#young mark ruffalo

[everythingsheneeds]

mark ruffalo

#he was so serious omg #mark ruffalo #celebs #young celebrities #celebrity #idfk

[frasermints]

You just reminded me I used to have the biggest crush on Lola lol

dude same holy shit. lindsay lohan and jenn garner and judy greer and mark ruffalo (13 going on 30 anyone?????) lowkey jumpstarted the queer awakening

#my post #asks #answered #anonymous #sorry but young mark ruffalo >>>>> #judy greer though good LORD

[rockandroar]

I adore the Steel Stampede! How did you come up with the appropriate animal designs? What are their characters? How do they act? Are they nice? They look very intimidating, and scary, like Clash!

That’s all! I’m quite excited to see their introduction and Clash’s introduction in the webcomic!

Thank you! :) Two of my lifelong obsessions are music and animals, so I guess it was inevitable that I'd end up caricaturing music genres as species or groups of animals. It's the premise that gave way to the entire Rock & Roar story, so I went wild with it. So with metal, we've got this loud, fast, heavy genre with chugging guitar riffs and drums doing blast beats, and all of that reminds me of powerful, charging animals and their thundering hoofbeats. Top that with the sign of "the horns" being a hand gesture associated with metal since the heyday of Black Sabbath, and it seemed clear to me that metal musicians and fans would be horned and hooved animals like the ones above.

I first drew Grant Ruffalo more than ten years ago and he was a buffalo/bison from the beginning. It's just the animal that intuitively felt right for this character. To his left is Onyx Slater, and I chose an oryx because their white face with black markings reminded me of the corpse paint some black metal bands wear.

To Grant's right are Billy Kidd the goat, and Gunnar Ramsey the black sheep. No specific reason for choosing those animals in particular, I just thought it'd be funny.

Steel Stampede became a band in the late 60s. These four guys take their music very seriously and are intimidating, for sure. They command respect and they don't mess around, at least not publicly. They're very much regarded as musicians of a very high caliber, a band that is cited as influential by virtually everyone else in the metal scene.

Grant is known for his short temper, Onyx is more restrained and keeps to himself, Billy is the funny guy of the bunch but also very brave for his small stature, and Gunnar is the most down to earth and easiest to talk to. None of them are actually mean though - that's more of an image they keep up. They're not going to go out of their way to bully anyone around or intentionally hurt someone. They just won't tolerate anyone messing around with them, or their gear, or their live performances. And frankly, I think they've earned that level of respect.

But backstage, if you're on a friendship basis with these guys, they're pretty cool. If Grant is in a good mood, he'll regale you with stories of all that he's experienced throughout his music career, and will enjoy listening to your own stories too. He might even pass on some of his wisdom, in the form of a guitar technique, or advice on stage presence. He wants his beloved music genre to live on and have a strong future beyond him and his band, and even if he won't outwardly show it, it really warms his heart to see young musicians pursuing their craft with passion and discipline the way he did. He wants small bands to succeed, and every once in a while he is known to publicly give a shout out to unknown bands whose future he believes in.

#rock and roar #webcomic #webcomics #animal characters #reader submission

[random-imagines-blog]

Imagine the Marvel cast finding out you’re suicidal.

It was strange, how you basically dropped off the face of the planet between shooting the movies that you were in, for the MCU. You had formed such a great family relationship with everyone, even the ‘originals’ like Mark Ruffalo, Chris Evans, Robert Downy Jr, thinking of you as one of their kinds almost. You were the youngest, even younger than Tom Holland, so when they received nothing but radio silence, and there wasn’t a single story about you in the tabloids, for four months, they all grew concerned.

When you did come in for the first day of shooting, you looked tired. The make up artists did what they could for your dark circles, but it was evident that you had been through something. All throughout the day, Scarlett, Chris Evans, Elizabeth Olsen, they all asked you if you were okay and you gave them the thumbs up but they could all see that something was wrong.

You continued to wave them off but it got exhausting, so after the long day of shooting, you asked them to meet you by your trailer. The group grew larger - everyone that cared about you came out - The Chris’, Robert, Mark, Scarlet, Tom, Paul, Elizabeth, even Benedict was there, all of them looking at you with concern and curiosity.

“I only want to say this once,” You said, a little nervously. You couldn’t look anybody in the eye, not even Tom Holland, who was your best friend on set. “And then I don’t really want to talk about it again. But um - the reason why I didn’t reach out to anyone the last couple of months was because ... I was in the hospital.”

Instantly, Chris Evans put a comforting arm around you, worry filling his face. Everyone was expecting now some sort of medical diagnosis - especially after what had happened with Chadwick. They didn’t want to lose another friend. Another member of the team.

“I um -” You said, really not wanting to say it out loud. But you had been going to therapy, having to admit to your problems wasn’t anything all that new anymore. “I have depression. And ... I tried to kill myself.”

There were collective gasps and instant questions but you put your hand up. “I’ve been being treated for it and ... I think we’ve finally found the right combination of medication and therapy so ... I mostly just .. want to ask that you be a bit patient with me. I didn’t mean to blow any of you off. You all mean the world to me.”

You were met with the utmost support. Hugs and encouraging words and they all promised you their patience. But it was when they were alone, each one of them in their trailers for the night, that their minds really started to delve in on this new information. You were so young, you had so much potential, so much life ahead of you, what had gone wrong to make you have such terrible thoughts about yourself, about the world?

It made their mindsets different. And it made them treat you different, even though you had specifically requested no special treatment. They almost lost you, and they were going to do everything - bringing you breakfast to your trailer, running to you first to tell you a joke that they heard, sending you memes - they could to make sure that they never actually did.

Requested by: Anonymous

#Marvel cast #Marvel cast x reader #Marvel cast imagines #celebrity #celebrity imagines #request #imagines #tw: suicide

[brokehorrorfan]

Poor Things will be released on Digital on February 27 and on Blu-ray and DVD on March 12 via Searchlight Pictures. The 2023 dark comedy is nominated for 11 Academy Awards, including Best Picture.

Yorgos Lanthimos (The Lobster, The Killing of a Sacred Deer) directs from a script by Tony McNamara (Cruella, The Favourite), based on the 1992 novel by Alasdair Gray. Emma Stone stars with Mark Ruffalo, Willem Dafoe, Ramy Youssef, Christopher Abbott, and Jerrod Carmichael.

Special features are listed below.

Special features:

Possessing Beauty: The Making of Poor Things

3 deleted scenes

Bella Baxter (Emma Stone) is a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter's protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation

Pre-order Poor Things.

#poor things #yorgos lanthimos #emma stone #mark ruffalo #willem dafoe #ramy youssef #christopher abbott #jerrod carmichael #dvd #gift #horror #dark comedy #tony mcnamara #alasdair gray #frankenstein

[estelscinema]

Poor Things Movie Review

Brought back to life by an unorthodox scientist, a young woman runs off with a lawyer on a whirlwind adventure across the continents. Free from the prejudices of her times, she grows steadfast in her purpose to stand for equality and liberation. 

Since the beginning of his career, Yorgos Lanthimos has been pushing the boundaries of filmmaking. He is unafraid to handle difficult themes and complicated subjects with his strange aesthetic. So when he decides to adapt a whimsical Victorian science fiction novel that explores the complexities of what it means to be a woman, I would be down immediately. However, I wish I didn’t get my hopes so high for Poor Things as I am left deeply conflicted. On one hand, it is a technological achievement for Lanthimos. The world-building and the aesthetics of the film are beautiful. But on the other is an alarming and problematic story that is framed as female empowerment. 

A mad scientist (Willem Dafoe) discovers a dead pregnant woman (Emma Stone)  floating in the River Thames. Using his Frankenstein methods, he revives the woman by replacing her brain with that of her unborn child. As the weeks and months go by, her speech begins to become more coherent and her motor skills more refined. When she discovers masturbation, her “father” drafts up a contract for her to be married to his assistant (Ramy Youssef). However, before the marriage, she runs off with the lawyer (Mark Ruffalo) where she discovers her sexuality and the reality of human nature. From this synopsis, it sounds like a modern retelling of Mary Shelly’s “Frankenstein”. However, Poor Things is more of a horror story than Frankenstein will ever be. 

Throughout Poor Things, we witness Bella (Emma Stone), be groomed, sexually assaulted, and r*pe by men. However, instead of framing these atrocities for what they are, it is framed as female empowerment as she experiences her sexual awakening. As previously stated, Bella has the brain of a literal child, thus causing her to be emotionally immature and mentally handicapped, despite having the body of a fully grown woman. Many men immediately see her mental capacity and take full advantage of her. For example, when Duncan (Mark Ruffalo) arrives to draft up the marriage contract, he immediately notices that Bella is mentally handicapped, so he sexually assaults her. However, instead of framing it as a crime, Bella enjoys it and furthering her sexual awakening. Then the next thing you know, she runs away with her groomer, despite the fact she can barely put together a full sentence. However, her grooming does not end there. During a low point, she is manipulated by a Madam of a brothel, to sell herself to make some coin. But instead of framing this situation as a cautionary tale of selling yourself for money, it's framed as female empowerment as she is owning her sexuality. Despite the Madam being fully aware that she is mentally handicapped. 

I don’t know about you, but if this does not make your skin crawl, I don’t know what I could say to you. This is a disgusting portrayal of feminism, as it frames these disgusting scenes of abuse and r*pe as sexual exploration. Poor Things is a r*pe fantasy of what men think female empowerment is, as it sexually exploits and sensationalizes Bella Baxter’s journey. From the uncomfortable close-up of Emma Stone experiencing orgasmic pleasure, to the sheer amount of fully nude shots Stone had compared to her male counterparts, is disgusting. I am fine with sex in film, but here it is so uncomfortable and unnecessary. Bella is reduced to nothing more than an experiment and a sex toy for men, as the film primarily focuses on her physicality and her relationships with men rather than showing her autonomy or resilience to sexism. Furthermore, by the end of the film, you wonder what it is saying. What I got was that the only way a woman can be enlightened, empowered, and strong is by having a lot of sex with other people. No offense but that comes across as a man's version of feminism. 

Now within this r*pe fantasy, there are moments in Poor Things where it becomes classically feminist. While Bella is traveling on a boat to Alexandria she meets Martha (Hanna Schygulla) and Harry (Jerrod Carmichael). Unlike the rest of the film, Martha challenges Victorian-era norms as she exhibits a strong sense of independence and intelligence, unafraid to assert herself in a male-dominated society. While Harry acknowledges her intelligent wit and autonomy. Not once do they treat Bella as a sexual object. Together they teach Bella philosophy, literature, and human nature. Thus empowering her mind and spirit as she discovers there are more pleasures to life than sex. She learns of the mutual respect and admiration they have for one another, thus she begins to challenge her views of Victorian gender roles.  Furthermore, when Bella is working in the brothel, she develops a close relationship with her co-workers highlighting the bonds between women. It’s a perfect highlight of feminine strength. However, these scenes are few and far in-between. I wish Poor Things would have explored these areas of feminism, as it shows that women are more than sexual objects. But sadly today feminism believes the only way women can be empowered is by having a lot of sex or by turning them into a man (it would have been funny if the baby was a boy). 

To further add to the positives, I mostly enjoyed the performances, but I don’t think they are as groundbreaking as many people consider them to be. Emma Stone gives a very interesting performance. She is a very charismatic and versatile actor, which clearly shows in her performance when studying her body language and mannerisms But when studying her performance more, it does come across as a stereotype of someone who is mentally disabled. Her character is one-dimensional and her struggles and resilience seem to be non-existent in her performance. Whether this was writing, direction, acting, or all of the above, I expected more out of her than this stereotypical portrayal of someone who is mentally handicapped. Mark Ruffalo gives the standout performance in Poor Things. He is hysterical as his pathetic manchild of a character. However, an element missing from his performance that would have been a great extra layer would have been to frame his character for the sexual predatory that he is. Willem Dafoe is good here, but nothing really special. He is wasted as his character feels one note not only in writing but in theme. He never confronts his unethical Frankenstein methods, which is a massive waste of an opportunity. I greatly enjoyed the presents from Hanna Schygulla and Jerrod Carmichael, and I wished they were in the film more. 

Furthermore, as with all Yorgos Lanthimos films, you know they will be technically spectacular. The production and costume design will fully immerse you into this Steampunk fantasy. The costumes are intricate and delicately textured, which feels both old and futuristic. The production design feels both old and futuristic with the flying rail cars to the Victorian interiors. The cinematography is beautiful with pastel-like colors that fill every frame. Furthermore, the score is unique and ties perfectly into Lanthimos’s aesthetics. 

Yorgos Lanthimos’s Poor Things presents a troubling array of issues that undermine its potential. If Bella had been a fully grown adult (both mentally and physically) who had just been sheltered her whole life, with predatory characters being framed as predatory characters, and less of the male gaze, I most likely would have enjoyed Poor Things. However, because Bella is a child who is being sexually exploited, whatever themes Poor Things tries to tell are immediately tainted by the film's predatory nature. It lacks the nuances of feminism and female empowerment, as it misunderstands what it is to be a woman. It is a shallow and distorted depiction of women’s agency and struggles told through the eyes of a man. 

My Rating: C-

#film #cinema #movies #movie #filmmaking #filmmaker #moviemaking #moviemaker #cinephile #cinematography #film community #film is not dead #film review #movie review #film critic #movie critic #poor things #emma stone #yorgos lanthimos #margaret qualley #oscars #willem dafoe #mark ruffalo

[lifewithaview]

Poor Things (2023)

Dir.Yorgos Lanthimos

From filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter (Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter's protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.

*The end...oh,the end...happiness!

#Poor Things #2023 #film #movie #cinema #Yorgos Lanthimos #Emma Stone #Bella Baxter #Dr. Godwin Baxter #drama #fantasy #romance #meanings #feelings #awarded film #Oscars film #Loved it

[klaasje]

plz share your miku essay 👀

DISCLAIMER. this was written in the throes of 2020 lockdown fever and it shows lol

THE GIRL WHO’LL LIVE FOREVER

until tonight, i didn’t know hatsune miku wasn’t real. my hazy assumption was that someone ‘played’ hatsune miku in the same way that mark ruffalo plays the hulk - i thought there was an actress out there who provided the basis for her body and voice. i was right about one of these things, but only accidentally, and remarkably wrong about the rest of it. i am writing this because a) i have literally nothing else to do and b) because i thought the rabbit hole i just fell down was really cool! cool, strange, fascinating, and also kind of sad. anyway. close your eyes and pretend it’s 2007:

yamaha’s vocaloid software is grounded in the concept of ‘voices’. there’s the VOCALOID program itself, the act of writing music that can be played by a machine, and then there are the voices you can use to synthesise it. in 2007, there were 3 voice banks available: a western voice bank named ‘sweet ann’, CV01, and CV02.

CV01 (character voice 1) was developed by crypton media as the first japanese voice bank. character voice 1, as names go, is not particularly appealing - so to increase interest in VOCALOID software and attract a userbase willing to learn it, the team behind CV01 decided to put a name and a face to the voice they’d created. it went, from what can be discerned via google, the wayback machine, and a scattering of translated interviews, something like this: hatsune miku’s voice was based on vocal samples given by saki fujita, a well-established voice actress and living human being. the voice bank itself was built by designer wataru sasuski. her physical appearance, including her iconic outfit and improbably huge aquamarine pigtails, were created by kei garou, a cartoonist and illustrator. everything else was left intentionally as a blank slate - and in the ensuing years, her cult following of fans have risen to the challenge of filling in the gaps. for better or worse.

one of the few canonical facts about hatsune miku is her age. she is, according to her creators, a sixteen year old girl from a distant future where music was forgotten. her outfit reflects this, styled in a fashion reminiscent of seifuku-style school uniforms: skirt, shirt, stockings, and a tie. i did not know there was a specific word for that until just now. anyway - hatsune miku was sixteen in 2007, and she has been sixteen ever since.

i have watched… more than a few vocaloid AMVs tonight! the oldest ones resembled a cross between second life and final fantasy 8 cutscenes - bizarre, rigid avatars performing bizarre, rigid choreography in a number of inexplicable locales, such as endless fields of wheat, a gothic cathedral, and (most memorably), a busted nuclear reactor - but eventually i reached the live recordings, which is where things graduated from funny-weird to weird-weird. the production value, compared to those early videos, was off the charts. the songs, as far as i could tell, were the same. this is often lauded as one of the most unique, inimitable facets of the ‘miku experience’ - her songs are written (and choreographed) by her fans. world is mine, one of her most popular live performances at 8 million hits, started life as one of those stilted, second life-esque animations.

so miku’s songs are written by her fans. hatsune miku, the character, the experience, the mythos - is collectively created by her fans. which begs the question: who are her fans? who created the youtube videos? who has the time, resources, and sheer dedication necessary to create AMVs for an ever-young, ever-pleasant, angel-voiced teenager, with a sylphlike body and a skin tight school uniform?

i didn’t make the connection, at first. maybe this was naive of me. while absorbing the first few miku live videos, hearing her babytalk, watching her perform - my initial assumption was that miku audiences would primarily be teenagers (and their grim-faced parents), people who could relate to miku as an aspirational ‘peer’. her dance moves, especially, led me down this route - is fortnite still big with the youth? i’m 22, i have accepted that my days as someone who knows What’s Big With The Youth are behind me, but i still hear vague echoes from time to time. fortnite dances. tiktok. hatsune miku. etc. what was i saying. oh yeah. miku dances with a camera in mind, the way a tiktok influencer dances: effervescent, front-facing, with hand gestures that beg to be imitated. the more i watched her the more i recognised the unnerving, uncanny quality emanating from the stage. i realised where i’d seen it before. we live in a remarkable age of animation: where AAA studios are creating death scenes so realistic they can provoke a trauma response in the people animating them, where a horse’s bollocks will infamously shrink when exposed to pixel snow, and where hatsune miku dances with unerring, flawless fluidity, while the gleaming stage lights fall perfectly on her virtual body. 

she looks so at home in 3-dimensional space, especially in the newest videos, it's easy to forget she isn't there. she looks real. like you could touch her. she will never, of course, be real. you will never, of course, touch her. but you can touch her in other ways. you can write songs with her voice and make her dance to them; you can manipulate the movements of her body, every minute bob of her pigtails, puppet her, propel her. is that the appeal? is that why her audiences look the way they do? i am thinking about tabula rasa and whether the miku slate was ever truly blank. it makes me sad. there’s something poignant about the intersection of humanity and technology that vocaloids represent. they were the first crossing of a border that will continue to be crossed for the rest of the 21st century. in a virtual age, with virtual bodies, what constitutes as ‘real’? where, and how, do we draw a line?

to my surprise, there is a miku song i genuinely like: ‘miku’ ft. hatsune miku, by anamanaguchi. the music video strips the avatar away and leaves the voice bare, nothing but the blood and guts of a vocaloid, synthesizers and computers in an empty recording studio - and this nakedness simultaneously dispels and intensifies my discomfort. it reminds me that the miku vocaloid is more than the sum of its parts. despite the controversy surrounding the fanbase who propeled hatsune miku to fame, there is still something undeniably compelling about this. about her. maybe it’s that animal hindbrain piping up, pricking up the hairs on the back of my neck: this is not a human voice. this is something other, something new. the lyrics do not shy from this. miku, miku, what’s it like to be you? followed by, play me, break me, make me feel like superman, you can do anything you want - and, most poignantly, you found me here inside a dream, walk through fire straight to me. fire walk with me. miku’s existence is a lynchian fever dream; and what’s more, in this song, she knows it. i’m not saying hatsune miku and laura palmer need to be compared and contrasted. but i’m also not NOT saying that. i am saying that this song, like every other miku song, is the catchiest song in the world. like it was developed in a lab to be an ear worm. i suppose, in some ways, that’s the point.

#as a reminder to anyone reading this I HAD NOT BEEN OUTSIDE FOR DAYS. i was not SLEEPING. i wass DEPRESSED. i was REWATCHING TWIN PEAKS #ask #anonymous

[possibleblonde]

My Thoughts on Poor Things

This movie was beautiful, and I was mesmerized by nearly every shot; oddly enough, the wide-angle and fish eye shots were my favorite. The unique landscape and vibrant, contrasted world was incredible to see. In some ways the world reminded me of Beau is Afraid, though with a little more garnish whimsy and less outright terror. The fashion, the cinematography, the settings, the score oh my god; technically, this movie is one of my all time favorites

Mark Ruffalo’s character was incredible and he should receive every accolade for his performance. Though I did find it funny to lean over to my sister and say “Hulk SMASH” every time he got into a fight, his embodiment of the character at play was perfect; he felt truly tangible throughout the story. By far, he was my favorite character in the entire movie (his actions despicable, his moral compass disgusting, his arc so fun and nearly theater-esque—“BELLAAA” was one of my favorite scenes, and one I wish lingered longer)

Similarly, Emma Stone’s performance was indescribable. Her physicality and embodiment of Bella was unlike something I’ve ever seen. She was completely believable at every stage in Bella’s journey, and her movement reflected that. Bella’s growing up was so subtle, yet noticeable all at once; by the end of the movie, it was hard to remember where it began.

I can appreciate the subtextual critique of the Born Sexy Yesterday trope, and the feminist themes for what they are. Overall, it was satisfying to see Bella “win” at the end of the day and take control of her narrative. 

However, however.

This trope, this story, is such a unique and powerful metaphor for what women, what girls, go through in their life and in coming to terms with their sexuality, and I was so disappointed by the narrative the movie ended up pushing.

It was so heavy handed at moments when it wanted us to understand what it was trying to tell. When Bella was at the Brothel, after she saw the cruelty in Alexandria, the characters’ practically told us what they wanted us to hear; we nearly had fourth-wall breaks in some of the emotional climaxes of the story.

I wish, I wish, that at any point—towards the end, when Bella learned what she was, towards the beginning, with the proposal of marriage, in the middle, in the climax, during the end credits—that it was a little more directly addressed that these men were in love with a child. Perhaps the absurdity of Mark Ruffalo’s character and his satirical fall to madness, his comedic portrayal and garish nature, was meant as a metaphor to laugh at these men for falling in love with a child. Yet, her true final husband, God’s assistant, is shown in an entirely sympathetic, forgiving and nearly hero-istic light, but he had no qualms with sleeping with her as a child. No, he had issue with sleeping with her out of wedlock. And she is forgiving, understanding, and loving of him (maybe because he doesn’t just love her for her body—but still).

Maybe it is from personal experience, from my own traumatic dealings with sexual assault at a younger age, of my body being treated older than I was in mind, that I find such fault with the message (that I ultimately took away) of “women should be allowed to do what they want with their bodies” and “men should not take advantage of women and treat them as things to be had”. It was a story of one women’s fight for her autonomy; yet at the end, she had no anger, no rage nor hate; she was told by her employer at the brothel that this was the way of things, essentially; she does say at one point that she feels rage—but I don’t think we saw any of that. I think we saw a young woman having a lot of sex in a shitty situation and coming to terms with it, and eventually, making her own way in the world and getting revenge in the ways she could. 

But I wanted to see her cut Mark Ruffalo’s dick off. I wanted to see her scream. I wanted to see her cry tears for her body. I wanted to see her feel something—anything—for the way her autonomy had been taken from her in a tangible way once she came to understand it.

Maybe that was Yorgos’s attempt in the third act, but it was so heavy handed it nearly felt absurd (and not in a good way)—her old husband tried to mutilate her, she turned him into a goat. Girl Power.

This story had such a ripe metaphor for grooming and the sexual exploitation of young girls that it was bursting at the seams. It’s essential to her character the moment she first meets Ruffalo. It is part of her journey, part of her growth; rarely is it addressed directly by the film.

This movie could have been radical, could have been bolder and braver in its message; it had all the makings to do so. It could have been such a moving and empathetic story about the exploitation of young women, of how men have oft viewed girls, of the pain and anger and betrayal of being groomed. And yet, in the third act, it fell flat in the name of a feministic tale it feels has been told through movies throughout time—Barbie, this year, or even Emma Stone’s Easy A. And while these stories are not at fault for their message, and their themes should be shown and are valuable as they are, this movie just had so much potential to do more.

Maybe it is my fault for identifying with aspects of Bella’s character that I felt unexplored. Perhaps it is my undoing that I saw my trauma in hers, that I wanted her to feel the pain that I did when I came to terms with my own experiences. It is possible that I have asserted myself onto Bella, in a lack of feeling that these stories have not been shown so brutally and honestly (as they could’ve been here) before.

Yet I feel it is undeniable that women who have been groomed can watch this movie without seeing Bella, in many ways, as a metaphor of themselves. And it is hurtful that her trauma was left with passive acceptance and forgiveness by all who were there to witness it, that only a man in her past life (a life we did not see) faced true consequence, that at no point in the movie, like other messages, was it directly addressed. Had other themes not been outwardly spoken by the characters so obviously, maybe I would be more forgiving that this one was left to be pieced together.

It is a beautiful and wonderful film that should be awarded for what it is. But I am disappointed for what it could’ve been, and for that it feels hollow. It saddens me more that this metaphor now feels as though it has been used up by this story when it could have been explored for so much more. And now I am left with the feeling that it is my bearing to forgive what I have endured; in many ways this is true, but I somehow leave feeling guilty all the same.

In the end, I am grateful to have watched Poor Things. I would recommend it to the occasionally sexist film buff friend. But I would not recommend it to my youngest sister; though for her, I hope she can watch it and never feel the same as I did. 

#poor things #emma stone #mark ruffalo #yorgos lanthimos #god this movie made me mad #i made this account because i wanted to post this somewhere #and i need other people to see my thoughts for some reason #movie review #movie rant #movie thoughts #i'm glad art affects me emotionally #but it makes me upset when it disappoints me #also Spoilers

[agentnico]

Poor Things (2023) review

Yorgos Lanthimos may be the new Quentin Tarantino when it comes to feet fetishes in cinema, as there are so many Emma Stone feet shots in this movie… so many. Also, her little toe is oddly square shaped, just saying.

Plot: An incredible tale and fantastical evolution of Bella Baxter (Emma Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter's protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.

At first I was very much a fan of director Yorgos Lanthimos’ directing style, with him managing to take any event or piece of dialogue and turn it into deadpan awkwardness. As such, his indie films The Lobster and The Killing of a Sacred Deer both are great examples of entertaining postmodern cinema with each one featuring a dystopian visual style. That being said, his last film The Favourite, even though it was a hit with the critics and the award ceremonies, for me did not hit the same. It felt much more reserved compared to the director’s previous efforts, and his usual weird style just came off crude and the humour for me personally did not land. Nicholas Hoult was a hoot though, but when isn’t he! Anyway, going into Poor Things I was hoping for more of the original magic which I’ve seen from Lanthimos in his earlier works, and the trailers with their vibrant visuals really sparked my interest, so I went in with high hopes.

So in terms of the visuals, Poor Things may just feature some of the best and most imaginative sets of any movie of 2023. Starting off the first part in black-and-white, very reminiscent of the old Universal monster flicks, but then 30 minutes in transforming into a technicolour dream world with colours popping Wizard of Oz-style, with every shot reminiscent of a vivid painting, with the use of the fisheye lends to create a somewhat watercolour effect to the backgrounds. The movie looks and feels artificial, which connected well with the narrative of this Frankenstein’s monster type woman learning and discovering everything with a brain that’s both her’s and not. Oh, and she happens to also wear rainbow glasses, so I can only imagine how much more stranger the world must look through her eyes.

The film’s biggest asset is its acting. Emma Stone is phenomenal as she has to play a grown woman with the brain of a baby, and then show us that woman growing into her brain (or maybe show us the baby growing into the woman?) over the course of the film. She really does throw herself into the role and it’s the type of role that awards shows will delightfully seek their teeth into. Willem Dafoe as the maker of Bella felt like a character that walked straight off a David Lynch fantasy, from the prosthetic make-up to his performance as the mad scientist that falls for his creation. But the real stand out here is Mark Ruffalo who simply is on another level. Playing the slimy player who only sees women through the male gaze, and attempts to take advantage of Bella’s naive outlook life for his own physical pleasure, it’s the kind of character you are supposed to despise, but gosh did I love everything Ruffalo was doing in this film. He was truly hilarious with every piece of his line delivery successfully painting the pathetic nature of his foolish character. Most critics will be showering Emma Stone with praise and deservingly so, however I believe Mark Ruffalo should not be overlooked and may be the actual MVP of the whole movie.

Narrative wise this is a fun feminist spin on the Frankenstein formula, that is a loud and proud shout to female autonomy for those who may have found Barbie a bit too cheesy and perky, yet I do find the movie to be overly cynical against its own good. It's like Lanthimos approached the film in the same way the mad scientist played by Willem Dafoe in the movie approaches his medical experiments -- with a cool eye and a lot of curiosity, but very little heart. And for the bubbly and big eyed Bella that is full of life and excitement, the film she’s in is the polar opposite. Look, I admired the film for what it was, but the romantic within me wanted a bit more of the, as the French would say, ‘amour’. Also there was just too much sex for my viewing pleasure. Again, I don’t mind a lil’ hanky-panky in my films, but when I’m sat in a dark theatre surrounded by many perverts with 90% of what I’m watching being humans doing the thrusting and the throbbing, it is a tad uncomfortable. You can also imagine what my fiancée thought when I told her afterward about the movie’s heavily erotic side.

Poor Things is very much a film that screams the director’s unique and distinct style and I truly respect it for that, however I personally feel like its not my cup of tea as it was a bit too cold for my liking. There wasn’t really a character I could connect or sympathise with, and even though Mark Ruffalo is funny as hell, his character is a piece of scum and a half. Again, kudos to the whole production team and cast for a great niche slice of art house cinema, but it’s too creepy for my liking.

Overall score: 7/10

#poor things #movie #film #movie reviews #film reviews #comedy #drama #yorgos lanthimos #bella baxter #emma stone #mark ruffalo #cinema #willem dafoe #steampunk #dystopia #poor things review #2023 #2023 in film #2023 in films #2023 films #fantasy #frankenstein #searchlight pictures #ramy youssef #margaret qualley #christopher abbott

[collinsportmaine]

Fans of Netflix’s times-wimey “Dark” know that Louis Hofmann (Jonas) is a terrific actor. I just learned he will star in a new series - “All the Light We Cannot See” to be released in November.

The series is based on the Pulitzer Prize winning novel of the same name. No time travel but the story is set during WWII. Hofmann plays a young German conscripted into the army because of his knowledge of how radios work. The story also features a young blind French woman who Hofmann’s character “meets” via illegal radio broadcasts she makes. She is played by Aria Mia Loberti who is also blind.

Rounding out the cast are Mark Ruffalo, and Hugh Laurie. Surprisingly, Louis Hofmann gets top billing.

#Netflix dark #louis hofmann #mark ruffalo #hugh laurie #Aria Mia loberti #wwii #All the Light We Cannot See #timey wimey #Youtube

[mylifeincinema]

My Best of 2023: Supporting Actor

My Best of 2023 is a series of annual lists in which I pick the best of the best from 2023, all leading up to my official picks for My Top 10 Films of 2023.

This is usually my most difficult category… and almost always my favorite. This year's different. Yeah, Mark Ruffalo delivered one of my very favorite performances of the year, period. But the rest - aside from 8-10 - aren't really in any locked order, despite all delivering great, scene-stealing performances. Both Roberts turned in phenomenal, complex, villainous performances. Downey honing in on his character's ego, and De Niro nailing his character's evil entitlement. Gosling was an absolute blast in Barbie. But he was just Ken, so.... Willem Dafoe was wonderfully weird, but should've gotten more screen-time. Same goes for Cage, whose Dracula really should've been onscreen for every single second of Renfield's running-time. I'm not super familiar with Sterling's work, but I didn't know he had such impeccable comedic delivery. And the final three are all young actors who - much to my surprise - show little to no ego in the way they brought these characters to life. Again, all of these are truly great performances, it's only the order that - for once - has me completely lost (Okay, the Top 4 or so are pretty solid, but after that? Forget about it.)... but I guess this is close enough. Oh, and I have this gut feeling I'm completely forgetting someone I absolutely loved. There's that, too.

Anyway, here they are…

My Top 10 Performances by a Supporting Actor in 2023!

1. Mark Ruffalo in Poor Things

2. Robert Downey Jr. in Oppenheimer

3. Robert De Niro in Killers of the Flower Moon

4. Ryan Gosling in Barbie

5. Willem Dafoe in Poor Things

6. Nicolas Cage in Renfield

7. Sterling K. Brown in American Fiction

8. Jacob Elordi in Priscilla

9. Dominic Sessa in The Holdovers

10. Charles Melton in May December

Enjoy!

-Timothy Patrick Boyer.

Next Up: Directing; Lead Actress

More of My Best of 2023...

#film #movies #best of 2023 #poor things #mark ruffalo #oppenheimer #robert downey jr. #robert de niro #mybestof2023 #killers of the flower moon #ryan gosling #barbie #willem dafoe #nicolas cage #renfield #sterling k. brown #american fiction #priscilla #jacob elordi #dominic sessa #the holdovers #charles melton #may december #movie #cinema #lists #etc.

[denimbex1986]

'Actors, sometimes known as a “circus of the unemployable,” at least if you ask Cillian Murphy, pretty much have to do what they do. “I can’t do anything else, at all,” the “Oppenheimer” star says, laughing at his own early ambitions to become a lawyer. “It failed catastrophically and was a terrible decision. But I think it’s a need to express yourself in some way, and I’m obsessed with story. And as we become older, we think there’s certain stories I want to tell now. All the films here have something to them; they’re provocative or stimulating or they ask questions in them. That’s the long-winded way of saying there is something potentially useful for the human spirit, maybe.”...

The actors’ strike is over, but one of the contentious issues still out there is AI — how it’s going to be used, what actors’ rights are. Have you guys given that any thought?

Murphy: It was nice when they took [John] Lennon’s voice on that Beatles track [“Now and Then”]. The AI managed to separate it from the piano, and it was so incredible to hear his voice. So ghostly. That’s a good application.

“Oppenheimer” is the largest grossing biopic ever. Could you have imagined that so many people would embrace it?

Murphy: Not at all. We didn’t have any clue that people would respond the way they did, and it’s just the brilliance of Chris [writer-director Christopher Nolan] — he has always presupposed that the audience are super-smart. Which they are. He never panders to them or patronizes the audience. They seem to be ready for this and wanted something that was challenging and provocative and asked questions. But yeah, it was gobsmacking that people went out in those numbers to see it. And multiple times. Which is kind of crackers.

Is there a role you played that changed you?

Murphy: When I was younger, I began to understand empathy through acting. I doubt I ever would’ve been able to learn that or activate that as a young man otherwise if I hadn’t found this. They say the definition of empathy is to walk in someone else’s shoes. That’s all we do.

Cillian, about playing Oppenheimer … as with Rustin, there is historical material you can use – and with Adam Clayton Powell for Jeffrey. What did you find in your research that you felt like you had to bring out, so that it was a truthful portrayal?

Murphy: At the beginning, honestly, I didn’t have a clue. It was so terrifying, you know because he’s such an iconic 20th century figure and the world that we live in now is Oppenheimer’s world because of what happened in ‘45. It’s vast [what’s available] but then you’ve got to not just look at that the whole time because you get overwhelmed. You’ve got to focus on the humanity, and that was my gig, the humanity of it. A lot of people said to me, “So, how are you with quantum mechanics?” [Laughter] That is not my job. [laughs]. People dedicate their lives to that.

And the other thing was, doing an impression — that’s not one of my skill sets. I can’t do that .… Really, it was what is at stake at this point in this scene? And you know, you always know what’s at stake in the bigger picture but, what’s at stake right now between him and his wife, between him and uh, Groves and all these different characters and that was what I focused on every day. You have to do it, go at it bite by bite with those big ones, because otherwise you’re just going to be overwhelmed. A lot of it came from the outside as well. Trying to find how he walked, how he looked. Not trying to do an impression, but stealing little things. Like, he always stood with his hand on his hip in a very jaunty angle.

I think that intelligence is extremely difficult to convey on screen, but I felt like you guys conveyed genius. That this is a guy who’s seeing the world differently. Like when you’re looking at the puddles and the ripples in them — I felt, this guy’s unlocking the secrets to the universe.

Murphy: But I’ve always felt like those guys — it’s a burden. It’s not a gift. His mind is operating on a level where we could only imagine, and all of his contemporaries said that he was the most brilliant of them all. I don’t imagine that’s a happy place, because you’re thinking about things that you know, us mere mortals can’t even conceive of....'

#Andrew Scott #Coleman Domingo #Cillian Murphy #Oppenheimer #All of Us Strangers #Mark Ruffalo #Paul Giamatti #Jeffrey Wright #American Fiction #Poor Things #Rustin #The Color Purple #The Holdovers

[themosleyreview]

The Mosley Review: Poor Things

What if Dr. Frankenstein's creation was a success? What if the Bride of Frankenstein's monster became an actual person? A young woman with accelerated mental development and wanted to venture out into the world to experience life and womanhood. Well that's almost exactly what this original story was and I quite enjoyed the breath of fresh air it was. We've seen the coming of age, adulthood and life dramas and comedies, but this one was more on the level of delivering not only that type of story, but also a dark comedy that would either bore you or fascinate you. There was a great deal of fantasy elements that makes for a visual feast as we explore the odyssey in which the main character embarks on. There were some thought provoking and very witty dialogue between a number of characters and they all had unique perspectives on everyday life that apply today, even though this was a period film.

Emma Stone delivers an outstanding and evolutionary performance as Bella Baxter. To see her develop mentally from child to adult inside a grown woman’s body, was done so tastefully and almost effortlessly. She captures that ever curious wonder of the outside world and all that is to be learned. Her observational presence and wonderfully blunt delivery of sometimes hilarious dialogue was exceptional. Bella's exploration into the world's beauty and horror was the type of pure character growth that was captivating and sorely missed in modern films these days. I enjoyed experiencing her journey into becoming a woman and finding her freedom. Willem Defoe was excellent as her caretaker, creator and father figure, Dr. Godwin Baxter. He was a mad scientist that truly has a tragic backstory, but he doesn't let that stop him. I loved that he had a unique look on life and his studies into true human development was fascinating. The chemistry between Godwin and Baxter was heartwarming and not your typical relationship at all. It was a paternal relationship that developed intellectually. Ramy Youssef was great as Dr. Baxter's apprentice, Max McCandles. He was a young and enthusiatic student and I loved his genuine care for Bella. He was one of the purest and gentle souls of the film. Mark Ruffalo delivers a fantastic and manic performance as the very charming and petty womanizer Duncan Wedderburn. From moment he's on screen, you get the characters' intentions and how shallow of a human is. I loved that his confidence slowly gets chipped away by Bella's unwillingness to be controlled by his overbearing nature. It was a great affair that propelled the film along and their chemistry was excellent. Jerrod Carmichael was also excellent as the realist, Harry Astley. He drops some truth bombs on Bella on the world view of the rich and the poor and how society functions as a whole. His words may hold weight, but they were conflicting nonetheless. Christopher Abbott was ruthless and despicable as Alfie Blessington. I won't spoil his character too much, but I will say that he was absolutely the disgusting version of a man in that time period and he really shows his motives quickly. He acts as the final narrative payoff to a plotline that was almost an after thought thanks to the amazing performances all around.

The score by Jerskin Fendrix was fantastic, whimsical and unconventional as Bella Baxter herself. It truly brought out the comedic tone in a number of great scenes and underscores the experimental nature of the story. I loved the score the most during the moments Bella was at sea. Speaking of which, visually this film was stunning and almost dreamlike. I am a sucker for the usage of black and white to evoke the sense of time, but here its a character. The transition to vibrant colors as Bella explores gives the film a burst of life and also informs you of the characters feelings. Director Yorgos Lanthimos has undoubtedly made one of the best films of the year and the cast all around deliver outstanding performances. This is a must watch on the big screen and I highly recommend it in Dolby for the colors. Let me know what you thought of the film or my review in comments below. Thanks for reading!

#poor things #emma stone #willem dafoe #ramy youssef #mark ruffalo #jerrod carmichael #christopher abbott

[whenthegoldrays]

hiii elly <3

kinda bored lately and wanted to watch something so came here for recs :) could be of any kind btw like movies, tv shows (any language)

also maybe not something from your top ten kdramas post lol i've already watched most of the shows on there

also how're you doing?

hope you're doing well <33

Hey girl hey! Thank you for asking, I'm doing well! Terribly busy, but on the whole things are good. How about you?

Oooh okay this is quite a thing to ask me, I'm going to get decision paralysis dhdvdvdg but let me think of some less-common things I can recommend!

Available on Prime Video.

The Surprise (2015). Also available on Tubi. After inking their own death warrants, an eccentric millionaire and distraught woman fall in love and find voiding their contracts isn't an option. Romance! Dark humor! The k-drama truck of doom, except it's a Dutch movie! (Disclaimer: I do not recommend watching this film if one is suicidal)

From Prada to Nada (2011). A modern Mexican-American adaptation of Sense and Sensibility that surprisingly really works?? The title is woeful but the movie is pretty darn good.

The Lady Vanishes (2013). Iris Carr is traveling across Europe by train when she befriends Miss Froy, an elderly English woman. But when she wakes up from a few hours' sleep, Miss Froy has vanished. As fellow passengers claim the lady never existed, Iris fights to discover the fate of Miss Froy - and prove that she's not going mad.

Love and Friendship (2016). Adaptation of Jane Austen's Lady Susan, starring Kate Beckinsdale. The main character is the definition of gaslight gatekeep girlboss, and the supporting characters are all just. so funny.

To Tell The Truth (1961). If you just want something to distract you that doesn't take a lot of thinking, old game shows are ideal. In this one, a celebrity panel tries to guess which of three strangers is the person they claim to be.

Masterpiece/PBS Passport Shows.

All Creatures Great and Small (since 2020). Season 4 currently airing. A feel-good (but unafraid to get real and sad) show about the misadventures of a country vet practice in Yorkshire.

Miss Scarlet and the Duke (since 2020). Season 4 currently airing. In 1880s London, the daughter of a private investigator decides to take over his detective business after his untimely death. Mystery series that also has just about the BEST opening titles ever.

Available on Tubi (which is free!)

Forever Young (1992). The movie where I realized that Mel Gibson was cute, actually. In 1939, a heartbroken Army pilot volunteers for a cryogenics experiment and wakes up in 1992, where he gets a second shot at love.

The Space Between Us (2017). On his first visit to Earth, a man born and raised on Mars bonds with a street-smart young woman while unraveling the mysteries of how he came to be. To quote my mutual Chris: "wanna cry? 🥰"

The Dick Van Dyke Show (1960s). Some of the stuff hasn't aged well, but this is still one my top favorite old sitcoms. All the characters are so fun and endearing. You probably won't want to sift through all five seasons, so my top episode recommendations are "The Curious Thing About Women" (s1 e16), "The Two Faces of Rob" (s2 e2), "That's My Boy??" (s3 e1), "Big Max Calvada" (s3 e9), "October Eve" (s3 e28), "My Mother Can Beat Up My Father" (s4 e1), "4 1/2" (s4 e7), "The Impractical Joke" (s4 e16), and "Coast to Coast Big Mouth" (s5 e1).

(I got a little too excited with those episode recs, oopsie 🤭)

The Surprise, like I mentioned.

I just found out that they have some episodes of The Flintstones and Tom and Jerry on Tubi, if you want some good nostalgic laughs.

Available on Netflix.

Love At First Sight (2023). Cute romance about taking a chance on a good feeling.

The Adam Project (2022). You've probably seen it, but I will mention it anyway! Time travel. Annoying and precocious 12-year-old child. Ryan Reynolds and Zoe Saldaña. Jennifer Garner and Mark Ruffalo! FIVE STARS.

Trevor Noah: I Wish You Would (2022). The best Trevor Noah special, in my opinion. The curry story??? Iconic forever and ever.

The Full-Time Wife Escapist (2018). A woman takes a job as a housekeeper, but in order to stay in it, she and her boss agree to a contract marriage. If you've ever seen the k-drama Because This Is My First Life... This is the better version of that show, imo. The ML is suchhh a sweetheart.

Indian Matchmaking (since 2020). I never watch reality TV, so I don't know how I started seeing this show, but it's SO good and super bingeable.

Omg the Jurassic Park movies are on Netflix right now

Available on Hulu.

Wild Mountain Thyme (2020). It's a love story, and it's so silly and enjoyable. The resolution is just shdhfhshshsg

The Giver (2014). Jonas learns the secrets of the past, and the utopia he's grown up in begins to look more and more dystopian. Also, Taylor Swift is there for some reason.

Flamin' Hot (2023). It wasn't until I watched this that I realized how much I need movies about Mexican success stories in my life. File this under ✨inspirational✨

If you haven't yet watched The Artful Dodger (2023), you absolutely should. Come for the romance, stay for the absolutely bonkers, insane hijinks.

I barely started watching Timeless (2016), but it looks really fun and good. It's about time travel, unsurprisingly for me 🤭

Available on Disney+

Baby's Day Out (1994). A childhood CLASSIC of mine. The cuteness is just. so much. The humor is standard slapstick, but really fun, and the mom has some of the most gorgeous 90s outfits omggg

Hidden Figures (2016). I love this movie endlesslyyy. Awesome intelligent Black women overcoming the odds, space race setting, and even a side of cute romance.

The Art of Racing in the Rain (2019). Dare I say, best dog movie I've seen?

The Call of the Wild (2020). Another dog movie, with Harrison Ford. I don't remember much of it but I remember really enjoying it.

Milo Murphy's Law (2017–2018). Have you seen this follow-up to Phineas and Ferb? If you haven't, you need to. The comedy is so gold tier and the music slaps.

Delicacies Destiny (2022). I kind of stopped watching this c-drama about 1/3 of the way through, but I totally should pick it up again, and it's worth watching even if just for all the gorgeous food scenes.

And of course, anything from my top ten k-dramas that you haven't seen yet is an automatic recommendation 😌

This got. so long. I hope you find something here that you like and thank you for asking @milkteawithrusk!! This was so fun to put together! 🫶🏼

#ask elly #milkteawithrusk #movie recs #show recs #long post #tw suicide

[submissivegayfrenchboy]

Chris evans , robert battinson , Andrew Garfield , Sebastian stan , Anthony Mackie , mark ruffalo , jeremy renner

Choose one for one thing

A foot slave

Treat you like young baby

Not a close friends

You are sub but top on him

Best friends watch porn together

Master

Teacher/student illegal relationship

24 / 05 / 2023

ASK ANSWERED

Hey! Thanks for this game! I love the actors you mentioned, some more like others, but it will be with pleasure that I will answer it. Don't hesitate in the comments to play to this game or to tell what you would have liked to do with these handsome male celebs

GAME WITH ALPHA MALE CELEBS

CHRIS EVANS : Teacher / student "illegal" relationship. That would be an "illegal" relationship in the sense that teachers aren't supposed to date their teachers, but that wouldn't mean he forces me. It would be a love story between us (with him as my teacher of course, not the contrary 🤣).

I wrote a story requested by my dear friend @chrisevansxmalereader who is known to be in love with the American actor Chris Evans. In this story Chris Evans is a dom teacher. If you like to read about bullying at high school and love story between teacher and a faggot student, then this story is made for you. 😊

MARK RUFFALO : I find him very handsome. I would say we are friends and watch porn together. I am sure Mark Ruffalo would make a lot of comments of what we are watching, will makes jokes, will allow me to jerk him... I wish Mark Ruffalo could do me a feetjob 🤤.

The only story where Mark Ruffalo and Jeremy Renner appears is therefore this fic. Others alpha male celebs appears there.

JEREMY RENNER : I guess I'll be his foot slave. That would be like in the story I was requested to write. Someone on Deviantart asked me to write a story about Jeremy Renner (because he is in love with him) and his feet (he wish he could worship them).

Here I give you the link of the MAN OF THE DAY article I wrote about him if you want to know more about what I think of him.

Jeremy Renner survided to the accident that almost killed him, and the TV series on Disney+ shows you how kind he is in real life.

Chris Evans, Mark Ruffalo and Jeremy Renner are three hot straight white alpha men and I would be delighted to serve them.

But not as much as Sebastian Stan (Winter Soldier) and Anthony Mackie (Falcon).

ANTHONY MACKIE : Master. The main reason why I find hot to have Anthony Mackie as a Master is my raceplay fantasy. I think Anthony Mackie will appreciate to have a small thin whiteboy twenty years younger than him as his slave. I would like to smell, kiss and lick his body, being fucked by him...

The actor Anthony Mackie appears in this story focused on Chris Evans being a dom stepdad, but others MCU actors appears too in this fic. It's a story about domination. 😜

SEBASTIAN STAN : Master. I don't think his MCU character is someone who would be good as being a Master because he spent most of his life doing what he was ordered to do. But Sebastian Stan, even though he seems calm and nice, deserves to have slaves to do his chores. Okay I changed my mind : my answer will he "He Treats You Like A Baby". I think Sebastian Stan will laugh at how pathetic I am, will enjoy dressing me up. I'm currently co-writing a story with Anthony Mackie and Sebastian Stan humilating a boy.

ROBERT PATTINSON : Not a close friend. I never been a huge fan of this actor so I don't care if we aren't friends. I don't hate him, I don't think we would be friends in real life. There is roles where I found him good, but not enough to like him as an actor / person. He is friend with Andrew Garfield and now I'm going to talk about this man that I prefer.

ANDREW GARFIELD : I am a sub but I top him. Since he is bisexual, maybe he likes to be fucked, I mean, to take a cock in his ass 😅 ! Anyway, I am a virgin but I know I am a bottom, but it's because I'm submissive. I love how he is flirtatious with men and women, how he is a LGBTQIA+ icon and, of course, how handsome he is.

Kind, funny, sexy, Andrew Garfield is a tall and muscled man. Maybe he is a sub with men and dom with women. I don't know. What's sure is that he is the only one on this list that would let me fuck up. But I don't see myself doing it...

The only story that Andrew Garfield inspired me so far is this story about Spiderman. It really means a lot to me because it's a story about bullying and at the same time of a love story between a hot jock and a loser nerd.

Please don't hesitate to read my story, and to like, comment and reblog it if you loved it. 😊

I could also have written about Peter Parker being in love with his best friend Harry Osborn in the version of Andrew Garfield's movies. I found their relationship so cute.

Please tell me if you like the contrast between Harry Osborn, the arrogant but kind (at first) rich boy, and hid best friend Peter Parker, the poor nerd but taller and muscler.

I am so in love with Andrew Garfield! Contrarly to Robert Pattinson, I worship Andrew Garfield for so many reasons! He smiles a lot (do I have to say again why i love men who are smiling?🙄), he is goofy and kind with his fans whatever their age is.

I also love Andrew for his talent as an actor (he is probably the actor of whom I see the most movies from all the actors of this list).

In terms of beauty he is tall and muscled, with great hairs, a cute long nose, dreamy eyes, but is now more confident and sexy. I used to despises bisexual people but now they turns me on for being attracted to both genders. Andrew Garfield could make a threesome with a man / me and a woman and i would find it hotter than with two men!

To finish, i wanted to tell you that I've been asked to write about Andrew Garfield, but there is people who wants him as a boyfriend (and it's my case, I am in love with him) and as a Master (and I don't see him being dom).

To finish I will let you play by yourself a game.

Don't hesitate to tell me your answers in comments or by messages, and to reblog it so your readers can play it too. 😉

++++++++++++++++++++++++++++++++++

@andrewgarfield-daily @andrewgarfieldfan @andrewgarfieldsource @andrewgarfieldlovers @garfieldandrewhq @andrewgarfieldadoration @andrewgarfieldactivist @andrewgarfieldblog-blog-blog @andrewgarfieldbrasil-blog @andrewgarfieldbecausefuckyo-blog @sebastianstanners @stackie-yt @stackiefire @stackiestucky @anthonymackiesource @anthonymackienet @chrisevansbf @chrisevans-sexualfrustrations @jeremyrennerdaily @jeremyrenner-blog @jeremyrennergifs @jeremyrennersource @markruffalo @markruffaloisattractive @markruffalo-daily @markruffalocentral @robertpattinsondaily @robertpattiso-n-blog @robpattzbrasil-blog-blog @robpattisonmania-blog

@lovefanfiction01 @rainykpoptravelcreator @fartsandotherstink2 @gayhopefullove @torinya @fartfagoutlet @codibarnes @awesomecrowdcontrol1 @bat-woodfeet-us @tidodore2 @leftprogrammingroadtripdean

#Game #Jeu #Would you rather #ask answered #Question #Post personnel #Personal post #Alpha male celeb #Homme alpha célèbre #Acteur #Actor #MCU #Marvel Cinematic Universe #Chris Evans #Andrew Garfield #Robert Pattinson #Jeremy Renner #Mark Ruffalo #Anthony Mackie #Sebastian Stan #Feet slave #Teacher #Student #Marvel #Spiderman