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#bigotry will never win
crazycatsiren · 1 year
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You ever stop for a second and think about the fact that how pathetic bigots would have to be to think sending anonymous hate messages on the internet is going to make people stop caring about other people.
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sureuncertainty · 6 months
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at least now i've gone through an important tumblr rite of passage, watching a longtime mutual become a radfem :/
#the thing that really got me was that they were talking about their morality ocd triggering them about it#bc of the way tumblr and the internet in general has this black and white approach to things#and one of those i guess was 'transphobes = bad' which like. is not what i'm ever talking about when i say that things have more nuance#that said i DO think that the way this website prioritizing hating terfs over supporting trans people is kinda gross#but anyway this person was so anxious about it and it just was depressing bc i related to that#they were SO afraid of losing friends or being cancelled over it and i was just like damn i wonder if all terfs are that miserable#but they acted like they just had no choice but to believe this 'thing' that they constantly alluded to but never talked outright about#which i am pretty sure now is just that they're a radfem or at least believe in a lot of radfem ideologies#and honestly? i go back and forth between genuinely feeling so bad for them and being like well that's what you fucking get#i wish i'd had the courage to talk to them about it but whenever i thought about it i got immeasurable anxiety#sorry for the very long tag ramble i just haven't been able to talk about this and it's been eating ME up too for a long time#i just feel horrible. i know in the past they've mentioned too how they want people to tell them why if they unfollow/block them#but i can't. i cannot. and then i'm afraid of just feeding into their victim complex by doing this#i just can't win. and it's like. i'm trans i am literally affected by their bigotry that they're acting like is just not even a choice#ALSO I REMEMBER HOW THEY MADE A POST ONCE ABOUT HOW PEOPLE IRL DON'T TALK ABOUT TRANS STUFF#LIEK IDK WHAT PLANET YOU ARE LIVING ON MY DUDE BUT I HAVE LIKE 5 TRANS COWORKERS AND EVERYONE IS VERY NORMAL ABOUT THEM#like maybe YOU live in a bad area#but you're just a really loud minority#anyway. yeah. just. oof.#still feeling some kind of anxiety about it#win rambles
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quinnfebrey · 6 months
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it’s really funny that taylor has adopted a reputation for being well-read and book smart because every time she opens her mouth about a real world issue i am forcibly reminded that she stopped going into school after 10th grade (her words), and even then, her formal education was provided by the state of tennessee.
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because… what?
to frame patriarchy as this inherent thing that has ALWAYS existed and is as naturally occurring as a blue sky, is just not true. and to frame capitalism as this thing that is inherent is also just… not true. i could never unpack in just a post why those claims are ahistorical, but i will say that it is fucking nuts to look at an issue of capitalism and say “yeah it’s a problem, but, well, i’m just going to win at it 🤩” and call it feminism.
and that is the problem with white feminism. it just turns into idiots trying to speak on single topics and cherry pick their agendas, even though, in a sociopolitical or socioeconomic sense, it doesn’t work like that. you cannot talk about feminism without discussing western society, organized religion, global superpowers, communities of color, colonization, climate change, corporations, monopolies and more. anything less is useless at best and misleading at worst.
(because when you don’t, you get brain dead hot takes like “patriarchy has existed since the dawn of time, and so has money!”)
it’s like how greta thunberg said that she started as just a climate change activist, but now she’s basically a total anti-capitalist advocating for a complete disruption and overthrow to the way the world currently runs because she realized that advocating for that and advocating for climate justice are one and the same.
and if you criticize taylor swift for talking out of her ass, you’ll be hit with brainwashed swifties throwing out the word “misogyny” or “you’d never ask another celebrity this” or “you’re holding her to her own standards” because they’ve been hearing taylor’s bullshit feminism for so long that now they’ve adopted it as their own
taylor’s feminism will NEVER surpass the self-serving role it fills in her life because to do so would mean confronting the bigotry she has upheld, the questionable people she spends her time with, the wealth she is hoarding, her impact on the environment, and much more.
which is… fine, i guess. she doesn’t have to be a good feminist. but in that case she needs to pick a side and shut her fucking mouth about it. because letting her romp around spewing out the most egocentric and individualistic interpretations of it is boring and unhelpful.
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familyabolisher · 7 months
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hey, I was reading your posts on the use of 'reading comprehension' and found them really enlightening. I'm wondering, are there similar undercurrents to how people use lack of reading comprehension to describe the tendency for people to read and interpret in bad faith online, or are they different things grouped together under the same label?
hm yeah i would say there are some similar undercurrents happening. i think glibly mocking [a lack of] reading comprehension in response to a bad-faith/hostile/animous/etc engagement (like eg. the trend of replying with 'reading comprehension questions' that aim to glibly point out logical flaws in the initial response and present it as obviously ridiculous and overblown) is falling back on that same discursive construction -- that a lack of 'reading comprehension' is embarrassing, that reading something poorly or wrongly is something you should be sure never to do in public, and whoever can score the most Reading Comprehension Points in the argument wins the discourse.
i also just find it, like, unfunny and boring. even in genuinely bad-faith interpretations of a post, it has an air of smugness to it that i find really off-putting -- it's a very, like, you sir have won the internet for today-type tone. and there are multiple cases where i've seen this Ha Ha No Reading Comprehension thing deployed to suggest that someone reading between the lines of a claim made in a post to point out eg. particular biases, particular suggestions of bigotry, that the post doesn't explicitly name but are certainly discursively present is obviously being dense or hysterical; it's an easy win in a discourse where to name something as eg. subtly racist, transphobic, misogynistic, etc., is already presumed to be hysterical overreaction by people who know better than to outright name it as such but are still predisposed to view it in that light when given the opportunity to do so covertly.
(eg: op says X; a responder points out that X implies Y and is emerging from a discourse of Z; op laughs at them by claiming that they only said X and if you're seeing Y or Z then you clearly have no reading comprehension because X without Y or Z is obvious to op's often already biased audience and the conversation is shut down.)
it's got a real like, deployment of Facts And Logic feel to it; i don't think it does a good job in actually engaging with the responder and understanding where their interpretation is coming from, which can ofc be chalked up to the fact that that's literally not what it's supposed to do -- it's supposed to get a fun dunk in and make the initial responder look silly. i more than understand frustration at people reading your posts in bad faith and i can't fairly be mad at people for lashing out about it -- i've done it before! -- but, like. i think we should just try and steer clear of discursive constructions which reify the stigmatisation of poor reading comprehension (or mediation of tone on the internet, which is also at play here).
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useless-catalanfacts · 2 months
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The Catalan authors who were kept out of the Nobel Literature Prize for being Catalan
Did you know that there have been a handful of Catalan writers who were candidates to win the Nobel Literature Prize, but because of Spanish interference they never did?
The Nobel Prize discloses its debate and reasoning process 50 years after each edition. This means that we already know the details of what happened in the earliest editions of this Prize, which was started in 1901.
The name of the Catalan play-writer Àngel Guimerà (author of Marta of the Lowlands, Mar i cel, La filla del mar...), whose works have been translated to many languages and played all around Europe and the Americas, with many film and opera adaptations, sounded often in the Nobel committee. He was presented as a candidate to win the Nobel Prize 17 times in a row, since 1907 until his death in 1924. In the editions of 1917 and 1919, many were convinced he would win. However, the declassified documents show why he didn't: as written by the man who was then president of the Nobel Committee, Haralg Härne, Guimerà wasn't given the prize "to avoid hurting the national pride of the Spanish". In 1919, Härne writes that the objective of the Nobel Prize is to promote peace and thus to award Guimerà and show support for a minority culture would be to encourage internal conflict (🤦). The Academy decided that they couldn't give a prize to Guimerà "before awarding another writer who expresses himself in the most ancient noble language of the country" (weird way to mean "the official language", aka Spanish, because they surely didn't mean Basque). In summary, if a Catalan is to be considered, he must always be second to a Spanish man. Even when the Catalan is, in the words of the Nobel Academy, "the most eminent writer of our times", he can never be considered an equal, always must be behind.
Àngel Guimerà wrote in the Catalan language, which was discriminated against by Spanish and considered an enemy by the Spanish government and much of Spanish society. Guimerà was a firm defender of the right to use the Catalan language and that nobody should be forced to speak the imperial languages instead of their own, and was involved with the political movement for the rights of Catalan people. For this reason, every time the famous Swedish academy was considering Guimerà, the Spanish Royal Academy of Language (RAE) fought it with all its might. Nowadays, Guimerà's theatre plays continue to move thousands of spectators every year.
The same happened again with the poet Josep Carner. In the 1960s, Josep Carner was on exile, because he was a Catalan poet writing in Catalan and who stood against the fascist dictatorship of Spain, which persecuted the Catalan language and identity. Famous writers from around the world, including T. S. Eliot, François Mauriac, Giuseppe Ungaretti and Roger Caillois, supported Josep Carner's candidacy to win the Nobel, but the Spanish Government did everything possible to obstruct it. We don't know if Carner would have won or not, but he was deprived of even trying because of the Spanish government's hatred of Catalan.
Something similar seems to have happened between the 1970s and 1990s to three other Catalan poets: Salvador Espriu, J. V. Foix, and Miquel Martí i Pol, where they did not get any support from the Spanish authorities, so we don't know how it would have ended up.
Another example of what it means to have a state actively working against you because of bigotry against your cultural group.
Sources: book Det litterära Nobelpriset by the president of the Nobel Committee Kjell Espmarck, Pep Antoni Roig (El Nacional), Joan Lluís-Lluís (El Punt Avui), and Jordi Marrugat (Institut Ramon Llull).
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loveoaths · 1 year
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Anakin is not racist
oh, man, that was fast!
listen. i’m gonna assume you’re an anakin fan — great! so am i! — but anakin is objectively an awful person and a canonical space-racist. that’s apparent even if you’re new to Star Wars like i am.
from Legends:
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when asked about his view of the tuskens, anakin’s immediate response is “i have no use for tuskens.” i mean, i don’t know what there is to explain about that, because it’s right there. a whole race of people he doesn’t care for because they aren’t “useful,” as if that’s all people are meant to be to him. his issue with them is apparent but he won’t name it.
a’sharad hett directly names anakin’s issue: he is prejudiced. and anakin does not deny this. he “apologizes” but does not specify for what, because he knows he’s supposed to. you don’t just admit you’re a racist, especially not to a Master Jedi. which is exactly what irl racists do, lmfao.
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when push comes to shove, anakin outright SAYS it.
“I know what you are — filthy, sneaking, Tusken! Animals! Hiding behind your masks! Your kind tortured and killed my mother and I’m glad I killed them all!” (Emphasis mine)
like, listen. this is racist as hell. the racist dog whistle is now a racist klaxon, alright. he sees the tuskens as subhuman, as inherently untrustworthy because of their appearance and their culture, and he is not only not bothered by killing them, but he’s happy he did it. you could argue anakin is shielding himself from his guilt with self-righteousness, which i might buy with any other character, but anakin is down right unrepentant.
it wasn’t enough for him to kill the tuskens responsible, which even a’sharad notes would have been acceptable in Tusken culture; anakin wanted them all dead, because they’re all guilty to him solely by virtue of being Tusken. this anger and hatred and bigotry pushes anakin to even lash out against a’sharad, a tusken jedi, fully dropping any pretense that he is okay with a’sharad despite him being half-tusken and a jedi. because you know what anakin is following? the ONE DROP RULE! even a drop of Tusken blood is too much tusken.
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and still the wrong lessons are learned. for some godforsaken reason a’sharad learns he needs to be seen as a Jedi first and not a Tusken, which is not only antithetical to the Jedi way, but totally opposite to the point of this encounter, which is that we are all many things all at once, and pretending otherwise leads to destruction. anakin is a jedi and a murderer and a racist and the chosen one. ignoring the unsavory and cruel parts of him, never exposing him to the jedi council, and hoping his “better nature” would win out over time ensured that it never would. a’sharad is a Tusken and a jedi and many other things, but his wrongful assumption that pushing aside his heritage will gain him favor eventually causes more problems for him.
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the only reason anakin and a’sharad stop fighting is because a’sharad removes his mask, revealing, tada, a hot human face! now anakin is capable of an insincere apology. but he still assumes the markings on a’sharad were forced on him, because he still believes tuskens are a barbaric and cruel people. then the moment is moved past so they can escape.
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and despite this shit-ass “heart to heart,” anakin walks away with zero appreciation for a’sharad or the Tusken culture. he fails a’sharad’s lesson: it’s not that he can’t see a’sharad as human, as a person, as a jedi, it’s that he won’t, because he is attached to his view of the tuskens as lesser than, because it excuses his behavior, because it makes him righteous, because it makes him feel better, because it solidifies his entitled view of the world. which is exactly how irl racism and whiteness work.
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and the final word on the subject is this. when all is said and done and anakin is asked if he would kill the tuskens again, knowing what he knows about them now, his answer is a cold, unmoved, “Yes.”
now, i know the Legends comics are not officially canon; the new canon is whatever Disney chooses to use and whatever appears in the movies. however, even if we just look at the clone wars, which are now canon to the Disney SWU, there are several instances in TCW where anakin makes disparaging comments about another species’ appearance, intelligence, and capability. i don’t have those on hand because i am not trawling through 7 seasons for quotes for you, but you can find them if you want to look.
my final thought here is this: i am not disparaging anakin fans (fanakins, if you will); like i said earlier, i am fascinated by his character, and enjoy him as a concept. what i am doing here is asking you (especially if you’re white) to consider the lengths to which fandom goes to ignore the very obvious signs that anakin is not just genocidal but racist. like him all you want but don’t ignore that part because that makes you uncomfortable. he kills kids. that’s not any better than being racist.
understanding the role of racism in his depiction, and his turn to fascism, only aids your storytelling and view of him, because it’s true to life. society is willing to ignore massive red flags if someone is white (and in Star Wars universe, we’ll add “human” to the list), male, and conventionally attractive. obi-wan is willing to ignore these things because he is the same, and because anakin does not treat HIM this way, obi-wan can blindly believe anakin would never treat anyone like this — which is, again, a phenomenon people of color call out often, where white people will say “X can’t be racist because he’s never said anything racist around me!” well yeah. because why would he? nevermind the fact that obi-wan and ahsoka witness anakin treating non-human suspects with extreme prejudice, abusing his power and authority as a jedi to get what he wants, and worse. anakin is and always has been a shitty racist cop on a power trip, but because he worked with “good cops” and knew better than to say anything out loud, he got away with it until he killed them all too.
this all feeds into the concept that while anakin’s fall is tragic, it is by no means unexpected. the only reason the main characters of the prequels are surprised is because they willingly looked away from the warning signs. the characters who didn’t — the Council, Mace, even Ahsoka at some points — are vilified by anakin, and because the main characters love anakin and have an attachment to him being the chosen one, they believe anakin over those who are suspicious of him and ignore or downplay the warnings until it’s all too late. the tragedy of anakin isn’t a tragedy of not being loved enough, or having people fail you; it’s the tragedy of refusing to get help, of refusing to let go of things even when they hurt you, it’s the tragedy of the bitter man drinking poison to kill someone ekse, and it’s the tragedy of the bystander: of what happens when we all stand by and watch people we love do terrible things without stopping them, because we’re as afraid of them not loving us anymore as we are of confronting what it means that we still want to love and be loved by cruelty.
tl;dr: anakin skywalker is racist and prejudiced. you can still like him as a character; this is not a moral judgment. but maybe you should prod at your like at him a little, and investigate the ways in which both anakin as a character and the fandom’s dismissive view of his many faults is indicative of the insidious way racism and whiteness works irl. especially if you’re white.
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badaziraphaletakes · 3 months
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Critique is worthless if the person you’re critiquing doesn’t see it, though. Some of the people who’s posts you screenshot are autistic or are abuse victims, and I try to give everyone the benefit of the doubt because of that. Why do you not just engage with these people kindly? A lot of the “bad” takes just seem to 1.) be a projection of someone’s own trauma, or 2.) lack media literacy. I don’t think the first response should be to be hostile when I don’t believe the people you’re “calling out” are aware of why you’re targeting them.
We're not critiquing specific people, we're critiquing attitudes, and the screenshots we post here are just examples of a behaviour we're seeing everywhere (we're never calling out anyone specifically). That's why we hide the handle and that's why ultimately we don't mind if OP never even sees our critique. If one single person sees our post and feels welcome, accepted and not alone in their suffering, it's more than enough. If another one sees it and manages to rethink their language? Wow than we've achieved the main goal of this blog. Everyone can go home.
I'm sorry if you don't think our speech is kind, but we try our best to be that. But we have our limits and comedy and sarcasm are valid weapons to fight bigotry. We'll always try to be polite, but oppressed people shouldn't have to measure their every word not to hurt the feelings of the ones that oppress them. We were the ones hurt in the first place.
Again: "Do not confuse the response of the oppressed with the violence of the oppressor"
The Good Omens fandom has always been a great place for neurodivergent people, trauma victims, women and queers. No wonder, given its characters and themes. We were losing our safe space though, bc of all this hate targeting a large chunk if these people, and we're trying to win it back. Or at least build a new one.
And finally, regarding your two last points:
1) yeah, some people are trauma victims and project, and if you check our records we try our best not to call out projection as a bad thing per se, bc I think projection is valid and can help ppl deal with trauma and personal issues. We critique the ableist and victim blaming language used in the posts. (but again, remember we're human...)
2) regarding the lack of media literacy, I hope the blog helps them on that tbh. Although I must confess that if that's the only problem with a person's take, we won't feature it here (and we never have), as this is not our goal, and that usually comes with time. None of us is born with media literacy.
And finally, this blog is not our first response. We've been dealing with this for months. This was a last resort after things got way out of hand.
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rainbowravez · 4 days
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i think it's really disappointing how interesting and complex of a character yul could be instead of being a one-dimensional bigoted racist archetype used as comedic relief.
it would've been so much better if he were a commentary on how the entertainment industry can shape people into genuine horrible people because of the toxic work culture and serve as a contrast to james, who left the industry (or atleast isn't as involved) and how it let him grow as a person, while yul has to stay because he has no choice for other sources of income and how his bitterness and resentment only continues to grow and harbor into the man he is now. imagine if a huge part of his resentment towards james was because of jealousy that he was able to escape the industry, instead of just mostly being because he poisoned him with mushrooms last season. what if that's why he was so angry that james tried to lecture him because james has no clue what it's like for him and that he has the nerve to question him when he feels james had the privilege of being able to escape. he's angry that someone who could relate to his struggles now is just like everyone else; an outsider of how bad the workforce he's in is and he's truly alone again with nobody to confide in because he hates the only other person who can relate, grett.
his relationship with grett is implied to be forced upon him and this could've been so interesting to explore. in the first few episodes it seems like he has genuine moments with her. what if a part of him actually loved her because he finally has someone who can relate, but because he was forced into this position he sees her as his captor who is the embodiment of how he will never have the ability to make his own choices. they got the right idea when he's talking to james on the bike, where he says "when i win the 3 million, i'll never have to listen to anyone", but it's ruined when it's just chalked up to him being like "i dont want a fat girlfriend cuz shes ugly and im not". it could've been a commentary on how k-pop stars are often objectified by their fanbase and their employers and how little control they have in their lives, especially being recruited at a young age (WHICH IS LITERALLY STATED IN THE SHOW!!! WHEN HE SAID A VIDEO OF HIM DANCING BLEW UP!!) and the mental toll it has. he's so cruel to her because of his frustration with his situation and a want for her to leave, both using her as a punching bag for his lack of control while simultaneously trying to make her leave him as a way to regain the little control he has over himself.
the biggest flaw of yul's characterization is how his bigotry is NEVER called out. yes, the point is that he's SUPPOSED to be unlikable, but nobody ever says he's being racist and why it's wrong (besides gabby when she defends grett), they say it's to make us hate him more but if THESE THINGS AREN'T CALLED OUT, especially to their young fanbase of young teens, it comes across as just out-of-pocket "dark" humor that relies of shock value to make the audience laugh, which insinuates that it's okay. he's literally just saying bigoted shit for the sake of it. you can write an unlikable character without making him drop obscenities every moment he's on screen. it's bad writing and an easy opt out that takes little effort to write and has become normalized in the show, esp. considering how the spanish va of yul improvised a racist line (calling james a monkey) and how they just let it slide because "oh well it's in character". if your voice actor is randomly saying racist stuff that's not even in the script and you allow it to slide, your team has a serious problem.
there's so many characters that are intertwined with the entertainment industry (riya, james, grett, yul) and so many of the ideas are THERE but they aren't dived into and these characters end up being one-note as a result, like yul and riya. the best we can do is infer but that can only go so far. maybe i'm asking too much for a total drama inspired series to have complex writing and nuance, but if you want to differentiate and distance yourself from total drama (esp. when it prides it's writing as being more complex than total drama) maybe actually put some effort into making complex characters and not using them as a puppet to make bigoted remarks.
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rjalker · 1 year
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image description below, you can also open in a new tab and zoom in.
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[ID: A six panel comic titled, "Using Neopronouns…"
The first panel shows a cis person talking to a long line of trans people who continue off screen, who are each wearing a pronoun pin -- "he/him", "she/her", "they/them" and "ze/hir", and have the trans pride flag over their heads, with stripes of blue, pink, white, pink, and blue.
The cis person says, "Your pronouns make me uncomfortable, so I'm going to misgender you.".
The second panel shows the trans people who use "he/him" and "she/her" pronouns looking at the rest of the line, which consists of they/them, ze/hir, star/stars, and it/its, and saying, "Your pronouns make me uncomfortable, so I'm going to misgender you.".
The third panel shows the they/them user now talking to the ze/hir, star/stars, and it/its users, and is saying, "Your pronouns make me uncomfortable, so I'm going to misgender you.".
The fourth panel shows the ze/hir user saying "Your pronouns make me uncomfortable, so I'm going to misgender you.". to the star/stars and it/its users.
The fifth panel shows the star/stars user saying to the it/its user, "Your pronouns make me uncomfortable, so I'm going to misgender you.".
The last panel shows the it/its user standing alone, saying nothing but "sigh".
End ID.]
The transmisia, exorsexism, and neopronomisia are coming from inside the house.
To quote Leslie Feinberg:
"We can never throw enough people overboard to win approval from our enemies.”
(Transgender Warriors: making history from Joan of Arc to Dennis Rodman)
Ask yourself: "Am I literally repeating the exact same bigotry that cis people subject me to?" And if the answer is yes, cut it the fuck out.
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The homophobes/transphobes raging at the latest retcon of Nightcrawler’s origin story is so funny to me. Like- what are you even doing here? You’re complaining about an X-Men book having identity politics??? The series that has been Marvel’s go-to soapbox since the 1960’s?? The series that’s been so ridiculously queer-coded in everything from its conflicts to its character arcs to its goddamn fashion choices for decades??? I’m sorry, did you take a wrong turn and walk into the wrong fandom?
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Never mind that having Mystique & Destiny being Kurt’s bio parents was always Chris Claremont’s original intent. Or that their relationship has pretty much always been canon, or that this isn’t even their first time coparenting (albeit poorly, but we love that drama).
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You say it’s too convoluted? Ok, and the Azazel retcon wasn’t? Again, it’s X-Men, where convoluted origins and conspiracies reign supreme. You say it conflicts with Kurt’s identity as a man of faith? As if the whole point of his religion wasn’t always to clash with his demonic appearance in order to make the statement that true faith needs to be rooted in love and compassion and not bigotry or an outward show of righteousness? As if the comics have never had Kurt cross paths with far-right Christian nationalists who refused to see him for who he was?
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I mean- who’s gonna tell these guys about this classic? Did they think Logurt was a froyo flavor?
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In conclusion, I generally don’t like to gatekeep fandom, but omfg these people are such fake fans. As for me, my only issue with the retcon is the reframing of Raven as having wholly loved Kurt & wanted him but she just… misplaced her baby I guess. Like c’mon, guys, we can let Mystique be a messy lesbian AND a shitty baby-yeeting mom, give us that diversity win.
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akajustmerry · 6 months
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I haven't seen chibnall but I have a hard time imagining being worse than moffat. I'm sure it's possible but that man... he was bad. also out of curiosity what's the problem with eccleston? or did you just use his name as a reference for which era was rtd. feel free to ignore this if you like, I hope you have a good day!
hellooo!
look, you won't hear me arguing moffat wasn't bad but believe me Chibnall was worse. He wrote an entire sequence where the Doctor tricks the Master (then played by British-Indian actor Sacha Dhawan) into being caught by the Nazis, knowing what the Nazis would do to him. Like, the Doctor, presenting as a white woman, handed over the Master, her best friend presenting as a Brown man to the most notorious white supremacist regimes in history. And that moment was framed as a successful ploy!! As a "win" for the Doctor.
I'm sorry but, to me, Moffats fucking decrepit cringe Gen X Misogyny did nowhere near as much damage as thoughtlessly portraying the Doctor as someone who will literally use Nazism against a poc and framing it as clever girlboss behaviour. Like, it's not fun that these are the people we have to choose from but one of these things is not like the other.
As for the Eccleston stuff, I was referring to Christopher Eccleston's conflict with the BBC and by extension implied conflict with RTD. The full details of the conflict have never been fully made public but Eccleston has always maintained he quit the show due to the culture created by the show runners and producers. He's said he'd never work with RTD again. Eccleston implied that one of the reasons the relationship between himself and RTD broke down was Eccleston's desire for the Doctor to be a role model whose intellect wasn't inherently tied to being upper class English and had to really fight to use his natural accent. It's worth noting that the we wouldn't have a Doctor without an RP (received pronunciation) accent again until Capaldi. David even mentioned Russell's "enthusiasm" for DT to speak in RP not his natural accent in his interview with Jodie in 2020.
I want to believe that RTD has grown since the mid 00s, and perhaps this time around things will be different. But I think a lot of people point to Moffat as the worst because his bigotry is the most visible and easiest to critique. It's more popular and acceptable to critique sexism against white women than it is to critique racism and classism. But in reality all of these showrunners are white British men who have pulled white British bullshit and I won't stand for Chibnall and Davies shortcomings being scapegoated via Moffat.
Also, this is not a defense necessarily but a lot of people who hate moffat era who did NOT watch Capaldi's seasons and did not watch season 10 with Bill Potts. So their critique often lacks the perspective of Moffat's best season that proves he's capable of writing something genuinely compelling that's not gross and sexiest. Like it genuinely infuriates me when people talk about "moffat who" but they're only really talking about Matt Smiths seasons. Again none of that is a defence but it's just to say that most people who say Moffat is the worst are people who a) are really talking about Sherlock, which, fair enough that was shit b) people who just think 10th Doctor best Doctor and don't actually care about anything after that era in any meaningful way. Or c) people who have a pretty incomplete view of the series was and where it currently is.
omg this is long sorry I hope I don't sound rude I'm not trying to be I just have so many thoughts about this. I hope this answers your question, please let me know if I need to clarify anything <3
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candyredappledragon · 5 months
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h-hi! the name is kieran. nice to meet you! ive been here for a bit and uhm.... sadly figuring out how to use this site! ( kind of afraid of interacting with others especially but im trying my best to not be easily scared ! ) i am not familiar with technology and or online things/words so please be patient with me. i know there are other kierans here too and honestly theyre pretty cool! ....d-dont tell them i said that. im not really a battler so if you are trying to look for one then im sorry to say that you will be disappointed but you can ask the others though. really sorry
..uh thank you for checking my blog— furret youre on my facEXSFDGCVHH
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🍎 Please no genuine anon hate, nsfw, or anything really bad. ( You can be mean to Kieran! ) Pelipper mail is okay ( but malice is off for now ). Sapient Pokemon or the likes of interacting are fine too, Kieran is too much of a goofball to notice it. Please don't give him Pokemon the thought is appreciated but if you do they'll turn into stickers lol.
Please don't be weird. I'm serious. As well PLEASE be patient with me and not be pushy. I'm trying my best!
This Kieran is in AU as to what happens if Florian doesn't lie to him about Ogerpon and whatnot! Kieran still doesn't get Ogerpon and is fine with it ( kind of, as in this made him feel inferior to having friends and will always be chosen over by other people. ) His way of thinking is that maybe he should try to be nice and kind to others so that will help him get friends as he sees Florian do this the same to others. ( The only thing Kieran thinks he's not good at is having a funny personality. He is very awkward in person. ) Blueberry Academy was hard on him as he was almost practically as ignored and students tend to forget he is the champion because of his cowardly personality. Florian took over later as champion. Okay there.
(By the way this is a summary please don't hurt me. 💔)
Plus I will try to draw for asks but they won't be the best but surely will motivate me to draw! If there are no asks then I'll just draw daily things with Kieran so it's a win-win for me!
💥 This Kieran doesn't like to get involved with stuff so feel free to drag him into antics! He isn't the one to approach people either so if you are wondering why I don't start convos with other blogs with asks that's why. ( I'm shy too. ) He's a bit of a coward online and in person but he won't shy away trying to be friends with others.
🍎 Posts are tagged to make things easier! Feel free to block one of them to make your experience smooth!
Art related: art tag , art reply , daily Kieran art
Text related: text reply/reply text , text ask , text post , ooc post , reply reblog
Other: long post
Anything you want to be tagged? Please let me know! :)
"Can we use your art?" Feel free to use the art or whatever! Don't need to credit and I prefer not to be credited. You can edit it too! Idgaf just no bigotry. :,] "What do we call you and do you have pronouns?" Uhm, you can call me Eight or any other version of the number 8 itself. [ Ex: Ocho, Hachi, Acht, etc ]. No pronouns! Refer me to by name or just call me mod or some other third thing lol. "What art program do you use?" Clip Studio Paint! "Are you okay with collabs?" Of course! Please feel free to message me anytime. :] "What time do you post art/responses?" Uhm....... anytime to be honest? My sleep schedule is ABYSMAL. I am very much online unless I'm busy doing comp. "Are replies time sensitive when interacting with this blog?" Nope! Take your time with your replies. I am pretty chill and everyone is pretty busy with real life. Fair warning I'm a ditz. :( "Why did you make this blog?" To draw Kieran a thousand times over until I'm dead lol. ( Even if it isn't posted on this blog!) And world build my stupid au. :u I'm just currently on a small burnout on drawing. I'm sorry. :c
"Is this a sideblog?" Yeah, you are never going to find out my main!! It's very cringe ( it has different media art ). I will interact with my other sideblog with thoughts and reactions at times. [ if you are curious @/hahahasquib ]
"Do you like Kieran?" No. ( Yes. A normal amount. )
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bonefall · 7 months
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I love Mistystar so much. In a world filled with representation of Stereotypical Conservative Grandparent, Mistystar represents all those grandparents who are like. So close. They tell you all these stories of the Horrors they lived through and how that spurred their incredible political activism, and there's so much that the two of you agree on. They're a breath of fresh air at family gatherings because you know that if things turn to Politics, you won't be out here alone against all your conservative kin. But. She just can never take that extra step! She's Meemaw Fascist Murderer, but things like criticizing capitalism are off limits! And you just wish you could shake her and be like come on! You're constantly on the edge of this huge political epiphany, Meemaw! Come with me! And then. Some days. She comes home and is like "You know, my friend said something about [insert insane conservative talking point], and I think she might have a point" and you just want to scream! Meemaw NO! (G-d I hope this is a relatable experience)
It ABSOLUTELY is relatable lmaooo, I've been there in the trenches with you, Nonnie. It is such a unique kind of stress when you have an older family member like that just teeter-tottering on the edge of ONE extra step foward and they DONT TAKE IT
You can file the worst members of your family under "Objective: SURVIVE" and it gives you so much more of a shield against them. You expect dumb shit from Uncle Fungleblock, the Republican Elf, never to the point where it stops hurting, but to the point that you're prepared for the fight.
But nothing prepares you for Meemaw suddenly not having your back when you needed her, because she's genuinely considering that talking point from her friend.
So now you're using the Measured Meemaw Tone, trying to legitimately address her argument the way that sometimes soothing the horse can make it drink, while Fungleblock is casting Racism Fireball at you and you can FEEL his Slur Cooldown ticking away.
You think back to everything she's been through, how gutwrenching her stories are, the things she's experienced, violence and bigotry she's WITNESSED changing over the course of her own life... but on some level, it's as if she's stuck believing that progress is just about fighting The Bad People, or making an argument convincing enough that the good guys win fair and square, and she's gotten as old as she is because she has a support network that your allies may not.
So she never really will truly protect you from Fungleblock himself as long as he behaves just enough. She helps but she isn't your hero. And she'll still keep falling into bigoted traps, because she never will crack that nut and realize the difference between racist stereotypes and material conditions.
Love, pride, and disappointment. How do you hold them all at once? You just let them swirl as they please.
In my experience, at least, lmao. But hey, my own personal Fungleblock threw himself out of Thanksgiving with a tantrum so. Life is good B)
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mdhwrites · 27 days
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I’m honest to god baffled that fantasy shows like Steven Universe, Amphibia, Star Vs The Forces Of Evil, and Gravity Falls have an abundance of memorable human characters with memorable locations that make you want to live in that human community while The Owl House BARELY has any of that.
Camila, Jacob, and Masha are probably the only human side characters that are memorable and have a impact on the story, and Gravesfield is too forgettable and full of not so good people (which even then is questionable considering Luz’s antics) that it makes it hard to want to live there.
It’s almost as if TOH is desperate to want people to want to live in the demon realm and forget about appreciating Earth and being human, which ends up making it even more immature compared to other shows that at least TRY to express how important it is to appreciate your human side and it makes the main human characters much more likable cause they know being human is just as important.
If Luz doesn’t bother to appreciate her human world more, why should I care about her?
This isn't a bug; It's a feature.
(Before I begin, just as a reminder: Fuck JK Rowling. I hate how much I have to praise Harry Potter for this.)
There is a LOT to say about TOH wanting to be the Harry Potter for a new generation. The concept that all of humanity is worthless so you should escape into our other side of reality is a big thing there too. Part of why Harry Potter, and ESPECIALLY Hogwarts, means so much to people that they literally can't give it up is because of the escapist fantasy involved with it. The story made one believe anyone could be whisked away to a fantasy realm where they were important. Where they could face the bullies and win. Where they could be so much more than reality made them feel.
The Isles is pretty clearly meant to feel similar. It's the ONLY explanation for why Belos' tyranny isn't actually present besides to make being an apprentice to Eda even cooler than it normally would be. The Coven System could be inspired by a lot of things, like D&D, but it's hard to deny that Harry Potter is the easiest example, especially with The First Day reinforcing that even the school is divided up by these covens. There is ZERO bigotry, of literally any sort, even magical preference, because that would make the Isles unappealing. It wouldn't be somewhere anyone would want to escape to because the world would be too much like our own.
This is further reinforced by how Harry Potter has the Dursleys while TOH has just implied repression of Luz... Except that it DOES have more, doesn't it?
This is part of why I think TOH fails in this regard. Why we don't see a lot of TOH OCs, or Hexside OCs, minus future kids which is just mashing the canon characters together. It's too insincere and too modern a work in order to actually be the escapist fiction it wants to be. Again: There are MAJOR storytelling concessions to make it more attractive as escapist fiction but it won't commit.
This is why we have Camila as our main representative of humanity. The 'trope' is to make her awful. The worst person imaginable. The Dursleys fit that after all. But modern writing trends are too self aware for that sort of thing. They need to try and twist tropes to look clever (I would date the start of this somewhere around Frozen) or else they look silly and are to be thrown away. So instead of the evil home life to run away from like in Harry Potter, where that gives Harry permission to only care about the new world he's entering, even if it's just a secret society, we instead have Camila. The saint. The one who is first wronged by Luz and never really gets made up to by Luz because, well, that goes against the fact that Luz is clearly meant to, even by the end of S1, want to choose the Isles over humanity EVERY TIME. Why she starts an entirely new life there without even thinking about things like, I dunno, how the fuck do I keep dating this witch when I go home. Amity and her never do have a real conversation about the promise because that's inconvenient to the escapist fantasy.
This attempt at being 'clever' over being sincere is also why Hogwarts is a much more magical, literally and figuratively, setting than the ENTIRE ISLES. There is magic and secrets and interesting discoveries at literally every turn at this one school. Meanwhile, TOH wants to be able to make modern social commentary despite the fantasy land its in, and also wants to be taken more seriously than fantasy often is, so it needs to be grounded and mundane and mostly like our own world because otherwise they might actually have to make a world that's interesting. It fits into modern writing trends that give Twitter easy fodder to talk about THEMES, regardless of how well those are actually tackled, but get in the way of being escapist. Of creating a world that you'd actively beg to live in.
This is actually something I'll give modern isekai and is a large part of why it's so popular: It is extremely escapist. Even the more serious ones still make the main character be the biggest badass ever and the 'dark' elements actually conform just to make him a bigger badass. To give him more than he already would have by genre convention. They do that mostly through sincerity of concepts. By going "This is what we're doing, this is what we're giving the audience, FUCKING GO."
TOH never has that unity of purpose.
BUT
This lack of unity of purpose also meant that while PLENTY of anime are bigger, more popular and more influential than TOH, as far as western media goes, it was a strength. Like I said, it leans into current trends with writing. It is unique, even amongst anime, for having an explicitly LGBTQIA+ main character, adding to the escapism for those specific groups. All while packaged as a kids show for those who don't like kids shows, much like how Avatar for many is anime for those who don't like anime.
Now this is where I might talk about the other shows you brought up, especially Amphibia but, well... None of them are going for such pure escapism. Bare minimum, their main influences aren't pure escapism. They're more rooted in old isekai or just straight aren't influenced by isekai or Harry Potter. They're genuinely more complex about the relationship between the worlds because for their stories, both worlds actually matter. Neither is meant to be entirely abandoned like TOH wants to abandon the human realm.
There is a reason why Luz ends the series only learning about magic after all despite claiming to live in both realms because she has no interest in the human realm. There's a reason the villain is pro-human realm. It's all meant to point to not just wanting to run away but encouraging it. That's not even always a bad thing. I've written porn for god's sake, the last thing I can criticize is the desire for escapist fiction. It has its place.
TOH would fill that place better if it would just be honest about what it was. I'm still glad it comforts those who need it to be their escape though. See you next tale.
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I have a public Discord for any and all who want to join!
I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.
A Twitter you can follow too
And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.
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Mostly buddie and bucktommy thoughts, but some general fandom feels too
I am glad Buck is canonically bi.
I am very sad Eddie is not canonically gay.
I want Buck and Eddie to get together.
While things in TV can turn on a dime, it looks clear from the most recent episodes that they don't intend to have buddie be a canon relationship.
At the start of the season I was very enthusiastic about the character of Tommy being around long-term.
I am not feeling any chemistry between Buck and Tommy when they are in scenes together. This isn't just because of my buddie shipping goggles - as much as I disliked Buck and Taylor together, they did spark off each other. I am just not feeling it from the other BT.
I am really disappointed by the structure of the few scenes with Buck and Tommy that we did have. If Tommy had turned up in a slightly silly costume to the party and still had had to leave I would be finding it hard not to love him. If they had just switched the dinner date scene around and started with the daddy kink flirting and then had Tommy go beyond that to ask if Buck was actually OK after Bobby's coma, I would be thinking that with enough time we might see as much of a connection between them as we see between Buck and Eddie.
Depressingly, I don't think the writing teams are trying to drop us subtle hints that Buck/Tommy are inherently doomed, I think they are just fucking up. Which doesn't bode well for future scenes between Buck and Tommy being something I will enjoy.
While I want Buck and Eddie to get together and didn't think their previous LIs would have been good life partners for them, in the fandom there was a lot of deliberate misreading of scenes involving the women and a worrying level of hate directed towards the actresses. Yes, there were some justified callouts about the actions of some of the actresses. We should never, ever accept bigotry. But we all know we have seen actual full-on misogyny from many fans too.
I read 911 fandom posts on many platforms and I have seen this behaviour on Tumblr, Twitter, Reddit, Facebook, Discord, you name it. While we would love to think the people on whatever platform we don't use are the horrible ones, I see it across the board.
That deliberate misreading of scenes and cruelty towards real people is now spreading to both Eddie and Tommy, and their respective actors. Part of me wants to flippantly say "Diversity Win!" but racism and homophobia are wriggling their way into 911 fandom posts and we need to do better.
I am feeling gloomy about S8. I don't think a summer break is going to fix any of the issues I have with the show. If you love how things are going then I am happy for you! I'll probably still boost the gorgeous fanart and insightful metas that I often see. But this is a reminder to others, and to myself, that if a show is making us sad, we can just go watch something else. It's OK. We're OK.
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miilkyrolls · 25 days
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okay fine, Murder at homecoming, YOU WIN
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so i finally finished MaH after putting off continuing past chapter 1 since like...february and, i almost used this book as a diamond mine cause i preemptively was like "this looks lame 😒"
... i came, i laughed, i gasped, i yelled, i cried and i left... then i CAME BACK BECAUSE HOLY MOTHER OF REPLAY-ABILITY BATMAN🥲
but no this book hits right where it needed too. I know one of the biggest upsets people have with MaH is A) the villain being guessable and B) not solving Perdita's disappearance and sorta C/ B.2) it being a standalone. and imo for A, that's up to you to feel that way. imo cause choices is a visual form of content, it's kinda hard to have genuinely surprising "twist" villains cause the visuals already clue you into who done-did it unless they pull the twist straight out they ass(i feel this way about movies and shows too. the only way surprises genuinely get me is in books or podcasts, so non visual entertainment)
and B/C, i actually think NOT solving perdita's story AND making it a standalone was actually very mature of PB (first and possibly last time i'll ever say that in this day and age 💀). it's possible they might've made it their next teen drama series if they had the budget. But unfortunately it's honestly realistic. unfortunately a lot of women go missing and rarely do they get found alive and in a short amount of time (esp if you have as a bipoc mc/ perdita). it's an extremely tragic cookie crumble that unfortunately a lot of mysteries in our lives often take us our entire lives to solve and a lot of them we'll never solve in our lifetime. it's a great paradox / parallel to gabbie's death. it took us all of say 4/5 months (cause in the US, most schools go on winter break in late December) to solve with justice being fairly swift, fair, and harsh but unfortunately a lot of victims don't get their day for a long while, if ever. it's a healthy ying and yang of enjoying fictional justice but it being unrealistic with acknowledging the devastation of losing real victims while acknowledging those lost and their unsung stories that we should never completely give up on their days to come. (ofc however, i hc that perdita is still alive and uncovered corruption in the city and knew that making her family deal with legal repercussions would make their lives more difficult and be ostracized by the elites of Beachwood, so she just left and changed her identity. i like to think she did it also cause MC deserved to have a normal teenhood and not be ousted for her actions)
also i love the open and candid conversations around the treatment of queer children, bipoc mistreatment , misogyny, sa and grief. idk why but the ability to choose if you'd experienced homophobia/ transphobia based on your pronouns and who you've romanced, and tyler talking about thinking he was straight before meeting us (i had a masc body) idk why but i like that touch. i feel like PB kinda grazes over the aspect of being queer / trans and the concept of love, coming out, and society acceptance when your same sex romancing/ nonbinary so it's real shocking when they actually..idk address that thing😭. it's nice to have characters acknowledging their sexuality rather then just be automatically playersexual and everyone around them is just immediately accepting/ suddenly bigotry just seems to evaporate for mc's life/ society
also also, WE CAN BE POLY AND LIKE ITS CALLED POLY AND EVERYONE IS HAPPY AND THE LI WE DON'T CHOOSE AREN'T FORCED ONTO US/ GIVEN AS A OPTION
smaller things: i like the heavy usage of sound effects, idk why but i do. i like the flashbacks into mc's and perdita's relationship, the mix of free and paid clues that are non linear, STEVIE (yes she needs her own category)
overall: 9.2/10. i really like this book, it's going on my personal shelf next to the likes of crimes of passion (minus proposal...), Queen B, big sky country, blood bound, immortal desires 1, and with every heartbeat for my good book shelf
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