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#her brain was like 'how does wilson put up with this 24/7'
housewilson · 7 months
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you'd think she was talking about his husband with how unwarrantedly she dropped that mid-conversation
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itskateak · 4 years
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Mint Ice Cream & Bubblegum Kisses - Chapter Two
(Bucky Barnes x Single Dad!Reader)
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Series Summary: Y/N L/N works as an intel specialist at the Avenger’s Compound. He scans chatter on the international - and intergalactic - level for any information that might be helpful to the Avengers and other agents. But he’s also a single father to a beautiful eight-year-old girl: Angelica L/N. It’s tough raising a little girl on his own and working a full-time job, but he’s managing. A promotion has him launched up in rank at the Compound, leading him to work directly with the Avengers team. The only problem is it’s a 24/7 job. Life around the compound gets a little strange when his daughter is added to the mix of enhanced humans and ex-assassins.
Chapter Summary: Adjustment to a new environment is always difficult, but Angelica seems to be taking it well. Y/N meets the other members of the team and watches as they take Angelica in as one of their own.
Word Count: 3.3K
Warnings: Fluff, mentions of bullying, like one swear word
A/N: The Scott mentioned is not Scott Lang. I'd like to make that very clear just in case there was any confusion. Updates should come much quicker. I just got hung up on this chapter for some reason. :P
Taglist is still open! If you want to be added, come stop by my inbox and send me a <3!
Masterlist
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Y/N brushed his hands off and sighed. He'd just finished unpacking the last of his things. The last week had been filled with packing boxes and making trips back and forth from the house. It was tiring and strange to move from the house they'd been in for ten years. He placed his hands on his hips, looking around his new quarters. 
The room was large with more than enough space for all of his things. Books lined up neatly in bookshelves, other trinkets scattered along the shelves. Pictures of Angelica hung on the walls, only broken up with a few nature shots. He straightened his shirt out and jumped as arms wrapped around his waist.
"Papa!"
"Holy - Angelica! You scared the living daylights out of me." Y/N placed a hand on his chest, his heart beating strongly. Angelica giggled and bounced past him to flop on his bed. Her hair was pulled up out of her face since she'd been working to set up her room, too.
"I need help hanging my fairy lights." Angelica rolled onto her stomach, propping her chin up with her hands. She kicked her feet back and forth idly, looking up at him with doe eyes.
"Well, I just finished up with my things so let's go do that," Y/N sat on the edge of the bed and gestured for her to climb onto his back. She wrapped her arms around his neck and he stood, shifting her further up. "We can finish unpacking the rest of your things, too."
"And then can we get some ice cream from Pop's?" Angelica asked, her legs swinging as they walked down the hall.
"Kiddo, I have to get some work done to set up my office for Monday. Maybe after school and the library tomorrow." He said, letting her slide a little. She squealed, tightening her grip around his shoulders. 
"Papa! Stop! Don't let me fall!" Angelica laughed, her hands clawing at her father's shirt.
"Baby, I'd never let you fall," Y/N grinned and squeezed her leg gently. "That time on the boat in Cape Cod should be evidence enough."
"I'd never heard you swear so much." 
"The water was cold and I didn't expect to fall!" Y/N defended himself. When she was six, they had gone to Cape Cod with a friend for summer break. On a particularly warm day, that friend had taken them out with a speed boat. Angelica had gotten a little too close to the edge when they were anchored and had slipped. He'd caught her, but in turn, fell overboard into the cold water. "I don't swear often around you but it just slipped out."
"Yeah, fourteen things just slipped out." Angelica snorted. "And the combinations used were just - mwah - Magnifique."
"Angelica Ellaine L/N, I will drop you right here, right now." Y/N threatened playfully. "And where did you learn that? Magnifique?"
"Our neighbor, Scott! He comes to visit Miss Irene sometimes to play dress up." Angelica waved her hand in a poor imitation of a drag queen's flamboyant gesture. "You better work, dahling! Yas!"
Y/N laughed and nudged her bedroom door open with his foot. She was just down the hallway from him, but with enough space in between to have some distance and privacy. He turned and let her fall onto the safety of her bed.
"Where do you want the lights?" He asked and picked the strand of lights up. They were little warm lights in plastic jars that mimicked fireflies in jars. Angelica liked them the most out of all of the ones she had since they reminded her of her favorite movie: The Princess and the Frog.
"Above my bed! They're really nice to read by." Angelica sat up and pointed to a location near her pillows. There were at least four piled up, as she liked having many, claiming that it felt like sleeping on a giant cloud.
"Okay. Scoot, then, so I don't step or fall on you." He gestured for her to move and she scrambled off with a giggle. "Be prepared to hand me the command hooks."
"On it!" Angelica rifled through a plastic bag, looking for the package of hooks. She poured a bunch into her hand and bounced back over to where her father was.
Y/N carefully stood on her bed, balancing on the soft surface. He dropped the lights at his feet and held his hand out for a hook. He centered the hook with the wall, thankful the bed was centered as well, and firmly pressed it against the ceiling. After giving it a second, he bent down to grab the lights.
"Do you want them to hang low?"
"And to wobble to and fro?" Angelica countered, placing her hands on her hips. "Can you tie them in a knot?"
"I'll tie you in a knot." He mock threatened, looking at her over his shoulder. She stuck her tongue out at him and he returned it. "Do you want them to hang low?"
"Can we play with it?" She asked, head tilted, her sass melting away now that she was focused on something else. He swore his child had the attention span of a goldfish or the brain of a monkey. She would see something shiny and get distracted very easily.
"Well, I need to know where to put the other hooks, you dork." Y/N hung the lights on the hook, perfectly centered. He grabbed one end of the strand and held it up, moving it to show different degrees of slack. "Tell me when."
"Uhhh.....there! Perfect!" 
"Yeah, that looks perfect." Someone said from behind them, startling them both.
They turned to see who it was and were greeted by a red-haired woman leaned in the doorway, arms folded over her chest.
"Hey, little monster. Don't think we've met." She smiled and gave a small wave to Angelica. "I'm Natasha Romanoff."
"You're Black Widow!" Angelica beamed, eyes wide. She was nearly vibrating with excitement, bouncing on the balls of her feet. "I'm Angelica."
"Nice to meet you, Angelica. I saw the door open and thought I'd come say hi. The others might stop in, too. Barnes and Rogers are on a mission right now, though, so don't go looking for the fossils." Natasha hitched her chin at Y/N. "Might want to move that to the right just a touch so it can be even on the other side."
"Thanks, Natasha." He held his hand out for a hook again. "Kiddo, you're starstruck. Hook, please."
Angelica didn't move and he sighed, shaking his head in amusement.
"If you ever want to learn how to defend yourself, little monster, then talk to your dad and come find me. I like the lights." Natasha winked and disappeared from the doorway.
"Are you gonna hand me a hook?" Y/N teased, turning to look at his star-eyed daughter.��
"Black Widow likes my lights." She grinned.
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"Okay, lunch break?" Y/N asked, stretching his legs out. He'd been on the floor for an hour or so unpacking the rest of her decorations and trinkets. The muscles in his thigh seized up and he hissed under his breath, massaging the side of his leg gently.
"Ugh, yes, please." Angelica bounced off her bed and onto her feet. "Carry me?"
"Ha, that's funny. You have two legs. You can walk." He snorted. "Come on, let's get some lunch."
Angelica slipped her hand into his and they walked together to the common room. She skipped along beside him, humming some random tune. She was settling into their new home well. He was afraid she would be uncomfortable with the new change and struggle to adjust. But everyone had been welcoming so far.
"And I told her she was crazy for doing it, but she just went in, guns blazing. Literally." A voice drifted from the kitchen followed by laughter. "I hate it. She's gonna get us killed one day."
"But you have some good stories to tell." Another voice, accented, floated into the hallway.
"Damn straight."
Y/N poked his head into the kitchen and smiled. "Hey, Sam. Wanda."
"Hi, Y/N. And mini Y/N." Sam Wilson leaned against the counter and waved at Angelica when she came into view. "I'm Sam Wilson and this is Wanda Maximoff."
"Nice to meet you. Angelica, yes?" Wanda's eyes crinkled up when she smiled. Her chin was resting in her hand and an unopened bottle of water rested just in reach.
"Yeah! And you're Scarlet Witch and you're Falcon, right?" Angelica bounced on the balls of her feet, her excitement lighting up her eyes.
"Wow, yeah. That's who we are." Sam said, looking to Y/N with an amused smirk.
"She's kind of a fan." He shrugged, looking at his daughter who was practically bursting with enthusiasm. When he'd told her the full details the week before, she had gotten up from the dinner table and bounced around like a kangaroo on a sugar high. Like many other kids her age, she looked up to the Avengers as heroes. 
"Well, now, I guess you're an honorary Avenger. Welcome to the team, little one." Wanda glanced at the clock and her eyes went wide. "Oh! I'm supposed to be training with Stephen in ten minutes. I should run and change."
"Yeah, you should. You know how he gets when you're late." Sam snorted, rolling his eyes dramatically in Angelica's direction. She giggled.
Wanda hopped off her stool, swiping her water bottle, and wiggled her fingers in a wave, red energy floating through the air around her hand. "See you around, little one." She left through the kitchen's other door.
"C'mere, kid. Let's pick a name for you." Sam rounded the counter and picked Angelica up, setting her on the stool. "I'm thinkin' something magic-related."
"Hey, Sam, have you eaten lunch?" Y/N asked, moving to the fridge to see what he could make. He looked through the drawers, finding it easiest to make sandwiches with what they had. 
"Nope. You offering to cook?" Sam sat on the other stool and reached for his phone.
"I'll make you a sandwich. I'm not cooking anything special." Y/N placed a packet of cheese and a container of ham on the counter. He grabbed the bread and a couple of knives, starting to make Angelica's favorite sandwich: ham and cheese with brown mustard and mayonnaise. Where his kid had picked up a love for brown mustard, he had no idea, since he didn't really care for mustard.
"Thanks, Y/N. So, Angelica. Let's get you a team name." 
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Y/N shifted his desk to face the door, moving it to be perpendicular to the right wall. That was one thing he hated about being in a cubicle. He had always hated it when people snuck up behind him. Now, with the glass walls, he could see when people came up to his office. The windows behind him also brought natural light. Another thing his cubicle hadn't had.
He rolled his sleeves up to his elbows, a little too warm from moving things around. He dragged his desk chair around and sank into it, leaning back. There were plans he wanted to implement into his office, but that would happen over time. So far, he had a desk and a couple of monitors. Picture frames and smaller trinkets would decorate his desk and walls soon. 
At least there was a couch and an extra chair. He'd have to get an end table and a coffee table for visitors. But those plans were for later and not right now. What mattered was that he could work comfortably for the time being and have space for Angelica to do homework.
"Ooh, fancy!" Angelica, speaking of the little mischief-maker, appeared in the doorway. She ran towards the couch and jumped over the armrest, flopping onto the cushions with a squeal. "So, this is where all the super-secret stuff is gonna happen?"
"It's not that cool. I just have to stare at a screen and make sure no one's doing anything bad." Y/N swiveled in his chair with an amused smile. Maybe he should get a plant or two, he thought. Or one of those small fountains that provided bubbling water as background noise.
"Catching bad guys before they do the bad things is pretty cool," Tony said from the doorway, hands sunk in his pockets. "Nice to see you're getting all settled. If there's anything you'd like to add, just tell Friday and we'll get it for you."
"Thanks, Tony." Y/N straightened up, shifting to face the door. A teenage boy stood just behind him, looking like he didn't know what was going on. "Angelica, you remember Tony, right?"
"Hi, Tony!" Angelica sat up, her knees over the armrest. She waved enthusiastically.
"Hey, munchkin. I just came by to introduce one of our team members. He's here over weekends for training. This is Peter Parker. Pete, this is Y/N L/N, our intel specialist." Tony placed his hand on the shoulder of the teenage boy and pulled him forward.
"Hi, Mr. L/N." Peter smiled and waved shyly. He didn't know what to do with his hands after that, moving them to his hips, then clasped them in front of him before folding his arms over his chest and tucking his hands against his chest.
"And that's his daughter, Angelica. You two will get along famously," Tony pointed to Angelica, who rolled backward on the couch and bounced to her feet.
"Which superhero are you?" She asked, straightening out her skirt and using her foot to pull the leg of her leggings down since it had bunched up on her calf.
"I'm...I'm Spiderman," Peter said, lifting his shoulders in a slight shrug. He seemed very nervous like he wasn't sure about meeting them today. Y/N wondered if Tony had just dragged him down to his office without telling him what was happening.
"No way! You used to swing by our apartment like once every week!" Angelica grinned. "That's so cool!"
"Knew it - I called it. Didn't I call it?" Tony pointed between Angelica and Peter before turning his finger to himself. "Anyway, Pete. If you have any intel from in the field or if you need intel, Y/N's your man. It's gonna be great!" He backed out of the room with a smile. "Gonna be great!"
"Is he always like that?" Y/N asked, laughing. Of all the people he'd met so far, Tony was by far the most entertaining. He was unpredictable and had quite the personality.
"Uh, yeah. He's, uh...He's always like that." Peter nodded for a moment too long and the silence became a touch awkward. "It's nice to meet you, Mr. Y/N. You, too, Angelica." He held his hand out like he was offering to shake someone else's, but since they were so far away...it didn't quite work.
"Please, just Y/N. It's nice to meet you, Peter. What you do is pretty incredible." Y/N smiled and watched as Peter's shoulders relaxed. He seemed to be an anxious individual around people he didn't know.
"Oh, uh...thank you." Peter's face turned pink and he looked at his feet with a shy smile.
 "Hey, kiddo. Don't you have some homework to catch up on?" Y/N turned to his daughter. Getting the attention off of Peter would probably help his nerves. 
"Awww, but it's Friday!" Angelica whined, wrinkling her nose up and looking at her father with disdain.
"And you have a week's worth of work to catch up on." Y/N raised his eyebrows in a typical fatherly way. It had been easier to just pull her from school for a week to move everything from their house into the compound and to get used to the new environment.
"Uh, I have some homework, too. We could do it together?" Peter suggested, hooking his thumbs under his backpack straps.
"You wouldn't mind?" Angelica asked, spinning around with a dazzling smile.
"Yeah. It's totally fine. I could use the company while suffering through geometry." Peter wrinkled his nose up in a similar manner, obviously not fond of the subject.
Angelica turned to her father with wide, questioning eyes. She was barely concealing her enthusiasm, beginning to bounce on the balls of her feet again.
"Why are you lookin' at me? You live here and I trust you not to get into trouble." Y/N said with a laugh. "You know the rules."
"Don't terrorize people. Pranks should be harmless. And snitches don't get cookies." Angelica recited, counting on her fingers. 
Peter looked between them with amused confusion. "Snitches don't get cookies?"
"Our neighbor, Scott, taught it to her at three years old. It's just been a thing since then." Y/N explained. "Scott's a personal accountant by day and a drag queen by night."
"I'm gonna miss seeing Scott." Angelica looked at her feet sadly. "He always brought the prettiest shoes."
"Nothing against us visiting Irene and Scott from time to time, kiddo. Now, go on. You've got a bunch of homework to do and I know your math teacher gave you a good amount." Y/N gestured with his head for them to go.
Angelica perked up suddenly. "Did you say geometry earlier?"
"Yeah?" Peter raised an eyebrow.
"You should show me some! I'm learning percentages right now, but it's super boring." She took Peter's arm with a grin and pulled him out of the office.
"Have fun and don't be a devil child!" Y/N called after her and she gave him a thumbs-up before passing his office front.
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Y/N scrolled through his phone aimlessly, laying on his stomach in bed. He still wasn't used to calling it his, since he'd only been living there for a week. The room was dark because of the late hour, but he wasn't quite ready to sleep. Having a kid didn't mean much time alone to just exist, so he would take every moment he could. Not that he didn't love his daughter, he did, but he needed those few hours alone at night to recharge and relax.
His phone buzzed with a text from a number he didn't recognize. 
???: Hey, Ciara. This is Larry. :)
Y/N: I'm sorry, I think you have the wrong number. I'm not Ciara.
???: Are you sure this isn't right? This is the number Ciara gave me.
Y/N: Considering I'm a guy and my name is Y/N, yeah. Pretty sure she gave you a random number. Sorry, buddy.
???: Oh...dang. Thanks for being so nice about that.
Y/N: No problem. Have a nice night.
???: You, too.
Y/N deleted the conversation, not worrying about it. It had happened to him before - on both sides - so there really wasn't anything strange about the interaction. He sighed and switched back to Facebook, looking at his feed. A memory popped up and he smiled.
Angelica's first day at school in kindergarten. She was smiling, a gap in her front teeth from losing her first tooth. Her hair was in braided pigtails and she was wearing a dress with a pair of Disney sister characters on the front. My little girl's growing up so fast. Lost her first tooth yesterday, and now she's off to school for the first time.
He remembered that day vividly. She'd been so excited when she came home, talking up a storm about the friends she had made and the things they were learning. When she went to bed that night, she slept like the dead.
The next day, though, was one he really remembered. She was supposed to do a "my family" drawing at school, and a few of the kids had noticed she had only drawn her dad. After saying she didn't have a mom, they'd teased her until the teacher made them stop.
When he picked her up, the only thing she said when he asked how her day went was: Why don't I have a mom? The car ride had been awkwardly silent after that, and he explained it to her over dinner. 
I'll always be here for you, though, Angel. I promise. Nothing in the world can take me away from you.
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nerianasims · 4 years
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Billboards #1 1965
Under the cut.
Petula Clark – “Downtown” -- January 23, 1965
I love this song to bits. I don't entirely know why. Petula Clark obviously sings it wonderfully. There's that little bell that sometimes chimes in. There's a pattern to the song that makes it feel like Broadway, which is, of course, downtown. It's a fantasy version of a downtown in a big city. One thing I love about fantasy is a sense of place, and that's what this entire song is dedicated to. It's an unusual subject for pop music, and it's great.
The Righteous Brothers – “You’ve Lost That Lovin’ Feeling” -- February 6, 1965
How does one even talk about this song? It feels somehow eternal. This is Phil Spector's production at its best. But Bill Medley's singing is the point. This song is one of the greats.
Gary Lewis And The Playboys – “This Diamond Ring” -- February 20, 1965
Gary Lewis is Jerry Lewis' son. Unlike his father, he does not consist entirely of annoyance-producing molecules, but the song's not good either. In it, the guy's fiancee dumped him and he's selling the diamond ring. A boring, bland heartbreak song that belongs three years or so back.
The Temptations – “My Girl” -- March 6, 1965
My mom used to sing this song to me when I was a little kid. I think a lot of parents sing this song to their little girls; it's that kind of love song. Yet it's not irritatingly antiseptic. It's about true love. True love can be a lot of things. This song is every superlative you can think of. Brilliant in every aspect.
The Beatles – “Eight Days A Week” -- March 13, 1965 
It's a good, but not great, Beatles song. Very fun, with a lot of interesting things musically, like the bassline (as usual) and whatever George Harrison does with his guitar.
The Supremes – “Stop! In The Name Of Love” -- March 27, 1965
Finally, Diana Ross actually sounds kinda pissed off. It's also got more of a rock edge. She's still begging, and not threatening to leave the guy's cheating ass. Yet, though there is no explicit threat, I feel like there is an implied ultimatum here.
Freddie And The Dreamers – “I’m Telling You Now” -- April 10, 1965
It sounds like this guy is exaggerating his English accent. Considering the British Invasion, probably. He cackles like a monkey on acid, which is the only interesting thing about the song, which is otherwise a bland love song. Though the cackle is interesting, that doesn't make it good. It's creepy. I don't like this one.
Wayne Fontana & The Mindbenders – “The Game Of Love” -- April 24, 1965
"The purpose of a man is to love a woman, and the purpose of a woman is to love a man." Whoo boy. Dated. But the song is 55 years old. Attempting to put that aside, the music is good. The lyrics sound pushy, though. Also it gets terribly repetitive at the end. Meh.
Herman’s Hermits – “Mrs. Brown, You’ve Got A Lovely Daughter” -- May 1, 1965
Was it once usual for guys to go to their ex-girlfriends' mothers to talk of their heartbreak after the girlfriend dumped them? This song is painfully "look how English I am! You Americans like to throw money at English pop singers, right?" It wears out its welcome quickly.
The Beatles – “Ticket To Ride” -- May 22, 1965
It's interesting how the Beatles seem to have matured five years in one. I can't imagine this group having performed "I Want to Hold Your Hand." The harmonies and rhythms in "Ticket to Ride" are far more complex, the sounds are more varied, and the lyrics are much more mature. His wife/girlfriend is absolutely determined to leave him, and he seems taken by surprise. Yet there are hints he shouldn't have been: "She would never be free when I was around." He goes on, "My baby don't care." Yet underneath there's the suggestion that she simply hasn't got it in her to care any more, because he's exhausted her. Layers of harmony and layers of meaning. It's an intelligent heartbreak song, and those are rare.
The Beach Boys – “Help Me, Rhonda” -- May 29, 1965
I know Brian Wilson was a musical genius but I usually don't like the Beach Boys. It's the lyrics. The narrator was dumped, now he's begging Rhonda to be his rebound. Lucky Rhonda. Then they sing "Help me Rhonda/ Help, help me Rhonda" about five dozen times. Not for me.
The Supremes – “Back In My Arms Again” -- June 12, 1965
Urgh. Don't listen to the Supremes' #1 hits close together. She's got her man back because she stopped listening to her friends' advice. In isolation, there's nothing wrong with that. After all the songs about rotten cheating assholes whom the narrator is desperate to keep, though, it's super uncomfortable. Also using the names of the two backup singers as the friends who give bad advice is in poor taste. And "Flo, she don't know, cuz the boy she loves is a Romeo"? You solely date Romeos! Taken alone, without the context of the other songs, it's good, though I still don't like the strange insult toward the backup singers. Taken with the rest of the Supremes' hits, though, I'm not happy. Especially considering these were all written by men.
The Four Tops – “I Can’t Help Myself (Sugar Pie, Honey Bunch)” -- June 19, 1965
The Supremes weren't the only people in Motown singing about being hopelessly in love with someone who treated them badly. That's what this song is about. I like it, though the line "I'm weaker than a man should be" is a bit wince-inducing these days. But it's an honest sentiment about how men often feel they're not allowed to be idiots over love, though that's a near-universal human experience. Anyway, good song.
The Byrds – Mr. Tambourine Man -- June 26, 1965
The original version of this song was by Bob Dylan, but the Byrds didn't like it, so they changed the sound and ditched a bunch of the lyrics. The lyrics they were left with don't matter at all. This is all about the music, especially the guitar. It's mellow without being soporific, groovy without requiring drugs to understand. It's nice.
The Rolling Stones – “(I Can’t Get No) Satisfaction” -- July 10, 1965
The Rolling Stones were almost never nice. They went straight for the gut -- or gonads -- found all the nastiest things that people are afraid to say and embarrassed to feel, and hung them up on the front porch. "(I Can't Get No) Satisfaction" sounds kind of silly today, since it's been played and overplayed so much. But that beginning riff still goes straight to the back-brain.
Two years before, pap like "Hey Paula" was clogging the airwaves. Funnily enough, it's the same subject matter: Goddamn I want to get laid. (The idea that Mick Jagger had trouble getting laid is pretty ridiculous, but anyway.) And then there's the critical bit about hating advertisements. They managed to stick a cultural criticism into a song that's about wanting sex. When you can't get no satisfaction, everything is annoying, and things that were already annoying to begin with start to feel unbearable. The Stones go harder in every way than any #1 before them.
Herman’s Hermits – “I’m Henry VIII, I Am” -- August 7, 1965
And here's the opposite. This song must be meant to be annoying, right? One of my friends and I used to sing it at our parents to drive them nuts, and that was before Ghost. It was their fault for exposing us to it in the first place.
Sonny And Cher – “I Got You Babe” -- August 14, 1965
Cher with Sonny is eternally confusing. Though their marriage didn't last, their love was real, and Cher was heartbroken when Sonny died. But anyway, the song. Sonny saying Cher has a "little hand" is goofy. Actually the whole song is kinda goofy, especially the beat that seems to be made of kazoos. Cher's got this powerful, deep voice, while Sonny has a squeaky little thing, but somehow they mesh. The sentiment is sincere, and a good picture of what it's like to be in a happy relationship. It's good.
The Beatles – “Help!” -- September 4, 1965
John Lennon was only 25 when he sang about being "younger, so much younger than today." But for the Beatles, that could have been two years before. They got so famous so fast and so young, I don't know how any of them lived through it. And that is what this song's about; Lennon called it a "public freak-out." But it's still universal. I love this song, and it helped carry me through some tough times.
Barry McGuire – “Eve Of Destruction” -- September 25, 1965
I remember when I first heard this song on the radio in the car with my mother, I asked her what "Old enough to kill/ But not for voting" meant. That's when I learned people used to not be able to vote until they were 21, though young men could be drafted at 18. I was absolutely stunned, and obviously it stuck with me. When you're a little kid, you tend to think the people in charge are generally fair. Then you find out that's not true at all. That's what this song is about, to me.
The McCoys – “Hang On Sloopy” -- October 2, 1965
Speaking of fair, I'm about to be totally unfair. I hate this fucking song. I had to play it endlessly in middle school band, and then I had to play it AGAIN in high school marching band. And the flute part in the arrangements was the most boring thing that has ever been conceived. I hate this song and I will not be listening to it or thinking about it more than this.
The Beatles – “Yesterday” -- October 9, 1965
Why do people in songs lose their significant others so often because they said something wrong and they don't know what it was? That can't be common. Anyway, this song is beautiful and sad. I'm kind of tired of all the covers of it though.
The Rolling Stones – “Get Off Of My Cloud” -- November 6, 1965
I'm listening to the original mono version of this, and mono sounds very strange these days. I keep wanting to check that my speakers are plugged in. Anyway, thanks to Jagger's marbles-in-mouth singing, I can't understand a word of this song except "Hey! you! get off of my cloud!" and I've never known the lyrics until now. And they're not important. Even the chorus isn't that important. This is all about the beat and the music, neither of which I find interesting for the entire length of the song. Not for me.
The Supremes – “I Hear A Symphony” -- November 20, 1965
A thoroughly happy Supremes song! I think Diana Ross is more suited to happy lovesongs than what she had been singing. She has a lot more emotion in her voice than she has before. The violins are lovely. I love this song.
The Byrds – “Turn! Turn! Turn!” -- December 4, 1965
I have always found this song slightly annoying. The Bible verse set to light pop thing doesn't do it for me. The music isn't anywhere near dramatic enough. This should be operatic, or heavy metal, or something else with serious weight. This is thin.
The Dave Clark Five – “Over And Over” -- December 25, 1965
This song is a bit of a throwback to three or four whole years before. It would have been good then. At this point, it's pretty boring. It's about going to a party he didn't want to go to, hitting on a girl, and getting turned down. The snare drum beat is very repetitive, and so is the melody. A big meh.
BEST OF 1965: "My Girl", with stiff competition.   WORST OF 1965: "I'm Telling You Now"
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House, M.D. Fanfic (7/?)
Thank you to everyone who has taken time to leave a note on my story. I hope you continue to enjoy my kind of rewrite and/or additions to certain episodes! As always, I don't own House. If I did, Lisa Edelstein would have gotten the respect she deserved contact wise for a season 8.
As stated in previous chapters, the story follows the big picture laid out on the show, but with my own take on things. This chapter picks back up with the show storyline in the beginning of season 3. I did use a bit of dialogue from the episode, but I definitely added and rewrote some stuff too. I also left out all the medical dialogue House spouted off at Cuddy's bedroom window because I'm not a medical professional and had no idea how to spell it or write it, lol.
Thanks to @love-hope-faith-feels-like-a-lie on Tumblr for reading my ideas and providing positive feedback! Anything in the way of feedback is always appreciated! Enjoy!
xxxxx
"Did you really ask out Dr. Cameron?" Cuddy asked when he stepped into her office.
"Would you have a problem if I did?"
She just looked at him incredulously. Was he serious? "Why would you think I would be okay with that?!"
"Why wouldn't you be?" he shrugged.
"Oh, I don't know, maybe because you're already sleeping with me!" she hissed, careful to keep her voice down. The last thing she wanted was for anyone at the hospital to hear that they actually were sleeping together. She knew they were always fodder for the rumor mill, but she wasn't about to confirm it for them.
"Threesomes are sexy. And a lot of fun. You'd like it," he smirked, heading for the door since he figured that was all this conversation was about.
"House!"
"Relax. I asked her out to make a point. I'm not interested in sleeping with anyone else," he said opening the door.
"What if she'd said yes?"
He shrugged. "I wouldn't have gone. You are a slave driver in the bedroom. You think I have time or energy for another one?" He grinned smugly before leaving.
xxxxx
"I can help him."
"That's it? That's your argument?"
"Seems like a good one." Why was helping someone suddenly not a good enough reason for Cuddy? Or Wilson? Or anyone else?
"If I thought for a second that you wanted to help him, you'd have carte blanche. You're doing this because it's...fun."
"Does nobody in this hospital have anything better to talk about than my motives? My motives have nothing to do with the case."
"Your motives have everything to do with your judgement."
"For the first time in years, I've got no opiods in my body, now you question my judgement? Is this still about asking Cameron out? Because I told you, that was to prove a point. Right now, jealousy has everything to do with your judgement."
"I'm not jealous of Cameron! House, 24 times a year you come storming into my office spouting that you can help someone, only you never say those words. You say something like, 'His pancreas is going to explode because his brain is on fire.' You come here with medicine, not with platitudes."
"I didn't want to bore you with the details."
"There are no details. You have a hunch. House, you don't use hunches. You always have reasons. This hospital doesn't exist for your whims. I'm sorry. As of 7AM tomorrow morning, I'm sending your patient home."
"I can help him!" he insisted.
She sighed, pinching the bridge of her nose. "I don't think you can. Because I don't think anything new is wrong with him. This is just you trying to make a puzzle out of something that isn't there."
He felt like he'd just been sucker punched in the gut. She didn't trust him on the medicine. She had never doubted him before. Sure, she'd said no plenty of times to procedures that were... questionable... she had argued with him when she didn't always agree with him. She'd never outright doubted him. That stung. And he couldn't help but wonder if the lack of pain in his leg, the lack of Vicodin in his system had caused him to see something that wasn't there.
xxxxx
"So yeah, his brain is on fire." He stood outside her bedroom window like a teenage boy hoping to sneak in.
She shook her head as she got him a towel, handing out to him once he climbed inside. "Next time use the front door."
"The guy will have sex with his wife again. He'll hug his kid again." He took the towel and began to wipe his face and neck.
"House, you have no proof. No scar tissue on the scans. This is some wild theory that came to you while sweating and running into the university pool."
"Fountain. And it all fits. Just inject him with cortisol. There is no risk if I'm wrong." He studied her reaction and knew she wasn't biting. "You're smiling. That's a bad sign."
She nodded. "You're high."
"I told you, I haven't had anything in three months. You've been with me most of that time. You know I haven't taken anything."
"This is as high as you get. A theory that ties your case up in a neat little bow, but you don't have a lick of substantiating proof."
"Your decision doesn't make any sense," he said, clearly frustrated. "There is no risk to a cortisol injection. If I'm wrong, big deal. He goes home a vegetable, like he already is. But if I'm right..."
"This is not about downsides or risk management. It is a big deal for you to understand the word no." She sighed softly. "I'm sorry, House."
He breathed deeply and released it slowly, moving to sit on her bed and toss his towel beside him. She frustrated him to no end, but she was right. He wouldn't admit it to her right then, but as his boss, she was right to tell him no. He really had nothing to go on. No medical reason other than it fit. He couldn't do this, couldn't be the great doctor he had been without the leg pain.
She moved to sit next to him, placing a hand lightly on his back. "Do you want to talk?" she offered.
"No."
"Do you want to stay?"
He thought about it for a moment. He didn't have his bike, and he didn't really feel like running home. "Yeah, it's late."
"You don't say," she offered a small smile, picking up the towel and dropping it into his lap. "Go shower and dry off. You're getting my bed wet. And you smell like a locker room." She gave him a gentle shove to his feet then.
He took his time on the shower, both cooling off and working through everything on his head. Did he really need the pain to be great at his job? Was he really so far off base that she didn't trust his ability anymore?
She was half asleep when he came out of her bathroom with a towel around his waist. "You've got some clothes in the top drawer," she murmured. "I washed the ones you left here, " she added, seemingly answering his question before he could even ask it.
He simply nodded and pulled them on, leaving his wet towel on the floor.
"If you want to get in this bed, the towel goes back in the bathroom." She didn't even have to open her eyes to see the towel on the floor.
He just looked at her for a moment before picking it up and tossing it toward the bathroom.
"In the hamper, House," she murmured.
Once again he just stared at her a moment. How the hell did she know without even opening her eyes? "The force is strong with you," he murmured, going to put the towel in the hamper so she would let him in bed.
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Hurts to be Human: Chapter 1
Here’s the link to the: Prologue 
Shout out to @songforhema for helping me out XD 
Summary: Bucky and you had struggled for a while, maintaining a less than healthy relationship before finally deciding that maybe simply wanting someone isn’t enough anymore. So what happens when time passes, people change, but feelings never leave? (Bucky and Reader eventually get back together!)
Warnings: Cussing, references to a negative past, fluff
Also! I’m going to be doing my best to post gifs that have something to do with a particular moment in the chapter. So yeah, have fun!
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Chapter One — Time Heals All Wounds? I Call Bullshit.
“Hey, Y/N, when you’re done with that table, you can go home.”
She looked up, a relieved smile appearing. It made the corners of her eyes crinkle sweetly. Normally Y/N was the last person to leave, locking up and putting everything away because he trusted her to not break anything. However, there was one day once a month where he let her leave early so she could get a goodnight’s rest for her morning session. It was a relief, in all honesty, having someone like a boss who understood that mental health was just as important as her job. And Michael? He was like that dorky dad kids would normally get embarrassed by, trying to keep up with the times and tell “relevant” jokes. Still, she found herself staring at his appearance, struggling to get used to his shaved head and glasses. It was a recent change and after knowing him as the guy with the silver ponytail and goatee, she wasn’t sure how she felt about it. “Thanks, Mikey!”
“Don’t call me that.”
Y/N laughed before turning her attention back to her customers, she offered that warm smile and Southern charm that she’d learned and developed over her years in this town. It provided better tips for her and usually, the customers were friendly, so it came almost naturally to her. Any assholes normally got the boot from the big guy. “So what can I get for you guys?”
Click!
The sound of her key turning in the lock signaled her arrival back to the apartment. Four years and even after all this time she still couldn’t bring herself to call the place home. It didn’t feel right. Kicking the door shut behind her, she didn’t bother turning on the lights, instead simply relying on the moonlight streaming through the window. “H.D.,” you called, dropping your bag on the kitchen counter. “Here, kitty, time for dinner.” The little runt of a kitten was something she’d found in the apartment when she’d first moved there. Its two faces, one half pitch black and the other a vibrant orange, reminded her of her favorite comic villain — Harvey Dent. Why she named the cat after a villain, she wasn’t entirely sure, but it stuck. H.D. stuck with her, never warming up to any guests that came by. She was a ferocious little beast. Setting her bowl on the counter, Y/N filled it with wet food and set it on the counter, confused as to why the cat hadn’t made an appearance yet.
“Don’t you think this middle-of-nowhere town is a bit of a step down from New York?”
Immediately Y/N reached into the drawer next to her, grabbing her gun and aiming at where the voice had come from. Across the bar, hiding in the living room’s shadows on a recliner was none other than Nick Fury. In his hands was a content H.D. purring as if there was no tomorrow. A knowing smirk was on Fury’s features as H.D. looked up. A small meow escaped the feline as if she was trying to put the pieces of the puzzle together.
“I see you haven’t lost your touch, Agent Y/L/N.”
Y/N knew Fury wasn’t a threat. She knew he wouldn’t be here unless there was a reason. However, even knowing that, she didn’t lower the gun. She had walked away from his neck of the woods years ago and had no intention of going back. “You always hide out in women’s apartments?” Raising an eyebrow, she watched as H.D. hopped out of Fury’s arms and crossed the room, her target being the food that Y/N had laid out for her.
He chuckled, shaking his head. “No, not really. How are you, Y/L/N?”
“I was doing just fine until about two minutes ago.” They studied one another, calculating each possible move that could be made in the next few moments. When she didn’t see him reach for a weapon, didn’t see him make a call for help, she lowered the gun. “What are you even doing here, Fury?”
“I’ve had Maria keep tabs on you.”
“Of course you have.” There was no surprise there. Fury liked having an eye on the whole deck of cards. Whether she had quit or not, she had the training and know-how to be a potential threat. Still, it unnerved her to know that he had gone so far as to pay a personal visit.
“How’s therapy?”
Through gritted teeth, “Fine.”
“Nightmares?”
Fist clenched, “I have coping mechanisms.”
“Healthy ones?” He took her silence as a yes. “Your anxiety attacks?”
Shoulders tensed. “Maintained.”
“Suicidal thoughts?”
The air grew tense. Why was he skirting around his reasons for being here? Why was he talking to her as if they’d been friends all this time? “What is this about?”
Fury studied her. “You seem healthier.” He had to make sure it was true, that Maria wasn’t feeding him false information by accident.
“Guess the country does wonders for the brain.”
He laughed. “I call bullshit on that. You’re a city girl, Y/N. Always have been.”
“People change.”
“No. They don’t.” Oh, she wanted to punch him. But maybe it was right. Maybe this was why she couldn't convince herself even after all this time that this wasn't home. “They get better, sure. Healthier, stronger, or the opposite, but that sort of thing? Not so much.”
“Is this some fucked up doctor’s visit?”
“Not at all. I have a mission for you.” He made it sound so simple, so matter of fact. That was Fury though. She shouldn’t be surprised.
Her mind drifted to the team, the Avengers. They had been her family for almost three years. Then… She shook her head, not wanting to think about that one particular guy. Every time, her heart sped up in a way that made her wish she never left. “I don’t do that anymore.”
“Maybe not, but you still got it.” He was hiding something. She could tell. “They need you.”
“No, they don’t.”
“Y/N,” he muttered, rolling his eye. Fury took a seat and leaned back, crossing his right leg over his left knee. She knew that move, that lean. This wasn’t just a boss coming to give orders, but a friend asking for help. “They have faced Loki, Ultron, Hydra, each other, and Thanos twice…Each time they barely made it and that’s a little unsettling for a man like me. Over those years people have come and gone and you are one of them. However, the reason you left wasn’t that you weren’t cut out for the superhero gig.”
“I wasn’t —“
He kept talking as if she hadn’t interrupted. “It was because you needed to take care of yourself. And that’s fine, I understand and can certainly respect it. I don’t know many people that would have taken the steps you did. Hell, Stark didn’t.”
“He tried.”
“He couldn’t,” Fury corrected. “But all that being said, the Avengers have been a fractured bunch for a while. Wanda and Vision are doing their own thing. Banner is enjoying retirement on a beach somewhere.” She chuckled, appreciating that Bruce took that chance. “Thor and Danvers are off-world and don’t need to be around for everything.” His voice trailed off, showing he was running out of options.”
“T’Challa?”
“Is there if we call, but he’s a bit busy running a kingdom. I’d rather not call him in if I can help it. As for his sister, she visits frequently to help with new tech.”
“Strange?”
“I dealt with Stark’s attitude for years. I’d rather not do the same with him.”
“Okay,” she muttered, setting the gun on the counter and shoving her hands in her back pockets. “There’s still more, Fury. Peter? Scott?”
“Both are Avengers, but Parker’s a minor. He’s not around as much as he could be in the future. Scott works with what he can, helps often, but the man does have a daughter.”
“Same with Clint,” which meant he wasn’t an option either. “Sharon?”
“Recruited already.”
“Then why do you need me?”
Fury watched her curiously, knowing she was running out of people to list off. He’d never force Y/N to come back to the Avengers. She’d fought her skeletons for years just to get to this point. She was happy, whole without having to use anyone as a crutch. He wouldn’t allow himself to take that away from her when he’d known her almost as long as he’d known agents like Hill, Barton, and Romanov. He’d already lost one of those agents, but Fury wouldn’t let himself lose any more. Not if he could help it. But watching her, he could tell she was itching to come back. Her instincts weren’t all that rusty. All she needed was a chance to get back in. So now was time for the pitch. “Your guys are struggling.” She flicked as he referred to them as hers, looking away and running her fingers through H.D.’s fur. “It seems the government is making another attempt to rid the world of Wilson’s role”
“He isn’t Captain America. Hell, he’s insisted he isn’t.”
“Dons the shield, gets the name. That’s how everyone’s looking at it at least.”
“Get Sharon and Peggy to take care of it.”
“I would, but” he trailed off, earning more of her attention. That could only mean one thing.
“What did Bucky do?”
Disbelief rang clear in his voice as he asked, “Do you not watch tv?”
“Nope. It isn’t recommended to me. You know, all things considered.”
He could understand that. It seemed every channel was talking about the next awful thing or the latest bombing or some form of violence. She didn’t need to have something that filled her brain with 24/7 negativity that she would feel responsible for. “Barnes hasn’t done anything yet. He’s been doing a lot better.” Fury noticed how she smiled but chose not to say anything. For now. “That being said, we have people like that Quentin Beck guy coming out and tarnishing the Avengers name.”
“And since Bucky has his history, all eyes are on him?”
“You know how he handles the pressure.”
“Still don’t see how does this include me.”
“You’re the face everyone associates with Bucky’s first glimpse of growth. Every press junket, every interview, you were there. It became this whole thing where one of you was always associated with the other. You keep, not only Barnes but also Wilson in check. That is something we desperately need right now.” He sighed softly. Here goes nothing. “We think there’s another guy like Quentin lurking around, biding his time till one of these guys makes a mess we can’t cover-up. Then —“
“The hero ‘Captain America’ gets forced into retirement and out comes a new ‘hero.’”
Fury nodded, glad that he was talking to someone who fully understood his concerns. “Exactly.” Sharon had argued with him when Fury had mentioned bringing Y/N into this, thinking it might be worse for her and the soldier back in New York. Watching Y/N now, he could feel in his gut that he was making the right call. “There have been calls, videos, photos — you name it and the press has had it. Their reputations are getting tarnished, but this isn’t exactly something that requires all the heroes on my contact list.”
Wry smile in place, she shook her head as she asked, “Just a stubborn former Avenger and agent?”
Fury grinned. There she was. “How’s it sound? Got a deal?”
——
The Avengers Compound felt emptier now that heroes seemed to come and go as if the exit was a revolving door. It was irritating, but something these two men could understand. They continued on their morning run, Bucky easily passing up Sam over and over again. It was getting to the point where Bucky would say, “On your right.”
After hearing it for the fifth time, Sam shouted, “Cut it out, old man!”
“Old man?” Bucky laughed, the belly laugh bursting through him as he grinned from ear to ear. “If that’s the case, why can’t you keep up, Birdbrain?”
Sam growled, fighting every fiber in his being to send Redwing after him. That’d give the soldier a workout, he was certain. “I swear to god, Sharon is going to have to keep me from kickin’ your ass.”
“Gotta catch it first!”
Bucky took off, feeling the burning hole in the back of his head that came from Sam’s intense glare. Yeah, Sam would find some sort of way to get payback, but for now? It was just entertaining as Hell.  “Hey,” Sam shouted after him, slowing down when he felt his phone buzz in his back pocket. Answering it, he was confused as to why Sharon was calling him. She knew he’d be on his run. “What’s up, Carter?” He looked at Bucky’s back as the man continued running, a frown appearing as he heard what the woman had to say. “And no one thought that was information we needed to know?” He sighed, pinching the bridge of his nose. “Okay, I’ll let him know.”
Hanging up, he saw the jet slowly approaching and tried shouting after the idiot in front of him with a loud, “Hey, Buck!”
Bucky looked up when he heard Sam, brow furrowing when he saw the jet ahead. He slowed down as it landed nearby, both men shielding their faces as the autumn leaves were sent flying through the air. He was confused, knowing that Sharon normally let them know about these sorts of things. What Avenger was paying a visit? As the jet-powered down, he looked at Sam and asked, “You know anything about this?”
“Only about ten seconds ago,” Sam grumbled, irritated not at Bucky, but rather at being left in the dark. He looked over his shoulder as Sharon came outside. It was clear she was trying to keep her face void of emotion, but he knew her. She was just as concerned for the man standing next to him as he was. “Maybe you should head inside, Buck. Sharon and I got this.”
Bucky rolled his eyes, turning away from the jet to focus instead on his friend. He knew Sam was concerned and there was cause for it. It had taken a while for Bucky to make progress in therapy and took an even longer time to get him to this level of ease. Assuring him, Bucky explained, “Sam, I’m not nearly as much of an ass as I used to be. I can handle greeting an Avenger.”
“That’s good to hear.”
Sam winced as Bucky looked back, the sound of Fury’s voice catching him off guard. However, that feeling was nothing compared to when he saw who was standing just behind the spy. He felt his stomach churn as if a bunch of butterflies took off simultaneously. His heart twisted, beating so loudly that he could hear it in his ears. Fingers fidgeting, he clenched them into fists as he took a shaky breath and tried to keep himself from running. Towards where his gaze was fixated on or in the opposite direction, he wasn’t sure. But either way, there she was, walking straight towards him.
Y/N.
On top of her head was a pair of sunglasses, her hair cut in a style he had never seen her try before. Where she had developed an eating disorder during their last months together, she looked healthy now. She was practically glowing, that sparkle in her eyes back where it belonged. Time worked in her favor and suddenly he found himself feeling extremely self-conscious.
“Hey there, Y/N/N,” Sam teased, unable to keep himself from smiling when he saw her. While he didn’t appreciate this being thrown at them out of the left-field, he would be one of the first to admit that he missed having Y/N fighting alongside them.
“Hey, Sammy.” She grinned and Bucky felt like the wind had been knocked out of him. That smile made the whole world seem brighter, better. A part of him, a big part of him, wished she’d smile at him like that. Her gaze shifted to him, bright smile dimming, but still just as sweet.
Fidgeting from one foot to the other.
Biting the corner of her lip.
Fiddling with the strap of the duffel hanging off her shoulder.
He knew her tells. She was nervous.
“Hey, Y/N.” He smiled and noticed how her shoulders almost immediately relaxed.
“Hey, Buck.” There was a moment of silence before she pointed to his head. “You cut your hair.”
He felt his cheeks burning, clearing his throat as he rubbed the back of his neck. “Uh…yeah, I did.”
“It looks good.”
Sam looked from one to the other. If he could raise his eyebrow any more, it would be on top of his head. These two… Looking at Y/N, he gestured to the cage in her left hand. “What’s that?”
“Oh!” She looked down at the cage and that smile of hers came back. “This is H.D.”
“A cat?” The boys asked the question at the same time, equally confused. When Y/N was part of their team, she didn’t want an animal. She thought they were too dependent on people, too needy. Now, not only did she have an animal, but she was carrying it with her like it was family.
Bucky was curious. He had to ask, “What made you get a cat?”
“It’s — Um, it’s kinda a long story.”
She readjusted her bag and Fury said, “You two can catch up with her later. Sharon?” The boys looked behind them, not realizing that Sharon had made her way to stand only a couple feet behind them. “Can you take Y/L/N to her room?”
“Yeah, of course. Come on, Y/N.”
“See you later, boys.” She walked between them, her shoulder bumping Bucky’s. It seemed the touch was registered not only by him but also by Y/N. He noticed how she quickened her steps, determined to create as much distance between them as possible.
Bucky couldn’t take his eyes off her. The way she walked was similar to the girl he’d first met. Each step was filled with that same confidence, but there seemed to be something else, something more. He just didn’t understand it. Scratching the back of his neck, he couldn’t help but grumble to himself, “I thought the time was supposed to heal all wounds.”
Sam watched him, that all-knowing smirk resting almost lazily on his lips as he glanced from Bucky to Y/N and back again. Shaking his head, he knew this was going to be a lot of trouble. Part of him was hopeful, wanting the two to find a way to grow and work things out. The other? The other was more realistic, knowing the odds weren’t exactly in anyone’s favor. Watching Bucky out of his peripheral vision, he told him, “Yeah, I’m calling bullshit on that.”
Chapter Two - Can We Pretend
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imjustthemechanic · 6 years
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The Stone Knight
Part 1/? - Two Statues Part 2/? - A Curious Interview Part 3/? - John Doe Part 4/? - Escape Attempt Part 5/? - Making the News Part 6/? - Fallout Part 7/? - More Impossible Part 8/? - The Shield Thieves Part 9/? - Reality Sinks In Part 10/? - Preparing a Quest Part 11/? - The Marvelous History of Sir Stephen Part 12/? - Uninvited Guests Part 13/? - So That’s What It Does Part 14/? - The What and the Where Part 15/? - Gearing Up Part 16/? - Just Passing Through Part 17/? - Dinner with Druids Part 18/? - Kracness Henge Part 19/? - A Task Interrupted Part 20/? - The Red Death Part 21/? - Aphelion Part 22/? - The Stone Giants Part 23/? - Nat the Giant Killer Part 24/? - An Interrogation Part 25/? - Guilt Part 26/? - Rushman’s Brilliant Idea Part 27/? - Hunter in Hiding
Our heroes drop in on their friendly neighbourhood cryptozoologist, who shares an embarrassing secret.  Oh, and I tell you where the Grail is, because that was mean.
           As they headed south again, under heavy gray skies that threatened rain but never actually delivered on it, Natasha found herself thinking about several different things.  The first, of course, was the urgency of finding O’Herlihy.  It was reassuring that Sharon had another theory, but the only way to know for sure was to go there, and Nat had an awful mental picture of breaking into the man’s room in the Glenmoriston Arms and finding nothing but another smear of blood.  Even if the Red Death hadn’t gotten there ahead of them, he was probably still on his way, and he had an entire secret society behind him while they were just five random people.
           She also thought about Allen Rushman.  He was going to have to stay with them for the time being, and that was okay as long as they were just visiting libraries, doing Google searches, and driving across the country.  What would happen, though, if things came to a fight again?  Nat had little doubt they would, and when it happened, Allen would be worse than useless.  Somehow, he was going to have to be kept safe.  Like any other predator, the Red Death would go after the weakest member of the herd.
           Mostly, however, she thought about her theory. It was only a theory at this point – it had popped into her head at the same moment as the shock that seemed to signify the activation of a Grail fragment, but beyond that there wasn’t a lot to support it.  It was based on an awful lot of assumptions, none of which she had any evidence for.  She hoped she wasn’t just making it up.
           Her theory was that since William the Conqueror must have known about the Grail, he would almost certainly have gone looking for it himself.  Maybe that was even part of the reason he’d had the Domesday Book put together.  An inventory of the entire country would be a great way to get started.  If he’d found it, like Sir Galahad he would have learned that it wasn’t nearly as nice an object as the King Arthur stories would have had him believe.  He’d therefore taken steps to prevent another man like the Red Death trying to get a hold of it, by wiping out any evidence that it had ever existed.
           In the fantasy world this had all happened in, that would be the reason the Grail and the Red Death weren’t mentioned by the chroniclers or recorded in the artworks – the Conqueror hadn’t allowed it. Maybe that was even the reason in the real world.  Who the hell would be able to tell after a thousand years? All historians had was the word of their predecessors, and chroniclers were notorious for ‘improving’ their stories or leaving out the parts that didn’t contribute to the axe they wanted to grind. The Goo-Goo Dolls had a song about that, didn’t they?  All we are is what we’re told, and most of that’s been lies.
           When he’d found the Grail, whether it was on Flotta or somewhere else, William would have moved it.  He would want it someplace where he could keep an eye on it, but nobody else could get at it or stumble across it by accident – so he’d built something to protect it.  Something that, in his world, could never be dug up or knocked down.  Something he would have an excuse for setting his best soldiers to guard, without having to tell them what they were really guarding. A stronghold so secure his descendants would use it as mint, palace, prison, and treasure house, because it was impossible to break in or out.
           The Grail was under the Tower of London.
           At least, that was the theory.  It made internal sense, but Nat wasn’t sure how well it meshed with the outside world, or exactly what aspects of it counted as truth or fantasy.  Was it her lie about knowing the answer that had come true, thus placing information in her brain about something that was already true?  Or was the theory a lie she had told herself, which had then come true when she believed it would come true?  Would somebody searching there a month ago have found anything unusual, or had this whole thing sprung to life as part of Pierce’s thing with the statues?  As with the problem of O’Herlihy, there was only one way to know, and that was to go there and see.
           Part of Natasha hoped they arrived and found nothing at all.  Then they’d know that the Holy Grail didn’t exist and never had, and while that would mean this had all been a colossal waste of time, at least the world would still operate by rules Natasha understood.
           They arrived back in Inverness to find it crammed to overflowing with tourists.  Word of the Monster had gotten around quickly, and scientists, media, and interested laypeople from all over the world had converged on the city to see for themselves.  There was not a hotel room, parking spot, or restaurant table to be had in the entire town, and the Ness Bridge was lined on both sides with people holding binoculars, just waiting for one of the creatures to rear its head.
           Things were fortunately quieter in the suburbs where the police station was.  The storage room where Zola had broken in and Lipcomb had been killed was still roped off with yellow tape, but the police were beginning to get back into their routine. Sharon headed inside, and asked for the chief.
           Chief Fraser was an overweight man with a bushy red and gray mustache, the one who’d shouted at everybody to get back to work when he found them standing around staring at the mess Zola had made of their locker room.  He arrived panting for breath, having evidently run from wherever he’d been.
           “Carter!” he exclaimed.  “I was just wondering what happened to you!  Where have you been?”
           “Flotta,” Sharon replied.  “I was…”
           “Flotta?  What, with the giants on fire and the Ebola?”  The man went white and took a step back from her.  “I thought you were working on the Pierce case!”
           “I am working on the Pierce case,” said Sharon.  “Alexander Pierce is dead.  He was murdered by a man called Johann Totenkopf, who threw him out of a helicopter. It’s going to be a hell of a report when I get around to writing it.  Before I do that, though, I’m pretty sure the next guy on Totenkopf’s hitlist is Darren O’Herlihy.”
           “The previous victim’s brother,” said Chief Fraser.
           “Yes!” said Sharon – Nat might not know yet about her theory, but Sharon was clearly delighted that hers was correct.  “Please tell me you’ve got him in protective custody!”
           Nat glanced around the room, worried.  Zola could be here right now, listening… he could well have been with them all the way from Galltair, in the trunk of the car or something.  There was no sign of him, but how could they tell for sure?
           “He asked for protection,” the Chief agreed. “He said he’d gotten threats from the guy who killed his brother.  We’ve got him in a hotel in…”
           “Ah!  Ah!” Sharon put a hand over his mouth. “Just… don’t tell us out loud. Don’t tell us at all.  Take us to him, but don’t say the name of the place. Walls have ears, okay?”
           Chief Fraser stared at her a moment and gently reached up and took her hand from his mouth, but he didn’t continue his sentence. He just said, “what’s going on?”
           “It’s… let’s just say it’s a conspiracy,” Sharon decided.
           “What kind of conspiracy?  Are we talking about a three-blokes-get-together-to-murder-the-fourth type of conspiracy?  Or a the-queen-is-a-lizard-alien type of conspiracy?”
           “I’ll tell you all about it when the case is closed,” Sharon promised.  “Right now, just trust me, this is really important.”
           The Chief nodded slowly, and pointed a finger at the people behind her.  “Who are they?”
           “Experts,” said Sharon.
           “Experts?” he echoed.
           “Yes,” said Sharon.  “Dr. Rushman is the archaeologist Mr. Pierce had consulted about this statues.  Sir Stephen is an authority on the folklore they were based on.  Dr. Wilson is helping me look into the, uh, Ebola thing, and Mr. Rushman here is…” she spent a moment trying to figure out what his role could be, then gave up.  “He’s Dr. Rushman’s father.  We’ve got to talk to O’Herlihy.  At least, four fifths of us need to talk to O’Herlihy.”
           “All right.”  The Chief sighed.  “I trust you, Carter.”
           “Thanks,” said Sharon.  “That means a lot.”
           He shook his head.  “Lord knows nobody else seems to know what’s going on.”
             The police had put Darren O’Herlihy up at the Mercure Inverness Hotel, which Nat thought was an awfully nice place to be in protective custody.  It had five-star dining, a pool, and free wi-fi – the last time Nat had been in protective custody, it had been in a cell in Siberia with only one tiny space heater for her and four other girls.  O’Herlihy wasn’t enjoying any of his luxuries, though.  He was in his suite with the door locked and the curtains drawn, while two policemen stood guard at his door and another smoked on the balcony. There was a very unseasonable ivy Christmas wreath hanging on the door.
           Sharon showed the two cops her badge, then knocked on the door.  “Mr. O’Herlihy!  I’m Detective Inspector Sharon Carter!  I’m looking into your brother’s case.  May I come in?”
           There was the sound of furniture being moved and a latch being turned, and then the door opened as far as the chain lock would let it.  One terrified blue eye, bloodshot with lack of sleep, peeked out.
           “Hi.”  Sharon tried to smile warmly.
           “You were in the helicopter,” said O’Herlihy.
           Natasha was surprised he remembered – he must have been really angry with them for stealing his thunder.
           “Yes, that’s right,” Sharon said.  “It’s been a busy week, hasn’t it?  I just need to ask you something.”
           Nat pulled the two pendants out of her purse again and held them where he could see them.  The round one Sir Stephen had been carrying now had the red gems missing, too, which she decided to take for a good sign.  “Your brother gave you something like this, right?” she asked.
           O’Herlihy slammed the door again.
           Sharon gently pushed Nat’s hand down, then knocked again.  “Mr. O’Herlihy, this is important!” she said.  “We need to know anything you can tell us about those pendants!”
           The door opened again and O’Herlihy’s hand came out, dangling another cross-shaped token on a broken silver chain.  This one was also bereft of its red decoration, if it had ever had any.
           “Take it,” he said.  “I don’t want it anymore.”
           Nat would have done so, but Sharon stopped her again.  “Where did your brother get that pendant, Mr. O’Herlihy?  He had more, right?  What did he do with them.”
           “Just take it,” O’Herlihy pleaded.  “I think it’s bad luck.  It gave me a zap a while back, and since then I lost my monster, my brother was murdered, and some little goblin went through my stuff.  It’s half the reason I’m hiding in here, please take it away.”
           Sharon took the pendant from his hand, then caught his wrist to keep him from closing the door.  “Wait.  Tell me about the goblin.”
           O’Herlihy didn’t answer at first.  “If I tell you, will you take it away?”
           “Yes,” said Sharon.  “I’ll lock it away where you’ll never have to see it again.”
           The man took a deep breath.  “Mick called me the night before… the night before they killed him.  He said there’d been this critter watching him, like a little old man the size of a child. It woke him up in the middle of the night to ask what he’d done with the charms.  I figured he dreamed it.  I didn’t notice that I hadn’t heard from him in a couple of days because I was busy with my monster, but when I came back to town to get more gear, I found my flat all torn apart, and there’s this little man, just like Mick described him.  He disappeared right in front of me, and an hour later the cops showed up and told me Mick’s blood is all over the floor in some warehouse.  Whatever those things are, I figure they’ve gotta belong to the Little People.  That’s why I’ve got the ivy on the door.  Grammy always said it kept the fairies out.”
           Under the circumstances, that didn’t seem like a bad idea, Nat thought.  They were dealing with creatures from folklore.  Maybe folklore could tell them how to fight back.  Although they might have better luck if they didn’t use plastic ivy.
           “Did the creature ask you about the pendants?” asked Sharon.
           “It ripped that one off my neck,” O’Herlihy said. “Then it threw it away and said it was spent, and vanished.  There were a bunch of them originally but I don’t know what Mick did with them.  He probably old them on eBay, and I don’t have his password so I can’t check.”
           “What was his username?” asked Nat.  If she had that, she could get into his account easily.
           O’Herlihy didn’t answer.
           “Did you know it?” Sharon asked.
           “Yeah.”  O’Herlihy looked embarrassed.  “It was Stud-Mick-Muffin,” he said, and shut the door.
           Nat kept her face carefully straight.  “All right,” she said.  “I’m gonna need some equipment, but I can get the names of the buyers.”  And if she ever needed an eBay account, she’d remember to pick a username she wouldn’t mind seeing on her tombstone.
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jaredthegreek · 7 years
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Review - Secret Empire, July Part 2
Two issues of the main title in a row... this was quite the effort.  On the good side one more month, just one more month....
PART 2:
Secret Empire 6: Another issue where we have a competent art staff, it is a nice change and makes the experience far more tolerable. This time we get a bit more from the weird world of shadows as Red Skull and “Herr Rogers” talk a bit.  Meanwhile, the Mount is attacked by Hydra and the Hulk. There are some good moments in this issue, but there are also endlessly long speeches by Captain American and Tony Stark that just come off insincere.  The ‘traitor’ is resolved really quick and has little pay off, but the battles with Cap and the Hulk have some intense moments.  Overall, this is one of the better issues in the main series and it does set the stage for act three, but it isn’t that enjoyable of a read and knowing that there are still three more issues left means this will be a long third act.
Secret Empire #7: Never hold out hope for this book.  The god awful art returns making this an almost unreadable comic.  The story is mostly focused upon the Red Room team attempting to assassinate Captain America.  The rest of the comic has scenes from the strange place with Red Skull and Rogers and the other Avengers reacting to the news of the attack.  The writing is annoyingly filled with long drawn out internal monologues and exposition dumps, but is hurt even more by the art because half the time it is difficult to tell who is even talking. Not only that, but the fight scenes are impossible to decipher due to the monochrome and messy art.  I even showed the fights to a third party who could barely figure out what was going on.  Andrea Sorrentino’s art makes Rob Liefeld’s art look like a Van Gogh level masterpiece.  Many people want Nick Spencer fired (and desirably so), but they really need to add Andrea Sorrentino’s name to that list because there are so many better artists out there who don’t get a chance, but she can do subpar work for a major crossover event.  Marvel deserves better and hopefully they will do some house cleaning when this event ends.
bBrave New World 4: The first story is a Misty Knight tale showing her transport an Inhuman while being chased by Hydra.  The story is great at subverting expectations and has a funny ending making it one of the best side stories in this series.  The art looks a little odd for the characters, but it does work with the ending reveals so it gets a pass.  The second story focused upon Emma Frost and doesn’t add much to the X-Men side of things. It isn’t a bad story, just nothing spectacular especially when compared to the previous story.  However, the art is great and this is an above average story in this series.  The last story continues the Invaders arc as the execution of Namora draws near and Namor begins to question himself.  The art is still great in this story and the plot twists keep coming, though these twists aren’t all that surprising.  Overall, this is becoming an enjoyable series as the bad stories are few and far in between. If you are reading the series, but avoiding most tie-in books this might be one to consider picking up as it is much more enjoyable than most others.
X-Men Gold #8: The finale to this tie-in features Kitty Pryde going ninja on the serial killer and the consequences of trying to help people in the Darkforce Dome.  Overall, this was a great side story, but it added nothing to the event at all.  The art looks great, but has a slightly 90s feel to it.  This is one of the rare books that makes me want to read X-Men again.  However, if you are hunting down every tie-in book this is a skip due to not really tying in at all.  
X-Men Blue 9: This was a significantly better issue than the previous one.  This time Jean and Jimmy attempt a rescue of the rest of their team. Meanwhile, we check in with Magneto and the capture X-Men who are planning their own escape.  The writing feels less rushed this time around and we get a slight explanation for the behavior of some of the other mutants. There is still one issue left in this story and it’s likely going to be an action packed ride.  The art is still good and the detailing in some scenes is top notch.  Overall, this has gotten better by a wide margin and hopefully the quality can keep up for the end of this tie-in story.
Doctor Strange 23: Why does this comic feel like there are dialogue balloons missing?  This might have the worst dialogue of any tie-in book and perhaps any current Marvel title.  Despite that, there are some fun ideas with the various magical artifacts introduced in this issue.  The story has Strange and his group looking over artifacts to stop Baron Mordo, but get sidetracked by a sidequest.  Meanwhile, Mordo is attacking random heroes and spouting terrible dialogue.  The art is messy, but kind of works for darkforce Manhattan.  Characters look fine and there is emotion on their faces, but the art doesn’t overcome the writing.  While this is one of the few stories about the battles in the darkforce dome it is still not worth reading due to the poor quality of the book.
USAvengers 8: The issue begins with a flashback to Toni Ho’s childhood and the death of her father. This takes us back to the present where he is trapped in a cell with a dying Roberto da Costa.  Meanwhile we follow part of the team in France and discover the fate of Cannonball in space.  As one would expect from this series things do get crazy, but the focus on Toni Ho is great as it allows the read to know her better and empathize with her struggle.  Needless to say, the writing is great with a mix of humor and drama that makes you want to read more.  The art is also superior with great emotional facial expressions and detailed backgrounds. This is a wonderful series and I highly recommend it because this is what escapist adventure comics are supposed to be.  
Occupy Avengers #9: The series comes to an end with no real surprises.  This issue reminds me of the final issues of Howling Commandos of SHIELD during Standoff.  It’s a rushed conclusion with one of those not a real ending endings.  The story follows the team as they gather together various refugees and prepare to battle Hydra.  The dialogue is still very juvenile and the characters aren’t very interesting, but it isn’t a painful read.  The art has a slightly more cartoonish style, which kind of works with this type of series.  Overall, this wasn’t bad, but it adds nothing to the event and there is no real reason to read this series at all.  
Steve Rogers, Captain America 19: This is the follow up issue to the event of Secret Empire #7 and for the most part it is Captain America being emo about his losses, but there are a couple good moments.  The discussion with Odinson about the Hammer and the old days brought some energy to this mostly dry comic.  Then the last scene with Sharon Carter was a strong emotional moment that had more bit to it then any of Steve’s moping this issue.  The artwork is fine and the characters look good, but backgrounds are a little bland.  This was a good issue and a great tie-in book despite all the flaws.  It doesn’t do much for the plot of the event, but it does explore Steve’s feelings and the discontent of those he trusts making this one of the rare good Nick Spencer works.
Sam Wilson, Captain America 24:  If you like internal monologue and lots of platitudes then this might be the book for you. The ‘story’ followgs Sam as he reflects on giving up the Shield and how that impacted the people in his life including everyone new favorite Mary Sue Patriot.  Then we get Sam to stop being a downer just long enough to pick up the Shield again as he did during the ending of Secret Empire #7.  This is a nothing issue like many books in this series.  On the good side the art is nice and expressive despite nothing actually happening in the book.  While some of the Sam Wilson issues have been great tie-in stories this is not one of them.  Give it a pass unless you have to read every side story.
Deadpool 34: It is a surprise that this has been the most consistently good tie-in book of this event. This time Deadpool starts putting together a plan to take down Hydra as we flashback to the consequences of his assassination of Agent Coulson.  There is some action, but most of this book is dialogue and very dark humor.  The good writing is teamed up with really good, but sometimes grotesque, art that pushes the dark humor even more.  There is only one issue.   left in this tie-in and it will be interesting to see how everything plays out
The Mighty Captain Marvel 7: The battle continues with the cadets working with Carol to attempting to survive.  Once the battle is over the team divides with part of it trying to figure out a way to connect with Earth through the shield.  The second team pulls a preemptive attack on the Chituari. Things go from bad to worse as we move toward the final issue of this arc.  The writing get a little confusing at times since the pronoun game pops up or some things aren’t clearly explained.  Still, it is a well written story with some nice moments.  The art is very good, with characters looking tired or worn out from the endless battles.  This is a great series and while this was a build up issue it is was a fast and fun read.  
Champions 10: This is a fun side story featuring the team trying to liberate an internment camp. The dynamics of the team make this a very fun adventure as well as the team using both brains and brawn to solve problems.  Mark Waid does a great job with the writing with some fun banter and nice twists. The art has a cartoony look that works well with the young team and the action segments look good, but aren’t anything special.  This was a nice book and a fun read, but you don’t really need to read it to have the full story for this event.  That being said, this looks to be a fun series that might be worth the read for those who enjoy teenage hero adventures.
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aion-rsa · 7 years
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The Buy Pile: Brains Over Bluster
WHAT IS THE BUY PILE?
Every week Hannibal Tabu (winner of the 2012 Top Cow Talent Hunt/blogger/novelist/poet/jackass on Twitter/head honcho of Komplicated) grabs a whole lotta comics. These periodicals are quickly sorted (how) into two piles — the “buy” pile (a small pile most weeks, comprised of planned purchases) and the “read” pile (often huge, often including comics that are really crappy but have some value to stay abreast of). Thursday afternoons you’ll be able to get his thoughts (and they’re just the opinions of one guy, so calm down, and here’s some common definitions used in the column) about all of that … which goes something like this …
THE BUY PILE FOR JANUARY 4, 2017
Unstoppable Wasp #1 (Marvel Comics) — Jump from the Read Pile.
Nadia Pym is indefatigable. Like a super powered Energizer Bunny, she makes Kimmy Schmidt look like Debbie Downer and laps Squirrel Girl like she was Eeyore. She dives into heroism with a lust for life that’d have Iggy Pop giving a slow clap and her infectious enthusiasm and brilliance bursts out of every panel here. “Princeless” writer Jeremy Whitley has bottled lightning with this wonderfully balanced script that does great explanations (only once going a bit heavy handed, and even there in character), has solid action based on real world science and hits Bobbi Morse in a place she thought she couldn’t be touched. The visual presentation by Elsa Charretier, Megan Wilson and Joe Caramagna is vibrant in places, intimate in others and perfect all around. This, finally, is a hero we deserve.
What does the night hold for Bruce Wayne in “Batman” #14?
Batman #14 (DC Comics) — Jump from the Read Pile.
This issue made the jump by honing in on what the Bat really does and has Catwoman both marveling at it and mocking it while a clock ticks. You see the craft Tom King puts into this work, and while from a conception standpoint the Sisyphean futility and ridiculous nature of many of these conflicts (Condiment King? Film Freak?) takes away some significance here, the craft stands up to scrutiny. Let’s also note the amazing visuals from Mitch Gerads and Clayton Cowles, which brought the Gotham City night alive.
WHAT’S THE PROGNOSIS?
With two endlessly re-readable jumps to start us off, that’s a rock solid start.
THIS WEEK’S READ PILE
Honorable Mentions: Stuff worth noting, even if it’s not good enough to buy
In this episode of “Making A Murderer,” er, “Justice League” #12 Amanda Waller uses several buckets full of exposition to give us the new, much more morally flexible, bwa-ha-ha free Maxwell Lord, outlining his rise to power and rationales behind it. Not bad as a Wiki entry, or something for one of those sourcebooks everybody refers to, but not exactly prime time viewing.
“Hawkeye” #2 is closing in on being good with fantastic characterization but can’t connect on its plot. Fun art, some fun moments (extra points if you catch the meme reference) but still falling short.
“Autumnlands” #14 had some quality moments as creations defied the goddess they credit with their making. The splash page may overly titilate some more prudish readers, but this book has the vocabulary of myth down pat. It could use a little more context for its impossible characters, but it’s not bad at all.
The “Meh” Pile Not good enough to praise, not bad enough to insult, they just kind of happened … “Scarlet Witch” #14, “Aquaman” #14, “Star Trek Boldly Go” #4, “U.S.Avengers” #1, “Cyborg” #8, “Black Science” #27, “Death Of Hawkman” #4, “Optimus Prime” #2, “Moon Knight” #10, “Everafter From The Pages Of Fables” #5, “Nailbiter” #28, “Flintstones” #7, “Avengers” #3, “G.I. JOE A Real American Hero” #235, “Unfollow” #15, “Saga” #41, “Green Arrow” #14, “Champions” #4, “Big Trouble In Little China Escape From New York” #4, “Unworthy Thor” #3, “Green Lanterns” #14, “Walking Dead” #162, “Spider-Man 2099” #19, “Harley Quinn” #11, “Box Office Poison Color Comics” #1, “Squarriors Volume 2 Summer” #2, “Wicked + The Divine” #25, “Justice League Of America The Atom Rebirth” #1, “Jem And The Holograms” #22, “Justice League Vs Suicide Squad” #3, “A&A The Adventures Of Archer And Armstrong” #11, “Nova” #2, “Midnighter And Apollo” #4, “Ragnarok” #11, “Nightwing” #12, “Deadpool The Duck” #1, “Faith” #7, “Shade The Changing Girl” #4, “Wynonna Earp Legends Doc Holliday” #2, “Superman” #14, “Old Man Logan” #16.
No, just … no … These comics? Not so much …
“Captain America Sam Wilson” #17 was insulting in its ham-fisted fumbling around social justice buzzwords and complex issues of racial identity, micro-agresssions and the experiences of marginalized people in the country. Also, again, most of the book had the titular character not actually doing anything or having any effect on what happened. Give Misty the shield. Let’s stop this tedious exercise.
SO, HOW BAD WAS IT?
One bad apple can’t throw off the whole bunch.
WINNERS AND LOSERS
Two jumps make the first week of 2017 a certified winner and well worth it for fans of the art form.
THE BUSINESS
Did you get the first official newsletter from the Operative Network? There was a free comic book (written by the maker of this column) offered from the newsletter and a chance to win a custom sketch worth $45 as well as the “Soulfire Definitive Edition” volume one hardcover. If you subscribe now, you can get in on what’s coming in the January edition.
The writer of this column isn’t just a jerk who spews his opinions — he writes stuff too. A lot. Like what? You can get “The Crown: Ascension” and “Faraway,” five bucks a piece, or spend a few more dollars and get “New Money” #1 from Canon Comics, the rambunctious tale of four multimillionaires running wild in Los Angeles, a story in “Watson and Holmes Volume 2” co-plotted by “2 Guns” creator Steven Grant, two books from Stranger Comics — “Waso: Will To Power” and the sequel “Waso: Gathering Wind” (the tale of a young man who had leadership thrust upon him after a tragedy), or “Fathom Sourcebook” #1, “Soulfire Sourcebook” #1, “Executive Assistant Iris Sourcebook” #1 and “Aspen Universe Sourcebook,” the official guides to those Aspen Comics franchises. Love these reviews? It’d be great if you picked up a copy. Hate these reviews? Find out what this guy thinks is so freakin’ great. There’s free sample chapters too, and all proceeds to towards the care and maintenance of his kids … oh, and to buy comic books, of course. There’s also a bunch of great stuff — fantasy, superhero stuff, magical realism and more — available from this writer on Amazon. What are you waiting for? Go buy a freakin’ book already!
Got a comic you think should be reviewed in The Buy Pile? If we get a PDF of a fairly normal length comic (i.e. “less than 64 pages”) by no later than 24 hours before the actual issue arrives in stores (and sorry, we can only review comics people can go to stores and buy), we guarantee the work will get reviewed, if remembered. Physical comics? Geddouttahere. Too much drama to store with diminishing resources. If you send it in more than two days before comics come out, the possibility of it being forgotten increases exponentially. Oh, you should use the contact form as the CBR email address hasn’t been regularly checked since George W. Bush was in office. Sorry!
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