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#it's just that they're not actually the characters you want to read-even when the tags are out here claiming otherwise

matan4il · 3 days

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911 ep 707 first watch reactions

Oh man, I'm actually not sure I have that much to say about this ep.

The entire plot with Mara and her brother Tyson was very sweet, very nice, and way too convenient. One day, shows are going to stop using the phrase, "There must be something you can do!" like it's some secret magic phrase, that makes this sentiment into a reality, AND turns the person addressed into someone willing to risk everything, in order to do that one thing they can do, which is usually something they're very much not supposed to... That said, Denny was sweet, Mara was lovely, her with Tyson was very endearing, and Henren continued to rule.

The storyline with Maddie was nicely handled, both her trauma, and the way Chim helped her use it to figure out the case and help save everyone from the stalker. My little Madney heart absolutely loved it. And Maddie's distress over a baby involved felt very real and understandable, when she's a mom herself now.

But then in a sense, it was clear this has no long term repercussions, other than bringing Brad into contact with Bobby. With his burn scars, and what we know about the fire that Bobby caused in the past, we can guess where this is headed. I trust that 911 will delve into this coming clash with the same humaneness with which it tackles most storylines.

But I'll be honest, I don't really like where Eddie's headed. I know Shannon scarred him deeply, but he was able to let go of her, and allow her to walk away from him twice while she was alive. It's weird if it's now being implied that the reason why he was never able to move on to another serious r/s is that he was stuck on her. The way she died was traumatic and painful, and it made sense that, even accepting that they as a couple were over, he had a hard time dealing with her death, but Eddie seemingly moved on in s4 at the latest. It feels a bit like they don't really know what to do with him, and how to move him on, so they keep going in circles with his character. Kinda like they were with Buck in s6. None of what we saw in that season helped Buck get to some major breakthroughs that we've seen in this one, so this current storyline with Eddie might end in the same way.

I'm not saying it doesn't have the potential to move him forward, and I'm sure it will be presented as if it has whether it actually does or doesn't (kinda like how 618 presented Buck and Natalia as a move forward, even though it very obviously was not), but right now, I'm not enjoying it. I also... even with this idea of having Eddie run into a Shannon look-a-like, I feel they could have gone in a lot of different ways, and the one where he goes on a date with her while having a serious gf he's essentially cheating on, it just doesn't feel great, or true to Eddie's values. Which can be the point, right? That sometimes we're so shaken up, we do stuff that's uncharacteristic. If that's where they'll take it, then it's working, 'coz right now, everything about this feels a little off. Let's hope they do something actually constructive with this, and give Eddie real progress (rather than just give Tim an opportunity to re-use an actress he already said he really likes).

Small mandatory Buddifer moment was really lovely, even if far from what my shipper heart would want. Then again, I honestly feel it's so funny that Buck is dating Tommy, while being married to Eddie, his actual baby daddy. If there aren't a lot of fics shipping all three men already, then IDK fandom.

Thank you for reading! If you’re looking for more, you can find my s7 reactions tag here, and more of my Buddie meta and content in my pinned post. xoxox

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shieldsurf · 2 months

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out of the big 4 het/canon fairy tail pairings jerza is by Far the worst imo like. he needs to leave her alone i'm so serious and the fact that mashima wrote in a 7 year age gap for no reason is Not helping... erzas ass is NINETEEN the first time jellal makes an open pass at her i don't care that they used to be the same age it is fucking weird. gruvia is a close second though because while yes we objectify men here sir and i live to serve women juvia's creepiness is really just too much like at a certain point it starts to feel really gross and the fact that gray seems to fall for her by the end of the anime/manga just reeks of coercion. not even bringing up how genuinely awful juvia's character writing is she gets like 5 minutes of being interesting before getting instantly reduced to a creepy stan who completely revolves around gray and has less depth than the average bossfight of the week. i guess its equality that erza and mirajane are some of the best characters in this story (which is admittedly a low bar considering half of their personality is being subjected to the most voyeuristic shots possible) so mashima had to balance it out by making juvia one of the worst

#the other two pairings nalu and gajevy are honestly fine. i'm more pilled on gratsu and lucana or luli but gajevy is actually a decently #sweet redemption relationship if you forget that gajeel was genuinely the worst person alive in his villain arc before mashima decided to #fast track him to the most likable character in the show.#on top of that while gajeel and levy become a Unit pretty fast after tenrou island they do still have like #unique personalities and things about them that help them stand apart from the other. unlike juvia with gray.#nalu might not be my pairing of choice for either natsu or lucy or even my favorite big 4 pairing but it is pretty good. i really don't hav #any notes they have their own personalities and have chemistry. i think they're sweet together. they work fine.#the moral of the story is don't read or watch fairy tail it's just shittier one piece #tender age of 11 and it gave me incurable brain fungus and now i live in my wonderful little made up world where everyone in fairy tail is #gay and trans and the women aren't treated like meat half the time. this is my trash of choice and my defining character sin dont be like m #but if you're that curious read the manga the anime is insanely drawn out #and the animation is aaaawful #the only reason im watching it is as background noise for when i work #im gonna tag this as #fairy tail #for people who want to blacklist #in the future

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that-was-anticlimactic · 1 year

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actually, no. you know what? i am so sick of this “marinette is just a friend” bs. okay. cool. adrien said she was just a friend a few times. whatever. it’s not that big of a deal and everyone in the mlb fandom like. hyperfixates on that??? idc if it’s a “just a joke” because it’s utterly ridiculous at this point. i have literally seen people go on heated rants about how stupid or clueless adrien was during the umbrella scene because he called mari just a friend. are you kidding me??? y’all are really going to take away that moment for him? he just made like his first ever friend in nino and when he called her a friend, he looked so excited because this boy has only ever had one friend before. of course he’s going to call mari just a friend because he just met her and the only time she’s actually spoken to him outside of the suit at this point is to yell at him like... y’all...

and this is not me hating on mari because i love her so so so much. i just hate how passionate and heated fans get about this. i mean... y’all... adrien didn’t even think mari liked him??? like, in puppeteer two, he is literally upset because he came to the conclusion that mari hates him. also, of course he’s not like in love with or crushing on her when she’s barely spoken actual sentences to him! again, not me hating on mari and her nerves because like i get it, it’s hard. and also this is like adrien’s first time interacting with people as peers, so 1. of course romance is not his main priority 2. he doesn’t understand social cues or situations very well At All which is made abundantly clear in the show 3. i don’t... i don’t think adrien knows what affection is??? i mean, he’s definitely learned some over the course of the show, but he’s used to a neglectful / abusive father, his stoic assistant, his bodyguard who doesn’t really talk like at all, chloé being chloé, and hoards of fans declaring that they’re in love with him, hanging all over him, acting like he’s a shiny thing rather than a person, etc... so like. how is adrien supposed to actually comprehend that mari likes him???

and okay no my last point: so so so sick of the double standard. i have seen countless people rant and rave and scream and shout about how stupid adrien is for not returning mari’s feelings or knowing he has a crush on her and then these same people will turn around and berate chat noir and say things like “gosh ladybug isn’t obligated to return his feelings:/” like... hELLO??? why is ladybug not obligated while adrien is??? it’s ridiculous and disgusting and i’m so so so tired of “just a friend” jokes on tumblr, in art, in fics, in youtube compilations... like... can’t we be normal about this? and i don’t mean normal as in “casually enjoy” i mean normal as in can we stop being so aggressive and harsh and hostile towards literal fourteen year olds my God they’re children they’re allowed to make mistakes and mess up and my God the way y’all talk about lila is disgusting, too like i hate her but i don’t want her tortured and killed??? and the way people characterize the classmates as physically and verbally assaulting mari because of lila??? like... my God they would never??? they would all honestly side with mari chameleon is a bad episode and is poorly written and everyone is out of character please use your critical thinking skills and understand that chat noir is not harassing ladybug anymore than mari may be harassing adrien (aka they are not harassing each other at all my God) and stop insulting and demonizing fourteen year olds so your otp can get together thanks

#i have. feelings.#sorry y'all #this may be harsh but i am so beyond sick of it #i've been going through the classmates tag on ao3 and filtered out all the s.alt fics for all the characters and the majority of the fics #i'm seeing are aggressive lila takedown fics or like unproperly tagged s.alt fics #where the classmates are still rude and aggressive and bully mari when even lila doesn't really bully mari that badly??? like yes it is #awful that she tried to get her expelled and lied a bit about her but lila has never been physical nor tried to kill mari and nor would any #of the classmates actually turn against her like. they may disagree with her or think she may be acting on her crush and yes lila did #threaten mari in the bathroom but like... what has she done since then? try to get her expelled and then... nothing. like. this is Not me #saying not to take bullying seriously but people take it to the extreme with lila and how she treats mari in fics and i am so so so sick of #it!!! i just want to read mlb classmate fics where they're all silly and being teenagers without mari being unreasonably and uncanonically #bullied and without the tags 'alya/adrien/classmate redemption' HELLO??? WHY DO THEY NEED TO BE REDEEMED??? THEY AREN'T VILLAINS??? THEY ARE #FOURTEEN??? as a rule of thumb i refuse to read fics with those tags like sorry but if you tag fics like that then you obviously don't know #the characters. i'm sorry if this sounds mean or harsh it's just exhausting trying to find fun or sweet or found family mlb fics because so #many of them are so negative and ooc and involve like extreme hatred towards fourteen year old fictional children... like... how do we not #see the problem with that??? like... am i overreacting??? please someone tell me they agree with me!!! i've been working on this really #stressful assignment that determines whether i graduate my future career and also costs three hundred dollars to take so i've been really #stressed and every time i try and take an mb fic break i end up more stressed because the fandom is so cruel to children ahhhhhhhh #okay i am. done. maybe i'll delete this later... i just need to see if someone agrees with me because i am. :))) on the verge of losing it #lol #mlb

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ltleflrt · 1 month

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Figuring out I'm on the ace spectrum was so difficult because I have always been a horny bitch. I knew what sex was at a fairly young age, because I'd asked my mom and she's one of those good parents who'll answer questions like those, and as I grew older and would ask more complex questions, her answers would evolve along with my curiosity and understanding of the world. And I remember having fantasies as young as 9 or 10 years old, even if they were hella vague and nothing close to what sex actually is lol

So as I became a teenager, and all my friends' focus turned from playing with dolls to flirting with boys, I automatically thought I was attracted to boys. And I paid more attention to Cute Boys than I did to Cute Girls, because girls were just nice to look at while boys were People To Have Crushes On. Because of heteronormativity. Looking back on it now, I know there were girls I liked to stare at just as intently as boys, although less often because I wasn't trying to pay attention. And I certainly didn't fantasize about girls because I started reading romance novels in 5th grade, so I was fantasizing about male romantic partners because that was the fiction I was consuming. I didn't even realize fantasizing about girls was possible until I was 17, and I had a few "am I a lesbian" internal crises for years because of it.

So when I did start having sex, I had A LOT OF IT with SO MANY different guys, and eventually a couple of women once I started accepting that bisexuality was real. But it was never really fulfilling. Not like my fantasies were. Not like my books were. I was slutty because sex was fun, I was horny, there were plenty of options so I kept searching for that satisfaction I was craving.

Getting married was a relief (even though it turns out I'm aro-spec too lol) because I was tired of hunting, and even if sex with my husband was meh, at least I had someone around to scratch that itch if I had it, and he didn't mind if I occasionally took care of things on my own because I'd read an especially hot scene in a romance.

I learned about asexuality in my early 20s, but I brushed it off. Couldn't be me, I'm far too horny for that. But I think that comes from the fact that everything you hear about Aces is attached to sex-repulsion or sex-indifference. I wasn't either of those things. I was horny all the dang time. I was fantasizing about sex all the dang time. I figured actual sex was meh because my imagination was so vivid that real life could never match up. Which could be true to an extent, but I think not as much as popular opinion would have us believe. If fantasy was really that much better for everyone, then I think we'd have less incels and unplanned pregnancies than we do.

In my 30s I finally saw people talking about The Spectrum, and I started examining my past, and I figured out I wasn't really attracted to anyone I had sex with. I do occasionally find someone attractive; there are men and women and enbies who make my skin feel tight and give me a little wave of lightheadedness lol... but it's always always the fantasy that gets me really going. If given the opportunity I wouldn't have sex with any of those people. Thank you, but no thank you, I'd rather just imagine it than physically participate in the act with them.

(Ok I might go down on them, but that's less about wanting sex, and more about being able to add them to my Tally. Hell yeah I want to brag about making *insert hot person* have an orgasm. There's PRIDE in that kind of accomplishment lol)

I have a lot of respect for aces that are not horny. I understand it even if I don't share the sentiment. And I feel like most of them understand me even if they don't share the sentiment. There's a solidarity between us.

Until I go into a fandom tag for a character that the aces have glommed onto because they're canonically ace or headcanoned as ace. Good lord, the non-horny aces can turn into downright vicious bastards if a horny ace sexualizes their blorbo.

This post is for them.

Horny aces exist. Please look up "autochorissexual, lithosexual, and aegosexual."

Refer to those definitions in regards to romantic attraction as well as sexual attraction.

Some aces may not fall into one of those definitions, because asexuality is a spectrum, but they may still be horny.

Horny aces are not disrespecting you by enjoying being horny on main. We promise we'll wash the stickiness off our hands before we hold your hands in queer solidarity.

And most importantly: Your blorbo is fictional and does not need to be defended from icky sexuality. They exist in an infinite multiverse, so your blorbo and my blorbo are not the same, even if they appear to be on the surface.

AND:

This post is also for the people who are confused about themselves because they're horny but don't actually feel attraction. You're not crazy, you're not wishy washy, you're not "waiting for the right person to come along" (unless you are, in which case I hope you find them). You're just a thin strip of color on a massive rainbow that holds more unique shades than anyone can perceive at a glance.

You're valid. You're one of us too.

And don't be mean to the non-horny aces. Tag your smut so they can avoid it. (But actually so I can find it lol)

#ltleramblings #queer stuff #seriously the fandom fights are so exhausting #thank goodness for the block button #asexuality

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little-hermit-crab56 · 6 months

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I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

#writing tips #nanowrimo #story writing #writers on tumblr #writeblr #writerscommunity #writing #writer

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wordbunch · 10 months

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how you pamper them when they're stressed/overworked

a/n: requested by the sweet @almost-gabrielle, i hope you enjoy it, and everyone else too - it's going to be GIGANTIC! 😍 be nice, cause I included some characters I haven't written much before (exciting!!!) and if you reblog with a comment or a nice tag... i'll love you forever! 💖 that means a lot, and i'm very grateful for all of it 🥰

ARAGORN: he actually feels like that quite often, but he’s incredibly good at hiding it. Luckily, you’re an expert in reading him like an open book, but oftentimes you need to literally physically drag him away from whatever he is doing (and he might complain as you do so). Aragorn just enjoys sometimes being quiet with you, and it’s usually what he needs when his mind is racing, or his body is overexerted. Or both. You can just lie down together and run your fingers slowly through his hair, and that will help him forget his worries at least for a little while. Secretly he is an absolute sucker for sweet, romantic confessions of love and affection, and he will melt if you whisper sweet nothings in his ear.

LEGOLAS: something has to be extremely serious for him to feel that way, because his limits are very high; but in those moments he just wants to get away from everything as soon as possible and run to you, because with you the rest of the world just fades away. He enjoys an outing in nature, far away from real life, especially if the two of you find a nice lake or river to go for a swim in, and eventually act like a couple of children splashing and chasing each other. If that doesn’t help, he likes to sit in front of you and let you braid his hair as he talks about whatever is on his mind, and it also helps him physically relax to have you sitting behind and so close to him.

BOROMIR: this man will most likely push himself to his absolute limits, because he shoulders too much responsibility and feels pressured constantly to be on top of things. However, it’s easy to notice when he becomes a bit more irritable at one point, and then you know it’s time to talk him into taking at least a little break. That can be a slippery slope, because once he gets you alone for 5 minutes, it can very easily turn into 15 hours, and he would never finish anything. But on some days it’s just necessary - you sweet talk him into a cuddle session, during which he accidentally falls asleep with his head over your heart, or you make some tea with love as the special ingredient – and tell him that! He’s going to melt and finally, gratefully accept that his partner wants to look after him.

FARAMIR: much like his brother, he will probably suffer in silence, but you can’t miss his tired sighs every now and then, and the way he shuts his eyes and rubs his temples. If you hug him from behind, he will melt into your touch and lean onto you so much that you will almost topple over, but that will also make him admit to himself that he really needs a break. Run him a nice, hot bath complete with fragrant ingredients, and candles lit around it, and he will be forever grateful. If you don’t join immediately, he will very sweetly ask you to come with him because 'oh the bath is so big and so lonely' without one more person in it.

ÉOMER: this hardworking man is actually quite in touch with how he feels, both physically and emotionally, and he knows when things are becoming too much and he needs to step away for his own good. It is not unusual for him to go search for you and suggest that the two of you do something away from everyday life. Many times he doesn’t even suggest anything, he just follows behind you whatever you’re doing - taking a walk and admiring some trees in bloom? He’s right there holding your hand. Sitting on a balcony and reading? He will lay his head on your lap and ask you to read to him. And he is content just being present with you.

SAM: he gets both overworked and stressed quite often, poor thing. Make him something to eat and bring it outside while he’s working in the garden, and just have a spontaneous mini-picnic in the backyard. Although he’s very hardworking and persistent, over time he’s learned to accept your help and pampering, and he really really enjoys it too. If he is under mental stress, maybe you’ll need to push him a little bit to tell you what is on his mind, but once he does, he will gladly listen to your advice or any help you can give him.

FRODO: baby boy is in his head a lot and oftentimes he will accidentally create things to worry about, and he will just zone out. if he has a faraway look in his eyes, while doing nothing in particular, you can accurately guess what is up. He likes to feel useful, and he will gratefully accept if you ask him to help you with whatever you’re doing - it gives him an excuse to be kind and helpful, but also spend time with his favorite person. Especially if you’re organizing/re-organizing something, he will enjoy doing it with you, or cooking - he might not be the best at it, but he delights in giving you a hand, and he likes to learn and improve new skills anyway.

MERRY: he is actually much more of an overthinker than he seems to be on the outside, so stress sometimes just generates outta nowhere! Also he isn’t the biggest fan of physical labor out there, but he is a little bit of a show-off when it comes to you, and he will go above and beyond when helping you with something or doing something for you, until he can barely stand. Afterwards he will take pride in the fact that you had to force him to stop whatever he was doing, but he was simply being so very nice to his favorite person! Something he loves to do to unwind in those moments is just come up with random stories with you, the two of you taking turns making up characters and events. He is a little bit of a baby and he will just take your hand wordlessly and put it in his hair, because it feels nice when you run your fingers through it.

PIPPIN: he will either be stressing over very small, irrelevant things, or something absolutely terrible, no in-between. If it’s something small, he has no problem rambling about it to you, and that usually helps him sort things out; but if it’s something serious, he will grow quiet. The best thing you can do for him in those moments is distract him with a silly idea like “let’s go for a walk and find as many kinds of blue flowers as we can” or just straight up make him laugh - it’s the best medicine. He wouldn’t ask you directly to do it, but he’d love it if you could just hold him or cuddle him for a bit (he’s the little spoon of course).

BILBO: oh he will get worked up over a whole bunch of random things; and when he is working on something, he goes all in (and then has a random episode of doing absolutely nothing), so you need to be the one who grounds him in reality sometimes. Just don’t startle him when approaching him quietly. He is very responsive to your touch and he will just lean into you as soon as you’re near, almost forgetting about everything else. He adores it when you hold his face in your hands and he will look at you as if hypnotized while you comfortingly reassure him that everything will be alright and that he doesn’t have to do anything alone as long as you’re around.

FÍLI: he is very big on “strong protective independent dwarf” and sometimes he doesn’t fully allow himself to rest properly, or to process some things that are bothering him on the inside. However, at one point it will all have to culminate, and then his first instinct is to shut himself off. A guaranteed way to get through to him is to kiss him senselessly wherever you can reach and it makes him subconsciously relax almost immediately. He will kiss you back passionately which helps him eliminate some of the tension he’s feeling. Additionally, he will never ever say no to receiving a nice little massage from you.

KÍLI: oh he is quite proud of himself if he ends up overworking himself for you, as if it gives him bonus partner points. You will gently scold him for pushing himself too far, and then he will pout, but you know he still doesn’t regret it. Then he himself will drag you away for a cuddle session - he chose that as his reward for being the very best partner in all of Middle-earth - but you don’t have to exclusively cuddle. He finds it very relaxing if you sing something quietly to him and he will look up at you with shining eyes.

✨ taglist my beloved ✨ @lotrnonsense @starlady66 @queenmeriadoc @entishramblings @thesolarangel @silversword7000 @friendofthefellowshipsnerdblog @averys-place

@valkyriepirate @emmaarenstarr @noldorinpainter @asianbutnotjapanese @adamgetawaydriver @fenharel-enaste @ironmandeficiency @starryeyedrogue @dinofromspac3 @wisheduponastar @lady-of-imladris @frodo-cinnamonroll @unethicallypleistocene @deadlymistletoe @suncran @high-sea-husbands @asianbutnoteastasian @aidansloth @sweetpea-thoughts

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yumeka-sxf · 4 months

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Spy x Family CODE: White - FULL MOVIE SUMMARY [SPOILERS]

Now that I've finally read through the entire novelization of CODE: White, I'm ready to share a full summary of everything that happens - basically spoil the whole movie for those interested 😅

But before I get to the summary, a few notes:

I didn't translate every line from the novelization as that would have taken way too long. I go into more detail for scenes I was particularly interested in (like Twiyor scenes), or scenes that were easy to translate. But I still made sure to mention everything that's important to the story. If I gloss over some parts more than others, it's either because they were difficult to translate, or I didn't think they were that important. But even so, the "summary" still ended up being way longer than I anticipated!

I have not seen the movie myself yet, so everything in the summary below is based on the novelization only (of which there were two versions released, with slight differences between them). Obviously the novelization is an accurate adaptation, but there is a chance that a few things are different between the novelization and the actual movie, and/or the novelization may have left out some dialogue or minor scenes.

And lastly, it goes without saying but BEWARE OF MAJOR SPOILERS BELOW! Not only that, but please be considerate of where you share these spoilers. Remember to properly tag this post if you reblog it and think twice before you share any of this information on other social media. Most people don't want to be spoiled to this degree!

Again MAJOR SPOILERS BELOW!

The movie starts with an introduction to the characters – we see Twilight carrying out a mission where he has to disguise himself as someone's wife. Meanwhile, Yor is doing an assassination mission. They both come home at the same time and are greeted by Anya. Bond has a vision of Anya and Loid getting sick from Yor's cooking, so Anya suggests that Loid cook instead.

At Eden, Henderson tells the students about the cooking contest and how the principal will be the judge. Loid is on the roof, reading Henderson's lips. A falcon flies overhead and drops him a note with an F cipher. He goes to meet with Sylvia at one of the WISE hideouts. She informs him that she has another big mission for him, but when he objects that he couldn't take on something so big in the midst of Operation Strix, she hands him a photo of a man and child. She explains that the man is Major Depple of the Army Intelligence Department who has a lot of important people backing him, and since they hadn't made enough progress with Operation Strix, the higher-ups decided to pass it onto him.

As Loid leaves, he bumps into Fiona. Her hat gets blown away with the wind and he reaches to catch it, just as Yor and her coworkers are across the street. From where Yor sees them, it looks like Loid is kissing "the mysterious woman." Loid and Fiona have a fake conversation – he compliments her hat, she says it was made overseas, etc – while they're actually doing their secret "spy talk" (like they did when she first visited him at home). He tells her what's happening with Operation Strix, and she tells him that she had tried to warn him that it shouldn't have been left up to ordinary citizens who don't know anything, and that she should take on the wife role. Meanwhile, Camilla and co. tell Yor about the three signs of cheating: one, an increase in travelling; two, a change in clothing taste (to match the taste of his new lover); and three, suddenly giving gifts (because he feels guilty).

Later that evening, Yor is still feeling anxious about Loid's possible "lover." When Anya gets home, she tells them about the cooking competition. Loid recalls from his data that the principal's favorite is the melemele pastry. If Anya could get a stella from the competition, that could help get him back into Operation Strix. He says that he read in the school newspaper that the melemele in Frejis is supposedly the best, so they should go there and try it for themselves via a family vacation over the weekend. Yor thinks back to the "increase in travelling" sign of cheating that Camilla told her about. Loid tells her that only families are allowed at the Frejis restaurant they're headed to, so she decides to go, though she's still conflicted about whether this is actually a sign of cheating or not.

They have some family time on the train to Frejis, though Loid still makes Anya study. They play cards and get food (Anya has a corn dog, Yor has a sandwich, Loid has a hamburger). After coming back from the bathroom, Anya notices a key by one of the sinks. Bond is with her, and through him she sees a vision of the future – in the vision, she goes to car 8 and opens a trunk with the key while overhearing two men mention that it's a key to a treasure of the Republic.

Back in the train car, Loid brings up Anya's terrible handwriting while Yor mentions that they had practiced handwriting the other day. Loid says that Yor's motherly side is really coming out, which causes Yor to get flustered and makes her think that it's not her skills as a mother he could be dissatisfied with but perhaps her skills as a wife. She gets even more flustered when she notices a couple across the way kissing and starts nervously moving her lips, to which Loid asks if something's wrong. She stammers that her lipstick didn't warm up and is itchy, then says she's going to look for Anya since she's taking a long time.

Meanwhile, Anya and Bond find the luggage compartment and locate the trunk from Bond's vision. When Anya goes to grab it, Bond tries to stop her. At first she thinks that she shouldn't just do whatever she wants with other people's stuff, but then she remembers that the men in the vision said it was a treasure of the Republic, a treasure that could possibly help achieve world peace. She opens the trunk and is disappointed to find just a chocolate in it. But when she hears the two men, Domitri and Luca, open the door, she gets startled and accidently knocks the chocolate out of the trunk. It bounces off of Bond's nose, and when she tries to grab it, it falls into her mouth. She hides when Luca and Domitri come in to look for the trunk.

They describe the ship sticker on it, and when they find that it's been opened and the chocolate stolen, they say they're going to kill whoever took it so the secret won't get out. When Anya accidently makes a noise, the men take notice. Domitri takes a flower out of his pocket and points it towards the dim light in the car, saying that his "flower fortune telling" will tell him who's hiding. They then notice Anya escaping into car 7 and give chase. They lock her in car 6, but when she starts screaming for Papa and Mama, Yor breaks open the locked door. She asks Anya who the two men are and Anya says that they're chocolate thieves who were being mean to her. Yor beats them up (after telling Anya to cover her eyes) just as the train arrives at Frejis station (Anya seems to feel bad that she sicced Yor on them when she was the actual chocolate thief). When they get off the train, Loid says that they should start heading to their destination (as Yor starts building a snowman). After they get their luggage and leave, Luca and Domitri emerge from the car they were in and say they need to contact the colonel.

The shop that has the melemele is called "Restaurant Rubble and Bonds." Since pets aren't allowed in the restaurant, they leave Bond outside when they go inside to eat. After ordering food along with the melemele, the waitress tells them that they're getting the last melemele. Bond watches them from the window, but then a waitress comes over and feeds him the special pet plate, which he happily eats. As the Forgers are eating, Loid tells Anya that she shouldn't eat with her hands, and that using a knife and fork are proper manners. Yor watches and notices the turtleneck sweater Loid is wearing, which makes her realize it's something that he never wears. She then thinks of Camilla's second sign of cheating, a change in clothing taste. The chef comes over and tells them how the war in Frejis was mostly fought in the sky, and the aircraft displayed at the front of the station belonged to a two-man team famous for shooting down planes during the war.

There's a brief scene where Yuri overhears his coworkers at the SSS talking about Frejis, and he of course wants to go since he knows Yor is there now. But the boss won't let him, so he makes a bit of a scene.

Back at the restaurant, the chef continues to talk about the war and how he lost everything at that time. His decision behind making a restaurant catering to families was so people could experience the homemade food that he remembered his mom used to make. Loid can't help but relate the chef's backstory to his own. The melemele is finally ready and brought to the table.

Just as Anya is about to dig in, Colonel Snidel and some other soldiers enter the restaurant. The waitress and chef try to tell them that only families are allowed, but Snidel says that the military have authority in this area, even when it comes to food, and could close down the restaurant if they wanted to. They order the melemele, and when they're told that there isn't any left, one of the soldiers takes the melemele from Anya. Loid politely tells the soldiers that his daughter was really looking forward to eating it and if they could possibly order a different dessert. Snidel asks if they're tourists that came here to eat the melemele. Loid replies that they travel around trying delicious food. Snidel challenges Loid to a competition – if Loid wins, he'll give them back the melemele. The competition involves trying the three cakes that were placed on the table and correctly naming every type of sugar in them. Even though Loid correctly names them, Snidel also mentions the exact number of grams, making his answers the most accurate. Everyone's bummed that Loid lost, but he says that they could try coming back again. However, the chef tells them that they won't have more until Monday, which is when the Forgers have to be back in Berlint for the cooking competition. Yor asks the chef that if they provide their own ingredients, would he make it for them, and he agrees.

The Forgers go to the Frejis marketplace to get the ingredients from the list that the chef provided. Having already memorized the list, Loid moves at super speed to every shop and quickly finds most of the ingredients. When he goes looking for the orange syrup, a man from a cosmetic shop asks if he'll buy one of the many lipsticks there for his wife. He picks one out, mentioning how back on the train Yor had said that her lipstick wasn't working out and if this one is a nice color. She's embarrassed at first, but then agrees that it's a nice color and accepts…but then she's reminded of Camilla's last sign of cheating: suddenly giving a gift (meanwhile Loid is just thinking how putting on the happy couple appearance is part of the mission). With all three signs of cheating having taken place, Yor says that she's going to the bathroom and dejectedly walks away. Loid wonders if she's just tired from the trip and if she'll be okay. Anya then calls Loid over to a shooting game booth that has the orange syrup as one of the prizes. After attempting the game and failing, Anya reads the booth owner's mind and realizes it's rigged. Loid gets suspicious as well and is able to masterfully shoot down the orange syrup while also exposing the owner's scam.

Loid is ready to look for the last ingredient, but then Anya runs off to ride the mini train. Yor rejoins them, having put on the lipstick while she was in the bathroom. Loid says it suits her and asks if she'd like to get a drink somewhere. They go to a café booth where Loid orders coffee. But Yor, thinking how she needs to confirm the whole cheating thing with Loid and can't open up without the help of alcohol, orders several cups of heated wine. She finally gets drunk enough to ask Loid if he has a lover.

From the train, Anya looks over to see Yor grab Loid's scarf and pull him to the ground. Anya freaks out about "Papa and Mama flirting." They're both on the ground now, with Yor hovering over Loid before she finally passes out. She wakes up on a bench, where Loid asks if she's okay. She apologizes for what she did, but thinks that Loid will definitely want a divorce after what happened. When Anya reads her mind, she thinks of what Becky told her about divorces and how they cause families to fall apart. She then hears the ferris wheel attendant calling for people to ride, saying that it'll be a happy, "flirty" experience. Anya tells Loid and Yor that she wants to ride the ferris wheel, but then ushers them onto the gondola without joining them, much to their surprise. She tells them to get "flirty," to Loid's dismay. Yor tells Bond to look after Anya.

Yor realizes that she must look really bleak right now and it's making Anya worry. Loid asks if she's okay and she again apologizes for her behavior earlier. Loid replies that she's been acting weird for a while, causing Yor to finally admit that she saw him with his "lover"…someone with a large hat. Tears start welling in her eyes, so she covers her face with her hands to hide them. Realizing that the person she's referring to was Fiona, Loid explains that she wasn't a lover, just someone who needed directions to the art museum. Feeling embarrassed about her mistake, Yor looks away from Loid and out the window. She sees Anya and Bond below, the former waving happily at her. Yor waves back before mentioning if Loid could want a divorce, to which he light-heartily replies "no way." Yor says that she's lacking in a lot of ways, not just as a mother but as Loid's wife. Loid then takes her hands in his, looks straight into her eyes and reminds her of the promise he made via their marriage proposal.

He says the marriage vows again before stating that he has no intention of breaking his promise. As Loid gets closer to her, Yor's face reddens and her heart races until she finally breaks – she smacks Loid on the cheek, sending him flying out of the gondola (which had reached the ground). But he adjusts himself in midair and lands gracefully on his feet. Yor grabs their belongings from the gondola and hurries out. Upon seeing Loid's swollen cheek, Anya panics that Papa and Mama were fighting and the Forger family is over. Loid and Yor object to this, with Loid saying that they weren't fighting. Anya then says that they were flirting, but they object to that as well, faces red with embarrassment. Anya just grins at them.

The clock tower bell chimes, signaling 5 o' clock. When Loid muses that it got so late already, Yor apologizes that it was due to her passing out from drinking too much. Loid asks if she and Anya will go back to the hotel while he gets the remaining ingredient, cherry liquor. He thinks to himself how it's something rare that would not likely be sold at a store, so he'd have to get it through illegal means, which means that Yor and Anya can't accompany him.

Snidel gets out of his military vehicle in front of a flying battleship. He's greeted by several soldiers who tell him that route negotiations with the Arbo Republic have ended and adjustments to Type F have been completed. Snidel suddenly shoots and kills one of the operations leaders, claiming he's a traitor who leaked military information to WISE. Luca and Domitri then arrive and inform him that the microfilm was eaten.

Meanwhile, Sylvia meets with a bunch of WISE agents at their Berlint hideout. She tells them that they lost contact with their Frejis agent, suspecting that Snidel has taken action. She says that if the microfilm reaches the Arbo Republic, it could lead to an all-out war between the East and West. She doesn't think their agent had gotten the microfilm, but she knows Twilight is currently in Frejis, so he may be their only hope. She orders a couple of the male agents to meet with Twilight at Frejis and get the microfilm. However, Fiona interrupts and requests that Sylvia leave the mission to her instead. Sylvia objects, but Fiona is already leaving the room and on her way, thinking over and over to herself "A mission with senpai, a mission with senpai, a mission with senpai…"

Back at Frejis, Loid looks everywhere for the cherry liquor – he sneaks into a moonshine factory and even the wine cellar of a wealthy man, but still can't find it. He calls Franky at his tabacco shop in Berlint, inadvertently interrupting Franky's flirting with a pretty girl. He asks Franky if he can get the cherry liquor and that he needs it by tomorrow morning. Franky says he'll try but it would take him half a day to even get to Frejis, but Loid had already hung up.

At the hotel, Yor unpacks while Anya admires the hotel amenities ("Hotel TV!" "Hotel toilet!" "Hotel bed!") She then takes her toys out of her bag – among them are crayons, a sketchbook, a rubber duckie, and a toy gun. She pretends to shoot Bond with the gun, then points the gun at Yor and asks if she's the "boss." At first Yor is uneasy about partaking in Anya's game, but then she gives in and pretends to be the boss who wants the treasure. This makes Anya even more fired up and she says "Let's battle, polite lady boss!" The three of them continue playing.

Loid returns to the hotel and finds Anya's drawings of the ferris wheel and shooting game booth on the table. Anya's sleeping on the sofa while Yor puts a blanket over her. Loid says that he's going out again because he found the liquor at a neighboring town. Since it's a bit far, he's taking a car that he's borrowing from the hotel. Anya wakes up and calls Loid a liar since he said he would be back soon but came back so late. He apologizes, but then she reads his mind as he thinks about the fact that if Anya doesn't get a stella soon, Operation Strix and their family will be over. Anya says she wants to come along with Loid, but when he turns her down, she sadly goes back to the bedroom with Bond. When Loid starts to leave, asking Yor to take care of Anya, Yor asks him how many seats there are in the car he borrowed. He answers five. She then asks if they can all go together, since it's a family trip.

In the bedroom, Anya hugs Bond while thinking about the sad state of the family. Bond suddenly has a vison of the cherry liquor behind the cash register of a store at the plaza. At first Anya wants to tell Loid about it, but then she thinks that her secret would be revealed if she did (Loid would say "How did you know that? You can read minds? And Bond can see the future?") After realizing she can't tell him about it, she looks towards the window...

Meanwhile, Yor tells Loid how happy it made Yuri to be with her all day for special occasions like birthdays and family outings, and that it's the same with Anya. Loid thinks back to how happy Anya was when they were doing things together on the trip, such as playing trump, playing in the snow, and eating at the restaurant. He picks up the toy gun on the table and thinks back to how grateful Anya was for being able to play "spy" at the old castle. As he returns the gun to the table, Yor tells him how Anya was looking forward to so many things on this family trip, like eating sweets and playing together. She says she understands Anya's feelings since she's made Yuri feel lonely before. She tells Loid that Anya was really looking forward to being with him and how lonely it is to be separated from your family. She asks again if they could all go together to get the liquor at the next town, even though it's passed Anya's bedtime. When he starts thinking of the possible harm of bringing Anya with him, he pushes those thoughts aside and agrees with Yor.

Suddenly, room service knocks at the door. When Yor says that she didn't order any, Loid looks through the peep hole and sees Fiona disguised as a maid. He then says that he forgot to order a large bathrobe and steps outside. In the hotel corridor, he asks Fiona why she's here. She repeats "room service" while actually saying "it's a mission" in spy talk. Loid says that she can talk normally since it's just the two of them, and asks if she could be quick since he's also on a mission. She starts blabbering internally about how she's alone with him – LOVE!

Back in the room, Yor hears a noise from the bedroom, and when she goes to look, the window is open and both Anya and Bond are gone. Meanwhile, Fiona explains the mission about the microfilm to Loid. When she mentions Colonel Snidel, Loid thinks back to his encounter with Snidel and the military back at the restaurant. Yor suddenly comes out of the room and tells Loid that Anya ran away through the window. She had left a note behind, but when Loid goes to read it, the handwriting is extremely messy – he can make out the word "sorry" (misspelled).

Anya and Bond arrive at the shop in the plaza from Bond's vision. She buys the bottle of liquor and happily walks with Bond back to the hotel, thinking that now the Forger family will be okay. At the same time, the military is looking for girls that match Anya's description, using a picture that Luca drew of her. Bond starts barking when he notices Luca and Domitri pull up in a car behind Anya. Anya and Bond try to run away, but Luca pulls Anya into the car. Bond bites Luca's arm but gets pushed away. As they drive off with Anya in the car, they run over a can in the road that hits Bond in the head. Bond howls sadly as he watches the car disappear. Back at the battleship, Snidel says that it will depart as soon as they get the microfilm.

Loid and Yor run through town calling for Anya. They find Bond collapsed on the side of the road. Loid asks if he's okay and if Anya was with him. Bond barks and tries to gesture about what happened, but Loid and Yor can't understand him. However, Loid notices something in Bond's mouth – Luca's armband that he had bitten off. Loid recognizes it and is in disbelief that Anya got caught up in the military.

Then Fiona, still disguised as the hotel maid, pulls up in a car nearby and calls to Loid saying that he dropped something. In "spy talk" however, she says that he should prioritize getting the microfilm over Operation Strix. Loid thinks for a minute, then says loudly (so Yor can hear) "Ma'am, I would like to ask a favor…"

Meanwhile, Anya is brought before Snidel. Upon seeing him, she shouts that he's the guy who ate her dessert. He says that more important than the melemele, she ate their chocolate. She then states that he's the boss of those thieves. Luca and Domitri reprimand her for not using polite speech in front of the colonel. Snidel asks if she's been to the toilet since. Anya reads his mind as he thinks about how they hid the microfilm in the chocolate, and it's better to wait until she poops it out before killing her. Anya then realizes that the chocolate she ate on the train had the "treasure" inside, and if she poops, she'll be killed. Anya then nervously says that she's so cute that poop has never come out of her body, but then admits that she's lying upon seeing Snidel's cold gaze. Snidel instructs Luca and Domitri to take Anya with them and inform him if she poops. Anya begins holding her butt and starts shaking in fear. Domitri asks if she has to go, but she says she's just cold. She knows she mustn't poop or she'll be killed, but the more she thinks about it, the more she has to go!

Back at the Frejis plaza in front of the station, Loid boards the old fighter plane that was parked there. He's able to operate the communication device and listen in on signals from Snidel's flying battleship. He manages to catch some of Luca and Domitri's conversation with Anya, including them saying that she's in this mess because she ate the microfilm. Upon realizing that Anya ate the microfilm, he breaks into a cold sweat, but quickly regains his composure as he gets off the plane and meets with Yor, who was waiting worriedly outside. He tells her that he thinks Anya is with the military, since he heard from the radio signals that they seem to have taken custody of a girl around five years old. Yor asks why Anya would be with the military. Loid knows that he didn't have any time to come up with an explanation, so he cuts the power cable on the plane and climbs back into the cockpit. As the propellers begin spinning, he asks Yor to stand back and tells her that he'll return soon. Yor thinks back to the two men who attacked Anya on the train and realizes that they might have been from the military, but she can't tell Loid about that or he'd know that she beat them up. She recalls what she said to Loid earlier: that they should all go together because it's a family trip. As the plane leaves, Yor jumps onto it and forces open the door at the bottom. Loid continues to pilot the plane into the Frejis sky, unaware that Yor is also on board.

Back at the WISE hideout, Sylvia thinks to herself that "the fate of the world depends on getting that microfilm…we're counting on you, Twilight."

Back at the battleship, Anya is trying hard to resist the urge to go to the bathroom. She moves her body back and forth to try and hold off the urge, which only makes Luca ask if she has to go. She says no and that she's just doing a dance she learned at school.

Meanwhile, Fiona infiltrates the Frejis air traffic control so she can communicate with Loid on the plane. She tells him the location of Snidel's battleship. Loid compliments her on being able to get the information so quickly, causing her to say that she's ready to be his lifelong partner anytime and asks again if he'd let her have the wife role for Operation Strix…but the communication line had already been cut.

Back at the battleship, Anya is still doing her "dance" to resist the urge to poop, but she's practically at her limit (Luca and Domitri had also prepared a duck-shaped potty for her). She's sweating, tearing up, and her stomach is rumbling. When she feels her consciousness wavering, a bright light suddenly fills her eyes. She finds herself standing in a beautiful meadow filled with colorful flowers and poop shaped clouds overhead. She hears a voice and looks up to see a divine-looking old man surrounded by light. He has a poop shaped crown and he's holding a staff with a poop shaped top. He tells her that he's the god of poop.

He says, "You've fought well, warrior Anya. You've tried your best to protect world peace but...enough is enough." He puts his hand on her shoulder. She can feel his compassion flowing through his palms. "Relax your butt and rest, warrior Anya. Let's go to the peaceful garden of the toilet!" Anya tries to fly through the sky like the poop god, but ends up falling into the ocean. However, she's saved by waves of toilet paper that lift her towards a temple lined with statues of the poop god. A toilet is enshrined in front of the statues. The poop god gives a shout, and the toilet paper carrying Anya turns into a giant duck potty. The poop god waves his staff and the duck speeds out of the water, heading towards the bathroom above the alter. The lid of the toilet opens with another shout from the poop god and the duck moves faster. Finally the duck bursts into a ball of light and Anya falls, laughing, into the shining toilet.

Back in reality, Anya finds herself on a bed in a room on the battleship. After hearing her mutter to herself about "what's the god of poop?" Luca excitedly asks if she's ready to poop and puts the duck potty on the bed. As soon as Anya looks at the duck, she comes to her sense and says, "no, I'm good." While Anya stays with Domitri, Luca reports to Snidel that Anya still hasn't pooped yet. Snidel tells him to cut open her stomach. Luca is taken aback by this and tries to protest, but after Snidel presses him, he reluctantly agrees to do it.

Meanwhile, Domitri is trying an exorcism ritual to get Anya to poop – he makes her lay on the bed with a banana, corn, and a pineapple along with coffee beans between them, all the while singing a song about "yellow three." When Luca returns, he asks Domitri what he's doing. Domitri replies that according to his coffee fortune telling, "yellow three" is lucky. Luca then tells him Snidel's orders and asks if Domitri would do it. Since neither of them want to, they decide via rock-paper-scissors, and Domitri wins. Anya reads Luca's mind about how he's going to cut open her stomach while Domitri holds her down. She starts shaking and thinks of Papa and Mama.

Meanwhile, Loid flies the plane close to the battleship and contacts them on the radio. He says that his plane is in a state of emergency due to a fuel system failure and would like to request an emergency landing on the battleship. When one of the soldiers tells Snidel that an unknown aircraft is requesting permission to board, Snidel demands that they shoot it down. Loid steers the plane out of the way of the sudden hail of bullets while Yor, still hiding in the back, hangs on as the plane starts shaking violently.

Back on the battleship, Domitri holds Anya while she screams for Papa and Mama. Luca approaches with a knife.

Back outside, Loid desperately steers the plane to avoid the gunfire from the battleship, including homing missiles. In the back compartment, Yor isn't able to see what's going on, so she thinks to herself that Loid's driving is…rough. Loid manages to dodge the missiles, but one of them explodes next to him, causing the fragments to fall on the plane and damage the left wing. He knows that crashing is inevitable, so he steers the plane towards the battleship. The impact of the plane crashing into the battleship shakes the room where Domitri, Luca, and Anya are in. They all lose their footing and fall, causing Domitri to let go of Anya. She then runs away and through the hallway while they give chase.

Loid jumps out of the cockpit with his bag of spy tools and onto the battleship as the plane crashes. He thinks to himself that he first needs to confirm where Anya is and heads through a narrow passageway. Meanwhile Yor makes her way out of the back part of the plane only to be greeted by a huge gust of wind. She's surprised to be on the outer part of a battleship. She peeks inside the cockpit to look for Loid, but he's not there. She remembers that Loid said Anya was with the military, so she must be on the battleship somewhere. The opening to the bottom of the battleship is too narrow, so she decides to go via the top, breaking into a fast sprint.

The soldiers find the plane wreckage and Snidel gives orders to search for survivors. When one of the soldiers tells him that there's a woman running along the outer part of the battleship, he thinks he's joking. But then he looks at the monitors and sees Yor for himself. He commands that they kill her, since she decided to come aboard using that plane, that makes her an enemy. The turrets at the top of the ship begin firing at Yor, but she swiftly dodges them. One of the soldiers readies a grenade, but she takes off her coat and throws it at him, causing him to lose his balance and fall backwards. When the soldier falls through the deck onto the catwalk, the grenade falls from his hand. Yor gets away just as the grenade explodes, causing the area around the hatch where the soldiers were firing to burst into flames. The soldier watching from the monitor shouts "Explosion on deck 3A!" When she encounters the soldiers, Yor politely says that she came to pick up her husband and daughter, but the soldiers were already unconscious from the explosion. She heads further into the ship. The fire continues to spread through the battleship. Snidel commands the soldiers to go put out the fire, and when asked what to do about the woman, he says to send out Type F.

Meanwhile, Anya is still running away from Luca and Domitri (while still holding her butt). She manages to elude them by slipping into a room without them noticing. She listens by the door, and when she hears that they went off to look for her elsewhere, she breathes a sigh of relief. As she turns around, she notices a toilet in the back of the room. Tears start welling in her eyes…after a long and painful battle, she finally won.

Loid hides in a small room while soldiers are running through the corridors. He wonders to himself what the explosion was and if the plane crash could have possibly damaged the ship's hull. He peeks through a gap in the door and notices an officer who appears to be a captain based on the number of stars on his badge.

After giving orders to the soldiers, the captain walks towards the door. Loid pulls him in, knocks him out, and gags him. He then steps out of the room, now disguised as the captain, wearing his clothes and donning a mask with his face.

The sound of sirens are blaring through the battleship. Yor notices the soldiers desperately trying to put out the fire and apologizes to them. She again says that she came to get her husband and daughter and asks if there's anyone who knows where they are. One of the soldiers looks up and shouts "It's that woman!" The soldiers begin firing at her, but she jumps out of the way, grabs a nearby fire extinguisher and throws it at them, knocking them down like bowling pins. She's confused as to why they're shooting at her, then thinks that they could be part of the bad guy group that attacked Anya on the train. She picks up two knives that the now unconscious soldiers dropped. She then thinks of Anya being in trouble, without anyone protecting her, and her face becomes clouded with anxiety as she tightly grips the knife in her hand.

Meanwhile, Anya happily bursts out of the bathroom with a refreshed look on her face, toilet paper rolling down her feet…only to bump right into Luca and Domitri. Domitri stands proudly with toilet paper around his feet, boasting about his toilet paper fortune telling. Anya's face goes pale. Snidel is informed by one of the soldiers that the child has been secured, and he commands that they bring her to him.

As she continues looking for Loid and Anya, Yor arrives at the entrance to the air cell and pries open the heavy door. She's met with a blast of hot air. The fire has spread all over the spacious room. As she goes further in, she feels a murderous intent behind her. As soon as she starts to look over her shoulder, gatling guns begin firing at her. She jumps out of the way as bullets are showered on her. She goes further down in the air cell just as a gigantic figure appears, slowly moving towards her with heavy footsteps. She politely asks who he is, but Type F doesn't answer. He reaches towards her but Yor kicks him to the ground, only to have more bullets fired at her that she subsequently dodges. She pulls out the knife and pounces on him, managing to knock off his helmet. She asks him to stop attacking but instead he presses his forehead against the knife, making a very inhuman metallic sound, breaking the knife. The arms of his cloak, that had been engulfed in flames, burn off to reveal that he wasn't holding gatling guns, but his arms themselves are guns. The rest of his cloak burns off, revealing a body made entirely of weapons. After he calls Yor an "intruder," she readies the other knife, realizing she has no choice but to fight him.

Meanwhile Loid, still disguised as the captain, gives orders to the soldiers to help them put out the fire. When one of the soldiers asks where the hostage is, Loid questions him and he explains that she's a child about five years old and that officer Domitri took her to the bridge.

At the bridge, Anya is tied and gagged in front of Snidel. Snidel is upset that they missed getting her poop, but Luca says that it could still be in the sewage tanks. Snidel says that it could also still be in her body, which makes Anya even more afraid. Snidel tells them to keep her in the room downstairs and he'll "take care of her" once all the chaos on the battleship is over, while also ominously adding that he brought an extra big knife to enjoy kebobs. He then orders them to go into the sewage tanks and find the microfilm or else he'll cut them like kebobs too.

After leaving Anya in the room, Luca and Domitri grumble about how they're in such a mess because of some greedy kid, and Luca groans that he's still sore from being bitten by the stupid dog. Suddenly Loid, still disguised as the captain, gets the jump on them and knocks them out. He wonders why Anya isn't here since this should be the only bridge on the ship. He enters the room where Snidel is and says that he's going to report on the status of the firefighting operations, but Snidel dismisses him, saying that he's busy now.

In the room below, Anya can read Loid's mind but she can't move or talk due to being tied up and gagged. She realizes that she's tied to a telephone pipe that leads to the room above, so she slams her head against the pipe to get Loid's attention. Just as Loid is deciding to back off so as not to make Snidel suspicious, he hears the banging in the pipe and notices a hatch right below it. He realizes that Anya must be under there, so he pulls off one of the buttons on his uniform and pretends he's going to pick it up when it rolls near the hatch. However, Snidel says "wait, captain" and asks him when he began to smell like...a city. Snidel then immediately shoots at Loid, who manages to dodge, but the bullet grazes the face mask that he's wearing. Snidel continues to fire at Loid, who hides behind a console in the room. Snidel asks if he's the traveler from Rubble and Bonds and says that he shouldn't underestimate the nose of a gourmet like himself. Realizing he's been found out, Loid tears off the captain's mask. Snidel and the other soldiers begin exchanging gunfire with Loid.

Back in the air cell, Type F continues to shoot at Yor, his gatling gun arm having now turned into a grenade launcher. She narrowly dodges his attacks and grabs a fire extinguisher set (with an axe) from the wall. They end up crashing down through the floor, with Yor slamming the axe onto his chest as hard as she can. However, this only reveals a firearm magazine in his chest hatch. The magazine sends bullets into the gatling gun. He aims at Yor again but she jumps away in time. As they stare each other down in the flame filled room, she wonders what she can do against an enemy who can't be damaged by knives or axes.

Meanwhile, Loid continues to exchange gunfire with Snidel and his soldiers. Snidel opens an attaché case with a gas mask and grenade that he calls "Type G." Anya reads Snidel's mind about the grenade being a poison gas grenade that he's been developing and wants to test out. She starts panicking, trying desperately to break free from her binds so she can warn Loid about the poison gas. An image of Loid covered in wounds as he tries to save her flashes in her mind as she thinks "It's Anya's turn to save you!"

Snidel pulls out the pin from the Type G and throws it over to the console where Loid is hiding…just as Anya breaks free. As the rope suddenly breaks, she falls and rolls across the floor, hitting her head against a console in the back of the room. A green light illuminates on the console. Suddenly, the windows in the bridge open and gas starts getting blown all over, much to the confusion of Snidel and the soldiers. Loid uses this opportunity to make a move.

As the gas eventually leaves the room through the open windows, Snidel's men are shocked at what they see through the dissipating gas – their leader Snidel wrestling with…another Snidel! One Snidel tells them to shoot the imposter while the other says that he's the real one. Loid (disguised as Snidel) thinks to himself that since Snidel is the only one with a good nose, he just has to fool the others. Snidel brandishes his knife and threatens to tear off Loid's "imposter skin" and turn it into pork scratching. But Loid gets the upper hand and manages to grab Snidel and cause him to lose his balance, saying that his "imposter" skin isn't so flimsy that it could be cut off by the likes of Snidel. He wraps his left arm around Snidel's neck and tightens his grip, causing Snidel to drop the knife in his hand.

The soldiers are still confused about which is the real one as Snidel's body falls to the floor. Loid says "Do you think I'd lose to a fake," fooling the soldiers into thinking he's the real one. He tells them that they're to head to the Arbo Republic as soon as possible and that they're abandoning the ship. He commands them to use the land route instead. Carrying the body of the real Snidel, the soldiers leave with shouts of "all personnel abandon ship!" When he's finally alone, Loid takes off his Snidel disguise.

Meanwhile, Type F's right arm is overheating but he tells Yor it's no use waiting until he runs out of bullets. Even though his chest plate was torn off earlier, all Yor has left is a broken knife…until she feels around in her pocket and pulls out the lipstick that Loid had bought her. She lowers the knife and tells Type F "this is your last warning, please stand aside. I only came here to get my husband and daughter." But Type F just says that they should all perish together along with the future of the East and West. He then readies another round of bullets. Yor dodges and makes a wide circle around him, dragging the lipstick along the floor. She slashes at his chest with the knife, causing the knife to break. As he jeers that a knife won't work on him, he looks confused for the first time when he notices a line drawn around him with the lipstick, leading up to his chest. She says that she heard that lipstick is half oil. He tries to shoot at her again but it's too late…the flames along the railing run down the lines of lipstick, igniting the weapons embedded in his body, causing him to explode. After confirming that he's been destroyed, Yor continues on her way.

Back on the bridge, Loid opens the hatch to the door where Anya is and jumps down. She's overjoyed to see him as he asks if she's okay. She clings to him and buries her face in his chest. Just then, something falls out of her pochette – the cherry liquor. She tells him it's what Papa was looking for and he realizes that's why she ran away from the hotel. Upon realizing this, he can't help but smile, and Anya smiles too when she reads the thoughts he won't say. Just then they hear a loud explosion. Loid holds onto Anya as the ship shakes from the explosion. "Anyway, we better get out of here" he says.

Meanwhile, Yor opens the hatch at the top of the air cell and makes her way to the outer part of the airship where she sees Loid and Anya. They're both surprised to see her. "Mama!" Anya says as she runs to Yor, who gently hugs her while asking if they're both alright.

Loid asks the same of Yor while also asking why she's here. After hesitating a bit, she admits that she came on Loid's plane and that since it was an "outing," that they should have gone together. She then asks if the people on the airship are actually the military. Loid pauses since he can't tell her the real explanation, but then Anya speaks up about how she ate their important chocolate on the train and that's why they were after her. Loid thinks to himself about how they must have hid the microfilm in the chocolate, but he can't tell that to Yor. So he says that chocolate theft is rampant in cold regions because people believe it will keep them warm...they'd even steal from a military ship. Yor believes him and comments that there's a lot of scary people in the world. They both scold Anya for what she did: Loid asks what the heck she was doing eating that by accident (while in his mind he's glad that she's safe) and Yor says that she shouldn't do whatever she wants with something that belongs to someone else. Anya guiltily says "sorry" and they both can't help but smile at her. They hear more explosions and Loid says that they need to get off the ship. Anya points towards the window and they realize that the ship is heading right towards the city of Frejis. Loid begins operating the device on the console. Yor asks if he knows how to operate it and he says that he knows how from when he did it as part time work when he was a student. Yor is impressed, but Anya knows he's lying.

Down in Frejis, people notice the large, burning battleship descending towards the town and begin running all over in a panic. On the battleship bridge, the ceiling blows off, causing an extremely strong wind to blow. Loid realizes that the propulsion system and lifting platforms are dead, and wonders if it's even possible to make a safe landing or even change course. Behind him, Yor and Anya are holding onto each other while the latter shouts "You can do it, Papa!" Loid says not to worry since the rudder is still intact. However, when he grips it, he can hardly get it to move and the ship is still losing altitude. Debris from the broken ceiling rains down on his head, causing him to lose his balance. Just then, he feels something on his right hand…Yor's hand. And on his left hand, Anya's. "Please let me help, too" says Yor, "Anya too!" says Anya. Working together, the three of them are able to move the rudder little by little.

The Frejis clock tower looms before them but they're able to steer the ship so that it narrowly avoids colliding and only grazes the side of the clock tower. The ship continues to lose altitude, heading towards the surface of a large frozen lake. Yor hugs Anya close to protect her as the ship shakes violent from the impact of the landing. The battered ship glides along the surface of the water at high speed, whipping up a cloud of steam. The frozen water crashes onto the ship, putting out the fire. On a hill not too far away from Frejis, Bond and Fiona stand near Fiona's car and watch with bated breath as the battleship crashes into the lake. "Senpai…" "Borf, borf, borf!"

Back at the ship, the Forges escape from the collapsed bridge and onto the roof. They look in wonder at the pretty scene before them of the glittering ice particles shining against the city lights like diamond dust. Suddenly, water that had collected on the deck roof pours onto them like a waterfall, leaving them soaked. They're perplexed for a moment before Anya bursts out laughing with a "waku waku splash!" Then Yor also laughs. As he watches the two of them laughing, Loid smiles softly.

Suddenly Anya sneezes and Loid notices something in her mouth. Loid realizes it's the microfilm, smaller than a fingernail. He wonders if it had somehow gotten stuck in her teeth. When Yor asks what it is, he clutches the microfilm in his hand and replies with a smile, "it's a return ticket."

The next morning at Berlint, Yuri listens to the news at his desk at the SSS: "The flying battleship that landed in Lake Frejis last night appears to have been an accident during a training flight. The committee has announced that it has already begun interviewing the manufacturer and the military." He remembers that Frejis is where Yor said she was taking a trip to and he wonders if she's okay. His lieutenant then opens the door and requests some documents. Yuri asks why the SSS has to be the ones to clean up this incident, and the lieutenant replies that if the people found out that the military was behind it, that would be troublesome. After the lieutenant leaves, Yuri muses to himself how it seems that WISE intervened in the incident though there's no solid information. He wonders how they could have possibly done it, then thinks "it must have been him…Twilight."

At the WISE hideout, Sylvia reads the newspaper headline which states that there were no survivors of the battleship incident. She compliments Loid, saying that even though the SSS put out the fire so to speak, he managed to not leave a trace of the Forgers' involvement. Loid replies that yes, the Forgers were just enjoying a normal family vacation. He takes out a wine bottle from his bag. Sylvia peels off the label, revealing the microfilm. She then tells him that he's back in charge of Operation Strix, much to Loid's surprise. She hands him a photo of Depple at night with a strange woman and says that his affair was exposed and he was disowned by the father of his wife. Loid smiles slightly when he notices that the woman with Depple in the photo is a WISE agent – in other words, he had fallen into their trap.

Afterwards, Loid meets up with Yor, Anya, and Bond at the park by a fountain. Yor asks how his patient was and he replies that it wasn't a big deal considering they called him out of nowhere. Anya asks Loid why there's no fish in the water and he flatly replies because it's a fountain. She then calls to Yor, taking her hand and leading her to the fountain. As Loid watches them happily talk about something, and Bond following along and enjoying himself, Loid lets out a sigh, but his expression is surprisingly soft. He thinks that even though he's able to continue Operation Strix, he can't let his guard down and needs to keep focusing on acquiring stellas. Anya reads his mind and is overjoyed that the Forger family isn't finished. Loid says that they should go home now since Anya has to "train" to make the melemele for the cooking competition tomorrow. Even though they weren't able to eat a real melemele, they at least have the ingredients for one. Anya asks to hold Loid and Yor's hand as she happily chants that she's going to make a yummy pastry. When Yor says that she'll help too, Loid and Anya politely turn her down. They then head home together.

At the Eden classroom, the students are preparing their cooking ingredients. Becky says that she's going to make an orange layer cake that she learned from training with her pastry chef. She asks Anya what she's going to make. When Anya replies "melemele," Damian overhears and comments that it's an old pastry. Anya tells him that if she makes something good, she wants him to have it too. Damian's face reddens as he shouts that he'd never eat anything she makes. With a shocked face, she asks if he really hates it that much. This makes Damian's face redden even more as he shouts that he'd vomit if he ate her food. He runs off with Ewen and Emile following. Becky comments that he's the worst while Anya thinks that the friendship scheme is a failure. Just then, Anya and Becky turn towards the direction of an explosion sound.

Later that day, Anya shows Loid and Yor a note from school saying that the school kitchen broke down so the competition was postponed and the judge was changed to the vice principal due to scheduling conflicts. Anya laments that since it's not the principal, the melemele won't work. Loid thinks for a moment and says that he remembers reading in the school newspaper that the vice principal is crazy about the berry pudding from the southern region. He asks if they should go, and both Yor and Anya agree. Loid opens a map and points out the southern region. He says it's warm there so they shouldn't need a lot of luggage. Anya is excited about going to the ocean and wonders what playing cards she should bring while Loid thinks it would be a good opportunity for her to learn how to swim. Upon hearing all the talking, Bond comes over from where he was sleeping and gives a happy "Borf!"

Meanwhile at Frejis station, Franky trembles in the cold and shouts "Hey Loid, I bought the cherry liquor!!!"

-----

Afterword: Congratulations if you've read this far! When I first started this project, I honestly didn't think I would write this much for a "summary" 😅 I thought it would just be a few paragraphs tops. But as I translated, I was like "oh, this is interesting, I should write it down!" And I just kept going with that and didn't want to stop! Some may wonder why I would want to spoil myself to this degree, but for me, reading about the movie (in a language I'm not fluent in) is still no replacement for actually seeing it for myself - the novelization doesn't convey every line of dialogue, character action/expression, voices, etc. But now that I know what to expect, I can get myself hyped for the scenes I'm looking forward to seeing while also not getting my hopes up for something I won't see. I don't care to do this for most things, but I'm the opposite when it comes to my hyperfixations like SxF! I'm also not going to give my thoughts on the movie until I see it for myself. But I will say that based on the novelization, even though I thought a few things could be better, overall I think it will be a ton of fun and can't wait to see everything in full animated glory!

Again, please remember to be cautious about where you share spoilers and to properly tag posts on social media. And if you end up sharing large portions of this summary elsewhere, a shoutout to my blog would be nice...I spent many hours working on this!

#spy x family #spy family #sxf #spyxfamily #loid forger #yor forger #anya forger #bond forger #twiyor #sxf spoilers #sxf movie #sxf movie spoilers #sxf code white #spy x family code white #sxf anime

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qqueenofhades · 10 months

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Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

#good omens #good omens meta #good omens s2 #good omens spoilers #ineffable husbands #look this probably could have been twice as long #but i had to stop somewhere #I JUST HAVE A LOT OF FEELINGS

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seangelfish · 8 months

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hii 💕 i wanted to request hcs of mayoi, rinne and rei (separately obv), about them being all needy, clingy and annoying to their s/o hehe ^_^ (nsfw too pls, with afab they/them reader 🙏🙏)

A/N: Honestly, I had no idea how to even incorporate NSFW into this request because it just seems more of a fluffy than a sexy request lmao so please bare with me on this one. However, I actually enjoyed writing this, so I hope you enjoy reading! ⸜(⸝⸝⸝´꒳`⸝⸝⸝)⸝♡ I need to fuck Rei.

WHEN THEY'RE NEEDY OF THEIR S/O

Featured characters: Mayoi Ayase, Rinne Amagi, Rei Sakuma ♡ Tags: Smut (NSFW), established relationships (separate), gn!AFAB reader (no mention of pronouns), unprotected sex, creampie, soft & vanilla sex, handjob, riding, missionary, oral (receiving and giving), bondage, headcanons but also written as a bullet point fic(?), not proofread! ♡ Word count: 1,988 ♡ Synopsis: HCs of how the three would act towards you in their 'time of need.'

MINORS DO NOT INTERACT! NSFW below the cut. Please proceed with caution.

MAYOI AYASE

After a while, when he's finally comfortable in the relationship where he can act clingy around you, he'll annoy you with his need for your affection and touch.

He'll never make a move on you first though. He doesn't want to 'damage' you, so he'll always wait on your initiative. He'll let you do anything to him, but he wouldn't dare do anything to harm you even if it's just sex.

He wants to hug you like he usually does, but this time, the feeling's a little different. He thinks that he'll lose your trust if he touches you when he's feeling aroused. So, if he's feeling needy for your touch, he'll stutter it out.

"(Y-Y/N)..." he whimpers. "P-Please touch me..."

The way he looks at you, begging you to touch him, turns you on. Since he has asked you so nicely, you have decided to fulfil his needs as you begin to rub his clothed cock.

He's a stuttering, whimpering mess. His face is flushed red as it already forms sweat. He continues to act needy, begging you to keep going.

"Wah... (Y/N)... t-touch me more... p-please..."

That's when you unbuckle his belt and slip his pants off. Being annoyingly needy has its consequences~

"Alright, this is what you asked for~" you sing. "Get ready."

Therefore, whenever he acts so desperate and needy for your attention, you tease him a bit. You don't give him what he wants as quickly as you should've, but he doesn't mind. He feels like he deserves it, that he should beg and wait for it. He doesn't mind if you stroke his cock ever so slowly, that you let go midway as he's about to come. As long as your hands are touching him, he's happy.

He knows you're not mean, that you just won't let him finish. So, he's patient, and he'll wait for the time you allow him to come.

He'll probably annoy you with words such as "Ah~ (Y/N)... p-please... please let me come..." and even cling onto your arm. However, you like this a little too much.

Him annoyingly begging for you to come? Music to your ears. You love your adorable, needy Mayoi, and you're going to let him come, alright.

When he's on edge where he can't hold it in anymore, that's when you speed up your strokes. "Let out lots for me, darling~" you soothe. "Y-Yes, dear..." he breathes as the tip of his dick gushes out with handfuls of cum. It's a beautiful sight to see.

You clean him up with your mouth, licking his cum all up before kissing him roughly. "Like the way you taste?" you ask him, but he can only let out a whimper. You're definitely the dom in this relationship.

He's definitely exhausted, but it seems like he wants more by the way he has kept you in place. Well, you weren't complaining because you wanted to do him more too.

When you undress yourself, his face becomes even more red than it was earlier.

Yet he loves it when you stuff his dick into your pussy. He loves the tightness of it, how your walls cave in on him. You don't even let him touch you when you ride him either, but it's okay because he feels ecstatic. He feels so good that he's moaning even louder. He's also glad that you're enjoying yourself too. Your moans are cute and he wants to drown himself in the sound.

You make out with him as you grind on his cock. He enjoys the feeling so much that he's about to come again. He warns you and you force him not to come until you allow him to. He easily obeys even if it's hard to do so.

"Ahh~ (Y/N)... I can't hold it in a-any longer!" he wails. "P-Please... f-forgive me for asking too much of y-you...!"

When you finally let him come again, you continue with your act. Why not overstimulate him? He's been begging you for your touch, so why not give it all to him?

RINNE AMAGI

Whenever Rinne's needy for your touch, he's really annoying about it. He clings to you, saying nothing but sweet, sexy things to you. Usually, you'd comply because seducing you usually works, but this time you were just too tired.

He's still trying though since he's already brick hard, but you just didn't want to have sex with him in that moment! You just wanted to doze off and take a nap, but he's so persistent.

"Please, my love?" he pleads as he nuzzles his nose in the crook of your neck whilst spooning you.

Of course, if you truly didn't want to do it, then he'll leave you alone, but he can tell by your body language that you did want to partake in it. After all, you've been rubbing your ass on his dick for a while now.

However, you were still kind of tired, so you had let him do everything this session as you rested your eyes for a bit.

He's usually not this needy, but it's a nice sight to see. He took his clothes off before stripping you down. Then he left trails of kisses from your neck to your chest, taking little nibbles at your breasts.

"Argh... I wanted you so bad, you don't understand," he says. "Today's been rough."

When he inserts his cock inside you, he lowers his body down so the two of you can hold each other. However, since you were dozing off to sleep, you're not exactly reciprocating his feelings. This makes him more annoyingly needy as he tries to wake you up, breathing into your mouth as he kisses you roughly.

"(Y/N)... please..." he whines. He usually doesn't whine like this, but it sounds nice. "I can't do this on my own... I want you to do it with me..."

Because he's being so cute, you end up following his needs. You wrap your legs around his back, returning all the kisses that he has given you. He thrusts into you slowly and the two of you moan into each other's mouths as you make out.

You try your hardest not to mention how cute he's being, though. Otherwise, he'd stop. You know how Rinne is.

He will keep moaning your name when he's in this state. "Ahhh~ Fuck... (Y/N)... You feel so good around my dick... Shit..." he groans into your ear. "Argh, (Y/N)... Fuck... Please don't go to sleep..."

Having him wrapped around your finger like this feels great. Maybe you should keep him going? Well, that is what you wanted him to do to begin with, but he's begging you. He doesn't usually do this. So, you WILL make the best of it.

As Rinne fucks you, you drift off into a light slumber. He's kind of upset that you're not paying attention to him anymore, but he'll make do. He'll fuck your body awake if he can, but knowing you, you'd probably sleep through it.

So as he speeds up his pace, trying to get off on you, he continues to whimper out your name. "Ahh... ahh... please... (Y/N)~" So annoying. You were trying to sleep for real this time. 'But fuck, it feels good,' you think.

He's been leaving you hickies everywhere too, trying to jerk you awake, but you don't let him win. You like the way he's moaning right now, so you're going to savour it.

When he comes inside you, he falls into your chest, breathless. "(Y/N)... you were so mean to me today..." he breathes. "Fuck..."

Needy Rinne is something you could get used to~

REI SAKUMA

Rei is constantly needy for your affection whatever it may be. He is the definition of clingy. When he is in need of your touch, he'll get on his knees and beg for it. He'll kiss the back of your hands, your palms – whatever you need him to kiss, he'll do it. He's so down bad for you, it's crazy.

But it's also so hot.

Because despite his clingy, needy days, you're the one who's usually pestering him to put his cock inside you. It's a nice change to see him beg for you now.

And you just love the way he begs.

However, even when he's the one who's begging you to touch him, to make him come, you're one to use this opportunity to have him eat you out instead.

"You'll get your reward once you do this for me~" you purr.

And because he's so desperate to have you suck on his cock or to have you ride him, he'll do whatever you want. He was already on his knees, so it was perfect. With your thighs spread apart, he digs in. Licking your pussy like a hungry dog, his dick was getting harder and harder by the second. Oh, he wanted you so bad. And the way you were moaning by the touch of his tongue? He wanted to hear you scream his name once his cock was shoved inside you.

"Ah~" you moan. "That's it... ah~ that feels so good~"

Once you came, he looked at you with puppy dog eyes, awaiting his turn. "(Y/N), please... please fuck me..."

"Since you've been such a good boy," you begin. "I'll do what you ask~"

The two of you like exploring different ways to pleasure the other, so this time, you had Rei tied up. Bound to a chair with ropes wrapped around his wrists behind his back, you slowly insert yourself down his shaft, causing a moan to escape his lips. He's excited at the predicament he's in. This is so alluring to him. Perhaps he should have you do this to him more...

With your arms looped around his neck, you start grinding on his cock. It's unfortunate that he can't touch you with his hands, so he'll use his mouth instead. Biting at your earlobe, Rei continues to groan at the pleasure you're giving him. He'll start begging for more. He'll beg you to ruin him, and that's something you can never say no to.

"Gyah~ ahh... (Y/N), my love, I... gah..." he chokes as he moans, saliva forming in his mouth. He looks so red right now, red as the tomato juice he usually drinks. He's sweating too, his hair a mess. It honestly turns you on a little bit more. "I want to touch you... please..." he begs.

"I'm sorry, dear, but you can't!" you chirp. "After all, I'm just giving you what you've asked for... my needy, little vampire boyfriend deserves this, does he not?"

His face is already red as it is, but he's flushed by this. His dick twitches and you can feel it inside you.

"You can't come yet," you order, your tone stern. You grip his fringe back to reveal his bare forehead. He likes this side of you since you're usually so sweet, and you still are as you give him a little kiss on his forehead. And now he wants you even more.

He tries to laugh, but the pleasure that you're giving him is so good that all he can let out are beautiful moans. "More..." he groans. "(Y/N), please... ahh~ make me produce lots of cum..." "Of course, my love, but you better not let it all out until I tell you to~"

And he obeys. He's a moaning mess, his body sweating, his hair tangled up. "Ahhh~ (Y/N)~ Fuck... ahh... you're making me feel so good, my love... But I can't keep it in any longer..."

You slow down, kissing his lips softly. "Then come, my love." As he comes inside you, he moans out your name, his body shaking all over. You could feel his seed fill you up. It makes you moan too, the way he fills you up is addicting.

Even when you pull yourself up from his dick, he keeps coming. His dick is still hard and it's still squirting out strings of thick cum. What a pretty sight, to see your beautiful, dark-haired boyfriend who's always composed be so pathetic. Although, he is already kind of pathetic sometimes.

Intro page | Ensemble Stars masterlist | Rules

#ensemble stars x reader #enstars x reader #mayoi ayase x reader #rinne amagi x reader #rei sakuma x reader #mayoi ayase hcs #rinne amagi hcs #rei sakuma hcs #mayoi ayase smut #rinne amagi smut #rei sakuma smut #mayoi ayase x reader smut #rinne amagi x reader smut #rei sakuma x reader smut #enstars smut #ensemble stars smut #enstars x y/n

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alrightieaphroditie · 2 months

Text

just checkin' in | j.m.

*:·ﾟ✧ series masterlist

pairing *:·ﾟ afab!reader x joel miller wc *:·ﾟ 2.4k an *:·ﾟ it's here! the first part in a series i am veeery excited about!! this installment is pretty much straight fluff, but i had a blast writing it and getting back into joel's character. i cannot wait to see where this series takes me, and i really hope everyone enjoys reading it! this is slightly edited, but if there's anything huge that jumps out at you, please let me know! check the series masterlist for the series tags!

synopsis *:·ﾟ even when joel is miles away, he never fails to check in on his girl.

after checking for what quite literally had to be the millionth time, the folded-up letter was still sitting right where joel had set it before he left; propped up against your bookstack on the end table in your living room. not that you were expecting it to suddenly grow legs and run away or anything. but today was finally the day that you could open it, as specified by the man who wrote it himself, and by god, you wanted to make sure you knew where it was when you finally sat down to read it.

in the beginning, when you and joel first started up this little tradition of writing each other letters when he'd go off on the hunting trips, you would eagerly rip open his notes as soon as you were able to. joel always left very clear instructions to not open them until a certain date, and you always obliged, even though it wasn't like joel would really know when you actually opened them. you wouldn't be surprised if his senses started tingling if you even dared to go against his instructions, though. joel had a way of being so omnipresent with you; so attuned to your own being that even when he was gone, you swore you could still feel him with you.

after a little while, though, you learned to tame that eagerness and make a dedicated time for reading his letters. the excitement never left you fully, and you found that opening the letter was still all you could think about on the day of, all these months later. you spent your morning helping in the greenhouses, thinking of what joel could have written. you cleaned up your house during the afternoon, eyes gazing to the paper with your name on it, written in his surprisingly nice handwriting, far too often. and when you had dinner with ellie that night, all you could do was smile as she mentioned opening her own letter that morning, your foot tapping against the floor as you impatiently anticipated getting to open your own.

now, you were fresh out of the shower (ellie made one too many jokes about how much you had stunk after working all day, to the point where you couldn't really tell if she was joking or not), your hair done up in two braids, wearing one of joel's t-shirts and stirring some honey in your cup of tea. the window in your living room was cracked open, the crisp early spring winds causing your gauzy curtains to flutter across the hardwood floors. now, you finally tucked yourself into the corner of your couch, an ugly green thing that was shockingly comfortable, and tugged the blanket hanging on the back of it over your legs, getting comfortable.

balancing your mug on the arm of the couch, you reached over and finally pulled the letter into your lap. just seeing your name on the front had those silly little butterflies float through your stomach; something you felt far too often with joel. you steadied yourself with a deep breath, and, after taking a small sip of your tea, settled back into the couch, unfolding the crisp paper.

just checkin' in on you, sugar.

the first line of his letter was always the same, and yet it never failed to make you smile. he'd say those same words in person, too, when he came by to visit while you were out working, or when he'd stop by your place early in the morning before he went out to do his duties. you'd never get sick of hearing - or reading - those words.

hope you've been doin' alright. i can't believe they're makin' me go out again even though i just got back from another trip. swear these men can't do shit without me, especially tommy. i know he's the only reason why i'm out in the middle of nowhere, sleeping in a damn sack when i could be in your bed instead.

you couldn't help but snort at joel's irritation with his brother. the sibling rivalry between the miller brothers was never ending, though the majority of it was in good fun. joel was right, though. tommy was, in fact, the sole reason why his brother left for another trip so close to returning home from one; maria had told you that tommy complained that the group he was going with couldn't aim for shit and needed at least one more man who knew how to handle a gun.

the good thing, though, is that they're lettin' me get out of the next couple trips after this. i'll get at least a few good weeks with you, uninterrupted. as much as i like writin' these letters, and as much as i love reading what you've written me, i'd much rather be able to talk to ya in person. that way i could see your grin every time i say somethin' sweet to you, just like i bet you're doing now, huh?

once again, joel was right.

i gotta go pack up now, but i'll be back home to you any day now. take care of yourself for me, baby, just until i can get back to doin' it myself. i love you.

a wave of emotions hit you at once when you finished reading the letter. happiness, for his approaching homecoming. excitement, for those few weeks he'd be getting off. love, for the way he knew you and how he loved taking care of you. and, however faint, loneliness, for how much your heart ached to see him. he had been gone for a week now, and before that, the two of you had only had one day together after he had been gone for two. only a few days remained in this trip, though it still felt like forever.

you wouldn't let yourself dwell on that miniscule amount of pain, though. joel wouldn't want you to, so you knew better by now. instead, you reread his letter, hearing that slight drawl of his in your head, and grinning again just like he predicted. you held it to your chest as you sipped your lukewarm tea, as if your skin could absorb his words and cement his love into your bloodstream.

later, after your tea had gone too cold and you dumped it out in the sink, you carried yourself to your room, the hem of joel's shirt brushing delicately against your thighs. kneeling to the ground, your knees hit the worn wood floor as you dug underneath your bed, pulling out an old shoebox. inside were joel's previous letters, the box almost stuffed to the brim with them. you couldn't even imagine tossing them out, these little symbols of his love for you, so this was where you stored them, safely tucked away.

after placing the most recent one on top of the box and putting it back under your bed gently, you snagged the flannel joel had left from his side of the bed and put it on. now wrapped in his clothes, his scent, you felt closer to him. that silly thread of loneliness fluttered through your heart again, ever so briefly, but you brushed it off as you pulled back your quilt blanket and climbed into bed.

outside your window, you could just barely make out the moon high in the pitch-black sky and you wondered if joel was awake still, looking up at that same fixture. it was the comfort you felt at that thought that allowed you to close your eyes and drift off, and joel's lingering scent on the flannel was the last thing you remembered thinking of.

somewhere in the woods, miles away from the walls of jackson, joel sat on the damp ground, propped against a fallen tree log. his hand was in his jacket, his calloused thumb and forefinger brushing against the smooth paper folded into bits in the pocket.

he had requested first watch tonight, hoping to have at least some time to himself so that he could read your words. unlike him, you never gave any instructions for when to read your letter. you said once that he should just read it whenever he missed you, and he didn’t have the heart to tell you that if he did that, he’d be reading the letter the moment he stepped out of the border around town.

you had mentioned in passing, however, that you made a little ritual out of reading his letters, and so joel started putting off reading your letter, waiting until the date that he specified for you to open his. he knew it was silly, that the probability of you both reading the letters at the same time was slim, especially when he had to wait until the dead of night, when he had a small moment of free time. but it kept him going, so he continued to do it.

the last man in the group had just walked back to his sleeping bag, and joel was finally out in the campsite alone. he gently pulled your letter from his pocket, the jagged edges along one side showing him that you wrote this in your journal before ripping it out. the paper was smooth under his skin, and for a moment he simply stared at his name plastered on the front in your handwriting; the way the 'l' at the end of his name sloped off into a small heart.

a deep sigh parted his lips; somewhat from exhaustion, but mostly from the way his heartbeat kicked up just at the thought of you drawing that.

he had to shift against the wood slightly, sparing a glance around the site to make sure no one was paying him too much attention, just so the moonlight could hit the letter just right. he still had to squint slightly to focus, but that was more because of his age than the lack of lighting (you kept teasing him about trying to find some reading glasses, and now he wondered if he did actually need them).

with nimble fingers, he unfolded the letter and immediately his mouth quirked up in a small smirk.

hey there, cowboy. i hope the camping life is treating you well and not wreaking havoc on that back of yours. i'm starting to wonder if you're getting too old to go on those trips. surely having a senior citizen like yourself tagging along slows y'all down, no?

joel forced his sudden laugh into a cough, shaking his head at your attempt of a joke. it was no secret that joel was older than you, but that had never really brought up any strife in your relationship. everyone thought that you were both lucky to find something like what you had given the way the world was, that kind of storybook love people dreamed about. the kind he never imagined for himself.

you were the only one who continuously brought up the age difference, solely to crack jokes at his expense. ellie adored it, and your comments made him laugh, so he didn't really mind it.

seriously though, i hope you're taking care of yourself out there. i know you do, but i can't help but worry a little. you're needed here, so i just want you to do whatever you need to do to come back home. i mean it.

while you guys are gone, i think we're going to be setting up the patio area again in town since the weather is warming up. i heard maria talk about hosting another dance soon, so i'm putting it into writing that i want to dance with you at least once, miller.

i'll beg if i have to.

heat flamed his cheeks, his skin turning warm despite the cool breeze of spring floating through. his head tipped back, resting against the tree trunk as he closed his eyes for a moment. the two of you had only had one night together between his trips out of town, and ellie had spent the night at your house with joel that night, too. not that joel regretted that; he loved spending time together with his girls.

but god, did he miss touching you, feeling your soft skin underneath his rough hands, your weight on top of him, underneath him, your hair between his fingers, your lips against his. all of it. the first thing he did when he got back into town was remedy that, he'd swear on it.

i hear you coming down the stairs, so i have to wrap this up. geez, your footsteps are so loud. i love them, though. i love you, too, joel. stay safe, baby. i'll see you real soon!

a small heart followed the last word, and his gaze lingered on it for a moment while he absorbed your letter. reading your words was like a breath of fresh air to him, letting him fill his lungs with your love even if you weren't physically there. these letters gave him the energy, the will, to continue on. to make a point to go back.

for years, he never had anyone to return to, no one to really miss him if he were missing. he grew to accept that, felt comfortable being alone in this great, big world. he never imagined anything different, always felt he had no right wishing for something more. and now, somehow, he had two people who were eagerly anticipating his return.

joel brushed his knuckle against the corner of his eye, collecting the small gathering of water that had collected there after finishing your letter. clearing his throat, he sat himself up against the tree, gathering his gun into his lap to be more prepared for the evening watch. he never let go of your letter, though. the feeling of rubbing it between the pads of his fingers brought him a great sense of calm.

later, when tommy woke up to relieve joel from first watch, after he set up his sleeping bag and folded his jacket underneath him to act as a pillow, he reread your letter again and again, hearing your sweet voice in his head as he did. when he basically had it memorized, he let his hand fall to his chest. as the wind whistled through the trees, your note close to his heart, he finally allowed himself to fall asleep.

taglist *:·ﾟ @hiroikegawa

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inklore · 9 months

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🩸 — 𝐇𝐀𝐔𝐍𝐓𝐄𝐃 𝐇𝐎𝐄𝐃𝐎𝐖𝐍!

since the spooky season is fast approaching, and as a little kinktober appetizer, @psychedelic-ink and i have decided to do a little writing challenge to get us all excited and in the mood to be gripping the sheets from the spooky thrills of course.

and to keep this fun we have given you many many options! we have compiled a twelve day prompts list you can go by, or if that's not your thing we have listed twenty three different pick and choose options to create whatever kind of fic you want, even if you want to do half the days daily prompts but switch out this prompt dialogue for that au or trope or kink, you can literally do whatever your heart desires!

THE RULES.

the challenge will go on from the 19th - 30th of this month. you can do as many or as little amount of days as you choose.

any fandoms are welcome, literally any characters, ships, but please no rpf.

no minors should be interacting with let alone posting for this challenge.

dark content, light content, dubcon/noncon, is all welcomed but please tag everything accordingly. grooming, underage, and incest however are not allowed.

there are no word limits but please use that readmore.

tag #hauntedhoedown so we can read and reblog your work!

DAY ONE: taboo au + "i'll be your dirty little secret, if that's what you're into."

DAY TWO: murder plot au (lets kill this person together) + "crawl to me"

DAY THREE: inspired by your favorite lana del rey song (if not a lana fan then any fav song of yours) + stalker / yandere au or love triangle gone wrong

DAY FOUR: artificial intelligence au + "here, you are. you tiny thing."

DAY FIVE: gothic au + “worship me. until i tell you to stop.” + a masquerade au or a good ol' priest au

DAY SIX: animal shapeshifter au + "he's a monster" + "he's perfect"

DAY SEVEN: stranded au or slasher / summer camp au + sex in the woods or somewhere public (added bonus if it includes knife, blood, hunter x prey kink)

DAY EIGHT: cosmic horror au + "you're a fucking nightmare. kiss me."

DAY NINE: “do you like it when i bleed for you?” + the toxic exes trope or cult au

DAY TEN: zombie apocalypse au + "every moment might be our last, let's make the most of it."

DAY ELEVEN: black swan au or inspired by your fav psychological thriller + “they die for love, you kill for it.”

DAY TWELVE: vampire court au + "forever isn't long enough for me to forgive you."

if following the above isn't your thing and you want to pick and choose yourself that's great! we also highly rec this random generator if you wanna live life by the edge, each category has 23 options to pick and choose from so customize the generator accordingly!

AUs:

steampunk / cyber punk

fairytale retelling

revenge

mythology / monster

virtual reality

gothic

taboo (see great options here)

slasher

game gone wrong

witchcraft

addams family

bonnie and clyde

spy / secret agent

assassins

x-files

circus / carnival

hitch hiking

basement wife

time travel

urban legend(s)

american horror story inspired

vampire / supernatural

pirate / mermaid

DIALOGUE PROMPTS:

"do you like when i touch you like this? i can keep going if you want me to."

"i can see how badly you want this, so i'm going to make sure you get it."

“this fear you feel? it won't last.”

“you are mine, whether you agree or not.”

“why do you keep following me?”

"i can't stop thinking about how perfect we would be together."

"you're not actually scared are you? of me?"

"i'm so close, can you feel it?"

"tell me what you want me to do and i'll do it, no matter the cost."

"you're like a sickness, a disease, and the only way for me to be cured of you is to let you completely consume me until my body has no fight left."

"i want to see you bleed."

"they're dead...because of you."

“i will keep hurting. i will keep killing. anything to protect you.”

“everything i've done.. every horrible atrocity, it's been for you.”

"it's just a little blood."

“don't you know how sick with love i am for you?”

“i would burn the world for you.”

"this is so fucked up." "you like it."

"finders keepers."

"what's your favorite scary movie?"

"tell me you want me back. tell me i'm forgiven."

"you're a monster." "that's never stopped you before."

"i've killed for you, who else can say that?"

TROPES:

mob / mafia

soft!dark

dubcon / noncon

soulmate / fated mates

mind control / telepathy

cheating

final girl

once is not enough

haunted manor

dark academia

enemies to lovers

haunted object

vengeful ghost

coven

ritual / sacrifice / blood magic

unrequited love

creation / creator vs monster

'i'll find you in every universe / century'

reverse harem

cursed / fuck or die

curiosity killed the cat

theatre phantom

fate worse than death

KINKS:

biting

corruption / authoritarian

somnophilia

begging

dacryphilia

breath play

knife play / blood play

jealousy / sharing / possessive

aphrodisiacs

hunter / prey

humiliation / degradation

mirror sex

deprivation / immobilized / bondage

costume

size

orgasm denial / overstimulation / edging

body worship

shotgunning / swallowing / facial

gagging

torture / surrender

hate sex / make up sex / phone sex

magical healing [redacted]

soft!dom / pleasure!dom

ETC PROMPTS:

a summer fling gone horrible wrong, or right

1970s porno filming (turned into a blood bath)

touch her and die except who the hell are you and why are you obsessed with me?

a trip to the circus (or carnival) ends with you stuck there...forever

you just inherited this creepy mansion where people where murdered what could go wrong?

a ritual gone wrong and now i'm bound to a demon

if 'this person' ever found out about this they would kill both of us (literally)

oh no i'm dating the town serial killer

passionate professor tells me to prove my devotion to the craft / class by doing something insane

we're the last people on the planet and you will be mine

daydreaming about being with you is better than actually being with you because i missed all the red flags and now it's too late

i got casted out of my world and ended up wounded and bloodied in your backyard, convince me why i shouldn't destroy your world out of anger

vampire has a taste for specific blood and looks like you have it

the creepy neighbor is too hot to be insane, right?

i keep seeing them in my dreams and i wake up with bruises and marks on my skin, it's definitely just wild dreams, right?

loving you is easier than hating you

got stranded in some little town that seems so cute, until night hits

'this person' ordered me to kill you but i actually think i'm in love with you

my lover is wearing the same costume as you and i can't tell the difference but i'm pretty sure it's them i'm fucking in this closet...pretty sure

confessing to a murder via a silly little ghost story around a campfire (but someone reads through the lies)

how far would you go for love? for the one you love?

in a past life you were the cause of my death so i'm here to exact revenge now that i've found you

we're at a fun little horror movie reenactment except people are really dying

we tried to make this writing challenge as fun and very 'choose your own adventure-like' as much as possible because we know how hard it is to stay motivated when doing these things.

so please feel free to use any and all of the prompts, tropes, kinks, etc as you wish. we're just super excited to see what ya'll come up with!!

so good luck and stay slutty spooky <3

#if yall don't participate in this i will actually cry lmao #haunted hoedown #writing challenge #kinktober #! challenges

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alkalinefrog · 10 months

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Hey Alka, I had a quick question for you (whenever you have the time to answer or even if you have the time), I've been taking some storyboard classes and with my illustration background, it's been hard to really find a good shorthand for characters to really get that anatomy/gesture looking right without it being too sketchy and unreadable.

How long did it take you to find your storyboard shorthand, and what exercises would you recommend to try to find it? I'm sure it just takes time and practice, I've been doing a lot more studies and gesture drawings (currently following along all the free Glenn Vilppu videos I can find on youtube) but I wanted to ask you as well because I am in love with how fluid your anatomy is, and how clear your storyboards read. And those hands my god you're a wizard!!!

Thanks a bunch, have a wonderful day!

Heya Secret, great to hear from ya! Well, what you don’t see online is how gross the rough stage of my boards can get LMFAO. Most of the boards I post are actually overly cleaned up because I'm just doing them for fun and can afford the time! I'm not really sure how long it took to develop my shorthand, I've never really enjoyed drawing detail to begin with, so when I decided to go into boarding I kinda just leaned into it!

I’ve covered a bunch of gesture drawing exercises already if you scroll through my advice tag, but ***once you have a good foundation*** here's some stuff you can try!

First you'll want to build up an arsenal of anatomy hacks you can always fallback on, particularly for complex parts of the body. The less time you spend on details, the more time you have to focus on the overall pose and storytelling. Aim to find ways to draw with as FEW lines as possible. If I had to make a list to streamline what to practice:

Head shapes - find the most efficient way to draw the front + 3/4 + side view in as few lines as possible (the challenge is still making them look structured with dimension)

Eyes - are SO important for expressions! Unless your project has characters with dot eyes, you're going to need to find a quick way to do the circle and iris in as few lines as possible. Make sure you can convey where they're looking

Hands - fists (you'll be drawing a lot of people holding poles), open palms at various angles, foreshortened fingers pointing at viewer, fingers making grabby motions----protips: 1) half the time all you need is a vague triangle/rectangle plus thumb sticking up and that's a hand 2) if the hand is relaxed, you probably don't need to draw the knuckles. Save some time!

Feet - just learn how to make sure they look like they're standing on the ground, and do some studies of what they look like when you're running. Otherwise you can usually get away with a vague shoe or boot shape (just add toe lines if they're not wearing any)

----everything else you'll practice as you go!

Jump from SUPER rough straight into clean boards to really force yourself to be economic. I've done each of these methods for work before:

Before you start boarding with a character, sketch them a few times with the intention of simplifying their design while keeping them recognizable:

You'd be surprised how little you need to recognize a character:

Depending on the scene, you can adjust how much detail you want to include:

Stay loose/more generalized with action, especially for the "inbetweens" between key poses. Clean up enough to communicate movement and make the character recognizable.

If the character's small on screen in a wide shot, edit out most details and focus on the silhouette

Save the detail work for character acting, when you really want to be specific with their expressions and gestures.

But outside of all that, be bold and fearless!! Everyone has that stage where their boards look like spaghetti! Boarding is like handwriting; you could have really shitty chicken scratch, but if you're writing beautiful poetry, who cares!

god I love drawing hands you don’t even know thank you so much!! Good luck dude!! You’ve more than got this!!

#my art #advice #ask #secretsivekept #you got this!#sorry this took a while! my mental health was in the pits for a solid couple weeks #getting better now though!#storyboards

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antimony-medusa · 10 months

Text

Okay this is 100% discourse, so maybe avert your eyes if you don't want to see me wail at the heavens, but for a fandom so anxious about boundaries, we haven't actually been very good in practice at respecting the actual stated boundaries the streamers put down, and I think it shows what we're actually policing, which is not things to make the streamers comfortable, it's stuff to make us comfortable.

This ranges from inventing new boundaries for people (you can't use neopronouns for ranboo, their pronouns are he/they; there's no boundaries on dark content for streamers so obviously we have to invent and enforce dark sbi rules ourselves) and then harassing people based on those boundaries that we just made up, to ignoring the actual things that the streamers said if we don't agree with them (cc!dream said he was uncomfortable with gore art back during the revolutionary war/exile but he's a villain, right, so we can just do whatever we want with the character, right?) and just doing whatever we want.

This is a recurring problem, with people violently policing boundaries that the fandom has all agreed on, to the point of doxxing and harassment and death threats, and ignoring boundaries that they have decided "don't make sense".

Like here's the example I put in the tags earlier, which is Technoblade related. Everyone knows that family dynamic is great and shipping is a no-go, right? But if you actually go looking for the clips, (or listen to streams in the background recursively while you're doing other things), you'll find that what Technoblade said about shipping was that it was "kinda cringe" (I think the list of things he said was cringe included reading percy jackson books and talking like you're better at video games than you actually are), and he was MUCH stronger in saying that he didn't like family dynamic in canon, saying that he didn't like it, that it was non-canon, and he'd never betray his family like that.

But if you look at the entire "found family" tag on Ao3, 19,860 stories, Technoblade is tagged into 29% of them. That's 5,760 fics just blowing right past what Technoblade said. Boom. Taking that character from his political anarchist setting and setting him right down in a royalty au w. younger siblings.

Because obviously a family dynamic isn't actually going to hurt someone's feelings or make them feel weird, the fandom has agreed, so what he must mean was that saying that family dynamic was actual literal canon is the only bad thing (I have been clotheslined by family dynamic written into stuff tagged as "canon compliant" multiple times as well,) and we can continue with the fun family stuff, right? Because someone saying they don't like family dynamic doesn't make Sense, in the way that I like it, the fandom has agreed, so we can just ignore that clip. Honestly I think that a ton of people have no idea that Technoblade ever said anything negative about family dynamic, because that clip is never brought out or talked about. I literally only know about it because I've watched that stream.

Meanwhile, the much less firmly stated boundary when it comes to shipping is absolutely doubled down on and brought out to justify mobbing people off the internet, because everyone already knows that shipping is bad and terrible and tainted and horrible to do and we don't like it, so even the slightest indication that it's out has to be grabbed and used to police people. So that everyone can be very to sure themselves that what they're doing is not weird, and the streamers are okay with it, and if I showed them my fic they'd say they liked it.

They're not going to give the Ok to your fic, because the fic isn't FOR them, and it shouldn't be. It's for the other weird fans who can't stop thinking about the block men characters, it's not for the actors. The actors have their own lives, leave them alone.

To be clear, I am not saying that we should stop writing family dynamic to respect Technoblade's feelings. Among other things, I don't think he's checking his character tag on Ao3 right now. But like, I've talked before about the way that boundaries culture ends up working in practice, and how constantly bringing problems up to streamers just ends up showing them all the things that are the most weird to the streamer. You only have to look at what most of Benchtrio has done in terms of boundaries, which has been transitioning from very explict boundaries with details on everything to just saying "just use your manners," stopping answering questions, and telling people to actually think about what they're showing the streamer instead of expecting someone to weigh in on it for them.

But even when it comes to the boundaries that we do have, that we know about, the way people enforce them seems to be less about actually respecting what the creators like, and more about making sure we're morally pure and never have to see something that we personally don't like, and we don't happen to have any of that nasty boys kissing content in our work, because we all know that's terrible. (And as someone who's seen crackdowns on LGBTQIA content several times, that certainly has unfortunate overtones.)

As long as it's all kept away from the creators, I really think that fluffy cuddly family dynamic and kissing fic and hardcore whump all falls into the category of "not for the creators, they might find that one weird, but you do you". Like keep it away from the streamers, use your brain, but like, it's all a bit weird and for fun. Let it be weird and for fun in a secluded part of the internet, keep it away from the streamers, tag your shit for people who don't want to see it, and go to town.

So just like, I really think that "creator boundaries" should be more about using your brain as to what you show the streamer, and less about harassing someone off the internet cause they drew kissing art.

#discourse #technoblade #dsmpshipping #how's THAT for a rent-lowering shotgun blast #fandom meta

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fategoflatass · 3 months

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I used to be so against the slow burn trope. Not because I thought it was shit; it's just, I usually don't have the patience to wait whatever-amount-superior-to-three damn chapters for my dear ship to finally be able to look at each other without blushing and/or hold hands. Thus why you often times see me reading oneshots or fics with the "Established Relationship" tag on them.

So you can imagine just how surprised—or maybe not, maybe I just didn't think enough about it—I was when I realized my newest fixation's main pairing is—canonically—the embodiment of slow burn. Because holy shit they're taking their time.

Nothing against how Kusuriya develops its love story—quite the opposite, actually. The relationship between Jinshi and Maomao, two characters that are written as beautifully as their romance, is a rather realistic approach as to how the same or a similar dynamic would developed in real life. In such a complicated situation, with such complex feelings about emotions—both external and their own—and attachment, makes sense that it takes so long for the relationship to finally sail.

The problem is, I didn't know I was signing with the Devil the moment I decided to pick up the light novel. Ten volumes and nothing has happened. Nothing.

And you can say that technically things have happened, because they have. I mean, Jinshi is just so desperate for Maomao to give him the time of day, you know what I mean? And even that isn't enough anymore and thus he has committed some of the craziest shit I've seen in any romance. Which okay, I don't usually read these type of romances but still.

What I mean by "nothing" is just, their relationship hasn't changed status. I could also say that it seems to go nowhere, but that'd be lying. Since, you know, it has changed quite a lot—just not in the way my impatient ass wanted it to. Because he can be as honest with his feelings as he pleases, and those around them might be heavely conscious of the tension and thus constantly tease those lovebirds (as they should), but babygirl's not helping, you know?

And I get it, Maomao's not the best at expressing and understanding herself, and she's also way too busy worrying about going as unnoticed as possible (she should give up on that one already, tbh) while keeping her head where it should be. But like, I can't help feeling frustrated over it like ‼‼

GIRL, FUCK THE RULES. TAKE THAT PATHETIC EXCUSE OF A MAN AND RUNAWAY SOMEWHERE NO ONE WILL BE ABLE TO IDENTIFY YOU. YOU THEN CARRY THAT BITCH BRIDESTYLE TO THE CLOSEST CHURCH AND MAKE HIM YOUR WIFE. PROCEED TO FROG AROUND, EXPERIMENT WITH YOUR UTERUS AS MUCH AS YOU'D LIKE, AND THEN TEACH THE PRODUCTS OF YOUR PRACTICES AS YOUR OWN GUINEA PIG THE WAYS OF HERBAL MEDICINE. AS EASY AS THAT.

But she won't. She'll take her sweet ass time being in denial about both Jinshi's and her own feelings, then maybe she'll proceed to analize herself and find out that maybe, just maybe, that affection that she'd been feeling for that loser became something else. Did said affection also become something more complicated? Absolutely. Does she know how to deal with it? Hell no, but fuck it. If I learned something from school is that you always leave the hardest parts for later.

Now you see why I was so against reading slow burn?

And you wanna know the worst part? I loved it—I loved every second of it, every word, every page. Every scene that seemed to help the relationship advance, only for Maomao to say nope and leave like she owns the place, which at this point she fucking might.

It feels like I, as the reader, am in the middle of a heatwave and some sadistic bastard won't stop teasing me with ice cream—they put it in front of my face, close enough that I can smell the cold. Then take a spoon and eat little by little while staring directly to my eyes. At times they seem to show mercy and feed me a spoon, only for it to be a rather small quantity of serving—serving that tastes so damn good at first, only for it to have such a bitter aftertaste. But if I gotta have something in common with Jinshi is that I'll never be able to beat the masochist allegations, so I'll wait patiently for the next spoon and its corresponding and seemingly enless teasing from that faceless being.

So yeah, I'm still against it, only that now I understand the appeal—even if I have yet to find out about the whereabouts of my sanity while still mananing with the little I've left.

#kusuriya no hitorigoto #the apothecary diaries #jinmao #mai.txt #long post #rant #?#did i just write a rant about a realisticly slow burning romance? yes #please understand i've no one to complain to about them #so i better let go these feelings before i explode and throw my pc out of the window or something #i tried being as spoiler free as possible but please tell me if i should change anything about... whatever this is

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