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#initially when i said his story was very trans i was like ''well i only mean it as a metaphor this time''
lindwurmkai · 7 months
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anyway! transfem li lianhua: what's the verdict
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carrionhearted · 4 months
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Im gonna infodump about my ocs because I can’t stop thinking about them. This will be a book… One day. Read on with caution, this is a horror book with very dark subject matter and mild body horror.
There are two mcs, a closeted gay trans man (Eden), and a severely repressed cis gay man (Harlow). Both raised in a hyper-conservative hyper-religious Deep South town IN THE 80S.
Their story is about the deadly consequences of repression, the cycle of abuse, learned hatred and destructive coping mechanisms. Harlow grew up with an INCREDIBLY toxic father who drilled toxic masculinity into him (having feelings is shameful) as well as homophobia. He only ever demonstrated "solving" problems with violence. Harlow was never given the tools or space to unpack any of his feelings ever. So he grew up to become this repressed, horribly frustrated and confused adult who could not understand his attraction towards other men.
Being gay wasn't even a thought in his mind, it wasn't a possibility to him. His father constructed this impenetrable wall of “us” vs “them” in Harlow’s mind- and like a plant deprived of sunlight, he never grew tall enough to see over it.
All he knew was this gut-wrenching hunger, this insatiable craving for other men’s bodies which he couldn't place- something about the flesh, the warmth, he hungered for it in a way which became unbearable. This did not register to him as sexual, again, that wasn't even an option… but he didn’t know what it was. And when you don’t know how to process your own emotions, it all eventually turns into frustration/ rage. So he solved this problem in the only way he was ever taught how- with violence! He killed men, initially choosing those he deemed deserving of death, and he ate them. An attempt to satiate the hunger. This became a habitual thing and he just… kept doing it. Not because it brought him any real satisfaction, it just snowballed into an addiction and he needed his fix. His town caught on to the string of murders, but he was flying completely under everyone’s radar. We’re talking about a 6’ mullet-having yeehaw dude who’s generally reserved and works for his family’s farm, nobody was really looking at him here.
Important backstory tidbit: Harlow was taught how to hunt as a kid. His father took him on outings, which were maybe the only positive memories he had of that man- and they would hunt deer together. He was taught to always use the whole animal, never let anything go to waste- because everything is valuable.
Everything is a gift. “It’s only murder if you waste the animal” (this heavily influenced his later cannibal ways).
One day as a young teen, he found himself alone for a trip. That's when he was approached by this deer- it looked sickly, almost like it was rotting while alive (it had Chronic Wasting Disease). It was clearly suffering, made clear by its complete lack of survival instincts. It walked right up to his gun. It was in pain. He shot it to put it out of its misery, but he did not take the meat. What was he supposed to do? It was useless to him,, he couldn't eat the rotting meat, and despite that he still felt an immense guilt for leaving it behind. Killing, and just abandoning the body. It registered to him as murder. He carried that feeling of guilt with him for the rest of his life. He vowed to never discard a body again.
Eden is a trans man who knows he's trans, but is out to practically nobody during the story. He’s the youngest in his family, with four older brothers. His parents were NOT suited to be parents- they were self centred people who treated their children like accessories. The parents obsessively kept up this “picturesque good Christian family” facade to the world, but that became harder to maintain as they had more kids. They started having to cut corners financially, to the detriment of those kids. That said, every one of their children was planned. The reason they kept having kids despite their situation was because the mother wanted a daughter. Then, Eden was born, assigned female at birth. Since his birth Eden had been treated like a precious doll more so than a child- he was sheltered and only received direct attention from his parents when they needed to dress him up all pretty for Sunday service. There was an incredible amount of pressure on him to be what everyone wanted. He was also raised VERY religiously, all of which MAJORLY contributed to his inner-turmoil abt being trans. He didn’t even have a word for it, to be “trans”. Only this unmistakable discomfort, guilt and shame, feeling like something is wrong with him, feeling like god made a mistake with him. Again, conservative religious south, he has no space to explore these feelings safely. He's pushed it all down and let it fester inside until it started gnawing away at his very being.
A few years prior to the story, this began to manifest physically as a literal rot. This spot of decay on his chest that's been growing and sinking deeper into his body for years. Sloooowly eating away at him, on track to continue until there is nothing left to devour. By the start of the book it’s claimed most of the flesh on his chest- his ribcage is sparsely covered with any skin at all- and the organs beneath are made vulnerable by it. However, he is horrified to seek medical attention. He sees the rot as a marking of his sin, god has stamped his body with this ugly decay to let everyone else know he's defective.
He hides it beneath layers of clothing. Being on his chest, it’s in a place that only an intimate partner would ever see- considering he's perceived by the world as a "woman".
In a… complicated series of events involving ✨societal pressure and coercion✨, an "intimate partner" does end up seeing his chest (Eden is not clear minded when these events are taking place).
This partner reacts with repulsion and violence, to the extreme that Eden fears for his life. He kills the other man in self Defense. (This sequence alludes to the “trans panic” legal defense which is still permitted by many US courts. If you pursue someone intimately, don’t like what you see beneath their clothes, and you KILL THEM- you can claim “I panicked because I didn’t know they were trans” and get a lesser sentence. It’s bullshit and I’m gonna attempt to very delicately write this scene to highlight how bizarre and unwarranted the male partner’s violent response is. The rot in this instance is symbolic of the perceived defect).
In disposing of the body, he runs into Harlow. They find eachother in a (undecided) remote, secretive location.
You’ll never guess what Harlow is doing! Also disposing of remains (bones n guts), at the same place, face hidden while he does so. They have a mutual deer-in-headlights standoff. There IS an open case of serial murders in their small town… Harlow is responsible. Eden realizes this after a short exchange of stunned words, and totally breaks down. Heavy dialogue exchange, Eden feels completely defeated and destroyed by guilt, he just begs Harlow to kill him. Harlow responds by saying he only kills men (Eden is closeted and passes as a woman). This pushes Eden over the edge and he snaps, he shouts that he is a man, this is the first time he’s ever said it out loud. Harlow is… confused, but intrigued. He doesn’t want to kill Eden, but he’s not sure what he does want to do. He decides to knock Eden out… which he does very easily.
Eden wakes up in a different location. Some not so great smelling farmhouse of sorts. Harlow enters the room eventually and explains… “I disposed of that body for you, don’t worry about that right now. I bruised your head pretty bad when I knocked you out, sorry about that, I didn’t mean to use that much force. I made you some soup! It’ll help. The meat is pork. Don’t worry about it. Let’s talk. :3” They’re still both very unsure of each other but neither have much to lose (they also have mutual blackmail) so they start talking. AND BOOM
COMPLICATED SERIES OF EVENTS
ENSUES AND THEY BOND OVER SHARED EXPERIENCES, TEACH EACH OTHER TO UNLEARN THEIR TOXIC AND DESTRUCTIVE WAYS, HAVE A ROMANCE WHICH SERVES AS A VALIDATION ARC FOR EDEN AND A SELF-ACCEPTANCE ARC FOR HARLOW AND YADA YADA. They are both profoundly disturbed individuals who have done terrible things but the whole point is to hold a magnifying glass to their actions and point out HOW and WHY they fucked up. To condemn that path, the mindset behind it, and the people who carried on those abusive cycles before them. I want to thoroughly examine and chip away at the layers of external influence that lead these characters to their lowest life points- and reveal the truth beneath them. These were once children, full of love and openness as we all once were- the problem is larger than the individual, it’s a societal issue of passed down bigotry and stubborn refusal to progress. It’s a toxic cycle of violence with very real, very deadly consequences for all involved. The characters both do BAD things, that’s the POINT.
Important backstory tidbit: In Eden’s childhood, he found a baby bird fallen a long ways from its nest. It was hurt, and he brought it inside to a small cage. He figured the cage would serve as protection for the bird as it grew- it was so delicate, it needed the shelter. But that cage was tiny. He fed the bird, tried to take care of it and gave it all its base survival needs. The bird was offered food, water and a cage. But that is all. That’s all Eden was given in his home, he thought that meant it was enough. He watched it grow into a young dove, but as it aged it only got sicker. This bird was deteriorating before his eyes and he couldn't understand why- he feared it would die in that cage. As soon as it became old enough to fly, Eden made the decision to release the bird. It was sicker than ever, Eden knew it didn't have long. He knew releasing it would practically be a death sentence, but it was going to die soon either way. He did not want the bird to die in the cage.
When released, the dove didn't even know how to flap its wings properly. The cage was too small to stretch them out, it had never even had the chance to learn how to fly. It didn't know how to find food. It didn’t know how to identify danger. And on the next morning, Eden found that bird on the ground outside of his house, dead. It was being picked away at by a vulture.
Eden felt relief.
The bird had died. It didn't make it. But it brought him peace to know it didn't die in that cage. That bird had never known the love of its mother, or siblings, it had never known what it was like to be wanted and cherished. That role was left to the vulture, who had never turned away from the unsightly or damaged. It had swooped in with the unconditional love of an angel, and carried the dove off into the sky above- its stomach, a chariot to heaven. It was gruesome watching the vulture feast- but it had such a tender appreciation in its eyes. It kept the circle of life in motion. In a way, Eden found this ending happy.
Eden’s symbolic bird is a dove, Harlow’s symbolic bird is a vulture.
They both die at the end of the story.
They'd become very close over the span of it though- they resolved their issues together, but in doing that they found themselves further ostracized from the world around them. They backed themselves further and further away from the world, until they finally hit a corner. Their past destructive actions were also catching up to them- the murders that is, they ended up on the run from police. It all came back to bite them.
The rot on Eden’s chest had spread throughout his entire body, and it was past the point of no return. No medical intervention would help at this point. One night, after a close encounter with police left them both wounded- Eden and Harlow both realized that these were Eden’s last few hours.
His body was decayed and rotted, he was sick, he was injured, he was visibly suffering. He would die soon, it was inevitable. Harlow decides to put him out of his misery. But he couldn’t stand the thought of discarding the body. He didn’t want him to die unloved.
Reaching into Eden's exposed ribcage, Harlow removed his heart from his chest. He knew this would be a death sentence, but he was going to die either way. He didn't want him to die in the cage.
He ate the heart, rotting and tainted as it was, he saw every part of his lover as a gift. Nothing goes to waste, for every rotting animal there is a grateful vulture. One which will see your defect and cherish you all the same.
Is now a good time to address the name Eden? I feel like most people are familiar with the gay love = forbidden fruit and/or cannibalism = forbidden fruit metaphor… yk, the embrace of supposed sin, being arbitrarily kept from the sweet, nutritious fruit of the garden. Passing through the gates of Eden (ribcage again) and eating the apple (his heart).
:3 anyways
Harlowstayed with the body until he also died (unrelated wounds from the chase). Decades later they would be found as skeletons in an unmistakable embrace, none of the flesh which made people scorn them during their lives. They were seen as lovers then, and were finally understood.
ALSO ALSO SO SYMBOLISM RIGHT. RELIGIOUS SYMBOLISM??? REMEMBER HOW EDEN WAS RAISED AS HYPER-RELIGIOUS???
So cannibalism as a metaphor for QUEERNESS now. A craving for the forbidden flesh. To partake in another's body in the most intimate and fulfilling way. But living in a world that sees it as repulsive…
Right? You with me?
Ok and then the inherent divinity of transness. To partake in the act of creation alongside God, to resculpt yourself in divine image. Jesus was not simply born of genetic material (yk how transphobes love to say “blah blah blah you can’t change your chromosomes!!” Like… if we use that logic, Jesus is trans. He’d have XX chromosomes because... miraculous conception.
No sperm, which provides the Y chromosome, which creates a male body. BUT OBVIOUSLY THAT DOESNT FUCKING MATTER BECAUSE HES A MAN REGARDLESS!!!! JESUS WAS A DUDE!!!). He was created by WILL.
The will of god, a version of himself, to BE!!! Fully human, fully god, flesh and blood in an image he himself designed. Holy trinity being the same entity and all, Jesus’s body was his own design in a way.
YOU WITH ME???
OK
OKAY AND SO.
GAY CANNIBALISM… TRANS LOVER.
TO
TO PARTAKE IN THE BLOOD AND BODY OF CHRIST. THEOPHAGY.
THE ULTIMATE HOLY COMMUNION.
TO CONSUME YOUR LOVER AS AN ACT OF WORSHIP, CONVEYING YOUR LOVE FOR EVERY PART OF THE BODY THEY'VE GROWN TO DISPISE. TAKING A PHYSICAL PIECE OF THEIR LIFE INTO YOURS AND UNITING YOUR VERY BEINGS. UNCONDITIONAL AND ETERNAL LOVE, DESPITE ONE’S FLAWS.
TO THINK OF YOURSELF AS CARRION AND BE FOUND BY THE MOST GRATEFUL VULTURE.
A DEAD AND ROTTING GOD STILL BRINGS LIFE TO THE MAGGOTS WHICH FEED ON ITS CORPSE!!!
RAAAAAAAAAAAGH!!!!!!!!!!!!!!!
I’m unwell I’m unwell I’m unwell I need to actually get to writing this NOW
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thezombieprostitute · 5 months
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Music in the Air
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A/N: Written for Vee's Holly Jolly Challenge (@sstan-hoe). Reader is implied fem, "girls like me". No physical descriptors used.
Prompts: Bucky Barnes - My house, my rules. The Christmas music stays on.
Summary: You and Bucky discuss poinsettias.
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Bucky's arm was having problems. Again. In all the years he had the arm he never really got to understand how it worked. He could figure out how to fix a lot of things, but his arm wasn't one of them. That's why he was glad he had you to turn to. You had quickly become his go-to engineer in the Avengers Tower. You were a rare and delightful combination of "not afraid of him" and "not overly friendly". You would smile, but let him initiate the conversation when he wanted.
At least, normally you were his favorite. Ever since December started you only every played Christmas music in your lab. He was still trying to get used to how much the holiday had changed and the music was, well, a lot. Especially when you were always listening to some kind of heavy metal Christmas music and he had only ever heard Christmas music sung a capella or maybe a church organ.
"Do you really need to listen to that music all the time?"
You smiled while working, "I did the respectful thing and waited until December before I started listening."
"Yeah, but it's just so..." he struggled to find the words.
"Non-traditional?"
"Jarring."
"Well, Sergeant Barnes," you reply, setting your tools down, "My house, my rules. The Christmas music stays on. However, I am willing to switch it for something that's maybe a little more your speed."
You walk over to your laptop and open up your playlist. It takes you a minute, but you finally find the song you're looking for and press the play button. As the speakers sing a lighter, slower tune, you turn back to Bucky, "you should be grateful. I don't turn off Trans Siberian Orchestra for just anyone."
Bucky blushed as he smiled, listening to the song. It was very different from what you had been listening to. For a start, there were lyrics. They told the story of a poinsettia named Percy and how had been overlooked and abandoned but grew and shone when given love. He almost smacked himself for having empathy for an imaginary plant.
To distract himself he said, "I'm surprised you like this song. It's so different from what you were listening to before."
You smile and respond, "it's a childhood favorite. This song just really hit my heart in a way no other Christmas song did. It stuck with me so much that, even in college if I saw my flowers for sale that were wilting or on their last legs, I'd buy them. Just to make sure they had love before they fully wilted."
Bucky looked at you with a softness in his eyes before you shook your head, "I know, it's stupid. I was an adult, I should've known better but some things just stick with you, you know?"
"Yeah," he whispered. "I know. Did you stop buying flowers because you kept getting them from dates or something?"
You chuckle, "I stopped because I had to prioritize my budget. I can't remember the last time I had flowers in my apartment. But thank you for the compliment."
"What do you mean? The guys you date don't give you flowers?"
"Girls like me don't get dates, Sergeant. I'm not whatever enough for guys to ask me out. Whether it's my size, my intelligence, my hobbies, there's just always something that keeps guys from asking me out, let alone bringing me flowers. But, again, thank you for the compliment."
You set down your tools and start putting them away, "your arm is all patched up. Hope this fix lasts you at least through the end of the year. I've got a lot of projects to finish up before the end of the year so I might not have the time to take care of you."
"You're not staying here for Christmas, are you?"
"I am," you nod. "My family celebrates holidays on days that aren't the day of so that we can avoid traffic and last-minute shoppers. So I set up an office lunch for the people who either don't celebrate, have nowhere to go, or whatever other reasons. Mr. Stark has been very generous with the budget for that."
"I'm glad you won't be alone on Christmas," he gives you a gentle smile.
"How about you," you ask. "You're welcome to join us if you'd like."
"Sam is insisting on taking me to Louisiana," he replies.
"Good," you assert. "I'm very glad you also won't be alone on Christmas."
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You really shouldn't have been surprised to see the poinsettia on your desk the next day. There was no note, but you suspected. It wasn't very big and it had started wilting, but you loved it nonetheless. You gently hugged the plant and promised to give it the best of care for as long as it needed. After a week it was like a brand new plant, bright and strong. Doesn't hurt that you asked the biolab techs for help and resources.
It made Bucky's year to see how big your smile was, watching your poinsettia grow and how much you clearly loved it. It took him a while after to gather his courage and ask you on a date but your quick "yes" reassured him. Neither of you would ever be alone on Christmas.
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aswegoalong72 · 4 months
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As We Go Along FAQ
Who are you?
I don’t like to put my name on the internet, but you may call me GB; those are my initials! I’m 24, chronically ill, and gay + trans. I have a girlfriend, three cats, and like to cook and clean when I’m not working on this novel series! I do art as well, although my condition usually prevents me from doing too much. I follow from @tolbachik, and my art blog is @tolbachik-art. (More about the novels under the cut!)
About the novels
What’s the story about? As We Go Along is a multi-novel series documenting the history of the Lyratet, and their history from the discovery of a safe passage to the northern hemisphere of their homeworld, to the eventual settlement of the galaxy.
So, science fiction? Yes, although I try to keep it as realistic as possible. No warp drives, no replicators, no energy swords; just good old regular physics and technology! Expect relativistic travel between stars, quantum computing, fusion power, and O’Neill cylinders as the most advanced stuff you’ll see. What even happens in it? A lot! I try to portray day-to-day life, with less of a focus on the science-y side of things and more on personal interactions and character growth. Ultimately, it’s about finding your place in the world and universe, and loving one another.
How many books are there going to be? One collection of short stories, three “prologue” novels at about 72k words each, with three larger novels following them and one last short story collection. Originally, it was going to be a stand-alone with only one book (the book I’m currently writing), but I’ve since expanded the universe very heavily. There’s a lot to explore!
72k word prologue novels? That’s already a lot! How many words will the regular novels have? At least 200k each, if not more. This is a saga, documenting their entire history and every little detail in it. It’s going to be a lot, but chances are I will cut the larger books into halves for easier readability, and to not deter people from getting into them. Still up in the air, really!
When can we expect to read it? When it’s done. I’m chronically ill, so it takes me awhile to get even typical household chores done, let alone a book! That being said, as of 1/1/24, I’m close to halfway done with the first book. I will be starting the prologues when I can, at which point I will start releasing them slowly. That way I have time to get the others finished!
Are there any other aliens in it, besides the Lyratet? Yes. I won’t elaborate further, though; I don’t want to ruin any surprises! Is it gay or trans? I mean, I guess? The gender binary on Reyal doesn’t exist in the same way it does here on Earth; “male” and “female” are very loosely defined. Physically, the only difference between the sexes is genitalia and a bit of height/face shape. On top of that, being equal to one another is an important part of life, so there’s practically no discrimination for relationships not following traditional “male/female” as on Earth. The author (hi) is gay and trans, so I guess if you count that too, yes.
What kind of “read” is it? Slow. I focus a lot on worldbuilding and character development. The Lyratet live a slow-paced life, and as such, I wish to reflect that in my work. I do try to keep it entertaining and interesting, though.
Is it family friendly? Yes and no. I would give it a PG/PG-13 rating, personally. It covers some very dark topics, like cults committing terrorism, some heavy violence, swearing, and there is some drug use. On the same note, there aren’t any references to sex really apart from a couple maybe wanting to have a child together. I’ll have a comprehensive list of warnings once I go to publish it!
Can I read it early? No. I will need beta readers at some point, but I won’t release any early versions to the public until it’s ready.
Where does the name "As We Go Along" come from? This Monkees song! I feel it describes the whole feel of the project very well. I have playlists for the story, but I'm going to refine them more before I put them out here. Where does "72" in your blog title come from? You'll see :)
What inspired you? Silent Running and folk music from the 1960s/1970s! Also, The Millennial Project by Marshall T. Savage.
About the Lyratet
Lyratet? Lyrat? Which one is it? Lyrat is singular, like human. Lyratet is plural, like humans. This is in Trel, a diplomatic language made to facilitate goodwill between nations on their homeworld, Reyal. Pronounced lee-raht, lee-raht-ett. Lyrat stands for child, as in “Child of Tenav” (Tenav a Lyrat), and Lyratet is “The Children of Tenav” (Tenav a Lyratet). “The” is usually defined by the suffix “te” in Trel, but the word Lyratet is special in this case.
Who are the Lyratet, even? They’re a cold-loving, communalistic, and herbivorous race from a planet slightly larger than our own, orbiting a K7V class star some 41LY away. They’re also incredibly religious. What conflicts should I expect to see? On Reyal, warfare isn’t very common. Religious wars died out centuries ago, primarily due to both sides not wanting to lose any followers before reaching “salvation”, whatever that may mean to them. Slaying one another is considered exile worthy, since they’re descended from prey animals. Keeping together and keeping each other safe is above all else. Nowadays, conflicts are settled through heated debates and international court.
I mean like, conflicts in the book. Man vs. nature for the first four including the prologues, man vs. man for the last few books. Of course, it isn’t just all that; conflicts between people will arise.
Can I make my own Lyrat character? Give me time to make a comprehensive historical timeline and get some reference sheets, but yes. I won’t consider them canon, but you do you! Just don’t like, claim the entire race concept as your own or sell designs based off it. Typical stuff, y’know?
I don’t think herbivores can become civilized. What’s your explanation? Starchy, fast growing, calorie dense tubers. That, and their social structure and their early languages helped to keep them safe from predators. If you ask them, though, they’d probably say Tenav, their star, guided them.
Why are they religious? Are you? Surviving the early days of civilization wasn’t easy, and they made sure to thank whatever powers they believed in (mostly Tenav) for making it through the day. Since then, their religious fervor has grown heavily. Atheists are in the minority, with only ~700,000 out of Reyal’s surface only 2024 population of ~13,000,000,000 not believing in anything. Also, no; just agnostic. Three eyes? Why? That's overdone! I will be honest, the Lyratet are based off of a design I got yeaaaaars ago from a friend, @bubbykat! I've tweaked it a bit since then, giving reasons as to why they evolved like that. Reyal has many, many fearsome predators. Through evolution, they took up an extra eye in the center of their head, giving the impression that they were more dominant than they actually were. It doesn't move, and is more vestigial than anything.
What’s Reyal like? Reyal has no seasons, and is divided into three “bands”; Northern Hemisphere, Equator, and Southern Hemisphere. It has a 33 hour long day, two moons, and a thick atmosphere. It isn’t tidally locked to its star, and has an orbital period of 3.27 months. It’s about 1.28x the size of Earth. It's dominated by numerous freshwater and saltwater lakes, with only one major ocean in the Southern Hemisphere. There are large cyclones above both poles, where the temperatures regularly drop to -153f on the surface.
If they don’t have seasons, how do they keep time? Nowadays, they use Tenav’s solar cycle and pulsars to keep time. As of 2024 in the Gregorian calendar, it is 23,514. It adds up as follows: their first cultures emerged 231,388 years ago, they count in base 8, and the average solar cycle of Tenav is 23 years long. So, it all adds up to the current date being 23,514! Still working on how to subdivide it.
What other objects are in their system? Order from Tenav is as follows: Syt, Inner Belt, Kouteb (dwarf), Omat (dwarf), Reyal, Alkan, Olena, Lejag, Outer Belt.
Reyal has two moons; Ro and Velgae. Alkan has one, Fel. Olena has six major; Heva, Thrallit, Eynaje, Selex, Lipeya, and Prasto.
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vypridae · 4 months
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HOPE YOUR HEAD FEELS BETYER!! HEADACHES SUCK
anywayys requesting mori or tecchou or fyodor for the character thing [or bc you don’t need to do all of them pick and choose <3]
DOING ALL OF THEM i cant do the doodles i dont have the motivation for art rn i lied about that BUT ILL DO ALL THREE OF THEM
under a cut because these got LONG
MORI
first impression
honestly i think when i first met mori in the anime i was like oh hes sweet i like him . then it was the whole "woah port mafia boss!!!!" thing and i was like oh hes sweet and deadly i like him .
impression now
i love him soo much did you know. hes so fun hes just a silly guy . silly !!!
favorite moment
honestly the moment (from the manga specifically) thats stuck with me the most was the frame that he like, put tachihara's hd hat on his head and was like "you dropped something" it just STUCK with me
outside of canon manga stuff tho i love the little intersection in wan ep 11 that hes like "WHAT DID YOU SEND ME DAZAI ... THESE ARE ... SCARY!!!!!" like hes just so silly i love him
idea for a story
genuinely i do not think about story ideas enough to have a solid one for him but if it counts i often think about him accidentally stealing one of fukuzawa's scarves from That Era i forgot how old he was at the time . and then just keeping it . and fukuzawa finds out somehow . i love them shut up
unpopular opinion
uhhh liking mori in general FSJKHASJKHASFJKG like have you seen this fandom . 99% of the people here fucking hate mori with a passion . and just liking him is super controversial . aside from that though ive seen analyses (tending to be like "mori and pedophilia" or something along those lines) and honestly they make me feel like hes just being really uuuh whats the word. really abstract with how he says things i guess? like one in particular i remember was a word in the original manga (jap) and he said a word that means both "wife" and "thing by my side" or something like that, when theres so many different words he could have used if he wanted to be Creepy specifically. idk theres my mori opinion its so controversial i know block me if u'd like but i love him
favorite relationship
HAHA zskk . easily . love those dumbass gayasses
favorite headcanon
uuuuuh . probably trans mori honestly FJKHASDFGHADFG maybe im biased (trans) but like ... idk i am very biased about this
TECCHOU
first impression
genuinely when i first met all of the hunting dogs i forgot all of their names immediately . as chapters went on though i think the two main things i remember thinking "hes adorable" and "hes in love with jouno 100%"
impression now
i . love him . so much . he is the silliest little guy ever and hes also me . also hes still in love with jouno btw
favorite moment
every one of them /j no but fr in specific i love the ant scene (it was one of the only ones i remembered from the manga after i read that chapter i think), the justice speech / kenji fight (GOD hes so cool) and when he gets hit by the car (that was THE FUNNIEST ever)
idea for a story
oh my god okay so imagine jouno is sick and tecchou is taking care of him . that is all
unpopular opinion
i dont actually think i have an unpopular opinion for tecchou . at least not one that i can think of???? like with tecchou i think most of my hcs line up with how a lot of the fandom talks about him
favorite relationship
EASILY WITHOUT A DOUBT ITS SUEGIKU OH MY GOD
favorite headcanon
he can cook !!!!! he can cook really well and i like to imagine even though he refuses to eat anything thats not the same color he likes cooking stuf he knows jouno likes and doesnt force him to eat any of his "weird" food combos because he knows jouno doesnt really like stuff like that so he cooks how jouno likes for jouno and how he likes for himself . UAHUAUAHGUA
FYODOR
first impression
i think i initially went "oh my god" when i saw fyodor . fell for him IMMEDIATELY and also initially hated fyolai???
impression now
still falling . now love fyolai . improvements !!!
favorite moment
YES. /j
in all seriousness, some of my favorite moments with fyodor are uuh
the dead apple scene where hes on the rooftop and goes "this is too much fun :)" because i think honestly that scene made me fall SO HARD . also he just looks really pretty there dont question me
time for happy group counseling hour !!!!!! hmm? hi everybody im your host fyodor dostevsky- okay hold up stop right there. whats the problem? exactly, what? exactly what what? ooooooooh . life counseling . < that whole scene
ALSO THE THE THE the tHE . WHERE HE KICKS NIKOLAI'S BOOMBOX IN THE MANGA. HSE SO MEAN I LOVE HIM
idea for a story
oh my god. ok so basically . connected oneshots but one member of fyosiglai is individually insecure for some reason and the other two are like FUCK NO YOU ARENT and love them and cherish and praise them until theyre like oguhgug
unpopular opinion
hes pretty i LOVE HIM hes SO PRETTY ive seen HUNDREDS of people say hes UGLY hes SO NOT UGLY i LOVE HI
(in all seriousness, ive seen a lot of people say he'd be like, an abusive manipulative awful husband / boyfriend / whatever, and i literally just cannot see that happening . like, i feel like he'd want the perfect world FOR his s/o, he fell for them for a reason sort of thing . idk maybe i just love him but hgjkahfjkahdfjk)
favorite relationship
fyosiglai. or fyodor and me /j (/hj)
favorite headcanon
UUUUUH UH UH UH UH UH OH MY GOD I HAVE SO MANY HCS ABOUT HIM I LOVE HIM hes a cat person thats one of my favorites . if there is a cat on his lap he will not move
i also love the idea that he cannot for the life of him play horror games because he gets jumpscared and screams and he HATES that bc "vulnerability bad" (nikolai likes when he plays horror games anyway he thinks its funny when he gets jumpscared and screams really loud)
actually scratch that . fyodor is just bad at video games because i love that idea . hes good at logic games but when it just comes down to "survive!!!" or "do this objective" or something i love the idea that hes just Dog Ass at it
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maleyanderecafe · 1 year
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Cannibal Sweetheart (Visual Novel)
Created by: Vomitalgia
Genre: Horror
As it stands now, the demo itself is very short, with only two possible endings, a "good" ending and a "bad" ending. I actually do think this one is pretty unique as a premise, as it revolves around the MC attempting to find a new heart replacement in the deep web. The creator @cannibalsweetheart is actually planning on making a couple other games with all sorts of yanderes, so if you are interested in what this creator is making, you can always look there. This is an r18 vn, so it has and will have things of those topics.
The story starts out with the Comida getting some terrible news about their health, stating that their heart will stop working after a couple months. The new heart is far too expensive for them to afford, so they try to find other ways to gain this money. While looking into the deep web for ways to gain money, they stumble upon an organ store. The Comida gets a call from Casanova, the one who runs said store, and promises them a heart if they go on a date with them.
Accepting the date (because they literally have nothing to lose anyways) will cause Casanova to be very happy. The next day the Comida gets an excited call from their friend Parasite, who is really excited about it. If Comida does tell Parasite about how they met, they seem pretty concerned about it. Comida comes to meet with him in front of a pharmacy. We learn that his name is Casanova and he flirts with Comida as the two of them go inside of the pharmacy. Casanova seems to know what kinds of things Comida likes because of his stalking tendencies, something that Comida finds annoying. They talk to Cyanide at the counter, the person who generally gives them their beta blockers. The two have a pleasant conversation at least until Casanova comes by. Casanova mentions the two of them are on a date and the two of them bicker against each other. Cyanide warns Comida to be careful around him before the two of them leave. Casanova complains about Cyanide to which Comida can agree or disagree before Casanova drags them to the graveyard to continue their date.
On the other hand, rejecting either the initial phone call or date will cause Casanova to break into their house. The Comida tries to ward them off, yelling at them, but it's too late. Casanova pins and kills them, eating them as they die and cry.
Like I said, there's not a whole lot going on in the visual novel right now, but I do like the idea of the game so far. It gives the Comida a more desperate reason to try anything to stay alive, or make them so apathetic that they wouldn't care at all since they will die anyways, which can make for a rather versatile MC. Casanova (at least in the blog) seems to be a relatively openly affectionate person, (as well as a sub which I always have to mention, lol). He's also a trans yandere, which is always fun to have. We don't have a ton on what he will be like in the game, other than he can be very violent when he wants to, has a bad relationship with his mother, all things which I'm sure will be mentioned in the real game. As for the other characters in their own separate games, it is kind of interesting see what they are like, with one coming from a divorce and the other who is more of a tsun-yandere. The art style is a bit stringy (just an observation, not really a criticism or anything) but I think it does a good job with the more horror aspect, especially since the Comida and Casanova must go through more dubious efforts to be able to get what they want. In the updated demo, the Comida also sees that a lot of the donors on Casanova's websites were people that they knew, probably alluding to the fact that Casanova has been tailing them for a while now as well as the fact that he knew what kind of drinks that Comida liked. I'm curious about the relationship between Casanova and Cyanide since they seem to despise each other. It also seems like Parasite has an idea of who Casanova is as Comida was warned twice by two different people to be careful. I'm surprised Casanova is a lot more flirty than I thought he would be, though I suppose it does make sense given his name. Cyanide and Casanova's designs are cute though I have to say.
The MC in this game is pretty interesting too, having a heart condition to deal with, which makes their more snarky attitude a bit more justifiable and why they would go on a date with such a shady character. From what we see in their room, Comida is more of a gothic person (alt? I'm really bad with styles) and based on their conversation with Parasite tends to be a bit more lax in their life in general. It's nice to have a bit of character with MCs in games.
I am curious to see what will happen in this game. As of now, while there isn't much, the premise at least seems very unique and something that I feel would be good horror. Considering it does go through more dark avenues with the black market, cannibalism and murder, I am curious to see where the game will go.
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izzyeffinhands · 6 months
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The only Facebook group I feel safe in as an Izzy Hands stan is Our Flag Means Daddy.
Even though I am apart of the two main groups as well, i.e. Our Flag Means Deathposting, Our Flag Means Fans, I do NOT feel SAFE. I see the wildest and hottest fucking takes in these groups and they piss me off. Are you even watching the same show? I’m also sick and tired of people calling Izzy a villain when he clearly is not. Also there are many that don’t recognize he’s gay, even after season 2. If you voice you’re upset and betrayed? You get attacked. I was again last night.
I guess I’m a proud Izzy “apologist”, but it fucking baffles me how fans just give Ed a pass on all the brutal things he did. Oh but the love story—- NO. Recognize you’re an Ed apologist as well. I like both Ed and Izzy, but I recognize the horrifying things Ed did.
The day of the finale, I posted my thoughts on various social media. I got attacked. I got messages even on tumblr from anon cowards who I imagine followed through Twatter. I was called the t slur. That I was stupid, fat, all sorts of things.
It’s because I said I’ll never trust David Jenkins again. Now, do I have my own thoughts as to whether parts of the finale are a dream state/gravy basket that Stede himself is in? Absolutely. But let’s dive into why I was especially hurt.
First off. I am disabled. For those who know me, I’ve also had two leg surgeries and my injury has ruined my life. So seeing Izzy with a false leg, as a disabled character, still being badass? It felt good. It boosted my confidence for me to keep going. I had so much metal in my leg it caused pain that left me bedridden and using a wheelchair and cane. Many a time I wish they’d chopped my leg off.
I see a lot of myself in Izzy. I swear, he has the traits of an Aries with his anger and intense emotions. This man feels deeply for those who cares for, even though at first this seemed to just be Edward. Despite the hardened shell, he’s a romantic at heart. I’m very much the same.
That hardened shell is also a form of masking to me. In my opinion, and in my own headcanon for this roleplaying blog, Israel is neurodivergent and suffered sexual assault on ships when he was young. It’s part of the reason he has bowel issues. He had to force himself to put on that rough motherfucker mask in order to protect himself. I was bullied mercilessly in school. When I started middle school, I decided to align myself with the “bad kids” as a form of protection. Guess what? Part of myself was masking I was a bad ass, part of myself became the badass I was masking to be after years of torture.
Also. I am transmasculine. I’m pre-HRT. But to me, Izzy is very transmasc coded. This was even confirmed by Con himself when a transmasc fan at Supercon brought the conversation up. I’d just like to say again how much I adore him for supporting the trans community, particularly transmascs who often are glanced over.
Then David Jenkins, a straight man, that swore he wouldn’t fall into the kill your gays trope did exactly that. So let’s exclude here the thought that this is possibly a dream state, or even that he might be resurrected by Buttons as a zombie or ghost which I fucking hope not. We’re talking about my initial feelings. Now it felt like they were setting him up to be killed but I said oh no Jenkins wouldn’t do that to us. He promised he wouldn’t.
Guess what?! He fucking did. Not only that, he murdered off the disabled, gay, transmasc coded character after giving him the most beautiful character arc of any character on the show. You can have a gay pirate rom com, you can understand some characters can get hurt, but killing someone as a means to advance plot? Fuck you. Also, the fact that Izzy apologized to his ABUSER?! As if the victim blaming and shaming wasn’t enough for Izzy Hands, which I see plenty of still, that’s fucked up on so many levels.
So to me I watched a version of myself be murdered. It hit me in the hardest way imaginable. I cried for days. I’ve never been so attached to a character in my 38 years of existence. I’m sick and tired of people saying they like his redemption arc. Izzy never needed redemption. He just needed one, single, person to tell him that he was loved and cared about.
So voicing that I felt betrayed and that I no longer trust Jenkins got me nothing but vitriol. Then toward the end of the day, he made a tweet about how there’s no version of the show without Izzy and had the comments turned off. He knows what he did. And then in the FB groups, if you dared say you were upset that day, requoted Jenkins, you’re a horrible person? Right. I didn’t start attacking the writers. I just said I’m betrayed and I can’t trust what I thought was my comfort show. Because of that, I got hate.
As much as I’d like to believe Izzy will return, the interviews David has done post season 2 talking about his character give me little hope. It’s like he just stabbed every fan in the back. Id like to think the rushed finale is really a dream sequence or gravy basket deal. Id like to think that Izzy will come back thanks to Buttons. But now I just don’t trust David Jenkins.
And if you dare voice this opinion anywhere but Our Flag Means Daddy and Twatter, you get attacked. So here goes. Thanks for my TED talk.
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honestmouse20 · 24 days
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I am Back from vacation! Thought on new ninjago season under the cut :)
First off, I just wanna say that I watched it at 6am in my hotel room with headphones while my friend slept next to me lol. So I watched it all again yesterday too. Turns out I'd missed a Lot.
I really loved the pacing in this! Each character to me felt like they all had something to do and it all went towards the plot. Wildfyre learned to slow down and let herself heal, Kai and Nya both learned the paitence and tecnique to do Rising Dragon. Lloyd OFC got a Lot to do with his visions and panic attacks! I really liked how they handled his mental health in this one. Cole being back didn't feel forced! he was there bc Bonzal was essential to Ras' plan. Sora got a ton of development and I do wonder if they'll have her learn spinjitzu in part 2. And of course, Arin. Boy is Going Through it. It's a nice parallel to Lloyd also having a rough time. While Lloyd is haunted by possible futures, Arin is terrified of not being Good Enough to contribute to the team Or to make his parents proud.
This post would be hella long if i rambled about everything i loved in this season But I wanna highlight Some of my favs!
Cole and Geo Constantly holding hands and leaning on eachother (and geo's flashback to s1 being changed so they're holidng hands More)
Bonzle's whole arc and how she's a person now! Hella trans implications and also just a really sweet story when they show that she Does have agency and her creator Does recongnize and care for her
Sora and Arin's dymanic continues to be Really Good! I like how the initial excitement for being a ninja has worn off and they're starting to struggle.
Speaking of Arin, I stg that scene of him and Ras fighitng in the last couple episodes makes me think we're gonna get a dark Arin arc. Maybe he won't Stay evil (I don't want him to be a villan but they Could go that way if they want) but seeing Lloyd's reaction to his student turning sides would be very angsty and Very good
Also Lloyd in this was So good! Even tho he's trying very hard to be a Master and the keeper of the monastary, he's struggling and these visions are only making it harder on him. I'm sure we havn't seen the end of these visions and I'm sorta hoping they'll come to some big breaking point for him in part 2. Where he'll have to drag himself back up and Never Quit despite everything falling apart just like the visions said it would
Once again this show made me like kai again lol. HIs relationship with Nya and Wildfyre is So good and you really can see the similarities in how he interacts with them!
lloyd's power confirmed to be life????
why is no one talking abobut that ? did i read it wrong???
Onto some things i didn't Quite like but definatly didn't hate!
Ras' master is like 90 percent gonna be the Overlord. I'm aprehensive on this bc he's not really my favorite villan. Plus like he was Just the villan in crystalized so i feel like it's too soon for him to come back. once again gonna give this show the benefit of the doubt bc they've done a lto of stuff Really Really well. I'm just sorta hoping it's Not the overlord. Plus the powers were golden and that's Not the overlord's colors
what is timeline?????
i thought the shorts were two years after s1 and that s2 was gonna be between the shorts and s1???? but now the shorts are at the Beginning of the season and ryu is a teenage dragon? how long has passed? If it's been a couple years since season 1, it's a little less believable that arin and sora havn't progressed much fruther in their training. also no one Acts like it's been years?? But if it's Not a couple of years and Ryu just Grew up like that it's still a bit iffy. Ik they probably won't tell us exact times but I hope it's implied or Something bc im hella confused
so, tldr: This half of the season was Fantastic! From the animation being Incredible and the relationships between the characters being super interesting and realistic, this season was a ride from start to finish! I'm excited, and a bit scared, to see what part 2 brings!
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nsfsprince · 2 years
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Hello! It’s the anon that requested the fae logince!!
I have an idea, but it is just an idea-
So, running off the image that it start with Roman doesn’t seem to be in.. control. At all-
Logan is that typical fae that was like ohh pretty human, I’m just gonna *pick up* and fucking keep it.
But even once you give your name to a fae and you belong to them- even if they wipe you a clean state, hints of your previous self shines through! It’s the chemicals in your brain, you can’t really wave them away!
So Logan has his little obedient human, who occasionally is very flattering and sweet and all ✨grand gestures✨ and looks ✨pretty✨ and Logan promptly realizes after a while, that he isn’t thinking of Roman the same anymore- he’s fond of the human-
He’s got a crush
So logan, realizing the pickle he is in, slowly lets Roman gain control again, in hope of freaking apologizing and wooing him. (Idk about that part, but hey, it’s an idea!)
Que enemies (??? Will ro be upset???) to lovers speed run were Logan realizes Roman is VERY STRONG, and pins him to wall to make out
Jfkdkd ohhhhhh I definately like that. Some minor tweaks that i'd make based on my initial idea from said image is that Roman gave his name and thus himself over, willingly, to Logan.
(The rest under the cut cuz this got long)
He was a prince with a missing twin brother(ehem. Remus went and dipped to party w/ a certain pair of fae, maybe relevant later but only story wise and not getting involved with Roman and Logan wise, plus Remus didnt intentionally bail on his brother, time just works differently in the fae world, he had every intention of coming back to see his brother again) so with the weight of the kingdom looming on his shoulders he decides he cant do it.
Another aspect of this needing to run away idea is that Roman is trans, and is thus the only remaining heir and technically their kingdom's crowned Princess(which he Hates but since Remus is Missing, no one else has the power to fight his father on it) and his father is looking at marrying him off which Cannot Happen.
So he runs into the massive forest where he last saw his brother go and runs and runs, even when his skirts rip and his sleeves tear and he trips on tree roots, he runs.
And when his legs finally give out, he's caught in strong arms, a gentle hand cradling his head and a crooning voice lilting through the clearing. Hes in a fairy circle, he can see the trail on the forest floor, looping around him and this new stranger neatly.
He looks up and sees this beautiful fae, sharp edges and ethereal beauty, ice blue eyes sharp and calculating and mouth curved into a comforting grin just a hare sharper than human teeth can manage. A Fae. Roman swallows, unable to quite look away.
Hes still being cradled by the others impossible strength, though theyve now lowered to the ground.
"Breath, little one, breathe. Thats it, good boy. Im so proud of you. Just take your time, you look so tired from running all that way, I'll protect you, my dear." The low, lilting voice says, a gentle hand carding through his mussed hair. Its as if Roman hadnt been running for so long, every breath hurts less and less, his exhaustion evaporates and his mind clears with every passing minute that he remains trapped in the others warm gaze.
'To hell with it,' Roman thinks tiredly, 'out of the pan and into the fire.'
Inevitably, the fae gently tucks him closer and asks if they may have his name, and Roman knows he should deny it and play it smart, they seem to know full well all the thoughts bouncing around in his stressed out mind, but he cant seem to do it. He leans into their side firmly and tucks up against their chest, ducking his head as he gives his answer.
"Yes, you may have it, and you may have me. I am Roman Elizabeth Sanders, Second Prince of Creetivea."
And if the Fae, Lo, as Roman would come to know the other as, paused for a whole 40 secounds out to sheer bafflement over such a brilliant mind giving up so instantaneously, no one but Roman was there to witness it.
Continuing with your thoughts tho, Lo really does start developing a crush, because Roman is sweet and dramatic and still so very brilliant even without even a third of true awareness or control, and Logan finds himself challenged by this little plaything of his in a way few fae have even managed in a long time. And Logan's protective of his things, of course, especially his favorite pet. No one is allowed to touch his Roman but him.
And so he starts to give Roman bits of pieces of control back, a back and forth over an idea here, a little debate over theatre there, a handsy cuddle-turned-makeout session here, a firm and steamy scene there. Even just a quiet stargazing date that remains soft and calm throughout their quiet exchanges. Giving the True Roman chances to shine through and seeing how he handles it all, how he handles Logan.
And boy, Roman is infuriated by Logan, with his pretty mouth and cocky grin and accurate debate points, he just wants to find a way to knock Logan down a notch every once in a while, never quite to be in charge of course, but Roman loves picking a little on people he loves.
And Logan is falling harder and harder. Oh he adores his Roman. Enough so to give Roman his full name, "Logan." The sound of Roman mewling his name over and over in pure coherent bliss later that night is more than reward enough.
Around other fae Logan is likely very protective and wary with Roman present, and has his own protection spells and the like over his mortal love just to be on the safe side. But hoo boy he absolutely doesnt regret giving Roman near total control back.
The only time Logan pulls him back under control is for fun times, and only ever enough to make roman's body obey, but never enough to override romans mind or consent. Roman discovers just how pliant human biology is when commanded to cum over, and over, and over again at the drop of a single word, and its overwhelmingly hot.
Roman is also very weak for riding Logan, hes got the stamina to go for a while but Lo still far outbeats him, but not to worry, his Fae Love is happy to grip his hips and keep fucking his dripping, oversensitive hole slow and teasingly, till Romans usually overactive mind is finally reduced to overstimulated mush.
What im getting at is that Ro is used to being in a position of power and working doubley as hard to be respected, heard, and listened to, and when he couldnt take it anymore he gave it all up, and at most he might try and pin Logan for kisses and cuddles, it is entirely a show of dramatics and none of strength. He might play a little bratty role here and there and he will happily get into heated debates with Logan over things, but hes never been too interested in overpowering Logan.
Logan, on the other hand, has plenty of fun with (consentually)overpowering his favorite pet-turned-lover~
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whimpity-whumpity · 1 year
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List of my characters because even i forget sometimes and i do not expect yall to remember them when i dont even post abt them much. Will be updated as i remember more of them because there are quite literally hundreds rattling around up there.
Whumpees
Caleb (he/him, immortal, does not have a good time)
Sorin (he/him) (knockoff spiderman)
Lace (lab whumpee) (she/her) (also mind controlled via SCIENCE)
Tango (lab whumpee) (she/her)
Delta(lab whumpee) (she/her)
Yankee(lab whumpee) (she/her)
Charlie(lab whumpee) (she/her)
Lars (gladiator) (anxious big man) (he/him)
Elipso (satyr, emergency food) (they/them)
Emily (she/her)
Quinn (they/she)
Jakob (poor baby i hurt him so bad) (it/its but in a dehumanizing way, then he/him later) (he just wants to play his songs)
Donny "Trix" Riggs (he/him)
Ryder (any pronouns but I only use they/them because they'll stop letting me write them if i don't) (betrayed villain my beloved)
Amy (she/her)(???) (villain whumpee)
Bucky Ark Patton (he/him) (he works for Waylan!) (yes his initials are BAP.)
Whumpers
Arcturus (he/him) (utter asshole)
Esyn aka Emily (she/her) (shy but later also asshole because of how my power system works :<)
Sorin (really a sweetheart) (he/him) (he just wants someone to cuddle and is all kinds of fucked up)
Arson aka Gwid (alien) (they/them) (their culture has very very normalized violence and like. slave gladiators. its not great. they did not mean to come to earth. they hate it here.)
Riclle (vampire, the oldest) (he/him) ("gender? i'm fucking thirsty, fuck gender") (creepy whumper)
Tobias (vampire) (he/him) (pretends to be a creepy whumper, is just trying to protect his little brother)
Phil (he's a surprise tool that will help us later) (reference) (vampire) (he/him) (idk he might get deleted, i made him for a rp and he never really came back)
Sir Nicholas the 23rd (he/him) (PROFESSIONAL asshole. asshole EXTRORDINAIRE. i hate him so so much.)
Lukas (reluctant) (he/him) (crime family go brr) (he just wants to sell glowy clothes)
Harlow (doesn't like its job but gets paid well) (he/it) (only has this job to provide for his son)
Waylan (he/him) ("gender? is that uh, one of them new medicines?") (have you noticed i like giving assholes kids? have you?) (you will.) (her name is ronnie and i love her sm. baby. she kicks off his redemption arc.) (waylan 🤝 sorin fucked up childhoods)
Bucky (he/him) (hes literally that one stereotypical henchman i love him) (also hes trans)
Hadrian "Pike" whatever the fuck surname. (he/him) (basically he gets hired to kidnap people and keep them out of the way and or kill them)
Jude (he/they) (basically a supervillain) (feral) (but also wildly cheerful) (would just strap somebody down and sit on their lap and wait for the knife to wake them up) (giggles like a child while torturing people)
Caretakers
Quinn (they/she)
Sami (she/her) (Waylan's cousin, but she and the rest of the family think he's dead)
Karma (she/it) (hero) (bloodbender equivalent) (starts up a recovery center later <3) (also very much enjoys watching people in pain) (it hates that about herself)
Maewyn (vampire) she/her (successor to Riclle) (can't turn people)
Tobias (kind of) (vampire) he/him (he tries)
Donny (AU of Riggs) he/him (works in a temple of Melu!)
Ophi? Maybe? If she cooperates? (she/her) (Jakob's youngest sister)
Bucky!!! Ark!!! Patton!!!!! (literally he does anything his Boss tells him to hes so fucking blorbo rn)
Divines
Kypripos (Chaos and all not written below; Lord of Lost Things, Sky-Painter, and prankster. Father of Fathers, the First, etc.) doesn't really care about gender, goes by he/him through most of the story because their vessel is male.
Estor (Domain: History) he/him
Tai (Domain: War, grief, poets, and strategy) he/him
Rask (Elder Child of the Depths) xe/xem/xeir
Melu (Domain: Illness and Health, often credited with making ALL life) I've been referring to Melu with feminine pronouns till now but Melu just said no so I'm gonna just not until Melu finds some that vibe right.
Saras (Child of the Depths) Saras also sees no need for pronouns. Saras speaks in third person.
Ponma (Domain: Drama, acting, lies) (Dead) Whatever the role demands: he, she, they, xe, it, she delights in wrapping new roles around himself like a new cloak.
Rust (Child of Ponma, once known as Vera) they/them (clown)
Ent (Embodiment of "Chaos comes for all in the end") (Dead) he/they (never STARTED fights but would finish them) (same with pranks)
Misief (Domain: General mischief, pranks, laughter) (Dead) it/its (always started the fight/pranks)
Cosmo (Domain: All the things of the sky)(Dead) she/it (the token serious child)
Arcturus (Domain: magic) (dead-ish) he/him
Esyn (Domain: magic) she/her
Mara (Domain: destruction and rebirth) Similar attitude to Ponma, but less about new roles and more about destruction not needing a gender
Madac ("Sea-mother") she/they
Seli (Parent of selkies) ????
Spiren (Death) Spiren is older than the concept of eyes, Spiren doesnt give a shit. Uses "Father" in refrence to Bilen, Hen, and Renwick, though.
Bilen (Soul-chaser, "The Bear") she/her
Hen ("The Hare", Guide of Violent Ends) he/him
Renwick ("The Rabbit", Singer of Lives) (they/them)
Dara (Domain: Song) he/they
Julokal (Domain: Honorable Combat) she/her
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wovenmoonlight · 2 years
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4. A favorite myth or myths of this deity
I chose two for this prompt!
It might be a bit strange, but I absolutely love the myth of Artemis asking Zeus for weapons and to be left in the wilderness to run free with her companions, forever a maiden. It’s always struck me intensely from childhood, perhaps because as a very anxious person I admire both Artemis’ voicing of what she wants, and the freedom that she advocates for herself.
I also wish that I could run wild through the forests, so there is that.
(Pulled from Theoi.com)
Callimachus, Hymn 3 to Artemis 1 ff (trans. Mair) (Greek poet C3rd B.C.) : "Of Artemis we hymn--no light thing is it for singers to forget her--whose study is the bow and the shooting of hares and the spacious dance and sport upon the mountains; beginning with the time when sitting on her father's knees--still a little maid--she spake these words to her sire [Zeus] : ‘Give me to keep my maidenhood, Father, forever: and give me to be of many names, that Phoibos [Apollon] may not vie with me. And give me arrows and a bow--stay, Father, I ask thee not for quiver or for mighty bow: for me the Kyklopes will straightway fashion arrows and fashion for me a well-bent bow. But give me to be Phaesphoria (Bringer of Light) and give me to gird me in a tunic with embroidered border reaching to the knee, that I may slay wild beasts. And give me sixty daughters of Okeanos for my choir--all nine years old, all maidens yet ungirdled; and give me for handmaidens twenty Nymphai Amnisides [of the Amnisos River in Krete] who shall tend well my buskins, and, when I shoot no more at lynx or stag, shall tend my swift hounds. And give to me all mountains; and for city, assign me any, even whatsoever thou wilt: for seldom is it that Artemis goes down to the town. On the mountains will I dwell and the cities of men I will visit only when women vexed by the sharp pang of childbirth call me to their aid--even in the hour when I was born the Moirai (Fates) ordained that I should be their helper, forasmuch as my mother suffered no pain either when she gave me birth or when she carried me win her womb, but without travail put me from her body.’ So spake the child and would have touched her father's beard, but many a hand did she reach forth in vain, that she might touch it [in supplication]. And her father smiled and bowed assent. And as he caressed her, he said : ‘When goddesses bear me children like this, little need I heed the wrath of jealous Hera. Take, child, all that thou askest, heartily. Yea, and other things therewith yet greater will thy father give thee. Three times ten cities and towers more than one will I vouchsafe thee--three times ten cities that shall not know to glorify any other god but to glorify the only and be called of Artemis And thou shalt be Watcher over Streets and harbours.’ So he spake and bent his head to confirm his words.
 Another myth that I find interesting is that of Artemis and Iphigenia, specifically the ways the myth diverges at the end – the idea of whether or not Iphigenia was rescued and a deer was sacrificed instead, or if she was indeed killed. I’m currently reading Ken Dowden’s Death and the Maiden, Girls’ Initiation Rites in Greek Mythology which argues that Iphigenia’s death was most likely a later addition and not originally intended. The reasoning for this is Iphigenia is proclaimed in at least one location – Tauroi – and also that in other myths about Artemis’ divine wrath paralleling Iphigenia there is once again the motif of replacement of a young woman with an animal.
Iphigenia’s story captures me because it captures very well the ways that myths changed and drifted away from their cults – although this is sort of another reason for me to love it. Originally I was drawn to it because – having known the version where Iphigenia lives – I found it interesting that Artemis’ divine wrath against Agamemnon did not go as far as to have Iphigenia sacrificed, which I find rather touching.
(Again pulled from Theoi.com)
Stasinus of Cyprus or Hegesias of Aegina, Cypria Fragment 1 (from Proclus, Chrestomathy 1) (trans. Evelyn-White) (Greek epic C7th or 6th B.C.) : "This is continued by the epic called Cypria which is current is eleven books. Its contents are as follows. When the expedition [for Troy] had mustered a second time at Aulis, Agamemnon, while at the chase, shot a stag and boasted that he surpassed even Artemis. At this the goddess was so angry that she sent stormy winds and prevented them from sailing. Kalkhas then told them of the anger of the goddess and bade them sacrifice Iphigeneia to Artemis. This they attempt to do, sending to fetch Iphigeneia as though for marriage with Akhilleus. Artemis, however, snatched her away and transported her to the Tauroi, making her immortal, and put a stag in place of the girl upon the altar."
Photo: The Sacrifice of Iphigenia, Giovanni Battista Tiepolo
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The Demon Bros finding out you're trans (ftm)
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Lucifer
Very educated on the topic
Supports you 99.999%
Like he supports you, but doesnt see it as a big deal
He sees it as something natural
(probably expected it)
Whatever you need he will buy
ALWAYS makes time to comfort you when that dysphoria be kicking ur ass-
Respects your pronouns the most out of all the brothers (besides Satan)
Takes him the least amount of time to get accustomed
Just doesn't really care
He respects you either way
Still thinks your fucking hot and completely simps although he won't admit it
If your voice gets deeper, you get more masculine, hes probably gonna wanna make out with you.
You have to initiate it though-
Long story short, he loves you either way :)
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Mammon
Makes a big deal out of it for nothing-
Tries to play it cool but ends up stuttering
"O-Oh wow- I mean uh o-okay uhm cool I gu-guess yknow? Heh-"
Misgenders you a little too often-
Poor baby doesn't mean to, he's just not used to it
Will hurt ANYONE who misgenders you (purposely)
Little hypocrite
Would 100% buy you unnecessary things
You have WAY too much expensive cologne from this man-
Will comfort you in the strangest way possible
Will probably say something along the lines of
"What do you MEAN you aren't a real man?? You smell like one! And you uhh, you identify as one.. and... YOURE A MAN OKAY??? Now man up and let's go shopping!"
He loves you tho <3
Will get a little jealous if you start getting more muscular than him-
Overall a 7/10 with this
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Leviathan
Doesn't really care much
As long as you still watch anime and play games with him, he's happy :)
"Oh yeah! It reminds me of that one anime "I woke up a girl and didn't like it so now I identify as a man"! That's so cool!"
Tries not to misgender you a lot but still makes little mistakes here and there
Thinks you're even cooler than before
Admires your bravery to come out about it
Once he realized you TRUSTED him with this, he melted in the middle of his game-
Doesn't know how to comfort you, but he still tries his best :)
Offers to watch anime with you when dysphoria plays peek-a-boo with your sanity-
"Uh hey... Wanna watch a new anime I found? It's called "This Conveniently Placed Anime For When Your Dysphoria Is A Bully."
If you have muscles, PLEASE hold him in your arms-
Low-key respects you
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Satan
Like his father brother, very educated on said topic
"As expected."
Like okay Expresso cookie
Just like Lucifer, he most likely saw it coming
Will help you with anything you need, want, or desire.
simp
Doesn't react much, he loves you either way :)
Okay but if your voice gets deeper, you are now his personal narrator.
It's your part-time job.
Read every book to him. Please. He craves it.
Probably suggests getting top surgery, just because he doesn't like to see you dysphoric :(
But when you do get dysphoric, he will tell you about all his favorite trans male characters and how he admires you
See now if someone decides to make a negative comment...
Blood. Need I say more?
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Asmodeus
Your #1 supporter
Wayyy too excited but he means well
"..."
"EEEEEEE!!!! COME ON!!! WE HAVE TO REDO YOUR ENTIRE WARDROBE!!!"
Makes a really big deal out of it, in the best way possible
WILL show you off
"Hey look at my boyfriend! Isn't he handsome? Of course he is! I can only be seen with the best of the best!"
Is the one to help you transition in every way possible
You want cologne? Already got some
You wanna change your style? He already redid your wardrobe
You wanna cut your hair? Said and done.
You want-
NEVER misgenders you. Like ever.
Very prominent with your pronouns.
Absolutely adores it when you become more masculine
It kinda turns him on-
Then again what doesn't.
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Beelzebub
I hate it when people act like Beel is oblivious to everything
It reminds me of fanon hinata
He knows what it is and is actually pretty damn happy if you came to him first about it
In the scenario you're bigger than him, he loves it so much-
Other than Diavolo, nobody has ever reached his height
Low-key finds it hot-
He doesn't care what you are, as long as you can still eat snacks with him :D
Supports you 100%
Rarely ever misgenders you
In the scenario that he does, he is not above begging for forgiveness
Loves cuddles, no matter what.
Especially if its you, him, and belphie-
"Uh hey MC, I got you a pride cupcake :)"
*pulls up with a trans themed cupcake*
Besides Asmo, the best at dealing with dysphoria
There is no such thing as dysphoria with him around :)
"It doesn't matter what you are MC, I still love you."
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Belphegor
Definitely comes off as transphobic
"That's what you interrupted my nap for? I don't care."
Only realizes what he sounded like when you give him that "wtf..." Look
"I didn't mean it like that. I love you either way, I don't care what you identify as."
As long as your his cuddle buddy for life, y'know?
Death stares at anyone who dares look at you the wrong way
If looks could kill, they'd be long dead.
Doesn't necessarily know how to comfort you, but naps are the best comfort in his opinion :)
There's not much to it
He acts like it's been this way forever
It's like second nature to him to refer to you as a male
--------------------------------------------------
Sorry belphies was so short, I just don't think much would change with him lol I don't think he'd make a big deal out of it
Anyways, hope you liked it, I'm trans myself so I kinda wrote this for myself lmao- but I hope it makes anyone feel better about themselves :D
Until next time my friends!
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fallinglikemagic · 3 years
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Penny Polendina alludes to Astro Boy - and how this allusion foreshadows Penny’s eventual resurrection
Some of you may remember my first post in which I compared Penny and Astro Boy, with a specific focus on the version of Astro from the 2009 3D animated film (if not, you can read it here, but I'll be repeating everything stated there anyway). In the month or two since I first made that post, more and more parallels have start to pop up, with one of those parallels matching one of our most popular theories and foreshadowing Penny's upcoming resurrection.
In order to write this, I went through and watched the entire film, taking notes as I went. I'm not going to include every single detail that I noticed, only the things that seem the most relevant and can be put together in a single post in a comprehensive manner. Believe me when I say that I've thought about this a lot, and the sheer amount of parallels and connections (and the fact that I'm not the only one to notice these connections) has lead me to believe that this has been done intentionally. 
With that being said, I'm only going to focus on the Astro Boy film from 2009 - the Astro Boy franchise is massive, going back to the first manga coming out in 1952 with a few different adaptations and reboots with different versions of the story, and I just don't have the time to go through all of those. As such, I'm going to be focusing on the movie, due to the fact that it has the highest amount of parallels to both Penny specifically, and RWBY as a whole.
So, let's get into this.
Worldbuilding
Metro City and the Surface - Atlas and Mantle
One of the reasons I've decided to focus on the film in particular is due to the nature of the film's setting. Astro Boy (2009) takes place in two locations - Metro City, and the Surface.
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According to the opening of the film, Metro City was created when the people who would become the founders of the city noticed the world changing for the worse, and responded by taking part of the land and lifting it into the sky, creating a floating city - the opening voiceover refers to it as "an oasis, a floating paradise". Everybody else is left behind on what is referred to as the Surface, left to fend for themselves while the people of Metro City largely ignore their existence.
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The parallels to Atlas and Mantle are crystal clear. Atlas and Metro City are both set up as a beautiful city above the clouds, meant to serve as an inspiration for the rest of the world. In reality, it's a place where the rich and privileged can live in comfort while shunning the poor. Meanwhile, down in Mantle/on the Surface, people are suffering and struggling to get by. Additionally, both 'surface' and 'mantle' are words that are associated with the ground.
The Blue Core (and the Red Core) - Penny's soul and Maiden powers.
Another concept that is (as far as my research shows at least) unique to the film is the Blue Core and the Red Core.
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The Blue Core is a small sphere that is filled with pure positive energy, referred to as Blue Core Energy. It was created by Dr. Elefun, made from the fragments of a star that no longer exists - meaning that the Blue Core is all that's left, and cannot be recreated. This is reminiscent of how Pietro has no more aura left to spare, and thus is unable to give any more of his soul to Penny like he did the first time she died. In this allusion, the Blue Core is representative of Penny's soul and the power of the Winter Maiden.
When the Blue Core was created, there was also a byproduct - the Red Core. Essentially, it's the same thing as the Blue Core, but with negative energy instead of positive. If the Blue Core and the Red Core make contact, they both die - this is relevant later.
You could compare the Red Core to Watts’ virus, due to the way that it causes a robot to have red eyes and that it coming into contact with the Blue Core destroys them both.
Character Parallels
Before I get into this properly, I wanna give a quick side note. While Astro matches up to Penny perfectly, things get a little bit messier with the others in that we have a case of characters taking on multiple roles. However, this is far from unheard of in RWBY - let's not forget about how Blake represents both Belle and the Beast, Yang is sometimes the Beast to Blake's Belle, and Adam is an amalgamation of every antagonistic force in Beauty and the Beast. It's far from uncommon for a character to allude to multiple characters from the same allusion, or vice versa, which is what we see with some of the characters in this allusion as well.
Astro - Penny Polendina
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Unsurprisingly, Astro himself is our parallel to Penny.
After the death of his son Toby, Dr. Tenma rebuilds his son as a robot, using the Blue Core as his energy source. The Blue Core is stated to be unpredictable, and it's this that makes Astro who he is, what makes him unique from every other robot. As stated earlier, the Blue Core represents Penny's soul (and the Winter Maiden powers that are attached to it). When the Blue Core dies - and Astro dies with it - and Dr. Elefun is asked if he can be rebuilt, the answer is 'no' because the Core was unique and can't be remade - just like Penny's soul.
While Astro appears perfectly human on the surface, he's fitted with as much self-defence technology as Tenma could fit in him. The most iconic of these upgrades (and the only one that's consistent across every single version of Astro throughout the franchise) is the rocket boots. He even flies in a very similar way to Penny - pay attention to the posing, especially with the legs.
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When Astro starts making friends with humans on the Surface, he conceals the fact that he's a robot, afraid of what they'll think of him when they learn he's not human. This matches up to Penny initially hiding the fact that she's not human, seeing herself as 'not a real girl'.
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Astro has two father figures - Dr. Elefun and Dr. Tenma. Similarly, Penny has two father figures - Pietro and Ironwood.
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During the climax of the film, Metro City starts to fall out of the sky and back down to the Surface. This is a parallel to two seperate moments in RWBY. The most obvious one is when Atlas is falling onto Mantle after the Staff of Creation is used. However, I think this scene more closely resembles the scene from Amity in which Amity Tower begins to fall.
When Astro sees that Metro City is falling, he immediately flies in to hold it up, despite the incredible strain it puts on him. This is a direct parallel to how Penny flew in to hold up Amity Tower.
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Astro pushes himself to the limit when he holds up Metro City, to the point where the flames from his boots burn so brightly that they turn blue - oh hey, doesn't that look familiar?
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Astro also demonstrates self-sacrificial tendencies at a few points in the film. When he's captured in order to have his Blue Core taken out and placed into another robot, he simply accepts it, saying that "I think maybe this is what's supposed to happen...this is my destiny". This becomes a lot more interesting when you remember that the Blue Core is representative of Penny's soul and Maiden powers. Astro giving himself up to President Stone (the film's main antagonist who later ends up in a sort of 'fusion' with the Red Core) so that Stone can use the Blue Core could be a reference to the virus making Penny want to give herself up to Ironwood so that he can use her soul to open the vault - especially if we believe that the Red Core is connected to the virus in some way.
Near the end of the film, in the fight against the fusion of President Stone and a giant robot containing the Red Core (it's a long story, I'll get to it later in the post), Astro makes the decision to sacrifice his own life in order to destroy both the Red Core and the Blue Core, saying “this is what I was created for” and saving the lives of everybody else in the process. I doubt I need to explain how "choosing to die in order to protect other people" relates back to Penny in Volume 8.
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At the end of the film, and in the rest of the Astro Boy franchise as a whole, Astro takes it upon himself to be the protector of Metro City (and technically the Surface, but since Metro City has fallen, they're not exactly seperate locations anymore...). 'Robotic guardian of a city who's seen as a hero by the people' - you don't get much more obvious of a connection to the Protector of Mantle than that.
Additional details that may not be intentional but I still noticed anyway;
- Dr. Elefun describes as Astro by saying "That robot had more humanity than most of us". At this point, there's been many moments that affirm Penny's humanity - "You have an aura, Penny. A soul. That's who you are - our friend. Not a machine", "Her soul is who she is", the fact that she was able to receive the Maiden powers, all of these moments affirm that Penny has always been just as human as anybody else. This is also contrasted against Ironwood (and, for a while, Winter), who act more machine than human.
- Astro is actually rather heavily trans-coded. Penny is also trans-coded, but this is mostly likely a coincidence that happened as a result of the inherent transness of robots
- Elefun tells Astro that he's "not actually an entirely ordinary boy", which is reminiscent of Ruby describing Penny as "she's...not your typical girl."
- The shape of Penny's bow (the way that it sticks out more on one side while the other side is more vertical) looks similar to the shape of Astro's hair (this one was pointed out to me by @cosmokyrin​ when I mentioned this theory in the Frosen Steel server)
Dr. Elefun - Pietro Polendina
Dr. Elefun is one of Metro City's top scientists, and one of Astro's father figures. He is soft-spoken and gentle, a dreamer but a genius. In terms of personality alone, he's a pretty good match with Pietro. He's also the one who created the Blue Core, which draws a direct parallel to Pietro creating Penny's soul from part of his.
Dr. Elefun is the first person to truly see Astro as who he truly is. Dr. Tenma expects Astro to be a replacement for Toby, and is disappointed when he isn't. Similarly, everybody else sees Astro as a robot just like any other at first - an advanced robot, but nothing more than a robot. But Dr. Elefun gives him genuine praise, and encourages Astro to live his life and find his place in the world, just like how Pietro tells Penny that he wants to see her live her life.
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It's also worth noting that in most other versions of Astro Boy, Elefun takes the role of Astro's primary caregiver after Dr. Tenma no longer wants him.
President Stone - James Ironwood
President Stone is the current political leader of Metro City. For the entire film, his entire focus is on combat and military strength, and on multiple occasions he actively expresses his intention to start a war with the Surface. He believes that the best way to get re-elected is with a show of military force and violence.
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His primary goal throughout the film is to have Astro destroyed in order to retrieve the Blue Core and use it for his own gain. This is a direct parallel to Ironwood's goal in Volume 8 - to hunt down Penny and have her use her Maiden power to open the vault, and destroy herself.
Stone wants to use the Blue Core in order to power a specialised combat robot, ironically called the Peacekeeper. When Astro continues to escape his clutches, he decides to use the Red Core to power the Peacekeeper instead, but it doesn't completely go as planned. The Peacekeeper is equipped with what the film calls 'adaptive technology' - it's capable of absorbing anything it makes contact with into its own body.
And I do mean anything
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After Stone is absorbed by the Peacekeeper, he's in full control of it - essentially the Peacekeeper is nothing more than a metal outer shell. President Stone has become a fusion of man and machine.
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Dr. Tenma - both Pietro Polendina AND James Ironwood (a bit more Pietro than Ironwood but it's worth acknowledging both)
You might notice that while Elefun and Stone do have plenty of references to Pietro and Ironwood respectively, there are gaps where they don't cover every aspect of these characters and/or their dynamic with Penny. This is where Dr. Tenma comes in.
Dr. Tenma is Astro's dad, and the one who built him. He originally created Astro as a sort of 'replacement' for his biological son Toby after he died, giving Astro all of Toby's memories (more on this later). Naturally, this is a very clear connection to Pietro.
Additionally, Dr. Tenma uses the Blue Core - a completely unique, one-of-a-kind technological marvel - in order to power a single small robot that's intended to be nothing more than a replacement for his son, saying "I can't lose him again!". In this moment, Dr. Tenma is so focused on not losing his child that he doesn't acknowledge the big picture.
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However, once Dr. Tenma realises that Astro isn't a perfect replica of Toby, but rather his own person, Tenma discards him, not caring if Astro gets destroyed or not. Similarly, when Penny stopped doing what Ironwood wanted her to do, Ironwood stopped caring about her as anything more than a container for the Maiden powers and is perfectly willing to let her die once the vault is opened.
Luckily, Dr. Tenma does have a change of heart, deciding that while Astro isn't Toby, he's still his son. Near the end of the film, Astro is very injured, and Dr. Tenma encourages him to get far away from the danger. However, Astro refuses to back down, instead choosing to sacrifice his life in order to stop President Stone, despite Dr. Tenma begging him not to go. Here, we have yet another parallel to this moment in Amity.
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Bonus (aka characters that aren't perfect allusions, but connections do exist)
When Astro ends up on the Surface, he's taken in by a man who calls himself Hamegg. Hamegg ends up being a jerk, and while his personality and actions in the film don't particularly match up with any characters in RWBY, his backstory is a perfect match to Watts - a head scientist in Metro City who was shunned and fired for reasons unknown (Hamegg claims that they were 'intimated by his ideas and talent', but this was when he was trying to impress Astro and he lies a lot anyway, so this could be a complete lie).
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On the Surface, Astro befriends four human kids (Cora, Zane, Sludge and Widget) and their robotic dog, Trashcan. While the personalities don't really match up (though Cora, Astro's closest friend, does bear a visual resemblance to Ruby), the idea of a 4-person group + a dog could be a parallel to Team RWBY and Zwei.
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Zog is a very old, very large robot that had been 'dead' for several years until Astro found him and revived him by giving him some of his Blue Core Energy. Zog is our allusion to Winter - Astro giving Zog some of his Blue Core energy is a parallel to Penny giving Winter the Maiden powers. Additionally, in The Final Word, Winter explicitly calls herself a machine. While this does have significance on it's own, it could also be a nod to this allusion. That being said, the main connection between Winter and Zog (and possibly the most important part of this post) is based on events that have yet to happen in RWBY canon, and so I'm saving that part for the end of the post.
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Story Parallels 
Toby's Death
Toby Tenma, Dr. Tenma's biological son, was very similar to Astro in terms of personality (with some key differences), as well as having a strong physical resemblance.
When the Blue Core and the Red Core were first being shown off to President Stone, Toby was accidentally locked behind a sealed off barrier, trapped with the Peacekeeper containing the Red Core. Toby was killed in a blast that completely disintegrated him, leaving nothing but a hat containing a single strand of hair.
This hair is important, because Dr. Tenma used this hair in order to extract Toby's DNA and memories, which he was then able to implant into Astro in order to make him resemble Toby.
This scene is most likely a parallel to Penny's first death in the Vytal Festival. In her first death, Penny's body was destroyed, but her core remained intact. Her core, which contained all of her memories, was the key piece in properly putting her back together without erasing who she used to be. The strand of hair containing Toby's DNA is representative of Penny's core containing her memories.
Additionally, there's the fact that when Toby was rebuilt as Astro, he was given various upgrades to allow him to better hold his own in a fight, with the most obvious behind the ability to fly via rocket boots. Penny received similar upgrades when she was rebuilt as well.
It's worth acknowledging that Toby's death could potentially parallel the moment that Ambrosius separated Penny from her robotic body, with the strand of hair instead being her soul, separated from her dying body and then disintegrating. However, due to the timeline and order of events, I think that Toby's death is more likely to be a parallel to Penny's first death, and her separation from her robot body is instead a parallel to the next scene I'm about to mention.
Momentary Death
When Astro is captured by President Stone and taken back to Metro City, Dr. Tenma actually does remove the Blue Core from his body, which does cause Astro to temporarily die.
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Luckily, it only takes a few moments for Dr. Tenma to change his mind and return the Blue Core to Astro, reviving him.
Astro's 'soul' was removed from his body, causing that robotic body to die, even though in the end Astro does survive it. This is reminiscent of Ambrosius removing Penny's soul from her robotic body, letting that body die, while Penny survives.
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Zog
I briefly went over Zog earlier, but I wanna go into more in-depth about him, because the parallels between Winter and Zog and the implications of said parallels are the main reason I ultimately decided to make this post.
As I said earlier, Zog is a very old, broken down robot that nobody has been able to revive in years. When Astro finds him, he brings him back to life by giving him some of his Blue Core Energy. Astro essentially gives Zog some of his lifeforce, a part of his soul.
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Winter was on the verge of death at Ironwood's hands, but Penny was able to save her by giving her the Maiden powers, and her soul with them.
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However, Zog doesn't keep all of the Blue Core Energy Astro gave him all to himself...
Resurrection
As I've mentioned a few times in this post, Astro does die - and I mean properly die, not a death that lasted 2 minutes at the most and had no consequences. Astro sacrifices himself and his Blue Core dies, all in attempts to protect the people of Metro City/the Surface and his friends. Dr. Elefun says that he can't be rebuilt because his Blue Core, his soul, was unique.
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But then, Zog comes around. Zog, who is holding onto what is a part of Astro's soul - the only surviving part of Astro's soul. Zog returns some of the Blue Core Energy to Astro, which brings Astro back to life.
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So, to recap: Astro gives a part of his lifeforce, part of his soul, to Zog. When Astro dies, Zog gives some of that soul back to Astro in order to revive him.
If you've been looking at the theories regarding Penny and Winter recently, this will sound VERY familiar. While the specifics vary, the essentials of the most popular theory is that Penny transferred her soul to Winter to hold on to along with the Maiden powers, and that somehow, Winter will return that soul to Penny in one way or another (either by putting her into another robotic body, or just somehow extracting her soul and letting it form it's own body again). The fact that this movie has these exact events occurring makes this seem more and more like the most likely route.
If Penny really is an intentional allusion to Astro Boy - which, based on the sheer length of this post, seems pretty damn likely - then the film practically spells it out for us. Winter will give part of her aura, the part that Penny gave her, in order to bring Penny back to life.
thank you for coming to my ted talk
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variousqueerthings · 3 years
Text
Daniel LaRusso: A Queer Feminine Fairytale Analysis Part 1 of 3
Disclaimers and trigger warnings: 
1. These fairytales are European, although there’s often overlap in themes globally. I know European fairytales better, which is essentially the reason I’m not going to branch out too far. I opted to also stick to Western movies so as not to narrow things down, but also in particular “waves hand towards all of Ghibli” amongst many others. There’s a reason the guys in Ghibli are so gender.
2. TW for discussions of rape culture and rape fantasies
EDIT: FUCK I’M A GOBLIN CHILD! FORGOT TO PUT A MASSIVE MASSIVE THANK YOU TO @mimsyaf​ WHO HAS BEEN THE NICEST, KINDEST EDITOR ON THESE THOUGHTS AND CONTRIBUTED SO MUCH TO THEM AND GENERALLY IS A WONDERFUL PERSON!
Part 2
Part 3
1. Introduction
I recently wrote a little thing, which was about Daniel as a fairytale protagonist – specifically one that goes through some of the kinds of transformations that are often associated with female protagonists of fairytales.
I used quotes from Red Riding Hood, Labyrinth, Buffy The Vampire Slayer, and Dracula, which, as an aside – the overlap between fairytales, horror, and fantasy and the ways each of those genres delve into very deep, basic questions of humanity and the world is something that will always make me feral. I will be generally sticking with fairytales though. Also I am very excited about some of those Labyrinth concepts going around!
I’m going to use “feminine” and “masculine” in both gendered (as in relating specifically to people) and non-gendered (as in relating to codes) ways throughout this, depending on context.
To be binary for a moment, because sample-sizes of other genders are low, women are usually able to fall into either feminine or masculine arcs, although sometimes the masculine-coded woman can become a “not like the other girls” stereotype and the feminine-coded woman a shallow cliché – in both cases they’re also under more scrutiny and judgement, so it’s always worth asking “is this character not working for me because of the writing or because I have ingrained biases? (Both?)”
Men don’t often get feminine-coded arcs. Because. Probably a mix of biases and bigotry. But there are some that seem to have slipped beneath the shuttered fence of “Sufficient Narrative Testosterone,” and Daniel LaRusso is one of them.
2. Some Dude Comparisons (Men Doing Manly Action-Hero Things like being trans symbolism and loving your girlfriend… seriously those things are hella manly, I wish we saw more of that onscreen…)
a. Neo
Much like Neo The Matrix, whose journey is filled with transgender subtext and specifically and repeatedly references Alice In Wonderland, Daniel doesn’t go through quite the kind of hero's journey usually associated with Yer Standard Male Hero, especially the type found in the 80s/90s.
Neo is my favourite comparison, because of the purposefulness of his journey as a trans narrative and the use of Alice. But I’m sure there are other non-traditional male heroes out there (but are they trans tho? Please tell me, I want trans action heroes).
Neo “passes” as a socially acceptable man, but online goes by a different name - the name he prefers to be known by - feels like there’s something inherently wrong about the world around him and his body’s place in that society, and then gets taken down the rabbit hole (with his consent, although without really “knowing” what he’s consenting to) to discover that it’s the world that’s wrong - not him. And by accessing this truth he can literally make his body do and become whatever he wants it to.
Yay. (The message of the Matrix is actually that trans people can fly).
Neo is – kind of like Daniel – a strange character for Very Cis Straight Guys to imprint on. He spends most of the first movie unsure about what’s going on, out of his depth, and often getting beaten up. He is compared to Alice several times and at the end he dies. He loses. He has to be woken up with true love’s kiss, in a fun little Sleeping Beauty/Snow White twist. Yes, after that he can fly, but before that he’s getting dead-named and hate-crimed by The Most Obvious Stand-In For Normativity, Agent Smith, and being carried by people far more physically capable than he is (people who also fall outside of normative existence).
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Trinity and Neo in The Matrix. The fact that a lot of the time neither of them is gendered is something. Literally brought to life by true love’s kiss.
I’m not about to argue that Daniel LaRusso is purposefully written along these same thought processes, so much as the luck of the way he was written, cast, directed, acted, and costumed all came together in the right way. And this is even more obvious when compared to That Other Underdog Fite Movie That Was By The Same Director as Karate Kid.
b. Rocky
The interesting thing about Rocky is that he is (despite being a male action icon) also not written as a Traditionally Masculine person. Large portions of Rocky – and subsequent Rocky films – are his fear and insecurity about fighting vs his inability to apply his skills to another piece of work and wanting to do right by his girlfriend (and future wife), Adrian. The fighting is most often pushed onto him against his will.
Much like in Karate Kid there is barely any fighting in Rocky I. Most of it is dedicated to how much Rocky loves Adrian and the two of them getting together. The fight is – again like in Karate Kid – a necessary violence, rather than a glorified one (within the plot, obviously watching any movie like this is also partly about the badassness of some element of the violence – whether stamina or the crane kick, it’s all about not backing down against a more powerful opponent).
Rocky is played by Sylvester Stallone. He’s tough, he’s already a fighter (albeit in the movie not a great one yet), he’s taking the fight for cash – so although he’s also soft-spoken and sweet, you’re aware of the fact that he’s got those traits that’d make a male audience go “Hell Yeah, A Man,” or whatever it is a male audience does watching movies like that… cis straight men imprinting on oiled muscle men sure is a strange phenomenon, why do you wanna watch a boxing match? So you can watch toned guys groaning and grappling with each other? Because you want to feel like A Man by allowing yourself to touch the skin of other men?
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Apollo and Rocky in Rocky III. This sequence also includes prolonged shots of their crotches as they run. Sylvester Stallone directed this. This was intentional. Bros.
Daniel LaRusso is not built like that. But that doesn’t really have to matter. Being smallish and probably more likely to be described as “pretty” than handsome, and not having a toxic masculine bone in his body does not a feminine archetype make. It just makes a compelling (and pretty) underdog. 
c. Daniel
So where does the main difference really lie? Between Rocky and Daniel? Well, Rocky has the plot in his hands – Daniel, largely, does not. Rocky is acting. Daniel is reacting or being pushed into situations by others. Just like our boy Neo. Just like Alice in Wonderland, Cinderella, Snow White – just like some of the women in some contemporary(ish) fairytale films like Buttercup (Princess Bride), Dorothy (Wizard of Oz), or Sarah (Labyrinth).
This isn’t a necessary negative about stories about girls and women, so much as looking at what it is girls and women in fairytales have/don’t have, what they want, and how they’re going to get it. It’s about power (lack of), sexuality (repressed, then liberated), men, and crossing some taboo lines. It’s also about queerness.
3. The Karate Kid Part One: Leaving Home
Daniel LaRusso is a poor, skinny, shortish kid (played by a skinny, shortish twenty-two-year old) who doesn’t fit in after having been taken away from the home he was familiar with against his will. Not every male protagonist in a fairytale leaves of his own will, and not every female protagonist leaves under duress – Red Riding Hood, for example, seems perfectly happy to enter the forest. However generally a hero is “striking out to make his fortune,” and generally a heroine is fleeing or making a bargain or being married off or waiting for help to arrive. She is often stuck (and even Red Riding Hood requires saving at some point).
Daniel then encounters a beautiful, lovely girl on the beach, puts on a red hoodie (red is significant), is beaten up by a large, attractive bully, loses what little clout he may have had with his new friends, and generally has a mostly miserable time until he befriends and is saved by Mr Miyagi. To do a little Cinderella comparison: Miyagi is the fairy godmother who pushes Daniel to go to the ball in disguise as well, and that disguise falls to pieces as he’s running away.
Then Daniel asks for help, Miyagi gets him enrolled in a Karate Tournament, and starts teaching him. Daniel wins the tournament and gets the girl, the end.
While Daniel has chutzpah and is a wonderful character, none of the big events are initiated by him, except for the initial going to the forest/beach (and within all of these events Daniel absolutely makes choices – I’m not saying he’s passive): Lucille takes them to California, Miyagi pushes him to go to the dance, Miyagi again decides to enroll him in the tournament and trains him, and only because Kreese doesn’t allow for any other option, Ali is the one who more often than not approaches Daniel, and even their first encounter is pushed by Daniel’s friends.
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Daniel really is at a dance/ball in disguise and receives a flower from a girl who recognises him through said disguise, it’s unbearable! It’s adorable! I get it Ali, I fucking get it!
Daniel’s main journey within this – apart from not getting killed by karate thugs (love u Johnny <3) and kissing Ali – is to learn from Miyagi. He’s not necessarily a full-on feminine fairytale archetype at this point, although there are fun things to pull out of it, mainly in the context of later films and Cobra Kai: the subtext of karate and how that builds throughout all the stories, the red clothes, the themes of obsession, his being targeted by boys whose masculinity is more than a little bit toxic and based on shame… more on all that coming up.
He doesn’t technically get a home until they build him a room at Miyagi’s place, but he definitely leaves the woods at the end of this one, trophy lifted in the air after being handed to him by a tearful Johnny and all.
And then they made a sequel.
4. The Karate Kid Part Two: Not Out Of The Woods Yet
Daniel’s won the competition, Kreese chokes out Johnny for daring to lose and cry, more life-lessons are given (for man without forgiveness in heart…) and Daniel and Ali break-up off-screen, confirming that TKK1 was not really about the girl after all, which, despite Daniel and Kumiko having wonderful chemistry, is also an ongoing theme. Daniel enters the screen in The Most Baby-Blue Outfit seen since Tiana’s dress in Princess and the Frog? Or that dress in Enchanted? Maybe Cinderella’s (technically silver, but later depicted as blue)? 
(Sidenote: At everyone who says Sam ought to wear a callback to that suit,  you are correct and sexy).
Surprise, Miyagi’s building him a room.
Double-surprise, Miyagi needs to go to Okinawa.
Triple surprise, Daniel reveals he’s going with him, because he’s his son dammit.
The Karate Kid Part Two is maybe the least Daniel-LaRusso-Feminine-Fairytale-Protagonist of the three, because it’s not really his movie. Daniel runs around with Kumiko (aka the most beautiful girl I’ve ever seen), continues to be The Best Non-Toxic Boy a middle-aged Okinawan karate master could ask for, lands himself another Built Karate Rival (twice is just a coincidence, right? Right?), and eventually doesn’t die while wearing red again – twice: When Chozen almost strangles him to death at the Miyagi dojo and then during the final fight. The Saving Of The Girl (both the little girl in the storm and Kumiko) actually puts him in a more traditional masculine space than the previous movie did, even if the main theme of the film is about compassion and kindness and by the end, once more the boy whose masculinity is built on rockhard abs and matchsticks is on his knees. Daniel just has that power over big boys. It’s called kick/punch them in the face hard enough that they see stars.
There’s an aside to be made here about how much Daniel really is an observer in other peoples stories in this, although he is the factor that sends both Chozen and Kumiko into completely different directions in life (Chozen and Kumiko main characters when?) Anyway he comes out of it presumably okay, despite being almost killed. Maybe a few therapy sessions and he’ll get over it. Too bad Terry Silver is lurking around the corner…
5. The Karate Kid Part Three: The Big Bad Wolf
Alright people have written Words about the third movie. It’s fascinating. It’s odd. It’s eye-straining. It’s like olives – you’re either fully onboard the madness or it’s too off-putting for you (or you’re like. Eh, don’t see what all the fuss is about either way...). It’s basically a non-consensual secret BDSM relationship between a guy in his thirties (played by a Very Tall twenty-seven year old Thomas Ian Griffith) and a 17/18 year old (played by a shorter twenty-eight year old Ralph Macchio).
Also recently we got more information on Mr. Griffith’s input on the uh… vibes of the film. Apparently it wasn’t just The Sweetness of Ralph Macchio’s face, the screenplay (whatever that amounted to in the first place – release the script!), the soundtrack, the direction to not tone it down under any circumstances, the fact that Macchio categorically refused to play a romance between himself and an actress who was sixteen, no: it was also TIG coming up with fun ways to torture Daniel’s character and suggesting these to the director. Clearly everyone has fun hurting Mr Macchio (including Mr Macchio).
The point is that aaallll of that amounts to that Intense Homoerotic Dubiously-Consented-To D/s subtext that haunts the movie and gives a lot of fun stuff to play with. It’s also a film that – if we’re analysing Daniel along feminine-coded fairytale lines recontextualises his role in this universe.
The Fairytale goes topsy-turvy. Through the looking glass. Enter Big Bad Wolf stage right. Karate is a metaphor for Daniel’s bisexual awakening. 
“Oh, when will an attractive man touch me in ways that aren’t about hurting me?” he asks after two movies of being hurt by boys with rippling muscles. “Why do men continue to notice me only to hit me? Do you think wearing red is making me too noticeable? Anyway, Mr Silver looked really good in his gi today.” 
Daniel’s diary must be a trip.
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nellygwyn · 3 years
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different anon, thoughts of harlots portrayal of historical sex work?
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I got another anon asking for a similar thing so here it goes:
Season 1, in particular, I think, had a really nuanced approach to sex work, historical and contemporary. It says a lot that some of my friends who are full service sex workers felt it explored a lot of the complex thoughts they have about being sex workers. We had Charlotte and Emily who are both ambivalent and ambitious, practical, knowing that money is the most important thing in their world whilst also being unattainable for them in other socially acceptable careers (also, since I did my MA thesis on the rape of working class adolescent girls in Georgian London, where I basically found that working in a pub or as a servant in a house could just as unsavory, if not worse, as being a sex worker in the same time period, I like to think Charlotte in particular knows this very well and that's why she wants to control her own narrative so much). We also have Lucy, who hates it and is taken advantage of by her mother in many ways, and other characters who end up in the sex industry through ~Hogarthian~ methods i.e. tricked by a kindly older woman who turns out to be an unscrupulous brothel-keeper a la Mother Needham. This kind of thing certainly happened, though not as often as 18th century moralists might like you to think, but in the show, it plays into the overarching theme that this is a world where the people who should be looking after sex workers and making sure they aren't treated like shit literally do not care (which definitely mirrors our own times). Like, Emily likes sex work in many ways but when she experiences awful aspects of it? It's always because of powerful people letting other powerful people do whatever they want to these women....the only thing outside forces ever seem to do is moralise or take away their money, or punish them. People who have the power to actually transform the system are basically useless, except Josiah in S2 who initially starts off as useless but does later try to make amends.....he's just not powerful ENOUGH though.
I do wish they hadn't made so much of the '1 in 5 women in Georgian London sell sex' because....that's not necessarily a false statistic but it doesn't actually just include sex workers, it also includes women who lived with men they weren't married to which could've been a financial arrangement or could've been simply women living with long term partners. It also includes women who dabbled in sex work, which was extremely common in a world where other, more socially acceptable jobs for working women didn't always pay very well. We know that a lot of women who were in domestic service in Georgian London also had what we might call 'a side hustle' as sex workers, specifically strollers and bunters (sex workers who didn't work in a brothel and usually picked up clients/did work on the streets). I think Harlots did a good job of showing us like, sex workers who work in brothels but also more independent sex workers like Nancy and Violet, but it would've been nice to have a character who was a maid in a middle class home most of the time but occasionally dabbled in sex work in the late evening. It would've emphasised the theme of money being important and barely within reach, but also would've shown the reality of women's work in this period OUTSIDE OF sex work.
The diversity of the industry was also good, although it's a shame that the show kind of failed at showing us male sex workers, or queer sex workers - I mean, we did see mollies (contemporary name for gay men sex workers) but not in a particularly meaningful way imo. Plus, we could've had a trans woman sex worker, especially as there is precedent in this period! Princess Serefina, for example, was probably a transgender woman and one of the most famous sex workers of the early 18th century. But I think Harlots did show us the amount of women of colour who not only lived in Georgian London, but who worked there and not just as sex workers. We also had sex workers with disabilities, too. One of my favourite details is that Harriet Lennox is inspired by a real Georgian sex worker called Black Harriet who only employed sex workers of colour at her brothel (which Harriet Lennox also does in S2 and 3). And there is quite an admirable attempt to explore intersectionality in the series - Harriet doesn't just experience sexism but pretty awful racism (I mean, she literally used to be enslaved by the first man who made her his mistress)....and this changes the way she experiences the world.
My biggest criticism is of the way Charlotte was killed off. Well, first of all, I have an issue with the fact Season 3 put her in a relationship with a pimp, which is so fucked up on every level. Like, not even just a pimp but a pimp who tried to kill her and the women she lives with. Then, she ends up being ACTUALLY killed off by said pimp and his brother (also a pimp) in the most deranged way possible a.k.a getting in the way of a fight and being pushed down the stairs. So many stories about sex workers, historical and contemporary, employ the 'Dead Hooker' trope and I hate it and I especially hate it for this time period because dying violently or tragically as a sex worker doesn't have much basis in reality. Charlotte specifically was inspired by famous courtesans of the time like Kitty Fisher and Fanny Murray. Both of whom......met someone who was willing to keep them long term/marry them and left the industry, financially stable and contented. This series wanted to honour women like that but I don't understand how it could do that by killing Charlotte violently (and other characters violently). We know that most sex workers left the industry around their mid twenties, usually because they had found a long term keeper/husband or because they became actresses/singers in the London theatres (a job that had strong links to sex work and courtesanry at the time). There were so many options for Charlotte but the writers picked that one, as her exit. It just brings us back to the fact that for some people, sex workers don't deserve any kind of happy ending. In fact, John Cleland, the writer of the scandalous c. 1749 erotic novel 'Fanny Hill,' had his book banned and criticised not just because it was obscene but because Fanny never repents her life as a sex worker. Instead, she marries a decent man and has a decent life and explictly says she doesn't feel bad or upset about her old job. Like, that's an example from the actual time period so imagine my disappointment when history seemed to repeat itself in a period series c. 2019.
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mellometal · 3 years
Text
ATTENTION: This is some recent information about the current events with Chris Chan that I've been able to find, plus additional information that I couldn't find anything on that is now public knowledge.
ALL videos about any updates will be linked so you can watch them for yourself, if you wish.
Again, OBLIGATORY trigger warning: This post will be going into very sensitive subject matter, including r@p3, s3xual assault, elder abuse, and inc3st. I will also be mentioning the site Kîwî F@rm$ and the person who runs it (Null). DON'T go onto Kîwî F@rm$. Just stay away from there. It's like 4chan (another site full of REALLY fucked up shit, depending on which forum you go to), but worse.
If anything I mentioned is triggering for you or makes you otherwise uncomfortable in any way, you don't have to read this post. It's not worth putting yourself in a bad state mentally. Take care of yourself, please. Consume media that sparks joy for you.
ALRIGHTY, LET'S GET TO IT. Because there's quite a lot of bullshit that happened since the first post I made about the current events. And some more information that will most likely be the nail in the coffin for Chris. I'm patiently waiting for more updates as they come and I'll share them here as soon as possible.
The person Chris was in a call with was revealed to be a troll under the name "Bella". The screenshots of messages and the audio from the call have all been confirmed to be real.
It's also been revealed that Chris confided in Null about her having a girlfriend, having s3x with her, all that. Here's a list of things to describe this "girlfriend" below, which I will compare to Barbara in bold:
This woman is "in her over fifties". (Barbara is eighty years old. Most people would assume that someone's in their late fifties when this terminology is used. Eighty is well over fifty.)
Her favorite person was the late Adam West in the 60s, as it was "for her son back then". (I don't know if Chris is referring to her half-brother Cole Smithey [he does movie reviews, and he's most famous for being one of the only people to give Toy Story 3 a negative review] here, or if she's referring to herself before she came out as trans. I'm adding this here anyway.)
Chris has known this woman "for a long time", offline and in-person. (OBVIOUSLY she's known Barbara her whole life, since she's, AGAIN, HER MOTHER! DUH.)
They've been having s3x "every three nights". (Like how Chris admitted to doing to her defenseless mother. PRETTY FUCKING FISHY, IF YOU ASK ME.)
They began having s3x on June 27th. (The same day that Chris admitted to doing to Barbara.)
This woman was an accountant when she was younger. (Barbara's job was EXACTLY this.)
Chris said she feels grateful to "enlighten" her girlfriend with s3x play that she (the woman) "missed from even her exes". (I didn't mention this in my initial post, but if you chose to watch the videos that were linked, Chris mentioned that Barbara's boyfriends and ex-husbands "have never been able to make her 0rg@$m" like Chris did. SHE EVEN MENTIONED HER LATE FATHER. THAT'S FUCKING DISGUSTING AND DISRESPECTFUL.)
Chris has been "keeping her girlfriend safe" too. (She had been "taking care of Barbara" since Bob, her late father, passed away. This right here is proof alone that she was talking about HER MOM!)
Her girlfriend "didn't want to do it at first", it was "very painful" for Chris's girlfriend in the beginning, and it took a few tries for them "to get going". This included Chris doing it FOR her because she thought her girlfriend would "feel better" due to her lack of mobility and lucidity. (Chris said all of this exact stuff TO "BELLA" during their call.)
Null initially thought that Chris was lying about sleeping with her mother to cover up the fact that she had a girlfriend and having s3x with her. Why? Because apparently people would believe Chris would have s3x with her mother than some other unknown woman. Chris told Null to keep her girlfriend's identity secret because she was afraid her girlfriend would get trolled and she'd end up losing her.
What Null realized was that what Chris told him completely matched the description of Barbara. Note that before he looked into this, he was unaware of the context Chris was giving him about her "girlfriend".
It's extremely possible now that Chris admitted to s3xually assaulting Barbara to Null and "Bella", but she wanted Null to keep it confidential. Chris wanted NULL to keep the fact that she admitted to committing a VERY serious crime A SECRET.
If Chris WAS actually lying, she'd use a lot more CWCisms (her own phrases) or say that she was "using her psychic powers" to have s3x with Barbara's fictional counterpart in another dimension. But no, Chris was VERY straightforward and talked about it casually like if you were to talk about the weather.
Chris, according to Null, slept in a parking lot in her car the other night. At least for a few hours, though I don't remember where the FUCK else she slept (maybe a hotel room eventually), considering she had -$200 in her bank account. I believe some people who are in contact with Chris sent her some money to get food too.
Null revealed that he set up a GoFundMe previously for Chris to attend a Brony convention, which was a test to see how Chris would be able to handle commissions. The GFM was successful, to say the least. Chris fulfilled commissions successfully, DESPITE NOT WORKING ON THE FUCKING COMIC. Y'KNOW, THE THING SHE'S PAID FOR ON PATREON TO DO!
Well, due to recent events, he has since taken down the GFM and is refunding all the money to all the donors. He was debating on sending Chris money (the GFM money, since Chris isn't able to go to the Brony convention), but he decided not to do so. He told Chris to sleep in her car, spend the night under the stars, and reflect on her current situation until the morning, when Null would help her find a temporary roof over her head until August 5th.
Barbara tightly manages Chris's finances. Those are Null's words, not mine. You want to know why Barbara's been having trouble with the house and shit? CHRIS HAS BEEN STEALING MONEY FROM HER FOR YEARS. HER CREDIT IS ALL SORTS OF FUCKED, SHE'S BURIED IN DEBT, AND IT'S CHRIS'S FAULT. THE PERSON WHO'S SUPPOSED TO BE TAKING CARE OF HER.
How did we find out about Chris recently getting more money, specifically $750? Well, Null has had access to Chris's emails for the past few years (Chris knows this), and he found an email that Barbara had sent Chris money.
That's a violation of the EPO (Emergency Protective Order) that was put into affect for Barbara. Chris was NOT supposed to contact Barbara in ANY way, shape or form.
Null asked Chris about this and told her that this was a violation of the EPO. He asked her if her mom sent her money. Chris denied it at first, and then went into the whole goddess bullshit she goes into. She then admitted to accessing Barbara's banking account online and wiring the $750 to HER account. Chris also said that she'd pay her back the $750 after receiving the $1000 that Null was supposed to send to Chris. Null was obviously upset with what Chris had done. Who wouldn't be?
Guess what Null did in reaction to what Chris told him? HE BLOCKED CHRIS AND REPORTED HER TO THE POLICE. I'm honestly surprised he stuck with her this long. He genuinely wanted to see Chris become a better person.
It's only a matter of time for Chris's arrest. With all this information that's out there now, more information probably coming very soon, plus people close to Chris confirming all of this....I feel it's safe for me to say that Chris did s3xually assault her mother.
I don't feel bad for Chris anymore. I have no sympathy for Chris. Any ounce of respect for this person has been long since gone. I don't feel comfortable even referring to Chris as a person. She's a monster.
I talked about Chris a few times a few years ago on Instagram, and I got yelled at for tearing this motherfucker apart. Because apparently I was an "ableist bully" for having my grievances with Chris, despite the fact that I'm autistic too and I've never "bullied" Chris for being autistic. Not even once. My grievances had more to do with Chris using her mother and their animals to exploit them for her own monetary gain INSTEAD OF TRYING TO FIND A JOB. I've even tried to suggest that she go work through a temporary work industry and get paid daily. (At that time, I didn't know that trying to interact with Chris wasn't a very good idea. I've since learned, obviously.)
Here's a link to Gibi's video:
youtube
Dillon Thomas's video:
youtube
The stream with Null:
youtube
Geno Samuel's stream:
youtube
Here's Rogue's video and live stream he did about the situation. Rogue is one of my FAVORITE YouTubers, as edgy as his content is.:
youtube
youtube
Thank you for your time.
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