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#but other than that i don't think it's really necessary for anyone
moonsaver · 21 hours
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thoughts on sunday after 2.2? i remember playing through the quest and being FLABBERGASTED the whole time like my GOD he is not beating the yan! allegations after this one. literally so much about his philosophy and perspective on life, and everything seemed to align with that sort of mindset imo and it was just like LSKJDGLSKJDGLJSFJKD
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I wanted to answer both asks because i really want an opportunity to just go full blown in on sunday right now!!
Also, YESS i know right? I want to put him in a little glass jar enclosure and shake him around a bit. He's my creature dont touch him!!
Tw: yandere, manipulation, lovebombing(?)
Okay so one thing that I majorly believe in is Sunday was actually deeply lonely, and was much more prone to loneliness than Robin ever was, especially considering the fork in the road regarding their "paths" with Harmony vs Order. I feel that Robin was generally able to get along well with the adults like an amiable kid, but Sunday only ever got along with adults being looked at like "an old soul" and was let in on far more complicated and morally messed up stuff earlier than Robin, which could explain his tendency to never share about his own troubles (as Robin mentions).
And I feel like having been bottling up these feelings for so damn long, it's honestly messed with his head. And the slightest bit of resistance from anyone supposed to be under his control is met with overwhelming "disciplinary actions".
If yan!sunday ever manages to sit down and have a quiet, long talk with his darling, it's going to be quite possibly the most frustrating talk ever. He's not wrong, but he's not completely right either. Trying to disprove him is futile – he'll bolt down each and every argument against his ideals, and honestly starts trying to embed his own ideals into you bit by bit. Like water droplets on a weathered rock. He wears down his darling over time, and it's quite possibly over for you if he decides he wants to throw in the whole "triple faced soul" hypnotising debacle. You can't hide a single thing from this man.
Of course, I don't think he'll go that far unless it's absolutely necessary. Or he has, and you just don't realise it until you're stuck deep inside of a sweet little dream. However, I feel like even if you have the complete opposite views, he's still going to let you be for the most part. He doesn't want to transform his darling – frankly speaking, that's practically changing the very person who he loved in the first place. He holds a bit of sincerety in his heart, which he constantly condemns, but still keeps; a part of him does hope his darling comes around to his views, and at least learns to adjust to them instead of vehemently resisting. He still wants to be able to maintain some level of equity/equality in your "relationship" (as long as he still has more control, of course).
In the other route as mentioned in the second ask, if darling does have similar, but not same views, Sunday is a bit disappointed, although he does suppose it's not the worst..
He's most likely going to ask you about your views, and earnestly listen and make sense of it. Sits down and quietly, patiently listens to you as you try and explain your own views, why you think he's wrong, etc.. and for a moment, you think he's actually being.. kind of sweet. Which is promptly shaken off in the next phase –
He becomes the biggest ASSHOLE.
At first he's pleasant about it; gently persuading you to consider other ideas (his, basically). Sooner that persuading turns to thinly restrained coercion, until he's in a full-blown argument with you.
He starts out with each and every point of yours, whittles it down, breaks and crumbles it apart and hands it back to you with his own, perfectly polished views. He denies, manipulates or twists every little thing you said to his own benefit, speaking in that calm, factual voice of his with pityingly warm, golden eyes that frustrate you; this is the man that's bending every word of yours to his benefit, but at the same time he has so much loneliness and earnest in his eyes you don't know what to say, whether it'll be too harsh, or not. It's a weird game of manipulation and wordplay that eventually breaks you down into hot tears, which he so gently and lovingly wipes away after taking off his gloves. Burying your head into his neck and softly whispering comforting words into your ear; I know, darling, it's hard. I'm sure it's not easy to accept, I know, dear.
It's frustrating, but it's so.. comforting and loving that you almost don't want it to stop. His hand is lovingly petting your head or rubbing your back, his voice coos at you in comfort. If you didn't know any better – you'd think he was more akin to a siren than an angel.
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killerhybrid · 1 day
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Make sure you all have your sunglasses, it'll help in case Sun gets excited.
Sun: I'll try my best to keep calm!
Thank you Sun, here is Sun in his actual form. Much like Moon, he's very wyvern-like in design. His wings are longer though with no split ends. He relies on Soaring/Gliding flight, this means he doesn't flap a lot to stay in the air. This does come with a set back, he can't take off immediately like Moon does. He and other stars alike have to get a running start to get the wind speed up enough to create lift. With a powerful jump at the end to get them in the air. To stay in the air, he relies on vents of hot air that are produced in particular spots on land or sea. Much like vultures and other gliding birds do. This means he can stay in the air far longer than Moon as well as use less energy to do so.
He doesn't have any barbs but his body is covered in flames that he controls for the most part. This is usually seen emotion wise. That's why it's best for Sun to stay calm during this example. He can increase the heat of his body to that of an actual star, and get brighter as well. His body will always feel warm and his skin will be like poprocks. Sizzling with occasional pops here and there. You may see a small flame pop out from his head, wings or tail occasionally. Those would be solar flares and those are common. These are very hot and will catch things on fire, he must stay away from any area that's flammable.
He has spikes that rear upwards for defense but he can also breathe fire. This is incredibly effective as it leaves a lasting radiation poisoning on the victim or area. In fact, being in a certain radius of an angry star for a long period of time will leave you exposed to radiation. You will die slowly and painfully, that is why it's best to leave as soon as you see signs of this emotion. This alone is what makes stars so deadly. They don't even have to move to kill something. Many would consider it a blessing for a star to eat you rather than let you live to suffer the effects of radiation.
Sun: b-but I always do my best to keep calm and happy! Unless someone really...REALLY deserves it. Then I won't hesitate to do what is necessary for the benefit of others or myself.
Yeah, it's best to be careful around stars as they are far worse than a nuclear bomb. Some are friendly however! The best way that I've seen to earn one's trust is with food. Stars need to eat constantly to keep their energy up that they always burn. So feed, feed and feed, even if it's burnt. They can't really taste much as everything they consume is quickly incinerated. Liquids are rapidly evaporated, this means they also can't get drunk. Never enter a drinking contest with a star, it won't go well for ya.
Sun:*chuckles* I remember drinking the hidden stash of one of the imperial lords with Moon. He couldn't fly!
Hehe, alrighty Sun. I think I covered everything, if anyone has any questions. Don't hesitate to ask! Sun and I are here to answer.
Sun:*nods* Please ask! I always enjoy a good conversation!
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roobylavender · 5 months
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in terms of character deaths i know youve spoken about bruces death but who else do you think will also pass for a reason other than old age and how will they die? in my head everyone lives (except technically jason who then obv gets revived) in order to see bruce die because i want them to grapple with that <3 but thinking about a batkid dying early as well is too painful…. even though its definitely more realistic
i'm sure this is a severely unpopular opinion but if we're talking about the bats specifically i think for jason's death to have any kind of gravitas it has to be the only one of its nature. which is to say that it has to be the defining moment for bruce through which he realizes he can't prioritize the emotional whims of a child over their actual safety. and i think that's still something you can rationalize tim's subsequent indoctrination—for lack of a better word—within bc at the moment tim becomes robin it's not that bruce doesn’t recognize that tim is delusional—he does—but that everyone around him believes tim is rational in comparison. which is a bit silly bc anyone looks rational compared to bruce following jason’s death. he’s in a crazed state of grief letting himself get beat up all around town. and obv that situation changes over time and bruce processes his grief about jason and his own inability to save people, and that presumably sets him up to be.. somewhat more sensible. enough that he starts to visibly care about the impact of being robin on tim's personal life regardless of how the latter actually reacts to that interest (eg blowing up at bruce when he tells steph his secret identity). in an ideal world that leads to a tim retirement arc bc there really is no way to rationalize him being robin. he doesn't need to be robin. that's never been true. the takeaway from his 90s arc regardless of however chuck dixon (or anyone else) wants to rationalize it is unmistakably that entrusting robin to a kid as some kind of legacy deal that comes packaged with being batman is absolutely absurd and it has to end. permanently. that much i agree with starlin on albeit for obv wildly distinct reasons and to different ultimate effect
but to circle back to the original point. all of this is to say that i don't think tim should die, nor damian, nor cass, nor steph, nor anyone really. cass and steph i don't treat the same as robin bc there are very distinct reasons as to why they do what they do. spoiler is to steph the way robin is to dick in that they are distinct identities birthed of their own experiences (which is why i am personally neither a fan of steph being robin nor batgirl). cass is a legacy character in the truest sense of the word in that it's less about trying to stick someone into a mold where they won't fit (robin) and more about truly rising to the occasion of espousing the same principles and values as your predecessor bc of shared experiences and subsequently birthed ideology. there's not really a narrative purpose to killing either of them if that's understood about their characters
the idea of bruce dying an early death stems from the fact that he carries too much of the burden on his own shoulders and it is realistically not possible for him to do that forever. it’s likely denny o’neil understood as much when he posited the idea. but the kids’ circumstances should be different. in an ideal world where the purpose of the batman mythos isn’t to drive its every character into an inescapable prison of everlasting trauma, there's every reason that the kids should get to live in comparison. and if anything an early death for bruce should only emphasize on that further, bc they won’t make the same mistakes he did
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blackjackkent · 15 days
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"Did you enjoy our little demonstration?" the sa'varsh asks with a cool smile as the boy's body is dragged away. "A mere taste of the power Vlaakith commands."
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Rakha raises and lowers one shoulder in a half-shrug. She did enjoy it, yes - or at least that dark thing that lives inside her did - but she doesn't feel the need to explain that to this man. "Why was the boy refusing to fight?" she asks instead.
It's a serious question - her usual hunger for facts to build up an image of the situation, piece by piece - but the sa'varsh hears something else in it, for he stiffens defensively.
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"I have no interests in whatever delusional beliefs the boy harbored," he snaps. "The illithids infecting this region are not to be reasoned with. They are to be exterminated. If the boy was too stupid to realize this, his death is a mercy for the warrior next to him."
Rakha thinks this over in silence as the sa'varsh walks away. The words don't quite mesh in her head with the question she asked. Delusional beliefs. As near as she can tell, the boy only did not want to die - which is perhaps cowardly in gith culture, but delusional?
He mentioned something, though, just before the sa'varsh sentenced him to the duel. A word, or perhaps a name, clipped off and interrupted. "Orph--"
There is something more here she does not understand. The boy believed something counter to his sa'varsh's teachings, and that is why he refused to fight - and why he died.
She walks over to the boy's body where it still sits in its own blood at the edge of the training hall. No one seems to care when she bends down and examines the corpse. There's a small piece of githyanki slate in his pocket, like the ones carried by the patrol out in the pass. Tir'su, Lae'zel called it. Githyanki writing.
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"To the Inquisitor at the creche," Lae'zel insists impatiently. "The zaith'isk's failure must be reported."
Rakha snaps back to herself. She realizes she's been sitting there next to the boy's body for some minutes, lost in the smell of the blood and the curious mystery of the slate. She straightens abruptly and stands up.
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Ask Lae'zel about the disc from the creche.
Narrator: The disc appears in your mind's eye. Lae'zel sees it too and considers the vision.
(A/N: This is designed so that you could have the conversation without having Lae'zel have been there for the initial acquisition of the slate but it's pretty funny in context here because Rakha you could definitely just GIVE it to her. Maybe this is part of Rakha's ongoing campaign to convince everyone that slurping the worms is a good idea. "See, you get VR versions of all our loot acquisition!")
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"Tir'su markings. Ancient. I recognize them, but I can't make sense of -- no, wait." Lae'zel's eyes narrow in concentration, focusing on the image of the slate in her mind. "The texts are enciphered, but there's a Commonspeech translation beneath, carved in a different hand. It's a story about- about Orpheus."
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Narrator: Your head buzzes in concert with Lae'zel's, but it hardly matters. Even without the connection, you'd recognize her discomfort.
Rakha watches Lae'zel's expression carefully. The young warrior is still flustered and angry at the explosion of the zaith'isk - and, Rakha is sure, still suffering significant pain from what it did to her. But this slate the boy was carrying has troubled her in a different way.
Rakha doesn't want to care. Part of her is still angry at Lae'zel for how this has all played out. She's furious that all the confidence Lae'zel displays has been misplaced, and humiliated that she bought into it so without question.
But... she does care, regardless. It bothers her that Lae'zel has that troubled look on her face. This doesn't make sense, but it is so, all the same.
"You look uneasy," she mutters gruffly. "Are you all right?"
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Lae'zel stiffens irritably. "I am fine," she mutters. "The slate is not. This text is heresy. I can hardly bear to read it, let alone speak it."
Heresy. Something relating to Vlaakith, then - or to an enemy of her. Is that why the boy did not want to fight on the sa'varsh's orders? He follows an enemy of Vlaakith?
This already tells Rakha more than she knew previously. There are factions, then, of the githyanki. Lae'zel's intense devotion to Vlaakith is not universal.
"That's fine," she says with a slight shrug. "I'll read it on my own time."
Lae'zel shifts her weight uncertainly; for a moment Rakha thinks she wants to discuss it further, in spite of her reservations. Then she shakes her head and turns away. "If you must," she says. "Nothing good can come of it."
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tvrningout-a · 1 year
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i do not have the brain to articulate this thought the way i want rn, so forgive me if this doesn't make proper sense, but the work kaiya does for the corps isn't just for the hope of finding valuable information to use against muzan. it mainly is -- i don't think she'd make herself witness so many painful memories if not for that reason. but when kaiya sifts through the memories of those demons, she doesn't need to take quite as much time as she does. she's used this ability enough to be able to basically? " speed-read " someone's memories. she can get the basic gist without taking the time to really watch the key moments, kinda like reading a summary of a book rather than reading the chapters.
rather than do that, though, kaiya sits with the demon's memories; she learns where they came from, how they became a demon. she tries not to pry too much into their older memories because what she's doing is already so invasive, but she tries to learn who the demon was before they changed. at the very least, if they have to die, the least she can do is understand who this person was.
part of it is also! kaiya's own personal feelings towards being forgotten and how her loved ones never knew what happened to her. she's thought a lot about her mother, how she must have woken up one morning to learn her son-in-law was dead and her daughter was missing. she thinks a lot about how her mother can never know what happened, how she'll never get to explain how badly she hurt and how sorry she is. it's something that tears kaiya up, and to think about so many others being in a similar situation? she hates to think about it.
so even though the process is mentally draining, even though kaiya has nightmares as a result, she takes a little longer with each demon's memories. even if their loved ones can't know what happened, at least one other person will, and at least that person will try to provide some comfort. i've mentioned it before, but kaiya always gives the demon a happy memory or takes them to one of their own before they die.
i think more than anything, she wants them to be at peace since their fates were anything but peaceful. and i'll leave it at that bc i'm afraid i'll ramble for another paragraph if i don't asdf
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gideonisms · 2 years
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I guess also just having seen the interaction between an author and an overly invested fanbase go sour multiple times it's like. Yes I want ianthe to raw me but like there are boundaries
#like. (redacted) had to delete her tumblr even muir had to drastically step back#i think with women who write about intense queer people it's like. well ur fanbase is very passionate people who maybe haven't had the best#experiences in their social groups and haven't like. been able to establish boundaries for themselves much less for interacting with others#it's not an indictment of u know being a young queer person who just hasn't had a ton of positive social modeling like#i've been there we've all been there but#to me it's like if i don't know someone or i'm not sure i can communicate clearly i definitely have my guard up#just bc. i'm aware i'm not going to naturally get social cues and don't want to weird other people out#it takes a while to get to know me and i still fuck up sometimes overshare something by accident not realizing it's too much#roll with things i think are weird bc who knows they might be normal i can never be sure#so these days i definitely try to avoid interaction with people who have made something really important to me#bc like? i will never be normal about this but that's also not anyone else's problem#same principle as keeping ur stuff out of the main tag if u think the opinion is controversial or even if u just don't want to annoy anyone#idk#there are better ways to make sure you're acting appropriately for the setting probably but the only reliable way i've found is to just#initially be more reserved than i think is necessary#coping with the (redacted) (undiagnosed) (never going to be diagnosed) (who could say) one weird girl moment at a time ❤️
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frenchkisstheabyss · 10 months
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♡ SKZ Members Who'd Love Sleeping On Your Belly ♡
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♡ All of the love to @skz-story-request-always-open for asking me to do this adorably fluffy request ♡
While I'm sure any of our OT8 cuties would love cuddling up to a soft belly, these are the four who I think would be in absolute heaven if you let them do it.
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♡ Felix ♡
You let him fall asleep on your belly once and he's refused to do anything else since. At this point, if you even joke about not letting him do it you'll break his heart
Seriously, you can offer him the fluffiest of pillows and he won't touch them because nothing's more comfy than dozing off on you with his favorite song or show in the background
It's never unexpected when he lays on you because he tends to come running at you full force with his arms open and his face lit up, making cute little noises that let you know it's time for cuddles
As much as he enjoys your softness, what really makes it special to him is the closeness and vulnerability he feels when he's curled up against you with your arm around his neck, fingers playing with his hair as sleep takes him
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♡ Bang Chan ♡
His reputation as someone who rarely sleeps is unshakable at this point, insomnia's basically a part of his lore, but he's out like a light the second his cheek meets your belly
Something that always gets him is when you come up beside him while he's working and stroke his cheek, letting him lean his head on you. As someone who's responsible for taking care of so many people, it's nice when it's his turn to be cared for
He can, will, and has fallen asleep in the sitting position because you're so comfy, and having you in his presence is incredibly peaceful for him, quieting the thoughts swirling around in his mind
Nothing's cuter than the look on his face when you wake him up enough to make it to the bed or couch where he can truly settle in, interlocking his body with yours so that you can't go anywhere
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♡ Binnie ♡
This man's obsession with sleeping on your belly is the precise reason why you wake up with random body aches some days
He doesn't care where you are, what you're doing, or what time of day it is. If he feels himself nodding off, he has to find a way to get you into any position necessary for him to get to it
Clearly, he's not particular about if you guys are bent sideways to make it happen but he does have preferences when it comes to what you wear. His favorite thing to see you in is a t-shirt because it means his hands get easier access to squishing your belly
There's nothing remotely sexual about his habit of slipping his hand under your shirt to play with your belly. It's relaxing for him. It also helps that you giggle when he does it a certain way. He could never get tired of that
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♡ Han ♡
He never gets a better night's rest than when he's using your belly as a pillow but going to sleep's rarely, if ever, what he had in mind when he first laid down
It's a good thing though because, with all of the energy he has, he can start to feel burnt out at times and he always knows he can come to you as a safe space to restore his energy since you don't really want anything from him other than, well, him
Even though it's technically your stomach he goes feral if anyone tries to peel him away from you. You're his baby and he's gonna cling to you for dear life for as long as he can
His belly might not be as soft as yours but he constantly insists that you lay on him too so that he can hold you and sing you to sleep, watching over you to make sure you sleep as peacefully as he does
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aphroditesmoon · 4 months
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wish you'd ask me
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clarisse la rue x fem!demigod!reader
summary: you're not good at reading subtle hints, clarisse realises that maybe she should've been more upfront with her feelings for you.
warnings: fluff, oblivious!reader, clarisse is down bad, reader is very neurodivergent coded, kissing, flirting, title n fic inspired by 'Wish You'd Ask Me' by Matt Maltese.
A/N: thank you for 1.9k followers!! I love you all dearly, my ask box and dms r always open, im glad that my writing is being enjoyed by so many people<3
wc: 4.5k
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You have been in camp half blood for more than 4 years. You have made yourself at home for the last several years. 
It was easy to view yourself as lesser or inadequate in comparison to other mortals during your days in the real world before you were sent to camp. The world has never failed to remind you of how different you were. Always too much or not good enough, always special and never normal
And it wasn't like you were dying for some sort of diagnosis to justify why you are the way you are, but upon discovering that you were actually a demigod, it felt like all the questions you've been harboring to yourself was finally answering themselves. 
Everything clicked. Everything made sense, though at the same time, it felt impossible. You were a very confused little girl when you first arrived at camp. A girl who just wanted someone to tell them that it'll all be alright in the end.
And you still remembered the first person to hold you by your shoulders and made you look into their eyes as they told you that it was all going to be okay.
The girl with beautiful long curls and dark piercing eyes. The girl that everyone else, apparently, was afraid of.
But you could never be afraid of Clarisse La Rue. 
Not with the way she smiles when every time she sees you, the way she never fails to make you feel included even in activities you're not capable of participating in. Not with the way your whole body electrifies every time your skin touches, when your hands brush against each other. 
It didn't matter what anyone think, because no one could change the perception you've built of her. Clarisse La Rue is good. Or at least she is to you.
When you first heard of the rumours surrounding her, you did think better than to force a friendship on her. You strayed away from her and stuck to your cabin siblings and your books, but you noticed daily how she'd still go out of her way to talk to you at least once a day.
It didn't need to be a long conversation, just a passing acknowledgement. An easygoing 'hey, how've you been doing.' Sometimes she'd even go as far as cracking a joke with you.
With how serious her face is whenever she make the jokes, you'd have to think twice as hard and thrice as faster than another person to try and guess if she was being genuine or not so you could fit in a necessary laugh when you needed to.
Even as her anger became more apparent because of the new kid's accidental climb to fame and embarrassing the Ares' cabin, she still found time to make a conversation with you.
It had been long since you tried to ignore or avoid her. You learned that her attention towards you is harmless, and that she seemed much more comfortable telling you certain things compared to others. If she has been viewing you as some sort of safe box, then you don't really mind it. You liked listening to her talk and keeping her heart's intent as your secret.
You too, talking to her. To some people, you are reserved,  
and to others, talkative. Either way, people find it easy to discard you at any moment they decide you are irritating.
But Clarisse listens. And she asks questions, she's patient- much patient that anyone could anticipate or guess. 
It may be hard for others to believe, but Clarisse is more complex than she seems. She had the capacity to be gentle, and she had the capacity to respect boundaries. The more time you spent with her, the more that side becomes easy for you to access.
Today, however,  marks a new record for your friendship with her. A few weeks ago, she had informed you of her newfound interest in the history of folklore monsters. What a coincidence that you were currently self-studying on that specific topic.
She insisted that you hook her in on whatever it is you're learning. She had even gotten you a doughnut to eat together outside the library as you told her of your insights of dragons and their theorized blindness and incapability to differentiate a variety of prey.
The conversation went well, she seemed immensely in awe of your knowledge and had no problem telling you how she felt. 
You even gave her some book recommendations, though you knew she wasn't much of a reader.
You felt a shift in your relationship that night and had spent the next three days studying more and more about the topic. And today, you had asked her to spend the evening with you. 
You shouldn't feel so nervous asking her to hang out. That is what friends do, after all.
She found you in the library, sitting on the floor in between two large bookshelves. She had been right on time and enthusiastically so. The two of you sat together, hidden by the shelves as some semblance of privacy. 
Clarisse looked confused when you had explained that you indeed wanted to spend the rest of the day in the library, but she accompanied you anyways.
You could never get sick of the smell of the books. Old and new, they all have some nostalgic past tied in between the pages, begging to be discovered. 
You had your back on the walls with tinted windows above your head as she's seated opposite of you in a criss-crossed position.
Today, the library isn't as packed as usual. There were still people walking in and out and checking out the books on the counter, but not too many that it became obnoxiously loud and annoying. 
After finishing another book of Monsters and how to spot them, you're feeling knowledgeable enough to explain the lore of the Giants to Clarisse, she had asked you about this the other day, giants have been long extinct to the point that some might even say they may have never even existed. And so you were interested in sharing with her all of the information you have learned about the majestic species of a beast.
You started with the general information. The basic understanding of what a Giant is the mythhs of Giants and the validity of those sources. Clarisse listened closely in the beginning, never interrupting you unless she had an actual question.
She seemed in awe of the stories you tell her of. You don't blame her, for you yourself have been most interested in the topic of Giants.
You were an hour an a half in when noticed her attention faltering. She leaned against the cases of books, her eyes twitched slightly when you began to explain the different types of giants, and the difference of how they operate.
Her hands are folded together on her lap, and you can feel her listening in on everything you're telling her as she adds in some commentary here and there, but you also felt that she wasn't entirely in on the conversation.
The dim lights of the library made the atmosphere feel warm and secluded, even with its vast space and many other campers hanging around in the other tables and shelves. You made sure to keep your voice low as you spoke in fear of the librarian kicking you out. 
You had a good reputation with the library workers, they liked how organized and polite you were. 
"A lot of people think their greatest strength is their size, which is valid, they are huge, but their real weapon is their mouth." You told Clarisse, ignoring the litter of books by your left that you had brought over for reference.
"They kiss you to death?" She asks suspiciously. You laughed shortly and shook your head. "No, I mean their breath."
She responds with an 'ohh.' 
"They're giants, so their mouth is large too, and you can easily tell what they had for breakfast even from their tall height. Their breaths are also known to be so rancid it could kill you, because they don't exactly eat what we eat." 
She raises a brow as she stretches her hands upwards. "Isn't that ogres?" 
"It's both." You confirmed.
You were about to continue your explanation but halted by instinct as you notice how her mouth keeps pursing together as if unsatisfied, and she has that look on her face that mimicked a confused expression. You're don't think there's anything to be confused of.
"Are you okay?" You asked her worriedly. Clarisse sits up straighter at the question and waved a hand off to assure you she's fine. "Of course, no yeah- I'm fine."
"You seem bored, you're not really interested in what I'm saying are you?” She opens her mouth to counter your words but hesitates to say anything. 
"I- well, I like giants-" She attempts, "-no you don't. " 
"No. I don't." She admits with a sigh. "But I thought you said you were interested in these kind of stuff?" You questioned her. "Well, yeah, like the general idea of it. I mean, I don't hate it, and I like hearing you talk about it." She answers with a shrug.
"Then why do you look disappointed? If you didn't want to come, you could've just told me. I wouldn't get mad." You told her honestly. It was conflicting for you to see her so confused on what to say, being so picky with the words she chooses.
You figured she's probably reluctant to hurt your feelings. That is a notion you're used to. You'd rather she tell you the truth to your face than to be catered around like a time ticking bomb that everyone's so afraid might explode at any time. 
"When you asked me out yesterday, you told me this would be an 'evening to remember." She tells you with such confidence like it was an explanation to her weird behaviour today.
"You don't think this is an evening to remember?" You sincerely inquire.
"No, I do! I just- well, when you said that I didn't think you'd mean we'd be doing this." Your frown deepens as you try to figure out what she means, eyeing her body language closely. “What do you mean? I told you I wanted to hang out.” 
A part of you is offended. She was the one who had said she liked hearing you speak, why would she be disappointed that this was your idea of spending time together?
"I don't know, I thought we'd just be doing...something else?"
It didn't matter what she had really meant with that. You felt completely embarrassed once she finished her sentence. Why was it that everyone else had no problem having long conversations with their friends, but when it came to you, it's all too awkward, unnecessary, and odd? 
You liked Clarisse, you considered her your friend. Sometimes you wonder if it could ever be more, but you never entertain those thoughts because you don't want to ruin what the two of you already have. 
But moments like these resemble a huge slap in the face by the universe.
You couldn't even be good friends with her, how ridiculous of you to think that there could ever be something more.
"Okay, um, maybe we should just go back to our cabin." You decided whilst standing up and picking up the stack of books you're currently borrowing from the library, ready to leave the place without waiting for her.
"Hey, wait." She called out as you walked past her. You spared her a glance, trying your best not to show how upset you are.  “We're friends." She says it so much like a question that you weren't sure if she's even sure of the fact herself until she continued speaking. "I like hanging out with you."
Another thing that you weren't sure if she really meant. "Sure." You replied thinking it's the most suitable response. 
Before she could say anything else, you turned around and started picking up your pace until you disappeared out of her sight.
You have been consistently ignoring Clarisse. Which proved to be harder than expected.
When you pass by her camp or the training ground, you make a mental note to always look down or to your front as to never accidentally cross eyes with her.
And everytime you hear her call out your name, you keep walking like you didn't even hear her, knowing that she wouldn't be bold enough to call for you again. After all, she still had a reputation to uphold.
If ignoring her wasn't hard enough, having to deal with how you felt for her is worse.
You've been avoiding confrontation with yourself for weeks even before you decided to go no contact with her.
And so far, you thought you've been handling it pretty well. Except for days where you don't see her where she's expected to be. You tell yourself that you don't care as you make your way to training in the day and reading in the evening, and yet you still go back on your own words when you asked a passerby Ares kid on where his cabin leader was.
"She's dunking some kid's head into a toilet bowl." Of course she was.
You thanked the dude and went back on your way to your cabin. It's close to dusk, the sky is turning orange and the sun is dipping itself below the earth. You take your time returning to your cabin as you enjoy the way the sun slowly removes itself from anyone's viewing.
You wondered to yourself if things like these are what makes you weird or off-putting to some people.
Was enjoying nature and having niche interests only cute when it's done by girls pretty enough to be cool or if it's only in romance movies or books.
You don't find yourself weird, in fact you think all of your hobbies are pretty common and usual, and yet the way Clarisse had spoken to you at the library last week had made you feel unnatural.
You had wanted to do normal people things with her, but maybe your perception of normal is different to her.
Either way, you are pretty hurt with how she reacted. You loved her still, of course. It's kind of hard to unlike the girl you've been obsessed with since you were 15.
Once you finally reach your cabin, you quickly put down all of your books and your tiny sling back by the side before making it to the shower to refresh yourself before dinner.
You thought it hilarious of how hard you're trying not to care about Clarisse, and yet as you're cleaning yourself up, changing your clothes and attempting to read at least 15 pages of your World's Most Dangerous Beasts book, you could only think of her.
What would it take for her to think that you're cool, what kind of things did she want to do instead of listening to you yap around for 2 hours on what is an equivalent of a boring dinosaur facts, not that you really think dinosaurs are boring.
During dinner, you kept to siblings and had to make yourself finish your plate as your anxiety wrecking thoughts have a way of deriving you of an appetite. You also had to convince yourself to not search for her at the other tables which took more strength than one would expect.
But you succeeded, and you were now sure that the only obstacle left for the day was to try and fall asleep without the thoughts of her keeping you up.
Clarisse is a force, a fierce daughter of Ares, and a cabin leader who had much better things to do then hole up at quiet small places with you.
And just because she was nice enough to mantain a good relationship with you for 4 years, does not mean that you're worth her time. Or at least that's what you tell yourself.
That night, you managed to fall asleep after an hour of recalling Harpy facts in repetition. Counting sheeps had never worked on you, so you had to find something much more active to tire out your brain.
You dreamed of Clarisse with her hair down, holding your hand and pulling you closer so she could slip a flower on your ear.
And just as she's looking down at you, moving closer to do what it seemed like to kiss you, you awoke with a jolt, swearing under your breath as if you'd just gotten jumpscared by a ghost.
Someone's palms moved to shut your lips as you're met with a girl, hovering over you in the dark. Clarisse's dark eyes were recognizable, but it sent a shot of adrenaline through your body still.
"Shh." She whispered to your face, hand still keeping your mouth shut. "I'm going to remove my hands now." She whispered again. You nod in understanding and waited for her to pry her hand away from your face.
"What are you doing here?!" You exclaimed as quiet as possible as she helped you sit up.
"I'm sneaking you out." She answers with a wink. "It's 2 in the morning." You waved your hand around at the darkness and sleeping children. "3 in the morning, and yeah, I know. That's why it's called sneaking around." She corrects you with a grin so devilish that if you hadn't known her for a long time, you'd assume she's about to turn you into a new toilet bowl or dumpster boxing victim.
You sighed loudly and glared at her despite your fast beating heart. Her hand remained on top of yours until the minute becomes more awkward and she removes it as if she just remembered that she's been holding your hand.
Without explanation,  she climbed out of your bed and tiptoes to the open cabin door. You're still sitting up and looking at her with conflicted feelings.
Only after she turns back to you, cocking her head towards the entrance, do you give into her request and softly leave the comfort of your bed and trail after her.
"Where are we going?" You asked after her as she kept walking. Instead of responding, she asks you another question back, "Can you swim?"
"We're going swimming?" You watch her shrug in return from behind her and became even more distressed.
"So, is this your idea of having fun and hanging out then?" She laughs drily and slowed down so you could catch up. You walked fast enough until you're beside her and waited for her to talk. "You sound surprised, I would've thought that after 4 years of friendship, you'd know by now that I love doing things that includes active movements."
You did know that, it's a bit hard to not notice how much working out, training and running fuels her even more.
"And why are we doing it in the middle of the night?" The walk towards the lake by the back of the forest was short, considering that your cabin is the closest to the location.
You almost tripped and fell over a stick, but Clarisse was quick to scoop you back up by the back of your shirt. "Thanks." You mumbled to her. "And you haven't answered my question."
Clarisse pulled her shirt over her head and tossed it on the ground without caring of your presence. You, having more moral obligations than her, twisted your face to your left when she began to pull her trousers off. "Too many people in broad daylight." She tells you.
That is a valid reason, this lake is mostly known as a hook up spot, and true to it's cause, many dating campers have been caught together here during dawn or late evenings.
You braved yourself to turn towards her again slowly and realised that she had already hopped into the water. She had a sports bra on and a boxer.
And though you yourself had a tank top and shorts on, you contemplate the idea of suicide as a better choice than having to strip in front of her.
"Are you gonna get in, or are you just gonna gawk at me from there?" You were grateful for the dark being able to hide your flushed face from her, but deep down, you knew that she probably saw it anyways because of the shining bright moonlight.
"I can't swim." You told her.
"That's fine, the water's not very deep." You ransacked your brain for reasons to decline her offer, but at the same time, a small part of you yearned to take this risk that you've been so afraid of for gods knows whatever reason.
Clarisse is there, in the water and under the moonlight. You are only a few steps away from her. And like she said, the water isn't deep, only waist length. She stares back at you with a raised brow like she's challenging you to join her.
"Turn around first." You tell her. She smirked slightly before slowly spinning to the opposite direction. "You know I've seen you naked before right?"
"What?" You choked out, aghast. "Who do you think changed your clothes for you when you first got to camp." Oh, that.
Your shoulder relaxes as you realize she's talking about the first time you met. "That's was a long time ago." You noted. She hummed im agreement. "Yeah, we've both grown since."
You told her she could turn around once you're inside the water. Forgetting about the heighy difference between you two, the water was high enough to reach your chest, trying your best not to trip underwater the way you always do on dry ground, your hand instinctively reached outnfor her shoulder.
Clarisse held your forearm tightly and drew your closer to her until you're inches away from eachother.
You breathed in sharply and felt the need to fill in the awkward silence. "So, you...like swimming, huh?"
"Yes, evidently so." She answered. "Right right, can't sit still and all that." She actually chuckled at your sarcasm, making you proud of yourself.
"You know, even before I came to camp Half Blood, I use to be a pretty active person, running track, volleyball, sometimes swimming." Your eyes widened in curiosity. "Really?" She nodded.
"The counselor told my mom that I just had so many untapped energy, which I guess is a code for anger issues." Her grip on your forearm moves higher until her palm is over your shoulder.  "She told her that it'd be best for me to find a...healthy way, to channel that energy, and for my strong competitiveness. So I joined what I could, and that's how I spent most of my free time there. Besides, I never was that good academically. So, I ought to at least be good at something, right?"
"You are good." You blurted out. Your embarrassment faded away when you saw her smile. "You think so?"
"Yeah." You assured her. Her other hand had snaked around your waist without you noticing. Only when you moved slightly do you notice her holding you softly.
"The moon is really nice tonight, isn't it?" You said, trying to diffuse the tension. You pointed your finger up to the sky at the singular white orb.
She glanced up and let out a 'huh.'
"I like it when it's bright and whole like this, the moon in all of its glory. You don't even notice the starts around it when it's glowing like that." You could stare at the moom forever, even longer than the way you've been staring at the sun.
You believed in it the way children do with their birthday candle. To you, the moon has always been a symbol of hope or comfort for your future. Your fascination for it existed from when you were a child, the way it'd follow you from behind as you gazed upon it from the back of the car seat whilst your parent drove down the road.
The way it moved above you as you walked home from school, like one of the gods themselves watching over you.
"Nothing compares to the moon." You announced aloud, watching as the clouds around it began to gather over it. "Yeah, It's beautiful." You hear Clarisse speak.
As your head snapped back to her, you found that she had already been facing you.
"I like the moon...but not as much as I like you." She whispered loud enough for your ears only. Her face leans closer to yours, your noses brushing together. "Not as much as I like to hear your voice, when you tell me about your little harpy facts-"
"Oh, I haven't told you about the harpies yet." You cut her off. "I just finished that chapter this morning actually and-"
"-and, you can tell me about it after I'm done talking." You blushed and became silent, letting her speak.
Clarisse exhaled breathily, fanning your face with the subtle warm air. "I like doing things that friends do with you, but I don't want to be your friend anymore."
"Oh."
"I want to be more than friends." She elaborated.
"Oh." Oh.
You feel a sudden tightness in your chest, from anxiety or from butterflies is undecided. "You want to be best friends?" You joked, laughing nervously.
Clarisse snorted at your joke, but she was still grinning widely. "Best friends, If that's what you want to call it."
There was a moment of understanding shared between a second of shared gazes before her lips attached themselves to yours. An urgency, approval, meaning that can't be described by words.
Whatever gentleness there was inside of her before had vanished. Clarisse kissed you like a starved woman. Her lips craved yours like it'd be the last time she'll ever know how you taste like.
Your hands clasped on her shoulder and neck for support as she embraced you tighter to her body. You let her tongue slip into your mouth, meeting your own.
And as they danced together, inhaling all there is in your lips, every secret and every confession that have died on the tip ofnyour tongues, you are sure that no heaven nor hell could tear you open to see you back together like this.
You push her back abruptly, letting fresh air fill your empty lungs. "What's wrong?" Clarisse inquired worriedly.
"Last week." You sighed out, chest still heaving as your thoughts clicked together. "You thought I had asked you on a date, that's why you were disappointed."
She winced at the reminder, and for the first time in your life, you had been lucky enough to witness a flustered Clarisse.
"I'm right." Her silence confirmed. "Oh Clarisse, why didn't you just ask me?"
Huffing loudly, she rolls her eyes in irritation. "I thought I was obvious enough. "
Thinking back on it all, it did seem pretty obvious, but gods were you oblivious. The way you intepreted it all so wrongly.
"I've liked you for so long too." You admitted to her. Her scowl was gone at that, replaced by a teasing smile. "And what are you gonna do about it?" Her mouth returned to yours, letting go of all your fears and holding on to Clarisse like she's your anchor, you close the gap between your lips, welcoming the kind of pleasure that you've never tasted before.
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animehideout · 7 days
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Could you please do who falls first and who falls harder with jjk men - and how they would deal with falling in love? Like what would they be like. Sorry if that's too specific
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JJK men, who falls first and who falls harder.
A/n: Thank you sweetheart for this cute reaction, I hope you enjoy it 💙
Characters: Gojo Satoru - Toji Fushiguro - Ryomen Sukuna - Nanami Kento - Itadori Yuji
Gojo Satoru : Falls harder.
You'd be the first to fall in love with him, considering how gorgeous he is anyone would definitely develop a crush on him, including you. But you fell not only for his looks but also his teasing and goofy personality. But man would fall harder for you, the thing is he doesn't realize it..yet. I think Satoru would be confused and lost as hell.
He's not used to falling in love with someone, he's only used to people/ women going crazy over him. So him experiencing love and strong feelings for someone would throw him off shore, and the thought of you would consumer his mind. He'd try had to avoid the thought of you, to get you off his mind. Tries to convince himself that love isn't for him, and that those feelings are just shallow and would fade away. He'd think that he wouldn't be a good partner and that he's got more important things to deal with , like his job since he's the strongest. But the more he fights his feelings back, the more they grow stronger. He'd uncontrollably get jealous when another guy gets near you. He'll catch himself getting really angry if a man makes you laugh. Sometimes, he'll catch himself smiling like a dork over your messages, pictures or simply when he sees you doing the smallest daily things, like breathing. He'd get a very strong urge to protect you and keep you safe. He's good at hiding his feelings though, you wouldn't guess that he loves you back.
Even though he's an overly confident guy, he'd be like a lost puppy and seeks help from no other than Geto. He truly suck at facing his feelings, so Suguru will help him realize and accept them, he will also hel him through the whole thing like how to properly confess without making it awkward or messing it up.
Toji Fushiguro: Falls harder.
He wouldn't notice you at first, but once you started proving yourself and flirting with him since you have the fattest crush on him, man would become obsessed with you. He's into strong and confident women, so the fact that you took the initiative and shown you're into him, he'd fall hard for you too.
Even though both of you didn't fully and officially confess yet, he'd act as if you're dating. He'd become overprotective, very possessive of you and gets jealous easily. He'd start physical fights with guys who get near you. Toji would be very touchy with you, gives you your daily dose of pick up lines, compliments, random winks and delicate touches. He has no problem accepting his feelings for you, and he's always ready to get into a relationship as long as you're a real and the right one. I feel like despite his flirty nature, he's take his time and tries to get to know you better, on a deep level. He believes that the spark and sexual tension that comes from flirting is 100% necessary to keep both of you interested and to make things entertaining and spicy.
When he's 100% sure you're the right one, he'd casually ask you out , he's very confident at it, especially that he knows you're the one who started it at first.
Ryomen Sukuna: Falls first.
If Sukuna wants something, he'll get it no matter what. One look is enough for him to claim you. It's love at first sight, well more like obsession at first sight. If you smile at him or show him the slightest and smallest interest ( not necessarily ), he'll consider it as a green light to own you. You basically belong to him but you don't know yet. He'd kill anyone who dares to touch you in a way he doesn't approve of. He doesn't really think that he might scare you away, because he believes you have nowhere to hide or run away from him. He's a yandere when he's in love, a toxic one to be specific. He wouldn't hurt you physically but man would hurt those who are close to you. He wouldn't beg for your love but he aspires to make you beg for him. He wants you, he wants to have you and make you need him, as if your whole existence depends on him.
Sukuna knows how to play, he's got them plans. He knows how to drive you willingly to his web, to make you crawl to him as if he casted a love spell on you. He surely falls first but makes you fall x10 for him.
Nanami Kento: Falls first.
100% knows how to handle falling in love with someone. His heart would start beating fast yes but he wouldn't get nervous or panic around you. He wouldn't scare you away. He'd know how to treat you. Nanami doesn't have any intentions to make you fall for him, he believes that love shouldn't be forced so he'd admire you and love you respectfully and gently, but you'd end up falling in love with him any way, I mean who wouldn't?.
He's got natural, inviting charms, that make anyone crave to be with him. He's so calm around you, treats you with extra care and softness. He'd offer to help you even with the smallest and easiest tasks, he'd protect you, offers his jacket when the weather gets cold, walks you home late at night, and respects your boundaries. You wouldn't notice he's in love with you because he's a natural gentleman.
He'd shoot his shot though, patiently waits for the perfect moment to confess his emotions towards you, without pressuring you. He would make the whole environment, place, time, and the way he talks, comfortable as much as possible. Nanami would be surprised when you don't reject his feelings and tell him that feeling is mutual, he's a humble man. When you start dating, nothing would change, he's so mature and knows well how to treat you, and asks for consent first before doing anything.
Itadori Yuji: Falls first + falls harder.
No matter how much you love Yuji, he'll always love you more. He's a ball of joy, his feelings would start with a small crush, but he lets it grow into stronger feelings without realizing it untill he's drowning in your love. He'd be nervous at first, then starts getting really excited when he embraced the fact that he's a lover boy. He got more comfortable, acts extra friendly to you, makes sure to take a really good care of you, brings you your favorite snacks.
His cute actions, stimulated something in you, and made you fall in love with him. Yuji doubles and triples texts, call you randomly just to hear your voice and make sure you're fine. He cares too much, and isn't afraid to show his feelings even in front of others. He gets super energetic around you, makes you laugh all the time, and he ia there for you whenever you need him. You would be the one to ask him out first, cutie baby would be over the moon, the happiest man alive. He couldn't believe it at first, he'll look at you in confusion, literally stunned. Yuji Got no filter, he isn't shy or ashamed to let his feelings control his actions, if he feels a certain way, then he'll let it show. Yuji is definitely boyfriend material, he'll make you really happy and his love for you would grow more powerful day by day.
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mcflymemes · 3 months
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PROMPTS FOR THE FORCED PROXIMITY TROPE *  assorted dialogue for the moments and circumstances that force two characters to spend time together, adjust as necessary
who said i agreed to any of this?
i said i would help you. i didn't say i would be nice to you while i'm helping you.
you scratch my back and i'll scratch yours.
oh no. don't tell me it's locked.
i was hired to protect you. that's my job.
i'm actually starting to tolerate you, believe it or not.
i don't want to be stuck here with you.
i'll work with anyone but you.
i'm not letting you sleep on the floor.
they're forcing me to work with you and i don't like it.
how long do you think we'll be stuck here?
is that the only tent we have?
i think we're snowed in here. we'd better find a way to stay warm.
it's going to take a few days for them to reach us.
you sleep in that room, and i'll take this one.
you can't get rid of me that easily.
i'm just going to come right out and say it - i hate being here just as much as you do, but we have to make this work.
don't get any ideas.
i'm going to see if they'll switch my room.
until you came along, i had this under control.
if we're going to survive this, we'd better work together.
why did they sit me next to you?
i'd like to be as far away from you as possible.
out of all the people in the world, i had to get stuck with you.
guess you're just gonna have to get over it.
i thought you were worse than this.
i'm not going anywhere, and neither are you.
you're not exactly my favorite person to be around.
well, get used to it. i'm not leaving.
i told them i don't need a bodyguard.
i never wanted to spend this much time with you.
all this time spent together has really opened my eyes.
you're not as bad as i thought you were.
we might as well try to get along.
i guess i should learn a little bit about you.
i think that means we're the only ones left.
there's no way i'm sharing a room with you.
you again? i've seen enough of you already.
i thought [name] was coming. why are you here?
they're counting on us to save them.
since we'll be here for a while... might as well make the best out of it.
i think we can set aside our differences for two minutes and work this out.
honestly, i think i was wrong about you at first.
there's absolutely no way i'm working with you.
fine, but you're sleeping on the floor. i'll take the bed.
as your bodyguard, i'm supposed to stay with you at all times.
i think we're snowed in for a while.
you could always sleep on this side of the bed.
we have to at least pretend we like each other.
the whole point in having a bodyguard is for me to keep you safe.
i don't like asking for your help, but here i am, asking.
you and i are the only ones who can deal with this.
you don't have a say in the matter.
looks like we're stuck here.
just sleep in the bed with me. i'll even make a pillow wall between us.
i'm not sharing a tent with you.
i need you to stay out of my way.
could you at least "guard" me from over there? why do you have to stand so close?
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luveline · 11 months
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𝐚𝐧 𝐮𝐧𝐬𝐩𝐨𝐤𝐞𝐧 𝐝𝐞𝐟𝐢𝐧𝐢𝐭𝐢𝐨𝐧 | 𝐦𝐢𝐠𝐮𝐞𝐥 𝐨'𝐡𝐚𝐫𝐚
you and miguel have different definitions of the same word. he finally gives in to temptation —featuring a cranky but lovesick miguel and a flirty, head-in-the-clouds spider-girl. pre across the spider-verse but contains spoilers. requested here. fem!reader, 3k
˚ʚ♡ɞ˚
This has to be your favourite song in the whole world. 
You sit in the hall beside the entrance to Miguel's office (this week, you're thinking you might call it The Bedroom, on account of all the magic happening inside), headphones on, a bottle of lemonade beside you. 
Today has the makings of a great day. You're at the Spider Society headquarters and not at home, for starters, and one of the Peter Parkers you'd made friends with in the med-wing saw you this morning and recognised you, which is brilliant because he looked super similar to every other Peter Parker you've met. He offered to help you fix your rinky-dink headphones, and now they're working again and loud enough to cover the sound of Spider Chatter, even with your enhanced senses. 
What's more, Miguel has finally emerged from his dormitory, and he's walking toward you looking confused. That's a step up from unhappy. 
He asks you something. 
"What? I can't hear you." 
He says something else. You shake your head, music too loud to catch even a hint of what he's saying, and Miguel eventually crouches down to push your headphones around your neck. He's surprisingly gentle. 
"What are you doing?" he asks. 
"Waiting for you, what did you think I was doing?" 
"Why are you sitting on the ground?" He gestures backward to a red-lit control panel. "Chair right there." 
"I think that's someone's desk." 
"It's really not." 
Miguel stands up and doesn't hesitate to grab your arms and help you up too. It means more to you than it should, because it's not necessary and a few months ago he wouldn't have bothered. Which isn't to imply that Miguel is a mean guy, Lyla says he used to be a loser (code for sweetheart), and you get flashes of it every now and then in chivalry and kind smiles. 
He's not mean, he's cranky. 
"Don't sit on the floor," he says. "Just– just go inside if I'm not here." 
"Well, The Bedroom doesn't come when I call." 
Miguel's lips part in confusion for a second. Lyla appears at his shoulder, and says, "She can't get the platform to come down without you, genius." 
"Put her name on the command list," Miguel says. 
Your eyes widen. Lyla flashes to his other side, closer to you, and smiles playfully. "Done." 
"Stop sitting on the floor," Miguel says, turning around. He walks a few steps and pauses when he realises you're not following. "Are you coming with me?" 
You jog to catch up with him. Music plays against your collar, a slinking, indie sound that makes Miguel wrinkle his nose. You turn it up a little bit and smile when he glares at you. 
You enter the atrium that houses The Bedroom. Miguel hops up onto the platform because he's too tall to see sense while you struggle, but you're pleased when he takes your hand and pulls you up properly. All these familiar touches today, anyone might think Miguel liked you. 
He definitely does. 
You sit down in the spinning chair near what you've decided is your desk but certainly isn't, again pleased beyond words when you find your sketchbook from last time still there, cleaned away carefully, pencils in a pot and a brand new pencil sharpener by the side of it. It matches your spider suit. You look over your shoulder, your face lit up with thanks, and Miguel swiftly looks away from you. 
"It's electric. Tell me when the battery's dead, I'll charge it." 
"Thank you," you say, flipping your sketchbook open to the last entry. 
You aren't Picasso, but most members of the Spider Society are somewhat artistically inclined, considering the suit-making rite of passage they must all endure —if you don't know how to sew before you start, you will by the end. 
Or like Miguel, you could cheat and make the suit out of nanotechnology. 
You haven't really been designing any suits lately. Spidering is tiring, you need to relax, and your reluctant friends are the easiest subjects, though Miguel's face is painstakingly difficult to get right. He's very angular, high cheekbones with that divot that needs kissing stat, and his nose… He's really pretty, but you almost wish he wasn't so your sketches of him held a better likeness. 
He's the only one of the regular crew that stands still long enough to be drawn. Jessica doesn't like you (or maybe she does, it's hard to tell, but she hasn't forgiven you for asking if her baby was like a maraca bead when she fights) so she doesn't let you draw her. Lyla will stand very still if you request it, but after a few portraits she got bored and started changing her hair or glasses, and after a few more she gave up. Margo is hard to focus on because her blue light makes everything else seem super orange, though she does stand in one place usually. She takes up a lot of pages, but it's Miguel you've drawn most of all. 
You go around the Spider Society sometimes asking people if they'll sit for you, but again your skills aren't impressive, so it's awkward when they want to see how you've done. There are drawings of all kinds of Spiders, including yourself, between Miguel, and Miguel, and Miguel. 
His back, the side of his face, his hands ungloved. His pointy bottom teeth mid fight. The naked stretch of his arm and his Rapture injector positioned over it. He might not appreciate that one. You rip it out and toss it in the waste paper basket under your desk, where it incinerates, paper smoke curling up toward the extractor fan on the atrium ceiling. 
"What are you doing?" he asks without looking at you, his gaze on one of his marigold coloured monitors. 
"Drawing." You're not drawing so much as sitting there with a coloured pencil in hand, trying to think of conversation starters. "What are you upto?" 
"According to the program, there are no Canon events today at risk of disruption," Lyla chimes in, "so Miguel's doing chores." 
"What, not one bad thing is gonna happen today?" you ask. 
"Nothing we can predict," Miguel says. 
You swap your pencil for your drink, unscrewing the lid of your lemonade to sip at it leisurely. Today is your favourite kind of day. No fighting, lots of time with Miguel, and music to go with it. You're so happy you could melt. 
Miguel turns to you and sees your stickying smile. 
"What?" 
"Nothing. Just happy to be here with you," you say.
"Don't say stuff like that," he says, turning back to his screen. 
"Scared you'll actually experience sincerity?" Lyla asks. 
"Lyla," he warns, as though Lyla might be afraid of any consequence he had the power to inflict. 
"Sorry," you say, not very sorry, but not wanting him to be uncomfortable, "it's just nice, being friends with you."
"We aren't friends." 
You're not quick to take offence with Miguel. He can be cruel. He's hurting, he's unhappy, he has a lot on his plate. Oftentimes he's so tense with apprehension his neck locks up and you hear it clicking as he turns one way or another, or if he isn't apprehensive he's disappointed, furious, upset. You give him the benefit of the doubt because you know him, but you don't know the tone of voice he uses now. It's like he's offended at the insinuation. Like he would never, ever be friends with you. 
You put your lemonade on the desk and don't know what to do. His insipid floating platform is too high now to leave without causing a scene. Maybe when he's busy you can web down and go home. All you know is that you desperately don't want to be near him. But home sucks, and the dormitories are worse. You're stuck. 
"You can be so mean," you say softly, turning back to your sketchbook and pencils. 
You're thinking you might draw him with a bunch of bee stings, or find a previous sketch and cross his eyes out.
"What?" he asks. 
Your hackles rise. "You're mean. Don't talk to me." 
"What?" Miguel stands very still. "Y/N, what?" 
"What do you mean, what? I said something nice and you said something cruel. I get it, okay, we aren't friends, so don't talk to me." 
"I've upset you." 
You stare at your blank page. "It doesn't matter." 
"No, I've said the wrong thing." 
"Miguel, don't bother. What else could you mean by that?" You laugh with little humour. Crestfallen doesn't begin to describe how you feel. "I'll be quiet. I just don't want to be at home." 
"What's wrong with home?" 
"Is there ever much right?" 
"Did something happen?"
"We aren't friends, so why ask me?" 
You bite the inside of your lip as Miguel approaches, his footfall hushed over the lightweight metal flooring. You turn to him in your chair, head tilted back to meet his eyes, arms crossed over your stomach defensively. 
"That's not what I meant when I said that." He speaks slowly, firmly, to avoid any misunderstanding. "What's wrong with home, mi cielo?" 
You tap his ankle with your shoe, looking away from his gaze. You don't want to tell him, and if he keeps looking at you like that, you will.
"¿Qué pasó?" He bends at the waist slightly, bringing his face closer to yours, dark hair falling into his eyes.
"I don't know what that means," you murmur.
"Did something happen?" he asks.
"Nothing happened, it's just– it's lonely there," you say, squirming under the weight of his gaze, his sudden caring. "What's with you? One minute you're not my friend, the next you're worrying about me? You're giving me whiplash." 
He stands up, and his face falls back into a more typical emotionlessness. He's clearly feeling something, but he's wiping the slate clean. 
"When I said we aren't friends, it didn't mean–" He grunts, crossing his arms over his chest. "I thought you were staying in the women's dormitory?" he asks, frustrated.  
"I am, but I'm useless, and they don't really respect me because I'm–" 
"Eccentric?" 
"–not as experienced," you finish, eyes flaring. 
"Oh, my god," Lyla says, appearing in front of him to make sure he sees her delight at his slip up. 
Miguel bats her hologram with an annoyed grunt. She disappears again, her tinkling laughter cut short.
"It's a good thing," Miguel says quickly.
You stand up. "It's not the point." 
"You should feel at home in the dormitory, and if you don't, I'll find you somewhere else to stay here, you don't have to be in there if you don't feel welcome."
"Miguel, you're sounding awfully friendly right now." 
"We aren't friends," he says again, stepping closer to you. "What's so hard to understand about that?" 
"But we spend time together. We have fun. You like me, Miguel, you do, you tell me jokes sometimes, you make me things for me. You… you do like me, right?" 
"You know that I do," he says, his eyebrows pinching together. 
"You like me, like, you want me," you say, just to make sure.
His fist clenches hard enough to make an audible sound. Miguel's voice is fraught, and through barely parted lips, "If you know that, what's the problem?" 
You don't know. Maybe it was silly to worry about how he sees you, because you do know that Miguel likes you, but you also know he hadn't wanted to like you. His attraction to you was reluctant, you're not stupid enough to miss that, and it was important to you that whatever tension sexual or otherwise lingering between you had bloomed into mutual affection. 
"I want us to be friends, too," you say. 
"I thought we were more than that." 
It's such a quiet admission. He isn't afraid to say it, and he isn't reluctant like you feared. 
"Miguel," you say. "I want you to like me. I know I can be off-putting, I know I tease too much, but I don't want you to like me despite those things, I just want you to like me. So, when you say we aren't friends…" 
"I've never heard you say three serious sentences in a row," Miguel says, reaching out for your hand. He pulls you toward him slowly, his fingertips gliding up the length of your arm. "Then again, it's the same nonsense as usual." 
"Miguel–" 
"Of course I like you. How else do you need me to say it? I like you and I want to kiss you, I like you and I like that you're irregular. You want us to be friends? Then let's be friends." Miguel's hand closes around your bicep. His thumb presses against soft fat and muscle alike. "But not just friends." 
Relieved, you sigh. "So you're saying we really weren't friends?" 
Miguel leans down until his face is the only thing you can see. His smooth skin, his dark eyes, their darker flush of too-long lashes; it's unfair how pretty his eyelashes are, how they curl, how they bunch in triangles you have to fight to resist touching. His eyebrows so often slightly set, giving him an unhappy expression even now. 
He brings the hand that isn't clasped at your bicep to the hill of your waist. It's hot as a brand, and it pulls you closer, your neck craning with every inch he steals from between you. 
"We can be friends," he says. 
His fingers twitch against your arm, and his hand begins to climb. It's not as slow as it feels, conquering the curve of your shoulder, your neck. His hand is big, his thumb pressing into the column of your throat gently.
He looks at you for a measured lapse of time, and you know, finally, that you're on the same page. 
"What you said before, 'mi cielo?'" You hold his elbow. "What does that mean?" 
"My sky," he says. "My… my heavens. It's saccharine. It's something teenagers say, when they're," —his voice dips, the hand at your waist squeezing tight like you might slip through his hold—  "infatuated." 
"Just teenagers say that?" you ask.
"No," he allows. "I always thought it was too much." 
"But you–" 
"Yeah. I did." 
The first kiss is surprisingly sweet. On the tail end of words, Miguel presses his lips half-parted to yours, slowly, softly, like the brush of a downy feather. He lingers, and it's your own movement that spurs him on —you shudder up into his lips and he loses control. 
The sound he makes is a shock. You try to pull back to check he isn't hurting, and he lets you until he realises why it is you're pulling away. "It's fine, it's okay," he says quickly. 
Assuaged of your concern, he pulls you back in and he kisses you, he kisses you, his hand squeezing too tight and his nose bridge sliding up against yours from the force of it all. Your chest feels like a pit and you need Miguel closer if you're ever going to fill it, your hands snapping up to his face like magnets. There's no need to pull him down to you, he's already wading in, not wading —crashing, kissing you so hard your lips burn. 
You make a sound that says, hopefully, This is really fun, but don't give me a bruise.
His tongue is a heat at the seam of your lips. Your weight bends, your chest leaning into his front. He doesn't hesitate to ease his hand behind your back and prop you up against him as things get heady, and the only thing you can feel is him. 
All those times he almost kissed you, all those times he couldn't cross the gap. He poked and prodded and provoked you into getting into his space and each time you called his bluff. You wanted Miguel to give in, and now he has, it's the meltiest, most stickying warmth you've ever felt. 
Voices sound far away, off the platform and down the hall. Jessica and someone else, approaching fast. 
Something sharp snags your bottom lip as Miguel pulls away. You press your finger to your sore lip. When you pull it away, blood spots your skin. 
Miguel takes your face into his hand and angles your face to a glowing screen carefully, in total juxtaposition of the grip he'd had on your waist. 
"Sorry," he mumbles, the tip of his fangs catching the light. His adrenaline must be high. 
"Excited?" you ask him breathily. 
He wipes your lip with his thumb. The other hand pet's your cheek. You feel suddenly and smotheringly adored, all his attention on your pinprick wound. 
"Everything okay up there?" Jessica calls. 
Miguel drops your face like he's remembered himself. You turn to your newfound company, Jessica Drew and an unhappy looking Gwen Stacy. This high up, there's no way they can see the state of either of you, mussed hair and Miguel's blushy cheeks, but they'll see you eventually. And Miguel might like you, might want you, might be your more-than-friend, but he's a stickler for appearances, and being found kissing your subordinate dizzy when you're supposed to be working would mortify him.
"I cut my lip on a lemonade bottle," you call cheerily, waving at grumpy Gwen. Her lips perk up. "Miguel's trying to tell me it's my fault. Is lemonade usually sharp?" 
His hand flattens subtly at the small of your pack. 
"Thanks," he murmurs. 
"Welcome, handsome. Is it bad?" you ask, turning back to hip with your lip pouted. 
His eyes visibly soften at the sight of you. "Not that bad." 
"Alright, good. You'll have to let the platform down, I need to go." 
"What? Where are you going?" he asks. 
"If we're friends now," you say, lilting, performing a half spin in front of him just to watch his eyes narrow, "I'm going to have to make us bracelets. Friendship bracelets." He clearly doesn't like the idea of being friends still, so you amend with a softer tone, "Friends and whatever that was. Come on, you'll love it. I'll make it match your suit." 
He rubs the space between his eyebrows. 
"Will you bring your stuff here?" he asks, the platform beginning to lower under your feet. 
"Duh. I need to take lots of measurements. I'll be in your hair all day, you'll hate it." 
He nods like he agrees. "I'll hate it," he says, deadpan. When he's sure Jessica and Gwen aren't looking, he gives you a smile you've never seen before. 
You and I have a secret, it says. 
Lyla appears by your shoulder to instantly tell him otherwise. It goes without saying that she's mildly disgusted and extremely smug. "Don't match it to his suit, Y/N. Mr. Heartthrob here needs something soft. How about some baby pinks, hm?" 
Miguel sighs, but you barely hear him over your excited gasp. "Yes! Pink and white, for sure, that would be so nice." 
"Great," Miguel says. "Perfect. Thanks for that, Lyla."
"You're so welcome!" 
˚ʚ♡ɞ˚
thank you for reading! I hope you enjoyed :D please reblog if you have the time ♡
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pomefioredove · 14 days
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having a crush on you
summary: how they would act having a crush on you type of post: headcanons characters: pomefiore (vil, rook, epel) additional info: reader is yuu, reader is gender neutral, rook is rook, not proofread, hi I'm insane and I love pining, I NEED to write another fic but with rook. might write this same prompt with other dorms
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𝐕𝐢𝐥 𝐒𝐜𝐡𝐨𝐞𝐧𝐡𝐞𝐢𝐭
don't take his calm and collected facade as apathy
he's slowly losing his mind about this
"pacing back and forth, mumbling to himself, falling asleep thinking about you" kind of losing his mind
it's my personal belief that Vil hasn't been in love before this
hasn't even really thought about it
so when you enter the picture it kinda throws him off balance
and with the exception of Rook, no one can even tell
he is an actor, after all, he can play the part of "totally platonic friends with room for Jesus"
(maybe a little too well)
but Vil isn't entirely emotionally repressed
he keeps things to himself, yes, but he's quite conscious of his own wants and needs
so when he realizes he's been craving your presence more than usual he does acknowledge it
in his head
and then does nothing about it for months
...what? he's busy
things like this can wait for him, and he doesn't want to put a rift between you two in case it might be a passing feeling
well... it doesn't pass
he becomes keenly aware of how much he wants you around him, how much he thinks about you, how much your very presence is enough to make him happier than he's ever... really felt
and you know what?
he is totally cool about it.
just kidding. he drives himself insane trying to think of the perfect way to confess, something that will impress you and meet his standards
he's dropping hints left and right and you don't seem to be picking any of them up
which again, just makes him crazy
(some days he really wants to ask you how oblivious one person can be, but he restrains himself)
I mean, how many times can he send you red tulips before you finally get the hint? he's practically spelling it out for you!
there is... a tiny, little part of him that worries you don't reciprocate
is he not your type? are you interested in someone else? perhaps he'd been too harsh on you, after all...
the fact that one little potato can make him so worried absolutely drives him mad
he is the vision of poise and grace and you are ruining him
and this sort of mood comes and goes in waves
just when he thinks he's pulled himself back together, you'll smile at him or say something cute and suddenly he's back to square one
(you're so adorable it's annoying -_-)
while he's sorting out a good way to express his feelings properly, he'll be spending all his free time with you
you need some new things? he'll be glad to take you shopping
you came over to see Epel? oh, well, he's not here, but you should stay for some tea, anyway!
your afternoon is free? he has some new lip gloss he's been dying to test out...
𝐑𝐨𝐨𝐤 𝐇𝐮𝐧𝐭
contrary to popular belief, I don't think Rook would be so open about it
he still compliments you, of course, and sings praises of your beauty and elegance, and has little regard for personal space, as always
but he's like that with a lot of people, so it's hard to really tell when he likes someone
the truth of the matter is that Rook Hunt can be just as reserved with his feelings as anyone else
when he really, really likes someone, he keeps it to himself
why?
he's hunting you he's learning more about you before making his true feelings known
he feels it's necessary to have an adequate amount of information on his target before making a move, after all
for reference: you catch his eye at orientation, and do not have a single conversation with him until after winter break
(of course, after that, you start mysteriously running into him everywhere)
is he kinda weird about it? uh. yeah.
this is Rook we're talking about
on the other hand, he's completely lovesick about you and it's almost cute
he's definitely the type to write your initials in a journal with a glitter pen while kicking his feet back and forth and giggling
seeing if you would sound better with his last name or he with yours...
definitely has a very weird photo collection of you somewhere in his room
along with stacks of poems, pressed flowers, and little gifts he intends to give you once he's won you over
(when, not if. Rook is nothing if not patient)
you may find a rose left outside Ramshackle every so often
or a few cans of tuna for Grim
all while acting like the same old eccentric Rook, no discernable difference
except when you can feel his eyes on you at random places in the middle of the day
Ace and Deuce call you paranoid but you can't shake the feeling
though, every once in a while he'll get a little grumpy
Rook is easily jealous, and while that sort of possessiveness never extended to untouchable idols like Vil and Neige, he's already decided that you're his prey
and he'd kindly ask everyone else to find their own, thank you
he hasn't exactly planned the confession yet, but just know it's probably going to be the sweetest and craziest you've ever heard
𝐄𝐩𝐞𝐥 𝐅𝐞𝐥𝐦𝐢𝐞𝐫
first of all he's going to fight you for making him like you so much
second of all he's going to beg for a chance
maybe not in that exact order
Epel is constantly at war with his own emotions and having romance thrown in the mix is. uh. not optimal
not only does it ruin the stoic, strong male persona he's been trying to build, but it's also making him feel all soft and gushy
suddenly he cares about looking nice
(much to Vil's approval)
and now he wants to do nice things for you?
he's gonna bite you
how dare you make him think about kissing and holding hands!
don't you know he's supposed to be above all this romantic stuff? what is he, Rook?!
then, after his initial temper tantrum, he starts coping. hard.
he might be able to stomach the idea of being an item if he gets to wear the pants in the relationship
...yeah, right? right.
if you let him be the man, if you let him protect you...
he might be okay with it!
obviously he starts trying to show off his manly strength (seriously) every time he sees you
starts making comments about how tough practice was on him
will literally never let anyone else carry anything for you ever again
he even provides for you (in payments of apple juice)
obviously this backfires 'cause the second you do something that gives him butterflies he's back to giggling
(you'll have to ease him into the idea of being soft and romantic together, but he'll get there)
but, to his credit, he'd be the first out of all the above to confess
super suddenly and out of nowhere (and he ends up shouting it cause he didn't want to sound chicken) but it's sweet in its own way
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wednesdaysky · 7 months
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I like how Gortash is kind of a hidden foil to the theme of "breaking free from those who abuse you" and "perpetuating the cycle of abuse" that runs throughout all of BG3.
He was hurt very badly. What did he learn from it? That you're ultimately alone, nobody is going to come save you, the only person on your side is yourself. He didn't have a Tav/anyone else to come help him, or if he did, he refused to let their words get through to him. He dragged himself out of literal hell -- from there decided he was going to make the entire world pay for what was done to him. From there never grew up from the kind of simple fantasy a child would come up with, I'll be better than you, nyah nyah. From there did an Ascended Astarion and did live his own worst life.
His parents had power over him but decided they'd rather have money than another mouth to feed? Fuck them, Enver could earn more money than they ever had. Raphael had power over him and lived a life of luxury while treating his slaves to all the horrors of life amongst devils? Fuck him, Enver could accumulate more luxury than even a devil would ever have, even steal his coveted toy. He was smart, he could outwit them, he could be worse than them if needed and leave them all crying in the dust at his success.
And then he did whatever was necessary, the way his own family had done what was necessary, no matter how dirty. Went on to beg, borrow, and steal his way to the good life with no sleazy stone unturned. Seducing people to steal from them? Who cares, if they don't notice he's doing it then they're idiots and deserve to be taken for a ride. Weapons dealing? Barely a crime at all, if he wasn't doing it someone else would. Selling slaves? Who cares, it was done to him and he got out, anybody who can't is just a weakling. Selling Karlach in specific? Betraying those who trust you to make a quick buck is just good business, he had it done to him and he's fine. Playing with people's souls and lives in the most horrific fashion possible? Whatever, it's not his soul and they're not worth that much anyway, devils literally spend them as currency.
Hitch your wagon to somebody more powerful than you, use their influence to gain more power over others, then step on them to climb your way up the ladder -- that's the way you get what you want out of life. It's no surprise that he threw in his lot with Bane. Sure, he's technically got a new master holding authority over his head (though with as arrogant and self-aggrandizing as he is, I can picture him even thinking "I already outfoxed two powerful devils, I'm about to rule the world, so...what's a single god really?"), but all these stupid mortals underneath him? Now they have to do whatever he wants. It's childish petty revenge taken to the utmost logical extreme possible. Everybody he ever hated, everybody who ever wronged him, everybody who might want to wrong him, they have no choice but to bow and scrape forever and it's the best kind of vengeance against the world to be able to hold that over them. Just consider what he does to his parents. He could've just killed them. Instead his wrath comes in the form of making them watch his success while trapping them in an unending hell they can never escape for as long as they live. The same fate they would have abandoned him to if things had gone differently.
So much of this is told through text notes and little side details that it's easy to miss, but I love that one of our main villains is somebody who suffered in a very similar way to some of the main cast members and his response to that wasn't trying to become better than what was done to him, it was to aim himself straight toward way, way worse.
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iberiancadre · 3 months
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I've talked about this before but I have a deep dislike of sentiment like this within "leftist" circles, regarding unions. And it's practically always from USamericans, go figure.
(Before anyone interprets this post on bad faith, which is inevitable, I am not against being in a union and I am not telling people not to join a union, it's the most inmediate form of protection workers have and that is, in fact, good)
It's this overbearing insistence on joining unions, treating it like the best (and only) way of achieving workers' liberation, and I think that shows either a bad understanding of what unions are or a bad understanding of how capitalism works. Unions are bargaining bodies for workers, that's it. They aren't revolutionary, and they aren't going to kill your boss. And I want to really hammer in this point. They aren't revolutionary. Precisely because their role is to bargain, and to achieve better conditions within the system of salaried work.
You are never going to "liquidate the ownership class" by getting longer breaks, paid holidays and an excellent health plan. Keep in mind, bargaining with the capitalist is necessary, and that in itself isn't non-revolutionary, not necessarily. But the only purpose of a union is to bargain. I really don't think people get this. A union's only purpose is to bargain, it is to negotiate. Negotiations also necessarily imply compromises and unsatisfactory deals. Unions are not a magic key to not being exploited, and they especially are not the way to liberation.*
I think this is especially prevalent in the US because of two things:
Their labor movement is so fucked that any kind of opposition to capitalism is by default radical. And therefore some people feel it's enough to just tell people to join a union. However, this isn't unique to the US and many places have it much, much worse
Living in the imperial hegemon makes it very easy to ignore any other place outside of their little sphere. People can go years engaging in left-of-DNC circles but without ever leaving their USamerican community, they end up not knowing who James Baldwin is, to give a topical example. This affects the US labor movement by allowing them to ignore other places' struggles, so it's very easy to see anything they do as the horizon of political action. They only need to look to their own country for examples in action, and the truth is that the labor movement in the US has been largely very mild. In the cases when it has not been mild (notable exceptions include the Black Panthers), it's largely forgotten, demonized or revised in bigger circles.
So you get people who call themselves communists just for being unionists. But a communist is someone who identifies the core of exploitation to be the very structure of capitalism and work and attacks it. You are not a communist, however, for believing the core of exploitation is your shit boss who refuses to pay for dental.
And what's funny is that 90% of what people on here claim to be communist and anti-capitalist is just the norm on most of the world. People will hype up the DSA or VoteSocialist2024 as if they're breaking ground, and then you read their programs and they're just socialdemocrats. They are nothing more than reformists, just another manager of capitalism.
My father works for one of the biggest textile manufacturers and distributors in the world, and unionization is the norm, it's a "union job" but it's still shitty and exploitative. There are in fact 3 unions, and they engage in petty electoralism within the workplace, only sometimes actually protecting worker's rights, and that's a country-wide norm. This is what unions end up becoming when they become established, especially with a friendly government in place.
CCOO was a union created in the late fascist dictatorship in Spain, and they were genuinely fighting (with guns!) against the dictatorship. And the moment the dictatorship ended and they became the largest union in the country, they slowly became less and less radical, and more complacent. Last year they signed a labor reform that legalizes highly precarious and inconsistent forms of work contracts. That's not "liquidating the ownership class", that's just social-democracy when it doesn't need to be the opposition anymore
To wrap up, a note on syndicalism, anarcho-syndicalism, etc.
Unions are by their very nature an organization that only operates within one aspect of the life of the working class, the workplace. Sure, it's the main one and the part that defines us as a class, but it isn't the only one. In order to actually "liquidate the ownership class", you have to take power by force, and that will have to involve intervening outside of the workplace. What syndicalists used to claim is that unions can be the base of a socialist society and organize the entire working class to destroy capitalism. However, at that point, you have created a party and called it a union. And not only a party, but a myriad of them, each with their own characteristics and desires. So a multi-party system. I will not get into the viability of multiple parties in socialism in this post, but they are not unions in anything by name.
Footnote under the cut:
*I know I'm repeating myself a lot these days on this topic, but if you live in an imperial core country, there is no way to have prosperity (as the example above puts it) without some of that wealth coming from imperialism. It does not matter if your particular country never had colonies, it does not matter if your country is stereotypically nice (fuck the Nordic countries). And no, the expoliated wealth does not only remain within the capitalist class, there is always at least some circulation of wealth from the capitalist to the workers within any welfare program. If your workplace can afford to have long breaks, that is at least in part because your capitalist is profiting from the exploitation of the third world, and because the entire economies of imperial core countries uses the wealth extracted to support their deficits and to stabilize their currencies.
It's not a hard concept. If you can understand that it's basically impossible to manufacture batteries for renewable energy without exercising violence on places like the Congo, it's not that hard to understand the same is true for most things.
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inkdrinkerworld · 7 months
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hotch and reader who've had a fight so he's testy and short fused with the team all day till david/emily call you to tell you to come over to the bau and sort it out so he's not so difficult to work with
in hindsight, it was a stupid to be upset with each other over. you're both adults, so there's no way that between work and chores that you'd both see each other as much as a normal couple.
you and aaron were really just missing each other and couldn't get enough of each other to the point where you both came resentful at the ringing phones and being stolen away for work.
you weren't ready to let the fight be and neither was aaron. you just didn't know how bad he was taking it till your phone was pinging at work.
there's a million texts from his co-workers begging you to make up so he isn't so snappy and mean. even rossi texted.
with a sigh, you say, "i'm going for lunch," and grab your bag and head to the precinct.
when you get there, you see the chaos your husband has caused. there's more people than necessary in the bullpen, desks are crowded and people are walking around with hurried steps.
"what's going on?" you ask spencer as you spot him in the kitchenette.
"hotch is making everyone redo case reports, apparently it's not up to par." he's stirring an ungodly amount of sugar into his coffee. "i think he just needs to feel busy so he doesn't mull over your falling out."
spencer had gotten like a brother over the years you and aaron had been together and he's a damn good profiler so you're not surprised him or anyone else is aware of your fight.
"i'll go talk to him," spencer pats your shoulder, a marker of good luck as you weave through bodies to get to your husband's office.
you knock and his gruff, 'come in' isn't the least bit shocking. fights with him can consume him because he feels it's all his fault and that if something bad is happening it's because of him.
"aaron?" you mumble, skin clammy as you step into the hot, dark office.
"y/n, what are you doing here?" not honey. so he's still pretty pissed off.
"david said you weren't having the best day ever, so i thought we'd better sort the fight out." you say plainly as you sit on the lip of his desk.
you watch aaron's eyebrows crease to meet each other and then smooth out a couple times. "you know it's not your fault that we don't see each other as much as we'd like to, don't you?" you ask and watch your husband's shoulders sag.
"it's not yours either," he says softly, ashamed that he had implied that to you when you'd suggested having a day with just you two. "work is just work."
you nod, your hands reaching for his chair and rolling it closer to you. "it's hard, we both work odd hours, and that's fine." you reassure him, hands lost in his glossy hair. "but we have days off to take, even if it's just one."
aaron nods, letting his forehead fall to your sternum with a sigh. "i'm not mad at you for having a job like this, one that you love. i'd never ask you to leave it either, we just need to get better at managing our time together." you whisper the words as you continue playing with his hair.
"i'd never ask you to leave your either. i'm sorry everything got so convoluted." he says and you smile, kissing the crown of his head.
"i'm sorry too, my love." aaron raises his head and presses his lips to your jaw. "though, i think you need to apologise to david and the rest of the team. they've got agents from every department in the bullpen."
aaron sighs, his arms wrapping around your waist. "let them be busy for a little while longer, haven't had quiet time with my wife in a little while."
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Text
Alastor's reaction to "Bitch, what's for dinner?!"
There is no way in Heaven or Hell this man is every saying this to you. He'd be terrified of his Mama hearing him from Heaven and coming down to reinstill the fear of God into him. Wooden spoons and switches hurt when wielded by a righteously angry woman. Not that his mother hit him often (his father did more than enough).
And you value your life and your relationship with him to try it. In fact, it probably doesn't even cross your mind to test it.
You're not even sure why it's trending. It is a really sweet video and highlights the lingering effects of abuse, but for people to recreate the video is odd to you. I mean, maybe not, because you see a lot of cosplay under the sound, and you'd be lying if you didn't agree with some of the ships being perfect for this audio. But like, you don't want to recreate it with Alastor.
So how would it come up?
Well, you and Alastor are sitting together, it's later in the evening, he's reading his paper and listening to radio and you are sitting quietly beside him, phone volume and brightness on low so you can watch a few videos, the compromise you made with Alastor about technology being near him.
The sound comes across your feed paired with yet another couple re-enacting it and from the corner of your eyes you see Alastor's ear twitch as the door slams on the video and the man shouts at his girlfriend.
The second she responds with the timid "grilled cheese" his head snaps towards your phone, the video glitches, and your phone shuts off (at least he's stopped breaking them).
"How distateful. And to be comfortable with others seeing him behave so brutishly. Clearly, men today need to be taught manners, their poor mothers. What an embarrassment to have your child turn out so disappointing."
You lean against him and pat his arm.
"If you'd have waited until the end, you'd see it's just a trend. People yell this at their partners to see how they'll react, if they take that abuse or not, and if they do, they always reassure them to never let anyone speak to them that way. I think it's supposed to be cute and supportive."
Alastor rolls his eyes, muttering about how nonsensical that is. You get your phone working again and decide to put on a true crime podcast to listen to before getting up. It's your turn to make dinner, so Alastor's your helper and dishwasher tonight. You wait for him to finish his page, set his paper aside and stand, his arm going gently aroind your waist as you two stroll to the kitchen.
He stops in the entryway and turns to you.
"For the record, I should hope I would never stoop so low as to treat you that way, but if I do, or if something I say or do truly upsets you or harms you....please do not refrain from telling me."
You laugh and kiss his cheek. "Just telling you? Usually those videos end with their parnters granting permission for their partner to slap them."
Alastor chuckles. "If you feel it's necessary. Though I'd prefer we just talk."
"I'd prefer that too. And same goes for you, always tell me if I've crossed a line."
"Of course, my dear. Now, I'll demonstrate the proper way to phrase that question."
He takes your hand dramatically, lifts it to kiss the back of it, and guides you fully into the kitchen. "What are we making for dinner, mon cher?"
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