The eggs are asleep, and finally Philza and Missa can catch a moment to themselves. Unfortunately, catching that moment means admitting to the injuries they have been hiding from their children - fussing over scratches while having arrowheads lodged next to your spine is the duty of a parent on Quesadilla Island, but an exhausting one.
Missa's quick fingers manage to pull said arrowhead from Philza's back, the momentary flash of pain causing him to nearly drop the iodine solution. He doesn't, though, just a little stain on the floorboards, and so he continues applying it to the wound in Missa's leg.
He barely notices the scratch of a needle against his back, but Missa cannot help but whine as the gauze is pressed against his wound.
"I hate it here," Missa manages, thankfully in English as Philza is in no position to twist and see his translator. "Why is everything trying to kill us?"
"The island fucking hates us, is why," Philza grouches, reaching over for a bandage. He's managed to get Missa's leg to stop bleeding, but it should still be covered. "Enjoy the island my ass."
Missa giggles a bit, even as he tapes a dressing in place over the arrow wound. He says something in Spanish which is definitely too fast for Philza to parse; he tries to turn and look, only to be gently pressed back into position.
"It's nothing," Missa assures him. "But the skeletons! Why are they so bad?"
"The skeletons aren't even the worst of it," Philza groans back. "If you ever see glowing eyes and nothing else? Run."
There's a long pause, and Philza hopes that Missa understands the severity of his warning - a Nightmare Stalker is exactly that, and Philza knows Missa is not nearly equipped to handle one. If he struggles as he does, he doesn't want to think about how his partner would suffer in his stead.
"It's okay," Missa pats his shoulder a few times, leaning around his wings to do so. "I'm good at running. It's my special talent!"
"You're good at a lot of things," Philza promises.
Missa doesn't reply; this time when Philza turns, he is allowed to. His entire body aching he sits himself up and twists himself around, taking Missa's face him his hands.
"You are so good," he promises. "So, so good. There's nobody else I would want to raise my eggs with."
There's more on the tip of his tongue; Philza quashes it as Missa closes his eyes, rest of his expression hidden by his mask.
Philza can see Missa struggle with his words for a bit - he's always amazed how someone can make themselves understood in two languages - before eventually receiving, "you are the best egg father."
"We have the best egg child," he retorts.
"We do!" Missa's entire body language perks up. "Chayanne is the best egg child, and he is ours. We are so lucky."
"We really are."
Philza isn't sure when it happens, but eventually he realises that he has leant forward, his forehead resting against Missa's mask. He closes his eyes and savours it, feeling as Missa loosely places his arms across his bare back - Philza needs his for support, one either side of Missa's hips and taking his weight, but otherwise he would do much the same.
The two of them stay in silence for a while, savouring each other's presence. The pain is still there, from protecting their children, and yet... In a simple house of oak and glass, for a moment it is all peace.
"Run away with me."
This is not how Philza had ever meant to bring it up, but the words slip out of their own accord.
Missa startles, eyes wide and spine straight as he blinks himself out of the peaceful haze, "qué?!"
"Run away with me," he shifts so he can see all of Missa's face, taking both of his partner's hands in his own. "Take the children, and run away. Find a way off this island, and to another world - one where the skeletons are the /only/ thing to worry about. I'll build you another house and we'll make it a home. Any colour you like, with a fence and walls and real bedrooms and a kitchen for Chayanne and gardens for Tallulah... You can have your own music room and kick Wilbur out for trying to steal your guitar, and we can sit on the roof in the moonlight and you can sing and I'll dance with the children asleep beneath us and no risk of zombie horsemen on our tail."
"But how-" a small whine catches in Missa's throat. "How do we get away? They said we cannot leave."
"There's always a way to leave," Philza says. "We just have to find it."
There's hands in his wings, and Philza startles.
"Your wings are so big... If they healed, you could fly away," Missa says, something wishful in his tone. "Up and up and far, far away, so far they could never catch you."
"And leave you behind?" he asks.
"You'd come back for Chayanne. And I... I could follow you then?"
"Even if something happens to Chayanne, I'd come back for you," Philza promises. "I won't leave you here, not in this hell."
"You wouldn't leave anyone here, if you could help it."
"Probably," Philza admits. "But I wouldn't come back for them, not if I didn't know I could escape again - I'd come back for you."
"I'll wait for you," Missa seems almost to melt in Philza's touch, whimpering as he curls in on him. Philza isn't even sure what he said wrong, just that his egg partner is clinging to him, whimpering.
"We might not always be together," he tries to reassure. "But I will always come back for you - I'll always find you. There's no point in running away if we don't run away together; if some day I /can/ fly away, I'd only do it to come back with help."
The whimpering turns to sobbing, and Philza adjusts his position to hold Missa properly. The hands in his feathers dig deep - one finger catches on some tape holding one of the litany of dressings in place - but Philza just holds Missa and worries.
Why this reaction? Was it something he said?
He stops talking just in case; Missa clearly wants a hug, so he just holds him, understanding only odd words of the broken fragments of Spanish between the sobs.
Eventually the tears slow; Missa pulls away, still sniffling.
"And... Spreen can come?"
"He can live next door, if he wants," Philza promises; it'll be a little hard to negotiate with Fit, but interpersonal drama is just a part of life. "A whole new town for /everyone/ - all of the islanders, and all of our friends. Maybe if we let his ex in Forever will even stop hitting on me."
That earns a laugh, if a bit of a wet one.
"I want to dance with you," Missa says.
"With no zombie riders," Philza promises. "Maybe tomorrow we could dance a bit at the Favela? But, one day, we'll do it somewhere safe."
"On the roof, under the moon?"
"I'll make a roof specially designed for it."
The tears slow some more, and Missa drops to actually lie on the bed.
"Do you really think we'll escape?" Missa turns to Philza and asks. "We broke the Wall, and the Federation-"
Philza moves to lie beside him - on his front while Missa is on his back - and takes a hand. "We will. I promise."
"But-"
"Someone cleverer than us will work it out," he smiles to Missa. "We've just got to survive while they do."
"And if they don't?"
"Then I'll burn the Federation to the ground."
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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you’ve lost track of the times it’s rained during the past few weeks. the amount of trials held by the chief justice have gone up, just like the chances of rain.
it was upsetting the first time it happened—your notepad getting soaked right after you’d finished getting information for your steambird column. the second time was more annoying, drawing your personal tea party to a close and leaving you drenched (and with a few soggy biscuits).
it’s a force of habit now—the familiar weight of your umbrella having become soothing rather than a burden. it almost feels like muscle memory, having to open your umbrella to shield yourself from the downpour as soon as the skies turn gray.
the rain does nothing but put a damper on people’s mood. or, at least, that’s what your neighbor tells you. you don’t dislike it, though. you don’t think you can bring yourself to do so.
there’s a certain stillness that comes with the rain. it’s calming, almost—most people who’ve forgotten their umbrellas at home seek refuge under the overhangs of the buildings, so it’s easier to navigate the streets of fontaine when they’re not so crowded.
it’s nice, almost. it’d be better if you didn’t have to work. (you’d give anything to stay curled up in bed during days like these. but you don’t think you can give yourself that luxury. at least, not when you’ve got bills to pay).
the way to the opera epiclese is nice. the aquabus is emptier when it rains. and, somehow, the landscape seems prettier with the faint mist the rain leaves behind.
it’s a little bit more crowded near the fountain of lucine. a few children run around while holding their umbrellas, jumping on some puddles before running back to their parents.
you’ve grown familiar to seeing the sight. sometimes you think this might be the reason you don’t resent the rain like most of your neighbors do.
or maybe, it’s just the sight of neuvillette standing just a few steps away from the stairs to the opera epiclese, his hand outstretched as he lets the raindrops fall onto his glove.
“you’re going to catch a cold if you keep standing under the rain like that, neuvillette,” you say, lifting your arm a little to cover him with your umbrella. it’ll do nothing, really—not when he’s already soaked to the bone.
he turns his attention to you, the corners of his eyes softening when they meet yours. he gently takes the handle of your umbrella from your hand, mindful to keep you covered from the rain more than him.
“i suppose that would be the case, yes,” he replies, his eyes focused on yours. he turns his attention to the fountain, his jaw tensing for a moment before it relaxes.
you still notice the faint crease to his brows, the slight downturn of his lips. it’s almost imperceptible—but it’s still there.
you’re not sure what to call your relationship to him. you’re not quite friends, but you’re far past acquaintances. you’re close enough to have dropped the honorifics, but not close enough to consider yourself important to him. close enough to recognize the subtle shifts to his expressions, but not close enough to pry about them.
perhaps just naming it reporter and chief justice would be better. reporter who got lucky enough to get the chief justice to open up about the court trials and proceedings, maybe. (part of you would like to ascend to reporter who gets to ask the chief justice out for a cup of tea when the rain stops).
“how was the trial today?” you ask, reaching into your pouch to pull out your notepad and a pen. part of you wishes you could feel bad for missing it, but you’ve never been one for the spectacle of the courtroom. it’s inhumane, you’d argue—how people’s grievances and crimes are exposed for the whole nation to see as if it was nothing more than a play.
neuvillette adjusts his grip on the umbrella, his eyes focused on you. “difficult,” he says, his tone measured. he blinks, and for a moment you think you hear the rain fall a little harder before it turns into a drizzle. “the evidence procured by the attorneys was not as sufficient as they had originally thought.”
the light, hurried scratching of the pen against the paper fills the air, barely audible with the sounds of the raindrops pelting down on your umbrella. you glance away from your notes to look up at him. “that sounds messy,” you muse, pursing your lips.
“quite so,” he solemnly nods, his grip tightening around the handle to keep your umbrella from swaying with the wind. his lips press into a fine line, “it ended up being far more complicated than i had thought it would be.”
you nod, acknowledging his words as you write them down on your notepad. he inches infinitesimally closer to you—enough for you to notice when a droplet falls from his hair onto the ground, but still far away enough for you to not consider burdensome.
it almost makes you smile, how mindful he is. always a gentleman, you think. it fits him—not as chief justice, but as neuvillette. part of you wishes you could write that in a column, if only for the rest of fontaine to be privy of the surprising gentleness the chief justice possesses. but you don’t think you will. (it’s a piece of information you wish to selfishly keep for yourself).
he angles the umbrella, his eyes focused on the top of your head as you organize your notes. the sun faintly peeks through the clouds, letting the soft orange hues of the sunset shine through the drizzle. his eyes study your face while you’re unaware, the corners softening the longer he stares at you.
“what did lady furina think of the trial?” you ask, your eyes drifting from your notes to his face. the troubled expression he was sporting when you first saw him is gone, replaced by some sort of warmth you can’t describe.
“she found it less entertaining than the previous ones,” he says, his tone losing that firm edge to it. he adjusts his grip on the umbrella’s handle again, making sure to cover you properly even if the rain is starting to let up.
“what about the attorneys?” you continue, tapping the tip of your pen against the paper. “what was their reaction when they realized they weren’t properly prepared to defend their client?”
“i will get you the court records for the full description,” he says, his eyes flitting to the people around the fountain of lucine. his grip on the handle eases when he sees the others start to put their umbrellas away. still, he makes no move to do the same with yours—not until the light rain stops completely.
his eyes flicker back to yours, the corners of his lips quirking up into the hint of a smile, “but, it seemed like steam was coming out of their heads.” he pauses for a second, a faint pink dusting the tips of his ears. “those were lady furina’s words.”
they’re not. you’ve interviewed him for long enough to tell when he adds an observation of his own. (still, you’ve never pointed it out to him. it’d be a shame if he stopped giving them out if he knew you were aware of this habit).
you softly hum, smiling in amusement, the corners of your eyes crinkling, “you want me to include that on the column?”
“preferably not,” he clears his throat, returning to his stoic façade. still, he can’t help the way the corners of his lips quirk up again slightly. “let that be our secret.”
“alright,” you whisper, the amusement in your smile giving way to a slight fondness. “it’ll remain between the two of us.”
“i’d hate for our dear lady furina to be branded as a gossip,” you add, your eyes drifting to the sky. a soft hum leaves your lips, your hand peeking out from under the umbrella. a hint of a smile tugs at your lips when you realize it’s no longer raining.
“it would be most unfortunate,” he says, his tone soft as he watches you. he lowers the umbrella, giving two firm shakes—the way he’s seen you do it before—before closing it.
“i will get you the finalized court records by sunset tomorrow,” he says, holding the umbrella out to you. “would that work for you?”
you nod, placing your notepad and pen inside your pouch. your fingers brush against his gloved ones as you grab your umbrella, a small jolt of electricity shooting through your hand. “that’d be great.”
neuvillette’s eyes soften once again, a soft hum rumbling in his throat. “i will give them to you over dinner, then.”
you blink, the tips of your ears burning at the implication of his words. your heart races in your chest, your eyes meeting his. “dinner?”
“if that works for you, as well,” he says, softly clearing his throat. your heart skips a beat when you take notice of the faint flush to his cheeks.
you can’t help the smile that grows on your lips, a pleasant warmth filling your chest the longer you gaze at him. (he looks unfairly pretty with the sunset framing his face, you think).
“it works perfectly well for me,” you say, your voice hushed. your smile widens when you recognize the relief on his face, your heart fluttering in your chest.
perhaps, your relationship of reporter and chief justice is not such a bad label. (at least not when it means you’re the reporter who’s going to get dinner with the chief justice).
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