustered, flushed and frustrated Steve takes it from him and tells Eddie he’ll give him a demonstration, not think about how THAT sounds. Both of them turn scarlet out of needy desire and fear of rejection. Tension is a physical presence in the room.
Both of them don’t know what to do. Steve rallies because he has mad game (he tells himself he does anyway) but this is the first time implementing that at work. He hopes to god he’s read the room right but he doesn’t need to worry. As soon as he starts to lean in, Eddie follows. A brief chaste kiss is followed by Eddie leaning back just far enough to tell Steve ‘hope you don’t offer every blueballed customer a personal demonstration, think I’d be a little jealous Steve’. And leans back in, this time frantic and needy.
Eddie ends up on the counter, hands clenched in Steve’s hair, on hand hips, anywhere he can get, urging him on as Steve ruts against him. Eddie might now be experienced but he’s researched enough to have an idea of what he likes so he tells Steve exactly how he’s going to make him feel ‘so good, such a good girl for me Steve, going to let me taste you? Going to show me how good you can be?’ He doesn’t know where the words are coming from but he knows they both like it.
It’s moans and needy gasps when the door crashes open, caught by the wind and they spring apart. Clearly both of them look a little less than innocent but Steve remains a professional, offering help the newly entered customer while eddie clears off to the back room that Steve pointed out to him. Steve has to continue helping the person while he Knows Eddie is back there, hot and sweaty and ready. This might be the closest Steve gets to giving a customer bad advice just so he can get to that back room and het on his knees
676 notes · View notes
oxydiane · 2 years
Text
Harry growing his hair long because since he was a child, that was the only thing he could control: his hair was wild and free and Aunt Petunia could not cut it.
He liked his hair, it was thick and dark and he had control over it. So he decides to grow it out.
But Harry was never really good at planning ahead. By third year, it reaches his shoulders and he shyly takes Hermione to the side to ask her about proper hair care. Hermione frets about using conditioner (Harry does) and actually brushing it (Harry doesn’t) but she can only give him vague tips because while Harry’s hair is a mess of unruly locks, Hermione’s curls are tight and messy in a completely different way.
Hermione eventually comes back to him after some thorough research at the library and a round of questions to all the other girls and is able to handle Harry a neatly written list of products that would help keep his hair healthy.
When Harry stumbles into the dormitory with new bottles, Ron raises his eyebrow and asks him if he’s finally decided to take care of that bird nest. Harry nods and Ron smiles before asking him if he’d let Ron brush it. ‘You always look like you’d rather eat a pile of Hippogriff dung,’ Ron reasons and Harry barely hears it because his mind is going haywire. He asks Ron if he knows anything about hair care anyways and Ron laughs, reminding him of Ginny and that’s the day Harry finds out his best friend can tie up a mean french braid.
He thought that letting people touch his hair would be dreadful. Harry was so sure he would hate every second of it, but instead he finds it quite delightful. When Ron’s fingers run through his locks and when Hermione rests a hand on the back of Harry’s head, he can’t help but feel calm and content. It gets presumably bad when the feeling of contentment is replaced by a proper backflip inside his chest as Ron fixes one of Harry’s bangs behind his ear. Harry tries not to think about it.
When he meets Sirius for the first time, he has long hair too. It is nothing like his, Harry thinks. Sirius’ hair is worn and thin and damaged by years of neglect and malnutrition, but the way it falls over his shoulder feels like a telltale of what it once used to be. Glorious.
It takes a while for Sirius’ hair to start looking healthy again. When Harry used his bathroom at Grimmauld Place he finds the shower supplied with the same products he would keep in the Gryffindor Tower’s lavatories and he feels warm. Maybe he could ask Sirius about his hair routine.
One day during a summer Harry is spending at Grimmauld Place, Ron galaxies away, he makes his way to the armchair Sirius is sitting on in the living room. Brush in hand, he shyly asks Sirius if he would like to fix his hair up for him a bit and Sirius smirks before saying he can do much more than that. That’s the day Harry starts considering braiding hair flawlessly might just be a Pure-blood thing.
749 notes · View notes