what I appreciate best about mbc tomorrow is how all the main four proudly and regularly drink ‘respect women’ juice:
choi joon-woong? goodest boi, actual puppy, will cry pure tears for you
lim ryung-gu? actual momma’s boi, beats up r*pists, an absolute icon
park joong-gil? simp for his wife, no to victim-blaming, will probably savage (or burn) people who call women sl*ts
koo ryeon? QUEEN, ‘you will never be able to shame me’, epitome of dignity
it’s funny how koo ryeon is actually the LEAST vocal as a feminist among the four of them.
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Do you guys notice how when Shawn Fain, president of the United Auto Workers union, started planning a general strike, he did it by a) targeting his messaging towards unions with the ability to safely and effectively strike in large numbers, b) laid out a clear, actionable plan for those unions to follow (setting contracts to all expire at the same time, since many unions cannot strike while under contract), c) is using union contracts to set clear, actionable demands that can be met in order to gauge success and provide an end goal, and d) started organizing FOUR YEARS before the proposed strike date to give people the chance to plan accordingly, because it takes a really freaking long time to get tens of millions of people organized?
You notice how he didn't do it by slapping a message on Twitter saying 'hey nobody go to work on Monday, that'll really show 'em'?
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low key very obsessed with sex-adverse Astarion. like he's The Thirst Companion. The fucking Only Fangs joke. All the smut fan content. And then it does a total 180 and he's like "actually my sexual identity was weaponized against me and i was forced to use it to lead hundreds of people to their deaths". It's just such a compelling and interesting twist on his character. I love it.
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I want someone to push me down onto my stomach on the bed so they can spread my legs and run their hands over me, spreading me open “just for inspection”, making comments about how silly I am for getting so wet just from this
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Hate (affectionate) how it's made so clear from the very beginning of part 1 just how loved Paul is by his family and household. Both his parents, Duncan, Gurney, Thufir, even Dr Yueh all clearly care so deeply for this kid, and we're shown that time and time again.
Cut to the end of part two, and almost every one of those people is gone. The only ones who remain are a weird, came-back-wrong version of Jessica, and Gurney who has gone from mentor to worshipper. Paul goes from someone deeply loved and valued for who he is by a small but caring group of people - to someone followed and worshipped and feared by thousands. They're obsessed with him in a way, as a leader and "messiah", but nobody loves him.
The only one remaining who loves him for who he is is Chani, who leaves him because in the end that love isn't enough to bring who he is back.
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EVERYBODY MOVED ON I, I STAYED THERE DUST COLLECTED ON MY PINNED-UP HAIR THEY EXPECTED ME TO FIND SOMEWHERE SOME PERSPECTIVE BUT I SAT AND STARED RIGHT WHERE YOU LEEEEEFT MEEEEE YOU LEFT ME NO, YOU LEFT ME NO, YOU LEFT ME NO CHOICE BUT TO STAY HERE FOREVER
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steve having a cat that refuses to be touched by anyone but him (it tolerates robin by extension ofc bc it has accepted the reality that they’re a package deal), and eddie gets warned by the entire party that steve’s cat hates people who aren’t steve or robin. eddie’s fully prepared to get scratched the fuck up, but the cat’s almost as friendly with him as it is with steve. huh. weird.
meanwhile, steve’s poor cat is trying to figure out a way to get its owner to stop being so sad all the time, and when one of the strange people he spends time with makes steve smile, the cat is determined to keep him around at all costs.
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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