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twentyfivemiceinatrenchcoat · 5 months

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come rest your bones next to me ; satoru gojo, suguru geto

synopsis; satoru shares the first snowfall of the year with the two people he loves most.

word count; 4.6k

contents; satoru gojo/reader/suguru geto (poly relationship!!), gn!reader, you're all whipped, reader referred to as spouse, fluff fluff fluff!!, sickeningly domestic, just comfy vibes all around, mostly from satoru’s pov, suguru has a favorite (its you) (but also not really he just likes bullying toru <3), satoru gojo may or may not have unresolved mommy issues

a/n; happy satosugu holidays to those who celebrate <33 geto died today isnt that crazy. dont u think its fucked up how love figuratively and literally killed him. anyway! help urself to two very whipped husbands <33

”holy shit!”

the raspy tilt of satoru’s voice echoes throughout the bedroom, stirring you from your comfortable slumber. a soft groan spills from suguru’s lips, deep and husky, as he pulls you closer into his embrace — smoothing a warm palm down the back of your head. trying to soothe you back to sleep, muttering under his breath.

”satoru, it’s too early for this...”

”it’s snowing!” said man continues, unperturbed. unmistakably giddy. he’s standing by the window, hands pressed flush against the cold glass; entirely entranced by the sight in front of his cerulean eyes.

your eyelids begin to flutter. a tiny tug of your subconscious, a pang of something excited flowing through your veins, an alert to your sleepy brain.

(snowing.)

with groggy movements, you wriggle out of suguru’s grasp — a displeased grumble leaves his throat, almost a whine — allowing you to scramble out of bed. ”really?” you chirp, rubbing the sleep from beneath your eyes. a raspy, meek little voice spilling into the air.

satoru grins, watching you move closer, watching as a tiny gasp pushes past your lips. watching as your droopy eyes widen — brightening, glittering, starlight and snowflakes painted on the interior of your iris. a breathtaking sight, he thinks.

maybe even more breathtaking than the winter wonderland reflected in it; beyond the pure opaque frosting of the window’s glass, out into your backyard, buried beneath a thick layer of snow. soft and fluffy, covering the city, suguru’s long-frozen tulip garden, the bare branches of your apricot tree. every roof in sight. all of it dyed a pure white, glittering in the light of a morning sun yet to fully rise, tiny snowflakes descending down to earth.

it’s beautiful.

satoru loves winter. he always has, he thinks. it comes to him as a memory — blurred at the edges, gleaming even still, the first time he saw those snowflakes up close. someone held him in their arms, he recalls. a warmth long faded.

all he can properly remember is that sight. one that knocked the breath from out his tiny lungs, all glitter and something almost other-worldly, something frightening in its majesty. like it broke through a rift in the stratosphere.

the first snow of the year.

and he’s loved it ever since; the soft crunch of snow beneath his feet, an air heavy with the scent of cinnamon and candied apples, bouts of laughter to be heard from faraway apartments. red and green glimmers of artificial light, sweet frosting on the christmas cake he would always gobble up alone in his room. the cold wind, nipping at his bare fingers — a reminder of his capacity for ache.

there are lots of things to love. lots of memories to cherish. and every single year, he gets the chance to make more.

like this; the light in your eyes, the smile on your face, the excitement in how hurriedly you turn to meet his giddy gaze. a nostalgic kind of joy simmering in the space between you.

and before either of you know it, satoru’s pulling you towards the hallway, intent on dragging you outside to see it all up close. almost tripping over his agumon plush, lying unassumingly on the floor, kicked off the bed once again.

(probably by satoru himself, though he’ll always insist it was suguru’s doing. overcome by his jealousy, unable to stand the sight of his cute husband cuddling up to a plushie instead of him. satoru understands, he does — he feels the same when he sees you hug that 3’0 cat plushie of yours.

and, sure, maybe once or twice he’s been lucid enough to register the subconscious kick of his leg and agumon’s subsequent fall to the floor — but he’ll still blame suguru in the morning. if only to see the way said man rolls his eyes, clicks his tongue, maybe flicks his forehead if he’s lucky.)

high on the spirit of christmas, spurred on by childlike elation and sleep-deprivation, you stumble towards the door. satoru pulls one of his jackets over your shoulders, delighting in the way your hands don’t fully reach through the sleeves. wrapping you up in a cozy scarf when suguru shouts at you both to dress warmly, barely awake and already tired of your antics.

and the moment you step through the door, satoru is engulfed by it. that mystical, mystical feeling.

a little lonely, a little too satisfying to pass up. a cold breeze that nips at his fingertips, snowflakes that brush against his cheeks and stick to his white lashes. a warm hand in his, as you cling to his side, shuddering — but smiling, as you look up at the sky, putting a hand out just to feel the snowflakes melt against the skin of your palm.

he feels you let go of him, but doesn’t mention it. a little too mesmerized to tug you back. dipping his toes into the bittersweet nostalgia of it all, staring at the flurry of white all around you, the skeletal branches of your apricot tree. suguru’s poor tulips. humming a jolly tune, subconsciously. a little delighted.

— until something cold and wet hits the exposed skin of his neck.

satoru twitches, a chilling shudder trickling down his spine. the snowball just thrown at him begins to melt, droplets sticking to his nape, and he turns to you with a raise of his brow. a devilish grin on his lips, when he hears your muffled laughter, sees the crinkle of your eyes.

(you’re cute, he thinks. but you need to be humbled.)

”oh, so that’s how you wanna play?” he drawls, eyes gleaming with amusement. taking a step forward, reaching down to gather some snow in his palm. a wide grin on his glossy lips. ”fine by me.”

he's fast, but you act quickly, running towards the apricot tree with laughter in your throat. feeling the pitter patter of your heartbeat resound in your ears, as the snowball misses its mark by just a hair — and you waste no time in making your own.

it’s a hard-fought duel. snowfall blocking your vision, nerves beginning to numb, red cheeks and runny noses as you chase each other with giddy breaths. unfortunately for you, satoru’s arms are unfairly long, fingers unfairly nimble, and his stamina never even seems to falter.

so before long, your energy begins to dwindle. chest heaving, hands too cold to form a proper snowball, while your husband seems like he hasn’t even broken a sweat. they just keep on coming, snowball after snowball colliding with the fabric of your jacket, and when one of them hits your collarbone you squeal — falling backwards, right into a fresh pile of snow.

satoru moves forward, a triumphant smirk on his handsome face. you’re out of breath, and your hands are red, and he’s fairly certain you’re gonna catch a cold. suguru’s going to scold him, but right now all he can think of is you. the frown you’re wearing, the little huff that slips from your lips.

”ready to admit defeat, sweetheart?” he practically purrs, standing above you with his hands on his hips. smug. and you grin right back.

”never.”

a hum. something glimmers in his eyes, a devious little glint, and you come to regret your decision when satoru gathers a heap of snow with his overgrown arms; only to drop it all on top of you. too tired to fight back, all you can do is shield your face, silently accepting your fate.

a shiver wracks through your body, and satoru almost feels bad. just a tiny bit. but then you finally relent, murmuring bitterly under your breath. ”fine, fine…” a soft pout forms on your lips. ”you win.”

and satoru smiles. crouching down to meet you at eye level, on his knees in front of you. there’s a teasing mirth in his eyes, when he reaches out to cup the fat of your cheek. ”that’s all i wanted to hear, sweet pea,” he drawls, trying not to giggle when you exaggeratedly roll your eyes.

his voice curls down an octave when he continues, leaning forward to brush his nose against yours. hot breath against your chilled skin. ”now, for my prize…”

his lips meet yours, sweet and chaste — a little cheeky. you scoff into the kiss, but satoru’s smile only grows. honeyed, a little bit adoring. his tongue flits out to lick at your cold bottom lip.

he lingers, for a bit. like he’s trying to savour the way you taste, faded strawberry chapstick sticking to his lips, smudged against your own. and you sigh, softly, melting a little, comforted by the fleeting warmth that blossoms on your face.

when he's finally satisfied, having dragged his prize out to its completion, satoru helps you up. brushing snowflakes off your jacket, cradling your ice-cold hands in his. they’re not faring much better, but a worried tug of his heartstrings compels him to warm you up. bringing them to his lips, hot breath fanning over your skin, tender little kisses against the knots of your knuckles.

you can’t help but blush, and a raspy chuckle flows from out his lips.

hazy morning sunshine licks at the branches of the apricot tree behind you, illuminating the contours of your face, the shine of his eyes. a blue smudge on a canvas painted white and gray. the air smells of pine cones and something smokey, crisp. it courses through his burning lungs when he inhales, exhales, a breath of vapour that scatters up into the sky.

satoru loves winter. always has. but now, he’s certain he loves it even more.

because now, he has two people to share it with. two people to drag out into the snow, two people whose hands he can tenderly warm up, two people who’ll laugh and sigh at his antics and still indulge him. two people to pelt with snowballs.

what more could a man want?

”hey, idiots!”

the voice that echoes throughout the air is exasperated, a little teasing. yet fond. suguru’s got his hair tied into a messy half done bun, black turtleneck sweater enunciating his broad chest and the curve of his waist. there’s a fatigue in his eyes, the creases of his face, but a lazy smile is playing at his lips.

”i’m making breakfast,” he shouts, voice deep and smokey and soft even still. ”come in and warm up before you catch a cold.”

”is that any way to speak to your husband and spouse?” satoru chimes back, a melodic lilt to his sugarsweet voice. something satisfied. pleased.

suguru shoots him an unimpressed look, but his eyes soften. melting a little, at the words that spill from satoru’s lips, as if they were always meant to be there.

(husband. spouse. suguru wills himself not to smile.)

with matching grins on your faces, the two of you stumble back towards the door. snow crunching beneath your feet, a happy noise pushing past your lips when you collide with the warmth of your husband’s chest.

”look, suguru. isn’t it pretty?” you chirp, smiling brightly. an expression he mirrors — brushing some snow from the top of your head, warm palms caressing your cold skin, setting a mental reminder to scold satoru later. sparing a brief glance at the snowy veil over reality.

then he exhales. a fond hum. ”it is.”

satoru joins you both by the door, stretching out his lanky limbs. tousled hair, wet strands sticking to his skin, reddened cheeks and a signature pout. ”suguru, my hands are cold,” he whines. ”warm ’em up for me?”

a click of his tongue. ”should’ve put some gloves on, satoru.”

a hum buzzes in your throat, and you put your hands out. itchy, a little dry. a sad frown tugs at your lips when you speak. ”my hands are also cold.”

and, like clockwork, suguru’s eyes soften. a coo tiptoeing on his tongue, engulfing your hands in his larger ones. ”aw, c’mere, my love…” his breath fans over your frozen fingertips. ”let’s get you warmed up, hm?”

satoru gasps, a hand on his chest, and you stifle a giggle. he’s acting, you both know, being a little drama queen. he knows you’re just exaggerating suguru’s double standard as a bit, that your husband would probably set himself on fire to warm either of you up.

despite that, his voice comes out thoroughly offended. ”oh, i see how it is,” he huffs, walking past the both of you. pouting deeply. ”you hate me. you hate me, and you want me to die. i understand.”

”satoru,” you coo. he hmphs, but stills, waiting for you to wrap your arms around him. and you do — a little too eager to appease your giant baby of a husband.

”we’re just joking around,” you assure him, holding back a humorous chuckle. squeezing his waist with palpable fondness. ”love you sooo much. you know that.”

satoru stays silent. but he cranes his neck, to meet suguru’s gaze, standing just behind him. narrowing his cobalt eyes — a meaningful look.

suguru sighs.

”yes, yes. we love you oh so much.” he takes a step forward, ruffling the white head of hair by the door. a lazy smile on his lips. ”now behave and go change out of your pyjamas. they’re soaked.”

his voice is teasing. exasperated, more than a little condescending. but it’s suguru, so satoru accepts it — following you both into the warmth of your home. the scent of cinnamon and vanilla hangs heavy in the air, a hint of espresso and firewood, lulling him into a sweet state of tranquility. rich with comfort, safety.

he changes out of his wet clothes, pulling a black hoodie over his head before waltzing into the kitchen. and you do the same, emerging from your bedroom in one of suguru’s cozy sweaters, knitted and smelling of bergamot.

when suguru notices, his gaze shifts into something fond. palpable. a look satoru always finds in the scope of those warm eyes, amber and cedar bleeding into something sweet, only ever directed at the two of you. a look said man assumes goes unnoticed. he’s not as slick as he thinks.

the kitchen simmers with hazy sunlight and gentle movements, something sleepy and kind. satoru is a little bit enamored with it; from bowls of cat food by the corner, to camellias by the windowsill, cookie jars and dried lemon slices, the fading scent of baked goods and wishlists stuck to the fridge.

(yours and satoru’s are filled with scribbles, new ideas popping up daily, while suguru’s is almost entirely blank; mostly necessities, one or two things he’d like for himself.

and then, of course, the same thing he writes at the top of his wishlist every year; some peace and quiet.)

suguru shuffles around the kitchen, long strands of black hair cascading down his back, swaying with his movements. he sends you both an affectionate glance when you step in, already in the process of making satoru his cup of hot chocolate — topped with marshmallows and whipped cream, colorful sprinkles in the shape of tiny stars, a touch of cinnamon. satoru licks his lips.

when it's finished, the cup is promptly handed to him, paired with a tender kiss to his forehead. and suguru starts the meticulous brewing of your coffee, steady hands, finely chosen coffee beans, the low purring of the espresso machine. soothing.

that’s when you attach yourself to his back. wrapping your arms around his waist, a sleepy yawn muffled into the fabric of his turtleneck. he places a big palm on your hand, thumb smoothing over your knuckle, and you nuzzle into him silently. suguru smiles.

”still sleepy, baby?” he questions, a coo on the tip of his tongue. his voice is soft, palpably so, buzzing with warmth and safety and something that makes you want to stay cuddled up to him forever.

satoru senses an opportunity to insert himself into the conversation, and forces out a yawn of his own. stretching his limbs like a big cat, blinking drowsily, eyelashes fluttering. hoping it’ll come off as endearing. ”mhm.”

but suguru shoots him an unimpressed look. ”not you,” he tuts, patting your arm, ”this baby. i wasn’t asking you.”

a pout. ”why are you so mean to me?” he whines, shooting you a doe-eyed look. bottom lip jutting out slightly, a feigned glassiness to his eyes. ”sweetie, tell your husband to stop being so mean to me.”

you smile. indulgent, as always. ”don't be so mean to him, suguru. you know he’s sensitive.”

a sigh. deep, tinged with exhaustion. satoru shares an amused look with you — stifling a shared chuckle at suguru’s exasperation.

and suddenly, he feels something warm flutter in his ribcage. a sunkissed butterfly, wings brushing against his ribs, coaxing his lips into curling up. unmistakable fondness, almost too much to bear. the need to reach out and touch you creeps up on him, a hunger he can’t deny, but he holds back; you look comfy like that, curled up against suguru’s spine. so he only inches closer, without a word.

his husband casts him a glance, but satoru stays silent. lips pursed, waiting for something. patient.

and suguru relents. he reaches a hand out, to tuck a stray strand of white hair behind his ear — an excuse to touch him. a silent apology.

(i'm sorry, you big baby.)

satoru grins.

you shift from foot to foot, leaning over to see what suguru is doing, pressing buttons and taking two ceramic cups out from a wall cabinet. your eyes zero in on a particular shelf, narrowing in suspicion, before flitting over to meet your husband’s gaze.

”satoru, did you use up all my peppermint sweeteners again?”

he stiffens. just a tad, before swallowing a gulp — followed by a silly chuckle, sheepish and performative, eager to wiggle his way out of your cold gaze. ”… which sweeteners do you mean, honey?”

”don’t pull the ’honey’ card.”

”and don’t play dumb, either.”

a pout crosses his lips. betrayed. ”suguru, who’s side are you even on?”

said man gives him a look. that one look, characteristically suguru, the same one he always sends satoru’s way. one so thoroughly unimpressed it makes him feel like the world’s biggest clown.

and satoru plays along. your dutiful, beloved clown, his posture wilting like a sad flower. suguru exhales through his nose.

”don’t steal their sweeteners.” he smooths a thumb over your knuckle, absentminded, meeting the cold metal of the ring on your finger. smiling a little at the sensation. ”buy your own.”

satoru huffs, drawn out and childish. crossing his arms, leaning against the kitchen counter. ”ah, i see how it is. leaving your sweet husband to buy his own sweeteners?” he clicks his tongue. ”chivalry is dead.”

you bite back a little chuckle — satoru recognizes the cute noise you make when you do — and suguru rolls his eyes. fondly, always. ”remind me next time i go to the store and i’ll consider it.”

”hmph.”

suguru is smiling. it’s small, but genuine, worth a thousand words. and you are, too, the vague crinkle of your eyes giving you away. even as you bury your face in the curve of suguru’s back.

and ah, satoru thinks. there it is again.

that sickeningly sweet sense of deja vu; the sensation of a certain something flourishing deep inside his chest. warming him up, trickling through his frost-bitten veins. that one little itch he never manages to satisfy, that never goes away, something that took root inside his heart years ago — watered by the sweet looks on your faces.

this everyday slice of heaven, right in front of him, that he’s been greedily partaking in ever since he moved in with you. since he married you.

(married.)

sometimes he still can’t believe it.

”it’ll be done in a minute,” suguru hums, and satoru blinks. broken out of his syrupy stupor. ”you two go wait by the kotatsu, okay? must be cold, poor babies.”

and, as always, his voice is a little teasing. a tiny bit condescending, if you really strain your ears, in typical suguru fashion. but it’s laced with a touch of sweetness; one that would be too much for either of you to stomach, if it were to drip out of his lips with nothing to water it down. so satoru accepts it. welcomes it, even.

and you follow his suggestion. making your way towards the living room, satoru trailing behind you, continuously enamored by every little thing he sees. every little piece of the home you’ve built for yourselves.

your living room is cozy. several potted plants seated here and there, a thick quilt to cover the kotatsu, a bowl of satsumas on top of it. a sleepy cat on your couch, golden sunshine ruffling her fur. a santa hat lies beside her, and satoru snags it without much thought. pulling it over his head.

his gaze shifts to the christmas tree over in the corner, eyes filling with a childlike kind of wonder. it’s decorated to completion, weighed down by colourful ornaments and lights, a star at the very top. suguru cut it himself, bringing the biggest and prettiest one he could find back home.

(satoru had gone with him. partially to help carry it back, mostly to get a glimpse of suguru's biceps flexing with the swing of the axe. he’s a simple man.)

and beneath it, presents are already beginning to pile up. carefully wrapped, in bows and silken paper, growing more each day. shattering suguru’s hopes of maybe having a more lowkey christmas this year — but satoru couldn’t be more relieved. this is the only time of year you let him get away with pampering you both to his heart’s content.

a smile blooms on his lips. he plops down on the floor, crossing his legs, right as suguru walks in with a coffee pot in hand. their gazes overlapping.

and something mischievous begins to brew within the blue of his eyes, something that makes suguru narrow his own. satoru pats his thigh, twice, a coo on the tip of his tongue. santa hat sitting pointedly on top of his head, fluffing up his hair.

”c’mere, suguru! sit on santa’s lap.”

”— you’re disgusting.”

the words are playful, but a pout still slips into the curve of satoru’s lips, and he huffs out a displeased little breath. his husband pretends not to hear it, so satoru turns to you — sitting so prettily to his right, already anticipating his next move. puppy dog eyes on full display, he gives you a soft tilt of his head, snowy tufts of hair falling over his eyes.

and you sigh, in what he knows is resignation. his faux pout turning into a satisfied grin.

you curl up in satoru’s lap without much of a fuss, letting him circle his arms around you. an indulgent smile rests on your lips, but he knows you love this; his broad chest against your back, the heat of the kotatsu warming your feet. breathing in the fading scent of your shampoo, he leaves a peck on the sensitive spot right behind your ear, and you try not to shudder.

then satoru smiles. squeezing you, lightly, sweetly, eyes rich with honeyed affection. voice dripping with playful endearment. ”there we go,” he coos. ”what does my angel want for christmas, hm?”

”i want you to stop stealing my peppermint sweeteners,” comes your answer. instantaneous.

silence fills the room. a moment passes. outside your frosted windows, a bird takes flight from the branches of your apricot tree. and satoru clicks his tongue.

”… santa can only do so much, baby.”

two deep scoffs fill the air, heavy and bemused. one from you, one from suguru. satoru only giggles.

”just kidding!” he chirps, planting a kiss on the top of your head. ”don’t you worry. santa’ll give you all the peppermint sweeteners you could ever want.”

you raise a brow, exhaling amusedly. craning your head to meet his gaze. ”and he won’t end up using them all himself?”

”of course not! blasphemy.”

a moment passes.

”… maybe one or two. as a treat.”

a string of protests slips from your lips, and satoru tries not to burst into a fit of giggles. suguru just watches, silently, smiling lightly as he pours hot coffee into two ceramic cups. steam wafting up to the ceiling, a cat jumping down from the couch to curl up in his lap. he places one in front of you, not taking a single sip of his own until he hears you hum blissfully at the taste — pink lips against white ceramic. a bitter taste on his tongue, sweetened by your approval.

then he starts peeling three satsumas, absentmindedly, and satoru swallows down the love-ridden honey choking up the back of his throat. pretending the domesticity of such a simple action doesn’t melt his heart down to the marrow.

he turns his attention towards the window. frost sticking to the glass like spider-woven webs, soon to be melted by the glow of the mellow winter sunrays. flitting in through the curtains, cascading over the room, splattering across the floorboards. framing the hue of your hair, the smile on suguru’s lips.

and a memory comes to him. sudden, hazy, faded at the edges. ghosting his subconscious.

he remembers the frost, the biting wind, the frightening majesty of the snow that fell that day. breaking into his world through a rift in the stratosphere. he remembers the contrasting warmth of the person who held him, who cradled him close; the soft lull of a woman’s voice.

for a moment, satoru thinks he can almost, almost see it before him. hear those gentle words, see her tired smile. why was she always so tired?

(look, satoru. isn’t it pretty?)

— he can’t recall how it sounded. if it was melodic and soft, or raspy and broken, happy or sad. but he does recall that it made him feel safe. safe enough to find comfort in a sight so other-worldly, so very foreign.

it should’ve been frightening, but it wasn’t. the first snowfall satoru ever saw knocked the breath from out his lungs, stole his heart with cold hands, left him with a suffocating nostalgia. but the memory is precious.

and now, he feels that sense of other-worldliness in this; a kotatsu for three, a warm house, peeled satsumas and promises of a christmas cake soon to be baked. one lovely spouse in his lap, the other gazing at him with that fond look he always assumes goes unnoticed. a cocoon of safety — a ghost he doesn’t need to chase anymore.

warmth. enough warmth to make up for the snow and frost outside your home, all the experiences he missed out on as a child. warmth, warmth, warmth. funny, how that happens to be satoru’s favorite thing about winter.

he looks at the two of you, hoping you won’t pay any mind to his silence. for once, he hopes you’ll stay wrapped up in your awful, awful coffee, so bitter that just looking at it makes his throat feel dry. just so he can get away with admiring you for a little longer. from the contours of suguru’s face, to the skin of your collarbone, to the rings on your fingers. ones he put there himself.

and ah, satoru thinks, there it is again. again and again, as always, forever. that warm, warm feeling flourishing in the depths of his chest.

he hopes it never goes away.

#genuinely fucked up that suguru geto isnt in my kitchen rn </3 #i just think sugu is such a caretaker. makes u breakfast and peels ur satsumas w/o u even asking. bc it makes him happy :’3 hes so Mother #i think he lowkey gets just a little bit uncomfortable when u or gojo try to do the same for him… he likes doting on u #but obv he deserves to be pampered too!! just gotta ease him into it #and i think gojo has a hole in his heart where love should be. bc he wasnt given enough as a child #im not sure what to think when it comes to his parents (since we know literally nothing abt them) but...#the idea of him finding some comfort in the memory of his mom…. maybe not realizing that he misses her…..… i think its very sad. and good.#listened to ricky montgomery while writing this i think it mightve healed me #geto suguru x you #geto suguru x reader #geto suguru x y/n #gojo satoru x reader #gojo satoru x you #gojo satoru x y/n #gojo x reader #geto x reader #geto x reader x gojo #gojo fluff #geto fluff #satosugu x reader #satosugu x you #satosugu x y/n #jjk fluff #jjk x reader #……… thats… a lot of tags.

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sukunasteeth · 2 months

Text

Taking Care of a Tired Sukuna

Sukuna has had a long day.

Well, night.

Morning.

Fuck.

Working construction had been twisting up his sleeping schedule. At this point, Sukuna was starting to feel it in his body; in the strain in his muscle, and the aches and pains that randomly gripped him.

They had him working on a new project that could only be done at night, while the public was off the main roads, and that meant his new work hours were starting from sometime in the middle of the evening and ending in the morning or the mid-afternoon. Being nocturnal wouldn't be so bad if his commute home wasn't during rush hour. The traffic was always worse when he just wanted to crawl onto his couch and fall asleep there. And when he does come home at the end of the day - he's aching, exhausted, and every bone in his body is vibrating with the noise from a jackhammer or the hum of a forklift.

Sukuna has always liked something that keeps him busy, interested, something that tests his strengths. So, he can't say that he hates the job, but he does wish that it wouldn't occupy so much of his time. He's wont to forget things when he's so wrapped up in a new task.

Like today, for example, when he finally swings his truck around the front of his apartment building, barely making it off the freeway without murdering someone, and he spots your car parked there in his spot.

He starts a bit, his sleep deprived brain suddenly spinning as memory serves him.

That's right. You were supposed to come over today after he got off of work and spend the night- and he didn't plan a damn thing. There's no flowers in the backseat, he didn't stop to grab lunch for the two of you, he doesn't even have anything in his fridge for dinner tonight, besides a few forgotten beers tucked away in the side door.

As Sukuna searches for a parking spot much further down the street, he knows he should be disappointed with himself, but he can't help the touch of excitement that's suddenly dissolving the exhaustion from his muscles. Sometimes, Sukuna resents the fact that you manage to reduce him to this. He hates that he can't control that his heart skips a beat at the thought of seeing you again, like he's in some sappy romance novel.

But it was the hold you had on him, and he was starting to accept it.

You got to Sukuna's apartment about two hours before he was scheduled to be home. It was a day off for you, and you woke up with butterflies fluttering around in your chest.

You were giddy to see him. You always were. And not a single butterfly has died in your heart-space for him since the moment you met Sukuna, around two years ago. He has tended to each of them since then with his gentle but stubborn touch, although, he would never admit it.

You adored him for that.

It's still early in the morning when you use the key he had made for you to unlock his front door. Immediately upon stepping in, you're hit with how dark his studio is. The sun had risen over the horizon hours ago, and yet, the only hint of its light came from a small gap in Sukuna's blackout curtains. When you pull them back, you turn around and wince at the room behind you.

Yep, he's working too hard.

There's construction tools all over the house; sitting on the counter, in the sink, on his bed-stand, there's even a huge oil covered machine beside the front door that you nearly trip on in your trek over to the curtain. His coveralls and work clothes are strewn across the living room like he's been too exhausted to even make it to his bed at the end of his days, which is not very far from the couch. Meanwhile, his bedroom and the kitchen look nearly immaculate, telling you he hasn't cooked in days and confirming your suspicions about his sleeping arrangements. You wander over to his fridge and pop it open, sighing hopelessly when you're greeted with nothing inside.

Good thing he has you.

By the time he makes it home, it's around one in the afternoon. You've got his laundry hanging on the clothesline outside, more in the washing machine, and all of his tools and odds and ends have been sorted and dusted clean. You've opened every window he has, and cool, fresh air sweeps away the oppressed darkness his apartment held before. Everything was back in equilibrium.

When his keys jingle outside the door, you're just finishing up the last of folding his laundry. Sukuna steps inside, and your heart aches at how drained he looks despite the way his eyes widen as he peers around the room in surprise. His clothes are covered in dust from the construction site, and there's a smear of dirt on his cheek that makes him look like a chimney sweep. There's a tool in his hand that looks rather heavy, straining the muscles in his arm, but he seems to have momentarily forgotten to put it down. Half moon circles are embedded under his eyes, but they only bring out the intensity of his gaze.

"Hi 'Kuna?" You chime, calling his attention to rest on you.

He blinks, taking a moment to process the situation. You don't recognize the glimmer in his eyes then, and part of you starts to sweat at the thought of him taking this all wrong. Sukuna had never been particularly picky with you, but vice versa, you had never done something like this for him before. He never gave you the opportunity, after all. Out of the two of you, Sukuna was usually the one who was always effortlessly put together.

"You... cleaned..." He notes.

You swallow, "I did but I didn't move things around though. Just tried to put things back. Your laundry is right outside and I got you some groceries-" Sukuna drops the tool in his hand without warning, and you start talking faster, your voice raising a pitch as he starts towards you. "Okay, thinking back, I guess I should have asked. Maybe texted- no, you hate texting. Maybe called-"

“Did you clean the paint specks off of my air compressor?” He was standing in front of the machine beside the front door, which you painstakingly made sure not to ruin in your cleansing, despite having no idea what it was.

When he looks at you for an answer, continuing to close the distance between the two of you. You swallow the rock in your throat. “Too much?”

He’s made his way across the room and his surprised expression finally settles into a familiar hungry grin. He grabs you by the hem of your jeans, yanking you roughly towards him. You catch yourself on his chest, making a small noise of surprise. When you look up to scold him, Sukuna is an inch away from your face, his lips almost brushing yours, save for half a centimeter of space between them. He smells like sawdust and menthol, you can taste it in the close proximity as he greedily takes your breath away.

“Off. Now.” He growls, but his fingers are already undoing the button clasped in the front of your pants. “I’m about to fuckin’ eat you, sweet thing.”

You end up skipping lunch, but you're well satisfied a few hours later. A certain hunger: satiated. Sukuna is resting peacefully beside you. You can hear his even breathing against the sound of the cicadas outside, screaming in through the windows. Seeing him so content, sets your heart at ease and you release a sigh of relief.

Now, to end the night, it was time to slip out of bed without him noticing to finish folding his laundry.

Or so you thought.

As you carefully peel back the blankets and try to sneak off the side of the mattress, a warm pair of fingers loop themselves around your panty line, effectively preventing you from going anywhere. Guiltily, you peek over your shoulder to see Sukuna glaring at you with half of his face still smushed into his pillow, genuinely disgruntled with the fact that you were trying to leave his bed. You can't help but chuckle.

"I'm just gonna go grab your laundry." You reassure him, brushing a tousled tuft of his hair out of his eyes. The knot between his brows deepens.

"Let me do that later. C'mere. " He tugs on your panty line, confident that you'll be submissive for him.

The sun outside was casting tall shadows on the walls of his bedroom and the glow was now deep and rich, telling you that it was preparing to set. You didn't want Sukuna's laundry on the balcony all night, which is what you were sure would happen if you didn't go and grab it now.

You hear a thread rip in your panty line interrupting your contemplation and, quickly, you grab his wrist, squeezing it as a signal for him to let go.

He continues to hold fast, his brow cocking in a silent dare.

"'Kuna, come on." You try, "Lemme take care of you-"

"You've been doing nothing but take care of me all day." He scoffs, like the idea of it is absurd to him. Rarely does Sukuna allow you the opportunity to show him as much care and adoration as you have today. Being doted on was not typically something he enjoyed. You knew that, and that's how you also knew that he was exhausted to his bones that day. "Get your ass back here."

There's a tug again, and another thread snaps somewhere. You pout at him, already having the foresight that this pair of panties wasn't going to last you long either. Your partner had the tendency to rip them off of you, and this wouldn't be the first pair to become a shred of what they once were. To be fair, he was also known for giving you his credit card and telling you to go buy "some things for him to see you in", so it would be at no cost to you. But, you happened to like this pair.

Sukuna watches you consider your options silently, unrelenting in his hold on your lace. When you peek up at his gaze, testing one more time, you know you've already lost.

"Don't make me chase after you." He warns, the promise of your inevitable surrender is evident in the predatory glint of his eyes. If Sukuna had a tail at that moment, it would be swaying back and forth, preparing for a pounce. "It's been a while since the last time I had you tied up. I do miss those sweet little bruises we left on your wrists."

You feel the hair on the back of your neck stand at attention upon his recollection. The last time Sukuna had you in ropes, you had to call off of work the next day. Your backside stings with the memory, but half of you can't help but ache for it too. Tied up in Sukuna's bed while he was forced to care for the boneless pile that was his girlfriend, drunk off of his lovemaking? That wasn't the worst place to be.

But, on the other hand, you could tell how exhausted he was with the new construction project at his job. You have a flashback of showering with him at the end of the night and scrubbing sawdust out of his hair. Having to gently prod and kiss him awake as he fell asleep standing up in front of you. You were adamant that you weren't going to do anything to tire him further tonight.

Before you can properly give in, Sukuna must have decided that you were taking much too long to obey him.

His other hand reaches over and winds around your lower waist, pulling you backwards into the soft cushion of the pillows and easily flipping the two of you so that he’s mounted above you. In your surprised stupor, he collects both of your wrists in one of his hands and pins them above your head.

"You've forgotten how to follow directions again, kitten." His murmur is like velvet against your ear. His teeth graze over his favorite spot on the nape of your neck, where he’s already tortured it with his teeth and hickies. You didn’t realize how raw the skin was until he bites you there, drawing a whimper from your throat.

"Let's remind you."

#jjk #sukuna #sukuna x reader #sukuna x you #jjk x you #jujutsu kaisen #fluff #just love the idea of Sukuna coming home filthy #I'd eat it up personally #also good god i want to see this man in a pair of coveralls #my writing

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cowardlykrow · 2 months

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“Not my circus, not my monkeys”… Except those are his monkeys and they are the circus

#Okay so i think the idea is that Lautski is on a date and the terror duo were ABSOLUTELY stalking them #because of course they would #but (if they weren't already being the most obvious stalkers) they get caught #because then the seagulls descended #but listen okay #Why they attack (and how on earth they carried that weeb away) is up to you guys #because i dunno #i’m just here to make nonsense comics that give me a good chuckle #NPMD #nerdy prudes must die #for some reason i gave them different clothes sorta?is it obvi i dont have a sense of style at all #Pete Spankoffski #Stephanie Lauter #Richie Lipschitz #Ruth Fleming #Also i don’t know why but when it comes to drawing comics #i forget who anatomy is #i seriously don’t know her #esp when it comes to arms? Lord do i hate arms #Art #fanart #Also this whole comic stems from a story about seagulls stealing sausage links?#that's all i got for you #also im so sorry steph my beloved #i can not draw you at all and this is a curse i carry like a ball and chain #starkid #hatchetfield #//Komic

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sykloni · 1 year

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Dannymay 2023

15. Full Hazmat AU & 23. Rogue Gallery

#danny phantom #dannymay2023 #full hazmat au #rogue gallery #(the thing I love about full hazmat au is that unless Danny shows his face)#(it would be totally reasonable to assume that he is an adult)#(especially if you don't want to believe a child beat you)#comic #(just gonna add this here since it seems to be coming up a lot)#(This is not a fan art of any specific fic!)#(When I do fanart of fanfiction I always link the fic and tag the person who wrote it)#(I know this is not that original idea and people have already linked multiple good fics in reblogs)#(And I'm sure there are probably even more with similar concept)#(BUT this is still not fanart of any of them)

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civetside · 3 months

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the doodles i doodled while i listened to the nona audio book babay! (plus my favorite pyrrha dve quotes)

#tlt #the locked tomb #nona the ninth #nona the ninth spoilers #camilla hect #pyrrha dve #tlt shitposting #gideon the ninth #lot of people were asking me for a comic with pash in it but tbh i couldnt really think of anything LMAO SORRY #i mean i could probably come up with somethin but i just dont have a good idea of her character #i mean the fandom makes her very funny but in the book she doesnt have much screen time #do you still call it screen time if its a book probably not right #also sorry all my favorite pyrrha quotes are basically just her calling cam a gay ass #also also im working on griddlehark farmer doodles so ill probably get those done next

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bluerosefox · 7 months

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Good Doggos Give Hope!

Cujo was, is a good boy both in life and in death.

He knows this. Everyone knows this.

So when Cujo notices his favorite half boy seemed more hurt than normal when he goes to see him, notices how stressed and on the verge of tears, notices the strain in his voice as he pretends to be okay as he pets Cujo's head. Cujo knows his favorite boy needs help.

Cujo is a good boy, and as he listens to his favorite boy and his friends talk about the GIW getting more deadly, how his parents inventions are becoming to much, how Vlad circling around his favorite boy even more often, how he's failing more classes again. Cujo decides his favorite boy needs helps.

But first Cujo needs to figure out how.

He needs help.

He needs... hope.

Hope to find help for his favorite boy.

'Everything will be okay!' A voice spoke to him, Cujo spooked yelped and flew higher than he already was and he boofed when he realized he was no longer alone... or on earth anymore, turns out he started floating up and away from earth when he started thinking of how to help his favorite boy.

Cujo, floating from both him being a ghost and from space, turned around to see... Oh! A fellow dog! Who glows blue! It has been a while since played with another dog!

He barked, tail wagging in greeting at the idea of meeting a new and fellow floating friend.

'You new friend. Need hope? I help!' The other dog voice echoed out as their tail wagged as well 'We play soon but first hope! I knows many who can help!'

Cujo barked back in excitement, yes, hope for his favorite boy is here!

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orionsangel86 · 15 days

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Saw a comment on here claiming Dead Boy Detectives was basically Superwholock (derogatory) but I've been viewing it the whole time as Superwholock (affectionate) and we are not the same and only one of us belongs on the Superwholock website full of queer people babe.

Dead Boy Detectives is like is Supernatural, Sherlock, Doctor Who, Dirk Gently's Hollistic Detective Agency, and The Sandman were all put in a blender with a bunch of pride flags and glitter and let me tell you THAT is a smoothie tumblr should be drinking.

Watch Dead Boy Detectives. Its fun. Its queer. It has a cat who is also a very cunty very queer boy who could be the love child of Desire of the Endless and The Corinthian (listen I'm not ruling it out).

Just trust me and watch it. You won't regret it. :)

#dead boy detectives #superwholock #supernatural #sherlock #doctor who #dirk gently #the sandman #who is throwing superwholock shade in 2024 #dont come to the devils sacrament and insult the devil #never a good idea

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demaparbat-hp · 6 days

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Almost

#zutara #atla #zuko #avatar the last airbender #katara #zutara fanart #Wip #First page of three is done!!!#Won't be sharing until I have the whole thing but I'm. So. Close!!!!!!!#It's been ages since I started this project omg #But it's worth it #Hopefully I'll get the chance to finish it tomorrow... Won't be making any promises tho #I've missed you guys and I can't wait to share this with you #Anyways I know it's ZK month (and all the content has been WONDERFUL so far) but I won't be participating. Sorry about that.#Working with prompts is such an amazing creative exercise but I know myself good enough to be certain that I'll never get past the first...#... prompt without coming up with seven different AUs and I can't deal with more of those right now lol #Like I've got this Blue Spirit! Katara and Painted Lady! Zuko AU on the works since last week or so. And more lore for the og BS/PL spirits #And also this S3 canon divergence AU... And another one... And another one...#And I need to work on them at my own rhythm otherwise I'll go nuts #So uh #Yeah #Love u all and I hope I'll get to share this one soon (if only to start on yet another comic. I've got ideas for two of them. Yay)#Dema out #(Sorry for the rambling I'm just anxious)#(Don't know why but I stopped caring a long time ago)

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halemerry · 9 months

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I’m doing it. I’m breaking down the Scene. You know the one. I've been tearing it apart for a week straight now in discord and figured I should leave my observations here. So, uh, yeah, this one's a big one so buckle up folks!

I want to start with the build up because I can never leave well enough alone and because I think the framing we have coming into this sequence is important. We start with the camera on Mr. Acts of Service himself. Crowley, after banishing Muriel, starts cleaning up the bookshop. The music playing is the soft slow rendition of the opening theme. He is returning this space to the status quo, resetting back to normal, fully intending to do this for Aziraphale before dragging him out to the Ritz, falling back on their typical pattern of going out together for food and drink.

Now in a moment he's going to get interrupted by Nina and Maggie but before we get there I want to take a second to draw attention to the area of the bookshop that Crowley will be operating in for the bulk of this. This space is one we very frequently see Aziraphale in. It's his desk behind the till - a spot linked intrinsically to him, even down to the fact that it's located on the east side of the shop. The windows are throwing beams of light onto Aziraphale's chair and onto the same spot Crowley will stand during The Scene. This lighting choice will not change from now until our last shots in the bookshop and the way the blocking plays around these sunbeams is very aware (as Good Omens nearly always is) of exactly where they will land.

Nina and Maggie enter the scene to have a chat about boundaries and communication. Maggie, his own mirror, tells him flat out that he can't play with their lives like that. Maggie and Nina then both tell him that he and Aziraphale need to talk. And I don’t think they're wrong, exactly, but I do think that Aziraphale and Crowley are actually a lot better at communicating in general than they are in these following high stakes scenes. But that's some meta for later - for now I want to just focus on the particular way Crowley's been primed for the conversation he and Az are about to have. Nina in particular does something really interesting. She does exactly what we as the audience did when we first saw Nina and Maggie: she mistakenly projects herself onto Crowley. She says he has trust issues because she does and in the process accidentally frames the core of their problem as Crowley needing to allow himself to trust Aziraphale, a thing that he actively already does and has done for quite some time and has been shown to us several times throughout the two seasons.

Now the build up we get for Aziraphale going into this conversation is very small. By which I mean practically non-existent. We start at the end of his conversation with the Metatron who tells him to go tell his friend the good news - which notably does not imply that the news is something that would require Crowley to make a choice - and sends Aziraphale on his way. Now the most crucial thing in this sequence, to me, is the expressions Aziraphale makes when he thinks the Metatron isn't looking at him. While polite and smiley when engaged with him, Az's expression falls as soon as he doesn't have eyes on him. Something is wrong and Aziraphale knows it.

Aziraphale enters the shop. The doorway is dark and shadowy and he hasn't composed himself yet - though he does give Nina and Maggie a little smile as they leave. Then, as soon as they're not looking at him, but before he approaches Crowley, the tension is back.

He hesitates, then smiles and approaches Crowley. Crowley, planted dead center in that beam of light from earlier, takes off his glasses and promptly starts nervously rambling. The music cuts off here entirely, giving us nothing to focus on but the noises coming from our lead actors, the background noise from the street, and the ticking of the clock in the background. Aziraphale puts up his hands like he's going to interrupt then lowers them again as Crowley keeps talking, his face shifting into this helpless sort of smitten look.

Now look at the light and how it hits the bookshelves behind Crowley as he tries to get his confession going. It's in the shape of a wing. Keep an eye on that - when the camera chooses to show us this one wing of light is important.

Aziraphale then interrupts and there are two things I want to draw attention to here as Aziraphale fumbles for words. First of all is the fact that he glances in the direction of the door (and the Metatron) at least three times as he's struggling to speak.

Secondly, I want to draw attention to the words Az actually says here. He first echoes the Metatron's earlier statement about good news. He then does not roll into the news itself and instead glances at the door and says the Metatron. He starts rambling about the Metatron to a very confused looking Crowley and evetually talks his way into that the Metatron said something. He then hits a wall again, scrambling to find words and instead of explaining the context of what the Metatron says he lands on Gabriel. His brain latches onto someone obviously on the forefront of both their minds and something vaguely relevant to the news he's about to share. He rambles more about Gabriel's job, glancing once again at the door in the middle of this, still avoiding getting to the actual point or perhaps even synthesizing said point as he goes.

We then cut to what is framed as a flashback. I think it is very notable we only see this as Az is telling it to us. In other words that this is not us witnessing an event happening but us witnessing what Aziraphale is telling Crowley. This sequence is the single scene where the Metatron calls Crowley by name despite actively avoiding it in any real time continuity sequences. He uses it twice here which I think also is the strongest thread in here that tells us that we are seeing what Crowley is being told not necessarily what actually happened.

The instant the idea of restoring Crowley comes up the wing of light behind Crowley loses visibility. Crowley's speechless for a moment so Aziraphale fills the silence, already looking like he wants to cry as he talks about the old days. (I also can't help but to notice that the lights behind Az in this shot look like eyes.) Crowley finally speaks and circles around the beam of light he's been standing in like an object seeking to re-establish a source of gravity. The music cuts back in here with tense drawn out notes.

Crowley talks about how Hell offered him his place back and he turned them down. Aziraphale in turn presses on ideas that we know he doesn't really believe. It's a echo of the bandstand and uses a lot of the same language of that fight - another fight we know features Aziraphale saying things he knows aren't true. By now, we have seen him multiple times this season express he does not want to go back and make it abundantly clear that the side they have made for themselves is important to him. We see him actively calling angels bad and incompetent, contrary to everything he's telling Crowley here. We see him be the one to repetitively remind Crowley that they are on their side and be the one that always draws attention to that first. Yet here he says Heaven is the side of light to Crowley - who by the way is literally framed in light. The frame is telling us outright that Crowley is already Good as he is, while Az's expressions are telling us he knows Heaven isn't.

Aziraphale can't tell him that he did not turn down the job and Crowley does another orbit. The music cuts again. This time, he stops with his back to Az, tilts his head upward and decides to ruin me by invoking God.

Here he is, hearing these awful things that he was sure they had moved on from, hearing these things he has tried for so long and so hard to help them both unlearn. But these sorts of habits and lessons are insidious and he knows that and he himself is even a victim of that himself. I mean, don't get me wrong, he recognizes this is weird, I think, but between his own self worth issues and the stress of the few days they'd had can't work out what exactly is off here. He's confused and lost and just been told, in his mind, that he is not good enough as he is - a thing he has always on some level also believed. Yet he reaches out to the parent that taught him that lesson in the first place for strength and grounds himself with that. He circles back to stand in the beam of light and, with that wing of light finally backlighting him again, he is brave and tries to be enough anyway. He bows his head downward, fully emerging the line of this body in the light and tries again. Because even now, even after that emotional blow, Crowley is an optimist who can't help but to try.

At first Aziraphale can't figure out quite what is going on here. He squints at Crowley and glances at the door again. Crowley meanwhile keeps continually glancing upward, whether at God or to hold back tears or some combination of both. In most of these shots Crowley bisects the room, creating a dark half to his left and a light half to his right.

Crowley says he relies on Aziraphale. Even here, even now when he's just hurt him. Because it is the truth. Because Aziraphale makes him feel less alone. Because Aziraphale proves to him that no matter how fucked the system is that there is still good in the world, even if he doesn't always agree with it.

It is only once there is no doubt what Crowley is doing that Aziraphale starts shaking his head in very small quick shakes. He looks panicked even as they both physically draw closer to each other. It's huge not here, not like this energy to me. Aziraphale asks Crowley to come with to help him run Heaven. This is the point where Crowley starts tearing up.

Crowley then says you can't leave this bookshop, trying to say you can't leave me. Az, nearly in tears himself, says 'oh Crowley. Nothing lasts forever' as a means to convey that the books aren't what is important here. Crowley, naturally, hears 'including us.'

Crowley looks down again, quietly agrees, and puts on his glasses, covering himself up again. He then wishes Aziraphale good luck and the music starts up again, still tense but sorrowful now. He leaves the light and heads to the door. Az can't help but to call after him. Please wait. And Crowley can't help but to listen. It's worth noting here that even as he rotates toward the north door, the light still gently hits his face. The shots in general are darker though. He's moved away from the light but it still can't help but to touch him.

"Come with me," says Aziraphale and then after a pause adds "To Heaven." Aziraphale, looking heartbroken, starts one of two 'I' statements he will struggle around in the next few moments. He lands on I need. Which. I want to pause there a moment because holy shit. That is not something they say out loud either. Az looks at him a moment, visibly struggling before he says his dialogue about Crowley not understanding his offer. Like he's said something he didn't mean to and needs to cover it up or like he can't handle the silence after such an honest statement. And on some level he's not wrong there. Because Crowley doesn't understand what Aziraphale is trying to say. But Aziraphale doesn't understand the way Crowley is reading it to course correct either.

Crowley says that he does understand and that he understands better than Aziraphale does. And he also isn't wrong either, from his perspective. Because he does understand the implications behind the offer theoretically in play here. Because he does know that the position Aziraphale is presenting him is not going to result in the outcome Aziraphale is presenting him with. There are some things you can't undo just like memories slipping through the cracks.

Az says there's nothing more to say, trying to dismiss Crowley despite having been the one to pull him to a stop moments ago. He puts on a fake polite smile for a beat but then his is jaw sets, mouth working as his eyes drop - unable to look Crowley in the eye.

Crowley tells him to listen as the music fades out and points upward. Aziraphale humors this, glancing up a few times before looking frustrated, saying he can't hear anything. The light from the window shines down in his direction without actually touching him. Crowley tells him "That's the point. No nightingales." The shot he's on here is a dark one without even any of the book shops pillars visible in it to brighten the shot.

Aziraphale looks frozen a moment here and then as Crowley calls him an idiot and says 'we could have been us' his face completely crumbles. He rapidly glances away to hide his face and Crowley moves and reaches to pull him back. They're both distraught. Az is clearly already holding back tears even before Crowley touches him. The angle of this shot frames Aziraphale in the light of the window. For the first time in this whole sequence Aziraphale is in the light, literally being physically pulled into it by Crowley.

The music swells, playing a similar theme to the one that plays as the Pillars of Creation are formed at the start of the season. They shift back and forth, the camera focusing on Aziraphale's face and hands. His hands move uncertainly, trying to reach out even as he's struggling emotionally. He is visibly shaking but he crucially does not pull away, not even a little.

His hands settle on Crowley's back, right where his wings would be, and for a brief moment gets taller, like he's allowing himself to lean into the kiss. They press together tightly, their mutual gravity sending them crashing together before they break apart. When they do Aziraphale looks devastated and his eyes move pretty much instantly to look out the window where the Metatron would be.

Crowley's glasses make him harder to read here, but he looks at Aziraphale like a man awaiting judgement in a trial he knows he's already lost. He's sad too, but as always, is waiting for Aziraphale's reaction. Because he might push continually at he boundaries of them as a unit but he has always let Aziraphale decide where to set them in stone.

Az fumbles over words here. He gets stuck on "I" here and lets it hang in the air. He then visibly thinks his words over, his expression slowly filling with resolve as he comes to some sort of conclusion. Then, like it's difficult to say, he falls back into old coded language. "I forgive you." A thing he has always said in response to things that he agrees with but cannot or should not allow himself to have.

Crowley sighs and tells him not to bother, refusing to fall into the old pattern that Aziraphale has. He is setting a boundary, for once, and even if it is one born from misunderstanding I am proud of him for being able to. He turns away and leaves. And this is where Az seems most in danger of falling apart. His lips move as Crowley goes, forming the start of a 'no' after him. He draws back from the door and turns his body away from it, physically distancing himself from anything that would feel like following Crowley. Except he can't help himself. With shaking hands he reaches up to touch his lips. He presses in, like he's trying to recreate the pressure and then his jaw works a moment and his expression sets as resolved.

The Metatron enters through the front door, which is framed in dark lighting. Aziraphale looks panicked and immediately turns his whole body away from him to hide his face while he collects himself.

He turns around after a beat and the Metatron asks 'how did he take it?' This is an odd question that only sort of half fits the fact that we are meant to believe at this point - that Aziraphale should be obtaining a yes or no from Crowley. It's not asking Crowley's choice at all. It's like the Metatron assumed a different conversation had happened or perhaps that he already knew the answer.

Aziraphale says he took it badly and the Metatron just takes a moment to direct a few casual digs at Crowley. He references him being stubborn and too curious - all the while avoiding the use of this name. At this point Az's eyes are locked out the window in the direction Crowley vanished to. The Metatron asks if he's ready to start despite originally having promised Az time to think over his answer. Aziraphale keeps glancing out the window.

For a moment he cracks, stepping away from the Metatron and back toward the east side of the bookshop. For the only time in this whole sequence he steps right into the sunbeam Crowley started in. It notably never illuminates his face as he mentions the issue of his bookshop (a statement absolutely not about the bookshop).

The Metatron explains Muriel will take care of it. Aziraphale looks back out the window with the start of an objection.

The Metatron interrupts him asking if there's anything he needs to take with him. Az's mouth takes a moment to try and form words. He steps out of the light again, starts to object, and then cuts off, eyes back to the window. Then his expression shifts again, settling in another state of resolve before he puts on his falsely polite face and follows the Metatron out.

As they leave the shop we cut back to Crowley. Crowley, who could've left to go handle his own emotions, did not leave. Instead he planted himself there, nice and noticeable. Like he wanted Aziraphale to see and know that he still has a choice. Like he needs to see Aziraphale make that choice for himself. Like he can't quite bring himself to be the one to close that last door. He stands there, framed by light, and doesn't move until the doors to the elevator to Heaven close behind Aziraphale. He then glances at Nina and Maggie and then gets in the Bentley, which starts playing the song that we now know he knows is supposed to be theirs. He turns off the music and drives away.

So there's a lot in these sequences and most of it probably won't help us figure out exactly what comes next, but there are definite signs that all is not as it's being presented to us. Whether he's actively lying or not, something is wrong that Aziraphale either can't or won't talk about frankly with Crowley. I suspect, whether it's under stress from a literal threat or because he believes that it is the safest option for them, that Aziraphale is doing all of this to protect Crowley.

There are also all sorts of signals here, especially in the lights, that gesture at the fact their togetherness is a net good. Together they are balanced and stronger for it and likely more in alignment with the Ineffable Plan. And, more importantly than that, that said togetherness is so clearly what they both want. They have loved each other longer than anything alive has ever loved anyone and none of this changes that. They both are saying that in their own ways here, even if those ways are not ones the other is particularly good at picking up and I for one cannot wait to get to see the payoff of them learning how to.

#good omens #gos2 spoilers #good omens spoilers #good omens meta #kind of #is it meta if its mostly me pointing and yelling?#come suffer with me #you have no idea how many times i had to watch these sequences for this #crowley #aziraphale #the bookshop

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