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#i like her character a lot because she has a weak personality and she is an adult who lived like this for a long time...
tyttamarzh · 1 day
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Tallulah is Phil and Missa's daughter.
This will probably be very long, so if you want to read it, go grab some popcorn and get comfortable.
I have to talk about this because it's eating me up inside. I think I shouldn't give so much importance to comments coming from sewers like Twitter and much less Tiktok, but it makes me so sick (and I'm such a masochist that I even spend time looking for the shit they say to make me angrier and debate them xD).
I am very happy that it was finally made official, with papers certified by the federation, that Tallulah is the daughter of Philza and Missa, I think that was not entirely necessary for them, because they had assumed it for a long time (let's assume that Tallulah needed the pappers to end her W arc), although I suppose that more than anything it was done for those people who still cannot accept it or who deny the paternity of Phil and Missa (With Missa, although it bothers me, I can even understand it, he He hasn't been as present and many people don't know him, but god, it would be a crime to deny Tallulah's paternity to Phil, the man who has kept her alive and given everything for her throughout her life).
I'm glad that, although I have seen negative comments, the majority have been positive (even if it hurts them, it doesn't matter, it's official, screw them). Mainly, the negative comments have been from defenders of W and their arguments are so poor and weak that they are easily refuted. It is obvious that these people do not know Tallulah and have never met her, many do not even know how things turned out and say nonsense like that the current Llulah is an imposter, that it is not fair that they "rewrote" history and erased W (which It is false, Llulah's words make it clear that history was never changed, she simply moved on and that person remained in the past).
I refuted all those arguments on Twitter but screw Twitter, I hate the fucking character limit. So I'm going to expand (I have a lot of poison to get out of my skin). I have some points:
1- "That's not Tallulah" Of course it is her, those who witnessed her life and her growth during the year that passed, can realize that this was her natural evolution. She is the same girl who grew up overcoming her limitations, who suffered, who felt alone, who had abandonment problems, who everyone saw as a poor abandoned girl and who found comfort next to someone who has always loved her like a father and a brother who gave everything for her.
2- "They erased all her lore" No. Tallulah's lore is the one she built with Philza and Chayanne over the course of the year they lived together. Her relationship with W and her longing for him was only part of her story (although people made a lot of emphasis on that), but it was not the only thing that defined her, it never was and only people who never got to met her think that. They see her like an extension of that other person, as the only thing that kept him on the server, but did not see her as an individual character and definitely did not watch Phil's Vods and they never really knew her lore.
3-"How do they explain this in the lore?" Simple, there was someone in her life, someone who was her first father, but who spent very little time with her, who left a long time ago and who is currently no longer part of her life. She learned to let go of the past and focused in the family she has in the present, the family that loves her, that watched her grow up, that makes her happy and gives her security to believe in herself and that is the Death Family, Chayanne, Philza and Missa. Time passes, not all people stay, treasure those who are by your side and let go of what never brought you anything but pain.
4- "They should have created another egg and replaced her" Why replaceher? It has no sense or reason. She is a character who built her own story with her family, a story that never really involved that other person other than with one or another sporadic mention, why eliminate a character that evolved by itself? Little by little she separated herself from what she was at the beginning and that bond that she had with that first father was practically non-existent. What would be the point of eliminating it or replace her with another new character?
5- "No matter what other parents and appearance give her, she will always belong to W because she still carries the name he gave her" No. She never belonged to him. She lived with that man for 2 days and apart from leaving him the promise of a reunion, she did not contribute anything else to her life. She formed her own path, her passion for music was not because of him, it was something she already had before, her love for nature, for animals, everything was built in the days she lived with Philza (even with uncle Bad). She suffered for her first father but she moved on, she matured, she discovered her link with death and her powers as a medium, she acquired her own personality and little by little she built the Tallulah she is now.
She never belonged to anyone but herself and she always fought to prove that, but people insisted on dumping trauma on her and reminding her that she was an abandoned child waiting for someone who at a certain point was nothing more than an idealized dream, because There was never a real relationship between them, they never lived together long enough. She little by little made her decisions and chose the people she wanted to be her parents (and it's not that she had few options, Quackity, Bad and even F wanted to adopt her at the time and asked them to, but she was not a girl who was looking for parents). She could choose and she chose Philza, the person who had always been there for her and later she chose Missa, someone who despite not knowing her very well gave her his love unconditionally and gave her security when she needed it. Then she was able to feel the warmth of being part of a complete family.
6- "They should change her name because W gave her that name! That impostor is not Tallulah!" Why? Her name is not anyone's intellectual property, at the time it was given to her, it belonged to her for better or worse and yes, in some way it will always be a tie to her past, but a past she has already left behind and managed to overcome by creating new memories and dreams.
To a certain extent I understand those who became attached to her because she reminded them of that other person, but if they couldn't see her as her own character, it means that they never cared enough to make the effort to get to know her.
It would shock us all if a character we liked suddenly changed drastically and left behind what like us in the first place. But if they had really watched her, they would have realized that the change was not sudden, it was gradual.
She found in Phil a protective and understanding father who always put her and her brother before anything else, who suffered with her her pain and outbursts of frustration due to the depression caused by the absence of her first father. She found in Missa a cute and loving father who always showers her with love and helps her to have confidence in herself. She doesn't lack anything with them. She has closed a cycle of pain in her life and now she can heal.
She chose the look that makes her feel finally free to be herself, whatever the external reasons that led to that, she finally has a future ahead of her unbound by the past and prefers to be more like the people she considers her family now. If you can't see what all of this really meant to Tallulah and her evolution, it's because you never cared to see even 20% of her story. Well, since the middle of last year she began her journey to break away from a name and be herself, fighting to be seen for who she was.
If those people decide to continue supporting someone despite his shit, that is their right, but the server and the admin were also within their right to decide to kick him out and want to distance themselves from a person they consider unpleasant.
7-There were comments of another type, mainly from people who are really very lost with the lore, people who consider her the daughter of Quackity, even confusing her with Tilín (saying that Q didn't know if she was the daughter of W or Luzu and that she should get a DNA test), when we all know that from the beginning she was W's daughter as a single father and that the only reason Quackity could have become Tallulah's father was if to marry W, but that never happened, W didn't come back and Quackity was never able to develop that relationship with Llulah, she considered him a possible father because she knew W loved him, but Q always being kidnapped or something, they never really related much. There are people who, even with a certificate, continue to insist that Tallulah should have been given to Quackity to raise with Luzu (she had a tender interaction with Luzu and people were already asking him to adopt her, saying that she was alone and had no parents, I seriously hate them!) I shouldn't take seriously people who obviously haven't seen Philza even once and I know that many of those people are hispanic and are limited by the language barrier but if they don't have the slightest idea They shouldn't give their opinion… Tallulah is not an object to be passed from hand to hand, she chose and in order to do so she had to go through a very long and painful arc.
8- I firmly believe that it is a great win to now have a certificate that endorses who the people she considers her parents are, but I insist, it was not necessary, because that has been known for a long time and I am sure that if it was created it was to close the mouth mouth to all those people who are not capable of accepting that.
Tallulah is the daughter of Philza and Missa (and no one else), she is part of the Death Family, that is her story, it is not a whim, a whim is continuing to link her to something she is no longer a part of or wanting to make her a part of a lore that never happened or wanting to give her other parents different from the ones she grew up with (Quackity already had Tilín, Richas and now Pepito, I don't think she needs more children and Tallulah doesn't need any more shitty drama in her life).
Tallulah is a beautiful being, both with her old look and with the new and as Missa says "She deserves only the beautiful things in the world"
Tallulah is Phil and Missa's daughter!!! Tallulah is Phil and Missa's daughter!!! Tallulah is Phil and Missa's daughter!!! And I can shout it a thousand times because it's true and she always was, but now it's certified by the government and no amount of complaining or tantrums can change that fact.
Sorry for my bad english. See you!! jajaja ando re agresiva, pero es que nadie se mete con mi familia xD
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heazueken · 12 hours
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Can I believe You? - Part 1
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*ೃ༄ summary: Nanami leaves behind the Jujutsu world fresh out of high school and reader resents him fir abandoning not only you but Haibara too. warning(s): body horror, violence, graphic violence, major character death, angst...lots of angst, mdni pairing(s): nanami kento/reader wc; 4.1k a/n: got the courage to post this hear too but you can find this on my ao3 too! there is a lot of angst in this...just a warning
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“Did I ever tell you that you’re my type, Y/N?” Haibara says your name cheerfully when you set your lunch tray down on the table. A laugh escapes you, finding joy in how brash and unapologetically blunt Haibara was. It was one of the many things you had admired about him.
“And why is that, Haibara?” Geto, Gojo, and Shoko side eyed you two, their ears perking to listen in on the conversation. A blush washes over you, the attention being all on you now and you nervously poke and prod at the food in front of you. Nanami pays no mind, Shoko had decided that he better spend his time massaging her shoulder than listen to you and Haibara blabber on.
“Because, you eat well, you’re strong and you’re super pretty!” You laugh, so innocent, so plain. Haibara felt like such a normal person that he seemed to stick out like a sore thumb as a classmate learning jujutsu. You admired him for his stubbornness to prove people wrong and always study hard, put his own life before your own.
“Well then, if I’m your type, how come you haven’t asked me out on a date?” He smiles and lets you eat a little more before he answers, folding his arms over the cafeteria table.
“I don’t ask out girls who aren’t interested in me back.”
“How do you know I’m not interested in you?”
You watch his eyes flicker to the side at Nanami, then back at you. A silent discussion between the two of you occurs and your cheeks flush in realization. You curse at Haibara has he immediately falls into a fit of giggles, you throw your rice at him, Gojo hears the commotion and helps you empty your plate on him while Shoko laughs, Geto sits there quietly watching and Nanami is scolding the two of you to stop.
“Geto hasn’t been looking so good,” Haibara mentions to you and Nanami. He’s sitting on the stairs in the school hallway and lays his head in his head, sighing. 
“I tried to cheer him up, I’m not sure it worked, though.”
You put a comforting hand on Haibara’s arm, rubbing your thumb over his uniform.
“You tried. That’s the best anyone can do. I’m sure you helped a little.” Haibara gave you a weak, genuine smile and you knew you gave him a little comfort in that moment.
You heard about what happened from Nanami. The mission going terribly wrong, the Star Plasma Vessel - who you learned to be a girl Rika - dead. Assassinated by a man who had threatened their lives, left the both of them on the verge of death, thankfully Gojo was able to use his reverse cursed technique. Geto was left with the sight of watching Rika die right in front of him, pool of blood forming beneath the girl after Geto had offered to take her back home, offered to let her live the life she had deserved. Of course the trauma of that would send anyone into a spiral, you knew of that, and yet, it seemed like no one else could understand why he had been in such a funk. You remember Gojo taking you aside to talk about it, mentioning that he had asked him if anything was wrong, that he looked thin and wasn’t eating. 
“And he…it’s like he forced himself to look at me and I could see that fake smile when he told me he was fine. That it’s the fatigue the heat brings him,” He shrugs his shoulders passively.
“Why didn’t you push him to tell you more?” You demand, trying to meet eyes with Gojo but with the sunglasses it was impossible. You couldn’t see the look in them but you saw his eyebrows slowly come together, creasing the skin.
“Because, I want to believe that he’s actually okay. I want to believe that he’s telling me the truth.”
You and Gojo both know he wasn’t.
“Satoru, he told you what had happened. How could anyone walk away from that without having felt some guilt?”
Gojo didn’t look at you, ashamed, he knew you were telling the truth but he had refused to see it.
“Because we’re the strongest.” He said simply. You couldn’t argue with him.
You saw Geto when you were heading back to your room. He looked sluggish, his feet dragged behind him and his head hung low.
“Suguru,” you said quietly, softly stepping towards him. He raised his head then and you saw what Gojo had described. His lips curled into a smile that did not look like the one you knew so well. This was not the Geto you had befriended so early in the school year. This was someone playing a part, someone who was hiding something, hiding a deep pain that he was keeping from the rest of his classmates. His eyes looked glassy, like he wasn’t even looking at you truly.
“Y/N,” he responds gently. “What’s up?”
Words fell silent against your tongue and you couldn’t seem to form what you wanted to say.
“I….what happened?”
He shrugged. There was a long silence between the both of you.
“One moment I'm standing there with her and the next she’s a bloody heap at my feet.”
The smile still remained on his face and your blood ran cold. The mission had failed. You already knew that but it had explained why you had heard about the Start Religious Group celebrating the death of the vessel. You could not come up with anything to say, you stared at Geto and your hands raised to cover your mouth in shock.
“Suguru-“
“I’ll be fine, Y/N,” he began walking again, the sound of his feet dragging on the floorboards was the only thing that could be heard down the long hallway. You watched him until he disappeared into his dorm before you could finally find the words. Not that they would have given him any comfort anyway.
I’m sorry.
You hadn’t want to use your technique, not when you knew it would harm Haibara and Nanami. But when you saw the curse thrash Nanami into a building did you feel the smoke ooze out of your palms in a desperation that hindered you still. Your eyes widened and your fist clamped around the naginata staff, your eyes caught where Nanami’s body slumped, his weapon laid next to him as you saw blood trickle from his mouth. A rage increased inside you and you readied your weapon, feeling the poisonous vapor enshroud the weapon before you. You had to use it now.
Before you could leap and attack you saw Haibara. Only a flash of him when he ran to Nanami’s side. He lifted him, shaking him and though you couldn’t hear, you could see him frantically yelling for him to wake up. Haibara had one eye shut, blood pooled from his head and over it, his hands were covered in his own blood and you watched him smear it across Nanami’s face as he desperately shook him to consciousness.
The curse roared, its tentacles reached and flashed across the area towards you, but you were quicker. Your blade sliced the tentacle off and the smoke secreting from the weapon soaked itself into the skin of the curse and it quickly began to bubble. The skin grew blisters, they turned plump and pink and the curse took a moment to stare at its large stump before screeching in pain when the blisters burst, puss oozed and more vapor poured out of them. The monster began thrashing, the remaining tentacles swung and destroyed the buildings around it. It screamed obscenities and you rushed forward, slicing another limb off. Your feet were quick, running along another one, letting your blade glide across its green skin and let more spores awake in its path. You glance just for a second to see Nanami finally getting up, pushing Haibara away in an attempt to run and help you fight. You kept the curse further away because your technique was considered a curse, even if humans came into contact with it it would cover their bodies in horrible blisters and eat away at you from the inside. You had learned to channel it through your weapons to make the smoke more precise and less dangerous. But you had to release a puff of the poisonous smoke from your hand to keep the away from your friends.
Nanami screams your name, this monster wasn’t a grade 2 like they thought.
It grabbed you with one of its untouched tentacles, throwing you down to the ground. Your weapon falls from your grasp and before you can register what had happened you hear a sound of bones breaking, skin squelching and what sounded like someone releasing a pail of water across the floor. It was blood.
Haibara stands in front of you. You look up at him, his back to you and you see it. The curse had stabbed right through his body, the limb poking out of his back. Your mouth opens into a silent scream and you can only watch as he vomits blood and more blood and more until his body immediately goes limp.
You don’t remember much. The world seemed to be spinning. You were pulled aside by someone, people in suits and sorcerers more powerful than you finally arrived and you watched them massacre the curse. Your eyes trail to where Haibara had been left lying there, forgotten in the heat of the fight. A flame ignited in you and you fought against the strong arms of what you assumed was another sorcerer holding you back.
“Let me go, let me go!” You screamed. “Haibara! We have to-“
“We can’t! Not yet!” The sorcerer responded, grip becoming tighter on you.
“Get the fuck off me!” Your voice strained. “We have to save him! Let me fucking go!” You thrashed, kicking dirt up with your feet in an effort to get to Haibara. You felt defeated when you couldn’t even wiggle one arm from the person's grasp. 
You saw people with medical masks and long white coats run to his body, placing him on a stretcher and frantically talking to one another as they ran to the vehicle waiting for them. You see Shoko, scrambling outside the car, her face also covered with a mask. She turns to you, catching your gaze and you hold onto it, your eyes begging for some answer. 
Will he be okay?
She shook her head.
You don’t remember how or when you had calmed down but the next moment you were in a car with Nanami beside you. You look over to him and he was staring blankly, blood, Haibara’s blood now dried on his face. He wouldn’t look at you - couldn't look at you.
Everything felt numb.
“That was a first grade case.” The severity of the situation hit you like a damn train in that moment. Your vision became blurry and uneven, your hands grappled to the handlebars of where he lay and the tears dripped onto the shroud. There were dark tear stains riddled across the blue of the fabric and the moment Geto finally, finally pulled it over to cover Haibara’s pale, bloodied face did you crouch and sob with all your might. The tears streamed down your face, falling to your knees and letting your hair trap around your face like blinders, your ears thumped with blood rushing loudly. A sinking feeling fell inside your stomach as you struggled to breathe but more sobs broke out instead. Your stomach began to turn, the world becoming quiet and muffled around you and you didn’t notice Nanami crouching next to you, not until you felt his hand on your shoulder.
Don’t comfort me. What’s done is done. Your comfort can’t bring him back. Don’t comfort me. I don’t deserve it.
The tears dried your throat and you began to retch, they were empty gags but the tears refused to stop even when your body begged for them to. You couldn’t shy away from Nanami’s touch and the way his palm tried to soothe over your back. Your crying didn’t subside until you had passed out.
Haibara was dead and it was your fault.
“Y/N,” Nanami said softly. “It’s okay.” He’s crying too but you don’t see it, can’t hear him when you’re unconscious on the floor.
Everything is black. You’re in a void and all you can see is Haibara's broken, bloodied body on the ground. Several of them littered around your feet, you look around and it’s endless, the bodies, the blood soaking into his uniform and pooling around your feet. Your stomach churns at the sight before you, watching the blood go up and up, rising over the toes of your shoes. You try to scream, but no sound comes out. All you can smell is blood and all you can see his Haibara. Tears stream down your face.
I’m sorry! I’m sorry!
You feel a set of hands on your shoulders, gripping you. You blink your eyes open and the bodies are gone. Except one. Haibara’s standing in front of you, grasping you so tight you think he’ll shatter the bones in your shoulders.
“Y/N,” he doesn’t look right. His face is contorted, blood is pooling out of his mouth and onto the ground. His eye is an empty socket with a cascade of blood running down the expanse of his cheek.
“Why didn’t you save me?” He asks with an eerie frown. You gasp and find your voice.
“They wouldn’t let me get to you! I tried to-“
“You weren’t strong enough. I died because you failed.” He would never say these things. Never. And yet it felt like that truth. Still, you shook your head.
“I did my best! It was a grade 1 curse! I tried to save you! I tried to save Nanami! You-“
“You failed,” He said, every word he spoke blood only poured out, staining his teeth red. “You weren’t strong enough.”
Haibara was dead and it was because you weren’t strong enough to save him.
You awoke in your bed with a gasp, sitting up immediately. Tears stained your cheeks already when the memories came flooding back to you.
“Y/N!” It was Nanami. He had been sitting down beside your bed, you guessed he had fallen asleep judging by the small rim of red around his eyes. Or maybe he had been crying just as much as you have. He reached for you, his hand grabbing yours and the other one going around your shoulder to support you. The room began to spin and little black stars riddled around your field of vision as your head thumped like a drum. 
“Careful, you sprained a few ribs.” He gently said. You looked at Nanami, his face has a look of concern, your heart warmed at the realization that he had stuck by next to you for however long you were unconscious.
“H-how long was I out?” 
Nanami pulled away, letting you lean back against your beds headboard.
“Couple of hours at least. You were talking in your sleep.”
The dream came flooding back to you and you held Nanami’s gaze for a beat, wondering what to say. What had you said?
“I’m sorry…” You leaned back, the ache of your bruised body finally making itself known. “What…what do we do now?” Your hand rubs gently over the bruises riddled over your ribs.
Nanami sat with the question for a bit. Sitting back in the chair beside you and rubbing his fingertips across the wrapped cloth on his arm, blood starting to creep its way to the surface. He’ll have to change his bandages soon.
“We recover and go back to work.”
Your stomach sank, something felt different. The vessel incident, now Haibara…everything seemed to be too much. Like their entire world was crashing down with them.
You’re weak. That’s why. More people are going to die because of your lack of skill. Blood is on your hands because you weren’t strong enough to protect Haibara. 
“Hey,” Nanami said, putting his good hand on your shoulder. You blinked at him, taken out of your egregious stupor. Your eyes met with his brown ones and your heart beat a little faster.
“It’ll be…alright. I think. As long as we have each other, right?”
You always had Nanami and Haibara at your side. Now with him gone your only option was to support Nanami and he support you. You two needed each other now. It was the right thing to do. You nod.
You would become stronger for Haibara.
It got easier, as time went on. Nanami had stayed by your side and you stayed by his as the two of you recovered. 2 months flew by and you two were sitting in your dorm together, still bandaged up but you both were able to eat more. You looked down at your rice, sifting your chopsticks through it.
“I miss him.” You say. Nanami doesn’t need to ask who you’re speaking about and he pushes his hair to the side to get a good look at you.
“Me too.” He reaches over, he smiles, it’s sad and it carries a silent apology with it. He squeezes your wrist in comfort.
“He wouldn’t want us to be sad. He’d want you well fed and healed. Now eat.” You brought the rice to your mouth, eyes still skimming across Nanami’s face as he elegantly finished his food. You noticed he’d grown more, was starting to look more like a man. In just 2 months his jaw had seemed more sharp, his shoulders bigger, hands larger and warm when they touched your healing skin. His hair had also grown…longer.
“When are you going to cut that hair off, hm?”
He turned to you. “What? Is it an eyesore?”
You wrinkle your nose, “Yes, and it’s lame. You look like - what do they call it? A scene kid.” He rolls his eyes as you giggle. 
“Finish your damn food already.”
You always had a crush on him. Even now, when he smiled at you - which you rarely saw him do - did the butterflies release inside you, a laugh released from you and there was a sharp pain in your side - sending you into a coughing fit, you groaned because damn, those bruised ribs fucking hurt. Nanami patted your back, trying to comfort you but it only caused more pain to ache throughout your body. You shove him away, a fit of giggles and coughing and groaning filling the room and you think for a moment how much you had admired Nanami for sticking by you throughout all of this. He had suffered a great loss, too.
Nanami Kento was the strongest man you had known.
Nanami Kento was a coward. 
You hadn’t suspected a thing. Although, he had been starting to keep to himself a lot more as the years passed. It wasn’t particularly out of character for him so of course you were ignorant to the plans he had been setting up ever since Haibara died. Freshly graduated, pride still riddled across your face as you strutted through the halls, chest pumped up and high on the fact that you were Number 1 on the honor roll list. You wanted to share the happiness with your best friend, perhaps get some drinks with him. The thought of it makes your face go hot. You open the shoji door to one of the classrooms that Nanami frequented with you, a smile big and bright on your face.
“Nanami, I-“
Nanami was not there. In his place was Gojo Satoru, leaning against one of the student desks. He adorned his iconic sunglasses, laying further down on the bridge of his nose so you could see a glimpse of his pure sapphire blue eyes. Your smile quickly fades and your shoulders lower. A stone sinks inside your stomach.
“Gojo, what-“
“He left.”
You immediately ask, “Who?” The air became suffocating when Gojo pushed himself off the desk and walked closer to you. His footsteps echo across the room and he looks at you with an empathetic look and you know his answer. It feels as though a curse has wrapped its spindly fingers around your throat when Gojo finally answers.
“Nanami. He left this morning. Told Yaga that he was leaving jujutsu high.”
No. No, that’s not right. That can’t be right. The feeling on your throat felt tighter, pins and needles pinched the inside of your esophagus and your eyes began to burn, tears threatening to resurface. What used to be such a drafty, cold room began hot, too hot. There was no storm and yet you heard thunder and lightning, it felt like the walls around you were crumbling down. A tear threatened at your waterline and you blinked, letting it fall down your cheek. Your stomach squeezed and it made you stumble slightly.
“Y/N-,” Gojo grabbed your shoulders, supporting you against his side.
“Hey, I’m sorry.” You couldn’t focus on the sound of his voice, only mumbling to him so he’d know you at least still acknowledged he was there. He had an arm around your shoulder and grabbed onto your wrist with his other hand, holding you steady to guide you to one of the desks. You slumped onto the seat, your mind running through all the things Nanami had said to you. Promising that he’d stay by your side. That you would stay by his. Your throat began to burn again. Your hand tightened into a fist.
No, you could not. Not in front of Gojo. Not even in front of yourself could you cry anymore. It didn’t do anything - only caused a headache, made you feel sick to your stomach, had you on the floor heaving and gasping, hoping for it to end. It only showed the weakness you had shown when you had seen Haibara dead beneath the shroud. Gaining control of your emotions, releasing them through weapons, training your body until you were throwing up and your muscles ached was the only way you knew how to express the feelings that you held close to yourself. You had to get ahold of yourself. You slammed your fist on the desk in front of you and Gojo cocked his head in curiosity. 
“Where did he go?” You finally ask, hiding your face in the palm of your hand. Gojo was silent for a moment, you glanced at him. He had pushed his glasses all the way up the bridge of his nose so you could not meet his eyes. You could tell by the way he shuffled on his feet and his hands slid into his pockets that he was almost anxious to answer you.
“He, uh, went into business, I guess? Salaryman.”
A salaryman. Pathetic. Rather than protect people from curses and carry on Haibara’s legacy he decided to leave that behind to pursue a life of money and long hours in a stuffy cubicle. Standing around with other men in suits who only spoke of politics and how much wealth they had. He’d rather dedicate his life to a big company. Just like that, he ran off like a fucking coward. The sadness that had settled inside you boiled into a fiery anger, your hands clenching and immediately getting up. The chairs legs scrapped across the floor in a loud and screeching sound and you pushed it back into place with a force that was so great you were almost worried you’d break the wood beneath your grip.
“Y/N, I’m sorry about him. I tried to tell him that you would appreciate to be told but he didn’t want to.”
“Didn’t want to?” Your anger burned your skin, “He didn’t want to tell me that he was abandoning the school, abandoning the people out in the world that need saving.” You took a deep breath, “Abandoning me?” Abandoning Haibara.
He was running away like a coward. Hatred seeped into your anger and spread like the disease ridden smoke that oozed from your weapons. Gojo didn’t say a word because there was nothing else to say, so of course he stood there with his mouth a straight line, shoulders still and hands at his side now.
“Goodbye, Satoru. Thank you for telling me.” You couldn’t direct your anger at Gojo, he didn’t deserve it. You needed the training room, you needed to feel the weight of your weapon under your grasp and the blisters that awakened from the strain of the wood staff, to feel sweat trickle down your forehead and the satisfying ache of your muscles.
Nanami had been the strongest, sweetest man you had known and he had turned into a coward. Perhaps you and Haibara never mattered to him. You hoped to never see him again for the heartbreak would be too great.
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favourite twdg villain?
I'm a fond enjoyer of the St. John's as villains. I don't know if they're my favorite just because they're only in one episode, but I love the concept of this family almost immediately jumping into cannibalism toward the start of the outbreak, dealing in human flesh to bandits, and casually feeding this group their friend's legs.
Like... what the hell was this family like before the outbreak that all three of them were like, "Hey now listen... nothing should go to waste, the dead are eating people so why shouldn't we? We gotta survive and in our defense, we only target those who were gonna die anyway... like y'all."
Dude, Mark was shot in this shoulder with an arrow. He wasn't going to die from that injury. It's so fucked that these seemingly friendly people took the group into their home and then fed them Mark's legs.
If we take the idea that everyone is infected and have the capacity within themselves to become walkers, to become monsters, then the St. John's were infected long before the outbreak, y'know? Not literally, but something was wrong with them and the outbreak just further spread that infection and changed them.
But again, are they my favorite? I dunno if I can say that since I have a lot more appreciation for Lily now. Yeah, some of her writing gets a little wonky in ep3 of TFS when she goes on her monologues and shit, but y'know what? I'm into it.
You have to remember who we're talking about and the fact that she's the antagonist; Lily isn't some anti-hero in TFS who secretly has a heart of gold that's brought to light because she reunited with Clementine... she's a fucked up woman who did fucked up things in the name of survival. She's full of rot now. She sees kidnapping children and turning them into soldiers to protect her home as a means to an end, but she doesn't actually give a shit about the people she's taking. They aren't people to her, they're as the episode title suggests, toys in her game. The only one she sees as a person is Clementine, and while that makes her hesitate at first, she sees Clementine's a prize to bring back.
She remembers what happened in S1; her father had a heart attack and as she tried to save him, Kenny smashed his face in with a saltlick and then expected Lily to just stand up and help him get back to his family because "he did what he had to, he made the hard choice." Yes, Larry was a piece of shit. No one liked him, and you can even question Lily on him and she'll tell you that he has a lot of pain. Yes, it makes him an asshole, but he's still her dad and he's all she has. I mean... the simplification is daddy issues, but in all seriousness, I don't doubt for a second that many of Lily's issues stem from Larry being a shitty father to her.
Then everyone thought she was losing it when she insisted there was a traitor in the group, which she was right about, but she was unstable. She was unwell, but how do you help someone like that when you don't have training to go about it? Then Lily ends up killing either Carley or Doug and the group turns on her, and either she's left behind or she steals the van and runs away.
Then we don't know what the hell happened to her until we see her again in TFS, but like... a lone woman with decay festering inside of her joining the delta? Exposing her to their methods? I mean, what else did she have to lose? She had nothing, she lost everything, and she has a lot of issues. Survival is easy when you're numb, when you don't care about the individual; they're all just cogs churning to make the system run, and if a piece doesn't cooperate, you get rid of it and find a new one.
Plus I think there's something to say about Lily not wanting to be perceived as weak again. That whole display she put on in the cells? Telling the story of what happened to Minerva and Sophie? I get the criticism that it feels like Lily did a 180 between episodes but like... yeah dude, because it's a performance. It's not just her and Clementine anymore. It's a display of power and authority. She's playing the part and thriving in it as she ensures everyone else is terrified of her.
But then when Clementine and AJ get the upper hand? Again, she's not afraid to play up the pleading to earn enough sympathy to spare her- hell, just to let their guard down enough to strike and get the upper hand again. I mean, she's got nothing else to lose, right? If she doesn't go for it, she'll be killed and sure, you can kill her anyway but at least she tried.
Honestly, I look at Lily in TFS and still see that scared little girl playing the tough bitch, just like Carley said in S1. It's just now escalated from "tough bitch" to a downright vile person. She's so... lost? I suppose? Lost within herself and the monstrous means she's taken to survive.
I get the criticisms of how she was used in TFS, but for me, it's like when people complain about Minerva not getting the redemption arc she supposedly should've gotten, y'know? There's no saving her. Lily was never on our side, and there was no getting her on our side. She wasn't ever going to redeem herself. Even if you spare her and she drifts away on her raft, can someone like her actually find redemption? Or will she just find another group that'll feed into her rot?
Truly, I say let her be horrid. Let her be the piece of shit villain with a few fleeting moments of humanity. Let her drown in the blood she's spilled.
#asks#twdg lily#twdg andy st john#twdg danny st john#twdg brenda st john#twdg clementine#twdg minerva#twdg mark#twdg larry#twdg kenny#i know i used to complain about lily in tfs a lot years ago but past cj complained about everything tbh sksksks#now i'm just like babe lily's interesting as shit like not every villain needs a redemption arc just because you think they're hot#and don't wanna feel bad or because you want her to be like she was in s1 when she was sympathetic like... it's been years#that's like being mad that clementine isn't the same person as she was in s1... the difference is we got to see clementine grow#but what happened to lily is a mystery... but that doesn't mean she didn't change especially for the worst#i dunno sometimes i look at lady antagonists in media and then look at people's reactions and i'm like.......... hmmmm#c'mon now- if kenny came back in tfs the same exact way then y'all would be foaming at the mouth insisting he's complex#and morally grey and he's just really sad about his family dying and really he's a sad widdle meow meow but also the best villain#who should be spared because he always cared about clementine and aj and he's just traumatized and sad and amazing unlike OTHERS#like.................... okay sure mmhmmmm#side note but the worst thing about kenny is the fact that he IS a brilliantly written character but his stans tend to just be the worst#anyway i like lily she's a great tfs antagonist like i recognize there are some weak spots and i wish she has more of a presence in ep4#if she lived but y'know... gotta make room for minerva being the final bridge boss so... yeah
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non4ry · 1 year
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Capcom should hire me to write Ashley because I understand her more than anyone in that entire company
(read tags for more context)
#resident evil#ashley graham#resident evil 4#re4#re4 remake#leon s kennedy#re4make#alright so this is my very mini ashley analysis I have a lot more thoughts about her#it makes me so sad that people take ashley at face value because I think there’s definitely something more to be said about her character#I do think that ashley despite dramatization bc video game is a pretty realistically written character. like she’s a young woman in an#insanely traumatizing situation#and she is CONSTANTLY disrespected. she has been kidnapped . violated insulted and the worst part of it is that she’s just a means to an end#and I do believe in my heart of hearts that president graham is kind of a shit person. IS a shit person especially politically but even as#a father??? like he’s the PRESIDENT how does he not have better security over his daughter#and ashley’s mother is presumably dead .. she gives off very. neglected and I know part of it is just the situation but she actively seems#to Expect to be hurt by other people. even leon and she feels guilty for her ‘weakness’ in their situation even though she’s actually very#helpful and resourceful several times throughout the game#idk i always think about that one scene where she’s coughing and leon tries to be kind to her and she freaks out on him like#SHE CANNOT ACCEPT KINDNESS BECAUSE SHE CANNOT PAY HIM BACK!!!!#and then at the end of everything she offers him sxl gratification because that’s the only thing she can think of to repay him#she’s been led to believe she must owe a man something for saving her and that is a very unfortunate reality for a lot of women#idk. i love ashley#she’s literally me#no kin / id tags.. do not tag as ship
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teleportationmagic · 1 year
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There was a tumble post I read on Pinterest a long time ago that put out one method for character writing - that instead of assigning characters strengths and weaknesses, to instead give them character traits and see how that played out positively and negatively. I really do love this as a writing guideline, and I suspect that's also why I love Steph so much - because in her story, every single aspect of her both bites and saves her.
Her rage is often framed as wildfire - she threatens to kill people when she loses herself to that desire for things to be right, coming from a fierce desire to protect people, protect children, that have noone else to be angry on their behalf. She's desperate, and it's why she puts on the costume in the first place, it's how she meets Tim and Cass and Bruce, and its in the midst of that desperation where each of them find her lacking, critically. She can be completely bullheaded, which leads to her keep trying to be a vigilante again and again and again - with Robin, it kills her. As Batgirl, it's what finally allows her to come into her own, to help people without being doubted. She's straightforward, she can miss the obvious, she's tries so hard to make up for her mistakes, she can get blinded trying to prove herself, she knows how to make real connections and can be so hurt when she feels that those relationships aren't what she wanted. She's messy through and through, and for all that she can still find her way through triumphs and adversary, with a smile on the other side.
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meat-loving-meat · 5 months
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Just finished The Book Eaters by Sunyi Dean for a book club and it was. Fine? I guess? Legitimately the most 🤷 book ever. It wasn’t bad at all—I actually thought that the writing style was pretty appealing—it just didn’t compel me
#to give you an idea of how ‘meh’ this book is: it has women who kiss in a gay way and I STILL don’t care that much about it#the main character (Devon) was pretty cool I guess but she committed the number 1 woman character sin#(the number 1 sin is that her entire motivation for every single one of her actions is her children. No internal motivators at all)#(tbf that’s selling the narrative short a little. I think an integral part of her character is how desperation has erased a lot of her#individuality and how she can’t explore herself because of her forced marriages and her children)#the book eaters#I also thought that Cai was a pretty weak character. Like intellectually I know that his character is inconsistent intentionally#bc of his mind eating#but it was a lot harder to get invested in his character when his personality kept flip flopping around#again I know that the inconsistency is on purpose and there’s a rhyme and a reason#this is more of a structural critique#ALSO Hester and Devon had 0 (zero) chemistry beyond their first meeting. Zilch. Nada.#normally I’m team ‘they looked at each other therefore they are in love’ when it comes to ladies in fiction but damn#their romance was such a flop#they didn’t flirt. they barely quipped. there was very little yearning#also it just felt inconsistent from a character standpoint for Devon#you’re telling me that Devon#who famously does everything in her power to protect her children#is taking the time DURING AN ACTIVE FIREFIGHT THAT DIRECTLY ENDANGERS HER SON to kiss Hester? bullshit#also the setting is just so batshit that I can’t decide if I love it or hate it#On one hand. I LOVE weird speculative fiction with bizarre premises#but something about this one felt so. meh#the premise isn’t as refined and mature as the tone of the book#I can’t believe I just critiqued a book for its premise. I shouldn’t be allowed to review a book ever again#anyway. maybe more thoughts later#book eaters spoilers#book thoughts
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lakevampire · 1 year
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Have any Kurumi headcanons?
a lot. i'll put them in the tags
#personality-wise shes a very bright and extroverted girl. very cheerful and curious but has a morbid sense of humor since she's a vampire.#also kind of boastful and prideful of her strength.#which isnt a whole lot when you compare her to other characters.#loves having fun and exploring new places. because of her position she can't really do the latter. it can be boring at the lake.#also prone to random acts of violence sometimes if she doesn’t like someone#very dedicated and loyal to those she loves or serves. this can set her up for heartbreak fast if she feels she's been betrayed.#when windows-era begins. the lake of blood and mugenkan is forgotten from nearly the rest of gensokyo. kurumi remains at her post.#for a long time she thinks yuuka will come back one day. but she doesn't!#eventually she feels very abandoned and depressed knowing that yuuka most likely won't come back.#after this she now lowkey self-loathes and blames herself for being too weak. connecting it to when she failed to prevent intruders.#now i imagine her to have left her post and wanders the border of gensokyo and the outside world.#feeds on the occasional human who unfortunately manages to breach the border and animals if necessary. prefers humans though.#dirty fighter. prefers deception or sneaking up on her food sources.#very lonely and seeking attention and anything fun. she will play with her food if its human#as for her origin. i used to HC her as being an escapee of makai due to her resemblance to elis. related to her as a sister.#now i just feel like she came from the outside world. probably europe judging from the style of clothing.#since vampires are usually from western folk-lore#yuuka probably gave her her name#also she can turn into a cute bat!!!#that's all for now but thank you for asking. some of my HCs might be dumb cuz i'm not all up-to-date on 2hu lore
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t3rrarium · 5 months
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It's so weird to me when people complain about Astrid becoming more "feminine" as she grows up, as if that takes away her strength and courage, as if she can no longer be tough if she's associated with traditional feminine qualities.
Specially when you consider how the fundamental thing that changes about her is that she becomes happier and more airy, thousands of years worth of pressure being taken out of her shoulders now that she doesn't have to fight in a war that for so long had dictated her life and future. You can already see how that change begins in the first movie after her flight with hiccup, but it's so blatantly clear in rtte; she's more cheerful, she laughs often, you can see how she's way more comfortable with herself.
And the thing is that she's still Astrid! She still has a bit of an anger management issue, she still isn't afraid to call everyone out on their bullshit, she always speaks her mind, and she never becomes a two-dimensional love interest, she's a very complex character with lots of flaws and strengths. And most importantly, she's still a warrior, that's still one of the more defining traits of her character and something she takes pride in exceeding in and that everyone admires and respects her for.
And I just feel like acting like all of that is erased because she also has more of a “girly” personality is rotted in misogyny and believing that girlhood is a synonym of weakness and superficiality.
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animehideout · 4 months
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please could you do jjk guys and their type of s/o what type of woman they would be attracted to headcanons
JJK Men And Types Of Women They'd Be Attracted To
Heyy anon ꒰⁠⑅⁠ᵕ⁠༚⁠ᵕ⁠꒱⁠˖⁠♡
Thank you for this amazing request, I hope you enjoy it 🫶🏻💕
Characters: Gojo – Toji – Megumi – Geto – Yuji – Choso – Nanami – Sukuna ♡
Ps: I received a lot of amazing requests and I'm currently working on all them, I'll make sure to post them asap, sorry for taking too long, it's because I'm active on Wattpad as well. Thank you for your understanding 💖✨
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Gojo Satoru:
Strong, confident, playful woman.
Given his nature, I think Gojo would be attracted to a strong confident woman. Gojo is apathetic towards people who seem to be weak, so being strong both mentally and physically would stand out and capt his interest. He would like to playfully challenge and compete with his s/o. He also prefers that his partner has a witty side, to comfortably engage in playful banters without getting offended of his egocentric jokes ( that he means them 99% of the time.). “Oh baby but I am the strongest, you can take second place that's okay”
Toji Fushiguro:
Charismatic and financially independent woman.
Toji is a strong man with a strong personality so he prefers a woman that would keep up with him, a woman with a strong charisma that goes beyond words. She must be a badass that can manage difficult situations, defend herself and her rights and assert boundaries and limits with others, he finds it attractive. A strong presence totally intrigues him. It is more likable for him that his s/o is financially independent, who is willing to contribute to the well-being of their relationship and supports him monetarily. “I love it when you put others in their places”
Ryomen Sukuna:
Submissive woman.
This man is dominant, controlling and possessive. He wants an easily manipulated woman, so he can break her and own her, tame her and re-create her depending on his own needs. He wants a woman that would serve as his personal assistant, that would please and satisfy him without questioning his orders or giving him a hard time or resisting him. “Just like that, obey me”
Megumi Fushiguro:
Mysterious woman.
This man right here can't be phased by anything, but the moment he meets a mysterious, secretive woman, he would be instantly hooked. He is a mysterious, emo man himself so he wants a reserved s/o with deep secrets. He prefers privacy, so he would like to establish a world for him and his partner to share their deep thoughts, interests and opinions that they never share with others. Creating a safe space. “Your smile is enigmatic, it's intriguing”
Nanami Kento:
Responsible, mature woman.
Nanami is a mature man, he prefers a woman who is able to handle her responsibilities and duties both towards him and herself. A woman that can take wise and right decisions. He's also a very respectful man so he wants a well-mannered s/o with a civilized, heathy and effective communication style. It is important that his partner is emotionally intelligent, and can control overwhelming situations and unexpected issues. He also cherishes a loyal woman who commits to a long-term relationship. “I want to spend the rest of my life with you”
Choso Kamo:
Family-oriented woman.
Similar to Nanami, but wants his partner to be more family-oriented. He dates to marry, and to have a big family so he expects her to commit and build a strong lasting bond. His family and family traditions are sacred and valued, so his s/o must respect and adapt to them and also get along with his brothers. He likes to have discussions about their future concerning marriage, children and house hold duties. She also must have a caring and loving nature to emphasize the well being of their relationship. “Our family will grow, and we will grow old together”
Itadori Yuji:
Kind and empathetic.
Yuji is a moral man with a strong desire to protect and take care if his loved ones especially his partner. He wants his s/o to be empathetic and kind towards him and towards others. He desires a kind and a warm kind of relationship where both him and his partner treat one another with care, love and consideration. She also must have a positive outlook and is grateful for life and faces challenges with positivity. Supporting and standing with each other during highs and lows is a must. It is preferable for him that she's vocal About her empathy, where she stands up and advocates for others who are in need. “I respect your bravery”
Geto Suguru:
Ambitious and smart woman.
He prefers a woman who is driven by her goals. Suguru is an ambitious man with big dreams that he works really hard to achieve. So he appreciates determinations to reach the top, and this is a quality that his s/o must possess. He favours a partner that pushes him forward to succeed and that values hard work. Also, she must be a strategic thinker that sets good plans. Geto relies on his mind while he neglects his heart most of them while taking decisions, same thing must be for his s/o to not cause conflicts in terms of emotional needs. “I am you, You are me”
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changbunnies · 3 months
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Scent Of You, (18+)
♡ Pairing: Wolf Hybrid!Bang Chan x Fem Bunny Hybrid!Reader x Wolf Hybrid!Changbin
♡ Genre: little red riding hood au, fantasy/supernatural au, hybrid au, vague allusions to omegaverse dynamics, porn with plot, dubcon
♡ Word Count: 7.8k (oops)
♡ Summary: In which a sweet, naive bunny hybrid nicknamed 'little red' becomes lost in the forest at night, and finds herself face to face with the big, bad wolves her grandmother always warned her about.
♡ Warnings: uses the little red riding hood fairytale as a base for inspiration before it devolves into smut, words like "alpha" and other omegaverse terms aren't used but the vibes are There lol
♡ Smut Warnings (contains spoilers): dubcon (but the smut itself isn't very rough), pet names (though mostly as a title- such as bunny, little red, and sweetheart), the word slut is used a few times, gendered language such as "dirty girl", a lot of kissing, size difference, size kink (i'm sorry if you're tall just pretend ur small and they're huge because ur a rabbit and they're a wolf fsdgsdf), oral (m + f rec), some manhandling, some banter and mild rivalry between bin and chan, unprotected piv, dacryphilia, multiple orgasms and multiple creampies
♡ Notes: so i intended to take a small break from writing after finishing crave but inspo struck me as i was trying to fall asleep and i NEEDED to write it so i literally shot up and wrote all of this in one sitting in a cold sweat fsdgdsf so here we are, one last surprise upload before my break <3 it's easily the most self indulgent fic i've written to date dfdgh bunny is my fave petname and this is basically just my excuse to be called bunny in a wolf binchan sandwich lmao this is not as proofread as my other stuff given how quickly i wrote it, and it's my first time writing a threesome, but i hope you enjoy! edit: there is now a sequel you can read here !
♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.
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"Please, take care sweetheart. Don't stay out too long," your grandmother warns with a tender kiss to your forehead as you prepare to head out for the day, pulling the hood of your long, red cape up over your head, tucking in your hair and covering your lopped ears. "I know, grandmother, I know! I'll be back before you know it, I promise," you assure her with a smile, hooking your twine basket into your arm, empty and ready to be filled with treats of the forest.
Your grandmother heaves a soft sigh, as she falls back against the bed, and you give her hand a reassuring squeeze and a soft goodbye before you make your way out of your quaint cottage, a long line of intimidating, tall standing trees before you. Grandmother always worries for your safety, as the woods aren't entirely safe for a rabbit like yourself, but so long as the sun hangs bright in the sky, you'd be perfectly fine.
As grandmother has warned you countless times, it's only at night that the woods near your home become truly dangerous, as all manner of nocturnal predators leave their dens in search of their next meal. For a rabbit such as yourself, lingering in the woods at night is assuredly a death sentence; your diminutive stature and weak limbs would cause you to easily fall victim to the beasts that stalk through the forest with the moon's aid. 
The only thing on your side would be your speed, but even then it's no guarantee of safety once a predator has you in their sights; and so your grandmother always instilled a proper fear of the dark within you, in the hope that you'd never find yourself in a situation in which you'd have to flee in the first place. Entering the forest brings with it countless anxieties for your species, but it's not like you can simply not go- the gifts of nature are what sustains you, and you have to enter the woods, even live near them, if you want to have food in your tummy and herbal medicines on your shelves. 
As such, you are always very conscious of the amount of time you spend in the forest, only ever entering when the sun is brightly illuminating your surroundings, always careful and alert as you gather what you need. You observe the sun's position in the sky, use it to determine how much time you have left before it begins to set, always heading back well before it starts to sink behind the trees. And you'd never stay longer than necessary, especially not when you have grandmother waiting at home praying for your safe return!
But well.. grandmother is quite ill these days, and you spent more time than you usually would gathering the berries and leaves you’ll need to make her sweet, healing brews of tea. Soon enough, winter's chill would cause all the greenery to frost and wither, and you wanted to stock up now to ensure you had enough to last 'til the end of the season. It was for grandmother's health! Surely she'd understand and forgive you if you stayed out just a little longer than usual. 
But as dusk started to settle over the trees, and you realized how precious few moments of sunlight you had left to make it home with, panic began to accumulate in the pit of your stomach. You tried your best to take deep breaths, to not allow your heart to race- as long as you remained calm, you could get back before dark, you were sure of it. 
The more the sun sank however, the more you lost your clarity; you found yourself stumbling in circles, the encroaching dark causing the forest to become unrecognizable, leading you blindly in circles. You'd long since lost sight of the path you always followed home, and the moon and stars, which were normally such a beautiful sight, now came with a sense of foreboding. It was dark, you were lost, and grandmother was now all alone, probably worrying herself half to death wondering where you could be and if you're even still alive. 
You continue blindly weaving your way through the trees, just praying that you're moving in the direction of home; you can't afford to hide away and wait until morning, not when a beast could be around any corner. Using your speed to your advantage, you dart past a near endless sea of trees, praying, praying, and praying the clearing will come into view and you’ll see your cottage in the middle, with orange light from the fire peeking through the windows and smoke billowing from the chimney. 
Suddenly you stop, entire body freezing as your hair stands on end, nose twitching as an unfamiliar scent fills your nostrils; someone is near- someone that you should avoid at all costs. It’s so heavy, overwhelming beyond comprehension- the scent of the forest itself is still identifiable, but mixed now with something akin to leather, black coffee, and hot iron. The scent is actually quite pleasant, so that's not what causes you to freeze; it’s the unfamiliarity that is the true root of the problem, evoking a deep rooted, innate fear response. 
You know all the “safe” smells- that of other prey animals such as yourself, for instance, are recognizable, comforting, and bring about a sense of calm. To be met with the unfamiliar is to be met with danger; it means that whatever is near is something you’ve never encountered during your safe treks through the forest, it means that a predator likely has you in their sights, because as grandmother has told you, if you smell them it’s already too late- they’ve found you. 
“Now, now, what do we have here?” A deep voice calls, hidden from your sight. Your heart erupts in an erratic rhythm, a chill running down your spine as your eyes desperately search the darkness for the source of the voice. And there, you finally see it- or rather, him. A man, standing much, much taller and bulkier than you, sharp fangs exposed with his smile, fangs that you are sure will be used to rip you apart. 
You see pointed ears and dusky blue-silver fur, a long tail that swishes with intrigue and delight, a fur coat with the arms cut off, an exposed chest laden with scars both fresh and faded. He’s a wolf, you realize with dread, the thing you were taught to fear most of all. You unconsciously take a step back as he approaches, the moonlight illuminating him in a way that evokes both fear and reverence; as beautiful as he is dangerous. “What’s a little thing like you doing in the forest at night, hmm? Don’t you know it isn’t safe, little red?” he says with a sickeningly sweet smile, referencing the caped hood you’re wearing, a gift from your grandmother meant to keep you safe from men like him.  
You clutch your basket tighter as your legs begin to tremble, lowering your head and pulling your hood down further, trying your best to ensure your ears and other features are completely covered. He probably knows by smell alone you’re a prey animal, but you vainly hope he’ll let you go if he doesn’t realize you’re a rabbit- a stupid hope, but it’s the only one you have. “Poor thing, don’t be scared. You got lost, didn’t you, little red?” With each step towards you he takes, you take another step back, until your back meets that of a thick tree, the erratic rhythm of your heart building to a speed you thought otherwise impossible. 
“Tell me- where did you come from?” The wolf asks with an intimidating smile full of fang, “I recognize you from somewhere. Where was it I’ve smelled you before..?” With nowhere to go, caged against the tree as the wolf closes in, all you can do is tremble as you watch him sniff the air, licking his lips as if tasting your scent. Most prey animals are generally the same, but there’s only one place he’s gotten the scent of sugar and cream from.. 
“Ah, I know,” he says suddenly, smile growing wider as he speaks, “That little cottage in the clearing- that’s it, isn’t it? That’s your home?” You swallow as you timidly nod, your nerves much too frayed to attempt to lie- you’ve never been a good liar anyways, your grandmother having raised you to be honest and good. “You’re quite far from home, little red. But I can help you,” he offers, but you know better than to trust a wolf- they’re liars, all of them. 
“N-No, I.. I can get there by myself,” you say, finally finding your voice (shaky and timid though it may be.) The man hums, seemingly amused by your brave display; he knows how scared you are, can quite literally taste it, but he has to commend you for trying, at least. “I’m not sure that’s true. Do you know which way home is?” 
“W-Well, uhm, I.. I- I, I don’t-” you stutter and fumble, and he chuckles, a smug look of “thought-so” clear on his face as he grins at you. His hand finds your cheek, and you look up at him with glassy, teary eyes, heart thumping out of control as he strokes your skin with his thumb. He smiles sweetly, almost boyishly- a look that would be endearing if he wasn’t a wolf, and you weren’t afraid for your life. 
His clawed hand travels from your cheek to the top of your hood, and you quickly reach your hands up to clutch the fabric, keeping it fully tugged down in a vain attempt to continue to hide your identity. The wolf laughs, clearly amused at your reaction. “Come now, little red, show me what sort of ears you’re hiding under there,” he coos and you shake your head, eyes squeezing shut and knuckles turning white as you desperately cling to your hood. 
At this point it probably no longer matters what you are exactly- no matter the answer, it’s clear the wolf before your eyes has plans for you that won’t go unfulfilled. But still, your survival instincts are in overdrive, and you can’t help but try your best to protect yourself, even if the endeavor proves to be worthless. He tugs at your hood, not yet trying to fully pull it off, but rather playing with you- he could easily pull it off in one quick swipe, his claws could tear the fabric to ribbons, but he chooses to instead have his fun, watch you panic and struggle with the hood in your tiny hands. 
You look at him, unfallen tears blurring your vision; you don’t know what else to do. Grandmother always said if you found yourself cornered by wolves, your only option would be to run and pray for the best, but is that really the best you can do? And while you’re fast, wolves are faster- you’re sure the man would be able to catch up with you easily, especially given that the moon is his ally and he is likely extremely familiar with the deep woods.
Further still, he clearly stated he knows your home; even if you escape, he knows exactly where to go to find you. It fills you with dread, knowing that even if you do make it home, your grandmother would be there too; and you’d never forgive yourself if something bad happened to her because of you. It’s an impossible choice you are being dealt- surrender to your fate now, or try your best to flee and risk dragging your precious grandmother down with you. 
But as he finally tugs down your hood, your white, snow-like lopped ears are fully exposed, and the wolf’s fangs shine as he gleefully smiles, you find yourself unconsciously making a choice- you run, as fast as your legs will carry you. The cape gets caught and snags on stray branches from the myriad trees, tearing as you continue to run, adrenaline coursing through your veins, chest aching from the erratic, forcefully thumping of your heart, breath coming out quick and harsh. 
You barely make it 10 feet ahead through the trees before you’re crashing into something, the sudden impact causing you to let out an involuntary shout as you stumble back and fall ungracefully on your backside. Looking up, tears fall from your eyes when you realize it’s another wolf- shorter than the one who’d cornered you previously, but bulkier, with fur as dark as obsidian and a scent that matches it. You suspect that he was there the entire time, and you just didn’t notice due to the panicked focus you held on getting away from the blue-silver wolf. 
“Where do you think you're going, little red?” the new wolf speaks, affirming your fears; he was there for the entire exchange, witness to the moniker you’d been given and now using it for himself. “Oh Changbin, you caught her,” you hear the previous wolf say from somewhere behind you, leaves and twigs snapping beneath his feet as he approaches your spot on the ground. “Course,” the dark wolf evidently named Changbin speaks, kneeling down to look directly in your teary eyes, “I’d never let such a sweet little thing get away from us.” 
He reaches to the side of your body, where your twine basket has fallen from your arms and spilled its contents, all the berries and leaves you gathered now decorating the dirt. “Hmm, most of these are herbal. What a sweet granddaughter you are, gathering until late into the night! Your grandmother must be proud of you, hmm?” Changbin smiles, looking up to the previous wolf once he stands again, your basket in his hands, “Don’t you think so, Chan-hyung?” 
The blue-silver wolf, that the dark wolf calls Chan, hums in agreement, once again calling you a “sweet thing.” Chan offers you a hand to help you stand, and you hesitate, swallowing as your eyes dart nervously between them. Their eyes on you make you nervous beyond just the predator-prey relationship you share; they’re both so impossibly ethereal in the light of the moon, and it makes you wonder if all wolves are such divine creatures. 
Maybe that’s why the rest of the forest view them reverently; beautiful, powerful, utterly intimidating in all aspects- they offer no choice from a rabbit such as yourself but submission simply from presence alone. “What’s your name, little red?” is Chan’s next question, and again, you find yourself unable to lie; against your own sense of self-preservation, you tell him your name. And he hums, repeating your name as if testing the way it falls from his tongue before diverting back to his nickname for you. 
“Let’s make a deal, little red,” the wolf says, still holding out his hand, waiting for you to take it. You finally do so cautiously, letting Chan help you to your feet, your legs still trembling but not yet buckling in the face of fear. “W-What kind of deal?” you ask hesitantly, looking between the two wolves who smile and lick their lips, tongues ghosting over their fangs as they do. Beautiful, powerful, intimidating, your mind repeats.
“We want to play with you,” Chan says smoothly, the answer coming natural to him, “play with us for a little while, and then we’ll take you home. We promise.” You look at the other, younger wolf who nods, backing the sentiment of his superior. Here you are, confronted in the deepest reaches of the forest by two wolves, and instead of devouring you they just want to “play”..? What does playing entail with them? 
You’re not sure how much you truly want to know, but the promise of home dangling in front of you makes you consider their offer despite how foolish it may be. “You’re not.. tricking me, are you?” you ask, voice small, full of naivety and hope. “Of course not, sweetheart, we would never,” Changbin affirms, even going so far as to pick up the spilled contents of your basket and nestle them carefully back inside- a promise that by the time you’re done “playing”, you’ll be reunited with your sickly grandmother and able to care for her again.
“You just smell so sweet,” Chan says, his clawed fingers once again tracing over your cheek, “and we’ve always wanted to play with a sweet little bunny like you.” You nervously exhale the breath you unconsciously held when his hand traced your skin, searching his eyes for any sort of deceit. If you’re being honest, you’re not entirely confident in your ability to tell if the wolves are lying to you- they’re masters of manipulation, after all; lying is second nature to them. 
Still, you want to trust them- trust that after you play with them for a little while, they’ll keep their promise of taking you home with your basket in your arms and everything you need to get through the winter. “If you really promise, then.. I’ll play with you,” you answer, and the wolves both smile eagerly, with the elder wolf taking you in his arms, swiftly lifting you up off your feet. You squeak in surprise, instinctively clutching tightly to his fur coat, scared of being dropped. 
“Let’s go have some fun then,” Chan grins at you, making sure his hold on you is secure before he starts to move, “but not here. The floor here’s too dirty for you, isn’t it?” It’s a rhetorical question in which he expects no answer; instead he starts winding through the trees quickly, a destination clearly in mind. You vaguely see the other wolf trailing behind before you squeeze your eyes shut, the blur of trees and wind whipping through your hair and past your ears making you dizzy as you’re carried further and further into the forest, likely towards its center. 
It takes you a few moments to open your eyes once you’ve realized you’re no longer moving at high speeds; Chan, who still has you in his arms, is now walking at a leisurely place through what you assume is his den. The smell of other wolves is distinct but distant- evidently, the three of you are the only ones home for the night. It makes you breathe a small sigh of relief to know the rest of his pack is absent, attending to their own matters. It makes you feel safer, somehow; as if you’re not literally inside a wolf's den, at the mercy of whatever it is the two before you want with you. 
Eventually you are carried into a bedroom- one that smells more of Chan than the other wolf, which leads you to believe this is his room specifically. Changbin doesn’t seem to mind that the “playing” will take place here, a smile still clear on his face as he shuts the door behind himself, locking the door behind him as Chan sets you on his rather large bed. 
Your ears lie flat against your head, your nerves eating away at you as you fiddle with your hands. You watch them both carefully, taking note of where Changbin sets down your basket before he meets you and Chan at the bed. The two of them standing over you makes you feel impossibly small, affirms how much better they are than you in every evolutionary aspect; speed, strength, size- they have it all. And you, one measly little rabbit with no significant qualities in comparison to them, who has no choice but to put her life in their hands if she wants to survive. How unfair. 
“Tell me, little red,” Chan starts as he sits next to you on his bed, one large hand enough to cup your entire face and direct your complete attention towards him, “are bunnies as slutty as they say?” Your eyes widen as you gulp in shock, having not expected such a forward, explicit question. “Yeah, I’m curious,” Changbin follows up, sitting firmly on your other side, caging you in between the both of them, “they don’t say ‘fucking like rabbits’ for no reason, right? So what are you? A slut?” 
“I-I’m not!” you sputter out; it’s true that rabbits have a reputation for promiscuity but you live a rather sheltered life with your grandmother- you hardly even know other rabbits your age, much less male rabbits. That being said, you have been a little.. let's say intense during your heats- but you rode those out with toys, not with the help of men. And you don’t think there’s any shame in promiscuity, but that’s simply not the life you lead; you live modestly, simply taking care of your grandmother to the best of your ability. You barely even have time to masturbate these days- fucking is entirely out of the realm of possibility, as busy as you are. 
“But you’ve taken cock before?” Changbin asks from behind you rather shamelessly, and Chan looks at you expectantly, waiting for your answer with a cocked brow. “W-Well, yes, but-” you start and Chan is smiling again, another happy hum leaving his lips. ..Does your virginity status really matter here..? Your eyes widen again when the reality of what you’ve agreed to clicks, and Chan chuckles at your delayed reaction. “You’re not very smart, are you, bunny? But that’s okay- you don’t need to be smart to have fun, isn’t that right?”
Changbin is the next to speak, his hot breath coming out against your ear, his hands tracing your hips, “Mhm, sweet, dumb bunnies are cute, don’t you think? I bet they have lots of fun,” It’s vaguely condescending, how they speak of you- sweet and dumb, as if your intelligence pales next to theirs, as if you are an object designed for their pleasure and no other. And somehow, it adds to the tremble in your legs, your breath hitching when Chan squeezes your cheeks between his fingers and thumb, forcing your mouth to open. 
You overtly whine, the wolf’s obscenely long tongue sliding into your mouth, exploring with another eager hum, his fangs catching on your lip with each kiss. As he kisses you, his fingers tug at the knot of your caped hood, leaving the task of discarding it to the other wolf once the knot is undone. Goosebumps once again rise on your skin, with Changbin kissing and licking your neck after your cape has been tossed aside, deeply inhaling your scent as Chan continues to abuse your lips with his tongue and teeth. 
“Chan-hyung wasn’t kidding when he said you smell so sweet,” he whispers against your skin as he continues to trail his kisses down towards your shoulder, “it’s intoxicating.” It’s shameless and almost embarrassing, the way arousal pools in your underwear despite all preconceived notions of how a rabbit should behave in the face of a predatory animal; but the more they kiss and lick, the more fear ebbs away, and becomes replaced by pleasure and yearning. It’s been so long since you last felt the touch of someone else, having been stricken to solitary heats since becoming your grandmother’s carer. It almost humiliates you to admit how good their touch feels on your burning skin. 
They can quite literally feel your body release its tension, Changbin’s strong arms being the ones to hold you up as you melt, and the smell of your leaking arousal obviously doesn’t go undetected by either of their noses. Chan pulls away from your lips, a smirk visible on his features when you open your eyes to look at him. “What a dirty girl you are, excited already,” he says, another whine escaping you not only from his words, but from the feeling of Changbin’s teeth grazing your neck.
Chan, who could quite easily rip your dress from your body, instead opts to tug the fabric away much more carefully than you’d have anticipated- perhaps they really mean to return you home after this? Changbin, whose torso was substantially more covered than his elder’s, removes his top, leaving you to feel his bare, muscular chest against your now exposed back. He wastes no time in latching back to your neck, licking, sucking, teeth grazing the skin, but not biting down- whether to spare you the shame of returning home with the clear mark of a predator, or because he doesn’t have permission from lead of the pack however, is unclear.
Your breasts, which you’ve always considered quite full, despite your diminutive frame, easily fit within Chan’s large palms. Their ability to not only make you feel, but look small leaves you dizzy. You should be afraid of how they eclipse your frame with their size, but instead you find it exciting, your brain unraveling everything you’ve been taught about self-preservation in favor of experiencing utmost pleasure from two hulking wolves. 
Shame, it seems, has entirely left you, as slick leaks from you easily, drenching your underwear with each touch from their rough hands. Chan’s fingers play with your sensitive nipples, pulling and tugging until you’re writhing against Changbin’s body, who has his own hands tracing your hips and thighs, pressing lingering kisses to any patch of skin he can reach. Chan lowers himself to take one of your hardened nipples into his mouth, tongue swirling around it as his hand continues to play with the other. 
Meanwhile, Changbin’s hand slinks around, brushing over your stomach before his hand dips between your legs, rubbing your heat over your soaked underwear. “Fuck, this messy for us already? You have to feel her, hyung, touch her pussy,” Changbin speaking such filthy words right next to your ear makes you shudder, a whimper leaving from deep in your throat when Chan obliges, his hand quick to replace the younger wolf’s. Instead of touching you over your clothes however, he opts to completely tear them from your body, in stark contrast to how he treated your dress- you suppose the underwear is less important to remain intact, or maybe he just can’t help it after having gotten this far? 
“Oh, look at that Binnie, you’re right,” Chan grins as his fingers rub along your folds, spreading the slick around to create even more of a mess between your legs, “You’re such a dirty bunny underneath, hmm?” Your face burns red, another whine escaping as shame finally returns to you, your hands reaching to cover your face. The pair of them coo, finding the display cute, whilst simultaneously making their cocks throb- what a treat, to have found a bunny that is both incredibly sweet and effortlessly sexy all at once. 
Chan pushes Changbin’s hands away from your body, and quickly turns you around. Your back is now against Chan, and he hooks your legs over his knees, spreading you open for the younger wolf to see. “Let’s give Binnie a look at your dripping pussy, don’t you think he deserves it after being so sweet to you?” More slick dribbles its way out of you, soaking the mattress beneath, a treat for Changbin’s eager eyes. 
Peeking between your fingers, you see his dark tail swishing behind him in delight, very clearly excited by the sight he’s met with. “Can I taste her, hyung? I want to so bad,” he asks, licking his lips, his eager, sparkling eyes not leaving you for even a second. “Mm, what do you think, little red? Should we let him have a taste?” Chan asks, and though you can’t see him anymore, you can practically hear the smile in his voice- playful and fun. 
You nod quickly, though Chan doesn’t seem content with that response- he tsks, once again grabbing your face and twisting your neck to look at him. “You gotta use your words, sweetheart, you understand?” You start to nod again, but then quickly follow up with a small “yes”, to which the wolf smiles, and diverts your gaze back to Changbin, forcing you to hold the darker wolf’s gaze. “Good bunny, go ahead and tell him, then. Tell him you want him to eat you.” 
He can feel your face burn beneath his fingers, and though you can’t see it you’re sure there’s a smug smile gracing his perfect face as he waits for you to properly address Changbin. “I-I.. I want you to eat me, please,” you force yourself to mumble out, not missing the way Changbin’s cock throbs in his torn shorts. With one last lick of his lips, he’s diving between your thighs, looking up at you with a grin, “I’ll devour you, sweetheart.” 
You gasp when his tongue licks between your folds, a loud moan unintentionally falling from your lips as he eagerly laps away at you. You can’t help but squirm in Chan’s hold, his legs continuing to hold yours open and preventing them from closing around Changbin’s head. Changbin moans as he licks and sucks on your clit, as if the act is more pleasurable for him than you; and eventually he alternates between giving his undivided attention to your clit, to sliding his tongue as deep into your hole as it’ll go, letting his nose bump your clit instead. 
Chan’s erection digs into your back, sometimes groaning when your squirming and twitching causes friction; but he’s not content to just sit behind you and watch- he wants to add to the fun. So his hands come up to the soft base of your ears, expecting it to be as erogenous of a zone for you as it is for them- and by your reaction, he can tell it is. Your head falls back against him, and he can just catch a glimpse of your eyes rolling to the back of your skull, mouth hanging open as more moans and desperate whimpers leave you. 
“You getting close, sweet bunny? You wanna cum?” Chan asks, grinning when you once again quickly nod your head, a near endless stream of whimpery moans leaving you as your high approaches. “Answer properly,” he reminds you, though his tone isn’t as strict as before- it’s almost playful, amused; he’s having fun. “W-Wanna cum, please, please let- hah- please let me cum,” you beg between harsh breaths, your entire body feeling like a wire on the verge of snapping.
“You heard her Bin, make her cum,” you hear Chan say as he becomes harsher with your ears, his calloused fingers now rubbing in rough circles. Your entire body jolts and convulses as the wire finally snaps, cry after cry of white pleasure spilling from your lips as you release on Changbin’s waiting tongue. He hums as he licks up all you offer him, not separating himself from his spot between your legs until he’s sure he’s got it all and you’re shuddering from the overstimulation. 
Changbin takes your face in his hands, pulling you just slightly away from Chan as he drags you into a kiss, his tongue shoving its way into your mouth. Your taste is all over his tongue, his mouth stealing away all the breath you’ve just barely managed to breathe into your lungs after the intensity of your orgasm. Your eyes are hazy when he pulls away, fogged over by lust and needs for the wolves you are sandwiched between. 
You just barely register Changbin looking past you to Chan, as if asking what to do next; though the exchange is silent, it seems like Changbin knows exactly where to go from here after receiving a certain look- have they done this before, you wonder? Changbin scoots back just a bit before grabbing your legs, unhooking them from Chan’s knees before he’s pulling you down, closer to him. You gasp, your head falling straight onto Chan’s lap- well, more accurately, to one of his thighs, before he’s closing his legs to act as a pillow for you. 
His cock, though still obscured by the fabric of his shorts, is right next to your face and impressive in its size, just as Changbin’s is. The two of them, in almost practiced unison, pull down their shorts, though the task is harder for Chan, who has your head resting on his lap. He still manages well enough, and you’re met with the sight of his hard, leaking cock right in front of your eyes, almost close enough to touch your cheek. 
You look up at Chan, who looks down to meet your gaze with a grin. “Hope you’re ready, bunny,” is all the warning you get before you’re flipped around to your front, another squeak of surprise as you’re manhandled to your knees, bent to where Changbin wants you, with your face still squarely in Chan’s lap. One of Chan’s hands holds his cock at the base while the other reaches under your chin, lifting your face up to look directly at him. “Show me what you can do while you’re taking cock,” he instructs, your body trembling as you feel Changbin’s cock rub between your folds, slicking himself up. 
You whine when his cock presses against your hole, Changbin’s hands holding your hips up while Chan’s guide you to take his leaking cock into your mouth. You never imagined you’d be in a scenario where you’re taking in the cocks of two wolves at once, but you welcome the challenge. Changbin enters you first, the stretch the most intense you’ve ever taken- you can’t help but gasp, the sting pricking up every inch of your body. Chan, thankfully, doesn’t force you to take him entirely into your mouth in this state- he lets you instead kiss and lick the tip, recognizing your need to adjust to a size you’re entirely unused to taking. 
They both praise you, though Changbin’s voice is significantly more strained and breathy as he continues his slow push inside your tight heat. Your nails dig into Chan’s thighs for support, and he doesn’t scold you for taking pauses in giving him attention, instead just watching as you squeeze your eyes shut and do your best to control your heavy breathing. “Big stretch, isn’t it bun?” Chan ends up asking, which causes you to nod with teary eyes. “‘s so big,” you exhale, and Changbin whines from behind you- you wonder if he likes hearing how big he is?
You can also hear the loud swishing of his tail, almost like a whip with how quick it snaps from side to side; it’s an undeniable truth that Changbin has been very, very excited to play with you the entire night. Changbin hisses once he’s fully aside, while Chan takes this time to rub your back in a soothing gesture you wouldn’t typically expect from a wolf. You look up at him, eyes full of equal parts gratitude and lust, and he simply smiles, hunching his back down to meet your lips in a kiss. 
“Not fair, I wanna kiss her too-” Changbin protests from behind you and Chan scoffs when he pulls away from your lips. “Your dick is literally inside her Bin, shut the fuck up,” he says and to your surprise, you giggle- Changbin is kind of cute, isn’t he? At least, in a weird, wolf sort of way. “Are you laughing at me?” he asks, and you can almost hear the playful sort of pout in his voice. “S-Sorry, didn’t mean to,” you mumble, hoping you didn’t offend him. 
You take a cautious peek at him from over your shoulder, relieved to find that he’s actually smiling once he stops his dramatic pouting. Cute, you think again, but he doesn’t let you feel that way for long. He pulls out to the tip and presses back inside in one, swift motion, causing a moan to erupt from you as your nails once again dig into Chan’s skin. “Won’t be laughing by the time I’m done with you, bunny,��� Changbin says as he repeats the motion, and it takes everything in you to not utterly collapse onto Chan’s lap. 
He hits your spot every time, and you swear you can feel it all the way in your stomach- but Chan doesn’t let you stay idle in your pleasure for very long. “C’mon, sweet bunny, you know what to do,” he says, his hand under your chin directing you back to his own neglected length. Unable to control yourself much after Changbin starts picking up his pace, you simply open your mouth and stick out your tongue, allowing Chan to enter your mouth however much he wishes to, completely handing your control to him. 
Changbin’s thrusts cause you to take more of Chan into your mouth than you’d initially take all at once, and it causes Chan to curse, his cock hitting the back of your throat within seconds of entering your mouth. It doesn’t take long for your eyes to well with tears, and then for those tears to cascade down your cheeks, trying your best not to choke and gag as Changbin, voluntarily or otherwise, forces you to take more and more of Chan’s cock down your throat. 
You can hardly even breathe between the pleasure of Changbin drilling you from behind and Chan’s cock obstructing your primary airway, but it makes you dizzy in the best way possible. You feel floaty, every cell in your body knowing nothing but intense pleasure. Chan strokes your head, sometimes petting your ears for that extra burst of pleasure that makes you clench tighter and causes Changbin to curse from behind you each and every time. 
Changbin, who is observing the way his cock looks sliding in and out of your tiny hole, gets a flash of inspiration when he looks at your cute, fluffy cottontail. Experimentally, he takes it into his hands, rubbing your tail between his fingers, and you keen, a shiver traveling throughout your entire body. “Oh, you like that?” he asks, a bit smug as he continues to rub and gently tug at your tail, a loud whine escaping you that is muffled only by the cock lodged in your mouth. 
Chan can see your eyes rolling back, and decides to double the pleasure, not letting his hands leave your ears for even a second. Your noises tumble freely now, quick and constant, rising in volume despite how muffled they are. It’s overwhelming being played with like this, but it feels so fucking good you’d never think to complain- you may become addicted to this sensation when it’s all said and done.
You’re so wet and warm, and now squeezing impossibly tight- Changbin isn’t going to last, and you can feel him throbbing and twitching as his pace begins to stutter. “Shit- fuck, ‘m gonna cum,” he whines, letting go of your hip with his other hand to reach under you and find your clit with his fingers. “Cum with me, pretty bunny, c’mon, I know you’re close too,” he says, quickly rubbing your clit between two of his fingers. 
Chan guides your head off of him, letting you suck in the breath you desperately need before he’s lifting you up just enough to meet his lips, capturing your moans with his mouth. You cum again with a succession of loud whimpers, your hands squeezing at Chan’s body desperately. “Oh my god, yes, ‘m cumming, c-cumming-” Changbin gasps, his cum shooting inside you in quick spurts, his bottom lip tucked between his teeth as he groans. 
Chan lets you fall back to his lap, breathless and almost entirely spent, with Changbin breathing heavily behind you. He pulls out when he finally starts to soften, and you glance behind you the best you can to see him pouting at his elder again. “You did that to make me jealous!” he accuses Chan in reference to kissing you, and the other wolf simply shrugs with a smirk. “I can kiss you too, Binnie,” you mumble, just loud enough for the two of them to hear. 
He whines again, and you realize it’s the first time you’re actually using one of their names. “You should’ve said my name while cumming, bunny,” he grunts as he scoops you up, pulling you back to his chest. “I don’t think she could’ve-” Chan starts to interject, laughing when Changbin glares at him, capturing your lips in a possessive kiss. 
They’re not actually fighting over you, but you find the dynamic fun- maybe that’s why they like to share; and you don’t think you’ve ever felt this desired before. Changbin’s tail is swishing again as he kisses you, and you giggle when you hear it- he’s like a puppy, you think; eager, and easily excitable, with a hint of jealousy that makes him fun to tease. When he pulls away, he looks at Chan and then back at you, “Can you handle one more, sweetheart? Channie-hyung still needs a turn with you.” 
“I can take it, I’m a good bunny,” you affirm and they both grin, Chan reaching out to you and pulling you away from Changbin’s arms, into his own. “Such a good girl,” he hums as he lays you down on the mattress, taking his place between your legs while Changbin lays down next to you, rubbing his hand over your soft tummy. Changbin’s cum is leaking steadily out of you, but Chan doesn’t seem to mind the mess it’s making on his mattress- you've made your own mess of his bed too, after all. 
Chan instead uses his fingers to gather up what has leaked and spread it over his own length, using it as lubrication for his own push inside of you. Changbin presses kisses to your heated cheeks, licking away the tears that fall as Chan starts to push his cock inside you. Chan, who has been entirely composed up to this point, finally breaks just a bit- enough for his breath to start coming out harsher as you feel him twitch and throb inside you. 
His tail doesn’t swish as fast and erratically as Changbin’s but it is nonetheless moving happily side to side, a clear indicator that you’re actually affecting him and he’s not all confidence and smug charisma. “Can I play with you while Channie-hyung fucks you, bunny?” Changbin asks, his hand creeping up to your chest, smiling when you quickly nod at him. 
Chan should scold you for not answering properly, but he’s focusing on his own pleasure now- taking your legs into his hands and holding them open while he fucks in and out of you. Changbin plays with your nipples, his hand taking turns between them while the other is used to keep himself propped up to watch. “You’re making him feel good, can you tell?” he asks, and you look at Chan, who has sweat trailing down his brow and his plump bottom lip sucked between his teeth, face scrunched in pleasure. 
It makes butterflies erupt in your stomach, and you turn back to Changbin, a small pout on your lips. “I-I wish I-” a deep breathy moan interrupts your dialogue as Chan hits your spot, but you continue, “I wish I could’ve s-seen you too.” You bet he looked absolutely divine, just as Chan does. Changbin groans, your sentiment evidently having an affect on him. “God, you’re the fucking sweetest, bunny,” he tells you, leaning forward to kiss you some more, his tongue once again shoving it’s way into your mouth. You tangle your fingers in Changbin’s curly hair as he kisses you, and he hisses when you unintentionally tug during a particularly harsh thrust from Chan. 
Changbin simply watches your face in awe for a moment when you pull away to breathe and let yourself fall back against the mattress, finding you incredibly cute, beautiful even, even with your hair a mess and drenched in sweat. “B-Binnie, Channie, think ‘m gonna cum again-” you whine, eyes rolling back once more when it causes Chan’s thrusts to become harsher. “Yeah? Gonna cum again, slutty bunny?” Changbin smiles, egging you on with his voice. 
You nod quickly, pleas starting to fall from your lips effortlessly, “I-I can, right? Been a good girl, a good bunny? Good bunnies can cum?” They both smile, endless encouragement leaving them such as “yes pretty, go ahead and cum for us,” and “good bunny, good girl, cum sweetheat.” Changbin pulls you back to his lips as you cum, wanting to kiss you as you cum since he missed the chance earlier, and he eagerly swallows your noises, his fingers finding your clit once more to drag out your orgasm. 
Chan as well starts to become louder, his grunts becoming more successive with each thrust, not losing speed even as his hips start to lose their rhythm. He grabs your face and tears you away from Changbin, kissing you in a display that is either meant to make Changbin jealous again, or is simply for his own pleasure. Or maybe it serves both purposes at once, because as Changbin whines in protest, you can feel Chan smirk against your lips before he’s losing himself again, his groans muffled against you as his hips stutter once, twice more before he’s spilling inside you, ropes and ropes of cum filling you to the brim. 
You reach out to Changbin’s hand, squeezing it in a gesture that is meant to stop his jealousy, and he smiles at you, calling you a “sweet little thing” once more, giving you a peck to your forehead. Your eyes close, not opening even as Chan softens and slips out of you, exhaustion having clearly seeped into every molecule of your body. “Poor thing’s tired,” you vaguely hear Changbin say as he wipes the sweat off your brow. Chan responds, though it’s hard to make out what he says as you unconsciously slip into sleep, unable to prevent it with how heavy your entire body has become, rest quickly claiming you. 
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The sound of birds loudly chirping wakes you, and you blink slowly awake, eyes straining as you realize you’re in the sunlight. You sit up quickly, looking down at yourself and then your surroundings; you’re out of the forest proper, in the clearing where your home sits quaintly in the middle, and dressed back in your prior clothing and with your hood over your ears- barring the underwear you lost. 
You’d think last night was a dream if it wasn’t for the fact that you could feel yourself bare underneath your dress; so they really upheld their promise and brought you back home..? You see your basket, sitting neatly in arm’s reach, a small note resting atop the berries and leaves you gathered yesterday that simply reads, “Last night was fun, wasn’t it, little red? Come play with us again sometime,” with a cutely drawn heart at the end, signed ‘Binnie and Channie.’
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thewistlingbadger · 11 months
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Is Spider-Gwen trans: An analysis
After leaving the theater yesterday for Spiderman: Across The Spiderverse, one thought sat in my mind: could Gwen be trans? This may seem like a reach, but just hear me out.
1. Trans Flags
There are two trans flags that I spotted in the movie, both of them are in Gwen's home. In Gwen's room, a small trans flags with the phrase "Protect trans kids" hangs above her doorway. Now, if Gwen isn't trans, then why would she have a trans flag in her room? Most ally's wouldn't have a trans flag in their room. Maybe someone she's close to is trans? There's only 3 people Gwen has in her life. Her father, her dead best friend, and Miles. There isn't any evidence to suggest that any of them are trans. Especially her dad and Peter, since they didn't have much screen time. The phrase is an important clue too. If she was just an ally, why the phrase "Protect trans kids"? Why not "trans rights are human rights"? That phrase is equally as popular and it's more general. Protect trans kids is personal and usually refers to anti trans legislation that affects minors. Gwen is a minor, so is it really too unbelievable to suggest that she has the flag because she's trans?
The second flag is a patch on Gwen's dad's police jacket. Does this flag mean that her dad is trans? Or, is this a dad wearing a trans flag in support of his daughter?
2. Color theory
This is a weak point, but I'm going to include it anyway. Gwen's world is full of pastels. In fact, in most scenes with Gwen in her dimension, the colors light blue, light pink, and white are in the background. Those are literally the colors of the trans flag
3. Spiderman as a trans allegory.
Now, it's no secret that a lot of trans people like the character/concept of Spiderman. For a long time, I, as a fellow trans person, didn't understand the obsession until seeing this movie. A main theme of this movie, if not Mile's franchise, is that anyone can be Spiderman. Anyone can wear the mask, each Spiderperson is unique. Spiderman isn't really a person, it's a concept, and that's why its so applicable to everyone, regardless of who they are. Spiderman is a good person with a "secret" identity who goes trough struggles and also lives a "double life". And when you look at the story like that, the trans allegory becomes clear. Across the spiderverese is a brilliant movie with an abundance of representation. To black spiderpeople, Indian spiderpeople, disabled spiderpeople, hijabi spiderpeople, even spiderpeople who are cowboys and all sorts of other different variants. If all these different people can be Spiderman at the same time, then who's to say there isn't a trans spider person? And who's to say that person isn't Gwen?
So, is Gwen Stacy trans? I don't know, and I'm not saying she is. But I think it's entirely possible and the fact that it is, the fact that any spiderperson could potentially be queer, is something to be celebrated because it opens more doors for representation.
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klaunee · 5 months
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Edit 2/12/2024: I wanted to add a disclaimer to my redesigns! I really appreciate all of the likes and comments that these have garnered, but I just want to add that these aren't intended to be "improvements" or "fixes" of the original designs in any way and were done as a character design exercise for my own entertainment. Looking back on them there's a lot I'd like to change about them and I'd never claim to be anything more than an amateur/hobbyist character designer messing around with these character concepts. ------------------------------------------------------------------------------ Redesign of most of the main cast of Hazbin Hotel + Lucifer for fun and all that. I enjoy seeing other people's interpretations of these characters and wanted to try my hand at it. Elaboration below the cut.
(warning for some potential spoilers for Season 1 below)
Charlie
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As you can see, the gist of my redesigns is exaggerating the qualities of whatever the character is supposed to be. In this case, I thought Charlie lacked qualities that identified her as a demon, and so I gave her permanent horns and a more goat-like appearance. I also gave her angel wings for a unique look and to identify her as Lucifer's daughter. Realistically these could be bat wings instead, since Lucifer was historically depicted as having said wings, but I thought the angel wings combined with demonic features would give her a unique appearance. Her outfit is inspired by bellhops and magicians. I wanted her to be based on a type of performer in the same vein as her parents, with Lucifer's supposed ringmaster theme and Lilith being a diva. This is also why I gave her red nose paint, because to me, her red cheeks and white face make her look clown-like. I gave her round shapes to represent her sweet personality while her overall body type is lanky in a somewhat awkward way, trying to depict her as a bit dorky. I made her hair a bit more prominent for a princess-y look.
Vaggie
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Vaggie's moth qualities have been exaggerated here. I'm aware of the theories that she's actually not a moth demon but rather a fallen angel, but I wanted to disregard that because I really like bugs. She has four arms, black eyes, antennae, and her hair is actually a pair of functional wings. Her hair-wings have four "eye spots" on them that are actually functional eyes similar to Sir Pentious. Shape-wise I wanted to show her as a more combative, assertive character, with blocky arms and a shorter and wider physique compared to Charlie. I gave her a modern outfit with a fluffy jacket reminiscent of a moth's neck fluff.
Alastor
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I gave Alastor a complete overhaul. My biggest gripe with his design is that he's not intimidating in the slightest and yet we're meant to interpret him as fearsome. Although I enjoy the idea of a character who is not physically intimidating while still being a powerful force, I wanted to depict Alastor as outwardly frightening while retaining the idea that he's underestimatable because... his entire body is shadow! Rather than having that Dr. Facilier expy (/j) shadow companion he has, I decided to make it so Alastor is actually the shadow himself. This grants him a plethora of abilities like a greater range of movement, intangibility, etc. I imagine he was disoriented when he first spawned in hell as nothing but a shadow, but slowly found that this could be exploited and became extremely powerful. His staff is based on a vintage style of microphone with the center modified to look like an inverted pentagram. No Voodoo iconography here. The skull itself does not move, rather the red light in his eye flickers in time with his voice. Outfit-wise, he's wearing a basic vintage suit with a boater hat to identify him as being from the 1920's. Of course, the most significant part of his design is his antlers, which are greatly underwhelming in his canon design (disregarding his "true form" which is still weak in my opinion). In addition to giving him a dramatic silhouette, these antlers can be manipulated by him as a pair of appendages similar to hands.
Angel Dust
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I didn't change much about Angel Dust. I think he has a nice design. I just tried to make him a bit more spider-like, with pedipalps, extra eyes, and an abdomen. I tried to make the abdomen small so it's essentially like a cottontail. I modified his legs a bit like I did Vaggie's so they're bent in a way similar to bug legs. His suit has a bit more dimension to it as well. I initially wanted to make the stripes vertical for a true pinstripe suit, but the horizontal ones ultimately won out. The most notable part of his physique is his legs like it is in his canon version, but I tried to make all of his limbs longer as well.
Lucifer
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This one was very self-indulgent. I wanted to make Lucifer more father-like in appearance to try and diversify the shapes of male characters in this show, similar to how I gave Alastor a stocky build. With a stouter appearance he is simultaneously less and more imposing depending on how he's depicted. I think it'd be nice if his wings were a permanent element of his design. I gave him a broken halo, which he obscures with his top hat. I modified his outfit while still retaining the ringmaster appearance, giving him a long, flowing cape for a dramatic look. He has a cane in the shape of a golden snake which can actually move freely if he wills it. I based his hair a bit on famous carnie P.T. Barnum, and I think he'd have a similar characterization as Barnum too, being an outwardly magnanimous and lovable leader while in reality wanting nothing more than to encourage hedonism, chaos and sin in his subjects. His pointy beard and moustache come from depictions of Mephistopheles. Like Charlie, I gave him red nose paint because like I said, they've got clown vibes. Charlie inherits her goat features from Lilith, who I did not draw (yet).
Thank you for reading!
I'm not 100% on these redesigns but I enjoyed the exercise. I may redo them eventually.
I'd also like to do more of these, especially Adam.
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C 👏 S 👏 LEWIS 👏 WAS 👏 NOT 👏 MISOGYNISTIC
IM SO SICK OF THIS TAKE
“But he said girls shouldn’t fight in battles—" No, actually. What he said was “Battles are ugly when women fight.” Which literally translates to “in a war where women are required to fight to help win it, it means the war itself is really bad.” And this literally just means that the war has gotten so bad that women have to fight, not that women shouldn’t fight. Just that they shouldn’t be forced to. Anyway, remember Lucy?? Lucy who rode to battle in The Horse and His Boy?? Lucy who fought as an archer?? “But Susan didn’t—" Yeah. Because she didn’t want to. No one was forcing her not to fight. She had free will to fight or to not fight, and she chose not to because she didn’t want to, not because a man made her stay home.
“He punished Susan for growing up—" S i g h. This is the one I see the most often. “He did Susan dirty” “he made her suffer because she liked lipstick” “etc etc blah blah blah” First of all Narnia is a children’s book series. For CS Lewis to delve into why Susan forgot Narnia, talk about her dealing with the death of her entire family, discuss her grief, and write about her eventual return to Narnia (more on that in a second), it would’ve made for a pretty dark and heavy children’s book, and Lewis said that he didn’t think that was something he wanted to write. But he also encouraged people to finish Susan’s story themselves, and said she might eventually make her own way back to Narnia. Not only this, but Susan’s name means lily, and the waters around Aslan’s country are covered in lilies. Coincidence? I think not. I think it symbolizes she was going to go back. (Especially considering I think Lewis was very careful in choosing each of the Pevensie’s names, since they all relate to their character).
Also, Lewis did not condemn Susan simply for growing up and liking makeup and clothing and boys. If so why would he have written about Aravis and Shasta/Cor, or Caspian and Liliandil? Why would he have written about Susan and Lucy being beautiful and having many suitors? So no, he wasn’t condemning her for that, and in fact he wasn’t condemning her at all. It’s extremely probable that her family’s death would have brought Susan back to her senses. Because here’s the thing: she forgot. She threw herself so much into the world and approval and convinced herself that her life as a queen and her acquaintance with Aslan was all a silly game they played as children, that it wasn’t real. But, she very well could remember again, and I 1000% believe she did.
“All his female characters were weak and did nothing—" My friend. Lucy Pevensie was a female. She discovered Narnia. It was because of her. Her siblings would never have found it without her. Lucy is one of THE most important characters in the entire series. And her title? The Valiant. Lucy’s very title as queen denoted her bravery and fortitude without one even knowing her. As for Susan, she was not any weaker for being “The Gentle.” I would say gentleness is honestly one of the strongest traits a person can have, because it takes a lot to live and be gentle. Also remember Aravis? A major character in The Horse and His Boy and future wife of Shasta, Aravis literally nearly killed herself to escape an arranged marriage. She was not someone to be dictated to; she made her own choices and escaped rather than submitting. And in the end, she’s still fiery, just a little more humble and with less of a chip on her shoulder. Then there’s Polly, who is the more logical person in The Magician’s Nephew and tries to stop Digory from ringing the bell that wakes the White Witch. A boy causes her to awaken, not a girl. It was Digory’s fault she woke up, not Polly’s!!
Also, Peter and Edmund do not ignore their sisters because they’re girls. They listen to what they have to say and speak to them as equals. They don’t forbid them from fighting; Susan chooses not to, but Lucy goes straight into the heart of the battle with them! So don’t even say Lewis made his female characters weak. They were the backbone of much of the series and without them much of the plot would never have happened!!
So don’t you ever say to me that CS Lewis was misogynistic because it’s the furthest thing from the truth
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jupiters-galaxy · 6 months
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I've seen some people criticize how quickly Peter and Steph fell for each other (to the point of being the thing they treasure most), and while I do understand some of the criticism, I think there are a few key things that some people aren't picking up on.
-Treasuring each other IS NOT strictly romantic. While it's true that Peter is in love with Steph, and Steph with Peter, it goes deeper than their repressed love story. They ARE friends. They do genuinely like spending time together, although their connection is relatively new. They care about each other as people first; neither of them seem like they NEED to be in a relationship with the other. They seek each other out even when they're just friends.
-It's also important to remember that the lords in black only want treasured things in the metaphorical sense: they can't give up OBJECTS. It presumably has to be a person or a concept.
-It's important to remember that both of them have been through an unbelieveable ordeal. Peter's closest friends were murdered. Stephanie lost her DAD, and although they weren't close, that can't have been easy to stomach. I cannot stress this enough; Peter and Steph quite literally have no one else left. Peter has no other friends. It logically tracks for him to be attached to Stephanie, as she is someone who experienced the same traumas as him. From Stephanie's angle, she doesn't really like her friends, and since objects are out of the question, Peter is the only person who she feels truly knows her. He's really the only option for her, even if her feelings are confusing.
-I also want to point out that you can really kind of feel them falling for each other, although it is admittedly subtext. Peter is weak to Steph as early as the opening number. He does out of character things to make her happy; a compliment from her makes his day amazing; he faces his biggest fear in hopes of seeing her at Pasqualli's. Stephanie cares for him from the first day they meet, although her care is a lot more ambiguous. She teases him about how he's into her, but at the same time, she's protective of him, feeling horrible that he got beat up and wanting to stop it. Even beyond that, she's inclusive towards him, inviting him to hang out with her simply because she likes his company. Her attraction to him makes sense: we know that Steph has a thing for funny and smart guys, and Peter's geeky snarkiness ABSOLUTELY fits. Their relationship is one that just makes a lot of sense!
-Their relationship is actually portrayed really realistically near the end. They're not intense about their love, nor are they overtly sexual. In NPMD, they don't even kiss! The furthest they go is dancing close together and having conversations, cautiously stepping into a new relationship that they mutually want. Despite the heavy nature of their confessions in As Cool As I Think I Am (Reprise), the payoff is not drastic. The confessions were likely only so heavy because they both thought Peter was about to die. Of course he would go out detailing how he loves her, and of course she would say it back; their last memories together should be good ones. When faced with normalcy, they progress as most teens would.
-At the end of the day, they're two traumatized teenagers who already liked each other before the trauma. It makes sense that they feel like the other is the most important to them; after all, Grace is the only other survivor from their group, and they're thinking about her in a less than favorable way past Richie's death, if not sooner than that.
This is not to say they're perfect, but I think their portrayal was really sweet and a joy to watch. I think the implications are extremely interesting idk!! I love Peter and Steph, I think they're more nuanced than they're getting credit for. I love to see cringefail nerds getting badass and amazing girlfriends, let me have this!!!!!
Anyways yeah that's my hot take. One of many. NPMD is consuming me someone help
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signedkoko · 5 months
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Hi hi!
How would Striker, Bee, and poly Stolitz (romantic) react to their chubby s/o being very physically strong and working out a lot?
No pressure to write this, and If you don't write for this many characters, you can choose who to focus on!
Sending lots of love your way 💚💛💙
-🐻
Beelzebub | Blitzo & Stolas | Striker [Romantic]
In which you are considerably physically stronger than them, and work out plenty to match.
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Naturally, all of the sins are extremely strong in comparison to any overlord or sinner
Even so, you were surprisingly up there, without her magic Beelzebub couldn't begin to carry half the weight you did, and usually had to resort to her larger form- or just asking for your help
It's part of why she found you so attractive, it felt like in some way you could protect her more than anyone she knew
A lot of the people around her were already small, so it was also nice that you compared to her in size, though she found you to be much more curvaceous than her own lanky figure
" Ugh. I'd kill for hips like these, babe. "
She loves to feel you up and down and hold you close because god, you are just sooo comfortable
And when you flex your muscles it drives her crazy! She thinks you're the hottest person she's ever met
She also may be partially to blame for your chubbiness, because she never stops feeding you sweets, oops!
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Both of these fools are physically WEAK, however strong they might be with guns or magic
They recall their first encounter with you was when someone was making fun of Stolas for dating an imp, and you totally rocked their shit with a punch straight to the face
Blitzo is already on you, asking so many questions about who you were, why you did that, making jokes
And Stolas has a faint blush because god, that was so attractive
They kept inviting you over until eventually you were closer than most- present on every date, called by the same sweet nicknames
Stolas likes to go with you when you work out, he especially loves to see you boxing
Being able to cheer you on against an opponent, or imagine you protecting him- oh it was just so exciting
Blitzo enjoys walking around hell with you because he gets to see everyone fuck off
Scary dog privileges
Stolas is always squishing your cheeks and hugging you tightly while speaking of all his fantasies involving you both
Blitzo is sneaking pictures of you after workouts for his office
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Stronger? Than him? Sure thing
Striker first heard it at a place he frequented for drinks, that there was a guard for hire poster put up on their bulletin, someone new
When he hired you to see what'd happen, you sweeped the floor of some royals security team in minutes, and all he had to do was pull the trigger
Admittedly, he didn't feel the need to work with you more than that, as he enjoyed the hunt as much as the kill
But it was certainly fun seeing what someone else pulled
He’s straightforward about that, but also admits that he'd like to keep in touch
OBVIOUSLY so he can hire you on tougher missions, not because he thought you were interesting or fun
Suddenly, he's always popping up in the places you go, always offering you a drink, always getting tipsy enough to invite you to dance
Oh yeah, he certainly wants you
Fortunately for him, you're his lovely significant other only a few weeks later
He enjoys practising sparing with you, though he usually loses with just strength to strength, hsi wits certainly make him a tougher opponent
Striker find your resolve fiery, and something about you ignites something in him that leaves him wanting more
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Author's Note - Actually love these guys sm... good crew you chose bear non I respect it!
Also I CATCH all the love you sent my way and EAT IT 🖤
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sofipitch · 8 months
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One big theme in the locked tomb is the importance of community, and especially with the framework of those with a disability. Harrow in HTN has two different worlds she is interacting with, one in which the people around her don't give a shit to help her at all, and in that world she dies. Then in the river bubble most everyone refuses to leave her on her own, thye chose to help her, many despite not knowing her. Compare Ianthe's speech to Harrow in the prologue, the way she frames it is Harrow will not survive if she doesn't accept her help, and that Ianthe specifically is the only one who can. Her speech intentionally or not implied that she sees Harrow as weak. Of course Harrow rejects her help. Whereas when Harrow is asking the others to not help her defeat the sleeper, many frame it as helping her is just being part of something they already wanted to do or that they benefit from (the ones that come immediately to mind being Abigail, Dulcie, and Marta). They help her but don't make her feel like she owes them anything for doing it. Which is the opposite of Ianthe, when Harrow makes her the bone arm, Harrow doesn't want anything in return but Ianthe explicitly states she doesn't want to owe her.
The same is true in Nona, Camilla, Palamedes, and Pyrrha don't really owe it to Harrow to keep her/her body safe. It's obviously a lot of work, the equivalent to raising a child, but Nona is never treated as a burden. And I hate to imagine what it would have been like for Nona had she been alone, she said she couldn't even remember to walk at first. And this is all over the series, Dulcie lovingly saying Palamedes invented the breathing tube for her. Camilla and Coronabeth caring for Judith when they were captured. Even in places that aren't tied to disability, a necromancer and cavalier HAD to work together to complete the challenges. The way both of the Palamedes' detective short stories depend on the help another person lends him. It means so much for a story featuring characters with a disability to emphasize that it is okay to need other people, that we all do or will. That you don't need to push yourself to extremes to keep up (Harrow has this mindset in both books and in both she succeeds the most with the help of others, not alone).
To go even further, it isn't just about helping one another, but the importance of not keeping a score. Don't think you have to make up an equivalent amount of help to someone else. One of the things Gideon emphasizes as the most hurtful in Harrow's rejection is the rejection of her help. Palamedes says that he feels bad for using Camilla for his agenda and she answers that it was never his agenda. Him needing her body was something Camilla would never think twice about giving. They would do these things because they love them. This is just me repeating themes but I'm so used to the Western independent mindset, and disability porn of "if you just try hard enough" this series is a breath of fresh air
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