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#Rachel's story
rach-amber · 2 months
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We finally have something close to a Rachel Amber DLC 🔥🥹
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Y'all have to check this out. The details are amazing!
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No but if i see a blue haired girl with a beenie and a blond in plaid shirt driving by in a truck like the end there I'll prolly chase after them 😂
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This is the development needed
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Chap 2 Chap 3 here!
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mikuyuuss · 5 months
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“You'll see my face in every place
But you can't catch me now”
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artist-issues · 9 months
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I Hate How She Talks About Snow White
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"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "
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Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.
It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)
Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."
It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.
Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.
Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.
In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.
It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.
Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?
Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.
It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.
Sit down and be humble. Who the heck are you?
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crumb · 17 days
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PERFUME: THE STORY OF A MURDERER 2006 | dir. Tom Tykwer
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demigods-posts · 2 months
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something that'll always get to me is rachel and annabeth are friends. rachel split with percy and befriended his girlfriend. and all of that must be complicated. and confusing. and messy. like. imagine the possibilities.
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ohmanareyoucereal69 · 15 days
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onlyperioddramas · 22 days
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Rachel Zegler as Maria in West Side Story (2021)
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zeglyth · 3 months
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RACHEL ZEGLER FILMOGRAPHY 2021-Present
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moonwoodhollow · 28 days
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this was a home once. "We were supposed to meet for our board game night that day. Rachel told me over the phone, she already had the Cluedo board ready and the lasagne in the oven ... but when I rang the doorbell no one answered."
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rosepompadour · 4 months
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NATALIE WOOD in WEST SIDE STORY (1961) I never like anybody disparaging anything Natalie did because | think she’s so wonderful in the role and the fact that it ended up not being her [singing] voice, to me made absolutely no difference. - GEORGE CHAKIRIS
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genericpuff · 1 month
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STAY OFF MY TERRITORY - Time Travel in Lore Olympus (feat. Springlock, our resident time traveller)
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AH YES. TIME TRAVEL. BUILDING COFFEE TABLES FROM IKEA. BOTH A MESS, BOTH SOMETHING YOU SHOULD NEVER ATTEMPT EVEN AS A GAG.
THERE WILL BE FASTPASS SPOILERS IN THIS ANALYTICAL DISSECTION OF LORE OLYMPUS' TIME TRAVEL !!!
Let's establish the "time travel" in LO first of all - it's briefly introduced by Hecate, who says that Hades isn't in a 'where' but a 'when' , hahahaha i so love time travel jokes /s THIS ISN'T A LAUGHING MATTER-
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We had already covered this in the criticisms that Kronos' 'dream comas' would have been better allocated to his time travel abilities, and it seems now Rachel is trying to make that a reality at the last possible minute. I'm going to completely tear apart that reality to present to you why it doesn't work in LO.
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Aw, Kronos' time abilities are finite? Get on my level, sir.
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The caveat is the existential toll that time travel takes on the jumper, and the fact that in most cases, it's impossible to perform due to paradoxes. And Lore Olympus' time travel presents a lot of paradoxes. No wonder Kronos went crazy, I'm going crazy just thinking about everything that's wrong with this.
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So Hades is trapped 'somewhere' in time. This isn't something I haven't seen before, but the issue it presents is getting someone back to their present time, as it presents the first paradox -
PARADOX #1 - There are no accidents. If someone is to jump into a timeline outside of their own, even if by 'accident', that would still have to be predestined by the timeline itself. This is in line with the grandfather paradox, which I will let the almighty Google define for us all to keep things brief:
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You cannot travel back in time 'by accident'. If you were to travel back in time, it would have been written into the script of reality already, so any effects caused by your jumping would be purposeful, even if they seem like 'accidents' to you - such as becoming your own grandfather, Philip J Fry.
Moving on, in the most recent FastPass episode, Melinoe reveals that she was taken from her timeline by Kronos.
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PARADOX #2 - Which version of Kronos took her? Was it the present version travelling into the future to take her from her timeline into his present? Or was it some future version of Kronos who has escaped yet again at some point in the future and then travelled back into the past to interfere with the events of the current present, possibly in an attempt to rewrite the script? If it's the latter, this means that Hera and Persephone can't feasibly stop Kronos indefinitely, as to stop Kronos would mean that he wouldn't exist in the future to take Melinoe from her future timeline and thus this present timeline of events would cease to exist. If we want to get even more granular with it, 'present' Kronos is still 'past' Kronos as it's the Kronos from ten years ago who got his hands on a deity to help him mess with people's dreams, and that deity has been revealed to be Melinoe, who would have had to be ripped from some point in their future timeline. This falls in line with a temporal paradox, or as most people know it, the 'kill baby Hitler' paradox, which designates that one cannot go back in time to kill baby Hitler, as killing baby Hitler would remove all the subsequent events that would lead up to you deciding to build a time machine and go back in time to kill baby Hitler.
Melinoe claims she's only been here a few days. That would be all well and good, as time is funny like that - I've done my fair share of jumps into the distant past only to return a few minutes later - but what doesn't line up is the present timeline of events that would only work unless she's actually been trapped for longer than a few days.
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PARADOX #3 - So it's only been a few days, but Hades and Persephone have known about this child trapped in Tartarus for weeks, and we know Kronos has had her since the dream diving arc back near the end of S2. So unless Kronos is simply jumping to different points in time to cause shenanigans - which leads to even MORE paradoxes as you feasibly cannot travel to your own past to change it due to it creating a different future - then it can't have only been a 'few days' for Melinoe, it would have been at least a few weeks, giving some wiggle room to the past events of her appearing before Hades in his dreams due to her being the goddess of nightmares. Kronos escaping Tartarus after using Melinoe to put people to sleep and possess them was not something that happened in a pocket dimension, it was very real and very present.
Hades commits an even bigger sin, however, and the biggest issue with this 'time travel' plotline:
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PARADOX #4 - I truly hope 'home' means 'home point in her timeline' and not their literal home. Hades and Persephone cannot take Melinoe, for two reasons: they haven't had their daughter yet, and the future timeline versions of Hades and Persephone need their daughter back. If Hades and Persephone were to adopt this version of Melinoe in their present timeline, it would create a clone paradox, as they would have a duplicate Melinoe from the future, OR it would create the grandfather paradox if they opted not to try for a child knowing they already have Melinoe which would erase the whole sequence of events that led to future Melinoe's birth in the first place.
Ultimately Lore Olympus' time travel suffers from the same issue many time travel stories suffer from - not having consistent rules. It is choosing now , near the finale of the series, to introduce time travel, rather than establishing it back in Season 1 when Kronos was first hinted at. It's also still not clear in what Hades' role is in this, as him being taken to a 'when' could still be read as a dream sequence rather than actual time travel. After all, Kronos supposedly "exhausted" his time travelling powers centuries ago - surely as a way for Rachel to have her cake and cover for the fact that she's had Kronos in the series since S1 and never actually had him do what he's known for - but now she's trying to eat it too by just giving him his time travel powers again for no reason besides rewriting the dream diving finale from S2 but with ambiguous time travel instead.
It's all a huge mess and the best thing I can do for myself is simply not let it keep me up at night. I have enough time travelling problems to worry about as it is. I will be sticking to the Austin Powers method -
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(I am not enjoying myself.)
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zeglersource · 3 months
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rachel zegler + filmography (so far) (requested by anon)
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dr-reids-fidget-toy · 2 months
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animorphs quotes that. i... those poor kids
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artofdoubt · 1 year
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EVAN RACHEL WOOD as Madonna | Weird: The Al Yankovic Story (2022)
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fictionaltrvlr · 6 months
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Roman Empire this, Roman Empire that. I don’t really think I have a Roman Empire-
The Overwhelming Hatred of Rachel Zegler
This rising star of a 22 year old woman is being torn apart by men and women alike and I’m so tired of it.
I’m disgusted by the amount of hate she’s getting and you best believe I’m gonna lay it out. I’ve tried to organize this but I’m really tired so bear with me.
Main Controversy
Her saying that it’s no longer 1937 and Snow White doesn’t need to be saved by the prince is not her saying that women can’t want to have a husband or a family. Simply that they don’t need a man to give them value.
And to be clear, yes, okay? Yes. Women should be allowed to soft, they can want families, they don’t need to be badass to be happy. They can fit “traditional” roles. Women can want different things. Meg March, the icon that she is, “just because my dreams are different than yours doesn’t mean they’re unimportant.” 100% yes. But Rachel wasn’t saying otherwise.
She said the prince was a bit of a stalker so they’re not doing that this time… and yes? The prince was weird. I thought we agreed on that. Snow White was 14 in the original and got kissed while she was unconscious by an adult man… but sure, ✨iconic✨.
And it’s fine if you don’t like the *apparent* girlbossification of Snow White, but people are acting like Rachel wrote the movie?? Did it ever occur to people that maybe Disney wants the “girlboss independent woman who doesn’t need a man” picture presented?
She’s doing press for the movie, is she maybe taking the direction Disney gave her?? Also… we. haven’t. seen. the. movie. The teaser only just came out!
Strike Comments
Her comments being popularized during the strike is already suspicious enough. Is it not in the studio’s interests to portray the strike and those taking part in it as unreasonable?
Her saying she deserves to be paid fairly for the hours she spends in a dress playing an iconic Disney character is completely valid. She wasn’t saying she’s the most amazing actress ever or that she plays the hardest roles or does the most complicated stunts. Just that she deserves fair pay… like every other striking actor and writer??
Childhood Relationship With The Character
Her saying that Snow White scared her as a child and she didn’t revisit it until she got cast. Why does that matter so much?? There were scary things in that movie! The witch, the poison apple, the forest coming to life and trying to grab her.
Tastes change as we grow and Rachel has shared her excitement about getting to play the character now.
She was a child. *screaming*
The Extremely Different Treatment Men Receive in The Same Situations
May I present, Robert Pattinson?? Mr I hate these books and felt like I shouldn’t be reading them?? Mr Edward is creepy?
He mocked and joked about the Twilight series every chance he got and people ate it up. They loved it and still do. He’s funny, he’s confident, he’s so real for that.
Harrison Ford wanted his character to die off and said it had run its course. He was praised for his humour and honesty.
Oh but Rachel is ungrateful. She’s rude, she’s cringe, she’s mean, she’s annoying. She’s irredeemable, she’s overbearing, she’s smug, off putting. There’s just something about her that we don’t like…
She’s pitted against other successful women, like Halle Bailey. She’s pitted against Kristen Stewart. Against Elle Fanning, Jenna Ortega. Ignoring, may I point out, how hated so many of these women have been at the different points in their careers?
This is how Brie Larson is being treated and now she wants to leave Marvel too.
Women can be sarcastic. They can joke and speak their minds. They don’t have to package every thought with a pretty little bow so it’s palatable to you.
Rachel’s statements are being misinterpreted and twisted. But on top of that, even if she was what people are saying, have we forgotten about Tom Cruise? Leonardo DeCaprio?
These men are insufferable and problematic and yet some of the biggest names in the industry and, again, confident. Boss. In charge. Charismatic. Not annoying, not petty, not “oh you should be grateful you have anything!!”
Let me pull out Taylor Swift for a hot second because she does a wonderful job of describing the different ways we talk about men and women.
A man does something and it’s strategic. A woman does the same thing and it’s calculated. A man is allowed to react, a woman can only overreact. […] A man shares his experience in writing and he’s brave. A woman does the same thing and she’s over sharing, she’s over emotional, watch out!
America Ferrera when she said that the only difference between being bossy and being a boss is that one is a woman.
People need to listen to “All American Bitch” again -
I know my place, I know my place, and this is it! I don't get angry when I'm pissed I'm the eternal optimist I scream inside to deal with it All the time I'm grateful all the time I'm sexy, and I'm kind I'm pretty when I cry Oh, all the time I'm grateful all the time
And not that women need to be grateful because they don’t, but just to be clear, she is grateful.
She has expressed how lucky she was to get Shazam and how much she enjoyed it and made amazing friends. She was excited to play her version of Snow White. She shared pictures of herself as a child dressed as Snow White. She’s thrown herself into it.
Conclusions
Hate trains fun, I get it. But let’s not pile on young women when they’ve not even done anything wrong. Question why all of a sudden everyone hates this person, what are the facts, what else is going on, what confirmation bias do we have?
There is something so much worse to me about seeing other women tear her down. Like yeah, men will be pigs, but what are you doing? It’s so sad.
And women like hunting witches too, doing your dirtiest work for you, it’s obvious that wanting me dead has really brought you two together… (Mad Woman, Taylor Swift)
Rachel seems like such a joyful person and people are out here bullying her like she kicks puppies on the weekends.
Claiming to be a feminist because you want a wide variety of princesses (ie, ones that get saved by their prince), and then sending death threats to another woman for possibly appearing as though she holds a different opinion about one princess - is not only a contradiction, it’s just baffling.
Anyway stan Rachel Zegler
That’s my speech, please do contribute collaboratively if you want :).
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novelconcepts · 1 year
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There’s just something about stories that allow teenage girls to feel their anger without prettying it up. Rachel from Animorphs. KJ from Paper Girls (honestly, ALL the Paper Girls in different ways). Ellie from The Last of Us. So often, narratives find ways to sand the edges off a teen girl’s fury, make her sweet or overly verbal instead of violent. Stories that allow young girls to be angry, to be bloody, to bite back at the world with sharpened teeth—those are always my jam.
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