You guys rlly don't realise how much knowledge is still not committed to the internet. I find books all the time with stuff that is impossible to find through a search engine- most people do not put their magnum opus research online for free and the more niche a skill is the less likely you are to have people who will leak those books online. (Nevermind all the books written prior to the internet that have knowledge that is not considered "relevant" enough to digitise).
Whenever people say that we r growing up with all the world's knowledge at our fingertips...it's not necessarily true. Is the amount of knowledge online potentially infinite? Yes. Is it all knowledge? No. You will be surprised at the niche things you can discover at a local archive or library.
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As a leftist Jew who believes strongly in the cause of dignity and freedom for the Palestinian people, and that Israel has abused them, I am begging fellow leftists to understand that real life is not a comic book. A government being “the bad guy” in a situation does not automatically make anyone who opposes it “the good guy”.
Hamas denies the Holocaust. Hamas disseminates the Protocols of the Elders of Zion—the conspiracy theory it paints is what they mean by “Zionist”. Hamas forbids foreign aid educators from teaching human rights to Palestinians, and claims that even teaching that the Holocaust happened is a war crime. Hamas has written the aim of annihilating Israel (the country and its people) into its charter—the mass slaughter and violent expulsion of 7 million Jews from the land is written into its laws.
There is no crime any state could ever do that would justify any of that; there is no act of state repression that could ever make it acceptable to side with the organization spreading Nazi pamphlets and Holocaust denial.
Oppose Bibi Netanyahu. Oppose Israel’s far-right, authoritarian government. Oppose Likud’s policies. Oppose its violence against Palestinian civilians. That isn’t antisemitic. But Hamas is—verifiably, beyond a shadow of a doubt, to its core—antisemitic. Its portrayal of Israeli Jews as blood-thirsty, child-killing master manipulators that control international media and finance is antisemitic. Its insistence that Palestinian freedom necessitates the death & expulsion of Jews from the land is antisemitic. Its redefinition of “Zionism” as a pejorative to mean genocidal Jewish/Israeli Supremacy is antisemitic.
Supporting the Palestinian people in their plight is a noble and loving goal; please never stop that. But do not let Hamas co-opt that into excusing or denying their rampant antisemitism and war crimes.
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Common interior design mistakes: having a crummy house. Try having high ceilings with big windows, this will make your space feel airy amd inviting! Lots of extra rooms give you places to store things and reduce clutter in your living space. Consider having a view of the city skyline or perhaps the ocean, this will give your home a peaceful and sophisticated mood. Easy tips that anyone can follow!
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rewatching Fool For Love and that one cut from Drusilla and Spike to Angel made me laugh so much because it reminded me of this post
like here we have spike and drusilla at their hottest. utterly unhinged, covered in blood. they are at peak vampire eroticism and the sheer sexual chemistry they ooze into the atmosphere could kill the population of a small country. and then it cuts to
guy in the worst wig you've ever seen looking like he's trying really hard to concentrate on a math problem
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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