I can’t stop thinking about how every parental figure in Kristen’s life has failed her by prioritizing their other kids.
Obviously, her bio parents are racist assholes who raised her in a fundamentalist cult, and kicked out at 15, all because her parents were offended she was “taking her friends’ side over theirs.” Which she didn’t, what she did was ask for answers and tell them that Daybreak tried to kill her but they refused to believe her. Instead, they chose to make her homeless so she doesn’t spread the idea that her parents don’t know everything. Two years later, and they’re still doing the same thing at the diner.
Then there’s Jawbone and he’s Tracker’s guardian, and unlike Adaine, she didn’t get a speech about how he’d take her in, or what their relationship was, she just moved in with her girlfriend, and he was the adult of the house. And now that she and Tracker have broken up, he and Sandra Lynn don’t seem to have made the time to talk to her about what that means for her place in this family. Adaine came back from spring break to gifts for every birthday she had without Jawbone and adoption papers. Kristen’s mail from her school was going to her parents’ house when she lives with the guidance counselor.
Then, there’s the fact that when Sandra Lynn and Jawbone moved in together, she took on a role she clearly wasn’t ready for, as she was still repairing her relationship with Fig. Kristen had to be the one to finally snap her out of her self destructive spiral with Garthy and then Sandra Lynn asked her to keep it a secret. Meaning she wouldn’t be able to tell Tracker, the only person who has been meeting her emotional and physical safety needs, above just giving her a room to live in. (And we know this is true because part of the reason Nara and Tracker are together is because Nara doesn’t need those things from Tracker). And yes, Sandra Lynn apologizes to the whole group, as she should, for putting their home in jeopardy, which is a massive step. But she never talks to Kristen about putting her between the 3 people responsible for keeping her out of her parent’s house.
So Sandra Lynn calls Fig, “her only daughter in the world,” and Jawbone is only legally responsible for Adaine and Tracker, and neither of them, nor any other adult, has asked if Kristen feels safe or if she’s okay. Like I’m sorry, who the fuck is taking care of the cleric who’s god and teacher died in the same year, is going through deprogramming from a cult that wants her back, her first breakup, seeing her estranged parents and siblings again, and now being expelled on zero grounds despite working herself to the bone to make sure her party gets to go to college?
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I gave myself a writing challenge and I am fascinated by it
So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.
Stephanie, the first sidekick who defines the role
Tim, the sidekick who dies and comes back wrong
Dick, the sidekick who saves Batman from himself
Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong
Jason, the youngest sidekick who is still the Kid Wonder
...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).
I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.
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I love the first time Soo-Won supports Lili.
It feels like an overreaction to burst into tears over, essentially, "Go for it," but makes sense when you realize no one takes her seriously.
Her father, Tetora, and even Yona view her as someone in need of protection. They coddle her.
And then here comes Soo-Won, telling her she's capable of making a difference.
That she did make a difference. He acknowledges her strength and believes in her with ease while people closer to her struggle to accept that she's useful.
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With the tentative and rough translations out, i have to say, yeah, Hori really doesn't get what he's actually writing and if he was trying to make Toga's entire deal a metaphor for queerness, he's ended up being quite offensive.
Like first off it seems he has Toga say she falls in love easily with boy and girls and...animals. Which, I always felt the bird thing as a kid could have negative connotations, but wrote it off as 'she was a little kid and this was before her desire for blood was wrapped up in her romantic feelings' type things. So having Hori reinstate that yes, she does still love animals to the point of blood drinking desire--a desire Hori coded as sexual/romantic is not a good look.
It also just makes me question if she could ever own a pet or if she'd end up killing it because she loved it to much and she needed to drink it's blood.
Also getting her perspective on the boy she attacked isn't great either. The translation is rough and basic so it could change, but I don't think there's any translation that could make the situation not read poorly.
In the rough translations she says something along the lines of "I didn't ask to drink his blood because I was afraid he'd hate me and think I was a decent monster."
I could see an alternative translation being "I asked for his blood and he called me a deviant monster, and I sucked his blood."
Again if Hori is trying to make a queer metaphor with Toga, this is a huge issue. Her attacking the boy was always a big problem, but if he didn't bring it up again I think a lot of casual readers would have forgotten it. But now it's front and center again and brings back bad connotations for Toga and a queer reading of her character.
Because again if we read her blood drinking as queerness, and Hori has already coded it in the past as lust while just last chapter confirming that Toga sees it as kissing in the very least we get two equally bad reads.
A) Due to fear of rejection Toga did not ask for consent and decided she'd just make sexual advances toward someone she had a crush regardless.
or B) She got rejected and told no, and then made the sexual advance anyway.
With a queer reading this only becomes worse because it pays into the really negative and even dangerous idea that same sex attracted people will go after anyone regardless of consent or the other persons orientation. It continues to perpetuate the idea that queer people are sexual predators, who target straight people or in the very least do not care about consent, or are unable to control themselves long enough to get it.
But even without a queer reading what Toga did is wrong. It sucks that people don't get her way of showing love, but consent is still needed regardless. You can't just do what you want to someone because you were to afraid to ask them out. You can't just do what you want with someone after they tell you no. Even if the boy had called her a monster that would not make it ok for Toga to, essentially sexually assault him (yes, kissing someone against their will is sexual assault, which is what Toga sees her blood drinking as).
And I think that's why Toga's character is really hard to get behind for some people--because at the end of the day she's literally just saying "I can't help but sexually assault people (and animals apparently)', and the solution to this is to give her exactly what she wants and apologize for not seeing how much pain she was in when she was actively trying to sexually assault people.
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I fucking love Bianca di Angelo. Such a shame she was just used as a plot device to develop Nico.
Don't you think Rick Riordan?
Thank god he doesn't have Tumblr, but at the same time, I don't have anyone to tag :(
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