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the-tzarina-alexandra-paracosm · 1 year

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Ok I have a small free time window in between exams which can only mean one thing:

MY PERSONAL PARACOSM - MASTERPOST

(An almost complete list of all narrative projects I've ever done in my life + personal commentary as I think back on my own writing. Documenting my personal evolution as a writer. From oldest to newest per each category.)

COMPLETED

NOVELS

Aside from my 3 chapter attempt about a year or two previously, I never wrote a novel until the age of 12 and a half, going on 13. It was one of the biggest milestones I had ever hit, and I wouldn't have gotten the confidence to start if it weren't for my mentor who encouraged me, using The Book Thief (1st the movie and then I read the book too) as a prompt. Alexandra, whatever you do, write, write, write! And so I did.

The Image through the Thick Glass (ITTG) - September 2013 - summer 2014 (aged 12-13)

My very first novel ever. 53k words.

The plot revolves around a certain Kaito Hayashi, whose life is genuinely miserable from start to finish. First he's an orphan, then he's bullied (because he's a weird kid, but also a child savant or something), then he suffers in love as it were, aka feels very rejected, he is in poor health and almost dies of pneumonia at some point (hiking trip gone wrong??). He eventually gets with the woman he loves (whose name is Kata but that's not an actual Japanese name)))))) but she kind of stops loving for some very arbitrary reason again relating to his health (ableism???). At this point they have a young kid so it's very sad too like the kid is like wants to spend time with his dad but his mom is like no, and at the end he dies... but it's not completely tragic I guess because some people do mourn for him namely his son and his brother.

The side characters are interesting too like Kaito's older brother, Chang (again that's not a Japanse name but ok) is very protective of him and generally a likeable character, though a stereotypical aloof type etc. And he even has a "meet an adventurous girl and learn to have fun" arc so he's got that going on for him. Kata has a sister, Miku (you can see my inspiration) who is married to an American guy, who is Christian which is a plot point but also kind of not. Like the Japanse characters are vaguely non-religious. Kata and Miku's grandpa is a recurring character; he lives in the mountains but for his granddaughter's wedding he does come to the city, and quite dramatically while he's at it.

Kata also has a neighbour kid who has a weird relationship with her as in... the kid remembers her fondly but Kata literally treats the kid like some sort of ghost because due to some misunderstanding she thought she had died (instead what happened is she got into a car accident and was hospitalised for a while... poor girl...). This was supposed to show how Kata had a crippling fear of death, which would be why she left her husband when he was at his worst health wise. But that's still very selfish??? But I think the other characters do call her out for it. Anyway she herself was disabled (had a severe accident as a child and her legs never healed the right way and she alternatively uses crutches or a wheelchair) so I don't even get where her attitude was coming from.

Kaito himself was my personal blorbo for my entire preteen section of my life. Although in retrospective he's just... sad. Like literally just miserable all the time except select scenes. In the first draft I remember having written him attempt suicide but my parents were like what! You know nothing about things such as depression and the such. And yeah they were right. So I didn't have him do that anymore. But he was still... depressed? And his only support was the fact that at least his brother cared for him, but even said brother, being a responsible adult TM didn't have much time. And Kaito had a job too I guess. He was supposed to be an architect. And as a hobby he was an artist and was a very creative person in general.

Some things I'm still pleased with to this day: the scene in which his bullies, now adults, randomly meet him again and see him spending time with his son, and they straight up apologise to him. And they even socialise in a friendly way with the kid. They had jobs and stuff etc. I like that it was neither the "bullies remain nasty abusive people forever" trope nor the "bullies are punished by fate by becoming homeless jobless deadbeats etc" trope. They just moved on with their lives, happened to meet the kid they used to bully and apologised. I think I wrote that because especially at that age, being bullied a lot, I secretly desired to have that kind of closure.

Another scene I like to this day is the "vacation" episode in which Kaito's son comes to visit him and they play in the snow and have an overall good time together, bonding time etc, but a shadow of sadness looms over because Kaito thinks to himself that he's getting worse with his health etc, but at least for the moment he is happy etc.

Another scene I find wholesome is Chang's date with Yume (that's the name of his girlfriend). Very nice dynamic between him who is very serious and stoic and her who is, to put it this way, office worker by day, adrenaline junkie by night. Her hobbies are very sporty and she even takes him out for a parachute ride of all things! The other side characters all have good relationships too. Miku and her husband get along great, and have a nice peaceful scene together (he comforts/ encourages her about something?? She is a doctor so it might've been her stressful job?). Only the main couple is kinda toxic. Though back in the day I liked drawing them together a lot.

The relationship between the main couple felt very much like. Him trying his best to win her love and her... straight up not doing the same. Like sure during the hiking trip gone wrong episode, she has one of those "Oh no you're hurt so now I realise I've loved you all along" moment, and there are times when they genuinely get along. And she even apologises to him at some point towards the end of the story (for not having been by side during his hospitalisation and other issues etc). But the lenghts he goes to just to impress her and... not even that... just to make her notice him, are quite staggering.

One very painful such episode is towards the end, when she's distancing from him a lot. She's doing laundry etc and some dress or whatever just flies off the window onto a tree or whatever. And here we have a (contrived) chase scene, in which he is very dramatically running after a flying piece of clothing, tripping (and hurting himself in the process) until he finally retrieves the dress. And she's like smh my head, it's dirty now. And man the book is full of such tear jerking scenes. (Another example is a scene in his childhood when he falls face first into the ground but it's treated realistically and he ends up splitting his lip open... which man why friccin describe how he was bleeding like that dude...) Like see how miserable this dude is? Even when he has what he wants it gets taken away from him, nobody loves him and he's dealing with chronic illness on top of it all!

And genuinely. What, girl... Like I appreciate the fact that it was my first novel, and I'm always glad I wrote it. I'll always cherish it and treasure the memories. But the story is not good, though. Or at least not as whole. The message at least is pretty messed up if you try to extract one. Like what is even the message? Fate is cruel? Life is meaningless? Or idk maybe some people live good lives but there are some particular people that literally nobody will love and that's just the way it is?

Thinking of it in a meta way. I think the message, subconsciously, was the last one. In life there are certain people that people arbitrarily will never love, or even outright hate. And yes this story was heavily influenced by the media I was consuming at the time, namely anime and more specifically very dramatic tear jerking anime like Clannad (after story was my main inspiration I think, especially for the latter scenes in which Kaito spends time with his son, but is also slowly dying etc). But even deeper in my subconscious than just my immediate memory of what I was consuming, there was the desperate cry of unloved unloved unloved. That's plastered all over this story. In September there'll be 10 years since I wrote this. It'll be interesting to see the retrospective. A mentor figure I had at the time told me this story feels like it was written by a very lonely person. At the time I rejected such "criticism". But girl that was NOT criticism. It was the truth. The whole story reads like a cry for help. No wonder my parents didn't want me writing this dude contemplate suicide.

Overall self assessment: nostalgia value because it's my very first long form original work, my first novel, my writing debut as it were. There are individual parts of the story that are really beautiful, but as a whole, it's a hopelessly bleak story without much of a purpose than venting, subtly crying unloved unloved unloved from between the lines.

The 5 Books of the Immortals - June 2015 - February 2016 (aged 14-15)

My second ever novel. 73k words. My beloved!!!! The characters from this work were my absolute blorbos, and sometimes still are. This is genuinely a monumental improvement over the 1st novel.

Debriefing. This is not a fantasy, despite the title. It was meant to be an illusion. Start as a fantasy and slowly fade into the real world as the "game"/ innocence of childhood faded away and was replaced by horror. The concept of course is great, and it still lives rent free in my head. One day, I hope to execute it in a way that does it justice. The fact that I didn't manage this is one of the biggest flaws of the novel ofc. But let me talk about the positive things because I genuinely loved writing this so so so much.

The story starts in a college in what we later learn is late 1930s Britain. The main character, Len (should more accurately be Lev but you get the point) is an extremely ambitious chemistry student, the "wizard" among his peers. Except for the dean's son, Zephyr, who is also a genius, but more serious, a foil to Len's rambunctiousness. They become besties tho, and as you can imagine Len gets his friend into trouble a lot. Zephyr has a tense relationship with his dad, which is explored later. Len also meets a girl, Eyline (supposed to be Eileen but bear with teen me and her name giving habits lmao), with whom he is soon quite smitten, and tries a lot of wacky magic tricks to catch her attention (magic tricks = chemical reactions and stuff. On the hallway????????) She's a med student. This info is a tool that we will use later *winks*. She's quite the introvert and a very serious person but she does like him too and find things in common with him. And they become friends which inevitably means wacky shenanigans, and fall in love over the course of the following college years. The scenes between them are just adorable, like one day they stay up late in the library and she just falls asleep with her head on his shoulder etc.

There is one scene at this point which I would totally change now because it went too far in terms of stakes. Len's hubris gets the better of him and he accidentally sets the friccin lab on fire????????????? And it's a very dramatic scene and apparently his sister (coincidentally his lab mate for said project) died?????? And he survived but... he got away with that like. 1 legally and 2. without crippling trauma?????????????? By all accounts this makes no sense and if I were to write this again I would never. I'm not saying he was not affected at all. He's very distraught and gets his own come-to-Jesus moment but... why have such a situation in the 1st place given the drama that is coming for these characters outside college. Anyway. What I was trying to show is that yeah Len is very wacky silly and fun as this over confident character, but his self confidence can get the worst of him and make him do stupid and dangerous things.

At the end of college he marries his beloved Eyline and they have a nice little 1st year of marriage, which to this day I love that montage I did. And now comes the "fantasy fades away" moment. Not by them falling out of love ofc. The fantasy is actually violently ripped away from them as Eyline sees Len, holding his head in his hands, burdened, looking at a letter. He was drafted!!!!!!!!

Because it was actually 1939 all along. Yeyy? And so he prepares for war but Eyline pulls a Mulan and is like no, I'm going to fight alongside you, I cannot be separated from you etc. And he's like nooooo that's very dangerous etc honey you don't have to do this for my sake but she, the original girlboss, is like no, I'm coming because I want to be by your side. If you're going to die at least we die together (or something along those lines). So they went together. And they meet up with Zephyr too ofc. And then another character is introduced, Glinda, who registered as a volunteer out of personal conviction. Later down the line they meet a teen boy who totally lied about being 18 and now they adopt him. I don't make the rules. Adopt as in the found family sense, you get what I'm saying. They're on the battlefield still.

A lot of battles and stuff go down. There is this recurring character Gus who has a vendetta on them for whatever reason and honestly I would remove this character if I wrote this nowadays. This creep follows them around sometimes. Anyway I guess his whole spiel was to be the type of person that views war as licence to kill but... it doesn't really go that well idk. At some point they meet some girl who used to have a crush on Len and she works in the factory to produce weaponry now (which would be the 1st genuinely historically accurate detail so far lmao). But again why is this girl meddling like. This guy is taken. And also this drama has no place during... a war....

Anyway at some point Len catches a stomach disease and is bedridden for a while, which is very much treated as an almost death. Like he has a sort of going-to-Heaven type dream too. Anyway it is during this time that the others get to meet war veterns from ww1, who just so happen to know Zephyr's dad (also a vet). They get some neat little backstory with this occasion. It is also during this time that they meet the teen boy, named Günther (he is half German; he ran away from home for a yet undisclosed reason).

One interesting episode is when Günther meets a girl his age. But as it turns out, she had been coerced into becoming a spy (for the Germans that is), so this was all a ploy. Except she genuinely likes Günther and is friends with him so now he wants to protect him. But she gets caught by both sides as a spy. Günther is helpless to rescue her and she is killed off screen. Again I would write this differently nowadays. It was meant to be a shocking scene like oh no, this is what happens to a double agent. But poor girl was genuinely a victim of circumstance here. Günther is understandably extremely distraught by this.

One of my favourite episodes: Christmas time is coming, which means the soldiers stop by some village and camp etc. They are intent on celebrating. Zephyr meets his cousin, Miles, and they just so happen to stop by his hometown so they stay at his house. Miles is a skilled piano player. The gang has a bit of a breather moment, they play with snow like little kids and have an overall great time. Then ofc the scene gets dramatic real fast but the way I imagined it was always so cinematic. I even imagined using this scene as the trailer for the movie adaptation!!! Miles is playing a familiar Carol on the piano, the camera as it were zooms in on his hands and its almost silence and then BOOM. They actually get bombed, which is supposed to be this shocking scene but also one that (for the purposes of the trailer) sets the tone. Everybody survived except Miles, because that's the part of the house that collapsed. Ok again I would not kill him off if I wrote this today. After finding shelter from the raid etc the characters basically immediately have to go into battle again. It gets dramatic real fast.

Eyline is seriously injured and remains in the hospital for a long time. Len sulks, extremely worried, for a while, but at some point he gets the opportunity to volunteer to fight I'm Stalingrad.... being an ally and all... but remember he himself was Russian (yeah. See the above comment that he should be named Lev for accuracy). So it gets kinda personal. The chapter in which this happens is named... drumroll... the Land where winter never ends. Sound familiar? I thought so. Anyway my dude fights until a heavy snowstorm overcomes him and he gets lost. He remembers a lot of stuff, in a sort of life flashing before his eyes montage? He remembers a lot about his childhood etc. Anyway he survives this ordeal because his (not elderly enough not to fight) uncle was also there, in time to rescue him.

He spends some more time there. Meets a boy about Günther's age named Ivan, to whom he becomes a bit of a mentor figure. Ivan gets killed before his eyes which again is supposed to be for shock value bit dude this is a bit much. Len eventually returns, and, much to his delight, Eyline is alive and also managed to heal in the meantime.

Günther finds his hometown completely wiped off the face of the earth which is understandably very traumatic for him. He assumes both his parents died and deeply regrets having run away from home. He had run because he failed 10th grade + was expelled?? and was too ashamed to face his parents ever again (and he had been a problem student for a while already). I'm not sure I actually wrote this but in an adjacent comic I hinted that his getting failed was more or less due to his teacher being Antisemitic (in the actual text his mother is hinted to be Jewish. But like living in Britain I guess). But the real twist is that his father had gone away from home the night his son was gone in order to search for him.

Guys this is hands down my favourite arc in this story. Like I really like the wife so loyal she'll join the army arc too ofc. Chefs kiss. But father travelling the war torn country, putting his own life in danger to find his son who he has no evidence is even alive anymore? Crying on main my friends... Anyway his dad is crazy dedicated to his pursuit. One day he searches through a forest and falls into a valley, but a lumberjack living there rescues him in time, and takes care of him until his broken bone (arm??) heals. The lumberjack tells the story of how he isolated himself from society once he discovered his wife just up and married somebody else as soon as he was (falsely) declared dead back in the day. And now he's a miserable old man etc. But he is genuinely inspired by this father searching for his lost son, and examines his cynicism a bit.

Zephyr receives a letter from his dad which explains a lot about his own experience during ww1 and basically serves as an attempt to reconcile with his son. There is a nice moment in which Len and Eyline hide from the elements (it's raining hard etc) and have a moment to reflect on the past few years, how they met, how they ended up both going to war etc. It's maybe cheesy with the line delivery but I love the moment itself. They're just genuinely just grateful for each other. There is an interesting callback to a very early scene. Len is all like yeah falling in love is literally just chemical reactions (at the beginning of the story) and now he's like but staying in love that's a choice right here. And he is just genuinely so grateful that she chose to come with him. And she's just glad to be by his side through thick and thin. Guys I'm telling you, one of the couples of all time.

The war eventually ends. Len and Eyline go back home and have a cozy life for a while. They visit his parents (which again is weird in terms of historical accuracy because it wouldn't be very safe to just go to 1940s ussr but ok...). They make several plans for the future etc. Eyline is pregnant etc. Günther is staying with them and tries to find work etc (just what I was saying about them essentially adopting this kid). And everything is normal until suddenly that minor character Gus from earlier comes back with a vengeance and... out of nowhere, stabs Len when he sees him. Eyline and Günther try their best to get some help in time but Len dies and quite dramatically too. Eyline has to deal with the completely unhelpful doctors, and has to assert herself, because they don't take her seriously at all until they learn she was no ordinary doctor but a war medic veteran too. There's an extremely sad flashback/ dream sequence she gets immediately after dealing with his death, with of course the added stress of being ignored like that by the doctors etc. The following scenes are very sad too but I think I at least managed to show the mundane ways in which the characters deal with Len's absence in a meaningful way. The funeral scene is also very sad and Eyline's speech at the end is quite emotional etc. Zephyr crying over the death of his friend, too. But all is not bleak because it is during this event that Günther finally reunites with his dad, and honestly this scene is probably the most emotional of all.

The other characters move on with their lives step by step. Eyline gives birth to a daughter and raises her alone etc. Günther gets a job and takes care of his father as he ages etc. Glinda I think ends up travelling the world or some such. Zephyr reconciles with his father and continues his studies in order to become a professor. There's this moment of parallels between the old generation and the new one (and its more or less the same structure between Zephyr's friend group during the war and his dad's own friend group during the previous war, including the one of the friends dying tragically etc).

Overall assessment: in retrospective, this story was needlessly dark at times. Why kill off characters so quickly and just for shock value??? If I wrote this today I'd change many things, including never even making Gus a character in the 1st place. If Len has to die, it would be in battle. But I'd tend towards him not dying at all tbh. Because I remember quite clearly my mindset as I was writing this "it's not realistic if nobody dies, or if all main characters live". So I was equating tragedy with realism, as well as basically feeling pressured to write a sad ending to make my story more "meaningful". No man it was meaningful enough with its having a group of friends who genuinely love each other a lot, a main couple who are very loyal to each other and a father relentlessly searching for his lost son.

There is so much love and beauty in this story, and it didn't need to stoop to the common denominator of haha sad ending smart. Come on. The meaning is not in the tragedy, it's in the love. What I appreciate is that this story is by a large order of magnitude better than my first in terms of overall feel and message. The plot is more complex and interesting. It's an extremely dramatic story too. It wouldn't be a story written by me if it weren't. But it doesn't feel meaningless anymore. It still does reflect a very key flaw in my minset though, namely the believing that happy endings are too good to be true and in life you just have to get the rug pulled from under your feet just when you're the happiest. Also that happiness is unrealistic and tragedy is realistic. This is a mindset that I'm still trying to unlearn a lot, and it's obvious through the way I used to write and maybe even through the way I write now that I'm an extremely pessimistic person. But overall, this story was a beautiful one. Obviously it had its flaws. Just now I cringed at the sheer teenage way of wording my stuff. I understand that many parts are written immaturely, but hey I was literally 14-15. I love the characters first and foremost. The ideas for the plot could use some work but it's something to start from, its workable etc. I'm extremely happy I wrote this when I did.

My main inspirations were the sheer volume of war movies watched with dad as a child and teen. So any cliche present in those was here too. Also The Book Thief, my beloved!! I loved that book so so much. Generally I was quite happy at that age and I think that translated clearly into the overall tone of the work, as well as the choice of main character (very extroverted, confident, playful).

The Land of Eternal Winter (draft 1 - December 2019 - July 2020 - aged 18-19)

Anatoliy, a prince, namely the king's middle child, takes revenge for his father's death, but he kills an innocent person. This sends him completely spiraling, and he becomes desperate to fix what he did, and also to receive forgiveness from God and the people he's hurt)

Draft 1 available on deviantart and my sideblog in full (written directly in English). Main inspirations: draft 0 (yes, it's a self fanfiction as it were lmao), Hamlet, Crime and Punishment (but at the time I wrote these I basically only knew the sparknotes ver, not having read the actual books until later 2020). My mental space at that time was one of recovering from my depressive episode and finding hope, happiness, peace again etc. And also not having as many horrific intrusive thoughts and constant guilt. Especially my very recent experience with crippling guilt helped me write a guilt torn and forgiveness starved main character. 100% convinced my psyche always heavily influences my writing a lot. That's OK though. This book is very hopeful actually, not hopeless, and sends a good message. I'm currently working on rewriting this from scratch aka draft 2.

NOVELLAS AND SHORT STORIES

With the caveat that short stories is what I've been writing since the day I learned to write, buy actually even earlier because I think oral tradition counts too. As a small child, most of my storytelling was play-based, of course. In about 2009, aged 8, aka about the 2nd semester of 1st grade, I got my first notebook, on which I wrote my very first original pieces. Most of them are very very short but I want to mention a few that were more significant in my development as a future writer.

Short stories from my very first "writer notebook"

Very whimsy page long tales, usually about the "secret life of animals" (anthropomorphic bears, storks, insects and some are just random and others try to mimic a fable structure - mirroring the texts I was reading at school mostly. Many stories are blatant self inserts- a spy story which is just me and my baby brother, or one called "The Storyteller" which is about dad, which I find sweet (irl dad would always tell me and my baby brother all sorts of wacky insane stories that he just made up on the spot and we remembered them and it was a whole cinematic universe as it were). Many stories are very very very closely inspired by stuff I read or watched, like a longer story (3 pages))))) about mini planets which was a lot like Little Prince. Gradually I started doing actual fanfiction, long before I knew what that was.

Vasile Moldovenescu's life story (around 2012 - aged 11)

This was my second attempt at writing a play. It was a comedy. Basically this dude, who talks very much like a Moldovan stereotype (sorry guys I was 11 don't cancel me, love you). But Vasile, despite being seemingly dumb, is a very lovable character. He randomly runs into a pair of spies, Violeta (Romanian) and John (British), who are searching for Anonymous. Vasile is kind of clingy to them and they're annoyed at first but they let him follow along eventually. They also meet a woman only written as "the blonde" in the character list (she later introduces herself as Miruna, and she is rather stereotypical too, but not so much in the dumb sense as much as very tacky.

Vasile gets approached by his "ex" (woman he used to have a crush on) and she tells him he is literally wanted (in the way a criminal would?) in his home country. Vasile talks at lenght about his personal life, some details being inadvertently relevant, but the others assume he's just speaking nonsense. The man seemingly had a million different jobs in the past (he swears he never caused that inundation oh no! And also he is also doing translations from Chinese).

I'll take this moment to mention that John speaks fluent Romanian, but at some point another character enters the scene, tagged first as "The American", (and he later introduces himself as George; he is a fellow spy and works with John and Violeta) and he speaks in English. I was quite good at English even then lmao. George came to announce that Anonymous escaped and they have to catch him etc, with a sense of urgency.

Vasile annoys them one last time and they want to kick him to the curb, and Violeta, in a grand reveal, yells at him that they were secret agents all along. To which Vasile casually replies, oh I was in the FBI once, I have a timed bomb in my cellar btw.

Suddenly Vasile is reunited with his brother Ștefan, who he intentionally avoided all this time etc, they throw a random party (?) and play pocker etc but the brother leaves again. As if that wasn't enough, Violeta mean spiritedly tells him that if she were him she would just go far away such as Egypt, and he, with his bags already made, promptly does so. Violeta hurries to catch up with her teammates to catch Anonymous etc but suddenly receives a letter.

It is literally a letter of complaint on behalf of literally all citizens of Moldova, saying that, because of her, they lost their president, who was none other than Vasile. Curtain falls. Etc.

It is funny, especially by 11 year old standards lmao. But ofc more than that it's a charming story, because it's obviously written by a child. I had much fun rediscovering this one. I was also surprised by how much comedy I was trying to write as a child and how much I just... stopped. That says a lot about me I think.

Oh and see below for my 1st attempt at a play. Yes I did try to make my classmates act it. It didn't work out.

___

The next big step in my development as a writer was a shared imaginary universe between my boy cousins and I, which we used as a backdrop for our stick fights. So basically a sort of DnD. But the cousins only provided very basic details of the plot and their respective characters, while I actually took it very seriously and started writing actual narratives about it. My cousin called our paracosm The Immortals and he even designed an admittedly sick logo, and I kept that name. I was very into FF at the time so I was daydreaming about creating a never ending RPG game franchise. That is why the following are called just The Immortals + their respective number. Only a few have I actually completed, though I had planned like 20 entries for this franchise. At this point I barely took input from my cousins.

The Immortals 3 (summer 2013 - aged 12)

A story I wrote integrally on a sketchbook. A general, named Marshall, is sent out on some sort of rescue mission for a lost princess, which turns out to have been a scam, which annoys him very much. He is, however, stuck with the random girl he mistook for the princess, and they continue their journey together. She, named Barbara, is very much a sort of manic-pixie-dream-girl, and he very cold etc. Also I think there was quite the age gap between the two which... yeah. The two have a sort of enemies to lovers arc but not enemies, more like annoying strangers to lovers. The core conflict is less between the main couple, as between the two students (subordinates), one of them being his ally, and the other having rebelled against him and become the main villain (who lured his old mentor into a trap in the first place, and now intended to kill him). The last scene is a battle, and the heroes get injured etc but survive. The main character is like very regretful about the whole situation, feeling somewhat responsible. But other than that, he and his love interest basically live happily ever after.

The Immortals 4 (August-September 2013 - aged 12)

A stereotypical vampire story that I had very very much fun writing approximately late August - early September 2013. The story centers around a rebellious vampire prince, Vincent. His grandfather is the king, and he is evil. One day the grandfather captures a human girl, Ivy, and has her do menial tasks I guess. Vincent and Ivy have a bit of an enemies to lovers arc but again not at all enemies, they're actually each other's only allies, but in the sense of she doesn't trust him at first due to prejudice against vampires etc. He did like her from the first meeting and was kinda flirty from the start.

Anyways the two gradually become friends as they interact more. And ofc discover that they are allies against the evil grandpa. There are several "funny scenes" such as one day Ivy practices her combat skills aka shooting an arrow and Vincent volunteers to be a target - with an apple om his head. He was ofc overconfident etc. He promptly gets shot and Ivy nurses him back to health as it were, which is a bonding moment. They fall in love etc. They prepare to fight the evil grandpa but Vincent gets caught up in the sun because they didn't make it to the dark inside soon enough. So he literally burns up (not described in a gore way because I was 12 but yeah he doesn't just turn to dust but literally burn). But he dies in her arms so it's this tragic romance moment. And the sequel hook is that she has to fight the evil grandpa alone.

No I have never read twilight and at that age I think I would've actually been banned from it.

Train of thought (2015 - aged 14)

A short story in comic form, written in full on one of my sketchbooks.

This is a world in which the 4 Temperaments, as well as other categories (Pessimist, Optimist) are personified. There is more than one entity per category, and people are grouped into countries based on their category. The story starts with the Realist cynically observing the Pessimist and the Optimist waiting helplessly on the train tracks (both free, not tied up, also standing etc). The Optimist foolishly convinces himself no train will come, and the Pessimist is convinced they will die anyway so what's the point anyway. They get run over offscreen. The Realist, who is an absolutely emotionless being (he is supposed to represent Reason and is completely removed from and opposed to Emotion), so his reaction to seeing those two killed right before him looks like indifference, although he pities them (though with a bit of an attitude of superiority).

He was called to sort things out between the Temperaments, who have some level of international conflict. Specifically Choleric and Sanguine aren't allied anymore and are in some sort of conflict. Realist sides with Choleric and helps him rationalise the whole situation. Choleric comes to his senses and sorts things out with Sanguine and reconciles with her etc.

The problem is that the seemingly extremely rational Realist has been hearing voices all this time, and they grow louder and louder, and suddenly this world doesn't seem real anymore. The scene shifts immediately. It's a hospital room, and a man with the same physical appearance as Realist is in the hospital bed, looking as if having suffered a grave accident. The voice echoing is now clear: it was his wife calling him by his name, Richard, name that he doesn't recognise because he lost his memory due to his head injury.

Once awoken, he learns several shocking news regarding what had happened. The train he was on got derailed, causing a devastating accident. He is suddenly curious to know the other patients in the hospital (which is full of the injured from said accident). He meets at least 4 people with whom he is able to communicate and learn more about what happened. Those are Cole (the Choleric), Sandy (the Sanguine), Melvin (the Melancholic) and Felicia (the Phlegmatic). All four were businesspeople heading to a meeting in which to discuss the relationship between their respective businesses and negotiate trade etc etc.

Richard talks the most to Cole, with whom he is both annoyed, due to his abrasive attitude, but also gets along with eventually, finding a lot in common. Richard also gets a lot of information about everything, but is unable to actually remember it, which frustrates him. Richard falls asleep/ unconscious again and dreams the continuation of the same dream. The Choleric gets shot by somebody trying to overthrow the current government, but doesn't die. Despite the controversy, he once again allies with Sanguine. The Realist doesn't find his place in this world. Richard wakes up. He doesn't find his place in the real world either, with his not remembering anything, except the facts others tell him, which he has to take at face value.

During the following days he befriends the other patients and learns about their lives too. For example, Cole and Sandy were actually together but had a fight about something. Of course now that it was a life vs death situation, they put aside their differences. Richard himself finally gets his memory back when he remembers his wife, Sophia (who also appeared as a constant background character in the dreams too). She is very happy to have him back as it were, but she leaves eventually, in order to let him rest.

This time Richard cannot dream anymore and instead is plagued by (traumatic) memories. He remembers exactly what happened during the day of the accident. His co-workers (and friends, who in the dream appeared as the Optimist and the Pessimist) had actually died right then and there, in a thoughtless attempt to escape. This memory disturbed him a lot. He also remembered having interacted with all 4 of the survivors (that he had talked with at lenght) while on that train ride, as they were seated very close one to another and they even exchanged some words, enabling him to make a first impression of them (and explaining why he even dreamt about them too - for example in real life Richard directly saw how Cole was injured).

The next day they even watch the news and see that the accident is still being discussed. The others, such as Sandy, have other concerns however, such as Cole being rushed to the emergency room again (I'm not good at medicine and was even more so at 14 but bear with me) because his injury either got infected or there was some internal bleeding etc. Although the scene is kind of dramatic, he survives and makes a recovery.

All of them heal from their wounds over time, and, having become friends during this time of hardship, keep in touch etc. Richard ponders upon his tendency to judge people based on first impressions and stereotypes etc etc. Eventually he too goes home, happy to reunite with his wife.

My main inspirations include Inside out which I just saw recently at that time and was very normal about, thank you very much. I was interested in stuff about personality types and read a lot about it (and did every test out there lmao - yes MBTI too - I always get different stuff between INTJ, ENTJ, INFJ, ENFJ so for me it's not accurate but its fun as a concept). The actual starting point for my writing it was this dark joke I heard at the time: in a tunnel, the Optimist sees the light at the end, the Pessmist sees the dark, the Realist sees the train lights, and the train conductor sees 3 idiots on the train tracks. So yeah hearing that joke + my "psychology phase" at the time made me go into a several day writing binge. Ah those are always fun. I get struck by an idea and come back with a fully formed short story.

(Unnamed) - what I now call draft 0 (may 2019 - aged 18)

The first story I wrote after my hiatus/ writer's block/ mental health break. 14 handwritten A4 pages so I'd say... 5k-7k words?? As an estimate.

A young, Elena, princess falls in love with her servant, Kęstas, who secretly turns out to have been a foreign prince all along. The two run away together from her dictatorial brother, the king Anatoliy. Once in the forest, Elena learns the truth about Kęstas, namely that her brother killed his parents, conquered his country and took him prisoner. The two get married in secret, but they cannot hide forever so they return, backed by the people, who revolt. Elena also frees her older sister, Svetlana, the rightful monarch, and they remove Anatoliy from power, sending him into exile. They reunite years later, Anatoliy now a humbled pig farmer. His older kneels to hug him, showing her forgiveness towards him. He sincerely apologises, saying he had been a madman.

The sole inspiration for this was the Hetalia fanfic A Blend of White and Red by SweetVerses (on ffn) that I read in April or may 2019 and it changed my brain chemistry. I was obsessed especially with the winter vibes and tried my best to emulate that. I rewrote the fic as a royal AU as it were, added some other details until it was my own thing and boom. Narratively satisfying ending too. That was certainly very procrastination fueled + inspiration of the moment. But it had been years since I'd last written a full story, and since I had allowed myself to just write without being perfect, so writing this was the single most liberating writing experience of my entire life.

Available on my sideblog but it's handwriting only so I summarised the complete plot here.

The Keeper of the Underwater Graveyard (2023 - aged almost 22)

My most recent piece of writing + most recent feverish writing binge. 20k words.

Žadgailas, a young merman, is treated as if he is a demigod, ruling over the sea and the dead buried in it, but he begins to doubt this and tries to learn the truth. He is very fascinated by the human world above, which he first ever visits on his 15th birthday, meeting a human girl, Lærke, to whom he swears he will never forget her and even search for her again. The two remain loyal to the other, eventually having to suport the other in finding some horrific truths.

Since this was written directly in English and is very available to read, I won't spoil anything else. The main inspirations are Eglė Queen of Serpents and The Little Mermaid, although I changed quite a lot and idk how much it can even be considered a retelling. But I was in a combination of extreme inspiration and extreme procrastination so I just cranked this in like a week. Oh well it happens to the best of us. I think it's a beautiful story in its own right but I think I'm going to inevitably find it flawed soon but oh well.

FANFICTION

I will first say that I've been writing fanfiction since the very beginning. I'm not sure which was first. I scrapped a lot of stuff I did as a tween, because in my early teens I was embarrassed of it, but now I really regret it. During about 2009-2010 I wrote one of my 1st fanfics, namely a Transformers (the Michael Bay one) rewrite + prequel + sequel. Told oh so so dramatically, but also kinda ironically. And a spin-off. I especially insisted upon the sibling rivalry dynamic between Skits and Mudflap... childhood blorbos lmao. I was also doing a lot of comic format fanfics, namely various scenes with Mario characters. One I loved very much but I can never find again, namely their playing football with FF1 characters. And another I even forgot the plot but at the time I was so so excited with it I could literally recite it to my brother.

The coolest adventure of Mario (2011-2012 ish? - aged 10-11)

My very first attempt at writing a play. Mario characters in a mega crossover with other characters, including Lego Ninjago, Transformers, Sonic etc. Peach and Daisy meet in a high-school setting and become friends. They are the popular girls. Kai (ninjago) gets in a fight with Bowser. Mario meets Kirby etc.

Peach throws a party and the villain characters aren't invited etc. The Paper Mario villains show up, as well as the fanon ones. Shadow Queen kidnaps Peach. Mario and Luigi learn of this and go save them etc.

Now the characters being in a more peace time, they go swimming at a water park. Another time they dress up as mafia guys (that one paper Mario thing etc). They compete in the Olympics etc.

But their fun doesn't last because the villains come for revenge so all the heroes team up, but the villains even brought Megatron??? Rosalina appears to help them out at some point. And they use all skills and tools from before, and all characters show up and contribute etc which I find cool. Setup payoff + that's what crossovers are for. Also Optimus casually destroys Megatron with a bazooka. Mario and Peach kiss , curtain falls etc. + party montage lmao.

I took this so so seriously. I did cast my classmates. Really did want to organise this. Some wanted to participate, others backed down. I casted myself as peach and my crush as Mario. The guy was creeped out at the last scene. A lot of kids already thought I was weird so. But hey at the time I did have the guts to straight up write a fanfic play and force my classmates to act in it lmao.

Unnamed FF13 fanfic (late 2012-early 2013 - aged 11-12)

Various retellings of Final Fantasy plots and characters. First one with White Mage and Black Mage from FF1 (as per that game with a Mario crossover). I shipped them a lot frrrr. My blorbos. Basically fluff + Mario crossover. Also a bunch of random drama.

The FF13 again mostly a retelling, but also mostly ship focused. A lot of Lightning + Hope (yeah bro I get it that it's problematic and nowadays I cringe at myself, but I didn't at the time) especially as per FF13-2 etc, a lot of them involving Lightning dying etc. Very dramatic overall. I scrapped a lot of it like legit ripped the pages, cut them up etc.

In my very dramatic phase, which translates into the type of story I liked to write. See my first original novel.

01&02 (2015 - aged 14)

Vocaloid fanfiction in comic form, all on my sketchbook. 50+ pages of comic pages of my longest running comic ever.

The Vocaloids are sentient robots living alongside humans. Rin remembers how she and Len were made by the same inventor a long time ago, and he gave them hearts, metaphorically speaking, as in made them sentient. This was later applied to all Vocaloids.

Fast forward much time later. They live their lives normally, being mostly preoccupied with their performance arts (singing + acting). Many vocaloid songs are reinterpreted as plays they perform, but some get integrated into the main plot. The robots are regularly maintained by the humans, and got them out of trouble etc. These humans were descendants of the original scientists (several generations down the line).

Rin is a gamer/ streamer and makes several online friends, including getting herself a boyfriend (a human tech nerd). But they eventually break up and it ends up badly down the line. In the meantime, Len has a crush on Miku, but she is seemingly more interested in Kaito etc. They even play in several plays together though (like Servant of Evil etc). At some point Miku is also with the same guy Rin used to be with and again it's not good for her etc. However, over time, Len and Miku get along increasingly better, and collaborate on some song/ ad (SPL) and Miku realises she likes him too etc so they get together too.

At this point the story seems like it's mostly romance drama but suddenly they realise something is wrong. The human guy was never so much interested in actual dating as much as gathering data. Now that he had all his resources, he created a virus that affected the vocaloids quite irreparably. It was quite slow acting, however. The human scientists try to find solutions but they don't really manage, despite their best efforts.

Len, Miku, Rin and the others spend a lot of time together like before, but are now more aware of their mortality as it were. Miku one day starts to feel the actual effects of the virus when her voice cracks and it's this shocking emotional moment etc. Len and Miku get married etc and this again is this emotional scene etc. Miku legit just dies. And soon enough every single one of them is infected with the virus with no hope of a cure and they kind of just die one by one. The humans are helpless to find solutions. And the vocaloids are just devastated at their newfound sense of mortality + loss of their friends.

Len dies too, and this affects Rin a lot. She knows she will die quite soon, too, so she sets out on an existential journey. She finally finds the place where her inventor first made her and Len. She looks through his old papers and computers etc, with no hope of finding a cure. She locates her "father's" grave and contemplates her life, the memories she formed with her friends, the miracle of having had this Heart, as well as appreciating life, as she feels closer and closer to death. She falls off her feet, on the ground, next to the graves, but she is smiling and seemingly shedding a small tear.

My main inspirations were: vocaloid songs: Kokoro + the Disappearance of Hatsune Miku, and also a film I saw as a kid about a robot who got more and more human organs until he became human and died. Permanently changed my brain chemistry etc (I loved that movie despite at the time being terrified of robots). I spent like all summer writing and drawing this fanfic, and had great great fun. Literally unrestrained summer fun.

Frozen Parody (april 2016- aged 15)

Frozen retelling as a modern ice skating competition. Comedy/ satire. Only like 10 comic pages so quite short.

Elsa is a child prodigy in ice skating, earning the title of the Ice Queen. However, she has a strained relationship with her sister Anna because of a childhood accident caused by her negligence. While ice skating, Anna broke her back (?) and remained paralysed from the neck down.

Now as adults, they are more independent etc. Elsa runs away to her castle which is actually a private hotel (??) .

Hans is introduced as a "villain" but only in the sense that he's a direct competitor and maybe overly confident that he will win/ a huge sore loser. His main characteristic is not being in power and manipulating others into thinking he's a nice guy, instead being characterised by over competitiveness. He and Anna are in a relationship, but it's very short lived because Anna herself is quite flighty (immature, indecisive) about relationships in general. She almost immediately gets with Kristoff after breaking up with Hans, which makes the latter very jealous.

Desperate to win the contest (as well as maybe out of petty revenge??) Hans cheats by creating a hidden hole in the ice. During the competition, it is Anna who falls in, Elsa having to jump in the cold water to save her (as Anna absolutely cannot swim etc). The day is thus saved. Hans is disqualified from the competition altogether.

Quick flash forward to the future, Anna and Kristoff are married, Elsa happy for them etc. They live at the Ice Hotel (r) (hotel firm owned by Elsa). I just found the notebook at man it's a bit of a mean satire but one joke that stands out is that the trolls (love experts) are refered to as Kristoff's doctor-therapist-fortuneteller parents. I think that should set the tone for how this story is like.

Yeah I was in my "Frozen is cringe and for kids" phase I guess. Ok though but nowadays I like it unironically. No need to mock it lmao. But I'll say only one thing. I gave Hans a more believable motivation in this spoof fanfic than the actual movie lmao.

Do you know what it feels like? (July 2019 - aged 18)

Hetalia human AU, mostly a LietBel ship fic. 14k words.

Two lonely and miserable people meet and think they can fix each other, which temporarily seems to work but it ultimately leads to a very toxic place. Available on my deviantart, ffn and tumblr, so not giving away more of the plot.

I wrote this right in between writing draft 0 and starting outlining draft 1, which was a nice breather (as well as a nice writing binge - I got this out in the span of about 2-3 weeks). I had just read seemingly all fanfic of this ship on ffn (not a lot of it) and was struck by an Idea so I had to write it down as fast as possible. I was in a good place at the time (was writing this in the week before and the one after I got baptised, and I was finally in the summer vacation after a brutal school year namely 11th grade). I think that this reflects in the fact of my writing a story with an optimistic ending, and, while very dramatic because it wouldn't be written by me if it weren't, still full of wholesome moments etc.

UNFINISHED/ ONGOING/ PARTIAL/ ABANDONED

NOVELS

Love is a Choice (summer/autumn 2017- abandoned sometime during mid/late 2018?? - aged 16-17)

My 3rd novel, but it never saw the light of day. It was supposed to be a Christian Victorian romance novel. I only wrote the first 2-3 chapters + a lot of disconnected scenes, outlines (redoing those outlines many times), research sheets etc, concept art etc.

The plot takes place in 1845, in a unnamed town in southern England, not very far from London. The main character is one Ernest, a 30 year old bachelor, the youngest son of a family from the lower nobility/ gentry (so upper middle class to upper class). He is made to marry a certain Jeannine, who comes from a seemingly poorer family but otherwise of significant aristocratic origin (her grandfather was a French marquis but fled France in 1793 due to very obvious reasons). Jeannine was 25 I think and her family was rushing her to get married too etc. Anyway they end up married despite being strangers etc. Ernest is a very neurotic individual, with a clear perfectionistic tendency and general "weird" aura about him. Jeannine is herself very shy and introverted (especially in comparison to her twin sister Georgette), but otherwise a much more relaxed person in comparison to Ernest. He is nerdy and he likes building mechanical stuff like cuckoo clocks etc and Jeannine has more artistic leanings.

Now the main plot was supposed to be their falling in love etc but try as I might I literally couldn't... write anything in the middle, at least not the main plot. There was zero actual chemistry between the two aside from my drawing cute art of them. But I wrote very extensively about the side characters which there were many of. Ernest had several servants, all of which had their own backstory, personality etc, and all of them got along with him very nicely. The main housekeeper/ admin was his old nanny, who just so happened to also be a French immigrant with a sad backstory like Jeannine's grandpa etc. She never had children of her own, but basically adopted Ernest. (The idea here is that Ernest's family was quite bad actually. The mom and dad hated each other. Ernest was never loved by his mother, despite that not being the case with his older siblings, and their father was very absent etc). The cook was married to the gardner, and there was also another couple among them (one of the maids and the stable keeper I think??). The cook's apprentice is an orphan teen that got taken under their wing (Ernest is a teacher figure to her, but he didn't adopt her etc). Generally the household is kind of a found family which is very wholesome. This is meant to contrast the tense situation of Ernest's biological family.

He also has a close friend, Jasper, who is a small business owner (he has an antique shop and I think that's actually how the two met because Ernest was trying to recondition an old clock and looking for parts). He has a wife Gabrielle (you guessed it - also French - I genuinely spent a lot of time researching every detail and yes apparently in the 1st half of the 19th century, it was not uncommon for there to be French immigrants in England, with the French Rebolution + subsequent revolutions + religious persection of the Huguenots) who is a seamstress. (OK now that I mentioned my very specific real world details that I included because I did some research: I imagined Gabrielle was raised Catholic and her parents gave her quite a hard time for having married a Protestant and herself having converted etc. Jeannine and her family I imagined to have been Huguenots - which are basically just Calvinists. Ernest I imagined to be a member of a Reformed Baptist church (at the time it was called Particular Baptist), despite not having been raised that way and ofc, that's just one more thing that his parents would give him trouble for. Given the time + location + already mentioned details, you can safely 100% imagine Ernest would attend Spurgeon's sermons in person).

Ernest had 3 older siblings, two brothers and a sister. The oldest, William, was 40 years old, had a wife Sophia and 5 kids. He was the owner of a factory and very financially successful, but, not unlike his father, was much more caught up in work rather than family etc. He also hung out the wrong kinds of company (doing gambling I think??) and was very much a smoking addict. At some point in the story his health takes a turn for the worse (he faints at some point and he fears that he is developing a heart problem, which scares him back to his senses as it were. He has his come-to-Jesus moment, and then tries to reconcile with his wife and children etc. There's even a montage in which he tries to become healthier so he runs around to lose weight or whatever). The other brother, Frederick, is 38 and is also married, to one Olivia, with whom he has 2 or 3 children I don't remember. He is a believer but his wife is not and that's the beginning of their conflict, but at some point she actually just... cheats on him with some dude. Undergoes a full on Hosea + Gomer arc (and quite explicitly based on that mind you). She realises that the lover she ran away with actually wants to harm her etc so she runs home to her husband, literally in rags etc. And of course he forgives her etc. The sister, Amelia, is 36 and she actually lives far away from the other siblings because she married a northerner. They also have several kids etc, and among all of the siblings, Amelia has the happiest marriage. She was meant to be the good example to the others as it were. During childhood, she was the closest to Ernest, the brothers being rather bullies to him (during adulthood their relationship improved however). The mother was very miserable and bitter despite living a life of comfort and luxury. The father was suffering from some sort of terminal disease (I imagined something like stomach cancer and yes I did google whether they knew cancer was a thing back then - turns out they did but ofc the only solution was to physically remove the tumour by surgery and hope they got it all out basically). The father had also been a very bad parent but now that he was closer to death he was reflecting on his life and feeling regretful etc.

Jeannine's family was much more normal. She had a twin sister, Georgette, who was also unmarried etc (but for some reason nobody rushed to find her a high-class match???) but at some point she falls in love with a gardner/ farmer guy and marries him. The parents were in a good relationship, and were reasonable in the way they raised their daughters. They had no other children aside from them (due to how complicated it was to give birth to twins??). I was undecided in my outlines whether to write the grandpa as still alive or not. Either way he would've been quite elderly at this point. His name was Yves and he ran away because of the Revolution, only fleeing once the king had died (he was very loyal etc). Jeannine's dad was his youngest child (or second to youngest - he had a large family) and he was raised in England his whole life.

Anyway, eventually Ernest and Jeannine fall in love and are finally more of a real couple etc. Part of what drew her to him was the closeness with his servants, and how by being Mistress of the household, she got to be part of this large family too. Most of Ernest's internal conflict was like "this woman I was forced to marry is objectively a good person in every single way but I still can't force myself to fall in love - am I in the wrong here and am I a terrible person for this etc? And he was generally very very very overthinking. Very perfectionistic. Also spending a lot of time feeling guilty over stuff and yeah. More on that later.

The big twist at the end, when Ernest's dad dies (and has a deathbed conversion), is that the reason Ernest was so marginalised as a child is because he was actually his mother's illegitimate son. His "dad" was resentful towards him because his wife cheated on him etc, and his mom hated him because he was a living reminder of her "helpless condition" (cannot just run away with her lover but has to raise child while still living with the husband she despises). However, re: deathbed conversion, Ernest's dad apologises to him and reconciles with him. Some time after the death, Ernest finds that he actually not only is part of the inheritance, but got an equal part to his siblings.

That's where the story ended, and the sequel hook was Ernest finding his biological father etc. On my sketchbooks I drew many scenes etc. But many were of the next generation as it were. The adventures of Ernest and Jeannine's children (4 of them: Alexander, the responsible eldest son, Ada, the rebellious daughter, Justin, also a kind of rebellious son, and Irene, the very sweet daughter. Alexander ended up getting married to Edith, one of Jasper's daughters. She had a crush on him since childhood etc. Irene, maybe by virtue of being the youngest, was closest to her parents. Justin, after finally becoming a responsible adult, got into Law school. Ada, after sorting out her vicious sibling rivalry with Alex, as well as becoming a responsible adult etc, got into journalism. She married a young widower and single father Frank, who ran an independent newspaper. Everybody kind of gets paired off together in some way. Justin is revealed to be the grandfather of Zephyr, from my 2nd novel. Talk about literary universe. Ernest builds a school whose principal he becomes etc. He teaches maths and physics, Jeannine teaches French and History (and over time they get more teachers to hire).

Aside from the unending family trees, the sequel gets very depressing very fast, as all beloved characters just die off one by one. William dies of a heart attack when he is in his mid 50s (despite all the changes he made to better his health??!!!), with a very emotional and gut wrenching scene in which his wife laments how others only find it tragic when a recently married wife gets widowed, but one that was married for 30 years, not so much, despite hurting her much more to know she lost the one she spent 3 decades with. Frederick dies in an accident (gets thrown by his horse). Ernest, now himself middle-aged, with his children grown up (some of them as I said rebellious in their youths, which makes him feel like a bad parent), and both his brothers dead etc, falls into a very deep depression out of which nobody can take him out, not even his beloved wife etc. There is this very dark scene in which he faints due to burnout from how much he had been over working himself, and Jeannine finds him unconscious on the floor etc. But due to how absolutely hopeless and miserable he had acted lately, Jeannine just immediately jumps to the conclusion that he committed suicide, which everybody else believes until Ernest himself wakes up to explain was not the case as he only just fainted after having been awake for several days in a row. He eventually heals after spending some time by the sea and relaxing from his work etc. But I never found a satisfying ending to the sequel. Is that all? Everybody is dead and Ernest doesn't get along with his family anymore? He only barely gets over his depression by hanging out by the sea for a bit?

And this is the moment where I analyse this from a meta perspective. It's almost embarrassing to what degree Ernest's development over the year that I wrote this mirrored my own mental state. At first, I focused on his attention to moral integrity - good! I too was trying to be good. Then I focused on his perfectionism, and guilt. He was feeling guilty for not being able to force himself to fall in love. He was very strict with every detail of his life - in one scene he rearranges his entire library because a book is out of order. Even though he literally commits absolutely no sin whatsoever during the entire narrative, he still acts so guilty like WHYYYY. Why make a character who is morally impeccable but still has the behaviour of one guilty for existing. Oh well he did have a bit of that illegitimate child complex but he didn't even know he was illegitimate until the end so like??? But now in retrospective I'm like oh. Oh. I was very well behaved, unnaturally well behaved for a 17 year old, and still felt the weight of the world with how guilty I felt all the time. I was dealing with horrific intrusive thoughts on the daily, on the hourly basically. I suppose I was aware even then that my Protagonist was basically me in many ways. But I never even allowed him bad thoughts!!! Not even a tiny little "but what if I just stabbed somebody" and have him react in horror or whatever. Which would've explained his guilty attitude etc. But no that's not clean enough for a Christian romance. Yes in hindsight I censored myself a lot in order to fit into that label. Very squeaky clean. No real conflict aside from the side characters who were interesting because they were allowed to have flaws and an actual character arc. But then I started getting art block. Writer's block. My head was literally empty. Except it was very full of all sorts of bad thoughts. But it was empty of my usual ideas etc. I began finding no purpose much less pleasure in my otherwise extremely treasured hobbies. When I did "get inspiration", it was to ruin my main character's happy ever after, make his siblings die tragically, his family life become dramatic and divided, and him be miserable, depressed, overworked and with a middle age crisis, and contemplating suicide. Although he didn't even do that. It would be too inappropriate. So he just fainted from exhaustion I guess. I wrote that scene in December 2017. And then in 2018 didn't manage to come up with much new. I stagnated completely, and almost completely stopped writing and drawing altogether. As you might already know 2018 was the worst year of my life. So it's no wonder I was literally unable to create anything. Sometimes I get sad when I look at my folders and see stuff like 2016 (70 items) 2017 (60 items) 2018 (30 items) 2019 (50 items) etc. Like the decline is so obvious and I know why. But at least, as that "if you have art block that's your brain trying to tell you to do studies", while my original stuff was plummeting, I have some genuine bangers in terms of studies from the summer of 2018.

Overall, the story was supposed to be heartwarming but ended up depressing. It does have all the blueprints to be a beautiful and uplifting one though! The love between characters is still palpable. It only needed to be more real ie not so censored that the main character literally has no flaws, and more of a conflict. Also the sequel was just literally me ruining the source material so I would completely scrap that or at least change it a lot. I'm sometimes very emotional about this unfinished novel. Oh, it was in the wrong place at the wrong time. Its development mirrors my mental state at the time quite accurately. One day I wish to rewrite this. Maybe when I get all my existential questions sorted out, and being more mature I am able to look back at all of this and make sense of it. But I would make it a less squeaky clean story too. I would make Ernest have serious questions about his faith, not this lowkey legalistic lifestyle being treated as "just being a good Christian, let's not ask many questions etc".

The main inspirations were all those period drama films where the woman is married to a husband she isn't in love with so she cheats on him with somebody she is in love with. Trying my absolute best to go the opposite direction of that. Had been reading the Rose of Versailles manga at the time + watching a lot of period dramas. Inspirations from the history I read etc.

NOVELLAS/ SHORT STORIES

The Hacker (October 2013 - with the last additions during spring 2016 - aged 12-15)

A movie script idea I had been writing on and off.

The main premise is a hacker (for whatever reason) trying to create a virus that infects the whole Internet, but one day he passes out in exhaustion in front of his computer and suddenly finds himself in the virtual world. Every app has a human form etc.

The main character, villain-protagonist is a guy named Hans, and the antagonist, arguably a more moral individual, is the mysterious Mr. G. The latter is supposed to be a representation of the entire Internet but a later reveal is that everybody in that virtual world is an isekai'd actual human. And the elusive Mr. G? Is Hans's programmer neighbour, Gerhard. (At first I chose Hans' name arbitrary but then I decided this is actually taking place in Germany because one of the songs I was listening to a lot for inspiration was Berlin by the Piano Guys).

In the virtual world, the virus created by Hans took actual form (it was a black goo/ wave that engulfed everything it touched, destroying it. Whatever it touched, started glitching green then black 0s and 1s, making the characters turn to dust not unlike in infinity war + endgame). The problem was that Mr. G and the others were basically convinced that if they got infected by the virus they would get killed irl too. Said Mr G had two children (teens - the girl representing social media and the boy representing video platforms). Over the course of the story, they both get engulfed by the virus, basically dying. The boy, right before his father's eyes, and the girl, right before Hans' eyes, and he is helpless to stop it, although he had made the virus in the first place. The scene of confrontation between Mr. G and Hans (which I wrote in 2016) hits extremely hard. The rage I drew on his face, as well as the sorrow like man... and if you think about it yeah, this dude really killed Mr. G's children...

At any rate both remember their lives back in the real world (in an early version there was a memory room which showed their flashbacks in video format). Gerhard was a single dad, his wife having left him for whatever reason (mostly to do with his workaholic tendencies). Hans had a girlfriend too and she does make an appearance in the virtual world too, as a sort of mercenary figure (she kind of opposes Hans but not really. She tries to help Mr. G's daughter too but with no success). At the very end, the virus spreads so far that almost everything is destroyed. Mr. G is dying (literally fading away) and shares some last words with Hans. He dies immediately afterwards too.

The two wake up back in the real world, their respective computers not only completely ruined, but literally on fire too. Thankfully, their death in the virtual world doesn't translate into their death irl. But the two still are in danger because the apartments caught fire and they have to escape etc. They make it out alive and mostly uninjured. Gerhard reunites with his children (and his ex is there too, to tell him he cannot look after the kids etc but that gets solved too). Hans goes to prison etc. However, fortunately, it is clear to him that Gerhard finally forgave him. It is implied Hans will get out eventually and resume his life etc, and they'll be friends etc.

The main inspirations were (movies that I had watched for the 1st time in my life at the age of 12 and literally had my mind blown) the Matrix + Inception. I already mentioned the song Berlin by the Piano Guys being used as inspiration etc. And most importantly, because I wouldn't have started writing it if it weren't for reading those, two short stories I read in a Romanian Christian magazine for college students from the early 2000s. One of them was about hacking and the other was about a college student metaphorically rotting away in his dorm room for decades, which to me seemed both horrifying but also a great source of inspiration for the "darker tone" I was going for with my story.

It is unfinished in the sense that I never actually sat down and wrote the script itself. But I finalised the outline back in 2016 so...

Fairy worldbuilding project (starting 2017 ish - aged 16)

Not much of a story but I loved doing worldbuilding. There are fairies who are based on several insects, and each species has a country, its Queen etc. Butterflies are considered frivolous etc but they carry the textile industry. Bees are the hardworking ones etc - food industry. Flies, Moths and Fireflies are nocturnal so they hold meetings at odd hours in order to adjust to the timezone of the others. Ie international meeting between Butterflies and Moths: 10 am but its very early for the Butterfly and very late for the Moth etc. Ladybugs!!! Just all bugs basically fall here. Including scarabs which are like super buff. Actual bugs are stereotyped as dirty etc. Flies are kinda tricksters etc. They get along ish but not really.

The plot if it had one would be internal political conflict in the Butterfly Kingdom. The Queen refuses to step down and let her niece rule. Matriarchal society etc. The Butterfly Queen rules over the others Kingdoms as well etc so it's kind of an Empire. But Ants for example, being mostly terrestrial and wingless, are separate.

This mostly makes sense by looking at the actual artwork. Not much else here. Ongoing forever maybe, it's just for fun. My baby cousins loved watching me draw these.

VAGUE IDEAS

NOVELS

Yet unnamed (January 2023 - aged almost 22)

I wish to rewrite that fanfiction Do you know what it feels like? as an original piece.

NOVELLAS/ SHORT STORIES

Many ideas throughout 2016-2019 but ofc not only.

Untitled medieval story (summer 2019 - aged 18)

Arranged marriage between a prince and a princess. They don't get along at first but eventually fall in love. He was a bit arrogant at first but got better. He had some scars from smallpox as a child etc which is how she gets him to talk about his backstory. He even gets wounded in battle at some point, and by that point she already cared about him etc etc.

In Memoriam (2020/2021 ish - aged 19-20)

A story from the perspective of an old woman seeing her whole life before her eyes. She faints/ almost dies of a heart attack when she looks at the 21 December 1989 memorial, and has a lot of flashbacks in chronological order or not. We learn that she was fervently loyal to the communist party and there seems to be feeling subconsciously guilty over something. The rest would be a spoiler - I genuinely want to write this one day.

I want this to be part of a volume for other short stories, Red Shadows, all in some way related to Romanian communist or post-communist history, all of the characters being at least tangentially connected in some way, thereby unifying the narratives within the volume.

FANFICTION

Untitled (2016/2017 ish - aged 15-16)

A Derpy and Dr. Whooves ship fanfic. Basically combining a human AU with the Pony world. The two meet irl, him being a time traveller, fall in love etc, start a family, but the interdimensional police eventually come after him and catch him, forcibly separating the two. She ends up in the pony world and spends many years there, raising Dinky etc. But one day she manages to reach an interdimensional warp zone and find her long lost husband etc but the police kill him. Thankfully by now she already knew to operate time travel tech so she rewinds time etc before he gets shot and by a combo of time stops, also redirects the bullets etc. They manage to escape from them forever, and live happily etc.

I wish I had written this when I first thought of it, but I basically just daydreamt it and left it.

Betrayed (2018 ish - aged 17)

A Hans fanfic (Frozen) which recontectualises his villain turn not as a random thing neither as a planned thing, but as him going insane from so much betrayal during his lifetime. He tells Anna if only there were somebody to love you not to be cruel, but to make a bitter jab at the fact that he believes her to be cheating on him with Kristoff. Basically Anna's engagement song is taken seriously and not as a joke and Hans is like how can you abandon me so fast etc. He does succumb to madness as it were etc and the events go down and he gets imprisoned etc see the Frozen fever short. So the story would end tragically with him catching some sort of disease, a literal deadly fever, and some nurse being the last person he sees. For a brief moment he remembers the good times with Anna and as he lay dying he calls her name. The nurse, for the sake of comforting a dying man, pretends to recognise him etc and tells him some encouraging words etc. He dies but kind of imagining a more happy version of events in which he just happened to fall sick but at least he saw his fiancee during his last moments.

I did make myself cry with this concept lmao but I never sat down to write it.

The Red Plague (2019 - aged 18)

Hetalia historical fanfic. There is a mysterious lab disease called the red plague. Russia is the first to get sick etc. The plague is supposed to mirror the spread of communism etc and the symptoms are supposed to be both physical but especially psychological, the other characters being horrified at how much their friends chanted for the worse etc.

Yet untitled (january 2023 - aged almost 22)

Maybe I will try that Hamlet with a happy ending lmao why not. I should at least try

____

Of course, there are so so many more stories I have not included, especially the older ones. I will update this every now and again. I hope you enjoy this. I will post pictures too. This masterpost is merely an introduction.

#my ocs #my writing #old writing #introduction #masterlist #pinned post

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starswallowingsea · 2 years

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conjure up everything you have cause I want to know if you have any book recommendations (any genre will do)

BOY DO I. I ended up going off on all of these but know that I love all of these books deeply.

So first off I have to mention Code Name Verity by Elizabeth Wein. I read this book for the first time when I was 16 and it changed who I am as a person. Also I picked two of my names from this book. It starts off as a kind of journal/diary/confession of our main character (Queenie) about her time in a Nazi prison in France after being caught while trying to infiltrate the country. They tell her to tell them everything she knows about the Allied war effort, specifically looking at aerial assaults, which gives Queenie an excuse to talk about how she met her best friend. The buys her time for a while, as she does sprinkle in what looks like useful information into her narrative but eventually her time runs out. Make no mistake, this book is a tragedy and will tear your heart out in more ways than one. It's very slow going but I promise it'll be worth it if you can get into it.

In the same vein, I also recently finished the Paris Orphan by Natasha Lester. This book follows a model turned journalist named Jessica May (based on the actual photographer Lee Miller) as she deals with sexism and misogyny during the war effort in trying to do what she wants to do, which is reporting on the war front. Jess meets a soldier named Dan who she instantly connects with while trying not to die in a trench because the field hospital she was supposed to be stationed at turned out to be under fire, and he introduces her to a child he has been looking after since his brother was killed (it's not his brother's child, she's the child of two French citizens who were trying to flee the country and couldn't take a child with them, but she takes to Jess and Dan as her parental figures very quickly). This one is also a bit heavier and includes suicide and rape, but it is still very very good.

Next I'll jump briefly to non-fiction and recommend the book T. Rex and the Crater of Doom by Walter Alvarez. It's written by one of the lead scientists trying to figure out what killed the dinosaurs 65 million years ago. While it is about geology and physics, it's not too dense and written in a way most people will understand what's going on, and explanations are provided for anything that wouldn't be comprehensible to the average lay person. Absolutely fascinating read.

Then we have an Ember in the Ashes by Sabaa Tahir. I found this one on youtube and it sounded interesting and boy was it. It's a fantasy novel set in the Middle East/Western Asia and incorporates the culture into the story very well. It follows two main characters, the son of the overbearing military leader who just wants to run away and live a quiet life and the daughter of two scholars who wants to see her people free to live their lives without fear of being enslaved. Laia, the scholar girl, watches her only remaining family killed and imprisoned before her very eyes, barely managing to escape herself and looks for help in the resistance. Elias, the military leader's son, is planning on running away to the South before he is nominated to take part in a series of trials to become the next Emperor and decides to stay. While I wasn't the biggest fan of the romance in this book, it's not overbearing. Content warnings for violence, death, rape, and slavery for this one.

And finally, Cain by Jose Saramago. This one was recommended to me by one of my professors last semester and it's a relatively quick read at like 160 pages. It's a bible retelling focusing on Cain, where he is cursed by God to wander the world for the rest of his days. He finds himself traveling through time (or in the words of the book, different presents) and interrupting different bible stories to spite God. The writing style takes a little bit to get used to as it's just very long sentences with dialogue only indicated by the usage of capital letters starting new dialogue tags, but it doesn't take very long to get used to it. As for content warnings, if you'd find it in the bible you'll find it here (death, rape, incest mentions).

#five books but i wrote way too much about all of them ajdsofpiads #message in a bottle #zodiacs labyrinth #code name verity #the paris orphan #t rex and the crater of doom #an ember in the ashes #cain #bookblr #book recommendations

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melohax · 3 years

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I’ve seen some people who finished Omori talking about how they don’t understand the game’s plot, what happens in the good ending or why the protagonist even decided to change his ways. So then, here’s my thoughts on Omori’s story.

Warning: SPOILERS AHOY. Only read this if you’ve already finished the game and seen the good or true ending. Or if you don’t plan on playing the game at all but still want to know the whole story.

I’ve seen some people around the internet talk about how Sunny’s character isn’t clear to them or how they feel Sunny doesn’t deserve a good ending. Here’s some thoughts I have on why I think Sunny’s growth was well depicted.

There’s two main routes you can go through in the game: the “Reality” route and the “Hikikomori” route.

In the “Hikikomori” route, Sunny stays in Headspace forever and we get to learn many additional details about him. Sunny’s parents are implied to have known what Sunny did to Mari all along. It’s also implied that Sunny’s mother covered the whole thing up and chose to present it as a suicide as well cus, in her own words, she can’t bear the thought of losing both of her kids.

Sunny’s mother insinuates her son isn’t a “good boy” even though she begs him to be good but she still sees him as her little boy (as seen by the overly-sweet and positive messages she leaves around the house and her voice mails) and needs him alive so she can survive her own grief. Sunny’s father is shown cutting down the hanging tree and telling Sunny he isn’t his son, presumably disowning Sunny. The father keeps being absent forever afterwards.

Fast forward to the present and the “Reality” route, Sunny’s moving in 3 days. He knows his time is up in the real world and the biggest catalyst for his personal growth is that he’s finally seeing his old friends in the REAL world after 4 years of only seeing their loving, idealized child version in dreams. For the first time, he gets to witness the collateral consequences of what he did to Mari in his now teenaged friends: Aubrey spirals into delinquency after feeling like she was thrown aside by everyone she loved. Hero is guilt ridden, can’t even go near Mari’s grave and gives up on his dreams of being a chef. Kel wants to make things better but feels powerless, useless and like a screwup. Basil lives in a miserable state of almost constant fear and psychosis.

Sunny finally gets to see the huge toll his lie took on his friends’ entire lives as they keep blaming themselves for not knowing about Mari’s supposed suicidal ideations. He’s finally forced to face reality and he still tries to hide in dreamworld but he can’t. The inhabitants of Headspace are all people or fictional characters he knows or likes in real life (that he changed in his dreams, like how Kim’s brother is a sweet gentle giant and Sweetheart looks just like the candy shop owner at the supermarket) and their quests end up leading him to events where he’s reminded over and over again his dreams will end soon (the end of the underwater highway, the tree near the whale, the shadows of Mari and Basil) and that he needs to delve into Blackspace.

This shows how his own subconscious mind knows well what needs to be done; he’s putting the mental and emotional effort of making himself face what he’s done, shown through the contrast between the whimsical nature of Headspace and the dark surrealism of Blackspace.

As this happens in Sunny’s psyche, in the real world he can try to “atone” a bit by doing good things for his little community like completing requests people around him have. He still has a lot of trouble being near Basil in the real world but considering his entire subconscious mainly revolves around finding and rescuing Basil, he wants and needs to face Basil sincerely before he runs out of time.

We’re shown through memories that Sunny’s personality was always quiet, wary, a bit distant and very bad at dealing with pressure. Some people even describe him as cowardly or mediocre but he was just a small kid who’s entire world ended when he was 12. Since then, he never left his house, spending most of his days asleep rather than awake. It’s no wonder his personality isn’t as developed as his friends. His friends, although they were also in immense pain, at least still continued to live beyond Mari’s death. Sunny didn’t. He only lived through sleep.

Subconsciously, it’s shown Sunny both loves and hates Basil. This is seen in Blackspace with the dialogue he has with the “strangers” walking in the void. They talk about how Sunny (as Omori) does horrible things to Basil in the darkness of Blackspace because he struggles with facing the truth of his own actions. It’s also revealed through datamine of Blackspace’s metaphorical photo album that Basil, in his attempts to save Sunny from the judgement of others and to get him to come out of catatonia, was the one who come up with the plan to hang Mari.

Sunny describes Mari as looking as if calmly asleep when he drags her up the stairs. Her eyes remained peacefully closed until Sunny and Basil hung her. Then, Sunny turned back to look at Mari’s corpse, her previously closed eyes were wide open. She might have even been still alive, might have opened her eyes during or after the noose was tied to her neck. Or the belief he saw her eyes open could have been a manifestation of Sunny’s guilt, instead.

Either way, the horrifying possibilities surrounding Mari’s death lead to Sunny handling his emotional pain by subconsciously taking it out on Basil. It’s why Basil in Blackspace is shown constantly suffering and dying in many different ways. It’s the only way Sunny has been able to deal with himself; by forcing Basil into the darkest corners of his mind, his perfect colorful dreamworld can’t be ruined by the ugly reality Basil’s mere presence represents. It’s less painful to try to forget Basil and to forever blame him for both of their sins.

Still, even with all these conflicted feelings, Sunny’s tried to come to terms with love he still feels for Basil many times before. The shadows point out how this isn’t the first time he’s tried to save the Flower Boy; how all the previous times before ended in Sunny failing to find redemption and so his mind turns back to torturing the Basil of his dreams instead.

However, one of the Blackspace shadows also mentions a very important detail that changes almost everything this time around: his time is almost up in the real world. Whether this means he’ll commit suicide or move away, it’s almost time for him to leave the friends he’s always loved so much behind.

Sunny is forced to do a lot of internal work and self-reflection in what little time he has left. It’s shown through his dream actions, the surreal imagery surrounding him and the characters with all the sub plots his subconscious makes up.

In the route to the good ending, he traverses Blackspace and manages to listen to every harsh truth Basil’s shadow has to tell him. His attempts to save Basil mean he’s fighting his own mind, forcing himself to accept the truth.

To achieve redemption for his greatest mistake, Sunny needs to start with accepting Basil entirely; he has to stop making Basil take the brunt of their combined regrets. It means being willing to finally face the REAL Basil instead of permanently burying him in the most painful place within Sunny’s mind.

So basically, it’s obvious to me that Sunny is forced out of his “comfortable” hikikomori misery the moment he opens the door to meet the REAL Kel.

Sunny and Basil have a confrontation in the real world. When Sunny entera Basil’s room, we see poor Basil suicidal and at his limit. He’s clearly in the throes of a psychotic episode and at the mercy of hallucinations and delusions he can’t escape from (“There’s no way out of this is there, Sunny?”). Basil attacks you in an attempt to save you by killing the “thing behind you” but as we know, there isn’t actually something behind you.

There was never any monster to take the blame for Basil’s regrets, nor yours. It’s always been just you.

Meanwhile, Sunny is trying his best not to completely lose his shit so he can save Basil and stop him from potentially killing the both of them. Sunny likely loses an eye in the fight, shown by the blood coming from your socket and the bandage over it in the hospital.

Incidentally, the eye you lose is on the same side as the eye that can be seen peeking through the hair of Mari’s face as she’s hanging from the tree.

In the good ending, the song at the end talks about how even after confessing the truth, Sunny is alone once again, so it’s not actually clear if Aubrey, Kel and Hero actually forgave him. I feel like this is deliberately left up to interpretation by the writers. The lyrics then continue on to say Sunny still finds it hard to wake up, still finds himself plagued some days with lingering regret, but that he still tries to take it all one step at a time to carry on living.

With the song’s lyrics in mind, the end scene that shows Basil and Sunny smiling at each other while Mari’s shadow leaves them doesn’t mean they’re completely fine all of a sudden. Whether their friends forgave them or not, they at least finally have the relief of honesty. The burden of their unbearable shared secret is now off their shoulders. It’s finally out in the open, which means they both can now start healing and working to find the redemption Sunny was looking for in Blackspace. It also means they can go back to loving each other again without the crushing pain they both felt in each other’s presence.

I agree that Aubrey and the gang get pretty left out in the good ending, though. I wish there was more of them and their reactions to the truth BUT I think it’s sadly a deliberate choice by the writers to leave their reaction up to the player’s interpretation. This can feel extremely unfulfilling to many people (me included, I hate when authors do that tbh) but also to many others that’s a good thing cus they get to apply their own personal meaning and feelings.

I personally feel like the friends forgiving Sunny and Basil right off the bat would be incredibly unrealistic. I think they would need a lot of time (especially Aubrey) for them to forgive the lie that wrecked their lives for years. Forgiveness isn’t impossible but it would probably come in the form of a slow, difficult, heartbreaking process. Bittersweet.

Redemption isn’t just about forgiveness, anyway.

Even if a person is never forgiven by the people they’ve hurt, they can still find redemption for their actions through doing good for the people around them and the world at large. An example of this is shown through what Sunny can do on his last days in his neighborhood. The gratitude and additional flowers he receives in the hospital from each person he’s helped are proof he can still do good for others even after something as horrible and unforgivable as accidental murder. In a way, it’s proof that his life is still worth living.

But ultimately that’s just my own interpretation of the ending and I understand other people would interpret it all differently. Some see forgiveness as a given in the story while there’s also others who think Sunny doesn’t deserve forgiveness or those who think Sunny is a sociopath/psychopath or that Basil is the true villain of the game. I think this is why the ending was left so open, to favor all the different interpretations people have of it.

ETA: Here’s a different take on Sunny’s parents. This post argues that, despite the initial implications, they actually didn’t know about the attempted coverup. It’s a really good writeup explaining the whys and hows and has me reconsidering that part of the story!

https://www.reddit.com/r/OMORI/comments/kr9nvx/major_spoilers_regarding_sunny_his_parents_and/?utm_source=share&utm_medium=ios_app&utm_name=iossmf

#omori #omori game #omori sunny #omori basil #omori spoilers #spoilers #i said id wait before doing a post like this lol #but here i am #omori meta

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iamanartichoke · 3 years

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Another totally unprompted ask, on the assumption that you are definitely no longer in need of them… another thing I’m trying to work out about Loki characterisation in preparation for perpetrating fic torture on him is how suicidal the poor sod is most of the time. This is another thing I’ve seen referred to a lot but only in passing. Though obviously this is a pretty triggery topic, so ignore if you want.

I am always in need of totally unprompted asks, otherwise I just assume no one wants to talk to me lmao

So, hoo boy. I have been mulling over this for, apparently, three days now bc there's just ... there's a lot to unpack here. Putting under a cut for obviously triggery content and also for length bc fml.

In my opinion, the response to "how suicidal is Loki most of the time" is "very, but whether or not he wants to do anything about it varies from moment to moment" (see what I did there? I'll see myself out). In other words, I have always had a headcanon that Loki is consistently, passively suicidal. This is a headcanon that comes straight from TDW, bc I'm certain that Loki never had any intention of surviving their mission. And that could be a whole other post, really, but the point is that even though this is a TDW-centric headcanon, I have come to adopt it as applying to Loki in general as well, not just in those specific circumstances.

When I say passively suicidal, I mean that Loki is just sort of ambivalent about the value of his own life. He feels like he doesn't deserve to be alive, and feels like there's little point in being alive. Which - I don't mean to sound all gloom and doom, like, poor uwu emo Loki (and I kinda hate that I have to pause to disclaim that, no, I don't just have a fixation on Loki being depressed for funsies/the aesthetic/whatever); I think that this mindset stems from really complicated places that I'm not sure I can articulate, but I will try.

I view Loki as someone who suffers from a severe inferiority complex, and I feel like it stems from being abandoned as an infant. Loki's life started with a traumatic event and, even if he doesn't remember the event itself, the feelings he experienced stayed in his subconscious. Feelings of loss, of fear, of despair and abandonment, of suffering - these are all feelings that burrowed into his bones and lived there for his entire life, feelings that colored how Loki viewed himself as a person as well as how he compared to the people around him.

Keep in mind that Loki didn't know he was abandoned until the events of Thor 1, obviously. We don't really know how old Loki is, in human years, but I have always assumed that he and Thor were at least adults (not teenagers), maybe the equivalent of early twenties - and the reason I bring that up is because it means Loki made it all the way to adulthood carrying the weight of a trauma that he did not remember or even knew had happened, so to him, there was no real reason for how wrong he felt. There was no explanation for the feelings of loss, of neglect, of fear. So on top of struggling with those feelings, Loki was also burdened with the alienation that comes with wondering why one can't just be like everyone else, why one can't just "snap out" of depression, why one's sense of self-worth has always been lacking.

So imagine what it's like to grow up as Loki. He was traumatized as an infant. The trauma has been with him his entire life, along with the confusion/alienation of not understanding why he feels the way that he does, and then on top of that, his basic personality lends itself toward introspection and isolation, so he likely felt even further removed from Thor and from his peers. Loki's too smart for his own good, and he's got an enormous capacity to feel and I feel like this is a combination that works against him as much as it does for him, bc it probably means he spent a lot of time examining himself and identifying all of his perceived flaws - and then berating himself for said flaws.

People with depression are probably pretty familiar with the bully that lives in your head, the one who is always there to remind you that you're stupid, or ugly, or that nobody likes you, or that you have nothing of value to contribute to anyone, etc. Loki's no different; he's got that bully in his head, too. Add onto this the fact that his brother is literally perfect, that he feels his father doesn't love him (or love him as much), that his interests in things like magic are looked down on in his culture, and that he's a prince (meaning that along with the privilege comes pressure, and being in the public eye, knowing that everyone around him is comparing him to Thor as much as he compares himself to Thor, well.) and you have a total clusterfuck of a mindset, and Loki's been existing inside of that clusterfuck for nearly all of his life.

I always go back to the quote where, when filming I think the vault scene, Kenneth Branagh directs Tom by saying, "This is the moment where the thin steel rod holding your brain together snaps." And it's such a significant moment for Loki bc this is where it all crumbles for him, learning the truth, but I also fixate on the "thin steel rod" part of the quote bc that's not how one would describe a healthy, stable person's mind. The implication, to me, has always been that Loki wasn't that stable to start with due to his general upbringing, his internal struggles, and his personality, so of course the devastation of learning he's adopted, and Jotun, would send him over the edge. One doesn't go from zero to 60; one doesn't fall over the edge unless they were balancing fairly close to it in the first place. And to me, the "thin steel rod" basically equals the aforementioned clusterfuck of a mindset.

THE POINT IS. (Holy shit, I ramble.) This is the foundation on which I'm basing my headcanon that Loki neither values his life nor feels as if he even deserves to live it - bc his default mindset is one of inferiority, of loss, of pain. And I think that going from being a general unstable person pre-canon to being passively suicidal post-canon is a thing that happened because, somewhere between the vault in Thor 1 and the dungeons in TDW, Loki just stopped caring.

Life is exhausting for everyone, but even moreso when your mental load becomes more than you can carry. Loki is exhausted. His experience is that things just keep getting worse and worse for him - he's never been valued, he's always been found wanting. He discovers that he was literally thrown away as an infant, unwanted and left to die, and things haven't gotten much better for him since then. Everything that can go wrong, does go wrong. His plans spin out of control. He's unable to prove his worth and his value and when he is, in fact, rejected, he literally tries to kill himself (only to survive and end up in an even worse situation).

It all just continually goes downhill, and Loki is fucking exhausted. He's done. He has no hope that anything is ever going to change - he will never be valued or even seen, he's unable to connect to anyone, he has no family (aside from Thor, but their relationship is so fraught with pain). As far as he's concerned, his life has been nothing but a waste since he was born and if no one else values it, why should he?

So - passively suicidal. He places no value on his life, and doesn't shy away from situations that could cost him his life. It's possible that the only reason he's not actively suicidal is bc his previous attempt not only failed but led to such a horrible situation that he's probably too afraid to intentionally seek out death again. He doesn't want to fail and end up worse off for it.

And - not that you asked this in particular, but - my biggest disappointment in the series is that none of what I've just written is addressed in a satisfying way (to me). That is, we don't get any real explicit acknowledgement of the trauma of Loki's abandonment as a baby or how that affected his mental health growing up; we don't get to explore how devastated he was to learn of his adoption; we don't ever see him reconcile his ingrained belief that jotuns are monstrous savages with the fact that he is jotun. He says "I betrayed everyone I loved, but I'm different now" and we're supposed to infer what he means without Loki actually articulating why he feels that he's the only one who should be held responsible for all these things that had happened or what "I've changed" even means to him (aside from not betraying Sylvie).

I would have liked to see these things addressed for a lot of reasons, but one of those reasons is that I would want to see how Loki comes to terms with all of his issues and his pain enough that he stops being passively suicidal. We never get to see that; after TDW, the time that passes allows for Loki to kinda chill, resulting in the Ragnarok version, but if there was any real healing or recovering going on, it was happening off-screen, with the audience expected to just go with "yeah Loki was going through it for awhile but he's kinda better now."

Furthermore, much of what I've written here is based on prime Loki's development through TDW, but doesn't account for series Loki's split from that timeline nor the theme of "Lokis survive" that's so prevalent in the series. So I don't think the "passively suicidal" headcanon is really appropriate for series Loki but, at the same time, I'd like to have seen why. I'd like to have seen Loki learning to value his life, or where the "we survive" mindset comes from, since that's not really been a thing before now. (Out of universe, I suspect it comes from the context of Loki just not dying whenever he tries to, but since TDW and IW haven't happened, and Loki didn't intend to survive his fall from the bifrost, framing Loki as an innate survivor doesn't really make sense, but to be fair, I'm just being picky.)

So, yeah. I'm not saying Loki doesn't experience growth or development in the series, I'm just saying that his arc left much unsaid and, furthermore, framing his growth as "wanting a throne to not wanting a throne" without addressing that Loki doesn't actually want the power of the throne, he wants the value and self-worth he associates with the throne, is - well, again, unsatisfying. Not bad, but it leaves viewers like me wanting bc we're cognizant of how much more could have been done.

I ... am going to end this now. This is probably nonsensical and all over the place, so I'm very sorry, and I'm sure this is why I don't get meta-starter asks lmfao bc no one's out here trying to read my dissertation submission for a Ph.D in Loki, but well, sometimes it just be like that.

Thank you for the ask and the opportunity to ramble.

#asks #charlotte replies #loki pokey artichokey #loki series #loki series criticism #loki meta #tw suicidal ideation #tw suicide attempt #tw suicide #tw mental health #tw depression #i spent two fucking hours on this yet i still feel like it's rambly nonsense #i hit stream-of-consciousness at some point and just went with it #and now i'm too lazy to revise #so i'm sorry #this'll probably only get like 10 notes anyway bc that's how it be on tumblr #put effort in and get little validation; put no effort in and everyone loses their minds

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destieltropecollection · 3 years

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Destiel Trope Collection 2021 | Day 3: Angst with a Happy Ending

39 fics under the readmore

Conditional Miracle | @vampamber

Rating: Teen & Up Word Count: 1,551 Main Tags/Warnings: season 12 finale, in-canon temporary character death, love confession Summary: Chuck can bring Castiel back to life, but only on one condition: Dean has to tell Castiel how he feels about him. Not that "You're family, Cas" stuff, but how Dean actually feels. A coda for s12e23 "All Along the Watchtower" (a bit late, but better late than never)

Sharp edges | @chaoticdean

Rating: General Word Count: 1,638 Main Tags/Warnings: Major Character Death, (although he does come back at the very end), Temporary Character Death, Grief/Mourning, Emotional Hurt, Angst with a Happy Ending, Letters, Five Stages of Grief, post spn 15x18spn coda, Post-Episode: s15e18 Despair, written several months before the actual episode Summary: Castiel told him he loved him right before getting swallowed up by the Empty. Sam told him to talk, but words won’t come out, and really, how is he supposed to tell anyone how it feels to lose everything? So he writes. Letters on napkins, motel notepads, paperback books. He writes as he goes through every steps of grief, until finally there’s a light at the end of the tunnel.

What the Water Gave Him | @mattzerella-sticks

Rating: Teen & Up Word Count: 1,794 Main Tags/Warnings: Post-Canon, Implied/Reference Character Death, Sam Finds Out Summary: It was over. Chuck lost, Sam and Dean can live their lives how they want them. But their victory wasn't without losses. The biggest upset nearly taking Dean out of the game, happening so close to the final battle. Now he's on the other side, alive against all odds, but Sam knows he isn't happy. Not truly happy since the Empty stole his best friend. But there's a chance they can save him. A slim chance. A risk that Dean's willing to take despite every logical nerve in Sam's body screaming at him to look for better options. That threading a needle this small is too dangerous. That they don't have to take on another big bad, not anymore. That they don't have to risk their lives anymore. Dean is far past the point of listening. Dead set on this mission, Sam can only watch. And pray his brother proves him wrong.

A Classic Fear Of Rejection | @vampamber

Rating: General Word Count: 1,841 Main Tags/Warnings: pining, anxious Cas, Dean has self worth issues, love confession Summary: Castiel has been in love with Dean for almost ten years now. Ever since he'd raised the Righteous Man from perdition, actually. But Dean appears to be straight, so the angel just pined for him instead, fearing rejection. At Sam's insistence, Castiel finally admits his feelings, and it turns out that the angel may have been wrong about the elder Winchester's orientation.

The Things You Almost Say (But Never Do) | @wingsdestiel

Rating: Teen & Up Word Count: 1,967 Main Tags/Warnings: Light Angst, First Kiss, Love Confessions, Angst with a Happy Ending, Canonverse, Season 11 Summary: Team Free Will hasn't been much of a team lately, and Castiel wishes that Dean would stop avoiding everything.

Forget Me Not | @imbiowaresbitch

Rating: Explicit Word Count: 2,932 Main Tags/Warnings: top Castiel/bottom Dean Winchester, Hurt/Comfort, Car Accidents, Hospitals, Amnesia, Temporary Amnesia, Therapy, Makeup Sex, Marriage Proposal, Married Castiel/Dean Winchester, Angst with a Happy Ending Summary: A tragic accident during an argument leaves Cas with a head injury and amnesia, but Dean is determined to stay by his husband's side, even when the memories that return are painful. Can they move past the memories?

Forgetting Your Blues | @amirosebooks

Rating: Mature Word Count: 3,440 Main Tags/Warnings: Season 12 finale fix-it, amnesia, temporary main character death, fluff and angst, getting together, openly bisexual Dean Winchester Summary: Dean Jones doesn't know his real name. He woke up on a public park bench a few months back with an empty wallet and a driver's license listing the name Dean Jones with his picture. The name doesn't feel right on his tongue, but he doesn't remember what part is wrong. The cop who found him in the park got Dean a job in a local diner. The diner feels comfortable to Dean. He understands the rhythm of the place, the ebb and flow of the people and food, even if he's clearly never carried a tray of hot plates in his life. He settles into his new life. He makes new friends. He takes beautiful women and men and people to his bed for comfort on long nights. He has nightmares about blood covering his hands. Who is he? Why has no one come looking for him? What has he done? Why did he fall apart when he saw a guy wearing a tan trenchcoat?

I NEED YOU | @cooloddball

Rating: Explicit Word Count: 3,675 Main Tags/Warnings: Angst with a Happy Ending, Smut, Making up Summary: Sam is so done with Dean and Cas' bullshit. Time to get some things sorted out.

Even if the sky gets rough | @notfunnydean

Rating: Explicit Word Count: 5,360 Main Tags/Warnings: Fuck Or Die, cursed!Dean, dubcon, Top Castiel/Bottom Dean Winchester, First Kiss, Angst with a Happy Ending, Angst and Hurt/Comfort, Misunderstandings Summary: Dean can’t believe he got cursed again. Only this time it’s a lot worse, because if he can’t find someone to fuck him… well, he dies.

spes alit et falit. | @celestialsilhouette

Rating: Teen & Up Word Count: 5,524 Main Tags/Warnings: djinn fic, angst with a happy ending, first time Summary: ~hope sustains and deceives~ Dean wakes up with a gasp. He shoots up in his bed, panting, heart pounding, and wide awake. He grips the sheets in his hands tightly and swivels his head to look around the room, making a half-aborted movement to reach under the pillows for the gun he knows always lies there, the smooth metal familiar and comforting. He doesn’t recognize where he is.

Don't Call Me Demon | @angzlicas

Rating: Explicit Word Count: 6,432 Main Tags/Warnings: Demon!Dean, MOC!Dean, Human Castiel, Angst with a Happy Ending, Smut, Canon Compliant, Top!Dean, Bottom!Cas Summary: Dean’s shouting at this point, his eyes pure black again, and Castiel can feel the anger and panic tainting the room. It’s charged with emotion, even though most demons are incapable of feeling anything other than hatred and malice. It feels like fear. Or the one where Cas wants to take the mark from Dean

Life in prison | @notfunnydean

Rating: Explicit Word Count: 7,084 Main Tags/Warnings: Hurt Dean Winchester, Dean had to steal food to eat, Dean had sex for money in this, Thief Dean Winchester, almost murderer Castiel, Semi-Public Sex, implied bottom dean Winchester, Non-Penetrative Sex, Soft Dean Winchester, almost rape (non Destiel), Angst with a Happy Ending, First Kiss, First Time, Alternate Universe - PrisonPrisonAlternate Universe, Prison Sex Summary: When Dean gets arrested for stealing food, he has to face prison at 21. He is scared and his cellmate seems a bit harsh too. Will he warm up to him eventually? Or could he even fall in love with a prisoner?

Four of Swords | @mattzerella-sticks

Rating: No Rating Word Count: 7,127 Main Tags/Warnings: Post-Canon, Human Cas, Baths, Dean Winchester has Self-Worth Issues, Castiel Takes Care of Dean Summary: The Four of Swords, in the present position, means you don't want to interact with the rest of the world. Because of stress, you need to spend some time with yourself - unhealthy always being 'on'. That the healthiest thing to do is to escape. Dean might crave escape, but it's not something he thinks he can have. Something he deserves, even. After his and Sam's most recent hunt, this cancerous feeling has grown heavy and weighs him down. He cannot escape on his own, as best he tries. Luckily a guardian 'former angel' angel swoops in at his lowest. Helps pick up the pieces as best he can and lovingly put them back together. But he can only do so much. The rest is up to Dean. Can Dean take those final steps, say those final words, and finally free himself?

Free To Be Us | @imbiowaresbitch

Rating: Explicit Word Count: 8,011 Main Tags/Warnings: Omega Castiel/Alpha Dean Winchester, Explicit Sexual Content, Anal Sex, Switching, Rimming, Blow Jobs, Claiming Bites, Semi-Public Sex, Kidnapping, emancipation, broken bonds, Suicide attempt mentioned, Implied/Referenced Alcohol Abuse/Alcoholism, Angst and Fluff and Smut, Angst and Hurt/Comfort, Smut, Strangers to Lovers, Alternate Universe - Dystopia Summary: In a Dystopian world, Alphas and Omegas are rare. So rare that they meet only at semi-annual, semi-corrupt conventions organized by Betas, all for the purpose of breeding. Dean is one such Alpha, prized more for his seed than for himself, and untouched. Raised to value the system, he's about to have his world turned upside down, and it all starts with a decadent scent.

Not Here for Me | @mattzerella-sticks

Rating: Teen & Up Word Count: 8,113 Main Tags/Warnings: Alternate Universe - Humans, Alternate Universe - 2000s, Gay Bars, Closeted Dean Winchester, John Winchester's A+ Parenting, references to Dean's bad childhood Summary: If he had the choice, Dean never would have stepped foot inside this place. But Sam was curious - and curious is a hell of a lot better than the depression that clung to him day after day since Jess left him. So Dean swallows his pride, joins Sam as his babysitter. So he won't get find himself in any trouble. Trouble, however, is more likely to find Dean. In the bowels of his personal hell, can Dean resist temptations that have plagued him his entire life? Or will someone descend and lend a hand, showing Dean that the darkness he imagined only lived inside his own mind. And all that he feared was not as he seemed if he let himself step out of the shadows of his past.

Bearing A Heart | @lockandk3yfiction

Rating: Mature Word Count: 9,421 Main Tags/Warnings: Female Castiel (Supernatural); Castiel in a Female Vessel (Supernatural); Genderbending; Pregnant Castiel (Supernatural); Possessive Castiel (Supernatural); Miscommunication; Running Away; Death Threats; Angst with a Happy Ending; Abundant Mention of Death pertaining to an unborn child Summary: Castiel believes she is becoming more human in the way that she sleeps and eats. It’s a repercussion of falling after all. Nothing more, nothing less. It’s what she gives up to maintain her relationships with the people that she cares about. But what if she shared more than a “last night on Earth” with Dean Winchester? When Castiel learns that she is bearing the heart of another living being, the angel decides to do all in her power to protect her child.

Take Your Human Charge To Work Day (WIP) | @pointyearedelvishprincling

Rating: Mature Word Count: 11,222 Main Tags/Warnings: mutual pining, fluff and smut, case fic, top!castiel/bottom dean winchester, canon typical violence, angst with a happy ending, love confession, castiel dream walking, memory alteration, Summary: Written in third person with alternating POV of Dean & Cas. Something's changed between Dean and Castiel. Dean asks Cas to take him along wherever it is the angel goes when he's not around the Winchesters. He's curious, that's all. No feelings involved. It'll be fun. Dean's ready for Cas to take the wheel on their adventure, but turns out some feelings aren't so easy to repress when it's just the two of you. Cas needs some time alone. It's a heavy burden hearing Dean's longing like a constant prayer while Cas is trying to resist his own feelings. Now he's stuck in LA on a case that could have taken him minutes to solve, and Dean is very distracting. Why is it they can only let their guards down when faced with losing the other?

Scentless | @destielshipper4cas

Rating: Explicit Word Count: 11,416 Main Tags/Warnings: Emotional Hurt/Comfort, Past Abuse, Getting Together, Alpha Dean, Omega Cas Summary: Cas lost his mate and his scent a year ago when his scent gland was burned in order to brand him as a barren omega. Ever since then, he has been trying to pass as a beta, hiding his mutilated scent gland under the collar of his shirts. This works pretty well for him, until he meets alpha Dean Winchester, who turns his life upside down.

Mated (WIP) | @destielshipper4cas

Rating: Explicit Word Count: 14,721 Main Tags/Warnings: Falling in Love, Strangers to Lovers, Internalized Homophobia, Dean in Denial about Sexuality, Alpha Cas, Alpha Dean, Bottom Cas, Top Dean Summary: Of course, if Dean had known that it was possible for an alpha to mate another alpha, he would never have let himself get carried away and bitten the hot alpha’s mating gland in the throes of passion. It wasn’t like he was into alphas, after all… Right? Having accidentally mated the most awesome alpha, he might have to rethink some things about himself as he gets to know his mate and starts falling for him.

Scented | @destielshipper4cas

Rating: Explicit Word Count: 19,298 Main Tags/Warnings: Hurt/Comfort, Past Abuse, Mpreg, Alpha Dean, Omega Cas, Top Dean, Bottom Cas Summary: Cas could not believe that a sweet and sexy alpha like Dean was interested in him—burned and barren omega, social outcast with an abusive ex-mate. To make their new relationship work, they have to figure out how to deal with Cas’ insecurities, society’s prejudices, and a surprise here and there along the way…

Tacoma | @ellis-park

Rating: Mature Word Count: 20,055 Main Tags/Warnings: Canon divergent, season 15 breakup, angst with a happy ending Summary: After an explosive fight, Castiel leaves the bunker and Dean decides to let him go. As Cas ventures halfway across the country on a journey to find himself, Dean reevaluates what he needs from life. And what he needs is Cas.

I Will Hang My Head Low | @andimeantittosting

Rating: Mature Word Count: 22,403 Main Tags/Warnings: Fairytale/Folklore AU, Sick Cas, Temporary MCD, Grief/Mourning, Boy King!Sam Summary: Dean Winchester gave up hunting when his brother became the prophesied Boy King of Hell. Now he ekes out a meager living, chopping wood for a nearby village, until one snowy night, he follows what appears to be a falling star, and encounters an injured angel. Afterwards, he tries to put the strange night from his mind. When he meets Castiel, a mysterious man with healing powers, they form an instant connection, and the more Dean learns of Castiel's powers—to heal, to protect, to purify—the more he begins to hope that Sam can be saved. But as they prepare to save Sam, Castiel grows sick, and then sicker still. Too late, Dean learns how much Castiel is willing to sacrifice for him. Inspired by the Decemberists' Crane Wife and the Japanese myth on which it is based.

The Awakening | Eggplant47 (A03)

Rating: Explicit Word Count: 39,144 Main Tags/Warnings: Alternate Universe--Human, past child abuse (not explicit), past rape (not explicit), past child sexual abuse (just mentioned), Drug Use, Drunk Driving, Prostitution (past), Infidelity (not between Dean and Cas), Switching Summary: Dean Winchester had always lived on the surface of life, but a bump on the head and his young, blue-eyed brother-in-law are about to push him into the deep.

Lost Together | @imbiowaresbitch

Rating: Explicit Word Count: 40,551 Main Tags/Warnings: Castiel/Lucifer (Supernatural), bottom Castiel/top Dean Winchester, Alpha/Beta/Omega Dynamics, Alternate Universe, Witch Castiel (Supernatural), Familiars, Animal Abuse, Animal Death, Minor Character Death, Racism, Homophobic Language, Canon-Typical Violence, Depression, Angst, Hurt/Comfort, True Mates, Alternate Universe - Modern with Magic, Mating Cycles/In Heat, Explicit Sexual Content, Claiming Bites, Knotting, Mpreg, Happy Ending, Shapeshifting Summary: Castiel is a powerful Omega witch, but even his magic can’t save him and those around him from his ex, Lucien. When his familiar is brutally killed, Cas vows never to take another familiar because he can’t imagine risking another animal’s life. A wolf roaming his property has other ideas. Meanwhile, his new neighbour, an Alpha named Dean, is worming his way into his heart in a way that Cas can’t resist. Can the two souls overcome danger, broken hearts, and secrets together, or will they remain lost? Through tragedy and misunderstandings, Dean and Cas are destined to be together. But destiny’s road can be deadly.

The Driver | @friendofcarlotta

Rating: Explicit Word Count: 40,963 Main Tags/Warnings: Canon-Typical Violence, Mechanic Dean Winchester, Stunt Driver Dean Winchester, Getaway Driver Dean Winchester, Convenience Store Clerk Castiel, Waiter Castiel, Kid Fic, Single Father Castiel, Angst with a Happy Ending, Minor Character Death, Top Castiel/Bottom Dean Winchester, Inspired by "Drive" (2011) Summary: Dean Winchester is a mechanic and occasional movie stunt driver living in LA. Most people don't know that Dean also drives getaway cars for armed robberies. For months now, Dean has been nursing a crush on his neighbor, a single father named Castiel. When a violent turf war between Dean's boss and a rival gangster threatens to compromise the safety of Castiel and his son, Dean makes a choice that will change his life forever.

(You Don’t Have To) Say You Love Me | @darknessbound3

Rating: Explicit Word Count: 44,379 Main Tags/Warnings: Heavy Angst, Top!Cas/Bottom!Dean, Separation, Reconciliation, Pining Summary: Six months after Castiel walked out on a twelve year marriage to Dean, he decides it’s time for a divorce. Dean, on the other hand, isn’t so sure, and is willing to stop at nothing to win his husband back.

The (Un)Buried Past | @gii-heylittleangel

Rating: Mature Word Count: 53,282 Main Tags/Warnings: Graphic Depictions of Violence, Deaths, Gore and Blood, Angst, Intense Violence and use of guns, background relationships, Implied Smut Summary: After six years of living as a civilian, Dean has gotten rusty when it comes to defending himself. But, when the past comes knocking down everything in its way, Dean has to sink back into his old skin to get back what he wants. Ad what he finds out during the journey is not what he wants.

A Driver Worth His Salt | @thefandomsinhalor

Rating: Explicit Word Count: 67,844 Main Tags/Warnings: Graphic Depiction of Violence, Mafia AU Vibe, BAMF Castiel, Top Castiel/Bottom Dean, Trauma Summary: The job is simple: drive the passenger a few times a week to yet-undisclosed locations and return with said passenger without fail. Be on time. Be discreet. And never interact with each other outside of work. Once twenty-year-old Dean meets the passenger in question—the sharply dressed and rough-looking Castiel Novak—he finds that abiding by those shady rules may be more complicated than he had anticipated.

All the Night Tide | @funnywings

Rating: Mature Word Count: 72,315 Main Tags/Warnings: Pirate AU, Golden Age of Piracy, Mythology and Lore, Temporary Major Character Death, Pirate!Castiel, Friends to Enemies to Lovers, Angst with a Happy Ending Summary: Kidnapped for ransom by his childhood best friend, Dean is eager to return home and escape the pirate ship that has become his prison. But when Castiel sets his sights on a dangerous new quest, Dean chooses to stay by his side, even if it means facing down Death itself.

help me get where I belong (WIP) | ravenkings (AO3)

Rating: Mature Word Count: 73,437 Main Tags/Warnings: alcoholism, substance abuse, referenced child abuse, referenced assault, extensive crafting Summary: Dean Winchester just needs to get through a quick three-month stint in rehab to appease his little brother, then he'll be back to boozing away the rest of his short, shitty life. Except he kind of likes the group therapy leaders for AA, he's getting way better at watercoloring, and the crazy-haired guy on the NA side of the ward keeps winking at him.

Missing | @kitmistry

Rating: Explicit Word Count: 93,025 Main Tags/Warnings: Slow Burn, Murder Mystery, Post-Breakup, Mutual Pining, Heavy Angst, Minor Character Death, John Winchester's A+ parenting Summary: Two years ago Dean Winchester broke his heart. Now he's at Castiel's doorstep, asking for his help, but there's nothing Dean can say that will convince Castiel to listen. Or so he thinks. Faced with the news of Sam's disappearance, he decides to put his anger aside and follows Dean to a rural town in Nebraska, where they end up tangled in the missing girl investigation Sam was looking into. With an unknown threat closing in on them and all the things left unsaid between them about to be revealed, Castiel and Dean race against time to find Sam before it's too late.

All the Reasons We Are Real | @charlies-secret-closet and @jupiticas

Rating: Explicit Word Count: 96,466 Main Tags/Warnings: Slow burn, Mutual Pining, Hurt/Comfort, Angst and Fluff, Canon Adjacent, Sam Winchester Ships Destiel, Destiel Fluff, Abusive John Winchester, Suicidal Thoughts, Eventual Happy Ending, Blood and Injury, Charlie Ships Destiel, Self Worth Issues, Major Angst, You Will Cry, Summary: Sam is tired of it. Tired of the staring contests and the eye-sex and the 'standing two inches apart' thing. With a little help from Rowena and Heller-Queen-Charlie, Sam becomes the matchmaker: and tries to make his ship canon. Meanwhile, Cas is hiding a painful secret about a certain deal, and Dean is hiding his deepest truth. Until one night, when their long-awaited happiness becomes their greatest sorrow. Written in the original canon universe, this fic uses many canon scenes from the series to show that Destiel doesn't need fanfiction to be real. It has always been there, it will always be there, and it is REAL.

Twenty-Nine Steps | @scones-and-texting-and-murder

Rating: Explicit Word Count: 113,621 Main Tags/Warnings: underage, rape/noncon , PTSD, past child abuse, child sexual abuse, suicidal thoughts, repressed memories Summary: At the age of forty, Dean Winchester has a strong, loving marriage, a successful business, and a young nephew he absolutely dotes upon. He and Cas are living the kind of life Dean never thought was meant for him, one where the future stretches out before them, solid and bright. When a series of small and seemingly unrelated events coalesce into a larger, horrifying realization, he’s rocked to his very core. With so much of what he thought he knew about himself ripped away, he’s trapped between confronting the trauma of his past and believing he’s worthy of the life he’s built.

Still Breathing | @casbelieves

Rating: Explicit Word Count: 124,924 Main Tags/Warnings: Graphic Depictions of Violence, Rape/Non-con, Drug Use, Self-Harm, Post Traumatic Stress Disorder, Depression, Mentions of Suicide, Alternate Universe - High School, Alternate Universe - Reunion, Angst, First Love, Unrequited Love, Foster Care, Smut, Switch!Cas, Switch!Dean, Angst With a Happy Ending Summary: Castiel has no reason to trust anyone. As a teenager in the foster care system, he’s experienced horrific and unspeakable acts of violence and abuse that will haunt him for the rest of his life. When he arrives in Pacifica, CA, as the newest addition to the Singer’s foster family, the last thing he expects is to develop a deep and unbreakable bond with the boy-next-door, Dean Winchester. But Dean isn’t as in control of his own life as it seems, and the two struggle to navigate homophobia, trauma, and the pressures of an impending adulthood. When they meet again as young adults, eight years after their falling out, they are given a chance to rekindle a fire that never truly went out.

Patient Love (WIP) | @chaoticdean

Rating: Explicit Word Count: 152,765 Main Tags/Warnings: Alternate Universe - Modern Settings, US Navy SEAL Dean Winchester, Journalist Castiel, Implied/Referenced Drug Addiction, War Injury, PTSD, Grief/Mourning, Friends to Strangers to Friends to Lovers, Misunderstandings, Angst With a Happy Ending, Switch Dean/Switch Cas Summary: Castiel Novak is 27 when he suddenly loses his twin brother Jimmy, and his whole world turns to ashes. After 10 years as a Navy Special Warfare Operator, a battlefield injury forces 28-year-old Chief Petty Officer Dean Winchester to chose between being stuck behind a desk for the rest of his career or going back to civil life. Things are already complicated and painful enough as it is, but when former lovers Dean Winchester and Castiel Novak meet again after 10 years of radio silence and a galaxy of wounds and scars solidly standing between them, it feels like both a curse and a blessing has been placed on them both. Is there any hope in putting back their broken pieces together after a decade, and how do you deal with grief and broken dreams?

The Offering | @deans-jiggly-pudding

Rating: Explicit Word Count: 167,703 Main Tags/Warnings: Incubus!Castiel, AU - high school, John Winchester’s A+ parenting, rape/non-con elements, heavy angst with a happy ending Summary: As a pastor's son, Dean Winchester is expected to be all the things he's not: the church poster child, compliant with every plan his father has for him, and of course, straight. Fighting the confines of his father's faith and the control it has over his life, Dean is caught in the middle of a teen lock-in activity that will change his life. The boys accidentally summon an incubus named Cas, and his demands are clear. Dean discovers Cas to be everything he expected... Yet, even the darkest of creatures has secrets of his own. Can they be together, despite who they are, and despite everything designed to keep them apart?

A Ghost Story (WIP) | @valleydean

Rating: Explicit Word Count: 248,988 Main Tags/Warnings: Temporary Character Death, Alternate Universe - 19th Century, Angst with a Happy Ending, Slow Burn, Gardener Dean Winchester, Rich Castiel (Supernatural), Hunter Dean Winchester, Period-Typical Homophobia, References to Depression, Implied/Referenced Suicide, Suicide, Magic, College | University Student Dean Winchester, Ghost Castiel (Supernatural), Haunted Houses, Established Relationship, Established Castiel/Dean Winchester, Arranged Marriage, POV Dean Winchester, POV Castiel (Supernatural), Witch Hunters, Animal Death, Alternate Universe - Past Lives, Top Castiel/Bottom Dean Winchester, Mutual Pining, Slow Build, Secret Relationship, Alternate Universe - Reincarnation, Soulmates Summary: Castiel Novak has haunted his family's estate for 150 years, awaiting the return of his lost love. Upon their reunion, Dean Winchester learns of his past reincarnation. After the night of Castiel's resurrection, the two try to find out why they've been given a second chance. The answers may be hidden in the forgotten memories of Dean's former life - but sometimes the truth is better left buried.

Time Won’t Let Me | Aketch-22 (AO3)

Rating: Explicit Word Count: 253,520 Main Tags/Warnings: Non Explicit Sex, Closeted Castiel, Hurt Comfort, Harry Potter Crossover, Angst and Feels Summary: Entering his 5th year of the Voldemort-controlled Hogwarts School of Witchcraft and Wizardry, muggle-born Dean Winchester is faced with the prospect of the Choosing - a ceremony where twelve students are picked based on blood status to participate in the Mudblood Games. In the Games, the tributes are transported to Purgatory. If you're the first to find your way to the portal out, you become part of Voldemort's world - and if you're not, you die. Will Dean, Sam, Castiel and the others be Chosen, or will they simply have to sit by and watch their friends suffer at the hands of the cruelest supernatural threat the trio have ever faced?

The Exceptional Bad Boy | @thedevil-is-in-the-details

Rating: Explicit Word Count: 329,619 Main Tags/Warnings: Alternate Universe - High School, Bottom Castiel / Top Dean Winchester, Bottom Dean Winchester / Top Castiel, Past Rape / Non-con, Angst with a Happy Ending, Slow Burn, Alcohol Abuse / Alcoholism, Drugs, Suicide Attempt, Fluff and Smut, Tattoed Castiel, Depression, Anxiety, Self-harm, Stalking, Minor Character Death Summary: Again, they move to a new town and Dean is so sick of always moving around and always being the new kid at school. And he wants something better for his little brother Sam. But their father can't manage to keep a job for longer than two months. No matter where they are, there is one thing that is always the same though. Dean's reputation as bad boy. It was never a problem that there were already other bad boys because Dean was always the worst. But now, he has keen competition – Castiel Novak. Covered in tattoos, drinking, smoking, doing drugs, breaking other people's noses... Novak's reputation precedes him. But that he's still different than every bad boy Dean's ever met is pretty clear though, from the very first moment they meet.

#destiel trope collection 2021 #day 3 #angst with a happy ending #destiel #fanfic #supernatural #saving blogs; queuing things; the tumblr business

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mrs-hollandstan · 3 years

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hello! could you do an angsty fic based on the song yes to heaven by lana del rey where reader is pining after peter but he just doesn’t realize please?

This is actually really cute and I kinda dreaded writing it at first haha

If you dance, I'll dance

Peter was your best friend. Since kindergarten. You were there always, and you, like Ned (and now MJ) knew his deepest secret. And even though he knew you like the back of his hand, he didn't know your deepest secret.

Tonight was Prom. The biggest night of your life, or what was supposed to be and maybe it would be, but you knew that you hadn't been asked to Prom by anyone which meant going "alone" even though you had a group of friends you'd be with, but you knew that he had asked her and that was somehow worse than not having a date yourself.

You'd watched him go for Liz, and you supported him, and you were glad when she went away. You thought he'd remain your little, single, best friend, but then his attraction shifted to MJ and it was like a punch through your heart. You had been heart-eyes for him for so long and he never noticed and you knew that even if he did, it would never come to fruition because he was your best friend. You were his and that was a big no no. You could dream though right.

And if you don't, I'll dance anyway

You had a beautiful dress and pretty heels and your hair and makeup were done to the best of your cousin's ability. You knew that you weren't ugly (you weren't the prettiest in school but who wants that, they're bitches anyways) and you knew that at least a few pairs of eyes would be on you. Even if those weren't Peter's, it'd be okay. You could fill that void with… Flash Thompson or something.

You found the group near the back, Peter and MJ facing each other as they danced together, but not touching, and Ned makes a noise, drawing your eyes to him. Betty leans against him,

"Wow Y/N, you look…"

"Killer." Betty finishes for him, admiring you just as much as her on-again, off-again boyfriend had. Damn, everyone really had someone huh?

"Oh yeah, you look nice Y/N." Peter speaks up in that overly innocent voice of his, eyes never leaving your face before he diverts his attention back to MJ who doesn't even give you a glance. When had he ever not called you by a nickname? Was that something he started doing when she showed up, calling you by your formal first name?

Give peace a chance

You fall into the routine. Distracting yourself with the less obsessed with each other couples and the singles in your group, dancing and mingling, sipping punch and snacking on crackers and chips and dip. It was nice. For once you didn't feel like you had to distract yourself from them. It was natural. Grooving along as a few slow songs replace the upbeat ones you were grooving to and joining the loners on the benches brought back that overwhelming dull feeling you had whenever you watched Peter with his girlfriend. The way he swayed, arms wrapped around her waist, forehead pressed to hers. What it's like to be Ned and Betty, unphased by the fact that your best friend is so helplessly in love with someone else while all you can do is suffer in silence being in love with them. You swallow back the tears and the lump in your throat at the thought of Peter marrying her, having kids with her, and you being alone forever. You have to look away. Downing a few more glasses of punch, Betty and Ned strike up a conversation, letting you forget about the searing jealousy within you. And it's back to the dancing soon enough.

Peter and MJ are comfortable enough that her back presses to his chest and he wraps his arms around her and they sway, singing together. Her smile is bright and so is his and it kills you.

Let the fear you have fall away

She turns to him, a faint squeak sounding along the polished floor since she's worn tennis shoes and his smile widens when she says something to him.

You've been in love with Peter since Kindergarten, you're pretty sure. He's always been adorable and of course you've always tried to chalk it down to him just being like a brother to you, but it's so much more. You've never realized how much you really do love him. He's been by your side, he's helped you through personal and work related issues, he's confided in you when it came down to Spider-Man and the emotional toll it was taking on him. He leaned on you and you let him, and you held back the tears until he couldn't hurt you or comfort you. He was oblivious and you seemed fine with it but if he knew, you knew he'd hate himself and he'd beg for your forgiveness, but he surely would never make you what she is to him. Their relationship is too powerful and he doesn't like you like that. It would never happen. Maybe it's because he's never had to save you. You've never put yourself in harm's way.

I've got my eye on you

As you watch, with his strong arms wrapped around her, he leans in the same way she does and they kiss, so softly you can practically see how in love they are. You've never seen them kiss and you could really have gone without it.

You glance away but the heartbreak is already setting in. Your breaths are short, chest tight, eyes stinging as you fight the tears.

What hurts the most is that you'll never be her for him. He has someone he loves while you obsess over him. You have no one now, and he has everything he's ever wanted. Sure, you're happy for him, but it still kills you.

Turning, Betty reaches out to hold your wrist, eyebrows knitting together at the look on your face,

"Hey, what's the matter?" You shake your head,

"N-nothing. I need… I need fresh air."

"I'll go with-"

"No!" The outburst draws all kinds of eyes to you including MJ's and Peter's, his eyebrows knitting together. Betty jumps as if she's been stung and her eyes widen just a little, Peter straightening up as a tear slides down the side of your nose, "I just… I need to be alone."

I've got my eye on you

You dart away from the group, your heels clicking along the polished wood floor until you're pushing into the halls. The music is muffled behind the closed doors, allowing you to drop down to the floor and sob. The cracking in your chest is so damn painful. It feels like any moment, your heart will disconnect itself and leave your body to avoid the pain.

The tears splash off the floor and you'd hate to see how your makeup looks but you don't think you're going back in there. You can't will yourself to convince people you're fine. Especially not your group of friends. As you're picking yourself up from the floor, the doors behind you burst open and Peter emerges, reaching out for your arm. He doesn't realize it when you pull it out of his reach,

"What happened? Are you hurt?" You shake your head, brushing your tears from under your eyes,

"I'm fine."

"You don't really expect me to believe that do you? You're crying at prom, in the middle of the hallway." He states like its the most obvious thing. You swallow,

"I just need air."

"Okay… I'll go with you."

"No, I need to be alone."

"I've known you my whole life and I know you hate being alone." If he thinks he knows you so well, why doesn't he realize he's the one causing you so much pain?

"There's a lot I don't like Peter."

"What do you mean? Y/N, what's going on with you?" He asks.

Say yes to heaven

Turning to him, you stare into those cool brown eyes, eyes that have always calmed you and you can't help it. Your lip quivers,

"You don't always have to understand what's going on with Peter. I can handle myself."

"You know I believe you, but you don't have to hide it. You can tell me anything. I'm your best friend and I would kill for you." If only that were true. I mean… you'd never wish death on her but… it'd be easier. It'd lessen your panic. You shake your head,

"It's fine Peter. Just… go back inside." You turn to start away from him but he has so much that tells him your every move. Not only, as a normal human, can he read you like an open book, but with this new superhuman power thing, he senses when something is wrong. His face shows it,

"I'm not leaving you. Especially with all that… suicide, drunk driving crazy crap going on that surrounds prom. You're storming out of there for no reason, crying and I… you shouldn't be alone."

"Peter-"

"No, talk to me! I'm your best friend and I am not going to let you die and have to tell your parents, your family, our friends that I didn't do anything to protect you." He yells. He really thinks this is a call for help, and it is, but not that way. You scoff, wondering how boys are so oblivious, glancing at him as you lean against the handrail behind you.

Say yes to me

"You really wanna know?" You ask him softly. He nods, moving in closer,

"Of course. I hate seeing you in so much pain." He tells you. Your smile is sinister because he's so damn stupid. Closing your eyes and rubbing a hand across your face, you sigh,

"I like you." Is all you state at first. He frowns, eyes glancing down at the floor. He's confused because he likes you too but he would never think you like him that way unless it was directly stated, "I've liked you since we were kids. And yeah, I'm so, so, so happy for you for having a girlfriend that loves you and you love her, but that doesn't mean it doesn't hurt for me. You'll never love me like that and that's fine but… I can't just watch you guys be in love. It fucking kills me." You explain to him. His mouth hangs open in shock and you cross your arms,

"I can't pretend to be fine around you guys. You and Ned got girlfriends and all and yeah, maybe I could get a boyfriend and it would hurt less but you know I love your personality and I always have and I don't know that anyone will ever come close to that. So now I'm alone and I'm not going to take you from her to pity me so I don't really… have a best friend anymore. If I want to be around you I guess I can just come find you and be a third wheel." You tell him.

Say yes to heaven

You watch his eyes change. He's panicking a little,

"Are you saying… you don't wanna be friends anymore?"

"It's not that we can't, it's that I… I don't know if I have it in me to put up this facade. I'm not telling you to give her up, I'm just saying… I think… now that we're about to split up for college… maybe it's time to start doing it now. I- it hurts too bad and I just… I can't."

"Y/N, please don't do this. You've been my best friend for decades. Why can't we just… I mean… I can figure out how to split my time between the two of you."

"No you can't. That's not fair to her and I'm not going to do that to you two. It's just better if I move on. I'll probably go to California for college anyways. It's for the best to separate ourselves now." You conclude. You don't know what will hurt worse, but after a while, you'll hurt less moving on without him. He takes another step forward,

"Y/N, c'mon, you can't do this."

"I won't ruin your life and I won't hurt myself because I have a selfish little crush on you I would've never acted on." You tell him. You stand and stare at each other before you stand and brush your tears from beneath your eyes, sighing,

"You're destined for greatness Peter Parker and it would've happened eventually. Now just gives me a reason to start." You tell him, voice shaky. His face softens,

"I don't wanna lose you." He says, his voice just as shaky. You shrug, crossing your arms and preparing yourself to walk away from your best friend for the last time. You sigh,

"I'm not going back in there. This is kinda… it. I have to go home."

"At least let me take you."

Say yes to me

"No! You have a girlfriend in there and I'm not going to let you! Goddammit Peter, I have to get away from you, don't you get that? I can't be what I need to and it hurts too much. Just… fuck off." The look on his face is pure pain. He hates that you're abandoning him. And maybe you should be forced to settle as just his friend, but you can't. You can't sit back and watch them be happy together. The pain is unbearable. They're better off without you and your selfish jealousy. He's better off without you,

"Y/N, don't do this. You're just as important as MJ, I can't go without talking to you. Please." You hold up a hand as he nears you again. You stare into each other's eyes, tears in both sets. You shake your head,

"I'll never be more to you than her. Maybe when we were kids but… we're different now."

"Y/N-" You shake your head again, swallowing the lump. You know he feels the same way you do. The pure dread of giving up your best friend because the love you feel for him is just too strong, "please." He whispers. It breaks your heart further as you meet his eyes again and sniffle,

"Goodbye Peter." You say. And you turn your back, and walk away from your ex-best friend. And it stings. But hopefully it will keep your heart in your body staying away from him. God you hope so.

#tom holland #tom holland smut #tom holland x reader #tom holland imagine #tom holland x you #tom holland x reader smut #peter parker #peter parker fic #peter parker fanfic #peter parker fanfiction #peter parker x reader #peter parker blurb #peter parker blurbs #My writing

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finaledenialist · 3 years

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Not to be that person, but watching season 7 Dean admit that he's suicidal after Cas' death (plus post-cage Sam's issues) really makes you think about his 'chosen' death by rusty nail huh...

warnings: su*cide is discussed here

I must admit I don’t remember exactly how it went in season 7 for Dean: I know he was spiraling and he even admitted to Eliot Ness that he would give up hunting if he could, there was also Bobby’s death and all BUT

yes, if I, for the sake of this discussion, pretend that the finale exist, then the only way I could make sense of it is Dean jumping on the first case that presented itself after Jack didn’t bring back Cas after bringing back everyone else with maybe not a plan, but a hope? A whatever will happen will happen attitude?

Because Dean probably assumed that:

if bringing Cas back was possible Jack would have done this the second he brought back anyone else (because it was Jack for god’s sake, and Jack loved Cas);

if Jack, the new God, the most powerful being in the world, couldn’t bring Cas back then it must have meant that bringing him back it’s just simply impossible;

if it’s 100% impossible and Cas will never be back... Well we all have seen season 13, right?

So, the case presents itself, some stupid vampires, whatever. Dean kills some of them, sure, but he lacks the spark that he has always had, he lacks motivation because what is there to fight for, what is there to live for anymore, right? What is the point? Add his lifelong issues to that and when he saw the opportunity to just... go AND make it look like an accident (because he knew Sam would have been wrecked if he figured out that Dean did this on purpose), he just let it happen.

He even went further than that: he prevented Sam from calling help when he didn’t die immediately, he used Sam’s shock and panicked response to focus on him, he gives him a speech about living and you go Sam, live your life, be happy, quit this hunting stuff and all.

In some tragic, twisted way at the very least that interpretation makes it Dean’s choice (a tragic choice and a terrible wrong message to send to the fans of the show, of course but a choice nevertheless): he stopped believing his life has a point, he just didn’t want to do this anymore, he was tired, he lost faith that he could ever be happy here (or at least the very little of this faith that he started to develop) and he thought that there is nothing worth fighting for anymore. And Sam will be fine, because he is different, he always had more faith and he is a grown ass man who, Dean realized somewhere along the way, doesn’t need him anymore the way he needed him almost all his life.

In a way Dean broke free from John’s orders to protect Sam with his own life (he couldn’t break free from this in life, on earth - this is established in canon, because 15 years have passed and in Dean’s mind Sam was always his little brother, dying was his tragic way of ending that cycle); and who knows: maybe he also hoped that he will meet Cas in the afterlife, because he surely wasn’t going to reunite with him in this life. But most probably he just wanted some god damn peace and to be free of all the responsibilities and of the life centered around killing and hunting, because this life is beyond miserable and he stopped perceiving himself as his dad’s killing machine because of what Cas said to him, but if he stayed alive he wouldn’t stop hunting and killing, he knew that living without it for him was just impossible, this was another pattern/cycle he wasn’t able to break while alive (he almost succeeded with Lisa, but the life eventually caught up to him, he also didn’t know another way to live than centering it around hunting and helping people).

Plus, he must have thought he was already too old to look for someone new to be in a relationship with and he must have known that

no one will know him as well as Cas and he wanted to be known, he wanted to be seen because we all want someone to know us and love us despite everything; what’s even more important though, Cas knew him without Dean actually telling him anything (and Dean sucks at talking), he could read him, he knew his soul, he could sense how Dean was feeling and if something was wrong without Dean having to talk about it; Cas saw him at his absolute worst (as a torturer in Hell) and decided to save him and help him and ultimately fell for him and in love with him; like, Dean must have known, even in his repressed 42 year old heart, that no one could ever compare to that, because no one could ever see and know him like that, because it was just impossible.

meeting someone new gave two options: a) unloading all of his life history to another person, risking being rejected, risking repeating this with a lot of people until he - and that is a maybe - finally found someone, b) pretending he was someone else (even if, hypothetically, Dean would get together with some other hunter who knew the lifestyle and heard legends about Dean), bottling everything up like he did all his life - and that choice ultimately also sucked.

So, having analyzed that he probably thought that it’s just not worth trying, you know. He also probably thought he was already older than he ever thought he would be, imagine how tired Dean must have been, and he just lost his, ‘reason to get up in the morning’. He spent the same amount of time on earth as in hell, in a way his soul was 80 years old. This man was mentally exhausted. But because he was still, somehow, full of love, instead of shooting himself in the head or driving off a cliff he decided, for the sake of his brother, to make it look like a hunt accident, one that he has talked about for years (that this would probably be his ending, it wouldn’t look suspicious, especially after he acts like the happiest person in the world on this Pie Festival or whatever that was), one that would even maybe have the effect of Sam leaving the hunting life and maybe making one more attempt at having a normal life.

Of course, none of that would happen if Cas was just brought back, because he was Dean’s cure to everything, and after that confession? Dean wouldn’t let go of Castiel’s hand, ever. Cas was his rock, solid. Of course this is a toxic thing to depend your life on someone else (you should learn to be your own happiness, accept yourself and so on, yes), but life is not perfect and we’re talking about a mentally ill person who found his light and a reason to go on in someone else, in someone who loved them unconditionally, which could, for them, be the first big step on self-recovery, and that person was brutally taken away from them.

For Dean, learning that Cas loving him and him being Castiel’s happiness was what ultimately got Cas dead?! This was one of Dean’s biggest fear, it hit right home, it was ‘I let down every god forsaken thing I care about’ and ‘The moment Cas laid a hand on you he was lost’ and ‘I am poison’ becoming his self-fulfilling prophecy. It crushed him.

I just hate that this makes sense.

#ask #anon #suicide tw #mental illness tw #dean studies #spn finale #Anonymous

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theshedding · 3 years

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Lil Nas X: Country Music, Christianity & Reclaiming HELL

I don’t typically bother myself to follow what Lil Nas X is doing from day to day, or even month to month but I do know that his “Old Town Road” hit became one of the biggest selling/streamed records in Country Music Business history (by a Black Country & Queer artist). “Black” is key because for 75+ years Country music has unsuspiciously evolved into a solidly White-identified genre (despite mixed and Indian & Black roots). Regrettably, Country music is also widely known for anti-black, misogynoir, reliably homophobic (Trans isn’t really a conversation yet), Christian and Hard Right sentiments on the political spectrum. Some other day I will venture into more; there is a whole analysis dying to be done on this exclusive practice in the music industry with its implications on ‘access’ to equity and opportunity for both Black/POC’s and Whites artists/songwriters alike. More commentary on this rigid homogeneous field is needed and how it prohibits certain talent(s) for the sake of perpetuating homogeneity (e.g. “social determinants” of diversity & viable artistic careers). I’ll refrain from discussing that fully here, though suffice it to say that for those reasons X’s “Old Town Road” was monumental and vindicating.

As for Lil Nas X, I’m not particularly a big fan of his music; but I see him, what he’s doing, his impact on music + culture and I celebrate him using these moments to affirm his Black, Queer self, and lifting up others. Believe it or not, even in the 2020′s, being “out” in the music business is still a costly choice. As an artist it remains much easier to just “play straight”. And despite appearances, the business (particularly Country) has been dragged kicking and screaming into developing, promoting and advancing openly-affirming LGBTQ 🏳️‍🌈 artists in the board room or on-stage. Though things are ‘better’ we have not yet arrived at a place of equity or opportunity for queer artists; for the road of music biz history is littered with stunted careers, bodies and limitations on artists who had no option but to follow conventional ways, fail or never be heard of in the first place. With few exceptions, record labels, radio and press/media have successfully used fear, intimidation, innuendo and coercion to dilute, downplay or erase any hint of queer identity from its performers. This was true even for obvious talents like Little Richard.

(Note: I’m particularly speaking of artists in this regard, not so much the hairstylists, make-up artists, PA’s, etc.)

_____

Which is why...in regard to Lil Nas X, whether you like, hate or love his music, the young brother is a trailblazer. His very existence protests (at least) decades of inequity, oppression and erasure. X aptly critiques a Neo-Christian Fascist Heteropatriarchy; not just in American society but throughout the Music Business and with Black people. That is no small deal. His unapologetic outness holds a mirror up to Christianity at-large, as an institution, theology and practice. The problem is they just don’t like what they see in that mirror.

In actuality, “Call Me By Your Name”, Lil Nas X’s new video, is a twist on classic mythology and religious memes that are less reprehensible or vulgar than the Biblical narratives most of us grew up on vís-a-vís indoctrinating smiles of Sunday school teachers and family prior to the “age of reason”. Think about the narratives blithely describing Satan’s friendly wager with God regarding Job (42:1-6); the horrific “prophecies” in St. John’s Book of Revelation (i.e. skies will rain fire, angels will spit swords, mankind will be forced to retreat into caves for shelter, and we will be harassed by at least three terrifying dragons and beasts. Angels will sound seven trumpets of warning, and later on, seven plagues will be dumped on the world), or Jesus’s own clarifying words of violent intent in Matthew (re: “Do not think that I have come to bring peace to the earth. I have not come to bring peace, but a sword.” 10:34). Whether literal or metaphor, these age old stories pale in comparison to a three minute allegorical rap video. Conservatives: say what you will, I’m pretty confident X doesn’t take himself as seriously as “The true and living God” from the book of Job.

A little known fact as it is, people have debunked the story and evolution of Satan and already offered compelling research showing [he] is more of a literary device than an actual entity or “spirit” (Spoiler: In the Bible, Satan does not take shape as an actual “bad” person until the New Testament). In fact, modern Christianity’s impression of the “Devil” is shaped by conflating Hellenized mythology with a literary tradition rooted in Dante’s Inferno and accompanying spooks and superstitions going back thousands of years. Whether Catholic, Protestant, Mormon, Scientologist, Atheist or Agnostic, we’ve spent a lifetime with these predominant icons and clichés. (Resource: Prof. Bart D. Erhman, “Heaven & Hell”).

So Here’s THE PROBLEM: The current level of fear and outrage is:

(1) Unjust, imposing and irrational.

(2) Disproportionate when taken into account a lifetime of harmful Christian propaganda, anti-gay preaching and political advocacy.

(3) Historically inaccurate concerning the existence of “Hell” and who should be scared of going there.

Think I’m overreacting?

Examples:

Institutionalized Homophobia (rhetoric + policy)

Anti-Gay Ministers In Life And Death: Bishop Eddie Long And Rev. Bernice King

Black, gay and Christian, Marylanders struggle with Conflicts

Harlem pastor: 'Obama has released the homo demons on the black man'

Joel Olsteen: Homosexuality is “Not God’s Best”

Bishop Brandon Porter: Gays “Perverted & Lost...The Church of God in Christ Convocation appears like a ‘coming out party’ for members of the gay community.”

Kim Burrell: “That perverted homosexual spirit is a spirit of delusion & confusion and has deceived many men & women, and it has caused a strain on the body of Christ”

Falwell Suggests Gays to Blame for 9-11 Attacks

Pope Francis Blames The Devil For Sexual Abuse By Catholic Church

Pope Francis: Gay People Not Welcome in Clergy

Pope Francis Blames The Devil For Sexual Abuse By Catholic Church

The Pope and Gay People: Nothing’s Changed

The Catholic church silently lobbied against a suicide prevention hotline in the US because it included LGBT resources

Mormon church prohibits Children of LGBT parents to be baptized

Catholic Charity Ends Adoptions Rather Than Place Kid With Same-Sex Couple

I Was a Religious Zealot That Hurt People-Coming Out as Gay: A Former Conversion Therapy Leader Is Apologizing to the LGBTQ Community

The above short list chronicles a consistent, literal, demonization of LGBTQ people, contempt for their gender presentation, objectification of their bodies/sexuality and a coordinated pollution of media and culture over the last 50+ years by clergy since integration and Civil Rights legislation. Basically terrorism. Popes, Bishops, Pastors, Evangelists, Politicians, Television hosts, US Presidents, Camp Leaders, Teachers, Singers & Entertainers, Coaches, Athletes and Christians of all types all around the world have confused and confounded these issues, suppressed dissent, and confidently lied about LGBT people-including fellow Queer Christians with impunity for generations (i.e. “thou shall not bear false witness against they neighbor” Ex. 23:1-3). Christian majority viewpoints about “laws” and “nature” have run the table in discussions about LGBTQ people in society-so much that we collectively must first consider their religious views in all discussions and the specter of Christian approval -at best or Christian condescension -at worst. That is Christian (and straight) privilege. People are tired of this undue deference to religious opinions.

That is what is so deliciously bothersome about Lil Nas X being loud, proud and “in your face” about his sexuality. If for just a moment, he not only disrupts the American hetero-patriarchy but specifically the Black hetero-patriarchy, the so-called “Black Church Industrial Complex”, Neo-Christian Fascism and a mostly uneducated (and/or miseducated) public concerning Ancient Near East and European history, superstitions-and (by extension) White Supremacy. To round up: people are losing their minds because the victim decided to speak out against his victimizer.

Additionally, on some level I believe people are mad at him being just twenty years old, out and FREE as a self-assured, affirming & affirmed QUEER Black male entertainer with money and fame in the PRIME of his life. We’ve never, or rarely, seen that before in a Black man in the music business and popular culture. But that’s just too bad for them. With my own eyes I’ve watched straight people, friends, Christians, enjoy their sexuality from their elementary youth to adolescence, up and through college and later marriages, often times independently of their spouses (repeatedly). Meanwhile Queer/Gay/SGL/LGBTQ people are expected to put their lives on hold while the ‘blessed’ straight people run around exploring premarital/post-marital/extra-marital sex, love and affection, unbound & un-convicted by their “sin” or God...only to proudly rebrand themselves later in life as a good, moral “wholesome Christian” via the ‘sacred’ institution of marriage with no questions asked.

Inequality defined.

For Lil Nas X, everything about the society we've created for him in the last 100+ years (re: links above) has explicitly been designed for his life not to be his own. According to these and other Christians (see above), his identity is essentially supposed to be an endless rat fuck of internal confusion, suicide-ideation, depression, long-suffering, faux masculinity, heterosexism, groveling towards heaven, respectability politics, failed prayer and supplication to a heteronormative earthly and celestial hierarchy unbothered in affording LGBT people like him a healthy, sane human development. It’s almost as if the Conservative establishment (Black included) needs Lil Nas X to be like others before him: “private”, mysteriously single, suicidal, suspiciously straight or worse, dead of HIV/AIDS ...anything but driving down the street enjoying his youth as a Black Queer artist and man. So they mad about that?

Well those days are over.

-Rogiérs is a writer, international recording artist, performer and indie label manager with 25+ years in the music industry. He also directs Black Nonbelievers of DC, a non-profit org affiliated with the AHA supporting Black skeptics, Atheists, Agnostics & Humanists. He holds a B.A. in Music Business & Mgmt and a M.A. in Global Entertainment & Music Business from Berklee College of Music and Berklee Valencia, Spain. www.FibbyMusic.net Twitter/IG: @Rogiers1

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nevertheless-moving · 3 years

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Misunderstanding Meta

So this started out as tags on Misunderstanding 17 but got meta enough that i started wondering if it was getting into spoiler territory? also it was just too many words.

there’s no future chapter spoilers specifically but this might remove some of the mystery around ongoing and future character conflicts. im explicitly stating some stuff that might be better enjoyed sub textually but u do u.

anyway read below if you don’t mind a premature little navel gazing but maybe hold off if you’d rather just enjoy the story as is. probably only makes sense within the context of that chapter cause again it started as tags.

Thank you everyone for all your support and lovely comments I really really enjoy them!! I’m so glad people are enjoying the story its genuinely making it so much more fun for me! W R I T I N G, who knew!

~ TLDR: General star wars meta and VERY vague suicidal misunderstandings spoilers below the cut so read at your own peril. nsfw.~

It’s important to me that people understand we’ve reached the point in the story where anakin would ABSOLUTELY murder anyone Obi-Wan told him to without a shred of evidence (except for two people, one of which is unfortunately the actual Sith master).

(like if Obi-Wan had been the one to say ‘kill him’ on the bridge of the Invisible Hand Anakin would NOT have hesitated to decapitate)

i guess its not THAT different from canon but its still kind of fucked up that I’ve gotten them to where Anakin would happily bring Obi-Wan Yoda’s corpse like a cat with a dead bird.

he doesn’t even have a lightsaber! and he's fond of yoda! but if Obi-Wan asked him to he would strangle that troll with his bare hands!

the specific combination here of Obi-Wan’s active reciprocation of familial love and also (unintentionally but still!) inspiring real fear that Obi-Wan might vanish at any second due to Anakin’s rage issues and a murky unseen threat means his whole relationship with Obi-Wan has taken the natural step to where Obi-Wan is the one (1) person both capable of AND willing to direct that unhinged capacity for violence.

And I for one am a fan of them both growing VERY aware of that and also comfortable with it to a certain extent.

THEIR RELATIONSHIP IS SO MESSED UP AND LOVING AND CODEPENDENT I LOVE IT

(presumably with some real therapy and soul searching this could all deescalate but we are SO not at the point right now)

The other side of all this is that Obi-Wan is seriously the ONLY one capable of directing that violence. Anakin doesn’t have that many coping mechanisms and now he’s so afraid that his dad/brother is going to go to the corner store for death sticks and not come back he will refrain from using his favorite one without permission.

(im talking about murder btw)

(that’s the coping mechanism)

so that’s, you know. good?????

(honestly theres a limit to far this nonsense can deescalate because on a fundamental level Anakin just goes WAY too hard and has so many neuroses that it would be kindof impossible for him to have a conventionally healthy relationship with anyone without REALLY altering some of his most basic character traits)

(and...i don’t know. healthy is fluid? i feel like if you KNOW you’re bad at morals is it really so bad to outsource them? to someone better qualified. the biggest ethical problem to me there is its an unreasonable emotional burden to put on obi-wan, but after the specific shit he’s been through i can see that weight actually kind of comforting even if he might feel a tad guilty over having that much control. i think what makes it sustainable to me is that obi-wan is establishing early on that there are NO consequences for violating the code. the fact that he’s willing to move so completely past CHILD MURDER AND GENOCIDE means he’s batshit crazy for anakin. so basically anakin gets to establish that he can exit the covenant at any time. its like how the potential for quitting makes a job a job instead of slavery and how the potential for divorce makes marriage marriage instead of slavery)

(but the job/marriage in this case is listening to obi wan kenobi when he says no murder so you know what MAYBE we shouldn’t evaluate it by the benchmarks of a normal relationship anyway jeez nevertheless moving on)

(seriously not even Palpatine ever got this much control cause Vader still murdered at Vader’s orders)

(And Padme is seeking out a relationship just healthy enough to not involve ACTIVELY holding that much of her husband’s autonomy. i mean. she does have that power. but the continued queenly conscious choice NOT to exercise it is almost sweet)

(i am aware that justifying padme and anakins relationship from a conventional lens requires some mental backflips but darn it i saw some really hot fanart of her pegging the shit out of him and also he doesnt think of her as a parental figure so if i want to say padme is just the right amount of crazy to maintain a stable relationship with anakin skywalker than that’s what im going to do.)

(but i digress)

#star wars #my au #suicidal misunderstanding au #star wars au no 27 #nevertheless meta #lemon

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ellana-ravenwood · 4 years

Text

“I wish I knew how to help you” - Batsis x Batfamily

Synopsis : Everyone has tough times at some point in their lives. Bruce Wayne most definitely knows that. But when his own daughter is going through a really rough patch, he finds himself not really knowing how to fix things...

This particular subject has been requested so many times (the earliest request dating from August 2018....mmmm..), so watch me butcher it with bad writing. I thought, given how I feel lately, it was the perfect time to finally write it. I hope you will like it (runs away to hide) :

TW : Anxiety, depression, mention of suicide.

My Masterlist : @ella-ravenwood-archives.

__________________________________________________

There hasn’t been a lot of time in his life where Bruce Wayne felt so completely lost. Of course, he would be lying if he was saying he never got confused, or if sometimes, he wasn’t quite sure what to do, what to say...

But if there was one thing he was great at, it was problem solving.

Even in desperate situations, he could always trust his analytical and collected mind to help him out.

In fact, Bruce Wayne could count on the fingers of one hand the amount of times he felt utterly lost, defenseless, and couldn't figure out a solution to his troubles. Not even a questionable one, like bottling up all of his feelings and pretending he doesn’t care while he’s screaming and dying inside.

He recollected exactly five times of such an event occurring in his life :

The day his parents died.

The day he realized he couldn’t save everyone.

The day Dick came to live at the Manor, and Bruce realized he had no idea how to raise a child.

The day Jason died.

The day he saw Damian kill.

And now, spilling onto another hand :

...The day he realized he had no idea how to help his daughter, you, with her mental health struggles.

Each time he had been completely lost, there was someone to help him.

For his parents’ death, it was Alfred.

For the day he realized even as Batman he would never be able to save everyone ? It was Commissioner Gordon, and his years of being a cop in a city like Gotham.

Dick himself, and Alfred of course, quickly helped Bruce to understand what it meant to be a father.

Tim’s arrival helped him grieve Jason.

And all his children, from Dick to Cass, and the experience he acquired trying to raise them helped him manage Damian’s problems. It was a plus for sure, that the boy wanted to be helped.

But with you...Any attempt of his trying to breach the subject would result in you brushing his concerns off, getting frustrated, or sighing “I’m fine” and leaving to isolate yourself in your room.

Sometimes, it felt like you really wanted to talk to him. Like you wanted to vent, and tell him what was wrong. But you always seemed to decide against it, maybe in fear of bothering him ?

Most of the time, it felt like you were living with your anxiety in peace. Like you greeted it like a good friend. Bruce had always known you were a rather stressed individual, but you always held yourself up so well ?

Most of the time, it felt like you were perfectly fine. How could he have known ? How could he have known you weren’t ? Ah...but maybe the signs were all there all along...

And Bruce just didn’t know how to help, when even you, didn’t seem to want the help...But maybe that was the trick ? To keep trying no matter what ?

At first, it didn’t seem to him like this would be an issue that could render him absolutely lost like this. And he hated the fact that he thought that.

Because it stemmed from one pervasive thought that made him despise himself : “Her fight with her own mind aren’t as bad as Damian’s, Cass’s, or Jason’s trauma. Aren’t like what Dick went through. It will be easier to fix.” And maybe you felt that, maybe that’s why you wouldn’t let him help ?

Why would it be easier anyway ?

Because you had a calmer childhood. Of course, being Batman’s daughter meant you definitely went through things most children will never experience. But compared to your siblings, you had a somewhat normal childhood.

The biggest trauma of it being the fact your mother, Selina Kyle (author’s note : I’m not particularly talking biological child here by the way, just to make sure y’all can all identify to this. Thought I’d mention it), decided to leave you in your dad’s care and had a very little part in your upbringing up until you turned 12 or so, which is the time she came back. You never seemed to even be mad about this. It always felt like you knew your mom had her own battles to win, that she wasn’t quite ready to have a child, and you forgave her as soon as she came back into your life.

But maybe that was the problem ? The fact Bruce always thought you were strong enough to handle things ? You always seemed to hold your own. You’d always been fiercely independent. Like you never needed help.

When Dick had fits of anger, you’d just stay quiet and withhold it.

When Jason was sometimes overzealous, you’d just stay calm and collected.

When Tim had massive freak outs at times because he felt he wasn’t enough, you’d just reassure him and stay grounded.

When Cass would have nightmare at night and be so scared she couldn’t find her voice again, you’d stay up with her and make sure to soothe her back to sleep, even if it meant not sleeping yourself.

When Damian would realize how much he missed out in life, in his childhood, and how little he knew about the real world...You’d be there, holding his hand while explaining in details why he felt the way he felt.

Even Duke, who arguably was the “sanest” of them all, had times where things were too much for him, and you’d magically appear by his side to help him through it.

You always seemed to be the one everyone relied on.

The one that has it all figured out, that has it together. The one most like Bruce, able to control her emotions. But the one even better than him, because you could also help others understand how they felt.

And that was why Bruce never really noticed your every day struggles.

Come to think of it, the fact you were always so on point and great in your explanations as to why someone felt the way they did, probably meant you felt like them before...

Oh god. God, Bruce hated this. Hated himself, even.

Hated the fact that he thought your fights with your own mind weren’t as bad as what Damian or Dick went through, as bad as Cass or Jason’s traumas. As bad as Duke witnessing what happened to his parents, because you...Well you still had both of them. And they were on good terms, now.

He hated the fact that it took you almost dying for him to realize you had a real problem too. For him to realize your apparent “I can handle my own” attitude was all a fragile facade that could break any time.

He hated the fact that he had to witness you almost letting yourself die, to realize this...The scene kept replaying in his mind.

A night out as vigilantes. Part of a building collapsing. You pushing a woman out of its way, but then just staring up at the crumbling wall that would crush you, not moving. And the state of daze you were in, when you found yourself in your father’s arms as he saved you in extremis from a certain death that you were clearly letting happen.

You later said it was a mistake. It was a simple mistake.

But Bruce, from that point and on, knew better. There had been a time, not long after his parents’ death, where he wondered what even was the point in living anymore. Where he found himself in a similar situation too, where he could save himself and yet stayed in front of the death threat. Alfred saved him at the time, gave him a good scolding which Bruce didn’t even register.

He recognize that look in your eyes.

Because he had the same one, many years ago, before he had a chance at having a family again. Before you, Dick, Jason, Cass, Tim, Damian...It was a look that meant : “What if I just let it happen, what if I end the pain by ending it all ?”.

And Bruce hated the fact that it took him witnessing this look in your eyes for him to finally realize you needed help. It tore his heart apart.

He hated the fact it took him so long to finally act upon it, to finally do something for you. No matter how lost he was as to where to even begin.

And so here he was, on a calm night in Gotham, sitting on a roof and researching on the internet what can be done to help people riddled with anxiety and such. He knew you enough to know you’d never accept to go see a therapist. But maybe...maybe he could help just as good ?

He knew how he got rid of his own anxiety.

The same way he got rid of many other things...He submitted himself to a strict training allowing him to control all of his emotions, shutting some away when needed.

But he couldn’t even imagine making you go through the things he made himself do. Not his daughter. Not any of his children.

There was a reason, the training he gave all of you wasn’t even 10% of what he used to do. Because he had nothing to live for except becoming strong enough to bring back justice to Gotham. Because he had nothing to look forward to except the fact that he was going to make sure no kid in that god forsaken city would go through what he went through ever again...

He gave himself the ability to turn into a machine. To shun all feelings away. Because he had a mission.

He would never, ever want any of his children to feel like this. Even if he managed to, in appearance, make himself feel nothing...It would always cause him tremendous pain. He knew how this felt, to force yourself to control everything.

No. His method was most definitely not fit for his daughter. He did not want her to become like him. And so, scrolling through forums, websites and blogs, he tried to find the best way he could to help his kiddo. It seems like there was almost like a “list” of things every person suffering from anxiety went through every day...

Wondering if your loved ones are upset with you.

“Are you mad at me ?”

Is the text you send to your oldest brother, Dick, immediately regretting it.

Because now, you were sure he’d find you annoying, pushy or anything of the like. Of course, Dick would never. But your mind was telling you he would.

He hadn’t responded to your text in a day, while he would usually be very reactive, and you didn’t need more to think he hated you, now.

Knowing there is no reason for you to feel that way.

Knowing for Dick to be “mad” at his little siblings, it would take a lot (you weren’t even sure you’ve ever seem him mad at any of you, except maybe the times you put yourselves in danger while he’s your team leader, but then it’s more a problem of being mad at himself than really at you.

Yet you cannot control it. You cannot. You are sure now, that he hates you.

Your father doesn’t understand why you’re so morose that day, and why you snap at everyone. He doesn’t understand, and you don’t tell him. And Bruce just ends up thinking you’re in a bad mood and leave you alone, while you desperately want to talk.

You want to tell him that you think Dick hates you. You want to hear him reassure you, even if technically, there is no need for reassurance. Of course your brother doesn’t hate you, he’s probably just busy, he just started his new job in Bludhaven, and moved in a new apartment and...Yes.

Rationally, of course you knew your brother, who has always been there and never shied away from saying he cared about you and love you, doesn’t hate you.

Yet you cannot help but think you did something wrong. You cannot help but think maybe he does. And you want to tell your dad, and have him reassure you, even if you don’t need to.

But instead, you snap at him. Instead, you push him away. Because you couldn’t handle your dad too thinking your annoying. Of course, he would think you’re annoying, a nuisance, if you told him you think Dick hates you...because obviously he doesn’t.

It was a vicious circle. So instead of possibly-but-probably-not-but-still-maybe be hurt, you pushed the one person you wanted close away, snapping at him and isolating yourself in your room.

TING ! Your phone, it’s ringing ! Oh please god, please be Dick !

It is your brother. He answered !

“Of course not ! Why would you think that ?”

You analyze every single word, and how he didn’t use an emoji, while he always does ! And the way he said “why would you think that ?”...he’s for sure mad at you now, and he thinks you’re the most obnoxious little sister that ever walked this Earth.

But you answer :

“Oh no reason lol. Hey wanna binge watch Gilmore Girls with me this week end ? Only you understand how a true masterpiece this show is.”

He doesn’t reply that day, and you think about it the entire night. He doesn’t come at the patrol of course, as again, he just settled in Bludhaven. And it starts. The spiraling of overwhelming feelings, the impossibility to let go of something.

You cannot think of anything else but sending another text to ask if he’s really not mad at you. You decide against it, because you don’t want him to think you’re annoying. Because you understand he has his own life now. Now that he moved from the Manor.

You understand he must be busy. That he has to settle in. That he doesn’t have to be available whenever you want, and that the fact he had always been up until now proved he was the best big brother anyone could ask for.

But you can’t help it. You think it must be you. That he’s not answering because it’s you.

And all of a sudden, you question every relationship you have. What if none of your siblings love you, and are just polite ? What if they’re lying because you’re really the only sibling out of all of you they don’t like and they’re just too nice to...Oh god. Your dad must hate you too.

Because you keep needing him to reassure you about stuffs. Ah yes, today you shunned him away, but sometimes, you guilt trip him so he says he cares about you. Or so he tells you nice things.

And suddenly, one of your biggest fear, the one where you ask for too much out of the people you love is back. And you cry. You cry all night. Because you have too many mood swings. You isolate yourself too much. But you don’t know, you don’t know how to make them see your fear of not being cared for...

And so you cry. Wondering over and over again “why am I like this ????” as you think all of your loved one are upset with you, and will never want to talk to you again.

Later in the day, Dick answers that he would love to watch GG with you, and there’s an emoji this time. Ah. So maybe he doesn’t hate you...

So many people wouldn’t even think this was a big deal, but for you...for you, it was...

Every small decision feels like it has life or death consequences.

You want to tell them. You want to tell them that’s why you couldn't choose what you wanted at the drive through fast enough. Why you stumbled on your words, and ended up blurting out : “Whatever Jason took !” because your taste in food was the closest to his.

You want to tell them, that even such a small issue, in your head, took a huge place. That you rehearsed what you were going to say when it would be your turn to speak to the waiter. That you got all tangled up, and didn��t ask what you actually wanted.

You want to tell them that sometimes, even the smallest “yes or no” question haunts you for days. That “what ifs” won’t let you alone.

You want to tell them, but instead you take the meal you didn’t really want, and eat it in silence, listening to everyone talking and enjoying this family moment. You stay quiet, your mind focus on how clumsy, dumb and useless you are.

Just because you couldn’t order something at the drive through.

You stay quiet, but your mind is racing about how much you suck. How you should get out of everyone’s way. Because you can’t even order food properly.

You feel guilty, because this is one rare family moment when you’re all together, and your siblings all have fun teasing each others, laughing and talking, while you just nod sometimes, smile, and die inside.

Just because you couldn’t order something at the drive through.

You think you’re absolutely insane. That you should be checked in in Arkham. You-

Bruce notices you’re quieter than usual. He notices you didn’t take your favorite burger. He wonders why, because he knows you really REALLY like that burger. Sometimes, he goes out of his way to go get you guys’ favorite food, and he knows that this burger is one of yours...

But he doesn’t dwell on it. Maybe you just wanted to change for once (which wasn’t much like you but oh well). And the fact you’re quiet ? Maybe you’re just lost in your own thoughts and day dreaming. After all, you do like to have some quiet and alone time, and this family dinner is happening on this time.

So Bruce doesn’t say anything, even if his guts tell him something is wrong.

Overthinking. Fearing something could go wrong.

You are in constant fear of what's going to happen if and when something happens to your dad ! Or your siblings ! What if you become homeless for some reasons ? What if you have no friends or family to return to ? What if what if what if what if what if what if what if what if what if what if what if...

Intrusive thoughts, they call them. And they don’t want to leave for sure. They’re persistant. They stay up until you overthink them to the point nothing makes sense anymore. To the dissociation.

And it makes your every day life a living nightmare.

Bruce, as he reads this part of an article on the internet, about how people suffering from anxiety are in a constant state of worry, feels his heart tighten at the mere idea you are going through this.

He knows you are. And he hates the fact it took him so long to realize because...

Not being able to control what's happening now or in the future.

Bruce could recollect so many times where, even as a child, you’d ask him questions like : “What happens after you die ?”, “What will happen to me when I get old ?” etc etc.

At the time, of course, he dismissed it as questions every kid asks. Wondering about the world around them. He never saw how much those questions would haunt you, how much sometimes, you couldn’t let go of things you perfectly knew you had no control over...

The signs were all there though.

You weren’t lost in day dreams, you were lost in nightmarish scenarios about what could possibly happen in the near future.

You were, every minute of every day, worrying about something that was currently happening, something that happened recently, or something that might happen in the next few moment, later the same day or in the future.

It was something you had to live with, and it never been just a child curiosity. As you grow up you stopped asking those questions out loud, didn’t mean they weren’t haunting you...

Making a mistake that will result in someone judging you.

You always had to be irreproachable.

You were a perfectionist.

A lot of time, people passed it as : “like father, like daughter.”

And Bruce should’ve known better...Why was he like this ? This part of him certainly didn’t stem from anything good. Yet he ignored the fact you acted exactly like him. The fact you were turning into him, on that front...

My brain is a TV and someone else has the remote.

... ... ... ...

************

Bruce had enough. He knew. He knew how you felt, and why you acted the way you did sometimes. And it was time. It was time to finally take action.

But he couldn’t do it alone. And he wouldn’t. In fact, they’d all be so mad, if he executed this plan on his own...

Because you. You were their precious sister.

They loved you, so much. And it would kill them, if they knew you really meant it, when you asked if they were mad at you. If they hated you. If they...

They always think you’re joking, or that you’re tired or something. That you have “mood swings”.

You don’t.

For you, all those issues are very real. But they don’t understand, because you’re always there to catch them, and they never expected you needed to be caught.

So when their father expose to them what he thinks is going on with them, and when they realize he’s right...

They feel crushed.

How ? How could they not notice their beloved sister was suffering so much ?

And so that day, they all swear that they are going to do everything in their power to help you. No matter what.

They will never give up on you.

No matter what..

************

“Why am I like this ? Why am I like this ? Why am I like this ?” You repeat to yourself, over and over again, as you feel your heart beat like crazy while it has no reason to.

While your chest hurt, and you feel the weight of anxiety on your shoulder, without even knowing why.

You keep telling yourself you suck, you keep being too harsh on yourself, and oh, oh if you only knew that your entire family right now, was plotting to help you feel better.

Unfortunately...

************

Dick’s antics soothe you for a bit, but as soon as he’s gone your heart goes wild again, refusing to stop, and your mind repeats bad thoughts to you.

The next day, Dick planned the PERFECT sister/brother day. Planning things to spend time with you, just like when you were little and it was just you and him.

It’s a perfect day indeed. Everything makes you forget your anxiety. You smile, for the first time in months since this weird extreme anxious state started.

Dick always knew how to make you laugh, and how to tease you just enough so that you wanted to show him what you were made of !

But once you’re home...

And Dick can try, try and try again, but no matter his effort, he can only relieve your pain when he’s around, and unfortunately, he isn’t always around.

************

Jason is patient, with you.

He listens, he empathizes and does not patronizes.

He’s there when you need him. He celebrates every small victory from you (like finally being able to order the burger you want). He encourages you, gives you all the hope he can. And it means a lot, coming from him.

Because Jason suffered a lot. He went through a lot. His death, and his traumatic return...

He tries to keep you hopeful. He is patient. Available. But he does things too well. You’re afraid he spends too much time with you, and forgets his own mental health. You know he loves to meditate, but haven’t seen him do it in ages.

Because he’s also keeping an eye on you. Your father probably told him the crumbling building debacle...And now he makes sure you’re ok.

But to the detriment of his own mental well being ?

You feel like you’re weighting him down. And slowly, he notices you’re avoiding him. And he doesn’t know what to do. He doesn’t want to push you, or force you to do anything...

************

It has always been easy, to talk to Tim.

Your brother is the only one in the family that did not become a Robin for personal reasons. Sure, he was struck with tragedy later in life (or he would never be your brother now...), but at the core of it...He was just a kid who wanted to help.

He was a fan of Batman, who really REALLY wanted to make himself useful. He became Robin, not because of any personal motivation but because he was just that selfless.

And so, it has always been easy to talk to Tim.

Which is why he’s surprised, when he realizes you’ve never told him about your anxiety. About your depressed thoughts. You vent a lot to him, but about small things. About things you can both laugh about.

It has always been easy to talk to Tim, and the fact you cannot address your anxiety problems tells him all the extent of it.

Tells him you’re truly suffering, and that he needs to get better.

To become an even better listener, for you. And as you witness him, just like Jason, sort of forgetting about his own well being, you cannot help but feel even worst...

They mean well. They mean so well. But you cannot stand them putting their own health on the line just for you. After all, you’re just a loser who doesn’t deserve any of those wonderful brothers and sister...

************

Duke tries to help you “temper your thoughts”.

His mom used to do that to him, as a child. He was always rather active, suffering from ADHD and such. In a lot of ways, his trouble resembled the ones you had with anxiety.

And he thought that maybe, helping you tempering your thoughts would be the best.

What does that even mean ? Well. Whenever he felt like you were anxious about something, scared or stressed, he would ask you if you were alright up until you’d finally tell him what was making you anxious.

And then he’d ask you the series of question his mom asked : “What’s the worst that can happen ? What’s the best that can happen ? What’s most realistic, or likely ?”...At first you didn’t really understand the point.

But soon enough, you got it. This was helping you turning your intrusive thoughts against themselves. Helping you see the good sides of things.

Unfortunately, just like with Dick’s technique of making you laugh and such, when Duke wasn’t around to remind you to consider the best, worst and most likely option...you forgot that trick.

************

"Let’s go to a quieter place, or go for a walk.”

Cassandra tells you, whenever she sees you get overwhelmed by something. And it works. It does.

You two just walk in silence, hand in hand.

Your sister’s presence reassuring, and warm. Her care for you sipping out of her very being, from her hand to yours.

“Let’s go to a quieter place, or for a walk.”

You go outside, and you don’t speak. She’s just here for you.

But she can’t always be around, can she ? She can’t always just magically appear next to you in moments of need, and say :

“Let’s go to a quieter place, or for a walk.”

But when she can. She does.

She knows when you get overwhelmed by sounds, by smells, by anything. And she brings you to places that makes you feel at peace.

Cassandra was never one to speak a lot, but she always understood.

************

Damian can’t help but feel sad that he, and the rest of the family, aren’t enough for you to feel better. That they can’t win against your depression and anxiety, no matter how hard they try.

And Damian. Oh Damian tries.

He makes sure you have everything you need. He makes sure to be there when it feels like you’re not feeling well, he follows you like a shadow and...

You both get more and more frustrated.

Damian puts a lot of effort into making you feel better, and you keep snapping at him, or pushing him away.

It’s because YOU’RE the big sister. YOU’RE the one who’s supposed to take care of him. But it seems like lately, Damian is obsessed with your well being, and he doesn’t even let you tuck him in anymore...He’s the one that comes tuck you in.

And deep down, you feel like it’s exactly what you need. You want to let your baby brother take care of you. And his worries are so sweet, and makes you feel all warm inside by how adorable this kid can be. How far he came back from.

Deep down.

But you’re not ready to admit you need help. Especially not from your 11 years old brother. No. He’s the one that needs the cuddles and the reassuring words. He’s the one that had it way tougher than you. And him taking care of you, although it feels nice, doesn’t feel right.

And it hurts, to see your little brother get sad because he can’t help you like he wants to. Because he thinks he’s not enough for you, and that’s why you’re feeling the way you are...

************

Nothing goes how they think it was going to go.

You do not get better right away. It doesn’t even feel like you’re getting better at all. On the contrary.

It feels like you push them away even more, that you become even more irritable, that...that...that you go further and further away from them.

And they don’t understand.

Even you, don’t understand.

Why do you feel so bad ? So Sad ? So anxious all the time ?

You don’t know. You don’t know. You don’t know.

“Why am I like this ? Why am I like this ? Why am I like this ?!”

You repeat this to yourself every day, without being able to find an answer.

And Bruce...Oh, your father came to the conclusion that the last and only option is that you need to go to therapy, you need professional help.

************

“What ? Why ? I’m fine dad !”

You say, anger pointing in your voice, as he tells you that.

“No you’re not, (Y/N). We can all see it. And there’s so much we can do we...I...”

There’s a silence. A heavy one. And it breaks Bruce’s heart, to see tears welling up at the corner of your eyes :

“It’s fine. I get it. I’m too much, aren’t I ? That’s why right ? I ruin you guys’ life ? You know, I noticed a shift not long ago. I know you’re trying to make me feel better, and I know you all get frustrated because you can’t. I swear I try dad. I swear I try to not get those bad thoughts. To not think you don’t love me, for whatever reason. To not think like I’m a burden. I swear I try to not be anxious. I try to not worry, about every little thing. I try so hard ok ?! But it doesn’t work ! And I know it’s wearing all of you down. I know it. But...I’m...It’ll be fine ! IT’LL BE FINE !!”

You scream those last few words, and a silence installs itself between you and your father.

Bruce just looks at you, and you cannot stand the pained look in his eyes. You never wanted your burden to transfer on your family like that...why ? Why did you get worst and made them notice you weren’t ok ? Why ?

Maybe it would’ve been better, if your dad didn’t see you about to get crush by this building, and hadn’t saved you. They’d have a-

“I won’t stop trying.”

Your father’s voice cuts your terrible thought, and you look up at him. He walked slowly to you, carefully, as if afraid to scare you. As if afraid you’re gonna “tt” him, and run to lock yourself in your room.

But for some reason, you don’t move. And you let him come close.

He brushes a few fingers on your cheek, as he used to when you were a child and unable to sleep. Him softly humming to you and brushing your cheeks slowly always made you fall right asleep...

“Until you feel better. And I will tell you over and over again that I love you and that I am here for you, if it’s what you need. I am your dad. I am here for you.”

And he understands your pain oh too well. It’s not because he managed to be able to shut his own mental health problems out, that he never feels them.

You are your father’s daughter. Unfortunately in that case.

Oh. Oh he wishes he could take on your pain. He could take on his shoulders your entire burden. He wishes it was only him, that felt that way. That you would never, ever feel anxiety, or depression again.

He knows it is not that easy. He understands.

“I’m not going anywhere.”

Something breaks inside you. Something that was on the verge of shattering for years, but snapped only now.

“I just...I just wish I could help you. I just wish I knew how. I am trying too, (Y/N). And I won’t give up on you. No matter what you think. I will never give up on you.”

Those words. Those were so simple. Yet what you needed to hear for so long.

Because no matter your siblings’ effort, or Alfred’s, or your dad’s. Your friends at the Young Justice. Anyone you ever cared for...You always were afraid that one day, you’d be too much for them.

That one day, all your mood swings, pushing them away, venting and complaining often...would be too much. And that they’d leave you.

Alone forever.

“I’m not giving up on you.”

Coming from your dad. You knew he said the truth. You knew.

There’s a short silence. You look at your father, and even Queen Anxiety couldn’t make you think he wasn’t being genuine.

“You...That’s...I...”

Getting chocked up, you weren’t able to say anything, but he understood.

And he was there to catch you. You went right into his arms, and he held you tight, trying to convey to you all the unconditional love he has and will always have for you, no matter what.

No matter how much you push him away, how broken you get, how much you hate yourself and think you don’t deserve any kind of love...he’d always, ALWAYS love you. And would never give up.

“I’m here. I’m here. I will always be here.”

His voice was soothing. It has always been soothing. And he was there.

He was there.

“Thank you...”

You manage to whimper out, as he holds you against his heart.

And, finding it hard to reign his own emotions in (his children have always been the only ones who could cross all his walls and find the vulnerable Bruce who feels everything), Bruce repeated as much as you needed to hear that he was here.

He would always be here for you.

Always..

And the path to your recovery was now open.

__________________________________________________

Here we are. I am sorry if this is sort of...bluargh. Or not what you wanted. But I do hope you liked it. Haha I feel like this story is so ridiculous...I guess this feeling is in the theme eh..........Maybe it’s also because as usual, I wrote very late into the night, and sleep deprivation always make me feel like I do stupid things. Write terrible stuffs.

Reblogs and feedbacks are always welcomed ?

Haha. Convincing.

See you soon with another story, much lighter than this one for sure haha...

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