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#Mexican-American Artist
2cutte2bcis · 13 days
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I drew this during my visits to my mom and daddy’s place. I was inspired by Huitzilopochtli and by my old trainhopping days to create this.
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pagansphinx · 7 months
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Alfredo Ximenez (Mexican-American, 1903 - c. 2000) • Untitled (Mexican Man With Bushel of Flowers) • c. 1939 • National Gallery of Art, Washington, D.C.
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sheltiechicago · 1 year
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“Untitled” (2022), ballpoint pen on paper, 8.9375 x 10.9375 inches.
Memories Rendered in Ballpoint Pen and Oil Paint by Nicolas V. Sanchez Recall Moments of Belonging
Through ballpoint pen drawings and hazy oil paintings, Mexican-American artist Nicolas V. Sanchez (previously) conjures childhood memories, instances of intimacy, and a sense of yearning. Sanchez, whose works vacillate between the incredibly realistic and the dreamlike fog associated with recollection, finds his subject matter in the unassuming and every day.
All images courtesy of Sugarlift
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“Mariana” (2022), ballpoint pen on paper, 9.25 x 7.25 inches
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“Untitled” (2022), oil on canvas, 96 x 78 inches
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“Untitled” (2022), oil on canvas, 96 x 144 inches
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“Untitled” (2022), oil on canvas, 96 x 108 inches
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theamericanpin-up · 6 months
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José Bribiesca Ruvalcaba - "Ritmo" - 1940's Calendar Illustration - Mexican Artist - (1915-1959) - American Pin-up Calendar Collection
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oncanvas · 10 days
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Portrait of a Lady in White, Frida Kahlo, circa 1929
Oil on canvas 46 ½ x 32 in. (118.1 x 81.3 cm)
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lightheal · 3 months
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a new ref for riet! my dearest oc who's accompanied my art journey since the start of this blog, he's my baby boy and means more than the world to me 🥺💕
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huariqueje · 4 months
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Nova Scotia  - Sally K. Smith , 2020.
American , b. 1966 -
Oil on linen ,  102 x 76 cm.
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mirkobloom77 · 18 days
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‼️🍉💚
Please help @/doniatanani and her brothers evacuate Gaza. They all deserve peace and security, so let’s help them achieve that!
8,418 € / 30,000 €
⬇️⬇️⬇️
‼️🎨⬇️
I currently have art Comissions open. You can check out some examples at #Mirko’s art stuff in my blog and the info + more examples in my pinned post. If you donate to this go fund me, I will add in a free coloured doodle to your commission! Any help is appreciated 💚
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collectionstilllife · 3 months
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Diego Rivera (Mexican,1886-1957) • Still Life • 1913 • Hermitage Museum, Saint Petersburg, Russia
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remediosvarou · 11 months
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Retrato do Barão Angelo Milfastos quando criança, 1952
Essa gravura de Remedios Varo na verdade é um presente de aniversário! Segundo Walter Gruen, Remedios gostava muito de presentear seus amigos com pequenos trabalhos seus. Essa gravura foi dado ao pintor Juan Soriano e contém no verso uma historinha sobre esse personagem fofo mas também um pouco macabro. Parece até a Vandinha. Dá uma olhada em nosso site para ler o que Remédios escreveu sobre a infância do barão-personagem, a faca e a cabeça.
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Portrait of Baron Angelo Milfastos as a child, 1952.
Picture made on paper as a birthday gift to the artist and Remedios' friend Juan Soriano. If it wasn't for the hat, the baron would be Wednesday herself.
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garr3tro · 8 months
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Mateo Q&A
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riverberumen · 10 months
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"Tijuana View From The Border Crossing At Night" by River Berumen
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pagansphinx · 28 days
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Frida Kahlo (Mexican, 1907-1954) • El Abrazo de Amor del Universo, la Tierra (México), Diego, Yo y el Señor Xolotl (The embrace of love from the universe, the earth (Mexico), me, Diego, and Mr. Xolotl) • 1949 • Oil on masonite
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uwmspeccoll · 1 year
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Fine Press Friday! 
Our Limited Editions Club Shakespeare series keeps giving us more artists to look for in our collection! This week we found Carmen, by Prosper Mérimée (1803-1870) illustrated by French-born American painter and illustrator, Jean Charlot (1898-1979), published by the Limited Editions Club, New York, in 1941 in an unstated limited edition of 1500 copies signed by the artist. We learned about this edition because of the post we did a couple of weeks ago on Charlot’s illustrated edition of Shakespeare’s Henry VI, Part 3.
Mérimée’s 1846 novel about the eponymous Romani beauty, is most popularly well known from Georges Bizet’s famous opera of the same name, which is based on Part III of Mérimée’s story. The action is set in 1830s Andalusia, but Jean Charlot’s illustrations gives the story a Mexican flavor. Charlot worked mainly in Mexico and was a member of the Mexican Muralist Movement, sharing a studio with Fernando Leal who is considered to be one of the first Mexican Muralists. It was after the Mexican Revolution (1910-1917) that the new government sought to use murals to educate the public on social justice issues. From a young age, Charlot was fascinated by Mexican art and pre-Columbian artefacts and his mature work reflects this fascination, including in these illustrations.
The thirty-seven multi-layered color lithographs, which Charlot drew directly on the printing matrix, feel like miniature frescoes. Charlot laid down quick marks to color large areas of the image, which layer in overlapping color to give the image a lively energy. One could easily imagine one of the illustrations used as a page header as a mural above a doorway, signaling a transition. Or, one of the larger full-page illustrations as a mural on a large wall. I am taken by how these illustrations function well in both architectural and book spaces. The book is architecture.  
The lithographs were printed by Charlot’s friend Albert Carman in New York and the type is 18-point Linotype Bodoni printed by Aldus Printers in New York. . The paper was made by the Worthy Paper Company, was watermarked with the name of the book and the covers are wrapped in a vibrant hand-blocked color silk.
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View more Limited Edition Club posts.
View more Fine Press Friday posts.
– Teddy, Special Collections Graduate Intern
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oncanvas · 4 months
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The Flower Basket, Frida Kahlo, 1941
Oil on copper 31 ⅜ in. (80 cm) in diameter
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