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#character interpretation
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you guys just dont even. understand Him. hes NOT super overly sweet and affectionate with his partner(s), although he does love them very much. he reluctantly accepts a kiss on the cheek from jim, melodramatically rolling his eyes and kicking him out of the sickbay. but he looks back at jim as he walks away, a soft smile on his face and an added pep in his step for the rest of his shift.
he grumbles about "ridiculous vulcan voodoo" and makes a face as spock offers him an ozh'esta. but when their fingers touch, spock can feel the overwhelming affection underneath his icy exterior; his armor protecting him from getting hurt again.
the armor isn't going to fall off the moment he falls in love. it may not ever fall off; not all the way, at least. spock and jim aren't there to "fix" him, they're there to love him as he is. he doesn't have to outwardly express his love to show that he loves. he loves and cares deeply, all he ever wants is for everyone around him to be safe and to feel better.
in this essay about leonard mccoy, i will be-
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panda-panoptic · 6 months
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Reworking Alfred’s entire character
I’m obsessed with this stupid son of a bitch, let’s get into it
I think too many people make him too uwu nice and forgiving as if most Americans don’t hold life long grudges over a ball game. Or that we can’t be serious at the drop of a hat when it comes down to it. Like when we say fuck around and find out we mean it, which apparently that’s a very American thing. Yes the dumb bitch stereotype is real, but there’s such a “you’re joking right?” attitude among people when it comes to certain things that I think he could go from playful to serious in a second, to the point where it might trip some people up. Especially when it comes to moral issues.
Also I hate that him being super obsessed with his image and how he’s seen by others is interpreted as sad uwu emo boy instead of clean girl maniac Patrick Bateman type of egotistical freak.
He should also be more apathetic and serious about work instead of “omg let’s build a ladder to the moon!” You have not set foot in this capitalistic hellscape if you think that’s an accurate way to characterize him lmao.
On top of that, he’s a fake ass bitch and that should be expanded on. Like he is definitely the type of person that has a million different ways of presenting himself and his personality to the point where he’s not sure who he really is.
He should be a lot more ego driven too. Like “how is this going to reflect on ME” not “I’m doing this ONLY out of the goodness of my big heart uwu”. Not that he can’t or doesn’t care, but if it reflects well on him then he’s more likely to choose that option.
Anyway, this is just some of my thoughts, im sure I’ll add more in the future
(If you characterize him differently that’s fine this is just me rambling and being obsessed)
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peony-flowerking7 · 4 months
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Tea Time
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Wukong and Duzhe enjoying some tea time together,
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And then insulted their tea making skills.
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Okay the design itself is not monkey enough, he's too pretty not gruff enough. I want him to look ruff and tumble MAKE HIM MORE OF A MONKEY! So I will continue to change Wukong design constantly until I get it how I want but for now.
This is a concept and his color scheme might change overtime I just want his design to be perfect. Anyways listen Duzhe and Wukong should have two types of relationships enemies to lovers or mentor and disciple. Duzhe is the disciple and Wukong is there Mentor. It sweet wholesome awkwardness and basically maybe...lot of touching. But anyways hate the design of this Wukong I WILL GET IT!
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windydrawallday · 3 months
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MARAUDER LOCKDOWN
... Tbh he is more of a "vagrant" but that sounds too low for his reputation IMEAN--
I'm both excited and nervous to show at last a proper reference for my own interpretation of this character 💚 I think it's not a surprise anyway for the ones that know me and my love for him ksdjhfjdsfh
I wanted to do it too so I can work comfortably on my HCs that edge in very OOC territory from the canon (and even some fanon)... and because I admit I have been enjoying sharing short stories and RPs with people again ✨ and activity I missed a lot!
And of course, this interpretation got its own whole backstory that differs from the canon and follows my HCs and concepts around his species, but I'll talk about that in another post (or if someone is curious enough to ask for it coff).
For now! Have more initial sketches from when I was developing him (this is since... 2022 gosh).
First: a time ago I used him for an old (discontinued) post-apocalyptic AU with designs inspired by hunting-scavenging clothing. A friend said he looked like Robin Hood x'D
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... I almost didn't change the way I sketch digitally. Anyways. To not let this rot, you can notice I used many design cues from this one!
Then during half of the past year, I did studies of his ROTF toy because I liked how that one kept the weird silhouette of the TFA but aligned to the IDW design too!
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And from there I chipped away traits and straightened others until it felt right to me.
BONUS one of the first and fastest sketches I did for him during a conversation with @goobygnarp x'D Thanks to this I not only got the courage to finish the reference but to understand WHAT design cues I wanted to keep and didn't give me too of a headache.
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[ Btw that kremzeek is my rascal baby Scintilla ]
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mayfieldswalkman · 5 months
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steve harrington — stranger things // isle of dogs — wes anderson // juliet by cavetown // this is me trying — taylor swift // daisy jones & the six — tjr // what i could never confess by emily palermo
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castingmysilver · 1 year
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I have Thoughts about Guardians 3, and Rocket's arc.
Spoilers of course if anybody watching me here still cares.
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A name isn't just a callsign, especially if it's one you chose. A name is part of how you see yourself.
Rocket chose his first name as an act of *hope*, which was then absolutely pulverized. And in that pulverization, he lost every meaningful root he had, and every social link to anyone who could truly understand what he had been through.
Rocket refuses to be a Raccoon.
I don't mean that he just objects to being *called* one. I mean that he feels he *has no common species* at the beginning of the film. Even if he *was* a Raccoon-based prototype, which he doesn't know or believe for certain, he was deeply, fundamentally Changed. When he was modified, uplifted, and *tortured* "for his own good," he became something different than everyone else cowering in his cage. His species and his family was his experimental Batch now. And he is the only survivor.
He had believed that meant they were going to be a part of something beautiful and good and better than himself, and he was willing to serve that goal right up until he learned first that he was worthless to his maker's ideal of that beauty, and then that his family was going to be deleted like a typo out of the grand plan.
His whole life, right up until his near-death vision, he feared that all he was was somebody else's fuckup, wearing the name of a lost dream.
And then that changed.
He began to have hope. Then he made a choice of his own that he couldn't hide from his past anymore: whatever happened, he was going to stand or fall on his own power, and have a shot at making a difference along the way. And then...
He chose to be a Raccoon. To my mind he didn't just discover the name applied, he applied it himself; his kinship was with everything he wanted to save, all the potential experiments, not with his prototype path.
And that is also why it bothered me *much less* than it usually does when they mowed through minions and spared the final boss. Because they made it *Rocket*'s choice, and he chose in confronting his abusive father and disavowed God that *he would be Named by his choice to protect when possible, not just by his rebellion against the pattern set for him.* He was neither an heir of the Father's plan, nor a violent aberration who only existed to fuck it up.
He is Rocket Raccoon, and he's a Guardian of the Galaxy.
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wordsandrobots · 6 months
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I finished IBO recently, and I don't think I fully get why people call Mika and Orga's relationship one of "toxic codependence". That they depend on each other is obvious, but I feel like I'm missing out on why people think their relationship is unhealthy.
(Thank you for giving me a reason to procrastinate on the chapter I have nearly finished but my brain has gone 'nah' over.)
The way I look at it, there are two key levels on which it's unhealthy. These are related but I think it's worth distinguishing them, because one plays into wider problems within Tekkadan, while the other is a deeply personal matter between Orga and Mika.
But first of all, I think it's important to be clear: Orga and Mika's relationship is rooted in genuine care and affection. This is not apparent friendship built on a lie. These two really are together for life and there are many positive aspects to that. We see them joking about early on, Mika making sure Orga eats (whether he wants to or not), the ease with which they operate as a double-act -- and there's a real sense each would be dead before the series began if not for the other.
However, there is also a profound imbalance at the heart of their relationship. I've written before about how that imbalance is inverted compared to what it looks like at first glance; that is, Mika is the dominant personality, with Orga twisting to follow his wishes. At the same time, yes, Mika has absolutely outsourced his decision-making to Orga. No question. It might be Mika's desires and dreams that ultimately shape their path, but Orga is still the one making choices about where to go and who to shoot.
And it's the absolute degree of Mika's surrender that fucks Orga up. Because, to a very specific point, Mika will do exactly what Orga tells him without question. Period. Everybody else's opinions and orders are secondary to the man he's picked as his guiding star in life. I say 'man'; I mean 'boy'. This started when they were kids, after all, which is why Orga's sense of responsibility is quite so thoroughly warped.
As far as Orga is concerned, being in charge means working everything out on his own. Because Mika does not help him. Mika, at most, offers gut feelings for why something should be done; he never provides useful input on how to get from A to B. So Orga internalises that the buck stops with him, that he always has to be the decisive one, always has to have a plan.
It's masked to begin with because Biscuit is there as the angel on his other shoulder, offering useful advice and acting his second-in-command. However -- Orga never actually listens to what Biscuit has to say about the direction Tekkadan should go. That's the central tension in their relationship, in fact. Orga actively expects Biscuit to go along with what he chooses because that's what Mika does.
With Biscuit gone, there's nobody left to make even a token attempt at calling him on this tendency. Eugene utterly fails to, despite having a good set of instincts, because he's too committed to Tekkadan and too easily swayed by other people who seem to know better. Merribit gives it her best shot, but lacks the tools to approach the boys convincingly. Kudelia doesn't see it as her place. And the rest of Tekkadan fall in line over and over, reinforcing Orga's bad habits.
They trust him, is the thing. They trust him to deliver on the dreams he weaves, enough to offer up their lives on his say-so. None more than Mika himself, who literally gives an arm and a leg to make sure Orga's plans come through.
There is a point where this commitment slips out of Orga's control. I'm not sure where to pin it generally but the battle with the mobile armour is when Mikazuki makes it clear he isn't going to back down on the idea of becoming kings of Mars. He's seen Orga latch on to McGillis' offer as *the* destination, their place, where they can all be together and happy. And because he's always done whatever is necessary to see Orga's plans come through, he . . . does precisely that. Even knowing it's going to injure him further. Even with Orga literally telling him not to.
Making sure Orga gets his victory is more important.
I should stress how much this fucks Mikazuki up as well. I tend to focus a lot on Orga, but Mikazuki reduces himself down to a weapon for Orga's sake. To the point of breathing a sigh of relief once he's been sufficiently disabled he thinks he won't have a life outside Barbatos any more. Atra says at one point that Mikazuki is lazy over things that don't interest him -- that includes conceptualising an existence beyond fighting and following Orga. He does have his own dreams (being a farmer, seeing interesting sights) but actually working out how to achieve them after he's given away so much to Orga is beyond him. In the end, he simply gives them away too and chooses to keep following what he imagines Orga's orders would be.
Neither of these boys intended to do this to each other. That's the tragic part. Orga uses Mika as a weapon because it's the smart choice but it tears him up inside to see what that does to Mika as a person. Meanwhile, Mika insists what happens to him comes from his own choices and isn't something Orga should feel guilty over or see as a reason to give up.
And . . . here's where we move from the first level (Orga's no-middle-gear sense of responsibility coupled to Mika's unconditional loyalty) to the level on which Mika personally scares Orga into escalating over and over again.
It's that scene in the Montag Company ship. Or, no, it's not just that: Orga talks earlier about how he constantly feels Mika's eyes on him. Yet it's following Biscuit's death that this aspect of their relationship is laid bare.
I love this scene so much. It has the form of a triumphal rescue from grief, complete with swelling musical score, in much the way Mika often has the form of being the daring protagonist. But the content is Mika being the most blatantly scary he ever is in the entire show. The way he looks at Orga -- the way he always looks at Orga, his unblinking, uncompromising stare -- is at last framed as an overt threat. Mika is not going to let Orga give up because Orga promised to take him to the better place. What Orga wants is irrelevant.
Ah, screw it, I'm transcribing the dub script because it is so, so good.
"Tell me. What do you want me to do next, Orga?" "Hey give me a break. I'm just -" "Look I'm sorry. But I can't stop yet." "That's enough." "Now I wanna know -" "I SAID THAT'S ENOUGH -" Mika grabs Orga by the shirt, dragging him close. "Is this the place you told me about? 'Cos I won't stop. Not 'til we're there. I can't. On that day, Orga, I decided. So. How many should I kill? How many more until we get there? Because I need to know. Tell me, Orga Itsuka! You're gonna take me, aren't you? That's what you told me! What should I do next -?” "GET OFF ME! Orga throws Mika at the locker in the corner and stands up. "Yeah, alright, fine. I'll get you there. Can't turn around now anyway. That's what you want, RIGHT? No matter want kind of hell might be waiting for us. OK? Then I'll do it. And I'm bringing everyone with me." "Yeah. That's right. Take us there. So who do you need me to take out then? And what d'you want me to destroy? 'Cos if I finally get to reach that place someday, there's nothing that I won't do." SFX: lightning and thunder
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This is not Mika pulling Orga out of the darkness. It's Mika driving Orga further into it, into a battle that kills dozens and very nearly ends with every single named character dead (in the real world, the commissioning of a second season saved them; in universe, it's stubbornness and pure fluke).
What would it be like to have someone so committed to what you've promised them, they would do anything for you, up to and including refusing to let you break your word? What would that be like if said person was the most dangerous individual you had ever met in your life, because there is a point past having no sense of self-preservation where no line is 'too far'?
That's Orga living with Mika as his shadow. That's not healthy. That's not sane. Orga comes loose at the seams attempting to be what Mika expects of him, and I think he's genuinely terrified of what might happen if he can't.
It goes the other way too. The scene in the ship is one of two times I'd say, yeah, that's what Mika looks like when he's scared. The other is immediately prior, when it seems Carta is going to kill Orga. 'That's what you told me' isn't just a reminder for Orga; it's the closest Mika gets to a crisis of faith. Seeing the one you believe in waver is its own form of terror and Mika has committed everything he's got to Orga. He can't conceive of stopping now.
[I should say, I primarily watched the dub and the vocal performances vary somewhat here even if the underlying intent doesn't. I love what Kyle McCarley does, injecting a note of increasing franticness into Mika's speech, but Kengo Kawanishi hits the volume rise hard on 'What should I do next?', hammering home just how much he needs an answer. Of course, they then both give Mika this deliciously bloodthirsty joy when he gets the one he's looking for.]
I don't know if there's anything Orga could do that would truly break Mika's faith or push Mika to turn that prodigious strength against him. I don't get the feeling Mika is the kind of person who'd ever hurt a friend for real. He isn't cruel and we see how much friendship matters to him (woe betide anyone who hurts the people close to him).
But what these two are actually capable of is beside the point. What matters is what they think of one another and they each think the other is the most amazing thing in existence. Orga sees Mika as near superhuman and Mika sees Orga as fantastically brilliant, and they're both afraid of being proved wrong, so they aim for an impossibility imposed by their mutual expectations.
The further they head down the shortest path to their goals, the more Mika crumbles physically and the more Orga crumbles emotionally. Like an engine shaking itself to pieces as it turns faster and faster. Love, hope, faith, determination -- and no brakes. A mad charge towards destruction.
I don't tend to describe things as 'toxic'. For whatever reason, it's not a word with much presence in my vocabulary. Still, I think it fits here. Mika and Orga's relationship might have been healthy, in a kinder world. It's undeniably the most important aspect of their lives. There's no intention on either on part to cause hurt. But the combination of who they are and the circumstances they are trapped in means they're ultimately toxic to each other.
No matter how much they care or want what's best, the very form of their relationship impedes their ability to grow, cuts them off from those who might be able to help with that, and eventually leads them to their deaths.
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Well, that's how I see it anyway. I hope this helped? I think Iron-Blooded Orphans does some pretty brilliant things in terms of presenting fucked-up relationships that have positive aspects while at the same time dooming the participants, so I'm always happy to ramble about that aspect of the show. Or indeed, any aspect of it at all!
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j3llyf1shdust · 2 months
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Silvers design for that Team Emerald AU for @team-emerald
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caffeinated-croissant · 10 months
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I need everyone's opinion
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adalwolfgang · 9 months
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Meet Brahms!
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burnt-french-nugget · 6 months
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Finally, a full body drawing of Jeff.
Also look, he's with Laz and Sally ^^
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peony-flowerking7 · 4 months
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Chonk
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Taking a bit chonk of her cheek. That can be taken out of context, but ya know what I meant.
I was struggling for dear Lord, I was having trouble with Duzhe skin because their vitiligo and whenever I did try to color their skin and render it, it look absolutely horrible! It wasn't even matching their skin perfectly it just look..I can't explain it well. It look so plastic? That the best I can describe as. So here my solution to this problem, recolor their skin tone and then I put their vitiligo last, then I did some rendering although it doesn't look like there much there is rendering. The same went to Wukong except I had to render and recolor his face paintings. Anyways I hate rendering red since it always look dull and ashy so I was like
MORE SATURATION MOre MORE! So anyways. I'm working on two things, first a base for noodles and death and the second is my version of Sun Wukong. Btw Duzhe might go through some changes too I have like lots of ideas. And I like experimenting with clothes and hair style.
Uh about this picture, I feel like Wukong would definitely bite his love ones and then lick them like some heathen. I use a cats for reference I wanna do some cat memes honestly. With these two and some journey to the west cat memes. Lol
I had to both copy it and reference it.
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Cat chonk
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oddlittlestories · 5 months
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Foreman
Okay y'all I don't know if this is anything but here's the first inkling of a read on Foreman, cause I've done it for almost everyone and he needs it next
All the characters have masks they wear, but for the most part, it's driven by things they believe and/or fear.
With Foreman, it's more like he has a veneer. He puts on this veneer of a "nice, good guy" or who he thinks a "nice, good guy" is, and then fails to live up to it because he's not what he perceives as good.
In some ways, it's like Wilson's pretending to his ex-wives of him being a "good guy" or "knight in shining armor," because he can't keep it up. But with Wilson, we see very little of it because he isn't that way with House, and isn't really that way with Cuddy either. In contrast, Foreman is that way a lot, until he screws it up because that isn't who he really is.
Poor Foreman. Who told you nice is good?
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muma-kitty · 3 days
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alright, since some of you seem to agree with my thoughts, i think i'll elaborate a bit
sweeney todd's autism diagnosis
this might be a bit lengthy so ill spare you the scroll if youre not interested.
stiff movements (this isnt really a dancer's role)
lack of expression, tends to look either sad or angry most of the time. could just be the trauma tho
weird stilted way of speaking (hearn specific)
generally quiet and reserved outside of emotional outbursts (again, trauma)
strong sense of justice - "at the top of the hole sit the privileged few making mock of the vermin in the lower zoo"
entirely fixated on razors when reacquiring them, completely oblivious to mrs lovett talking about her massive crush on him
doesnt know what to do with his hands when not holding anything - "at last, my arm is complete again!"
[shaving contest /w pirelli and aftermath]
doesnt bother with any flash or flair, gets straight to work and gets the job done
becomes agitated and paces when expecting the beadle to arrive at his barber shop but doesnt know when (gotta have a schedule)
[epiphany]
if this isnt a textbook meltdown idk what is
mood swings (man goes through every stage of grief twice in the span of 3 minutes)
lashing out - "alright! you sir! how about a shave?"
mrs lovett trying to calm him down just upsets him even more
[a little priest]
doesnt understand what mrs lovett's hints at at first
asks what unfamiliar food is before trying it, as if hes hesitant to try new things
definitely an odd sense of humor
wordplay. so much wordplay.
more tactile stimming, this time with suspenders (hearn)
[god thats good]
upset because the package he was told would arrive by 5:45 is 15 minutes late (his SCHEDULE is RUINED)
once the chair arrives, becomes agitated when he cant get mrs lovett to stay and watch him open it (PLEASE let me share my interests!!!!)
once again calling for lovett's attention, this time to set up a system of communication. he just really wants to make sure she isnt missing his cues
[by the sea]
several minutes of sweeney being completely absorbed in his own thoughts while giving half-assed responses to at least pretend like he heard any of that nonsense
[wigmaker sequence]
time to infodump
possible echolalia? - "the madhouse? the madhouse!"
[finale]
upset that he now has to go find toby when hes expecting the judge to arrive soon (the schedule!)
doesnt seem to be aware of how threatening he sounds while calling for the kid
after killing the judge, suddenly remembers he was supposed to catch toby and runs out only to realize he didnt grab his razor (only has enough working memory for one task at a time)
im sure there are other details i missed, especially since everyone's performance is different, so feel free to add on
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castingmysilver · 11 months
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A Thought re: Scholomance as a conversation with fandom interpretations of Harry Potter.
Is the grandmother a direct reply to Dumbledore? Specifically the bit where she has a genuinely sympathetic and fairly watertight reason for why she manipulated her granddaughter's isolation?? Like, she wasn't just moving a chess-piece into position by hurting her. She was both preserving the future of the world, *and* keeping the child from prophetic certainty of falling into the hands of people who would be *worse* for her, even though her phrasing basically destroyed El's childhood.
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𝗪𝗲𝗹𝗹 𝗵𝗲𝘆 𝘁𝗵𝗲𝗿𝗲 𝗱𝗮𝗿𝗹𝗶𝗻', 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗔𝗺𝗯𝗿𝗼𝘀𝗲, 𝗟𝗼𝘂𝗶𝘀𝗶𝗮𝗻𝗮! 𝗬𝗮 𝗰𝗮𝗻 𝗰𝗮𝗹𝗹 𝗺𝗲 𝗕𝗼! 𝗧𝗵𝗶𝘀 𝗵𝗲𝗿𝗲 𝗶𝘀 𝗮 𝗮𝘀𝗸 𝗯𝗹𝗼𝗴 𝘄𝗵𝗲𝗿𝗲 𝘆𝗮 𝗰𝗮𝗻 𝗼𝗳 𝗰𝗼𝘂𝗿𝘀𝗲 𝗮𝘀𝗸 𝗺𝗲 𝗾𝘂𝗲𝘀𝘁𝗶𝗼𝗻𝘀 𝗮𝗻’ 𝗮𝗹𝗹 𝘀𝗼𝗿𝘁𝘀 𝗼𝗳 𝗼𝘁𝗵𝗲𝗿 𝘀𝗵𝗶𝘁. 𝗜 𝗺𝘂𝘀𝘁 𝘄𝗮𝗿𝗻 𝘆𝗮 𝘁𝗵𝗼𝘂𝗴𝗵 𝗯𝗲𝗳𝗼𝗿𝗲 𝘆𝗮 𝗴𝗲𝘁 𝘁𝗼 𝘁𝘆𝗽𝗶𝗻', 𝗮𝗹𝗹 𝗺𝘆 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀 𝗰𝗮𝗻 𝗯𝗲 𝗼𝗼𝗰, 𝘃𝗶𝗼𝗹𝗲𝗻𝘁/𝗴𝗼𝗿𝘆, 𝗼𝗳𝗳𝗲𝗻𝘀𝗶𝘃𝗲 𝗮𝗻' 𝗺𝗮𝘆𝗯𝗲 𝗲𝘃𝗲𝗻 𝗮 𝗹𝗶𝘁𝘁𝗹𝗲 𝘀𝘂𝗴𝗴𝗲𝘀𝘁𝗶𝘃𝗲 𝗯𝘂𝘁 𝘄𝗵𝗼 𝗰𝗮𝗿𝗲𝘀 𝗯𝗼𝘂𝘁' 𝗮𝗹𝗹 𝘁𝗵𝗮𝘁! 𝗧𝗵𝗮𝘁'𝘀 𝘄𝗵𝘆 𝘆𝗲𝗿 𝗵𝗲𝗿𝗲 𝗮𝗶𝗻'𝘁 𝗶𝘁? 𝗢𝘃𝗲𝗿𝗮𝗹𝗹, 𝗵𝗼𝗽𝗲 𝘆𝗮 𝗲𝗻𝗷𝗼𝘆 𝘆𝗲𝗿 𝘀𝘁𝗮𝘆 𝗵𝗲𝗿𝗲 𝗮𝗻' 𝗜 𝗰𝗮𝗻'𝘁 𝘄𝗮𝗶𝘁 𝘁𝗼 𝘀𝗲𝗲 𝘄𝗵𝗮𝘁'𝗰𝗵𝗮 𝗴𝗼𝘁 𝗶𝗻𝘀𝘁𝗼𝗿�� 𝗳𝗼𝗿 𝗺𝗲. 𝗖𝗵𝗮𝘁 𝘄𝗶𝘁’ 𝘆𝗮 𝗿𝗲𝗮𝗹 𝘀𝗼𝗼𝗻.
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𝘕𝘢𝘮𝘦: 𝘉𝘰, 𝘉𝘦𝘢𝘶𝘳𝘦𝘨𝘢𝘳𝘥, 𝘉𝘰𝘩𝘢𝘮, 𝘉𝘰𝘴𝘦𝘱𝘩, 𝘎𝘶𝘮𝘣𝘰, 𝘭𝘰𝘢𝘥𝘴 𝘮𝘰𝘳𝘦
𝘈𝘨𝘦: 35 (𝘴𝘪𝘯𝘤𝘦 2005)
𝘉𝘪𝘳𝘵𝘩𝘥𝘢𝘵𝘦: 18𝘵𝘩 𝘰𝘧 𝘚𝘦𝘱𝘵𝘦𝘮𝘣𝘦𝘳, 1970
𝘓𝘪𝘬𝘦𝘴: 𝘉𝘦𝘦𝘳, 𝘊𝘪𝘨𝘢𝘳𝘦𝘵𝘵𝘦𝘴, 𝘔𝘺 𝘎𝘢𝘳𝘢𝘨𝘦, 𝘝𝘪𝘯𝘤𝘦𝘯𝘵, 𝘓𝘦𝘴𝘵𝘦𝘳, 𝘑𝘰𝘯𝘦𝘴𝘺, 𝘔𝘺 𝘛𝘳𝘶𝘤𝘬, 70𝘴-90𝘴 𝘙𝘰𝘤𝘬 𝘮𝘶𝘴𝘪𝘤
𝘋𝘪𝘴𝘭𝘪𝘬𝘦𝘴: 𝘍𝘳𝘶𝘪𝘵𝘴, 𝘊𝘩𝘪𝘭𝘥𝘳𝘦𝘯, 𝘋𝘪𝘴𝘳𝘦𝘴𝘱𝘦𝘤𝘵𝘧𝘶𝘭 𝘵𝘰𝘶𝘳𝘪𝘴𝘵𝘴, 𝘗𝘢𝘴𝘵 𝘤𝘩𝘪𝘭𝘥𝘩𝘰𝘰𝘥
𝘈𝘣𝘰𝘶𝘵 𝘮𝘦: 𝘐 𝘩𝘢𝘷𝘦 𝘢 𝘵𝘸𝘪𝘯 𝘣𝘳𝘰𝘵𝘩𝘦𝘳 𝘵𝘩𝘢𝘵 𝘸𝘢𝘴 𝘨𝘪𝘷𝘦𝘯 𝘵𝘩𝘦 𝘯𝘢𝘮𝘦 𝘝𝘪𝘯𝘤𝘦𝘯𝘵 𝘢𝘯𝘥 𝘢 𝘺𝘰𝘶𝘯𝘨𝘦𝘳 𝘣𝘳𝘰𝘵𝘩𝘦𝘳 𝘯𝘢𝘮𝘦𝘥 𝘓𝘦𝘴𝘵𝘦𝘳. 𝘞𝘦 𝘢𝘭𝘴𝘰 𝘩𝘢𝘷𝘦 𝘢 𝘧𝘢𝘮𝘪𝘭𝘺 𝘥𝘰𝘨 𝘯𝘢𝘮𝘦𝘥 𝘑𝘰𝘯𝘦𝘴𝘺. 𝘞𝘦’𝘷𝘦 𝘭𝘪𝘷𝘦𝘥 𝘪𝘯 𝘈𝘮𝘣𝘳𝘰𝘴𝘦 𝘦𝘷𝘦𝘳 𝘴𝘪𝘯𝘤𝘦 1970. 𝘐’𝘮 𝘷𝘦𝘳𝘺 𝘮𝘶𝘤𝘩 𝘰𝘭𝘥 𝘴𝘤𝘩𝘰𝘰𝘭, 𝘢𝘯𝘥 𝘱𝘳𝘦𝘧𝘦𝘳 𝘪𝘵 𝘵𝘩𝘢𝘵 𝘸𝘢𝘺. 𝘚𝘰𝘮𝘦𝘵𝘪𝘮𝘦𝘴 𝘮𝘦 𝘢𝘯𝘥 𝘮𝘺 𝘣𝘳𝘰𝘵𝘩𝘦𝘳𝘴 𝘧𝘪𝘨𝘩𝘵 𝘣𝘶𝘵 𝘢𝘵 𝘵𝘩𝘦 𝘦𝘯𝘥 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘢𝘺, 𝘸𝘦 𝘢𝘭𝘭 𝘭𝘰𝘷𝘦 𝘢𝘯𝘥 𝘤𝘢𝘳𝘦 𝘧𝘰𝘳 𝘰𝘯𝘦 𝘢𝘯𝘰𝘵𝘩𝘦𝘳 𝘷𝘦𝘳𝘺 𝘮𝘶𝘤𝘩.𝘐 𝘥𝘰𝘯’𝘵 𝘭𝘪𝘬𝘦 𝘵𝘢𝘭𝘬𝘪𝘯𝘨 𝘰𝘳 𝘦𝘷𝘦𝘯 𝘵𝘩𝘪𝘯𝘬𝘪𝘯𝘨 𝘢𝘣𝘰𝘶𝘵 𝘮𝘺 𝘤𝘩𝘪𝘭𝘥𝘩𝘰𝘰𝘥 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘴𝘤𝘢𝘳𝘴 𝘵𝘩𝘢𝘵 𝘩𝘢𝘷𝘦 𝘨𝘳𝘰𝘸𝘯 𝘸𝘪𝘵𝘩 𝘮𝘦. 𝘐 𝘥𝘦𝘴𝘱𝘪𝘴𝘦 𝘳𝘶𝘥𝘦 𝘢𝘯𝘥 𝘯𝘰𝘪𝘴𝘺 𝘵𝘰𝘶𝘳𝘪𝘴𝘵𝘴.
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What you can ask: Vent/Rant, Nsfw (To an extent), Sfw, etc Asks/Reqeusts(forget to update this sometimes): open
Tags are welcome
Reblogs are greatly appreciated
Roleplay Brothers/family: Vincent, Lester, Jonesy
Tags used for my posts: #bo sinclair
#house of wax (2005) #character interaction #bo sinclair house of wax
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