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#and his movies
hakasims · 2 years
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What If I Just Ranked Every Single Luca Marinelli Character From The Least Hot To The Absolute Hottest?
Based entirely on how a character looks and literally nothing else. Let’s go.
21. Andrea (La grande bellezza)
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Sorry, dude.
20. Fabrizio (Nina)
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Maybe he would be higher if I could actually see him.
19. Diabolik (Diabolik)
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Nice widow’s peak, asshole.
18. Saint Joseph (Maria di Nazaret)
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It’s the constant dumb expression on his face for me.
17. Ettore (Lasciati andare)
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He looks like shit but at least he’s got flavor.
16. Mattia Balossino (La solitudine dei numeri primi)
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He’s fine, but he’s nothing special.
15. Paolo (Il padre d’Italia)
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Let’s be real, he’s sweet but he’s nothing special either.
14. Valerio (Slam - Tutto per una ragazza)
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I know you guys wanna bang him. I guess some people just like risking STDs for a quick disappointing fuck.
13. Roberta (L’ultimo terrestre)
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The absolute queen. She would have been higher on the list with more appearances and a better wig.
12. Nicky/Nicolo di Genova (The Old Guard)
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Those sideburns, man. Also when there was an actual theory going around that Nicky was made ugly on purpose for this movie, do you expect him to land in the top 10? (He’s not ugly btw I’m just quoting you guys.)
11. Loris (Il mondo fino in fondo)
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He’s hot and that’s the only thing he’s got going for him.
10. Gabriele (Waves)
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He’s hot like Loris but in a more refreshing way.
9. Cesare (Non essere cattivo)
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He’s hella cute y’all are just haters.
8. Fabio (Lo chiamavano Jeeg Robot)
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He’s very hot and he would have been in the top 5 if he washed his hair more often.
7. Guido Caselli (Tutti i santi giorni)
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You don’t need me to explain why he’s so high on the list.
6. Martin Eden (Martin Eden)
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If you’re curious why this one is so high on the list, ask literally every movie critic who was waxing poetic about his beauty.
5. Mickey Miranda (Die Pfeiler der Macht)
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He’s hot and slutty and he looks like no Luca has ever looked. Saint Joseph wishes he had those curls.
4. Milton (Una questione privata)
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He’s like Martin Eden but softer, younger and with kinder eyes.
3. Fabrizio de André (Fabrizio de André - Principe libero)
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He’s so soft and beautiful and his hair is so silky.
2. Lui (Ricordi?)
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There’s just something about him that is so arrrggghhh that I just couldn’t put him lower.
1. Primo Nizzuto (Trust)
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Like there could ever be anyone else at number 1. Puh-lease.
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kassylin · 2 months
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He has the sweetest, most mischievous smile. Like, I can imagine him giggling and giggling all day long.
I hope it's what he does.
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sapphic-storm69 · 11 months
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Spiderverse thots
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bxnnie-bxwl · 6 months
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love when bonnie does the thing
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frostedpuffs · 6 months
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HAHAAAAAAAAAAAAAAAAAAAAA
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Vincent Price guest stars on The Muppet Show (1977)
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FNAF movie Mike fights Moon at the Pizzaplex..
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twilight-zoned-out · 9 months
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Some things about Allan:
He’s the only one who reacts to the narrator
He’s the only doll (besides the Weird House) who isn’t swayed in some way by Ken’s takeover
He also declares himself as “Ken's buddy" (making canon his official box description) which makes his inability to be swayed more interesting
He has bendable legs (probably the only reason he tries to jump the fence instead of going around like everyone else)
He easily decked a half-dozen construction Kens and could probably singlehandedly win the Ken fight
He seems to know more about the real world than most Barbies
He knows what NSYNC is 
He knows about other Allan copies living in the real world (I’m trying to figure out if he made this up to convince the humans he can live in the real world, but even if he did, how does he know what NSYNC is???)
There are no other Allan models
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hakasims · 2 years
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The Ultimate And Entirely Correct Ranking Of Every Single Luca Marinelli Character
What? Another one of those? How many rankings can this bitch produce? A lot, trust me. This one is less shallow than the previous one which was about appearances, but unlike all my older posts where I tried to do something analytical, this list doesn’t even pretend to be intellectual or based on anything other than my own personal feelings about the characters Luca has played.
21. Fabrizio (Nina)
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When we’re judging characters based on their own merit rather than any other factors, I think the exam rules apply: If you don’t show up, you get a zero. Fabrizio didn’t show up. He’s a nothing character and there’s nothing to say about him.
20. Andrea (La grande bellezza)
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With a whole minute of total screen time, Andrea gets a zero, too. He’s not dead last only because I can actually describe him using adjectives.
19. Diabolik (Diabolik)
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Congrats to this charisma-free robot on once again being shittier than Saint Joseph.
18. Saint Joseph (Maria di Nazaret)
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He is shitty and useless but at least he’s sorta kind? Can’t even say this much about Diabolik.
17. Guido Caselli (Tutti i santi giorni)
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Here’s my hottest take: Guido is creepy, pathetic, blindly dedicated to his shitty girlfriend because he likes her lyrics (literally, there’s no other reason) and he’s a doormat and a half. I know you all love him and please don’t stop on my account but you should probably know this movie is bad and its main characters are also bad.
16. Valerio (Slam - Tutto per una ragazza)
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He’s a shitty human being and he’s completely useless and worthless. He annoys me less that Guido because he’s fun to watch.
15. Loris (Il mondo fino in fondo)
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A homophobic dumb bitch who believes his god-given duty is to wipe his shitty little bro’s ass. Also he’s bland and his attempts at asserting his toxic masculinity are pathetic.
14. Lui (Ricordi?)
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We get it, his dad was bad and his childhood was super fucking hard. He’s still whiny and depressing as hell, not to mention he’s a college professor who fucks his students.
13. Martin Eden (Martin Eden)
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God, what a pompous ass with his shitty libertarian politics and the air of self-importance thicker than the drug-fueled haze in which he spends the last 15 minutes of that movie.
12. Mattia Balossino (La solitudine dei numeri primi)
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He didn’t deserve the shit that befell him, and he basically did nothing wrong (he was a little kid seeking validation, ok?) but he’s also not as interesting as the rest of the guys.
11. Milton (Una questione privata)
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My dumb bisexual son, feeling helpless at the cruelty and meaninglessness of war. I can’t help but love him, but I mostly sigh and feel sorry for him.
10. Ettore (Lasciati andare)
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Yes, he’s a petty criminal, but he’s clearly a victim of an abusive parent and a flawed education system. If he had been given a chance, he’d have grown up into a good member of society, but even as he is, he’s sweet and harmless and way less homophobic than the supposedly educated Loris. Ettore deserved better.
9. Roberta (L’ultimo terrestre)
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Speaking of the one who deserved better, I can’t even think about that movie and its treatment of this kind and sweet soul. Fuck literally everyone who isn’t her.
8. Gabriele (Waves)
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The purest, sweetest boy. He deserves his little boat and a hot boat daddy.
7. Mickey Miranda (Die Pfeiler der Macht)
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Skanky bitch who lives for drama. If this list was based on the morals and deeds of the characters, Mickey would definitely crack the bottom 3. However, I appreciate an entertaining son of a bitch who is solely responsible for bringing life to an otherwise dull, soul-sucking movie.
6. Nicky/Nicolo di Genova (The Old Guard)
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Yep, not even in top 5. Still, I’m not saying he isn’t good or anything. It’s just that most of his character’s goodness is implied rather than explored on screen, and there are five boys who got more than that.
5. Paolo (Il padre d’Italia)
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Here we have a soft, vulnerable boy who deserves happiness. Placing Paolo was a little difficult because even though he’s not a very challenging character, he makes up for his straightforward goodness with quite interesting, very internalized flaws while avoiding being a clichéd self-hating gay. Also he’s just a good sweet boy whomst I love. Is that a crime?
4. Fabrizio de André (Fabrizio de André - Principe libero)
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He edges out Paolo because he’s a little more complicated and does more stuff in his much longer movie. He is talented, rebellious, vulnerable and flawed, and I just think he’s neat.
3. Fabio Cannizzaro (Lo chiamavano Jeeg Robot)
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Is he as complex or complicated as some of the guys he edged out? No, not at all. But is he endlessly entertaining and literally the best part of this terrible, terrible movie? Absolutely. Also, can I just say, king of style? Excellent mix of menace and patheticness. I love him and so do you.
2. Cesare (Non essere cattivo)
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He manages to combine immense, almost paradoxical likeabilty with fun as well as sadness. It is wild to me that he and Vittorio are both equal protagonists (with Vittorio even taking up more space) when Cesare is so much more developed, with rich inner life and very real and human flaws. Cesare is infinitely watchable and manages to thread the needle of being tragic but not pitiful.
1. Primo Nizzuto (Trust)
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Who is suprised? Literally nobody didn’t see this coming. Primo is the best: the most complex, the most interesting, the best-written, the best-dressed, the hottest, the smartest, the most cunning and ruthless. He is literally the superlative character. The day he doesn’t top a list of best characters is the day I’ve been kidnapped and replaced by an impostor.
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autumn-may · 4 months
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Mostly spoiler free summary of my viewing experience
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hausmakes · 9 months
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The Barbies… and Allan
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stil-lindigo · 11 months
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hobie motherfuckin' brown!!!!!!
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finleycannotdraw · 9 months
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I like to think combat training for these two became more complicated as they got older, if you know what I mean
I colored the last one first and then lowered my standards. give it up for 10yo ambrosius and his glaringly yellow shirt
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maedictus · 5 months
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Aragorn
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lungthief · 10 months
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listen. i know it's not 2014 anymore and i know it's just a throwaway line and that the russo brothers didnt intend for marvel action blockbuster captain america the winter soldier to become the tragic gay love story that never was but man. having steve say "it's kind of hard to find someone with shared life experience" in a conversation about romantic relationships right before the bucky reveal is so cruel. it's not just about steve and bucky obviously having the shared experience of being "out of time," it's the fact that they've both been stripped of their humanity in opposite directions. steve is a legend, he is an american hero and a national icon before he is a human being the same way that bucky is a weapon and a killing machine before he is a human being. steve knows that anyone who falls in love with him in the 21st century fell in love with captain america first, and that's just not him. but then the one person who knew him first and knew him best and loved him (not captain america, that little guy from brooklyn) so much he died for it is alive, impossibly. and it's a miracle because he's back and it's horrific because he's back under the worst possible circumstances. but to steve, the winter soldier is worth tearing the world apart for because he's always been bucky first. they find each other and suddenly they're human again. and maybe, despite it all, being "out of time" becomes a blessing, because in this century they'd finally be allowed to love each other the way they've always wanted to. like real people do.
like. no. the captain america trilogy isn't about two queer men traumatized and alienated by war and modern life rediscovering and reclaiming their humanity through their love for each other. but. i mean. it couldve been
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