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where-does-the-heart-lie · 7 months

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Water is Thicker Than Blood Chapter 33

So neither deuce nor Yamato, im sorry to say :) but now i know NONE of you were expecting this guy (he is a canon character btw)

{Start} {Prev Next}

“Ass?” Is one of my fav gags that ive had saved up for a while, im glad its finally free!!!!

Everyone please read the keep reading :) 👇

I rigged it~

i bet you guys werent expecting i pull out one of the least known characters in all of One Piece for this silly little comic!

But~! ☝️

i do my research~~~

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At the time of posting this, the results could not be closer, which has been a very thrilling ride for me to watch with Overseer Knowledge.

I'd say that those who voted 'Another Canon Character' get half credit, since no one guessed the character correctly. Who ever voted 'OC' also gets half credit, cuz i meann... This guy doesn't have a canon design. He doesn't even have a canon name! So even though he is a canon character, i am going to count him as a KOC (kinda Original Character)

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Yamato Girlies, thank you for showing up [i hand you a bouquet of flowers, each] if it makes you feel any better, i already have Yamato content with design and headcanons galore in this post!

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As for Deuce Girlies...

[i hand you guys bouquets as well]

im so sorry... but... I've never read the Ace Novels :D

I'm sure if i had, i would have put him in here somewhere as a major character, but I didnt, and i couldnt

it is very evident by the reactions i got on the post that yall are Starved For Deuce Content!

i designed a modern au look for him here just for you guys :)

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I've put a lot of foreshadowing on who this guy is in the comic! I would love to point it all out, but i wanna see if you guys get it with hind sight :D

i will point it all out eventually though 👍 perhaps at the next SBS :)

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Thank you all so much for being so invested in my silly little comic! it makes me really happy to see everyone get passionate about something I've been working really hard on!!!

This was all so much light hearted fun :) thanks again!

bonus unshaded/ less shaded Emmanuel design:

so you can see his colors~

#my art #one piece #monkey d. luffy #sabo #asl brothers #one piece fan art #portgas d. ace #wittb #water is thicker than blood comic #wittb Emmanuel

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evegwood · 3 months

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Post-covid cons have had an influx of attendees who have never been to a con before, and that's great! But I've also seen a rise in some slightly inconsiderate behaviour so I'd like to do a little post on what is generally considered good manners when attending a convention:

1️⃣ Ask before taking photos, whether it's of cosplays, stalls, traders, or merch. It's very rude to approach a table, take a photo of their stock without asking, and leave.

2️⃣ Don't comment on the prices of merchandise at exhibitors' tables. If you think something is too expensive, keep it to yourself; traders need to make money from their art and have likely already priced items fairly. Related, but in general don't make negative or jokey comments about someone's merchandise in front of them. Or at all, honestly.

3️⃣ Don't try to haggle or ask for bulk discounts. Conventions are not farmers' markets or retail stores.

4️⃣ Please try not to take up too much of the exhibitors' time by chatting. It can be really exciting to meet a creator, and a lot of traders are really friendly and enjoy talking to customers, but please remember that this is also a workplace for traders and they need to sell. If an exhibitor excuses themself because there are other customers waiting, this is usually a good point to thank them for their time and say goodbye so they can continue working.

5️⃣ Try to avoid placing anything on the exhibitors' tables, including bags but especially drinks and food. This can at best mess up a display and at worst ruin merchandise, putting exhibitors out of pocket.

6️⃣ If you are waiting to look at one table in particular, be courteous of neighbouring tables. Do not stand in front of other tables because you are queueing or just standing chatting with friends, as you are likely blocking other potential customers from seeing that table.

7️⃣ An extra point raised by @pppondi - feel free to ask to have a look through books and comics, but don't read the entire thing then put it back. That's why they're on sale, so you can read them!

☀️ I really do hope this helps someone! Some of these guidelines might not be obvious but it makes for a better con experience for both you and the exhibitors; traders are less stressed and you get to interact with happier creators. If you have more suggested guidelines for people who are starting to attend cons please feel free to share, but also remember that a lot of shy, anxious, and neurodivergent folk attend cons. I'm trying to be constructive, not just list "weird" behaviour.

#not art #genuinely the majority of exhibitors will know that you dont mean harm by doing any of these things #and usually it is due to excitement or not being aware of what is considered impolite #so dont feel guilty or worried over any of this #it's just good to keep in mind!

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tamberella · 3 months

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Congratulations on your author debut, I'm so excited for your book!! 😇💕

Would you consider talking about the whole process of becoming a book illustrator /children's book author?

Thank you so much, I really appreciate it!! And I'd be happy to share the process!

It all started for me with my 3dTotal artbook. 3dTotal is a small publisher in the UK, and they mainly focus on collections of artists' work. They use Kickstarter to fund each book, and my agent (the amazing Seth Fishman at Gernert) discovered me through the Kickstarter for my artbook Windows to Worlds!

He asked if I had any interest in working on graphic novels or picture books, and I had already been thinking about picture books! He found me my first picture book project with Penguin Workshop, Mother of Sharks, written by the awesome Melissa Cristina Márquez, which came out last year!

While I was working on Mother of Sharks, I was also talking with him about developing The Bakery Dragon, based of course on this painting, which was (and is) one of my proudest artistic moments.

For a little background on the painting, I painted it right after a really challenging couple of months medically - I was dealing with medical complications from my chronic illness for about 6 months, and I wasn't able to finish a single painting the whole time, I was just too exhausted from hospital visits and being in pain. That painting was the first piece I was able to actually complete (both emotionally and literally) in about half a year. So it always held a really special place in my heart, and I really wanted to keep living in that little world. I think there's something in it that is very special to me, about being outside in the cold, seeing warmth and love through a glass barrier, and wanting desperately to reach it.

With Seth's guidance, over a couple months, I developed a pitch for it. The script developed slowly alongside the designs for characters, locations, etc.

(Early version of Ember above! He has changed a bit!)

I thought I had already read a lot of picture books, I've always loved them, but I read hundreds and hundreds during this process. There is something uniquely fun and challenging about telling a complete narrative in 48 pages (which is already a long picture book, many are 32!) My book also pulls some elements from comics, such as speech bubbles, which I found to be incredible assets for humor and character development.

My pitch included designs, some early example spreads, and a rough script with story beats and jokes! My agent took it out into the world, and the publisher we ended up going forward with was Knopf, an imprint of Penguin Random House! I absolutely love the Knopf team and the beautiful books they put out! My editor, Katherine Harrison, really understood what I wanted to accomplish and has been so incredibly helpful in her guidance!

And from there... through rewrites, dialog adjustments, and lots and lots of drawings, it became a book! I'm happy to answer questions about the process! I'll leave you guys with a little preview from the interior of the book! (And of course you can pre-order it here, gotta learn the author skill of always including that link haha!)

#ask #book making process #author process

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comicaurora · 5 months

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Hi! I finally got the chance to read Aurora a bit ago. It's a wonderful story--all I was expecting and better! I was particularly amazed and delighted by the artwork and visual mechanics used to tell the story, so I wrote a post to yell about how cool it is and break some of it down. (No criticism, just praise.) I'm mostly a hobbyist, so I'm hoping I've done it justice.

That said: zero pressure to read it or respond to this ask. Normally I wouldn't send it since I tagged, but I know Tumblr's notifs are a mess and things get lost very easily. I've been in both the "one (1) word of praise will feed me for a year" and the "oh gods don't talk about my writing/art because anything that seems Off will break my brain" modes before, and I absolutely don't want to push or make you uncomfortable!

If you are comfortable, however, I wanted to ask about your use of what I'm assuming are Screen and blending modes in sound effect words. (I'm only guessing that's the technique, though, so I could be totally wrong about how it's done! I'm mostly experienced in image manipulation in Photoshop.) Making them semi-transparent over the actions is genius :) What inspired you to do that, and are there specific techniques you use to make it work?

Same questions go for using specific colors to distinguish different characters' words and actions. I really noticed it in the cave sequence with Falst and Dainix, since their colors are so vivid in the dark (ex. Falst's little swats and Dainix's swooping kick at 1.20.9). It lends excellent clarity to busy scenes.

Thanks! Have a lovely day, enjoy your break, and happy holidays <3

You're correct about the technique! "Screen" is the blend mode I use most often for sound effects. I stumbled on it mostly through trial and error - I love how sound effects add depth to a comic panel, but it's very easy for them to obscure the art in a way I find counterproductive, so "Screen" lets me put the sound effect directly over the origin of the sound while still letting it be visible through the word. Early chapters didn't have it as much-

Most of the sound effects in early chapters are just solid colors with reduced opacity if I'm feeling fancy. But I started figuring it out around chapter 8 and 9, because Falst is kind of a sound-effect-heavy guy, especially in his fight scenes.

In order to make sure they don't impede the visibility of the action, I'll often soft-erase the top or bottom half of the SFX to reduce its opacity while still leaving it readable.

I'll usually double that up with an outline on the SFX so it's still readable. This is an especially important consideration if the SFX goes over an area of the background that's very bright or glowing.

Color-coding the speed lines and SFX to the character or force causing them isn't a hard and fast rule, but I like using it (in part because it's a habit from the OSP illustrations, where every character has a single pop of color in their lineart) mostly because it sort of codes every sound to make it clear where it's emanating from, or the general feeling of the sound. Since I normally do character-colors for SFX, something like this stands out more jarringly-

Which it's supposed to, but a big lightning strike doesn't register as anything too worrying because it's just Tess up to her usual shenanigans.

It's also very useful for magic effects, because each form of magic has its own associated palette.

And when I had a very complicated fight scene in a dark environment, I used the texture pattern I'd already made for the monster to color its SFX, so when I Screened them onto the panels they didn't obscure too much while still communicating "this is something else."

Changing the weight, lined-vs-not-lined, and opacity of the SFX words also helps to communicate that not every sound has the same feeling. A strong motion is solid and aggressive, but a crackling, unstable sound is more ephemeral and staticky.

It's definitely been a process of learning as I go - looking back at the earlier chapters I can actually see when I first tried various tricks I now use regularly, like doubling and distorting an SFX to produce the effect of a camera-shaking impact. I haven't really seen any other comics that do it like I do, probably because most other comics follow a more traditional production pipeline where text bubbles and sound effects get locked into the composition early, before the inking stage, because traditional physical comics don't have digital-art layers to play with. Adding sound effects to a page is almost the last thing I do before exporting them, and that only works because digital art and layers allow for a ton of flexibility.

#asks #aurora #art stuff

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somerandomdudelmao · 1 year

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ok wait hold up can we actually just like talk for a second about Donnie's behavior in these last few pages??

Before he found out about the infection, Donnie was still very nonchalant about a lot of situations, but he always had a sense of care and compassion for certain things, like for example, his family and friends. He used a lot of sarcasm and was overall just the snarky autistic tech dude who had more love than he could even imagine giving. He had a relentless grip on his bad-boy image, was stubborn as all hell, but was a well-rounded, lovely guy!

And then the realization hit that he was going to die sooner than expected. Then...

Poof!

Now he's just a shell (Hahaahahahahaha) of who he used to be. Now all he has for himself is a bunch of self-deprecating jokes, responsibilities to pass on to others, and a lack of hope that is just so incredibly unlike him. He still has the sarcasm, sure, but this time it's a lot more dry and emotionless. There's no brevity or lightheartedness to his words anymore, it's all just a monotone mess of half-assed goodbyes and thrown out dreams for the future. Any method of survival has seemingly been lost to time for Donnie, so now he's just kinda... Accepting the fact he's gonna die soon, which only leaves him with his own decaying body and a voice he doesn't even want anymore. And judging by the way he just ignores or shrugs aside everyone's concern, it's all basically just him saying, "Welp, guess I'll die. Here's my shit, no will required."

Also another thing I noticed is that Donnie is basically not allowed to really do anything anymore because he's at risk of dying sooner than he already thinks he will. If he gets more rest and works less, his death come significantly slower.

Meaning he must feel incredibly useless right now.

I think I've also pinpointed the time when this all started happening to Donnie btw. It's a very small moment and I don't have the screenshot on me rn but I think it was in the robo-Raph comic, specifically the moment when Donnie was zooming over to Casey and went "Past" that Kraang alien dude on the way. I imagine he didn't really go past and instead went through, because u know, he's Donatello. If given the chance to commit murder, he will commit, and he very much had the chance right there. I think he went through that Kraang alien, (Very plausible given how fast he was going like jesus- ) got its blood inside a cut or something, and it infected him via his veins or something. Kind of a stretch to assume this since it literally could've been something that took place before the time of this comic series, but this was the earliest instance of foreshadowing/possible infection that I can think of.

I also want to apologize for making all those jokes about like taking you to court and throwing you in jail and stuff because maybe they came off as mean or rude at some points. And for constantly flooding your inbox lol-

Thanks for existing and for making this comic, and congrats on beating the deadline at work! I think you deserve a cookie for that! *Gives a million more cookies* oh yeah and those are for you being you

Oh my fuckiNG GoD...

I don't even know what to say to that

I guess I just want everyone else to be able to read it too because..oh shit...oh wow.

#I'm impressed #like #genuinely #don't worry i like being in jail lmao #so many people already thrown me there #this is my home now

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thankskenpenders · 8 months

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And now for something new

So, here's something I was never planning on doing, but I just couldn't shake the idea... Thanks Ken Penders is gaining a sister blog featuring an entirely different comic franchise!

Introducing... Thanks Steve Ditko, a blog where I read the Earth-616 Spider-Man comics, starting all the way back in the '60s! It's gonna be much more casual and less thorough than how I run things here on TKP, though, which I'll explain in a sec.

If seeing me post weird bits from old Spider-Man comics sounds fun and you need no further info, then just head right on over to Thanks Steve Ditko. But for longtime TKP readers, I know you probably have questions...

Number one: Why?

Spider-Man's always been my favorite superhero, and with the Spider-Verse movies kicking ass and my excitement building for the new Insomniac game, I've been in a Spidey mood. Inevitably, a thought occurred to me: Maybe I should actually read the comics that everything else is built off of and see the wildly varying contributions of all the original creators, rather than filtering them through big budget adaptations. If I can power through One Piece and all these other manga with hundreds of chapters, it can't be that hard... right?

And, well, after a few issues I quickly realized that my options were to either clog up my other accounts with random Spider-Man panels for years, or to just make a side blog. And so the side blog was born.

Two: Will this blog replace Thanks Ken Penders?

NO!!!!!!!!!

Okay but prove it

To allow the two to exist side-by-side, Thanks Steve Ditko will have a different format than what Thanks Ken Penders developed. Rather than an in-depth guided tour that critically analyzes every story beat of every issue, TSD will just be a place for amusing panels and brief thoughts as I casually read the comics at my own pace.

If you've seen me make a few tweets about reading Spider-Man recently, I'm basically just moving that to a dedicated Tumblr. It's a place for me to dump these things so that it doesn't fill up my media tab on Twitter for the next decade. (You know, assuming Twitter is still around in a decade.) There will be many issues where I only post two panels that I thought were funny. There will be issues where I don't have anything to say at all. Maybe I'll reach a run that I just cannot get into, and I start skipping around more. Who knows!

This may sound similar to what I thought this blog would be before it blew up. Aside from the simple fact that there's already mountains of Spider-Man commentary out there and therefore less of a void for me to fill, one of the main steps I'll be taking to avoid repeating the past is not enabling an ask box on TSD. I do not need people to ask me to go into ten times more detail on everything. I do not need to write seven essay-length responses to questions about Spider-Man minutiae every day. I do not need a place for people to chide me for not covering certain scenes, issues, or ancillary series.

It also won't have any kind of update schedule. I'm trying to keep it very casual. I'm reading these comics at my own pace, and if I feel like sharing a moment or commenting on something while doing so? It goes there. That's it.

(On the subject of format changes, I'm also listing the issue, writer, and penciller in the body of every post. This is a thing I wish I'd done on TKP so that people didn't misattribute every weird Archie Sonic panel I post to Penders.)

Three: So when will TKP come back from hiatus? You said it'd come back after you finished SLARPG!

I don't know! Sorry. I have a couple things on the backburner right now for TKP, but I'm not sure when I'll get back to proper updates where I read more comics.

I wanted to bring TKP back this year, and that's still possible. The main hurdle is that I want to reread my own archive (again) as a refresher, which is, uh. A lot of posts. I've developed a high standard for myself on here, and I feel like I wouldn't be doing my job right if I forgot half the ongoing subplots and character arcs and didn't bring them up in my analysis. Especially when I'm discussing the work of an author as obsessed with continuity as Ian Flynn. Unfortunately, the nature of this blog means that every time I go on another long hiatus for Life Reasons I have even more comic continuity to catch up on than last time.

(This is a big part of why I'm making Thanks Steve Ditko an extremely casual blog instead of promising to become a Lore Expert on 60+ years of Marvel.)

Mostly I've just been very burnt out this year after having finally finished a video game that took almost eight years to make. I haven't really had the energy for any creative projects, including TKP. But I feel a little bit of a spark here with Spider-Man, so I'm chasing that feeling to try to get back into the swing of blogging about comics - no pun intended.

So, basically, bear with me on this as I start this low-energy side project. But hopefully folks will enjoy Thanks Steve Ditko as its own thing, too.

Look forward to goofy shit like this

#tkp post

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factual-fantasy · 1 month

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18 Asks! Thank you!! :}} 🎪

@pink088

Guuuuurl does it look like I missed the boops? XDD

(I DID miss the super boops and revenge boops tho. I was trashed on the couch and stuck on mobile all day so I wasn't able to send any back to anyone💔💔)

Uhhhmm... oh jeez lemme try to remember-- I'm assuming you mean the order I got everyone in the game..?? Cuz other than the goofy little comics I've been drawing there isn't much of a story beyond that-

Uhhh so I started with Midori(Sprigatito) obviously, thennn... I think I caught Grim(Gastly).. then I caught Gloria(Ralts). Thenn..... arrhrhhgh I thiiiink I went looking for eevees, but I found Anastasia(Shiny Kricketot) in the process and kept her. Then I picked one of the eevees I caught at random and kept him. Then lastly I found a Mareep(Bonnie) by surprise and kept her.

My memory is very poor but I thiiink that's mostly accurate <XDD If I misunderstood your question don't be afraid to send another ask! 😅

@pbjfox37147878

Sorry, I don't take requests.. But hey! You already got a solid concept going and some artistic talent, you can always make it yourself for free! :0

Not really.. I've had a surprising number of uncomfortable experiences with the fandom recently so I've decided to take a step back from Octonauts for a while..

@psype

:DD Thank you! I'm glad you like them! :}}

And yeah that's how I pictured her XDD its becuase I use her the most out of all my Pokémon-

Now she's not bossy and doesn't have a leader or "I'm better that you guys" complex, none of that! She's just very intelligent and usually very level headed and calm. I can imagine that she's gotten the team safely through a lot of complicated situations and her plans/advice have rarely led the group astray.

Plus since I use her so often, I like to think that she's one of the most powerful Pokémon on the team. If not the most powerful. So whenever the group was met with a great danger, Gloria was probably the one to rescue them <XD

So the whole group kind'a gravitates behind her and lets/wants her to take the lead most of the time. Especially when things get complicated or dangerous!

@nerdyskullcap (User in ask)

I took a peek at their blog, but I couldn't find any original art of the Conductor after quite a while of scrolling through that tag.. I only found reblogs of other peoples Conductor comics.. <:(

XD That description of Gloria is very fitting! I use her the most out of all my Pokémon and she rarely loses! XDD

This was a cool read, and hey! Some of my Pokémon have some of those attacks! :000 Gloria has draining kiss and Bonnie has discharge! :D

@cat7890

I'd like to think they've never fought before.. maybe some little bickering on a bad day, but never anything serious.

They have good communication and just generally get along really well and like a lot of the same things. So there's rarely conflict between them! :0

Thank you! I'm happy to hear that you like my artwork! :}}

As for your question.. I'm afraid I don't understand/cant explain it--

Lets say I wanna draw Mario. I imagine what the drawing might end up looking like in my head, what pose I'll draw him in and what colors I'll use.. And then I just.. draw it. It might not look exactly like what I pictured but its probably close enough.

If that doesn't answer your question, I'm afraid I either don't understand your question or this is just an art thing that I don't know how to explain. <:( Sorry, feel free to send another ask with more specifics if you have them!

@sleep-deprived-fr3ak

If Bill ever became a lawyer? All hope is lost XDD

@raven-bearden-the-interviewer42

I haven't really thought about the details of the crews travels and adventures.. but I'm sure that when Louis got cursed and became a crab monster? That was probably pretty memorable XD

Probably this one honestly <XD I cant think of anything more cursed off the top of my head-

@fawncr33k

I suppose that would be fine, but I wouldn't prefer it. As I've said many times,, just comments guys! Asks, reblogs, tags, how ever you type them. I just want comments.👍

@neo-metalscottic

No problem! Getting asks are usually a pick me up :}}

As for the Dry Bones thing, that's what I meant by "not sure how it fits into the AU yet" 😅 Who'd they fight? Why did they fight? When did this happen? No idea. Its all just a neat concept with no structure yet :// And beyond the awkward living situation with the Dry Bones today, I haven't really thought about how the Koopa culture has been changed by the war. That's just way too much thinking and I'm way too sick to bother trying to figure it out atm- 💀💔 But maybe someday I'll think it through!

Now Luigi, I had this idea that he had a bizarre encounter with a 1-UP and was later bitten by a Goomba. Over the span of say... 5 days or so..? Luigi slowly got weaker and weaker until eventually he became bedridden and actually died- He came back to life moments after but it still completely shook Mario and Luigi's worlds for a sec there-

I had intended to draw a comic about this, and I made a sketch about it in the past.. but around the time I thought of this idea my Mario phase was kind'a passing over so I didn't feel like making it- <XDD

As for a potential sequel, I would like to see Wario, Waluigi and Toadsworth. Not sure why Toadsworth wasn't in the first movie- he absolutely should have been. That deep voiced purple..? council..? toad guy?? Totally should have been Toadsworth :/

And my request for the Wario bros is that they are taken seriously. 😅🤣

@cherrycreamfairy

I'm doing okay so far today, thank you! :}

@littlelightfish

I haven't really figured out the details about how Tuna and Louis lost their limbs- 😅

But I'm considering that Louis lost his arm (I assume you meant his arm-) in some kind of work related accident a long time ago. It must have been a fishing accident somehow..

As for Tuna, either some kind of natural disaster/accident or.. someone "removed" them... O-O

I do not :/ I'm not even sure what homestuck is.. I thiiink its a webcomic-

@nemo-draco

Oooo! :00 It looks cool! :DD

And thank you, I'm hoping I get over this soon too 😅

#my response #cookie run #cookie run kingdom #cookie run ocs #my ocs #super mario bros #mario movie #pokemon scarlet and violet

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squids-comics · 6 months

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So, I've been thinking about Spider-Punk a lot (as I normally do) and noticed a fun little detail that made me appreciate the punk side of the Marvel universe a lot more.

Remember in Edge of Spider-Geddon #1 when Kang the Conglomerate came to Earth to kidnap Hobie so he could turn him into a highly marketable punk poser?

This is a pretty clear reflection on how Marvel may treat Hobie in the future. Marvel's a company looking for profit, not societal change. Over time, Hobie will have his rough edges smoothed out to make him more marketable. And we can already see this in action! Edge of Spider-Verse #1 opened with Hobie beating a nazi (Thunderstrike) with a baseball bat.

(I cropped out the nazi and the dialogue about the nazi before I posted this. Thanks past me. I'm sticking with this though cause I'm too lazy to grab a different pic. Go read the comic yourself! It's great!)

Contrast that to his own series where he's all happy and bubbly with his Spider-Band, going on a road trip in his Spider-Van.

As much fun as I had reading Hobie's series, it does significantly round his edges and soften him up. Edge #1 made a point of Hobie's hatred of the name Spider-Punk. He thought it was demeaning, and wanted to be called Spider-Man like the rest of the Spider-Verse. This point is completely dropped in his series (titled Spider-Punk), where people call him Spider-Punk and he offers no resistance.

While these apparent changes are a little disheartening to see, it has made me appreciate Edge of Spider-Verse #1 a good deal more. The writers saw what was coming, and warned us. Which brings us to the point of this post. They weren't just warning us about Hobie, he was just the most obvious.

Edge #1 also introduced us to Hobie's good friend and partner in punk, Captain Anarchy.

Apart from being a variant of Captain America who's name keeps the same initials, Captain Anarchy is also the name of a song by the punk band Anti-Flag. The song is about someone who is punk in name alone, who has the aesthetic of a punk without the heart behind it, a punk poser. In case you don't want to listen to the song (which you should, it's good) here's the chorus to give you the gist.

Whether intentional or by accident, the allusion to this song is a genius choice that warns us this entire punk branch of of the Marvel Universe could very easily be punk in looks alone if given the wrong writer. It's a very neat detail that I just found out today, and one I thought I'd share with you guys! Thanks for reading!!

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gojoshooter · 1 year

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Hi!! Thanks sm for your response! I'm glad you take requests since I'm such a fan of your work!

I was thinking about a scenario wherein Gojo Satoru always had the impression that reader hated his guts because they always bicker even at the pettiest of things. But one day, Satoru overhears reader gushing about having a crush on him (reader could be talking to Geto/Shoko/both etc) and they keep rambling about how much they like him and all. Meanwhile, Satoru's just 🧍‍♂️leaning by the doorframe with the biggest smug grin on his face (he actually secretly likes reader back). How it ends is entirely up to you if you'd take this request hehe

Just basically lots of fluff and the occasional comedy lol thanks so much for listening to my rambling (I just love him sm)

hi, thank you for the praise robynn! ’m so glad to know my works interest you, luv u & here's your req hc <3

Deer caught in Headlights : Gojo

Pairing : frenemy!gojo x highschool!y/n

A/N : here's another set of hcs about gojo bullying you like the jerk he is. ps. i tried to be serious

WARNINGS : gojo is a tease, but so are you

“i don't like him like that. absolutely fucking not, what the hell?” you whisper, mouth stuffed with icecream in the comfy bed of Shoko's room as Geto copied her bored expression—sitting & listening to your endless rambles on why you're not attracted to Satoru like that

seriously, they've lost the count of reasons why you gradually became a Satoru simp but oh have you

“goddammit! i hate him, i hate him and his dumb voice and his stupid muscles and his awfully attractive face! it's all on my desserts he ate to look li-... Geto, are you sleeping?”

you stop your very important discourse to give the best friend of your enemy & your thought dump a pointed look

“no, please keep talking. i only yawn when i'm super fascinated”

says him, that talk-back king of a bitch you're sure he got that from is best friend

he lies down the bed with a soft huff and if he notices Satoru’s tall presence by the door, he does nothing—nothing but a hint of evil amusement making his lips curve into a subtle smile to the thought of your pathetically obvious crush being exposed

he does nothing to stop you who's back faced the door, nothing when his best friend approached slowly with his hands inside his sweatpants as your embarrassing tirade continued

“-and Shoko, trust me. I'd have let him known about his ridiculous eyes that i dreamt last night if he wasn't such a jerk like h-”

“...what about my eyes?”

you flinch... no, no no no, fuck. even Shoko burst out at your comical whip of the head

with a stifling laugh that she tried to fight so hard, Shoko gets out along with Geto who may have wanted to stay just to watch the drama commence

“um-” you almost landed face first trying to drag your panicked little self out of bed as the slanting white brows raised at you amusingly

“mhm, and you hate these stupid muscles” “no! i mean- yes, n-”

“y/n, i expected more”

god fucking damn, what was his cursed technique? to flatter people? you pulled a passive-aggressive face in defence of your shattering pride, and begin “h-how long have you been standing there?”

Gojo answered your question with the teasing smile on his face, and he chuckled before asking with a tilt of his head to watch your reaction “correct me if i've been reading this all wrong but.... you like me”

your figure shrinks at the claim and that definitely satisfied Gojo, his breathy hum confirming it further

“mm?” he hums slowly, as if coaxing a child to admit their wrong doings “cat got your tongue y/n?” just say it, say it, say it. you breath in.

“i like you” “say that again” “...i like you”

you know he would not let you live that down even if you were to end up having kids—but fuck that, you thought, the cat's out of the bag anyway.

“dunno i had such a weird taste in men but i just really enjoy spending my time with you and you've really become someone special to me and-”

“don't even tell me, i already know. i just needed to get that out.” he knows he shouldn't be mean, not when he feels the same about you, but can he help his obsession with your flustered red mess of a face?

you know he's trying too hard to tease you. cruel fucking bastard. “wait until i kill you”

“yeah?~ what're you trying here? to make this seem like a lovers' quarrel?” he chuckles, prolly wants to redden your puffy cheeks a little more before giving in.

“i'll punch that smirk off your face, Satoru!” “try me, i dont need to try getting you on your knees before me”

“oh, do you think of that image a lot?” you say lifting an eyebrow, perfect chance to make him taste his own medicine.

oh. Gojo blushed.

“w-well, what i think is... maybe our feelings are mutual” says after clearing his throat as he slowly regains his composure. “i have this weird feeling when i'm with you, can't explain it, but it's a good feeling...”

your usual instinct of fighting began to fade at his words as both of you stood in middle of the room in an awkward state, trying to fight the urge to smile

“hah, can't believe i never noticed it before, but you're kinda hot when you're angry. maybe that's why i loved pissing you off”

yes, that's when Gojo managed to break your last straw and make you blush at the same time “well then, take this!” his infinity stopped your little punch

“meanie!” he chuckles again, holding your fist softly

“okay little baby, no sulking. if a punch makes you feel better you can punch me. lightly.” he said in his silvery voice as he turned his infinity off, kissing you nice and soft...

(you ignored his last word)

A/N : i hope people this is one ^-^ i personally enjoyed this heheskks likes & reblogs are appreciated! ♡

Tags : @robynnnhooddd @nanamikentoseyebags @luckimoon @dazailover1900 @jspenft @tamakin7 @daquila @jkhlhjkjkjhkl @horrendous-introvert

#highschool gojo x y/n #highschool gojo #gojo is a tease #gojo satoru #gojo headcanons #gojou satoru x reader #satoru gojo #gojou satoru x y/n #jjk headcanons #gojo fluff #gojo hcs #gojo satoru x reader #gojo #gojo x reader #gojo x female reader #spoiler free headcanons #gojou satoru x you #jjk fluff #jjk 221

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vickychendraws · 22 days

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Hello! Hello! Question: I’m trying to get into comic making and I already have a few. But I’m trying to get a frame of reference. What’s your planning process for your little comics that you make (like the falin/marcelle ones. Not quite mini comics, but also not full fledged comics that I’d be able to bind into a book) I love them very much 💕

hi!

omg, first of all, thank you so much!! and that sounds like a lot of fun!! i'd love to read your comics when you're done :D low key, i feel wildly unqualified to be consulted about comic making LOL. i kinda stumbled my way into them, but now that i'm actively going into it with comics in mind, i... kinda have a process?

i sorta just work out a scenario in my head and start scribbling. For whatever reason, the ideas and dialogue come out better when i start seeing the characters and the scene (even if it's super loose). During this phase, i make whatever notes i need, write out options for dialogue, adjust the layout (i'm not a very clean line drawer, so that makes things easy to move around; but also, the lasso tool is a dear, dear friend), and just let myself get the idea out in a really rough form. From there, i tighten things up, rearrange a bit more, edit, and then i just do a cleaner line drawing and add color :) Sorry if that was a really long response! But hope that helps! (i've included a couple of my first sketches to give you a better idea of how messy things start out)

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infohazardouz · 9 months

Text

DEMON AU UPDATE: everything's dead (somewhat of a vent)

not to alarm you, just to grab your attention

some readers might've noticed that i've brought up problems with my laptop before- unfortunately, the ol' thing totally kicked the bucket yesterday and is now completely beyond repairing.

Unfortunately, it died unexpectedly and I don't have a backup of my stuff for about a years worth. This of course includes the entirety of the demon au, my pages that were in progress, and every other thing I had planned for tumblr.

I'm already working from a new laptop- it was mandatory to buy one for college, so I guess things worked out in that regard- but honestly I've been really depressed about exactly how much I lost. A year and a half isn't a lot of time until it's as though it's never happened.

I keep realizing small things that are now gone forever- custom brushes I relied on, my own fonts, tons and tons of memories. I'm honestly feeling really blindsided by the whole thing. To make matters worse, things are looking dire in the way of online recovery- I lost my Firefox account and all the data that was stored on there, and I'm 70 bucks out on the battery replacement that killed the laptop in the first place on top of the 2k the new laptop cost. I'm in a really dire position right now, and it's really hard for me to look at the positives although I'm really trying my best. So I just wanted to announce that until I can get my bearings, I'm gonna have to put the demon au on a short/indefinite hiatus.

I'm sorry folks, but it gets worse. I really, really hate to do this, but I'm not doing well financially as a result of all this, and if i have any hope of recovering any of my data it's by taking the HDD off my old laptop and putting it into an adapter to hopefully move things to my new system. I'm trying to save up for this $20 adapter right now <-

If you're able, I would appreciate from the bottom of my heart if you could drop a few bucks into my ko-fi here:

I've made a goal for the 20 necessary for the adapter, so you know when I've reached the amount.

I hate the idea of asking people to donate to strangers over the internet, so I will draw a doodle of your choice for any donation amount of any value if you are able to donate. Otherwise, I completely understand, and I appreciate you so much for reading this far!

UPDATE: @himboextraordinaire did an absolutely incredible thing and just donated the entire 20 I needed to order the adapter. I'm incredibly overcome with emotion over this, and I'll be removing the link to my ko-fi just to make sure no one donates by accident.

Thank you so, so much. It means the world to me what you just did for me <33

Again, I'm really really sorry, everyone. I didn't mean to let anyone down, and I really do want to get back to this comic whenever I am able- and I feel really bad about asking for donations on top of things, but I honestly don't know what else to do. I hope you guys understand, appreciate you all very much always <333

#welcome home demon au #important #meta #vent #demon wally darling

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thefangirlfever · 3 months

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I needed to make a post about this because...well, the title says everything.

First of all I would like to say that I'm feeling a bit anxious sharing my thoughts about this. I don't know if I'm the most qualified to talk about this but it has been bugging me.

I know a lot of people have already discussed the way Miguel, a POC and a latino man out of all people, has been oversexualized to a point that it feels fetishy and a bit concerning sometimes. I think we can all acknowledge this and that already gives us a lot to think about.

But what I think is really interesting is that not only is Miguel an intentional thirst-trap, he is a thirst-trap created mainly by a team of male producers/ writers. From what I read, the people in charge of his character design were men (I want to say that I am by no mean attacking anyone who worked on this movie. They did an amazing job and I am just sharing my thoughts, not saying they are bad people for this choise or anything. Thank you).

And I find this very telling. Because when I first saw this headline, I thought "Oh finally, women have been given the chance to freely thirst over a male character the same way men do." And I think it was a big mistake from me to think this way. (First of all, there are also men and non-binary simping over him). Because, let's be real for one second there, do we really want to thirst over characters the way men do? I have been an anime fan for years and let me tell you, the way a lot of men/ fanboys view female characters is simply gross (I know, I know, not all men). It's also something I noticed in comics and video games. Like, have you seen the outrage when a video game studio wants to propose female characters who do not look like what some p*rn addicts imagines women are?

My point is that Miguel has been created not with the female gaze in mind, but with the male gaze (and it hurts to say this). That's what I got from reading the part of the interview. The emphasis on his butt, the overly masculine, muscular body... Miguel was created not by following what women like in men but by what men imagine that women like in men.

This is also something we can see a lot in various medias over the last years, especially in the romance genre. The way some "desirable" men are depicted do not fit what women seek in a partner but what men imagine women want (ofc every woman has different criteria when it comes to this). I think it's very blatant when you compare medias written by and for women like Shonda Rhimes's shows, Bridgerton, Outlander... and medias written by men. So, in the end, I think that Miguel has been created with that in mind "Let's make a big, tall, dark and broody, muscular matcho man. That's what the female public wants." (ofc it's never as simple as that but you get the idea).

So... does this mean that it's bad to simp/ thirst over this character? Surprisingly I'm going to say no and I even think that it's important that the women in this fandom keep making content around Miguel! Because when we write fanfictions, draw fanarts of him... we are now picturing him with a real female gaze and that's what brings even more complexity and depth to this character.

I have seen so many interpretations of this character since I joined this fandom and a lot of them were really cool/ beautiful, showing just how much people love this character. When you think about it, it's crazy that a character who only got 15 minutes of screen time can have such a strong effect on a fandom, meaning that he is more than just a thirst trap. I genuinely think that the content created by the fans gives this character his humanity back (because, yes, being sexualized to no end deshumanizes a person. Go argue with a wall, thank you very much). I've seen so many tender, soft but also funny depictions of him making him more than just some ass shots on the big screen. And even on the NSFW corner of the fandom, some people out there are really making him more than just this "feral beast" that we have been sold by giving him back his tenderness, his sensuality...

So, yeah, take this headline with care and think what you want of it. Those were just my thoughts. Feel free to disagree, tell me if I got something wrong or just leave your thoughts under this post because I'm genuinely curious of seeing other fan's opinions. I apologize for the mess of this take.

And now I'm going back to sleep.

#miguel o'hara #atsv miguel #spiderman 2099 #across the spiderverse #atsv #spiderverse #we need to talk about this #gender critical #female gaze #male gaze #look at me not writing my college essays but writing this

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royboyfanpage · 2 months

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Hello, please don't take this the wrong way but when I first started getting into comics I really disliked Ollie for how he treated/reacted to Roy and the whole drug thing but many years and more experience later (I know the characters a bit better now and stopped reading bad takes on tumblr) I'm realising that theres a lot more nuance and apparently they've got a really close relationship these days?? So I was just wondering if you might be able to explain that to me because I'd love to get into more arrow stuff (honestly mostly fanficton because lbr comics are crazy confusing and expensive) but I'm struggling to shake the assumptions I made about Ollies character when I was younger

Hi anon! Thank you soooo much for this ask, I've been looking forward to answering it for hours and now I finally have the time. Ollie's one of my favourite fictional archers, and I adore talking about him at any opportunity because he is SUCH a nuanced character. So here's-

Why Oliver Queen Doesn't Suck

Mandatory disclaimer that this is my own opinions, other people may have different interpretations which is totally fine! Ollie's been around for over 80 years, there's a lot of content to read and a lot of conflicting characterisations, so other people may see him differently than me. Also disclaimer that much of this was written from memory. I fact-checked the date of Nixon's declaration of the War on Drugs and the Denny O'Neil quote, but the rest of this was from memory. Apologies for any innaccuracies, both for comics and context.

Now that that's out of the way, lets talk Snowbirds.

In order to discuss Snowbirds Don't Fly, one of the most important things to factor in is context. I understand it can be difficult to see through the historical lense of a time period in which the majority of people on this website, myself included, were not even born let alone reading comic books. However, it's still crucially vital to discuss what was going on in the real world at the time of its publication in order to engage in a rich discussion of the comic. Snowbirds was published the year that the War on Drugs officially began following Nixon's declaration of drugs as "public enemy number one" on June 17th 1971, just under two months before the release of Snowbirds part 1 in August of that year. At the time, drug addiction was very much seen as a moral failing, and the war on drugs focused heavily on the incarceration of drug users (particularly ones that the US Government wanted an excuse to lock away such as people of colour and pacifists against the war in Vietnam, but that's not relevant to Snowbirds.) While Snowbirds was absolutely not a perfect comic, it was created to show a more humanising side of addicts than the usual demonisation seen on the news. In the words of writer Denny O'Neil, “we chose Roy [...] to show that addiction was not limited to 'bad' or 'misguided' kids.” It was created to show that addiction was not a moral failing, and that anyone could fall into it due to circumstances, even someone we've already accepted as 'one of the good guys' for the past 30 years. Roy was used as the symbol of a good kid who made a bad mistake in order to humanise real young people who'd gone through similar circumstances. And where there's a kid, there's a parent, which is where Ollie came in.

Now, I very strongly believe that Ollie was not written to be the bad guy of Snowbirds. Not only was he also an established 'good guy', but he was a symbolic stand-in for much of America at that time, including the people who would be reading it. And, while Green Arrow is very much a character who brings with him a lot of strong political takes, villainising their readerbase would be a step too far. Ollie was a stand-in for the concerned and ill-informed parent, a character who's consumed all the anti-addict propaganda being spread at the time and internalised it. That's why the fact that it was his own ward struggling with addiction was so poignant to the story. Ollie was forced to re-evaluate his worldview after seeing someone who he knows isn't what the media says addicts are struggling with addiction. Snowbirds has such an interesting character arc for Ollie, seeing him struggle to combine the ideas of what he's heard and what he's actively seeing in his mind.

Now, the most infamous part of Snowbirds is, obviously, the slap. Full disclaimer, I am not saying that Ollie is in the right for that. He was 100% undeniably in the wrong for how he responded to Roy's addiction. However, I think a key component of comic books that people tend to ignore is the component of marketing. The writers wanted this comic to sell. It was a very important story for the time, and with the amount of comics being released it was crucial to them that people actually found the comic and read it, especially since it was one of the first comics released outside of the strict rules of the Comics Code. And what would catch readers' eyes more than seeing a superhero hitting his sidekick whilst said sidekick is surrounded by drugs? I'm not trying to discredit the panel, it was obviously a very significant part of the story, but there were external factors at play too.

A lot of the development of Roy and Ollie's relationship is seen in comics released post-Snowbirds, but even in the comic itself there's clear development, particularly at the end. Snowbirds Don't Fly is a character arc for Ollie of him adjusting his worldview in order to grow and better himself after recognising his own biases. And people tend to forget that Snowbirds ends with Roy hitting Ollie back, and what does Ollie do? He listens. He lets Roy get his frustrations out, and listens to Roy's perspective, and he's proud of him by the end of it, proud of the young man he is.

Okay, now that we've gotten Snowbirds out of the way, let's talk about-

Post-Snowbirds

There's a common misconception that Roy and Ollie having a close relationship is a recent development, which just isn't true. While it could've absolutely been explored in more detail, it's clear that Roy and Ollie reconciled post-Snowbirds. The earliest example that comes to mind is 1993's Green Arrow vol 2 #75, wherein Ollie and Roy refer to each other as father and son.

Keep in mind that this was written by Grell who is, at least in my opinion, one of the best references for Ollie. While they did have some issues in the later issues of the run preceding Ollie's death (the causes of the conflict I'm unsure of, they were on rocky terms during Connor's introduction but I don't know why, if anyone has context for that please let me know but that could've just been a choice Dixon made), it's clear to see that Snowbirds was not something that permenantly damaged their relationship. Ollie put in the effort following his actions, to better himself both as a father and as a person, and Roy recognised that and forgave him. Parent/child relationships are hard anyway, let alone under the circumstances Roy and Ollie are under as heroes, and the fact that Ollie actually recognised his own flaws is far more than many parents do.

If we go later, we can see Roy talking fondly about Ollie whilst Ollie was dead in Titans (1999), fondly recalling memories with him from his youth, as well as keeping a photograph of him on his wall.

While Roy does recognise that things with Ollie weren't always perfect, he does also acknowledge the good times between him and Ollie, and it's clear from the way he speaks that he holds a lot of love for him.

Later still, when Ollie returns from the dead, the duo reunite with fondness

One thing particularly that stands out to me is that, at this point, Ollie was missing many of his memories and Snowbirds was still fresh in his mind, with him bringing up Roy's addiction multiple times throughout Quiver as if it happened within at most the span of two years. Despite this, he still embraces Roy and treats him with love, making it clear that Ollie loved Roy even near to the Snowbirds era. There are more instances I could go into in Green Arrow (2001), but I'm running out of free time, so I'd highly recommend reading it :)

Aaaand later still, Ollie openly admits to having fucked up with Roy during Snowbirds.

He admits his failings, and demonstrates that he's got Roy's best interests at heart. He's not being selfish, he's letting Roy have his moment in his initiation as Red Arrow and staying in the background because he believes that's what's best for Roy. And-

He openly states that he loves Roy.

There's more in the current continuity I could reference, but I don't have the time to go through them right now and I'm definitely more familiar with content pre-52 (particularly 1994-2004 is the ten years I'd say I know the best), so hopefully this is enough.

Roy and Ollie's relationship isn't perfect. It has clear ups and downs, which is what makes them so interesting! Oliver Queen is a very loving, yet very flawed man, and to go either way of "evil abuser" or "perfect father" discredits who he is.

Anyway, your faves don't have to be unproblematic to love them. Ollie has a really compelling character arc during and after Snowbirds, and I like him a lot :)

For further reading, check out my masterlist on my pinned post, particularly Oliver Queen's B- Parenting, Snowbirds (1), and Snowbirds (2)

Edit: In the original version of this post, I incorrectly credited Mike Grell for the introduction of Ollie's socialism and giving away his money. While Grell did expand the concept, it was first developed by O'Neil. My apologies for the misinformation.

#tw drugs #roy harper #speedy #arsenal #red arrow #green arrow #oliver queen #snowbirds don't fly #thank you for the ask anon!!!#i will get to your second ask asap #fun fact the only panel i screenshotted specifically for this post was the quiver reunion #the rest were already in my gallery

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ponett · 1 year

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Hello, wanted to say thank you, I'm really glad I found your work and I find your insights very helpful.

I wanted to ask something strange, as someone who has gone out of their way to dedicate a very detailed blog to the works of an outspoken artist, can you give me advice how to maintain healthy distance with ideas and individuals I might outright oppose, but have morbid sense of curiosity about them? Or it it just better to not indulge at all?

It's a difficult balance to achieve, and I won't pretend I've always been perfect about it on TKP

The thing is that you have to not obsess over the person too much. You have to focus on their work, not detailing every single thing they've ever done or said to keep receipts on them. You do not, under any circumstances, want to turn into the freaks who make and watch hundred hour long "documentaries" on CWC and Sonichu, or the people who run the Bad Webcomics Wiki

The point is to do media criticism, not to make a callout blog. Details the artist has shared about their life may sometimes help inform your reading of the work - art isn't made in a vacuum, and artists' life experiences and worldviews often shape their art. But you don't need to pry too much and piece together their full life story and psychoanalyze them if that information isn't already available in an autobiography or whatever

On TKP, one of the most important things I do to try and keep that distance is simple: I don't follow Penders on Twitter. I don't need to know every single thing he says, nor do I need to report on it. I'll check in when I hear he's made some kind of announcement regarding his work, and when looking for behind the scenes info I'll sometimes term search on his Twitter because he's far more vocal about what happened behind the scenes than the rest of that creative team, but that's it. I'm not thinking about him every day. I also haven't gone in-depth on his non-Sonic work to help drive home the idea that TKP is a blog about the American Sonic comics with a quippy url, not a blog about shitting on Penders

(On that note: I don't interact with him directly, either. I do not need to dunk on him in his Twitter replies. I do not need to lure him into an interview where I totally own him. I am not sending him my criticism like he owes it to me to read it and improve his work. I leave the guy alone)

As the blog has gone on I've also tried much harder to be objective about him and his work. I'll admit that early on, before the blog blew up, I was eager to see what all the drama was about and why everybody hated the guy. But my goal isn't just to find excuses to hate on him, or to spread baseless gossip, and that shouldn't be the mindset you go in with. I've offered praise for some of his work where I thought it was deserved, and I frequently correct people on misunderstandings about him and the lawsuits, even defending him on certain points

This is an extremely basic and hopefully obvious element of good media criticism, but it should also be said that just because an artist depicts something doesn't necessarily mean they endorse it, and that your goal isn't to piece together the artist's beliefs based on their work and then call them out over it. It can go the other way around - you can analyze how an artist's stated beliefs and values are reflected in their work - but, like, Penders writing a story where Knuckles decides to forgive his shitty fascist uncle for no reason does not mean that Penders is a Nazi apologist. It's just a story.

Again: your main goal should be to criticize the work, not the artist

And, of course, a huge factor is simply how famous the creator in question is (and also if the creator is still alive). You wanna do a deep dive on the works of Steve Ditko and criticize his Randian objectivism? Go nuts, buddy! You wanna shit all over Lovecraft? Have at it! Wanna tear apart the neoliberal politics of Harry Potter? Well, okay, Shrieking Shack already did that one. But if the person you're thinking of doing a sprawling, in-depth teardown on is, like, a smalltime webcomic author? Some hobbyist indie dev? A fanfic writer? That sort of thing? Hell, even someone in the middle like a cartoon storyboarder, or a freelance writer who does articles for Kotaku sometimes? Maybe reconsider. Just because someone's online doesn't mean they're a Public Figure, and there's a line where a deep critical dive on someone's work quickly turns into painting a target on their back

(This ended up being more about Criticism than how to just engage with stuff you hate, but also you can just, like. Look away. And find something else spend your time thinking about.)

#bluebobo3 #ask

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