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inkskinned · 10 months

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so one of the things that's so horrifying about birth control is that you have to, like, navigate this incredibly personal choice about your body and yet also face the epitome of misogyny. like, someone in the comments will say it wasn't that bad for me, and you'll be utterly silenced. like, everyone treats birth control like something that's super dirty. like, you have no fucking information or control over this thing because certain powerful people find it icky.

first it was the oral contraceptives. you went on those young, mostly for reasons unrelated to birth control - even your dermatologist suggested them to control your acne. the list of side effects was longer than your arm, and you just stared at it, horrified.

it made you so mentally ill, but you just heard that this was adulthood. that, yes, there are of course side effects, what did you expect. one day you looked up yasmin makes me depressed because surely this was far too intense, and you discovered that over 12,000 lawsuits had been successfully filed against the brand. it remains commonly prescribed on the open market. you switched brands a few times before oral contraceptives stopped being in any way effective. your doctor just, like, shrugged and said you could try a different brand again.

and the thing is that you're a feminist. you know from your own experience that birth control can be lifesaving, and that even when used for birth control - it is necessary healthcare. you have seen it save so many people from such bad situations, yourself included. it is critical that any person has access to birth control, and you would never suggest that we just get rid of all of it.

you were a little skeeved out by the implant (heard too many bad stories about it) and figured - okay, iud. it was some of the worst pain you've ever fucking experienced, and you did it with a small number of tylenol in your system (3), like you were getting your bikini line waxed instead of something practically sewn into your body.

and what's wild is that because sometimes it isn't a painful insertion process, it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injured in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain.

your understanding of pain is that how the human body responds to injury doesn't always relate to the actual pain tolerance of the person - it's more about how lucky that person is physically. maybe they broke it in a perfect way. maybe they happened to get hurt in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurts.

in no other situation would it be appropriate for doctors to ignore pain. just because someone can break their wrist and not feel it doesn't mean no one should receive pain meds for a broken wrist. it just means that particular person was lucky about it. it should not define treatment.

in the comments of videos about IUDs, literally thousands of people report agony. blinding, nauseating, soul-crushing agony. they say things like i had 2 kids and this was the worst thing i ever experienced or i literally have a tattoo on my ribs and it felt like a tickle. this thing almost killed me or would rather run into traffic than ever feel that again.

so it's either true that every single person who reports severe pain is exaggerating. or it's true that it's far more likely you will experience pain, rather than "just a pinch." and yet - there's nothing fucking been done about it. it kind of feels like a shrug is layered on top of everything - since technically it's elective, isn't it kind of your fault for agreeing to select it? stop being fearmongering. stop being defensive.

you fucking needed yours. you are almost weirdly protective of it. yours was so important for your physical and mental health. it helped you off hormonal birth control and even started helping some of your symptoms. it still fucking hurt for no fucking reason.

once while recovering from surgery, they offered you like 15 days of vicodin. you only took 2 of them. you've been offered oxy for tonsillitis. you turned down opioids while recovering from your wisdom tooth extraction. everything else has the option. you fucking drove yourself home after it, shocked and quietly weeping, feeling like something very bad had just happened. the nurse that held your hand during the experience looked down at you, tears in her eyes, and said - i know. this is cruelty in action.

and it's fucked up because the conversation is never just "hey, so the way we are doing this is fucking barbaric and doctors should be required to offer serious pain meds" - it's usually something around the lines of "well, it didn't kill you, did it?"

you just found out that removing that little bitch will hurt just as bad. a little pinch like how oral contraceptives have "some" serious symptoms. like your life and pain are expendable or not really important. like maybe we are all hysterical about it?

hysteria comes from the latin word for uterus, which is great!

you stand here at a crossroads. like - this thing is so important. did they really have to make it so fucking dangerous. and why is it that if you make a complaint, you're told - i didn't even want you to have this in the first place. we're told be careful what you wish for. we're told that it's our fault for wanting something so illict; we could simply choose not to need medication. that maybe if we don't like the scraps, we should get ready to starve.

we have been saying for so long - "i'm not asking you to remove the option, i'm asking you to reconsider the risk." this entire time we hear: well, this is what you wanted, isn't it?

#where's the word woman in this u might wonder if u suck #good news i am nonbinary and have a uterus so that is something that can happen #im also gender fluid tho which means im immune to certain psychic damage bc if u call me a woman i'll be like <3 okay <3 #writeblr #the tightrope of ''ppl need access to this''#and like also #''what the fuck is going on over there'' is like. so difficult as an activist #i was <3 punctured <3 during mine #and almost bled out on the table :) they didn't have anyone standing by bc it's ''just a little insertion''#so i started crashing and i vaguely remember apologizing for the fuss as i heard my heart rate monitor start going <3 tachycardic <3 #she wasn't even a bad doctor tbh #ps btw the reason i even HAD a heart monitor is that i have a genuine heart condition and they knew GOING IN that there was a chance #i'd crash on the table #like my heart just likes to do fun little tricks and <3 stop working <3 (i do not want to discuss the specifics ty i am okay im ontop of it #and they were like 'oh u will be fine' and then she did do a puncture thru my uterus . pop!#and im sitting there dizzy and feeling my heartrate start to drop bc it feels almost. beautiful. like. the whole ground just #woosh! out from under you. and shit is like grey's anatomy. i'm looking up at her grey eyes #she's old she wears this nice shawl she's like got Cool Lesbian vibes and people are sprinting into the room #from other parts of the clinic unrelated to me. while the monitor is like a little aria singing #and shes like hey youre okay stay awake stay with me something went wrong we have to keep trying #and i remember thinking - i was trying to think of nice things. i have so many beautiful places that now overlap #with this terrible memory #i became dimly aware that there was too much on her wrists and hands. like #that was too many liters #and then when they had finished all this. i packed up and drove myself home #i have had (bad thing) happen to me. and the same feeling happened after #that numb almost lamblike bleating. you cry without noise. like. ur body is so shocked and ur mind so empty #you just stare at the road and everything everything is happening behind glass and static and you are standing so far away from it #while you hold ur hands at 10 and 2. and something in ur brain is SCREAMING at you - IT WAS BAD AND IT SHOULDNT HAVE HAPPENED #and ur just watching the alarms in your body going off and youre thinking. a little pinch! ha. i think i just lost something important.

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poorly-drawn-mdzs · 3 months

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Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4 (soon))

#poorly drawn mdzs #mdzs #lan wangji #Yungmeng Jiang training arc AU #I wanted to try out a different paneling style for this one - sorry I'm a day late! (there will still be a post tomorrow to keep on track)#The original 3 panel comic idea was fine but the point of this new schedule was to take time to push myself a bit more.#I was taking a look back through some comic artists I felt inspired by #and I really loved how Lynda Barry fills her gutters with patterns and doodles!#Obviously I'm not going as absolutely wild with it as she does but it was a great exercise!#I truly think the gutters are the most important and most overlooked part of any comic. There's lots going on in that space.#It's the same with timeskips. The implied movement between moments that we don't see changes depending on how wide that gap is #You're here for the funny tags so here's some that ties this time talk together:#I think LWJ was thinking about that second note from day 2 but it took him 7 days of hazing to commit it to paper.#I think he sends it a day later and immediately regrets it. Chasing down the messenger and everything.#You know if something actually happened to his brother he would never ever forgive himself for putting the bad vibes out there.#Third time skip was the hardest because there was so many possible flavours of jokes here. Day 8/9 was a personal favourite.#day 14 was also funny (week by week). I think the debate on 'how long does lwj take to catch feelings' is more or less:#'how long does it take for him to arrive at a particular stage of grief and yearning (and awareness of it all)#This is a symphony. There is an act by act structure. Every day he is fighting to keep his old sensibilities. He is losing so badly.#(I'll be returning to the main comic soon but there is more of this AU to come!)

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somegrumpynerd · 21 days

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Thinking about how Nightmare has 4 mortals and 3 of them are so so bad at taking care of themselves

#UTDR #UTMV #My Art #Truce au #Killer Sans #Dust Sans #Cross Sans #Horror Sans #Nightmare Sans #''I don't feel like drawing a bunch I'll just do a quick silly doodle'' sits up until 1am finishing this #But this is about their bad habits not mine so #Killer and Cross are the worst offenders for sleep but they're pretty managable #Dust is the worst for food but Horror can coax him into enough food to get by #Horror was - for a short time when he first joined - Nightmare's clear favourite #Because he would actually ASK for things when he needed them #(Not that his joining didn't have problems of it's own but y'know #Nightmare was starting to expect it at this point)#I should ramble for 10 pages about the boys joining the gang someday #Not now cause I'm going to bed but y'know #Anyway goodnight gang!

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confessedlyfannish · 24 days

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Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true?#clockwork: ...#also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

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tubbytarchia · 3 months

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I don't know what this is all I know is that LimL Joel makes me really emotional

#I know he has a tendency to go deranged on his red lives but idk something about him beginning to lose it after Jimmy died and killing Grian #joel smallishbeans #smallishbeans fanart #trafficblr #Again its his red life shenanigans but... If only Jimmy had known how affected someone was by his death. I'm choosing to believe this #and him then going out like a sad pathetic wet cat even with Grian's sacrifice... He really deserves a win one of these days lmao please #Also I cant stop thinking about how Jimmy wouldn't have left him. Grian was sensible to and most players probs would have #Joel really does become a lost cause so its fair and Grian did still care (and went to say goodbye as well as sacrifice his time for him)#But Jimmy would have stuck by even if Joel were in this state (and they'd both get themselves killed pathetically but)#And Joel having shown such genuine care for Jimmy and concern over his limited time... man anything w Jimmy makes me so emotional lol #I love them so #oh Ig about the art itself. I dont like it but hey thats how it tends to go when you try smth new. And no shame in trying #but if one person likes this then yayy I will still feel accomplished and happy #Im looking at this again and hey its not that bad actually yay I love to approve of my own art. self love hell yea #tubby art

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ohhgingersnaps · 11 months

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I'm seeing some frustration over fandom creatives expressing anger or distress over people feeding their work into ChatGPT. I'm not responding to OP directly because I don't want to derail their post (their intent was to provide perspective on how these models actually work, and reduce undue panic, which is all coming from a good place!), but reassurances that the addition of our work will have a negligible impact on the model (which is true at this point) does kind of miss the point? Speaking for myself, my distress is less about the practical ramifications of feeding my fic into ChatGPT, and more about the principle of someone taking my work and deliberately adding it to the dataset.

Like, I fully realize that my work is a drop in the bucket of ChatGPT's several-billion-token training set! It will not make a demonstrable practical difference in the output of the model! That doesn't change the fact that I do not want my work to be part of the set of data that the ChatGPT devs use for training.

According to their FAQ, ChatGPT can and will use user input to train itself. The terms and conditions explicitly state that they save your chats to help train and improve their models. (You can opt-out, but sharing is the default.) So if you're feeding a fic into ChatGPT, unless you've explicitly opted out, you are handing it to the ChatGPT team and giving them permission to use it for training, whether or not that was your intent.

Now, will one fic make a demonstrable difference in the output of the model? No! But as the person who spent a year and a handful of months laboring over my fic, it makes a difference to me whether my fic, specifically, is being used in the dataset. If authors are allowed to have a problem with the ChatGPT devs for scraping millions of fics without permission, they're also allowed to have a problem with folks handing their individual fics over via the chat interface.

I do want to add that if you've done this to a fic, please don't take this as me being upset with you personally! Folks are still learning new information and puzzling out what "good" vs. "bad" use is, from an ethical standpoint. (Heck, my own perspective on this is deeply based on my own subjective feelings!) And we certainly shouldn't act like one person feeding a fic into ChatGPT has the same practical negative impact, on a broad societal scale, as a team using a web crawler to scrape five billion pieces of artwork for Stable Diffusion.

The point is that fundamentally, an ethical dataset should be obtained with the consent of those providing the data. Just because it's normalized for our data to be scraped without consent doesn't make it ethical, and this is why ChatGPT gives users the option to not share data— there is actually a standardized way (robots.txt) for website servers to set policies for how bots/crawlers can interact with them, for exactly this reason— and I think fandom artists and authors are well within their rights to express a desire for opting out to be the socially-respected default within the fandom community.

#maybe this is an ice cold take but i've been meaning to go off about datasets for a while so here we are i guess #i can respect what op's frustrations were and what they were trying to get at! but also i do not want my fic in chatgpt's dataset #regardless of whether it will make a practical difference #and again i don't think the people doing this are necessarily bad actors or having a huge negative social impact #chatgpt #chat gpt #ai #fandom #negative #(possibly! i'm trying not to be!! especially because this is very feelings-based and there are many things i am not considering)#the model may not demonstrably change because of your fic. but it does have your fic now and that does matter maybe idk

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yeyinde · 19 days

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Outlaw!Price, the enigmatic leader of the notorious and deadly 141 gang, who stumbles upon you one evening near the stables (attempting to steal the mare he had his eyes on, no less) as you try to sneak out of the city (and away from the awful, awful man you're supposed to be married to in the morning), and decides to help you get away.

But if you think it's altruism that's making him lend a helping hand to a stranger, you're wrong. In this life, he knows it's kill or be killed.

And most importantly:

finders keepers.

“How's this,” he begins, and everything inside of you screams to run. “I'll accompany you across the desert. Get you somewhere safe.”

“Out of the goodness of your heart, I'm sure,” you sneer, edging backwards. “As if I'm dumb enough to believe that.”

“Can't leave a maiden—” your scathing hiss makes his lips twitch beneath the thick moustache; “—all on her own like that. I know these parts like the back of my hand. No harm will come to you. That, you have my word for.”

“And what's that worth?”

He dips his chin. “Far more than you could imagine, love.”

You swallow. “I don't know. I don't trust you—”

“Smart,” he nods, drops the cigar on the ground before snuffing the end out with the heel of his boot. “But I ain't very patient. Better make up your mind quickly.”

“Well, in that case—”

“But," he cuts your scoff off with a low hum. "I'll put it this way for you: do you want me to be the one to accompany you across the desert or the one they'll pay, handsomely, tomorrow morning to drag you back home, mm?”

“You scoundrel—! You dirty, rotten—”

“It's business, love.”

“I don't have any money to even pay you to—”

His eyes are searing when they catch on the threads of your lace collar, razing over exposed skin like he's owed the privilege. You've never seen such hunger on a man's face before.

Your skin prickles. Heart sinking low with each rasping sweep of his eyes across your body. It's as if you're meat. Something to be bartered with. Bargained.

The rasp in his voice makes you shiver. “You're a smart girl. I'm sure you can figure something out.”

“I—”

“I'll leave it to you, then, mm?” He starts forward, then, chin ducking low into his collar to stare down at you through the wide brim of his hat. Each thud of his boots echo against the floor in haunting harmony with the metal clink of his spurs.

More of his bulk is revealed as he steps out from the shadows and into the pale moonlight, and somewhere in your chest, the air becomes trapped.

He's huge. Bigger, now, where most of him blended in, almost seamlessly, into the shadows. A massive mountain of a man.

His shoulders seem to stretch the fabric of his vest and waistcoat taut, pulling sharply on the straining threads. The heavy brown of his jacket sweeps down to midthigh, the seam tucked behind the leather holster of his gun tied tight at his waist. The brass buttons of his dress shirt crease against the pull of his broad chest and barrelled stomach. The softness around his midsection speaks almost highly of a luxurious lifestyle—pure hedonism. The sort ladies back home whisper about. Violence, women, and booze—ruffians, the lot of them! But it seems to belie the power in his gait. In the flex of his thick, corded thighs bunching in the tightness of his denim trousers and the leather caps covering them.

He has the walk of a bear. Lumbering, sloven. A touch clumsy.

And yet—

The softness about him hides the raw strength under the thick pelt. Deadly. The slow, meandering trawl of a man who knows, unequivocally, that he needn’t run or rush anywhere.

It lodges somewhere inside of you. This knowledge, this fact. He'll outpace you in spades. Catch up no matter where you flee to.

Your stomach folds, looping over itself. It's nausea, maybe. And something else—

He's so big. Burly. Thickened like the strong trucks of ponderosa pine. A man cut from the wilderness; made in the likeness of the savagery of the wild. The brutality of the desert, of mother nature herself. Kin to the affinity this land seems to have in taking every ounce of a man and leaving him bereft in the face of the looming unknowns in the vast desert.

None of the men you've ever met before look like him. Grizzled. Hardened.

His scarred, tanned skin speaks of a life living outdoors. On a horse, on the run—hard work made with his bare hands. You think the softness, the callous-free palm that gripped your fingers tight in a vice, and can't help but to lean, just a little, into him. Drawn there, like a moth to a flame.

There's something about this man that makes you tremble. Something that curls inside of your guts. Something deeper, darker than fear. Primal. Animalistic. There must be something wrong with you, then. Most know to run from the predators—not move closer.

He comes to a halt less than an arm's length away from you, close enough that you can scent the heavy musk of him so thickly in your nose. Something purely masculine—loam, humus—and yet unfathomably different from the men you've known your whole life. Horse, and sweat. Sun. The headiness of riding nonstop through the sprawling deserts of New Mexico. Leather, and gunpowder.

The novelty of it all is enough to make you dizzy. And, as if to reinforce it, he leans down, the brim of his hat narrowly missing your forehead, and he rasps, guttural and dark,

“and I do expect to be paid back in full, love,” his voice is felled timber. Low, and firm. “Or you'll find you don't like the consequences very much. Am I clear?”

The unmistakable iron in it snags on the tendrils of your resolve, pulling messily at the threads. No escape. It winds tighter, tighter—

Still.

Your only other option is to stay here, and in the morning, marry a man who made it abundantly clear that the sole use he has for you is to rebrand a dwindling legacy (women ought to be seen, not heard, darlin’, and I think it's high time someone teach you that); or—

Make off on your own. Through the unmapped, untamed wilderness of New Mexico with nothing for protection except whatever you could reasonably steal away with uninterrupted, which. Isn't much. Not only that—this man, this outlaw, had made it abundantly clear that there would be a bounty on you come sunrise. One he'd be most eager to fulfil.

Rock, hard place. No escape.

You steel yourself, grappling with trembling fingers against the dwindling options in front of you, and offer a slow, jerking nod.

He heaves a breath in response. “Good choice, love.”

It doesn't feel very much like one. It doesn't feel very good at all, even.

In this little stable just outside of town, you sell your soul to the devil in New Mexico while the cicadas in the background scream through the ink black night. The sounds they make seem to ask,

what have you done?

#price x reader #outlaw price x reader #lil sneak peek under the cut because i feel bad for going mia forever #and!!!!!!!!!! burly husky outlaw!Price my beloved #he has a tummy and thick arms and ughhghghghghgh #listen #i'm not well #outlaw!price #this is so unpolished and raw but enjoy

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