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#damn this series is good

russanogreenstripe · 6 months

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So many good moments in Ep 5 of Burrow's End, but this is the one that sets my mind buzzing the most. The idea that community predates identity. We know mama, dada, and baba before we know not only their names, but our own names. And in the season all about family, community, in-group versus outgroup? This feels like such an important idea, and it was came up likely on the spot. It's fascinating to think about, and touches on such big themes about Burrow's End in general.

My mind keeps trying to read "name" as "self," and come up with something like "we have to know others before we know who we are," but I think there's a fundamental error in that idea. Neurologically, we just start off with just "Me" - one of our basic senses is what is "Me" and what is "Not Me." That's fundamental to further categorization, and faults in that sense is where things like depersonalization / derealization come from. Names are just labels, and they're not even the first labels we have for them.

This ties into another point that a lot of people had when watching the trailer at the end of Ep. 4 and during the live reaction of Ep. 5 - the idea that because Sybil was so reluctant to say her brother's name after he died, that it was the result of some top-down oppression within Last Bast and further proof that it's not as idyllic as it seems. Now, Last Bast almost certainly isn't a utopia, and I'm sure we're going to learn more about that in the next episode. And it's possible that it is a top-down enforcement that Sybil, having been raised in Last Bast, has internalized. However, there's a chance this isn't the case.

Less than 30 seconds on Google turns up several cultures that have taboos around speaking the names of the dead - Aboriginal mortuary rituals, the Apache of the Southwest US, the Tolowa tribe of California, the Yanomami on the border of Brazil and Venezuela, certain Romani/Irish Traveller groups, and almost certainly more. While it initially seems unfathomable to Western cultural mores around remembering and memorializing the dead, it's just as possible possible that instead of a method of social control, it's simply a cultural taboo.

https://scholarblogs.emory.edu/gravematters/2017/04/18/aboriginal-mortuary-rituals/

And as Aabria has commented both during the live discussion and general discord channels,

Aabria's a smart cookie, and I trust that she's done plenty of worldbuilding and put tons of thought into how Last Bast's society works. We've seen she's great at her cultural analysis while in the DM's chair in both Misfits & Magic and in A Court of Fey and Flowers. Culture and society are interwoven in all of her games, and where does all that start? With family.

#dimension 20 #d20 spoilers #d20 #burrow’s end #burrows end #d20 burrow's end #erika ishii #surprise anthropology #damn this series is good

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lilybug-02 · 9 months

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The actual reason they ditched Chara.

Fan-art because I can draw. And I um.. kinda really love @akanemnon‘s comic…

Kind of a minicomic below…

Please forgive me. I’ve had this in my head forever and just wanted to share my AU meeting yours. That is my Final message. Goodbye. 🫡 jumping in this hole now 🕳️🚶‍♀️

#twin runes #all that good stuff #hnksdjnvkjsdnvojsdn I love your art style. like it’s so good and consistent???? like damn #it’s so professional looking. I’m always so impressed #and your comedic series really is amazing. I love the plot and setting and everything about it #um sorry I’m gonna get too fan girlie. have a good day #bread #art #my art #chara #frisk #kris #Susie #mini comic #deltarune chara timeline #lol

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chaos0pikachu · 4 months

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Is BL Being Overly Influenced by Modern Western Romance Tropes?

Short answer: No. anyways, in the following essay I will explain that James Cameron is a weeb...

(okay fine~~ lets actually do this)

TLDR: discussing what media globalization is, how fandom can distill it down to only American/European cinema, showcasing how a lot of current BL is influenced by countries within it's own proximity and NOT "the west" but each other, also James Cameron is still a weeb

I had seen a post that basically proposited that BL was being influenced by modern western romance tropes and had used things like omegaverse and mafia settings as an example. I found this, in a word, fucking annoying (oh, two words I guess) because it's micro-xenophobic to me.

It positions western - and really what we mean by this is American/European countries, we're not talking about South American countries are we? - cinema as the central breadbasket of all cinema in and of itself. Inherently, all following cinema must be in some way, shape, or form, influenced by American/European standards, and as such America/European countries are directly responsible for cinema everywhere else, and these places - namely non-white countries - do not influence each other, nor have their own histories in regards to storytelling or cinema and do not, in turn, also influence American/European film making either.

Now like, do I think all of that~~ is intentionally malicious thinking on behalf of folks in fandom? No, so chill out.

I do, however, think a lot of it is birthed from simple ignorance and growing up in an environment where ~The West~ is propagated to be central, individual, and exceptional as opposed to the monolith of "Asia" - by which we mean China, Korea, Japan don't we? How often in discussions of Asian countries is Iran, India, or Saudi Arabia brought up even tho they are all Asian countries? - or the monolith that is South America - in which some folks might believe regions like the Caribbean and/or Central America belong to, but nope there both North America.

Anyway, what we're talking about here is the concept of "media globalization":

"The production, distribution, and consumption of media products on a global scale, facilitating the exchange and diffusion of ideas cross-culturally." (source)

"The media industry is, in many ways, perfect for globalization, or the spread of global trade without regard for traditional political borders. [...] the low marginal costs of media mean that reaching a wider market creates much larger profit margins for media companies. [...] Media is largely a cultural product, and the transfer of such a product is likely to have an influence on the recipient’s culture." (source)

Typically when I see fandom discussing what falls under MG the topic is usually focused on how "the west" is influencing Thai/Korean/Chinese/Japanese media.

Enter, Pit Babe.

Surely Pit Babe was influenced by Supernatural right? Omegaverse is huge in the west - love it, hate it, meh it - it originated in the west - specifically via Supernatural after all.

Nah.

Omegaverse has been popular in Japan and China for almost a decade, if not longer. The earliest omegaverse manga I can think of is Pendulum: Juujin Omegaverse by Hana Hasumi which was released in 2015, almost a decade ago.

(what if you added furries into omegaverse? WHAT IF?? - Japan)

There's countless popular omegaverse manga too, and the dynamics only moderately resemble the ones we're familiar with in the west. Juujin is part omegaverse and part furry/beastmen - the alphas are all beastmen the omegas are humans - while something like Ookami-kun Is Not Scary only slightly resembles omegaverse dynamics as a hybrid series - beastmen are really popular in Japan in part b/c of historical mythology (you see the combination of romantic Beastmen and Japanese culture & folklore in Mamoru Hosoda's work The Boy and the Beast and Wolf Children).

Megumi & Tsugumi (2018) is so popular they're an official English edition published by VIZ's imprint SuBlime and that's a straight up omegaverse story.

(look at the omega symbol on the cover loud and proud baby)

So if Pit Babe was influenced by anything, it certainly wasn't "the west" it was Japan, Korea and China. Because those countries have a thriving omegaverse sub-genre going and have had such for 10 plus years now. Supernatural is popular in Japan, yes, and that may be where Japan and Japanese fans originally found omegaverse as a fictional sub-genre.

HOWEVER

Japanese fans took the sub-genre, bent it, played with it, and evolved it into their own thing. As such, other countries in their proximity, like Thailand, China, and Korea who read BL and GL manga, found it and were like "hey, we wanna play too!"

(is that an omegaverse yuri novel I spy?? yes, yes it is)

When I watched the Red Peafowl trailer, it had more in common with Kinnporsche, History: Trapped, along with films and shows like: Jet Li's The Enforcer, and Fist of Legend, Donnie Yen's Flash Point, Raging Fire, and Kung Fu Jungle, Han Dong-wook's The Worst of Evil, Kim Jin-Min's My Name, Lee Chung-hyeon's The Ballerina, Baik's Believer & Believer 2, Yoshie Kaoruhara's KeixYaku, popular Don Lee films The Gangster, the Cop and the Devil and Unstoppable alongside BL manga like Honto Yajuu and Bi No Isu (probably one of the most well known yazuka manga to date).

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Like, we're seeing a rise in mafia based BLs and people think that's because of "western influence" and not the absolute insane success of kinnporsche??? Especially in countries like China, Korea, Taiwan, Philippines and other Asian countries???

Mafia films and gang shows aren't even that popular here in America/Europe; don't get me wrong, they still get made and exist, but the last full length film was The Irishman which did not make it's budget back, and while Power is still on-going it's not a smash hit either. The heyday of Breaking Bad, The Sopranos, The Wire, Goodfellas, and Scarface are long gone. And if you've watched any those shows or films they have very little in common with Kei x Yaku, Kinnporsche, or Red Peafowl in tone, or style.

(who knew martin just wanted to make his al pacino/robert de niro fanfic come to life all these years?)

Another example, The Sign, which is clearly taking inspiration from Chinese costume dramas: Ashes of Love, Fairy and Devil, White Snake (and it's many adaptions), Guardian, & Ying Yang Master Dream of Eternity. Alongside Hong Kong and Korean cop and romance shows like Tale of the Nine-Tailed, Hotel Del Luna, Director Who Buys Me Dinner, First Love, Again, and previously mentioned cop dramas.

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Like, I know y'all don't think Twins is influenced by, what, American sports classic Angels in the Outfield?? Gridiron Gang?? Rocky?? Nah that shit is inspired by the popularity of sports manga like Haikyuu!!, Slam Dunk, Prince of Tennis (which even has a Chinese drama adaption), and the like. And also probably History 2, & Not Me but I'm like 87% sure Twins is just Haikyuu fanfic.

So like, does this mean that there's NO history in which American and European cinema influenced these countries? What, no, obviously that's not true, American/European totally have had media influence on countries like Korea, Japan, etc.

Astro Boy by Osamu Tezuka considered "the father of manga" was inspired by Walt Disney's work on Bambi. Another more recent and prominent example is director Yeon Sang-ho and his film Train to Busan.

"And it was Snyder’s movie [Dawn of the Dead, 2004], not the 1978 original, that filmmaker Yeon Sang-ho recalled as his first encounter with the undead. “That was when I started my interest in zombies,” Yeon said, in an email interview through a translator from South Korea. Even today, he added, “it’s the most memorable and intense zombie movie I’ve ever seen.”" (source)

HOWEVER, the global influence doesn't stop there. It's not a one-way street. Yeon Sang-Ho was inspired by Zack Synder's Dawn of the Dead, a remake of George Romero's own work, but Yeon Sang-Ho's work has inspired countless Korean film makers to make their own zombie media; following Train to Busan there's been: Kingdom (2019 - current), All of Us Are Dead (2022), Zombie Detective (2020), Zombieverse (2023), Alive (2020), Rampant (2018).

And hey, wouldn't you know it now we're starting to see more zombie media coming out of places like Japan (Zom 100 the manga, movie, and anime) and High School of the Dead.

Do you know what Domundi's series Zombivor (2023, pilot trailer only) reminds me of? It's NOT The Walking Dead (which is the only relevant zombie media America has created in the last decade) it's Korea's All of Us Are Dead (2022). Comparing the trailers, the settings, the tone, it's clear where Zombivor is pulling inspiration from: Korean zombie cinema. NOT American zombie cinema.

youtube

In fact a lot of Domundi's shows - Cutie Pie, Middleman's Love, Naughty Babe, Bed Friend - are all very clearly inspired by Korean filmmaking, specifically that of romantic kdramas from the 2016 - 2020 era. Not always in story, but rather in technique.

This is media globalization. It's not simply ~The West~ influencing non-American/European countries but countries who are often more close in terms of: proximity, culture, and trade are going to have more influence on each other.

It is far more likely that Aoftion (Naughty Babe, Cutie Pie, Zombivor) was influenced by watching Train to Busan, All of Us Are Dead, and other Korean zombie shows and films than a single episode of Walking Dead.

My point isn't that this goes one way only, but rather it is very literally a global thing. This includes American and European film makers being influenced by non-American and European cinema.

Martin Scorsese, Steven Spielberg, Darren Aronofsky, Christopher Nolan, the Wachowski sisters, George Lucas and James Cameron have all been influenced by Japanese film making, especially the works of Akira Kurosawa, Satoshi Kon, and Mamoru Oshii.

John Wick's entire gun-fu sub-genre is heavily influenced by classic Hong Kong action films, specifically John Woo films. Legend of Korra, The Boondocks, Voltron, Young Justice, My Adventures with Superman are all obviously inspired by Japanese anime but animated by a Korean animation studio (Studio Mir). Beyond that, the rise in adult animated dramas like Castlevania, Critical Role Vox Machina, and Invincible to name a few are very clearly taking inspiration from anime in terms of style. The weebs that were watching Adult Swim's Inuyasha, Bleach, and Dragon Ball Z have grown up and are now working in Hollywood.

Okay so like, what's the point of all this? What's the issue? Since American/European cinema does influence et all cinema does any of this really matter?

YES.

I take contention with this line of thinking because it centers "the west" and our supposed individual importance way to much. Declaring definitively that "BL is being influenced by western tropes" and then including tropes, narratives, and film making styles that aren't inherently western and actually have major roots in the cinema of various Asian countries, removes the existence of individual history these countries have which are rich, varied, and nuanced. It removes the "global" part of globalization by declaring "the globe" is really just America and Europe.

It distills these countries down to static places that only exist when American/European audiences discover them.

BL doesn't exist in a vacuum you can trace the development of Korean BL to the development of Korean het dramas almost to a T. You can also trace their development to the queer history of each country and how Thailand interacts culturally with China, Japan, Korea, etc and vice versa. It also ignores the history of these countries influencing American cinema as well. Don't mistake "the globe" for only your sphere of experience.

Anyway James Cameron is a damn weeb y'all have a good night.

Check out other posts in the series:

Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI | Is BL Being Overly Influenced by Modern Western Romance Tropes?

[like these posts? drop me a couple pennies on ko-fi]

#kinnporsche #pit babe the series #the sign the series #twins the series #red peafowl the series #domundi #gmmtv #chaos pikachu speaks #fucking a this was an entire essay #i should drop a ko-fi link cause good god damn #chaos pikachu metas #Youtube #pikachu's bl film series

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eheavenlyy · 9 months

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andrew never has to outright say when he’s feeling clingy because neil just knows, literally everytime. andrew could come in completely straight-faced + dead silent and somehow neil still knows what he wants. each time he realizes he immediately stops what he’s doing to get comfy and lets andrew come to him; neither of them ever saying a word any time this exchange happens. they just begin to cuddle on the couch and ignore everyone else for a few hours.

#neil josten #andrew minyard #all for the game #lgbtqiia+#damn these bitches gay #good for them #aftg headcanon #aftg series #andreil

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captainhysunstuff · 4 months

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22 more images below the cut (Warning: Less than moral discussion ahead):

Light leads L to a particular stretch of woods that he calls "neutral ground" and demands to hear L's conditions for him to work with Kira. L tries to explain in a way that will convince Light to accept his assistance. It appears to be successful...

First

Master List

Transcript

Big Disclaimer here: I, personally, don't condone the "Kira Plan" in any way, shape, or form. I don't even believe that there is a "correct" way to enact it. I am very firmly on the "Anti-Kira" and "Light is a Tragic Character with Bad Coping Mechanisms/Self Delusion" teams. I don't want to spoil too much of what's left of this story, but I do have a plan/explanation in the future~.

#drawn by me #my fanart #my fancomic #Death Note #The Chain #Light Yagami #L #lawlight #morally dubious and pretty darn reprehensible discussion and negotiations #L trying to get into Light's good graces #trying to criticize Light's approach without immediately damning himself #good thing Light’s practically head over heels for him already~#forest and trees #I apologize for the disclaimer there but I find it necessary so people don't get the wrong idea about me #I may love Light to bits but I do think it's an immoral plan that's just plain garbage and an excuse to absolve himself of guilt #and I enjoy watching his and everyone's antics in a Ryuk-esque way because it's an entertaining fictional series/franchise~#this is part of the reason that I was a little nervous to post this entry: that people may try to equate my views with what is written her #henh sorry for the serious stuff in the tags but serious stuff is being discussed in the comic

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doobler · 2 years

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Steven Universe discourse still cracks me up like

Y'all got a show made by people who clearly love doing their job with explicit LGBT+ rep including non-binary rep and a majority female cast with a variety of body types and with multiple women POC voice actors regarding topics like mindfulness meditation, forgiveness, trauma, PTSD, establishing boundaries within relationships, compassion, with an overall message of forgiveness

And yet y'all seemed to wish for the series' demise at every moment and complained about the most insignificant details like that the storyboard artists had slightly inconsistent art styles

The messages and characters are so complex and compelling and the show gets you to think about difficult concepts and topics which flew over people's heads completely

People still think Steven should've idk wiped out the Diamonds? In the show where the whole message is that people are complicated representations of their experiences and trauma and people deserve second chances?

Idk I feel like a lot of "fans" who start discourse don't actually like the show, otherwise they'd actually absorb the basic premise of it

#SU paved the way for lgbt+ rep in modern cartoons #it's such a massive contender in that movement #they put Ruby in a dress so other countries couldn't censor an openly gay wedding #they out loud labeled anf explained what being non-binary is #i could go on for hours #is the series perfect? of course not #people aren't perfect #but it's a damn good show that touched on incredibly important topics and broadcasted that to kids #and gave them the opportunity to experience not just lgbt+ rep but also #rep for all sorts of mental health topics. good and bad #and so many people wanted that shit to sink #amazing #'wow they gave so much screentime to PEARL who is WHITE'#1. she's an alien rock creature #2. she was enslaved. she was brainwashed. she was traumatized.#her rep was so so so important #she illuminated the fallout of toxic relationships #and anxiety. like????? fbiddksbdkagf #it fucking baffles me that the queer tumblr population got a show tailored to them then ripped it apart for no good reason

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