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#american impressionist painter
the-cricket-chirps · 5 months
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William Samuel Horton, Sunset, c. 1910
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larobeblanche · 4 months
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Julian Alden Weir (American, 1852-1919) • Idle Hours • 1888 • Metropolitan Museum of Art, New York City
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collectionstilllife · 4 months
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J. Alden Weir (American) • Still life • 1902-1905
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pagansphinx · 8 months
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Frederick Carl Frieseke (American, 1874–1939) Reflections (Marcelle) • c. 1909 • Telfair Museums - Savanah, Georgia
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kecobe · 2 months
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View from a Window, Genoa John Singer Sargent (American; 1856–1925) Watercolor and oil over graphite ca. 1911 The British Museum, London. © The Trustees of the British Museum
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thepaintedroom · 6 months
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Irving Ramsey Wiles (American, 1861-1948) • Discouraged (Idleness) • n/d
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tierradentro · 2 years
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“Promenade - Winter, New York”, 1895, Frederick Childe Hassam.
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women artists that you should know about!!
-Judith Leyster (Dutch, 1609-1660)
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During her life her works were highly recognized, but she got forgotten after her death and rediscovered in the 19th century. In her paintings could be identified the acronym "JL", asually followed by a star, she was the first woman to be inserted in the Guild of St. Luke, the guild Haarlem's artists.
-Artemisia Gentileschi (Italian, 1593-1656)
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"... Si è talmente appraticata che posso osar de dire che hoggi non ci sia pare a lei, havendo fatto opere che forse i principali maestri di questa professione non arrivano al suo sapere". This is how the father Orazio talked about his nineteen year old daughter to the Medici's court in Florence.
In 1611, Artemisia got raped, and she had to Undergo a humiliating trial, just to marry so that she could "Restore one's reputation" , according to the morality of the time. Only after a few years Artemisia managed to regain her value, in Florence, in Rome, in Naples and even in England, her oldest surviving work is "Susanna and the elders".
-Elisabeth Louise Vigèe Le Brun (French, 1755-1842)
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She was a potrait artists who created herself a name during the Ancien Règime, serving as the potrait painting of the Queen of France Marie Antoinette, she painted 600 portraits and 200 landscapes in the course of her life.
-Augusta Savage (Afro-American, 1892-1962)
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Augusta started making figures when she was a child, which most of them were small animals made out of red clay of her hometown, she kept model claying, and during 1919, at the Palm Beach County Fair, she won $25 prize and ribbon for most original exhibit. After completing her studies, Savage worked in Manhattan steam laundries to support her family along with herself. After a violent stalking made by Joe Gould that lasted for two decades, the stalker died in 1957 after getting lobotomized. In 2004, a public high school, Augusta Fells Savage Institute of Visual Arts, in Baltimore, opened.
-Marie Ellenrieder (German,1791-1863)
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She was known for her portraits and religious paintings. During a two years long stay in Rome, she met some Nazarenes (group of early 19th century German romantic painters who wanted to revive spirituality in art),after becoming a student of Friedrich Overbeck and after being heavily influenced by a friend, she began painting religious image, getting heavily inspired by the Italian renaissance, more specifically by the artist Raphael. In 1829, she became a court painter to Grand Duchess Sophie of Baden.
-Berthe Marie Pauline Morisot (French,1841-1893)
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Morisot studied at the Louvre, where she met Edouard Manet, which became her friend and professor. During 1874 she participated at her first Impressionist exhibition, and in 1892 sets up her own solo exhibition.
-Edmonia Lewis or also called "wildfire" (mixed African-American and Native American 1844-1907)
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Edmonia was born in Upstate New York but she worked for most of her career in Rome, Italy. She was the first ever African American and Native American sculptor to achieve national and international fame, she began to gain prominence in the USA during the Civil Ware. She was the first black woman artist who has participated and has been recognized to any extent by the American artistic mainstream. She Also in on Molefi Kete Asante's list of 100 Greatest African Americans.
-Marie Gulliemine Benoist (French, 1768-1826)
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Daughter of a civil servant, Marie was A pupil of Jaques-Louis David, whose she shared the revolutionary ideas with, painting innovative works that have caused whose revolutionary ideals he shared, painting innovative works that caused discussion. She opened a school for young girl artists, but the marriage with the banker Benoist and the political career Of the husband had slowly had effect on her artistic career, forcing her to stop painting. Her most famous work is Potrait of Madeline, which six years before slavery was abolished, so that painting became a simbol for women's emancipation and black people's rights.
-Lavinia Fontana (Italian, 1552-1614)
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She is remembered for being the first woman artist to paint an altarpiece and for painting the first female nude by a woman (Minerva in the act of dressing), commissioned by Scipione Borghese.
-Elisabetta Sirani. (Italian, 1698-1665)
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Her admirable artistic skills, that would vary from painting, drawing and engraving, permitted her, in 1660, to enter in the National Academy of S. Luca, making her work as s professor. After two years she replaced her father in his work of his Artistic workshop, turning it into an art schools for girls, becoming the first woman in Europe to have a girls' school of painting, like Artemisia Gentileschi, she represent female characters as strong and proud, mainly drawn from Greek and Roman stories. (ex. Timoclea Kills The Captain of Alexander the Great, 1659).
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kentopedia · 3 months
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❝𝐖𝐄 𝐀𝐑𝐄 𝐀𝐋𝐋 𝐅𝐎𝐎𝐋𝐒 𝐈𝐍 𝐋𝐎𝐕𝐄❞ welcome to kentopedia's love through the ages collab. in honor of another lonely valentine’s day, i wanted to combine my two greatest loves: history and literature! so this is for anyone who wants a passionate romance and loves the aesthetics of the past. because i know that no matter when you live and die, your favs will always choose you ♡
STATUS: OPEN
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♛ — TO JOIN
submit a piece based off a time in history you find interesting. it can be an au of your favorite classic novel, a song you enjoy from a period before your own, a piece of art you enjoy, or something entirely your own. be creative!!
please reblog this post & send me an ask with the character you'd like to write about and the inspiration. for example: "nanami + renaissance" (which is what i’ll be writing teehee).
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♛ — REQUIREMENTS
no fandom limitation, but i will cap it off at 2 entries per character (i won’t count mine in that limit!). and you can join as many times as you want.
this is a historical au collab, so i will not accept any submissions based in the 21st century :) but it can go back as far as you want!
there is no deadline. minimum of 500 words, but no maximum. i love long fics! please use the read more feature on your posts.
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♛ — OTHER
anyone can join, this is not limited to followers. no age requirement, but you must be 18+ to submit nsfw pieces, with an age indicator. make sure to follow the rules of all creators involved (including me!).
submissions can be as historically accurate or inaccurate as you want them to be, and could include fantasy elements too! this is all about capturing the aesthetics of a time period, but i will never limit anyone’s creativity. it can be extremely niche too!
all forms of art are welcome, not just writing, as long as they are of your own creation.
nsfw, sfw, dark content, etc. is all acceptable. be sure to tag accordingly!
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♛ — TO SUBMIT
tag me in your submission so i can also add you to the masterlist. also, link this post on your submission to spread the love to other readers! i will be reading all the submissions and reblogging with feedback as well. let me know if you have any questions!
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bungo stray dogs . . .
fyodor dostoevsky and hades & persephone by @lovedazai
nakahara chuuya and post wwii yakuza by @cheriiyaya
nakahara chuuya and the 1800s italian mafia by @osaemu
dazai osamu & fyodor dostoevsky as rival painters in the renaissance by @aureatchi
dazai osamu & fyodor dostoevsky in the trojan war by @fyorina
fyodor dostoevsky and victorian era royalty by @verlainepaul
dazai as a fallen angel by @chuuyrr
jujutsu kaisen . . .
nanami kento and the renaissance by @kentopedia
okkotsu yuta as an edo period samurai by @anqelically
gojo satoru & geto suguru and the medieval period by @flowerpersephone
geto suguru as a nineteenth century vampire by @todorokies
nanami kento and the victorian era by @starsinmylatte
gojo satoru and orpheus and eurydice by @forest-hashira
geto suguru and the american old west by @forest-hashira
geto suguru and phantom of the opera by @mynahx3
geto suguru and ancient greece by @mochimooon
nanami kento and the heian period by @purpleqilinwrites
fushiguro toji as a medieval bandit by @honeybleed
true form sukuna ryomen and ancient greece by @girlwithsharpt33th
okkotsu yuuta and post apocalyptic 1600s by @atsquie
nanami kento as a medieval knight by @mynahx3
nanami kento and the regency period by @kentopedia
nanami kento and ancient japan by @mynahx3
attack on titan . . .
reiner braun as a wwii soldier by @thel0v3hashira143
levi ackerman and the impressionist era by @be-co-me
armin arlert and the early 20th century by @crazychaoticizzy
eren jaeger and the age of piracy by @bloompompom
demon slayer . . .
shinazugawa sanemi and antony & cleopatra by @mitsuristoleme
tengen uzui and the roaring 20s by @forest-hashira
haikyuu . . .
kuroo tetsurō and the space race by @ktsumu
kuroo tetsurō & iwaizumi hajime in regency era inspired japan by @jarjarwinx
persona 5 . . .
akira kurusu and the prohibition era by @clubkira
genshin impact . . .
albedo as a renaissance by @clubkira
blue lock . . .
noel noa and indonesian colonization by
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the1920sinpictures · 9 months
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1914 Mary Agnes Yerkes was an American impressionist painter, photographer and artisan, here in her Oak Park studio. From Fashion of Bygone Days, FB.
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random-brushstrokes · 12 days
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Thea Proctor (Australian, 1879-1966)
Alethea Mary Proctor's life as an artist encompassed more than half of the twentieth century. Born in Armidale in 1879 to parents who were soon to divorce, she weathered a disrupted childhood and a choppy education before beginning art study under Julian Ashton in Sydney when she was sixteen. At the Ashton school her fellow students included George Lambert, with whom she was to be closely associated in public and private over the next thirty years. In 1903, burning with a need to learn to draw, she travelled to London, where Lambert and his family were established. She became one of his favourite models, a regular in his household, and his pupil. Although she was desperately poor, her beauty and livery nature allowed her to meet many of the leading figures of the fin de siecle art world, and all her life she was to carry with her the modernist precepts and influences she absorbed from figures such as Clive Bell, spectacles such as the Ballets Russes and exhibitions such as the post-Impressionist show at the Grafton Galleries in 1910-11. Aside from a return to Australia in 1913-14, she was to remain in England throughout her twenties and thirties. Upon her return to Australia in 1921, which coincided with Lambert's, she immediately came to occupy a significant role in Sydney's volatile art world, and to disseminate her very strong ideas on modern art, interior decorating, fashion, costume, ballet and matters of taste in articles, lectures, formal classes, sketch clubs and at all conceivable social and artistic events. Strikingly beautiful, she never married, but supported herself into her eighties through art alone. She lived in a tiny rented flat in Double Bay, but until the early 1960s she was also able to maintain a studio in George Street, where she had lived before World War 2. In the inner city and the Eastern suburbs she became a familiar figure as immaculately dressed in brilliant purples, fuchsia and petunia shades she made her stately progress, parasol in gloved hand, seeking out the beautiful. (source)
The scenes of female intimacy in many of Proctor’s works have always been open to lesbian and queer readings. Women gaze intently at each other holding unfurled fans or proffering roses, symbols associated with female sexuality. Proctor moved in queer circles in Sydney in the 1920s and 1930s and was a valuable ally. JS MacDonald, the Art Gallery’s extremely conservative director from 1928 to 1936, wrote in 1934 of ‘the emergence of numbers of what the Americans call “pansies” … They rule the art world today, and, unless real painters speak up for themselves and right art, the women and their near-men abettors will ruin both.’ (source)
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the-cricket-chirps · 6 months
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Guy Rose, The Blue Kimono, 1910
Guy Rose, The Green Parasol, 1911
Guy Rose, The Green Mirror, 1911
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larobeblanche · 4 months
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J. Alden Weir (American, 1852-1919) • Portrait of a Lady with a Dog • c. 1890 • Smithsonian American Art Museum
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iwtvfanevents · 1 month
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Rewind the Tape —Episode 1
Art of the episode
During our rewatch, we took note of the art shown and mentioned in the pilot, and we wanted to share. Did we miss any? Do you have any thoughts about how these references could be interpreted? How do you think Armand and Louis go about picking the art for their penthouse in Dubai?
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The Fall of the Rebel Angels
Peter Bruegel the Elder, 1562
This painting is featured in the Interview with the Vampire book, and it was important enough to be included in the draft pilot script!
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Bruegel the Elder was among the most significant Dutch and Flemish Renaissance artists. He was a painter and print-maker, known for his landscapes and peasant scenes.
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Three Studies for Figures at the Base of a Crucifixion
Francis Bacon, 1944
Bacon was an Irish figurative painter, known for his raw, unsettling imagery and a number of triptychs and diptychs among his work. At a time when being gay was a criminal offense, Bacon was open about his sexuality, and was cast out by his family at 16 for this reason. He destroyed many of his early works, but about 590 still survive. The Tate, where these paintings are displayed, says this about the work: "Francis Bacon titled this work after the figures often featured in Christian paintings witnessing the death of Jesus. But he said the creatures represented the avenging Furies from Greek mythology. The Furies punish those who go against the natural order. In Aeschylus’s tragedy The Eumenides, for example, they pursue a man who has murdered his mother. Bacon first exhibited this painting in April 1945, towards the end of the Second World War. For some, it reflects the horror of the war and the Holocaust in a world lacking guiding principles."
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Strawberries and Cream
Raphaelle Peale, 1816
Peale is considered to have been the first professional American painter of still-life. [Identified by @diasdelfuego.]
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Outfits inspired by J.C. Leyendecker
Leyendecker was one of the most prominent and commercially successful freelance artists in the U.S. He studied in France, and was a pioneer of the Art Deco illustration. Leyendecker's model, Charles Beach, was also his lover of five decades. You can read costume designer Carol Cutshall's thoughts on these outfits on her Instagram.
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Iolanta
Pyotr Tchaikovsky, 1892
The opera Louis and Lestat go to was composed by Tchaikovsky, another gay artist. The play tells a story "in which love prevails, light shines for all, lies are no longer necessary and no one must fear punishment," as put by Susanne Stähr for the Berliner Philharmoniker.
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On the Hunt or Captain Percy Williams On A Favorite Irish Hunter
Samuel Sidney, 1881
The unidentified painting on the right might be from the same hunting series, though we couldn't identify the exact one. There's also a taxidermy deer, ram, and piebald deer on the wall. [Identified by @vfevermillion.]
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The Artist's Sister, Melanie
Egon Schiele, 1908
Schiele was an Austrian expressionist painter and protege of Gustav Klimt. Many of his portraits (self portraits and of others) were described as grotesque and disturbing. [Identified by @dwreader.]
A Stag at Sharkey's
George Wesley Bellows, 1909
Bellows was an American realist painter, known for his bold depictions of urban life in New York City. [Identified by @vfevermillion.]
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Mildred-O Hat
Robert Henri, undated (likely 1890s)
Henri was an American painter who studied in Paris, where he learned from the Impressionists and determined to lead an even more dramatic revolt against American academic art. [Identified by @nicodelenfent, here.]
Starry night
Edvard Munch, 1893
Munch was a Norwegian painter, one of the best known figures of late 19th-century Symbolism and a great influence in German Expressionism in the early 20th century. His work dealt with psychological themes, and he personally struggled with mental illness. [Identified by @vfevermillion.]
If you spot or put a name to any other references, let us know if you'd like us to add them with credit to the post!
Starting tonight, we will be rewatching and discussing Episode 2, ...After the Phantoms of Your Former Self. We hope to see you there!
And, if you're just getting caught up, learn all about our group rewatch here ►
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pagansphinx · 7 months
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Daffy Dow n-Dilly • 1908 • Farnsworth Art Museum, Rockland, Maine
Artist of the Week
Lilian Wescott Hale
(American, 1881-1963)
week of 9/17/23
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Home Lessons • 1919 • The Phillips Collection, Washington, D.C.
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When She was a Little Girl • c. 1918 •  Pennsylvania Academy of Fine Arts
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L'Edition de Luxe • 1910
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Agnes and her Cat • n/d
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A Cup of Tea (for Colliers magazine) • 1909
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kecobe · 1 year
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The Barefoot Child Mary Cassatt (American; 1844–1926) 1897 Pastel on off-white wove paper mounted on canvas on stretcher Bowdoin College Museum of Art, Brunswick, Maine
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