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#i have a lot of issues with this comic

jonathan-cranes-mistress-of-fear · 9 months

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Jonathan drew a picture of himself with Nightwing and I am dying of cuteness

Knight Terrors: Nightwing #2

#Jonathan Crane #Scarecrow #The Scarecrow #Nightwing #Dick Grayson #more panels coming shortly #I have a LOT to say about this issue #DC #DC Comics #DC Nightwing #DC Scarecrow

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thecruellestmonth · 7 months

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HISTORY MADE: Bruce Wayne Says "I Love You" to Jason Todd for the first time EVER

It is an historic occasion! In Batman (2016) #138 by writer Chip Zdarsky, Bruce Wayne says "I love you" to his son Jason Todd for the first time in forty (40) years of comics publication. In fact, Bruce says it not just once, but two (2) whole times!

This is also the first time that any of Jason's oddly long series of parents has been depicted saying "I love you" to him.

We do so love an involved parent who openly communicates his feelings about his child. Truly, nobody can shatter expectations like BATMAN!

Now every time someone says "I love you" to Jason, we all can look back at this milestone moment. A first only happens once, and this is now and forever Bruce's first "I love you" to Jason in comics history.

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smilesrobotlover · 6 months

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AO3

Next>>

Chapter 1- hello again

Link had made plenty of mistakes in his life. Some of them were small, futile, and had very little consequence. Others were big, dangerous, and almost unforgivable. He couldn’t count how many times he’d almost lost his life due to his own foolishness, how many times he’d upset someone he cared about due to his temper, or how many times he was met with scorn due to his own choices. His life was riddled with mistakes, all having consequences that affected him one way or another, with some being forgotten, never to be spoken of again.

That mistake he made… he thought it wouldn’t be serious, he thought it would be one of the few that were forgotten. Sure it was a serious mistake, but it was one time. Surely the goddesses would be merciful on him just this once, right? Surely they would forgive what he did. He understood it was wrong, he’ll never do it again.

He hoped that they would forget about when he made love at twilight.

It was a moment of weakness for him. The girl who he spent his entire adventure with, who stuck at his side, who saved him, who he loved, was dead. Or so he thought. He killed the demon king with righteous anger swelling within him, grief gripping his heart so tightly it physically hurt, wanting to kill the man who killed her.

It was only after the demon king was dead when he discovered that she was alright. When he saw a familiar silhouette among the light spirits, he couldn’t help himself sprinting towards her, pumping his exhausted legs to where she was sitting to just make sure that she was real. That she was alright.

And she was. She was alive and… well… different. The light spirits removed the curse upon her that turned her into an imp, changing her into a beautiful twilight princess. He remembered when he first saw her. She was tall, with such loving eyes that stared back at him, her hair tied in the front, and her face… His brain blanked when he first saw her, and he didn’t say anything. He just stared.

“What? Say something!” She finally broke the silence, with a familiar teasing grin forming on her lips. “Am I so beautiful you have no words left?”

It was her, she was real. This was the Midna he spent so much time with, the Midna he fell in love with, the Midna he wanted so desperately to protect because of all she did for him. He smiled a relieved smile, and hugged her tightly, crying into her shoulder. She wrapped her arms around him and cried as well. They were both alright.

Zelda arrived shortly after to be with her friend, talking about what happened and what should happen next. Due to Link’s injuries from Ganondorf, they decided to head to Kakariko where he could rest, and they spent a long time together.

When Midna and Link were alone, they would talk for hours, quietly so no one would know about her, and one night, they got a little carried away. They were sitting on Link’s bed at night, and they exchanged kisses, and they snuggled up next to each other, and kissed again. One thing led to another, and it turned into a huge mistake. After what had happened, Midna started avoiding him, whenever she saw him, there being a deep sorrow in her sunset eyes. Link didn’t know why she was suddenly acting like this, but he knew he was at fault. He should’ve stopped, he should’ve slowed down and got her off of him, he thought she wanted to do it, but clearly not. He was afraid he put too much pressure on her. He was just so happy that she was alive, that Ganondorf was dead, that finally he was able to have peace, and he wasn’t thinking. He tried to talk to her about it but she’d just brush it off, so he stopped bringing it up.

Finally, when Link was healed enough, Midna said that she needed to return to the Twilight Realm, so they traveled to the Gerudo desert, his heart hurting from having to say goodbye to Midna. She may not think of him that way anymore, but she was still a dear friend to him, and he still cared about her deeply. And though they could visit each other, it was always sad to see a friend go.

But sad did not describe the feeling he had when the mirror was shattered, with Midna gone forever. That feeling was sheer agony, the worst pain he’s ever had to endure in his life. It almost ended him, he almost changed into someone unrecognizable, and thoughts plagued his mind over it. Was it something he did? Was she that upset over that night? And what ate away at him the most: would she have a child because of that night? The thought of her giving birth without him being able to support her killed him on the inside. He felt like a complete failure, he hated himself, and he wished that none of it ever happened.

So he prayed to the goddesses to be merciful on him. Just this once. To not let Midna suffer because of his foolishness, to simply let that mistake be. He would never do it again. Just please… don’t let anything come of it… please…

Two years later had passed, and so did some of the pain. With help he was able to recover, his dear pa tried to reassure him that Midna didn’t leave because of him, that she still cared for him. It helped, even a little. And so he slowly began to move on from Midna, move on from that night. He never told it to anyone, hoping that it would be forgotten by him and the goddesses. No one else needed to know about the best and worst moment of his life. Though he did wonder, even though it hurt, if he had a child out there somewhere, a child that he could never give his love to.

But his question was answered one night.

It was pouring rain with distant thunder, and Link was tossing and turning for hours. He couldn’t do anything to get his mind to relax and finally sleep, so he let out a frustrated sigh and stared at the ceiling. Normally rainy nights helped him sleep, but for some reason that wasn’t the case tonight. He closed his eyes and let out another sigh. He knew it was better for him to stay laying down with his eyes closed, but being alone with his thoughts was almost maddening.

He listened to the pouring rain outside, the different sounds it made as it hit his tree house made him grateful that he had a roof over his head, and a roof over Epona’s head. Being wet was the worst feeling for him. He rolled over and tried to let the rain soothe him, and it almost worked until—

Thump thump thump.

He opened his eyes at the unnatural sound, sitting up and staring at his door, slowing his breathing so he could hear better. Did he imagine that? Who would be banging at his door in the middle of the night?

He flinched when there were three more loud thumps at his door, confirming that he did not imagine it in his half asleep state. He was wide awake now, and got up as his heart grew worried over who could be at his door. Was it Rusl? Was he alright? Was something wrong with his daughter? Or was it Illia? Was she alright? Though they rarely spoke anymore, she occasionally came by when she needed comfort. He reached for his door and let out a breath to calm himself, opening the door quickly.

But who he saw sent his heart into his throat.

It was Midna, she was standing there, a desperate look in her eyes. Her clothes were soaked as she stood in the rain, and the two were silent for a moment as they stared at each other.

Midna… after two years of accepting that he’d never see her again, here she was. She got much taller, almost double his height, her jewelry was more extravagant, but she herself, she still took his breath away.

Finally after a moment of silence, he finally found his words.

“Midna?”

Her breath hitched, and she shifted a bit, a bundle in her arms that he finally noticed. His heart stopped when he saw a child, no older than two, crying silently in her arms. He was clearly a twili, having bright red hair, dark blue skin, and black markings. He looked like Midna, but when he opened his eyes, it was without a doubt that they matched his own. Gray-blue eyes stared back at him in fear. For Din’s sake…

“Link,” Midna breathed out, “I… desperately need your help.”

Link stared at the boy in silence for a long moment, but he finally got ahold of himself. He took a deep breath and gave room for them to head inside.

“Y’all will get pneumonia if you stay out for any longer,” he said gently, gesturing to his home.

Midna smiled and a relieved tear rolled down her cheek as she slowly moved inside. Link got dry blankets, ignoring his thumping heart. The child was cautious around Link as he tried to dry him off. He stared at Link with confusion and awe, his mouth agape as the rag Link was using to wipe him down slid off his head. Link paused when he noticed his left arm covered in bandages, and he gave Midna a look, but she did not return his gaze, she just stared at a corner in the room.

“What’s your name, little one?” Link tried to ease the pressure, being as gentle as he could with the child.

The kid looked at Midna, then back at Link. He had fear in his eyes, Link could tell.

“You’re safe here, I promise… What is your name?”

The child looked down, and it took a moment for his sweet little voice to speak up.

“Um… Kowi,” he mumbled.

“Kori?” Link repeated, just to make sure he heard him right. Kori nodded and Link smiled. “That’s a lovely name.”

Kori smiled, dimples that matched Link’s appearing on his cheeks, only making it more obvious that he was his own. “Tank you, uh,” he looked up at Midna and she gave him a reassuring look. “Whasis… youw name?”

“I’m Link.”

“Nink? Um… tat’s a— um— nowvwy name.”

Link chuckled at the little boy trying to speak. He barely understood him, but it was the cutest thing in the world. “Thank you.”

Kori nodded and rubbed his eyes. “Mommy towd me stowies ‘bout Nink.”

“Really?” Link looked over at Midna, who continued to avoid his gaze. He sighed and returned his attention to his arm. He reached for the bandage but Kori froze and pulled back. His eyes were full of fear again. “What happened there?”

No one said anything this time. He looked at Midna and stood up.

“Midna… What’s going on?”

Midna closed her eyes and finally looked at him.

“It’s… He’s…”

“My son?”

Midna looked up with shame written on her face, and Link’s anger quickly went away. She shouldn’t be ashamed…

“I’m sorry,” he whispered, returning to Kori’s injured arm, “let me clean this, ok?”

He finished drying off Kori and changed his bandages as gently as possible. Kori stopped talking, only his soft cries and the sound of the rain against the roof was heard. As Link cleaned and redressed Kori’s arm, he noticed that it was a nasty wound, a slash mark trailing up his arm, and from the looks of it, it was fairly new. Who could’ve done this to a child? Kori whimpered and pulled back as Link tried to clean it.

“Sh, it’s alright Kori. The pain is only temporary,” he said gently. He wrapped up the arm and gave it a slight pat. “See? All done! You were brave, little one, good job.”

Kori sniffed and rubbed his eyes again, and Link frowned as his tired little eyes looked back at him. He didn’t know if Twili ever slept, so it must’ve been a Hylian thing for him.

“Here, let’s get you a nice place to sleep, ok?”

Kori watched Link as he set up a comfy bed made of blankets, gesturing for Kori to sleep in it. The boy stared for a long moment until Midna got up and nudged him towards the bed. With his mother’s reassurance, Kori wobbled over to the bed and laid down. Link grabbed his goat plushie Billy and stared at it for a moment. He knelt down next to the bundled up boy and handed the plushie to him.

“This is my friend Billy,” Link bounced the plushie around with Kori watching, amused. “He always gives me comfort when I need it.”

Kori shyly grabbed Billy and snuggled up against him. He closed his eyes and smiled.

“Tank you,” was all he said before he fell asleep.

Link smiled at him, he was a sweet little boy. He stood up, and the heavy situation returned to him. He walked to where Midna sat, still and unmoving and took a deep breath

“Midna… I,” he started, trying to think of what to say to her, trying to think of something to keep the conversation going, just trying to talk to her again, but all he could muster up was, “Hello again.”

Midna stared at him for a moment before smiling.

“Hi,” she said quietly.

Link pursed his lips and decided to get everything off his chest.

“Clearly my actions have hurt you Midna, and I’m so sorry…. I’m so sorry about that night. If I could take it back I would!”

Midna’s expressionless face changed to confusion.

“What?”

“That boy… he’s ours… because of what we did…. And I’m so sorry… I know I hurt you and I wasn't there for you when you had him and I’m really sorry and I should’ve stopped and–”

Midna raised a hand to stop him, standing up and stepping closer to him.

“Link, do not blame yourself for what happened that night. It… wasn’t your fault alone…”

“Alone?”

Midna sat down, her head hung. “I didn’t do anything to stop it either… I knew that I needed to break the mirror, and I tried to keep my distance from you but… I didn’t. You didn’t know what I was going to do.”

Link stared ahead, not feeling any form of relief from that. He still felt confused, guilty, and almost sick to his stomach.

“Did that night mean anything to you?” He asked quietly.

Midna stared at him, her mouth slightly open.

“It meant everything to me.”

“Then why did you break the mirror?”

Midna looked down. “You know why. Deep down you know why. You saw what happened when Ganondorf went through the mirror, you saw what happened when Zant found him,” she sighed and sat back down. “Shadow and light cannot mix.”

Link looked over to where Kori, his son, laid asleep.

“Clearly shadow and light can mix,” he said quietly. Midna said nothing and rested her head against her hand. She looked exhausted, both physically and mentally. Link wanted to help her, but a few more things bothered him.

“How did you get here Midna?”

“I can't say. It must stay a secret.”

Link nodded, he figured that was the answer. Now for a more important question.

“What happened to his arm?”

Midna buried her face in her hands, her exhaustion more apparent. Link walked close to her and rested a hand on her shoulder.

“Hey, hey, It’s ok, he’s safe now. I’m sorry for upsetting you.”

Link stayed by Midna for a while, rubbing circles on her back. After a moment, she sniffed and opened her mouth as if to say something, but she was interrupted by a sudden shiver.

“Here let’s get you into some dry clothes…” Link said, noticing how she was still sopping wet.

Link quickly dried her off and offered some of his clothes, even though most of them wouldn’t have fit. He was somehow able to find something for her to wear that would fit her large frame, and when she was dressed he sat down, waiting for her to explain herself.

“I…. I hoped that nothing would come of that night,” she finally said after some silence, “because if something happened, then leaving this world behind would’ve been nearly impossible for me to do.”

“But something did happen.”

Midna nodded, not looking at him. Link sighed, the goddesses weren’t merciful to him. His prayers were not answered. He wasn’t there for Midna, he didn’t watch his son grow up, he wasn’t there when he said his first word, when he took his first step, when his true personality began to shine through. To Kori, Link was a stranger, not a father. And Midna had to raise him all by herself. A lump in his throat formed and his stomach felt hollow.

He should’ve stopped that night.

“As princess of the twilight realm, when I’m supposed to have a child, she should be a female, so that the monarchy can continue. I’m the only woman in the Twilight Realm, I’m not sure if you knew that.”

Link tilted his head. He did not know that. It would explain why he’d only ever met male twili besides Midna, and why the only female was the ruler. It almost reminded him of the Gerudo, which was rumored to be a tribe of women except for the one male born every one-hundred years.

“When I gave birth to Kori,” Midna continued, “he was a boy, and he wasn’t fully Twili… that ended up scaring some people. They thought that he was going to bring destruction to us.”

Link’s heart sank. She didn’t have to say, he knew.

“They hurt him.”

“I’ve been trying to find a way back here so he could be safe… but as soon as I found a way… he… got hurt badly by my advisor.”

Her breath hitched at the memory, and Link grabbed her hand. She smiled at him, a small but genuine smile.

“He’s safe now. You both are,” he reassured.

Midna stared into his eyes for a long moment.

“I missed you Link.”

He sucked in a breath. He’s missed Midna more than anything. He wanted nothing more than to see her again, to talk to her again, to tell her about all of the things he’s experienced. But now that she was here, he didn’t find anything to say. He didn’t make a move to hug her, to cry, he just felt… awkward. Midna’s smile went down when he said nothing, and she gently rubbed his hand.

“I know I hurt you, and it’s not right of me to ask this of you but… I was hoping that Kori could stay here… he’ll be safer here, with you.”

“Safer here? Yeah I would never hurt him, but I can’t say the same for the rest of Ordon. How do you know that everyone here will accept him? How do you know that they won’t be scared of him too?”

Midna leaned in closer. “Because they’re your family Link, you have a better influence over them than I over my people.”

“That doesn’t make sense.”

“Just because I’m the princess doesn’t mean they listen to me all the time. It’s complicated but clearly I couldn’t do anything to protect him from my advisors. Your family loves you, they trust you, they’ll try to understand you.”

Link listened for a moment, but pulled his hand away when a heavy realization plagued his mind.

“Midna… we’re not married.”

Midna raised an eyebrow. “So?”

“I don’t know how it is in the twilight realm but having a child before marriage is a sin here. I know my pa wouldn’t hurt Kori, but…” fear gripped Link’s heart at the thought of Rusl’s reaction towards Kori. He swallowed hard and shook his head. “There’s a lot of problems here, Midna.”

Midna looked down and chewed on her lip, thinking.

“I… I know… I know there are a lot of problems but… I can’t let him stay in the twilight realm.”

Though he felt like Ordon wasn’t safe, Link understood why the twilight realm was more dangerous. As a half Hylian and half Twili, Kori really wouldn’t be safe anywhere. He’d probably be labeled as a monster all his life because of who he was, especially after the twilight invasion. Link let out a breath and stared at his sleeping son.

“I understand…”

Midna stared at him for a moment while Link stared ahead, avoiding her gaze. She scooted a bit closer to him and tapped his shoulder lightly.

“Hey, I’m not going to let you deal with this alone.”

Link looked up at Midna, a sliver of hope forming within him.

“We both made the choice that night, Link, neither one of us should deal with it alone,” she got closer and stared into his eyes while Link’s heart thumped against his chest. “We’ll raise him together.”

They stared at each other for a long moment, and the past two years separated withered away for them. When they were together now, it was almost as if they were never apart.

“I can't abandon the twilight realm, but I’ll try to visit whenever I can. I just need Kori to be safe.”

Link looked down and their clasped hands, then at the sleeping child. An overwhelming feeling of protectiveness came over him, and he nodded. “I understand Midna… I promise I’ll keep him safe.”

Midna smiled. “I knew you would. Trust me, I wouldn’t ask this of you if nothing bad happened but—“

“Don’t worry about it. I’m his father, he’s my responsibility now.”

Midna stared at him for a long moment, then she leaned in, Link’s heart nearly jumping out of his chest. He wanted so badly to show how much he missed her, he wanted to scream to the heavens on how happy he was to see her again, but… he felt too much pain for it to be perfectly fine, and he turned his head away.

“I’m sorry Midna… there’s a lot more we need to talk about.”

Midna let out a sigh and smiled.

“That’s fine, I’m staying for a while anyways. Let’s talk.”

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ninjasmudge · 1 year

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reminder to please please not draw any LMK characters with yellow skin unless specifically drawn in full LEGO style

i dont want to sound callous bc i know theres new people in the fandom who might not have known, but this has been a problem since the very start, giving chinese people yellow skin is a racist stereotype and not something that can be overlooked. chinese people have repeatedly asked the lmk fandom to avoid coloring them yellow, or a heavily yellowed skin tone, but its still common

adding a link to shiroxix's skin pallet as a ref you can use to help if youre unsure, and heres a ref i made from colors ive used if anyone would like to use it, (no credit needed)

also! its important to take into account the rest of the tones in your picture when color picking, for example, if the rest of the picture is very vibrant, a brighter and more saturated tone will match, but on a piece with more muted tones the same color could look too yellow

#mk #lego monkie kid #monkie kid #lmk #and like. im not chinese so if i need to be corrected on some of those thats fine all screens are differnt #but its really common and every time i see it i have to cringe cause like. its 2023 #this is also still a major problem in the comics industry and ik a lot of people are jsut starting #so im trying to not do it in an acusing tone #but some people should really know better i feel like. this isnt something petty its a real issue

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roseworth · 1 month

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i think ppl who compare alex dewitt to uncle ben are correct, and i will stand by the fact that even though alex coined the term fridging, it wasnt really her being fridged since its more complicated than that. but i feel like with that its still important to talk about how there WAS misogyny in alex's death because of the way its different than uncle ben's

their deaths were definitely the same idea-- alex & ben both died so kyle & peter respectively would understand the gravity of being a hero and would take it more seriously, and their deaths had more narrative significance than an average fridgegirl

however. i think its worth mentioning that kyle didn't need it the way peter did. when alex died, kyle WAS being a hero. the reason he wasnt with alex when she died is that he was saving people. alex's death was used to teach him that being a hero wasnt fun, which was not a lesson that she needed to die for him to learn. when ben died, it was to teach peter that people were going to get hurt if he didnt stop the bad guys. ben's death was used to teach him about great power, great responsibility, etc, and the lesson wouldnt have had the same weight if he didnt die. the reason alex had to die was so kyle could have Man Angst about it, not because her death was vital to the narrative in the way ben's was

building off that, alex was killed by someone that kyle had never met and had no way of knowing about. ben died because peter saw the man that killed him earlier that day and didnt stop him, but alex died just because kyle was busy at that moment. again, he was saving people. alex didnt need to die to teach him a lesson about being a hero since he WAS already being a hero (not to mention he gets the same lesson like 5 other times when he meets alan & hal & the other lanterns. but we can ignore that for now). as a character, peter needed uncle ben's death to define his morals & his view of himself as a hero. alex didnt die because of a mistake or a choice kyle made, her death was just to give the story flavor and to give kyle something to be upset about

also, the way they died was very different. the point gail simone was making with the term "fridging" was that alex's death was needlessly brutal. uncle ben was shot off-panel, and all the reader sees is cops at peter's house. alex was attacked and strangled on-panel, and her body was mutilated and shoved in a refrigerator for no reason. while this is partially just because one is from 1962 and the other is from 1994, the point is that the man gets the grace of a simple death while the woman gets the unnecessarily gruesome death

anyways. im not saying that alex and ben had to die in the exact same way for comparisons to matter. obviously theyre different stories and different lessons so theyre going to be different deaths. marz intended alex to be kyle's uncle ben, and she was! but the misogyny comes in when you think about how different their deaths are

#it wasnt JUST misogyny. but that doesnt mean it wasnt misogyny #im not a marvel fan but we read the spider-man issue where ben dies in my comic studies class so i have a lot of thoughts about it lmao #and ofc i always have thoughts about alex <3 i miss my girl every day. im sorry they did that to you my angel #alex dewitt #dc #this post is inspired by a different post i saw that i completely agreed with #but. idk. just because alex's death is more complicated than people make it doesnt mean that it wasnt misogynistic ykwim

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boyfriendgideon · 10 months

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as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.

and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.

and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.

and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).

but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.

and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.

it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.

and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.

#jason todd #jason todd meta #red hood #batfam #batman #dc comics #comic analysis #classism #tw: csa mention #maybe someday half of the most intriguing and nuanced aspects of his character will be touched upon #red hood outlaw 51-52 had some cool moments wrt jason + class + hometown friends + systems of power but. that was a two issue arc #and even then it was admittedly messy #GOD i want him to be three dimensional and well rounded and well used #even if a writer wrote a fucking. filler comic for an annual or smthn exploring what jason does outside of being red hood #keep the name if u want. have him have deliberately taken the name of his killer and twisted it until ppl from his city know rh #as a protector of kids and the poor and sex workers and so on. that WORKS. but show him connecting w his community #have him get involved in mutual aid. have him do something when he’s not out as red hood at night. let us see jason & barbara interact more #or jason and steph !!!!!!!! or another positive but complicated dynamic (he has a lot of those)#i just. i think that his stagnancy makes me fucking sad. i liked some aspects of task force z. felt like it ended too soon tho #FUCK the joker lets unpack his self concept & have him be a real person outside of vigilanteism (?) and vengeance #i liked some aspects of the cheer arc in batman urban legends mostly bc he had SOME agency and bc he wasn’t completely flat #even tho i hate the retconning of robin jason being angry and moody and so on #part of the problem is we don’t see him too too often for more than semi brief appearances so im so happy to see him i’ll just accept it #love the idea of a nightwing & red hood team up comic. hate that tom taylor a) wrote it and b) gave jason that stupid ass line abt justice #u think this man trusts cops ????? or the legal system !????????? BITCH.#get jason todd into like a sociology / gender and intersectionality / feminist studies class NOWWWWW #ok im done im sleepy and going to watch nimona. thx for reading to anyone who did #PLS anyone who reads this let me know what u think im frothing at the mouth rn #wes.txt #mine

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hezuart · 9 months

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If Seven have water bending powers, Six soul eating powers and Mono space-time powers what would Raincoat Girl powers would be

oOOOO see, I thought about this quite a bit for the past week. I don't think Raincoat girl's powers will come up in Channel Change, so I'll share my headcanon here.

Raincoat girl I've always called "Five" though I've considered calling her "Quinn" (or even "Cinc") sometimes to not be so obviously a number, kind of like Mono's naming scheme. But I don't think the name Quinn would stick with the fandom as well as "Five" would...

To me, Five would have the ability to change her size at will. (Typically shrink, but only when she gets more powerful later she will learn how to enlarge herself.) She may also have the ability the manipulate the sizes of objects, people, or animals around her.

My evidence: 1. "VERY LITTLE Nightmares" game title 2. The Nest is more like a giant doll house, and she's surrounded by children turned into dolls 3. Each collectible has something to do with the children's powers. She collects Jack-in-the-boxes; children's toys that had been made in France as little "Demon-in-the-boxes". A tiny puppet pops out to surprise/scare the person playing its music because typically, no one would expect a creature to be compressed in something so small.

Six is a soul eater. She can suck the souls out of adults for sustenance. She can suck the youth out of children, turning them into nomes so that she may remain immortal. She may have the ability to teleport through shadows. She may or may not also have the ability to create shadow proxy children?

Mono is a space-time manipulator. He can travel through time and teleport elsewhere through TVs. He can leave behind imprints of children and also reabsorb them? He has minor to major telekinesis and draws in the attention of those around him.

Seven has hydrokinesis. He can physically manipulate water. He can create air pockets to breathe underwater. If he concentrates, he can also control the water inside someone's body including his own. This proves difficult when trying to lift others, but his body is the easiest to control, giving the illusion that he's floating on air.

Five/Quinn is a size shifter. She can shrink at will to crawl through small spaces like a mouse; to get into hidden rooms or to avoid being caught. She can also enlarge herself at will and has the ability the manipulate thse sizes of objects, people, or animals around her. But this requires heavy concentration to do so.

#very little nightmares have some inconsistencies with its plot layout and canon #but u cant blame them because it was made by a different company #and Tarsier got too big for its britches when it started out #resulting in the cancelled tv show and comics quite early on #so theres a lot of confusion on the canon and what is actually going on in the series #especially with the intro of LN2 and the issue surrounding TVs #the inconsistency i noticed was that Five's nightmare is about locking out Six and Six is banging on the door to be let in #but Five doesn't fear Six #Six is not the one to cause Five's death its the pretender #I mean i guess you could look at it like Five locked herself in a room- aka a box? like the jack in the boxes?#thus???? a hint to her power? but its a stretch #thats why its not a fourth reason in my evidence list #anyway- I still think a size shifter is very fitting for Five- I really wish we knew more about her #Little nightmares #little nightmares 2 #very little nightmares #LN six #LN mono #LN seven #LN five #the runaway kid #the raincoat girl #text post

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heyitsrink · 1 year

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I'm on my first read through of Realm of the Elderlings and as a little personal project for myself, I'm taking a scene or small moment from each book in the series and turning it into a comic spread. I've been working on this project since January so I'm catching up a little bit with posts here.

Here's my spread for Royal Assassin. This bit of dialogue stood out to me the first time I read it - I love when the Fool talks in riddles!

"Who knows what will swirl up from the bottom of a stirred kettle?" He went suddenly to my door, and set his hand to the latch. "That is what I ask of you," he said quietly. "To forgo your twirling, Sir Spoon. To let things settle."

"I cannot."

He pressed his forehead to the door, a most un-Fool-like gesture. "Then you shall be the death of kings."

#as with any adaptation I took some artistic liberties #for ya know #drama #i also made a comic spread for AA but I have a lot of issues with it so I think I'll revisit that later #comic spread #fan comic #royal assassin #rote fanart #rote #realm of the elderlings #robin hobb #the fool #farseer #farseer trilogy #fitzchivalry farseer #panels of the elderlings #from page to panel

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calamarispiderart · 4 months

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i dont usually write out my personal story interpretations and headcanons of things (i like to draw out the concepts and hope it comes across--most of my words are kept to discord and such) but ive been thinking on my interpretation of hearts blindness and figured its worth sharing here! especially because, from what i understand my view on this is perhaps not in the majority.

ive done a comic relating to this (which ill reblog for further reference) but i personally see hearts blindness as something actively and willfully chosen and caused by heart himself--metaphorically, representing his own avoidance and distorted perception of the reality they live in. a mix of him not wanting to acknowledge it all (consigning himself to apathy) and something like rose tinted lenses... but the lenses are instead a fuzzy, tunneled and dim vision that doesnt provide him the full picture.

a key aspect of my interpretation is that heart actively chose to alter his vision (perception) in this way, AND that it is a permanent shift. its something he learns to work and function with. (this also represents how you cant undo change; you can only learn to live with the new shift in your being). i personally.... really dislike the idea of his blindness being a punishment, and thematically i find him choosing to blind himself far more in line with hearts motivations. hes the sort to do something like that without thinking through the consequences because it helps him cope in the moment.

when it comes to the way in which hearts blindness manifests, i personally hc him having a mix of tunnel vision, light sensitivity (exacerbated and aided by the blindfold), some blind spots (i cant remember the exact name but... spots of vision that are just gone) along with visual snow and floaters. the last two are mostly because i have those and i want to project B:•P

umm but yeah! those are my thoughts on the matter, feel free to add to thoughts if you guys have any!

#calamarispeaks #chonny jash #heart #umm also if anyone has any criticisms about this just let me know!#i see cccc in a very metaphorical manner rather than pure and clean story which comes through in a lot of my interpretation of things #im also very much aware that there is. a number of issues in the way hearts blindness is seen in the community.#i very much have criticism for the ableism people are (presumably unintentionally) partaking in #but i may also be doing the same here without realising. and if thats the case i will correct myself on the matter once its noticed #ill go find that comic now -u-c

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