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#Descriptions
writingwithfolklore · 11 months
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Level Up Your Descriptions
I learnt a tip for resume writing that I find applies pretty well to novel writing too. Essentially, you shouldn’t write on your resume that you took orders and handled cash at the till at your restaurant job because people already know what a server does. You should write the unexpected or unique things you bring to the job.
Same with writing descriptions in fiction. There are certain things that people are going to automatically assume about others, about a place, about a thing. For example, you wouldn’t say, “she grabbed out brown coffee” or “the car drove on four wheels.” Because when we think coffee, we already think brown/beans, and when we think car, we already think four wheels.
                This seems obvious, until you consider that mentioning that the café is warmly decorated, cozy, and is full of writers working on manuscripts and people catching up over coffee is… exactly that. While maybe a baseline of information like this is appropriate, all you needed to say was ‘café’ and we’re already in this image. For a setting or person that doesn’t mean much to the story, this could suffice.
                However, for an important element in the narrative, you’re going to want to bring your descriptions beyond that assumed/obvious baseline.
                We know an elderly person is going to have grey hair, shuffle slowly, and speak in a creaky voice. We might not know that their purse seems far too heavy for them, and they have a distinct smell of gunpowder that follows them into rooms.
                I’m reading a book right now by Jasper FForde called ‘Jack Spratt Investigates The Big Over Easy’ and it’s full of interesting and unexpected descriptions. Here is one of my favourites:
                “The years had been charitable to Mrs. Spratt, and despite her age she was as bright as a button and had certainly not lost any of her youthful zest. Jack put it down to quantity of children. It had either made her tough in old age or worn her out—if the latter, then without Jack and his nine elder siblings, she might have lived to one hundred ninety-six. She painted people’s pets in oils because ‘someone has to,’ collected small pottery animals, Blue Baboon LPs and Jellyman commemorative plates. She had been widowed seventeen years.”
                Think of what things make a person or space you know well unique, and try to imbue those details into your work. What makes a place look lived in? What sort of objects or feel or smell does it have? What distinguishes your best friend from others in a crowd?
                Feel free to share a description that's really stuck with you!
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madametamma · 8 months
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In 'My adventures with superman' I want it to be a running gag that when someone asks about anyone in the reporter trio, instead of just saying "He's tall", or "Short hair", they're given the craziest descriptions in return and the one asking about them will immediately understand.
"What did he look like?"
"Imagine if a lumberjack quit his job, shaved his beard, and left town to fulfill his dream of being captain of a chess club."
"Understood"
"What's she like?"
'Imagine if someone made a wish to make an ankle biting, yappy Chihuahua a human woman and she then became an obsessed journalist"
"I see"
"What can you tell me about this guy?"
"imagine shuffling tarot cards, Yugioh cards, casino playing cards and uno cards all together in one deck and slapping them on the table yelling 'Checkmate. He'd be that manifested as a human being."
"Okay"
"What can you tell me about them?"
"You know those kids in high school who would just do the most insane dangerous stunts and acted like they were going to live forever and you wondered if they weren't going to survive past 18? Well they did live, and they work for a newspaper now. Also they've recruited your high school's biggest nerd who filled out into their fold now too."
"Hmm, I see"
"What's he like?"
"Imagine if hot out of oven home made chocolate chip cookies were a person who also happened to have great abs."
"Well alright then."
"Tell me more about this reporter."
"She's got big 'grab you uncomfortably close with the left arm, dramatically waving the right arm, while shouting "Just picture it' energy."
"yes, well then-"
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jackoshadows · 9 months
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Jon Snow appearance descriptions from the text of the books with references to Arya, Ned (and Lyanna) because they have the house Stark look and he is often times described as looking similar to them by characters who know of all of them.
Jon's eyes were a grey so dark they seemed almost black, but there was little they did not see. He was of an age with Robb, but they did not look alike. Jon was slender where Robb was muscular, dark where Robb was fair, graceful and quick where his half brother was strong and fast. - Bran, AGoT
Arya took after their lord father. Her hair was a lusterless brown, and her face was long and solemn. - Arya, AGoT
The boy absorbed that all in silence. He had the Stark face if not the name: long, solemn, guarded, a face that gave nothing away. Whoever his mother had been, she had left little of herself in her son. - Tyrion, AGoT
Jon had their father's face, as she did. They were the only ones. Robb and Sansa and Bran and even little Rickon all took after the Tullys, with easy smiles and fire in their hair. - Arya, AGoT
“She might have overlooked a dozen bastards for Ned’s sake, so long as they were out of sight. Jon was never out of sight, and as he grew, he looked more like Ned than any of the trueborn sons she bore him. Somehow, that made it worse.” – Catelyn, AGoT
Her (Arya's) face was dirty, and her tears left pink tracks down her cheeks. – Eddard, AGOT
Sansa could never understand how two sisters, born only two years apart, could be so different. It would have been easier if Arya had been a bastard, like their half brother Jon. She even looked like Jon, with the long face and brown hair of the Starks, and nothing of their lady mother in her face or her coloring. And Jon's mother had been common, or so people whispered. - Sansa, AGoT
"Lyanna might have carried a sword, if my lord father had allowed it. You remind me of her sometimes. You even look like her." - Arya, AGoT
Riding through the rainy night, Ned saw Jon Snow's face in front of him, so like a younger version of his own. - Eddard, AGoT
They felt good. She (Arya) wished she could take off her clothes and swim, gliding through the warm water like an skinny pink otter. Maybe she could swim all the way to Winterfell. – Arya, ACOK
All in black, he was a shadow among shadows, dark of hair, long of face, grey of eye. - Jon, ACoK
A gust of wind sent icy tendrils wending through his long brown hair. - Jon, ASoS
Jon, he'd said, but Jon was gone. It was Lord Snow who faced him now, grey eyes as hard as ice - Sam, AFfC
She stood on the end of the dock, pale and goosefleshed and shivering in the fog. - Arya, AFfC
The flames crackled softly, and in their crackling she heard the whispered name Jon Snow. His long face floated before her, limned in tongues of red and orange, appearing and disappearing again, a shadow half-seen behind a fluttering curtain. Now he was a man, now a wolf, now a man again - Melisandre, ADwD
He looked at her face for a long moment with those cold grey eyes of his. His right hand closed, opened, closed again. "As you wish. Edd, take Ghost back to my chambers." - Melisandre, ADwD
Note: The 'Dark' and 'Fair' comparisons refers to hair/eye colour. As in Jon's dark brown hair and dark grey eyes and Robb's comparatively lighter auburn hair and blue eyes as is commonly used in English literature when describing/comparing white people.
Also Note: The First Men - the OG colonizers of Westeros and ancestors of the Starks - are white. Ygritte, Tormund, Val, Mance etc. are not poc in the books
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futurebird · 4 months
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At last, an ant texture guide!
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Here is a handy guide when you are trying to describe the texture of the ants that you see.
In an exciting new paper the textures of ants are grouped into five main categories for over 11,000 species to better understand how these micro-textures aid in ant survival.
Smooth Reticulate Striate (rugulose) Punctate (dimples) Tuberous
Read it here!
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Note
Any advice on how to fit in descriptions? Like whenever I’m writing and I need to describe a new character or something it just feels like slamming the breaks in the pace, like everything is going so smoothly then we just stop and describe this new person then try to get back to how we were. It really hurts the pacing and immersion but I know descriptions have to be done.
You explain it well: if you describe the character the moment they enter the room, it slows down the story.
So, that's why you should make it more subtle. New character enters the room and the protagonist notices it. Describe only the first thing that the protagonist would notice about them.
She turned around to see a tall man with a trench coat enter the room.
And then you continue the story by writing about what happens next. From now on you can just drop new facts about that character into the dialogue or into other text.
"Having a good time?" The man had a very high voice for someone this tall and bulky and she was taken aback by it for a moment.
Just remember that you don't need to describe the person in detail and you especially don't need to do it right away. Just space it out and fit it into other parts of the story. You also don't need to describe every character's appearance. Just a hint here or there so the reader has something they know about them, but most of the details are irrelevent to the story and should not be included if there is the chance of the reader losing track of it all.
- Jana
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so-many-ocs · 6 months
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describing your main character in first person (+ examples)
request from instagram
comparisons: using another character as a point of reference
our eyes were both blue, but hers were piercing chips of sapphire, while mine were more the color of dishwater.
they stopped growing in middle school. i didn’t. now, though i wouldn’t consider myself a giant by any means, i tower over them with ease.
i got my father’s squarish jawline, but he had a nose to match, whereas my face seemed more like a mismatched collage of features from both parents.
dialogue: other characters commenting on the mc’s appearance
“i don’t know,” she says. “you have a bit more of a pear-shaped build, so i think an empire waistline would look good on you.”
my father looked at me and sighed. “a mullet is... definitely a choice.”
“huh,” he said, reaching out to poke my upper forearm. “i always thought your tattoo was meant to be some kind of weird abstract flower.”
action: the main character interacts with an aspect of their appearance to let the reader know it’s there
i rolled up the sleeves of my jacket. it was a faded green thing with rips along the elbows from a few too many falls on the pavement, and i seldom took it off.
i pushed my glasses back up the bridge of my nose, cursing their thick lenses.
my nails were chipped, but i gnawed at them anyway.
i shook the stray curls out of my eyes.
showing (related to action) something occurs within the story that naturally reveals a part of the character’s appearance
the man gives me a once-over, then a twice-over, and smiles at me. i tuck a loose blonde strand behind my ear and smile back.
the white silk contrasts starkly with my skin.
even with heels, the book was too high up for me to reach.
i hold each watch up to my face, comparing it against my undertones, before securing the silver one about my wrist.
reflections: the character sees part or all of their appearance in a reflective surface (can be overused)
my reflection startles me with its puffy, reddened eyes and tear-streaked mascara and ruined lipstick. i looked so put-together at the start of the night.
i held up the knife, angling it so that my own piercing green eyes stared back at me.
the rain last night left behind still and scattered puddles. as i pass them on my way to work, i am followed by my hunched silhouette, darkly clothed, reflected dozens of times.
advice
break your descriptions up into smaller, more digestible bits and scatter them throughout the beginning of the story.
don’t wait too long to describe your mc, as you might be ruining the reader’s established mental image if you introduce a key detail later on.
don’t worry too much! if a book is first-person, you don’t need to agonize over the littlest parts of someone’s appearance. focus on the most important or noticeable parts (a scar, a facial feature, a limp, dyed hair, a prosthetic, etc.)
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like this post? buy me a ko-fi! | what's radio apocalypse?
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thwoughts · 15 days
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꒰@initial ﹒ pro/noun ; ❕ ꒱ ୨୧ 🍨 (person) on top :3 ﹒➷ inlvw (person you like) 💿 ꒱
soft/pinkcore bio 🩰
like/reblog if used
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thepedanticbohemian · 9 months
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I studied Isshyn Ryu Karate and Filipino fight sticks for many years. Trust me when I tell you, fights are short. Perhaps only a couple of minutes at most. It is exhausting work. It also hurts. Don't pay attention to the shit television and movies pump out. I'm telling you, getting punched in the nose or eye hurts like an MFer. A kick to the groin is horrible. Even blocking, especially if it happens bone-on-bone, again hurts like an MFer.
If you get hit with a weapon on bare skin, your eyes will water and you'll jerk back. (I got the pinky finger on my right/dominant hand broken by a Filipino fighting stick--a 2-foot long solid piece of bamboo--by my years-long sparring partner. My first reaction was to hit him as hard as I could in his temple. It hurt that bad.)
If you're adding fight scenes to your work, don't patronize your readers. Show how tiring and painful it really is. Need inspiration? Interview the Sensei of your local martial arts dojo/dojang.
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mysticdragon3md3 · 2 months
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Riz Ahmed says that Chloe Grace Moretz brought a "Puckish" "Fizz" to her portrayal of Nimona. Y'know what? Those are the perfect words for Nimona. ^u^
Source:
youtube
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honourablejester · 6 months
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Okay. Wow. Okay. So. Max Miller has a new video out revisiting garum, the ancient roman fish sauce/condiment, because he finally had the time and space (especially space) to properly ferment some garum himself in the roman style. And it's all very cool, and go watch it. But. I have to mention this, because it's fantastic and I nearly threw up, and I want other people to suffer with me. He has a lovely little quote from the 1st century roman poet Marcus Manilius describing the process of making garum (which is, again, fermented fish juice made in salt), and it's fantastically horrid:
“Their inward parts melt and issue forth as a stream of decomposition … Here a precious exudate flows out, which vomits up the flower of the gore, and mixed with salt, balances taste in the mouth.”
Astronomica, Marcus Manilius
Now. I don't know who translated that to English, and how much they were embellishing in their turn, but whatever combination of original poet and later translator put that sequence of words together in that order, that is horrendous, no notes, absolutely excellent job. I nearly threw up. Good god.
I just want people to suffer with me. What a spectacular sequence of utterly horrifying words.
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otmaaromanovas · 11 months
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OTMA's personalities according to Colonel Evgeny Stepanovich Kobylinsky
Kobylinsky is a fascinating inividual, here is a short summary of his life: Colonel Kobylinsky was employed by the Provisional Government and oversaw the Romanovs during their captivity in the Alexander Palace and Tobolsk. He was eventually replaced due to being viewed as not strict enough, and enabling their desires for activity and entertainment. Unusually, he went on to join the White Army in 1918, until he was captured and sent to a concentration camp. In order to escape the camp, he traded his freedom for a position in the Red Army. He eventually married Klavdia Mikhailovna Bitner, friend and tutor to OTMAA. Together they had one son. In 1927 he was accused of being part of a 'monarchical conspiracy' against the Soviet State and was executed by firing squad. Bitner was also arrested under a similar charge ten years later, and executed. Their son, Innokenty Evgenievich, was orphaned aged seventeen. He was drafted into the Red Army, and fought against the Nazi invasion.
"The Grand Duchess Olga was a nice looking young blonde, about twenty-three; her type was Russian. She was fond of reading, capable and mentally well developed; spoke English well and German badly. She had some talent for art, played the piano, sang, (she learned singing in Petrograd; her voice was soprano), and she painted well. She was very modest and did not care for luxury.
Her clothes were modest and she restrained her sisters from extravagance in dress. She gave altogether the impression of a good, generous-hearted Russian girl. It looked as if she had had some sorrows in her life and still carried traces of it. It seemed to me that she loved her father more than she loved her mother. She also loved her brother, and called him "The Little One" or "The Baby.
The Grand Duchess Tatiana was about twenty. She was quite different from her sisters. You recognised in her the same features that were in her mother — the same nature and the same character. You felt that she was the daughter of an emperor. She had no liking for art. Maybe it would have been better for her had she been a man. When the emperor and empress left Tobolsk nobody would ever have thought that the Grand Duchess Olga was the senior of the remaining members of the imperial family. If any questions arose it was always Tatiana who was appealed to. She was nearer to her mother than the other children; and it seemed that she loved her mother more than her father.
The Grand Duchess Maria was eighteen ; she was tall, strong, and better looking than the other sisters. She painted well and was the most amiable. She always used to speak to the soldiers, questioned them, and knew very well the names of their wives, the number of their children, and the amount of land owned by the soldiers. All the intimate affairs in such cases were always known to her. Like the Grand Duchess Olga, she loved her father more than the rest. On account of her simplicity and affability she was given the pet name by the family of "Mashka." And by this term she was called by her brother and by her sisters.
The Grand Duchess Anastasia, I believe, was seventeen. She was over-developed for her age; she was stout and short, too stout for her height; her characteristic feature was to see the weak points of other people and to make fun of them. She was a comedian by nature and always made everybody laugh. She preferred her father to her mother and loved Maria Nicholevna more than the other sisters.
All of them, including Tatiana, were nice, modest and innocent girls. There is no doubt they were cleaner in their thoughts than the majority of girls nowadays.
The czarevitch was the idol of the whole family. He was only a child and his characteristic features were not yet worked out. He was a very clever, capable and lively boy. He spoke Russian, French and English, and did not know a word of German.
In general, I could say about the whole imperial family that they all loved each other and were so satisfied with their family life that they did not need nor look for intercourse with other people. Never before in my life have I seen, and probably never again shall I see, such a good, friendly and agreeable family."
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SOURCE: The Last Days of the Romanovs, published 1920, George Gustav Telberg, Robert Wilton, Nikolai Sokolov, ch. Examination of E. S. Kobylinsky
PHOTOS: Colonel Kobylinsky, dates unknown. Arrest photograph of Klavdia Mikhailovna Kobylinskaya, formerly Bitner, shortly before her execution
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honeyscript · 2 years
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Primary Personality Traits 📜✨
hi there! I’m in the process of making character profiles and in my search for some descriptions I stumbled upon this little gem. It’s a list of 638 character traits including positive, neutral, and negative traits you can use to describe your characters. I found it super helpful so I figured I’d link it here for my own record and other writers. you can also find the full list under the cut.
hope this helps, enjoy writeblr!
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Positive Traits (234 = 37%)
Accessible
Active
Adaptable
Admirable
Adventurous
Agreeable
Alert
Allocentric
Amiable
Anticipative
Appreciative
Articulate
Aspiring
Athletic
Attractive
Balanced
Benevolent
Brilliant
Calm
Capable
Captivating
Caring
Challenging
Charismatic
Charming
Cheerful
Clean
Clear-headed
Clever
Colorful
Companionly
Compassionate
Conciliatory
Confident
Conscientious
Considerate
Constant
Contemplative
Cooperative
Courageous
Courteous
Creative
Cultured
Curious
Daring
Debonair
Decent
Decisive
Dedicated
Deep
Dignified
Directed
Disciplined
Discreet
Dramatic
Dutiful
Dynamic
Earnest
Ebullient
Educated
Efficient
Elegant
Eloquent
Empathetic
Energetic
Enthusiastic
Esthetic
Exciting
Extraordinary
Fair
Faithful
Farsighted
Felicific
Firm
Flexible
Focused
Forecful
Forgiving
Forthright
Freethinking
Friendly
Fun-loving
Gallant
Generous
Gentle
Genuine
Good-natured
Gracious
Hardworking
Healthy
Hearty
Helpful
Herioc
High-minded
Honest
Honorable
Humble
Humorous
Idealistic
Imaginative
Impressive
Incisive
Incorruptible
Independent
Individualistic
Innovative
Inoffensive
Insightful
Insouciant
Intelligent
Intuitive
Invulnerable
Kind
Knowledge
Leaderly
Leisurely
Liberal
Logical
Lovable
Loyal
Lyrical
Magnanimous
Many-sided
Masculine  (Manly)
Mature
Methodical
Maticulous
Moderate
Modest
Multi-leveled
Neat
Nonauthoritarian
Objective
Observant
Open
Optimistic
Orderly
Organized
Original
Painstaking
Passionate
Patient
Patriotic
Peaceful
Perceptive
Perfectionist
Personable
Persuasive
Planful
Playful
Polished
Popular
Practical
Precise
Principled
Profound
Protean
Protective
Providential
Prudent
Punctual
Pruposeful
Rational
Realistic
Reflective
Relaxed
Reliable
Resourceful
Respectful
Responsible
Responsive
Reverential
Romantic
Rustic
Sage
Sane
Scholarly
Scrupulous
Secure
Selfless
Self-critical
Self-defacing
Self-denying
Self-reliant
Self-sufficent
Sensitive
Sentimental
Seraphic
Serious
Sexy
Sharing
Shrewd
Simple
Skillful
Sober
Sociable
Solid
Sophisticated
Spontaneous
Sporting
Stable
Steadfast
Steady
Stoic
Strong
Studious
Suave
Subtle
Sweet
Sympathetic
Systematic
Tasteful
Teacherly
Thorough
Tidy
Tolerant
Tractable
Trusting
Uncomplaining
Understanding
Undogmatic
Unfoolable
Upright
Urbane
Venturesome
Vivacious
Warm
Well-bred
Well-read
Well-rounded
Winning
Wise
Witty
Youthful
Neutral Traits (292 = 18%)
Absentminded
Aggressive
Ambitious
Amusing
Artful
Ascetic
Authoritarian
Big-thinking
Boyish
Breezy
Businesslike
Busy
Casual
Crebral
Chummy
Circumspect
Competitive
Complex
Confidential
Conservative
Contradictory
Crisp
Cute
Deceptive
Determined
Dominating
Dreamy
Driving
Droll
Dry
Earthy
Effeminate
Emotional
Enigmatic
Experimental
Familial
Folksy
Formal
Freewheeling
Frugal
Glamorous
Guileless
High-spirited
Huried
Hypnotic
Iconoclastic
Idiosyncratic
Impassive
Impersonal
Impressionable
Intense
Invisible
Irreligious
Irreverent
Maternal
Mellow
Modern
Moralistic
Mystical
Neutral
Noncommittal
Noncompetitive
Obedient
Old-fashined
Ordinary
Outspoken
Paternalistic
Physical
Placid
Political
Predictable
Preoccupied
Private
Progressive
Proud
Pure
Questioning
Quiet
Religious
Reserved
Restrained
Retiring
Sarcastic
Self-conscious
Sensual
Skeptical
Smooth
Soft
Solemn
Solitary
Stern
Stolid
Strict
Stubborn
Stylish
Subjective
Surprising
Soft
Tough
Unaggressive
Unambitious
Unceremonious
Unchanging
Undemanding
Unfathomable
Unhurried
Uninhibited
Unpatriotic
Unpredicatable
Unreligious
Unsentimental
Whimsical
Negative Traits (292 = 46%)
Abrasive
Abrupt
Agonizing
Aimless
Airy
Aloof
Amoral
Angry
Anxious
Apathetic
Arbitrary
Argumentative
Arrogantt
Artificial
Asocial
Assertive
Astigmatic
Barbaric
Bewildered
Bizarre
Bland
Blunt
Biosterous
Brittle
Brutal
Calculating
Callous
Cantakerous
Careless
Cautious
Charmless
Childish
Clumsy
Coarse
Cold
Colorless
Complacent
Complaintive
Compulsive
Conceited
Condemnatory
Conformist
Confused
Contemptible
Conventional
Cowardly
Crafty
Crass
Crazy
Criminal
Critical
Crude
Cruel
Cynical
Decadent
Deceitful
Delicate
Demanding
Dependent
Desperate
Destructive
Devious
Difficult
Dirty
Disconcerting
Discontented
Discouraging
Discourteous
Dishonest
Disloyal
Disobedient
Disorderly
Disorganized
Disputatious
Disrespectful
Disruptive
Dissolute
Dissonant
Distractible
Disturbing
Dogmatic
Domineering
Dull
Easily Discouraged
Egocentric
Enervated
Envious
Erratic
Escapist
Excitable
Expedient
Extravagant
Extreme
Faithless
False
Fanatical
Fanciful
Fatalistic
Fawning
Fearful
Fickle
Fiery
Fixed
Flamboyant
Foolish
Forgetful
Fraudulent
Frightening
Frivolous
Gloomy
Graceless
Grand
Greedy
Grim
Gullible
Hateful
Haughty
Hedonistic
Hesitant
Hidebound
High-handed
Hostile
Ignorant
Imitative
Impatient
Impractical
Imprudent
Impulsive
Inconsiderate
Incurious
Indecisive
Indulgent
Inert
Inhibited
Insecure
Insensitive
Insincere
Insulting
Intolerant
Irascible
Irrational
Irresponsible
Irritable
Lazy
Libidinous
Loquacious
Malicious
Mannered
Mannerless
Mawkish
Mealymouthed
Mechanical
Meddlesome
Melancholic
Meretricious
Messy
Miserable
Miserly
Misguided
Mistaken
Money-minded
Monstrous
Moody
Morbid
Muddle-headed
Naive
Narcissistic
Narrow
Narrow-minded
Natty
Negativistic
Neglectful
Neurotic
Nihilistic
Obnoxious
Obsessive
Obvious
Odd
Offhand
One-dimensional
One-sided
Opinionated
Opportunistic
Oppressed
Outrageous
Overimaginative
Paranoid
Passive
Pedantic
Perverse
Petty
Pharissical
Phlegmatic
Plodding
Pompous
Possessive
Power-hungry
Predatory
Prejudiced
Presumptuous
Pretentious
Prim
Procrastinating
Profligate
Provocative
Pugnacious
Puritanical
Quirky
Reactionary
Reactive
Regimental
Regretful
Repentant
Repressed
Resentful
Ridiculous
Rigid
Ritualistic
Rowdy
Ruined
Sadistic
Sanctimonious
Scheming
Scornful
Secretive
Sedentary
Selfish
Self-indulgent
Shallow
Shortsighted
Shy
Silly
Single-minded
Sloppy
Slow
Sly
Small-thinking
Softheaded
Sordid
Steely
Stiff
Strong-willed
Stupid
Submissive
Superficial
Superstitious
Suspicious
Tactless
Tasteless
Tense
Thievish
Thoughtless
Timid
Transparent
Treacherous
Trendy
Troublesome
Unappreciative
Uncaring
Uncharitable
Unconvincing
Uncooperative
Uncreative
Uncritical
Unctuous
Undisciplined
Unfriendly
Ungrateful
Unhealthy
Unimaginative
Unimpressive
Unlovable
Unpolished
Unprincipled
Unrealistic
Unreflective
Unreliable
Unrestrained
Unself-critical
Unstable
Vacuous
Vague
Venal
Venomous
Vindictive
Vulnerable
Weak
Weak-willed
Well-meaning
Willful
Wishful
Zany
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metaphrasis · 1 year
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“You have with you the book you were reading in the cafe, which you are eager to continue, so that you can then hand it on to her, to communicate again with her through the channel dug by others' words, which, as they are uttered by an alien voice, by the voice of that silent nobody made of ink and typographical spacing, can become yours and hers, a language, a code between the two of you, a means to exchange signals and recognize each other.” 
— Italo Calvino, If on a Winter's Night a Traveler
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desviesennoiretblanc · 5 months
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writingraven · 2 years
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Describing Characters
Breath
↠ abnormal
↠ accelerating
↠ aching
↠ agonized
↠ asthmatic
↠ audible
↠ bated
↠ breathless
↠ bubbled
↠ chesty
↠ choked
↠ choppy
↠ clogged
↠ controlled
↠ deep
↠ deliberate
↠ desperate
↠ dramatic
↠ dry
↠ ebbing
↠ erratic
↠ exasperated
↠ faltering
↠ faint
↠ fearful
↠ feeble
↠ flimsy
↠ fragile
↠ frantic
↠ fresh
↠ free
↠ frenzied
↠ gasping
↠ gentle
↠ groaning
↠ halted
↠ hard
↠ harsh
↠ heavy
↠ hissing
↠ hot
↠ huffy
↠ hurried
↠ jagged
↠ labored
↠ light
↠ loud
↠ lusty
↠ muted
↠ pained
↠ panicked
↠ panting
↠ quick
↠ ragged
↠ rapid
↠ raspy
↠ rattled
↠ rhythmic
↠ rough
↠ rushed
↠ shaky
↠ shallow
↠ sharp
↠ shattered
↠ shuddering
↠ silent
↠ slow
↠ sluggish
↠ smooth
↠ soft
↠ sour
↠ struggling
↠ stuttering
↠ surging
↠ tenuous
↠ thick
↠ thin
↠ tight
↠ timorous
↠ uneasy
↠ uneven
↠ unsteady
↠ visible
↠ waning
↠ warm
↠ weak
↠ weary
↠ wheezing
↠ winded
↠ wispy
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empirearchives · 1 year
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Some descriptions of Napoleon’s appearance during his 1797 trip to Switzerland:
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This is the time in Napoleon’s life when everyone described him as being extraordinarily thin, to the point of almost looking frail.
Here is a bust of Napoleon from 1798, by Louis-Simon Boizot:
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Quotes: (source)
Bust: (source)
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