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lemurzsquad · 1 month

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Haikyuu High School Band AU (Karasuno)

I know I've seen this before, but I just HAVE to make my own version of this!!

Haikyuu High School Band AU!! Or at least headcanons on the characters

Starting off strong with Karasuno as a starting point (as much as I want to just do all my favorite characters first TvT), including the entire team and coaches and managers

Please lmk if you want to hear more about this au, and I'm happy to take asks for more headcanons or even story ideas!! (I do plan on writing more and for doing some of the other teams, albeit maybe not with such in depth headcanons and maybe not the entire teams)

(Also, small disclaimer, this is based almost exclusively on personal experience, and a lot of this is based on things that have actually happened to me/in my band gkhsbkj)

Karasuno:

#1 - Sawamura Daichi

Leadership: Band Captain/Section Leader

Concert: Tuba

Marching: Sousaphone

Jazz: Trombone

I feel like he'd totally play tuba and be in jazz on trombone, as well as being a band captain and section leader for the low brass (or just tubas if the band is big enough). Definitely gets "That's my band captain!!" yelled at him a lot, no matter what he does, and he's totally sick and tired of it. He is single-handedly the only reason the band hasn't fallen apart because he actually keeps close contact with everyone in leadership and makes sure stuff is organized. He also brought back running laps as a punishment, but he somehow made it such a thing that people would just join in pre-marching rehearsal laps.

In concert, he's probably first chair tuba in the highest band and thankfully actually knows his parts and is consistently called on to play shared parts with other sections by himself as an example.

As for jazz, I imagine he might not be in first chair, maybe even being on bass trombone, but he knows his part. Not perfectly, but he knows it well. He's also not the most flashy soloist; his solos are simple and solid and well-thought through (if they're improv-ed).

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#2 - Sugawara Koushi

Leadership: Head Drum Major

Concert: Bassoon

Marching: Flute

Marched flute his freshman and sophomore years before becoming a drum major his junior and senior years. While he tries (sometimes) to be serious and a good example, being in executive leadership, more often than not he's adding flourishes and shenanigans to his conducting whenever he feels like it and stealing Daichi's tuba, sousa, or trombone mouthpieces upon request from the non-low-brass underclassmen who aren't allowed in the low brass room where they're stored.

He also plays bassoon in concert in the highest band mostly because of a lack of bassoon players. Not to say he's bad---he is good at his instrument---but he also didn't have much competition. He's known for walking around the band room with a bassoon reed in his mouth and occasionally crowing on it (or putting multiple in his mouth and being almost as obnoxious as some of the other brass players). He always seems to have a pair of pliers or sandpaper during rehearsals, constantly adjusting his reeds whenever he's not playing---for better or for worse, especially when he overadjusts and doesn't have time to fix it before he has to play again.

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#3 - Azumane Asahi

Concert: Percussion

Marching: Front Ensemble (Mallots)

He managed to fly under the radar in terms of skill level until someone caught him practicing an insane marimba solo for fun when he thought no one else was in the band room. And then obviously he got stuck getting tons of mallot solos, quickly becoming the band's most prized percussionist. He's always terrified when doing solos, especially in front of judges by himself, but is absolutely in the zone when he's performing in concert or marching band, entirely focused on playing and nothing else.

At some point, the pressure got to be too much and he quit band for a year. Prior, he had been assigned primarily to more auxilary percussion instruments, so when he was suddenly expected to be this amazing player after one encounter, he caved and dropped the class. Fortunately, when the underclassmen discovered he used to be a great player, they managed to drag him back, and Takeda happily got him a schedule change to bring him back into band.

Now, he spends a lot of time hidden away in the percussion room, often interrupted by Noya, with headphones on and practicing his mallot parts. The band relied on him, after all, and he couldn't let them down.

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#4 - Nishinoya Yuu

Concert: Percussion

Marching: Lead Snare

Jazz: Rhythm (Drumset)

One of those crazy good percussionists that just seemed to show up one day with an insane talent for drumset and drums in general. While he struggles in concert to read rhythms (often improv-ing them instead, which often gets him a stern look from their band director, Ukai), he has a natural knack for drumset and setting up the jazz band with a solid backing.

In concert, he loves to play the big percussion instruments, like gong, bass drum, or timpanis, but he's content with anything that's loud and stands out (slapstick, flexitone, castanets; if you know, you know). He seems to always be late for rehearsals, usually with a snack, smoothie, or full on fast food meal that he brings into the band room and immediately gets chewed out for for bringing open food into the band room.

He somehow ended up on lead snare for marching despite wanting to play tenors or bass drum because they needed someone with really good tempo and feet timing, as well as skill on the drums, in order to line up with and help the drum majors keep the band in time out on the field.

In jazz, he essentially only plays the drums, having no particular skills on vibraphone or piano. So when rhythm rotates and someone else is on drumset, he often has to sit out if there isn't another set of drums needed for the chart.

He seems to never leave the band room, similar to Asahi, except he doesn't actually seem to do anything except cause problems. If he's not confined to the percussion room, spending time with Asahi, he's on a drumset somewhere in the band room or helping the underclassmen pull pranks (no he definitely was not the reason there were tons of stickers of Ukai's face now being distributed among the band).

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#5 - Tanaka Ryuunosuke

Concert: Alto Saxophone

Marching: Alto Saxophone

Jazz: Alto/Soprano Saxophone

Ah yes, the bane of every band director's existence: that one loud alto sax player. Is he good at his instrument? Yes. Does that make him any less obnoxious? Absolutely not. He practically carries the entire marching alto section out on the field with how loud he plays (for better or for worse) and is constantly told to play quieter, play less aggressive, soften the articulation, just chill out a little bit. He is, shockingly, usually the first to marching rehearsal (sometimes throwing a ball with some others on the field before it starts) and probably the most hyped out of anyone. This does not, however, stop him from being late to stretch block despite being there earlier than anyone.

He is very well known for trying to play every instrument that isn't his. At least once a week, he's trying to convince someone to let him play their trombone, bari sax, trumpet, bass clarinet. Many times has he been lectured by Daichi for playing other people's instruments, especially when Band Plague (tm) is circulating.

He plays lead alto in jazz. It's a miracle they let him play soprano sax in jazz, but they really couldn't pick anyone else that had the same skill for jazz and improv as he had. He and Noya are a duo that should not be messed with or underestimated, especially if they're assigned to the same combo.

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#6 - Ennoshita Chikara

Leadership: Quartermaster, eventually Band Captain/Section Leader

Concert: Euphonium

Marching: Trombone

Getting the instruments right for him was hard, but I could honestly only see him playing trombone and euph. It's kind of a mystery how he ended up as a quartermaster after putting in his leadership application, but him lugging around equipment and setting things up quickly became a very common sight. He proved himself to be extremely reliable, and Daichi would often go to him for advice and to make sure everything was set up and ready to go. When he becomes band captain and section leader, it was very natural; the irony was having two low brass band captains in a row, which isn't the most common sight.

He's probably what would be considered the model band student, which is most likely the reason he is assigned to executive leadership. He's always on time, always the last to leave after helping clean up the band room and put chairs and stands away (that no one else bothers to). He diligently practices his concert and marching music, which does land him with his fair share of solos. He's the best euphonium player they have in the highest band simply due to his dedication. He does, however, seem to have a sixth sense for misbehavior, and he's scared a number of band kids when he suddenly appears just as they're breaking the rules.

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#7 - Kinoshita Hisashi

Concert: Alto Saxophone

Marching: Alto Saxophone

Jazz: Alto Saxophone

Kind of just your average, quiet alto player. The problems lie in who he has to be around consistently: Tanaka. Their lockers are next to each other, and he's always second to Tanaka. He really doesn't mind, he just wishes when the "altos" get yelled at, they would specify "just Tanaka." Fortunately, he's a decent player---albeit often told to play louder on his second alto part---so the attention usually isn't on him very much.

He's often found outside the band room by the vending machine, usually doing homework or chatting with Narita (and Ennoshita if he's not practicing, which he usually is). He prefers to practice at home, so he brings his instrument almost everyday. Even if he is (definitely) a better concert alto than Tanaka, he doesn't bother challenging him for his chair because he knows he will never hear the end of it. Better to keep the peace, he thinks. Second alto isn't such a bad part to play.

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#8 - Narita Kazuhito

Concert: Oboe

Marching: Baritone Saxophone

Jazz: Baritone Saxophone

Another quiet but strong player, he's a very reliable oboe and bari sax player (the double reed to saxophone pipeline is very present). Initially, he never expected to play bari sax after spending middle school playing oboe and alto sax for concert and marching, but when Ukai became band director, he decided they needed more low reeds. So, he ended up picking up bark sax when he joined jazz in sophomore year and really enjoyed it, enough to start marching it.

While he's still second chair oboe behind Kiyoko in the highest ensemble, he does often end up being the only oboe when she switches to English horn for some pieces. He's had to learn a lot in terms of being confident in his part and not leaning on more experienced players. Jazz band helped with this as well given the standard big band only has one bari sax; he can't always rely on having Daichi on bass trombone sometimes to back him up, especially not in sax features.

His locker is actually next to Kinoshita's despite it being one of the massive bari sax lockers, and seeing a tiny oboe case on top of a giant bari sax case is always entertaining. He also probably rarely uses an actual school locker with how much space he has in his band locker (even if he's not there super and they're technically not supposed to store non-band things in there). I imagine he doesn't spend more time in the band room than he has to most of the time---no particular reason against it, he just doesn't see the need to be there.

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#9 - Kageyama Tobio

Leadership: Section Leader

Concert: Clarinet, Bass/Contrabass Clarinet

Marching: Clarinet, Mellophone

Every band has that one person that can play way too many instruments and takes the "give me five minutes and a fingering chart" phrase way to literally. That person at Karasuno is Kageyama. While his primary instrument is---and always will be---clarinet, he picks up other instruments pretty quickly given the chance: piano, saxophone, flute, trumpet, and mellophone in particular. In concert, he is the best clarinet player the band has, which gives him opportunities to play bass clarinet (if they don't already have one) and contrabass clarinet when it's needed, at least when the parts are particularly vital and they need a solid player.

During marching season, he marched clarinet as well, becoming section leader in his junior year. He did, however, start investing in playing mellophone with the intention of going into DCI---essentially professional marching band---when he graduated. While some of the woodwinds gave him flack for starting to learn a brass instrument, they couldn't deny that he did get pretty good at it.

He is always in the band room, practicing or otherwise, and if he's there, then so is Hinata. They constantly seem to be competing about something even though there's no real basis of comparison considering they don't really play the same instruments. This does not stop them, however. Often, they will have to be yelled at to go home and get out by Daichi (and eventually Ennoshita and Yamaguchi) and their band directors so that they can also go home.

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#10 - Hinata Shouyou

Concert: Trumpet

Marching: Trumpet

Jazz: Trumpet

(As much as I loved the idea of giving him bari sax,) I had to give him trumpet because this kid is absolutely obsessed with DCI. He wants nothing more than to be the absolute best so that he can march out there with the best of the best. His playing style is overzealous most of the time, but he has skills built up from years of teaching himself. They are far from the conventional methods of a classical private teacher or band director (since his middle school essentially had no real band class and barely enough to keep the class on the roster). He joined jazz as just another chance to play trumpet during the day and have more pieces and charts to play. Any excuse to be playing.

He is very loud, to the point where his playing is instantly recognizable even from outside the band room. He actually struggles quite a bit to play proper swing in jazz, to Ukai's frustration. If he's ever given solos, it will be on a Latin or shuffle or any chart without a strong swing. In concert, however, he is given almost every trumpet solo under the sun, especially with Ukai picking pieces specifically to cater to giving both him and Kageyama solos and features.

Hinata takes every opportunity to try and compete with Kageyama, to the dismay of everyone around them. Made worse by the fact the underclassmen ended up with last pick of lockers and the only available ones were next to each other, they always seem to be bickering about something. Kageyama had tried to ignore it, but eventually gave into the competitive spirit, and both are known to be constantly practicing to show up the other. Every cracked note is met with a perfectly in tune melody, and every solo is met with a perfect rendition of the background part.

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#11 - Tsukishima Kei

Concert: French Horn

Marching: Clarinet, Mellophone

Arguably the weirdest combination of instruments, he prefers to play a few instruments that he can get really good at than be like Kageyama who is very good at a couple and pretty okay at a handful of others. He never really showed insterest in leadership, preferring to focus on himself. Being in the highest band, especially in first chair, means he constantly has to see Hinata and Kageyama, but he doesn't mind as much since Yamaguchi is also there. Why he started marching clarinet as opposed to mellophone is a mystery to most, although Yams will claim it's because he didn't want to have to hold up a brass instrument out of the field so his arms would hurt less.

Unfortunately, marching clarinet meant he had to be around Kageyama, but as long as they didn't have to sit next to each other in concert band, he was fine with being in the same section out on the field. Until Kageyama became section leader and gained some level of authority over him, which led him to switch to the standard french horn alternative: mellophone. Some called him petty, but he just shrugged it off.

His indifferent attitude---and the fact that he never seemed to be in the band room---might have led to assumptions that he didn't care, but others were not aware of the personal french horn he practices on regularly at home, away from the prying eyes in the band room. He opted, rather, to use a school-owned horn in class, only bringing his own for concerts (not that anyone paid enough attention to notice aside from his own section, but they want nothing to do with any backlash from anyone for revealing this).

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#12 - Yamaguchi Tadashi

Leadership: Uniform Staff, eventually Band Captain/Section Leader

Concert: Tenor Saxophone

Marching: Tenor Saxophone

While entering high school as a perhaps below average tenor sax player, he managed to distinguish himself as a very perserverant player by the time he got to his junior year. Rather than relying on natural talent, he put in the work to get to be one of the top saxophonists---not the best, but he was certainly not to be looked down upon. Especially when he made up for what he lacked instead with his leadership skills. He practically redefined the role of uniform staff (a role that initially just meant "know how to fold uniforms and check that they're put away correctly") into something that actually took initiative in managing uniforms and allocating duties.

If anyone had met him in his freshman year, they would never have said he would become such a good leader or player, but he became that regardless. He and Tsukki tended not to spend excessive amounts of time in the band room until their senior year when Yams had to be the first there and the last to leave as band captain, so Tsukki often assisted and stayed with him so he wasn't by himself once the other section leaders had left.

He actually made it a point to learn bari sax and bass clarinet (at least in terms of knowing the basics and how to transpose from concert pitch to Eb and vice versa) to be a better low reeds section leader. He may seem sweet, but he has more than earned the respect of his band---and there is a reason they don't mess with him because it can never end well. It's also how the band room is spotless by the end of every day.

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Shimizu Kiyoko

Leadership: Librarian

Concert: Oboe/English Horn

Marching: Front Ensemble (Keyboard)

Jazz: Rhythm (Piano/Keyboard/Vibraphone)

The absolute model student and kid in band (not to be confused with a band kid). She plays oboe and English horn in concert, but her skills from years of piano lessons still landed her on piano parts. As a librarian, she constantly organizes and finds music and makes copies for all of the bands for the band directors and even occasionally the orchestra; when Yachi also became a librarian, she did her best to train her, and they were able to split up the workload much more reasonably.

She is easily the best oboe player not just in the school but the county. Oboe and English horn solos are commonplace in the pieces that are chosen for the highest band specifically for her. In jazz, she typically plays piano or keyboard but branched out into vibraphone when percussion did their instrument rotations. In marching, she stands in the front, headphones on, playing keyboard with the rest of the front ensemble.

Despite not being on executive leadership, she is still well-respected and very rarely left out of the loop on important issues and discussions, being a somewhat honorary member of upper leadership.

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Yachi Hitoka

Leadership: Librarian

Concert: Flute

Marching: Flute

Jazz: Trumpet, Flute

Poor Yachi, she was not ready for how intense Karasuno's band would be and how seriously they take the program. But she quickly got used to it, practically adopted into the main group, namely when she joined jazz after her first year and became a librarian. Since there typically isn't a designated flute player in a big band set-up, she opted to learn trumpet with the help of Hinata when he found out she joined the lower jazz band as a beginner. With his help, she got to be a decent intermediate player, occasionally playing flute on the off chance a chart called for it in the instrumentation.

She became more outgoing slowly but surely, somehow suddenly ending up with friends and acquaintances in almost every section and ensemble---Kiyoko thinks it's because the boys are rubbing off on her. Becoming a librarian also really helped in learning names and faces so she can get music and dot cards to the right people. By the end of her time in high school, it seemed that everyone at least knew her name or face with how much time she spent in the band room doing homework, helping out band kids and the band directors, and keeping everything organized.

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Takeda Ittetsu

Position: Assistant Band Director, Orchestra Director

Teaches: Orchestra, Symphonic Winds (2nd band), Music Theory, Jazz Band (lower)

Instrument: Cello, Trombone

Band was certainly not his first calling, considering he played cello in high school. When the previous Director Ukai retired, Karasuno struggled to find another teacher to replace him, thus their orchestra director took the place for a time until he managed to track down the current Ukai. With the extent of his experience with band being the instruments he learned for his degree in Music Education, he struggled, to say the least. But with the help of the students and other staff members (and the temporary band director that filled in for a while), he made it work the best that he could. He did start to get better at trombone (the wind instrument he enjoyed the most in his college music ed classes) so he had at least some band experience.

He did a lot for the program in terms of finding places and gigs for them to perform at, adding more marching competitions to the schedule and finding more performance opportunities for the bands and individuals. Despite the couple of years of transition that led to the band program losing many members, especially experienced players who graduated, it was eventually built up again.

After he brought Ukai on board, he had more time to invest in the orchestra program like he had before while still teaching the middle level band, the lower jazz band, and the Music Theory class. His insight on and relationships with the band members was invaluable, however, to help make decisions on leadership and ensemble placements.

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Ukai Keishin

Position: Head Band Director

Teaches: Concert Band (3rd band), Wind Ensemble (1st band), Jazz Band (upper), Percussion

Instrument: Trombone, Euphonium

It took a lot of convincing for him to get on board with becoming a band director, but it was one of the best things that could have happened to Karasuno. Having a solid band director who had lived and breathed band when he was younger (and a father who was the previous band director at that very school for many years) was exactly what the program needed to finally rebuild. He may not be the best conductor or organizer, but he does pick challenging and achievable music to push the bands to be better. The jazz band in particular soared, many joining to get a taste of its success under new leadership. Despite not getting to choose leadership the year that he joined (that being established the year prior), he was not afraid to keep a tight reign over those that were not doing what they needed to in their positions.

Through high school, he played trombone, being a skilled jazz and concert trombonist. He picked up euphonium for concert band in late high school and college and for some community ensembles he joined. He is also very knowledgeable of marching band, helping write one of the best shows the band had had the chance to perform in years.

He teaches the lowest and highest bands as well as the top jazz band and the percussion class. Takeda makes it a point to get him to organize joint band and orchestra events in order to bring the programs closer, specifically having a full orchestra (something students from both always asked about and looked forward to) and concerts where they both perform. The jazz band also got many opportunities for gigs and other performances, and the wind ensemble got chances to be a showcase band at band events and camps on more than one occasion. Parades were also events they got chances to perform at because of him (and Takeda's persistence, of course).

Thank you for reading!! <3

If you'd like to add to this or share your thoughts, please lmk!!

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mchmmbls · 1 month

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little habits the karasuno boys have - second years

tanaka: rubs his hands over his shaved head because what is there is fun to mess with. chews on the ends of his pencils & sticks holes into his erasers because he never grew out of it in middle school. prays every night before a match, not necessarily because he’s religious, but because he did it before the aoba johsai practice match that first time and they won, so he kept doing it. buys the first years little snacks before school and sneaks them into their bags so they have something to eat after morning practice.

nishinoya: fiddles with the dyed part of his hair when he’s anxious. taps his foot against the ground exactly three times when he’s putting on new shoes for the first time. eats his bananas from the end rather from the stem. leans in closer to whoever’s speaking because he has minor auditory processing issues & he’s loud, so he wants to give them a visual cue as to the fact that he is indeed listening. flaps the ends of his jacket sleeves if they’re a little too long. caws back at birds in the park.

ennoshita: pinches the bridge of his nose & sighs whenever he’s irritated. paces while he’s talking on the telephone. orders the exact same drink whenever he goes to a café, regardless of whether he’s alone or with friends, to the point where the barista knows his order. cracks his neck before every single volleyball match he participates in. runs his hands over the backs of books in the library while he’s browsing. keeps his pencils meticulously sharpened. keeps dog treats in his jacket pockets to give to dogs he sees on walks.

kinoshita: picks at the edges of his water bottle stickers, and the undersides where they’ve lost their stickiness are kind of gross and gummy because of it, but he stubbornly refuses to take them off the water bottle. hums songs that get stuck in his head. twiddles his thumbs. fidgets with his pencil when he should be taking notes in class, regardless of whether or not he already knows the material. reflexively turns to look at the door whenever someone walks in or walks out of the room he’s in and sometimes gets hit in the face with a volleyball because of it.

narita: kicks his feet when he sits in tall enough chairs. quietly names things that he’s attached to, whether that be stuffed animals or plants or a stray cat that always meows loudly when he passes by the place it lives on his way home. writes poetry in the margins of his notes and gets embarrassed about it if anyone brings it up. twirls string around his fingers when he’s holding onto a balloon or is holding yarn for someone who knits. has to go to a specific stall that sells baked yam at the start of winter every year.

#— ✿ musings.#— ✿ memories.#haikyuu #tanaka ryuunosuke #nishinoya yuu #ennoshita chikara #kinoshita hisashi #narita kazuhito #character headcanons

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peppersapro · 1 year

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How Karasuno would react to you having a tarantula

TW: My T. albo ( curly hair tarantula ) is shown

Authors note: Meet Bitsy<3

Daichi & Kiyoko would find it fascinating and would constantly be asking questions , they would defnitely do research on T's and buy you another for your anniversary

Sugawara, Kinoshita, & Ennoshita hate it but admire how you view spiders despite their reputation , somehow watching you look at such hated creatures with so much love restores his faith in the world

Asahi & Hinata refuse to enter your room and freaks out when you send him pictures, they absolutely have nightmares of it getting out and just mentioning it makes the hairs on their neck stand up

Nishinoya & Tanaka act like they aren't scared but are internally screaming so when you asked if he wanted to hold it he made up excuses as to why he couldn't

Narita & Tsukishima Do research on the type of T you have, held it once while trying not to freak out , while he isn't afraid of it he's not the biggest fan

Kageyama & Yachi Are more scared of the beetles and other bugs you feed it then the spider itself, they admire it from a distance and seeing you looks so happy because of the T it changed their mindset on spiders

Ukai & Yamaguchi Hold it every chance they get, they love watching it move around the enclosure and enjoy feeding it and watching it eat, depending on the type of T you have they may feel inspired to get one themselves

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urudogiirusu · 3 months

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karasuno body count headcanons cuz why not

third years

sugawara - 2

kiyoko - 0 (out of self-respect)

daichi - 0 (waiting for marriage)

asahi - 0 (also waiting for marriage)

second years

noya - 4

tanaka - 1 (before kiyoko)

kinoshita - 1

ennoshita - 0 (respects girls too much)

narita - 0

first years

kageyama - 1 (he got curious one time)

hinata - 0

tsukishima - 0

yamaguchi - 0

yachi - 0

btw i literally did pretty much every team too so ill probably be posting those too

#haikyuu #kageyama tobio #hinata shouyou #sawamura daichi #sugawara koushi #nishinoya yuu #tanaka ryuunosuke #asahi azumane #ennoshita chikara #hisashi kinoshita #narita kazuhito #kei tsukishima #yamaguchi tadashi #headcanon #karasuno #kiyoko shimizu #yachi hitoka

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songweaver · 1 year

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I'm not trying to say all my favs have autism, but...

#my love story with yamada kun at lv999 #loving yamada at lv999 #akito yamada #akane kinoshita #autistic character #headcanon #I'm caught up on the manga and if yamada isn't intentionally coded to be on the spectrum it is one hell of a coincidence

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nope-i-dont-think-i-will · 2 years

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Kisses with Haikyuu! P1:

Headcannons on how kisses are with these characters <3 (btw I'm not actually going by team order I'm just doing the ones I think of first)

Haikyuu x gn! Reader

Karasuno:

Sawamura Daichi:

Kisses with Daichi are gentle. No matter how rough he may be being, or how angry he could be he takes his time to make sure you understand he loves you with every single kiss. His chapped lips press gently to your forehead or your lips in a way that makes you understand his angry, rough nature isn't reason to be intimidated by him. He is gentle with your lips and your heart, and he shows it in every single kiss he gives you.

Koushi Sugawara:

Kisses with Suga are sudden. He presses his lips to yours before he just walks off onto court not caring about the blushing mess he has left behind. He caresses your neck in sloppy kisses, no sexual intent behind them as he enjoys a lazy day by your side: the sudden action making you jump beneath his touch. He finds a way to catch you at least slightly off guard with every one of them and his spontaneous nature gives a fun, chaotic energy that no one can match.

Asahi Azumane:

Kisses with Asahi are meaningful. His lips tell the love stories and sing you the love songs in every kiss that hes too nervous to speak aloud. He kisses you on your rough days, your best days, all with a small smile and a silent reassurance or amazement in his eyes that shows you how much you mean to him without words. He presses kisses to your knuckles as a sign for you to understand he loves you and hes glad you've grown to understand his nonverbal signs.

Ryuunosuke Tanaka:

Kisses with Tanaka are firm. They are reminders that hes here for you through good and bad and that no matter what's going on hes willing to drop it and stay by your side. He kisses with a passion only described by his love for you. He isnt good with words and never will be, so his kisses stay firm on your lips, neck and cheeks to remind you he loves you when he cant find the right words.

Yuu Nishinoya:

Kisses with Nishinoya are constant. He finds the time all the time to plant a few kisses before he has to part from you. Anywhere you go he steals a kiss before you head off that way. When you sit together somewhere he finds time to place a few to your neck or knuckles with zero worries for who's around or why they would care. His constant kisses are a constant reminder of how amazing he finds you and how much he adores you.

Chikara Ennoshita:

Kisses with Ennoshita are stolen. He gently turns your head his way and steals a small kiss while the team is looking away before a game, or presses a loving kiss to your shoulder while you lay together for a moment before you have to go somewhere. His hands will be intertwined with yours before he suddenly raises yours just enough to kiss your knuckles. Gentle, sudden and sweet his stolen kisses linger.

Hisashi Kinoshita:

Kisses with Kinoshita are light. He kisses as if hes worried his lips will hurt you and in some way he is. Hes worried you wont understand how much he loves you if he acts needy or too clingy, so he gives light kisses that linger for only a second or two before he pulls away with a smile. Even after his insecurities fade to the wayside his kisses are still lighter than feather, and instead are more frequent as he finds he just prefers the feeling.

Kazuhito Narita:

Kisses with Narita are domestic. He finds his time to kiss you when he leaves your side, a simple kiss on the cheek as he gives you a small smile and an "I love you" before you part ways. When you stay with him he kisses you good morning and good night and makes sure his kisses count as he snakes his arms around your waist as the two of you cuddle. Hes got an air of a soon to come domestic life that includes you.

Kageyama Tobio:

Kisses with Kageyama are intense. His lips lock perfectly onto yours as it seems he steals the breath from your lungs. You pull away and a small bit of saliva connects the two of you as you both pant a little. He acts as if this isnt something to leave you both breathless and will walk out onto court afterwards as if no one saw. His eyes sparkle with love and passion before and after the kisses, and it has a way of making your heart twirl.

Shoyo Hinata:

Kisses with Hinata are quick. They are loving and full of passion but what stands out the most is how quick they are. It's a peck to the lips before he runs off to a game, or a kiss to the shoulder before he hugs you from behind. It's small, quick kisses that mean the world in both of your eyes and you would have it no other way with him.

Tadashi Yamaguchi:

Kisses with Yamaguchi are loving. His lips linger on yours for a second and his little "I love you" that follows every kiss just makes the point even more obvious. He mutters out the phrase with every small, chaste kiss he gives you and for some its clingy but for you it melts your heart. The soothing way his hand runs circles on your waistline as he pulls you in a little closer in some of the tender moments you have shared makes your heart thump a little more as his words burn into the back of your mind. "I love you"

Kei Tsukishima:

Kisses with Tsukishima are lazy. His hands lazily run your hip lines as he either leans down slightly to your level or his head twists to interlock your lips with a lazy movement. His kisses are so much more layed back then you would have originally thought when you got together: but as soon as you two became comfortable with your kisses they became a leisurely thing you didnt think much about as anything other than a casual showing of your love for eachother. His lips and yours dance without too much thought and he couldn't ask for more.

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houseoftheanimefreak · 1 year

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HAIKYUU SEXUALITY HEADCANONS

🐦‍⬛ Karasuno Editon 🐦‍⬛

Sawamura Daichi: Bisexual with the slightest female preference. Obviously he somewhat likes girls already in canon (The Kiyoko hand holding scene anyone???) And he just seems like the kind of man who could fall in love with another man if he found the right one. (cough*KUROO*cough). I could also see him being a straight but supportive ally as well.

Sugawara Koushi: Pansexual. He just gives off the vibe of not caring at all about the gender of his partner. He just wants to give love and receive just as much love right back.

Azumane Asahi: Pansexual. I am honestly not quite sure why I headcanon him as such, it just feels RIGHT for some reason.

Nishinoya Yuu: Pansexual. Similarly to Sugawara, I feel like Nishinoya cares little about the gender of his partner, my man just trying to be in a relationship without blowing a fuse from embarrassment every five seconds.

Tanaka Ryuunosuke: Bisexual with a heavy female preference. Obviously Tanaka likes girls, crush and eventual relationship with Kiyoko notwithstanding, he'll take any girl that gives him the time of day. But Tanaka/Noya and Ennoshita/Tanaka have my heart in a headlock so yeah self explanatory.

Ennoshita Chikara: Bisexual with no preference. He's definitely had crushes on girls, hell he's had a tiny puppy crush on Kiyoko at one point. But then he sees Kinoshita Hisashi for the first time and goes "huh so this is what going to heaven feels like–"

Kinoshita Hisashi: Gay. Look my Kinoshita Hisashi profile picture in the eyes and tell me you think he would like anything but men. Narita unintentionally has his heart in a death grip.

Narita Kazuhito: Bisexual with a slight male preference. I feel like Narita has had crushes on and even dated girls when he was younger. Then he met Ennoshita and Kinoshita in his first year and his brain took a swan dive into LGBT territory. He's had a small crush on Ennoshita that lasted like a week, then he saw Kinoshita laughing without restraint for the first time, and he hasn't had another crush since.

Kageyama Tobio: Bisexual with no preference. Contrary to popular belief, I think that Kageyama has the capacity to crush on girls. Not even his "volleyball is life" brain can deny Kiyoko's beauty. But his relationship with Hinata is where the capacity to love boys come from.

Hinata Shoyo: Pansexual. Loves anyone and anything that gives him the time of day. His heart is very big.

Tsukishima Kei: Aromantic Asexual. I just don't see him liking anyone at all. He just wants to survive high school and play volleyball that's literally it. The only person on the team who is immune to Kiyoko's beauty.

Yamaguchi Tadashi: Pansexual. Similarly to Hinata, I see him as having a lot of love to give.

Shimizu Kiyoko: Straight Asexual. Eheh. I'm definitely getting canceled for this... But I just don't see her as being interested in girls at all. Her and Tanaka have a special place in my heart. As for the asexual part, purely vibes.

#anime #haikyuu #hq #haikyuu headcanons #haikyuu hcs #headcanons #hq hcs #sexuality headcanons #yeah no Kinoshita Hisashi has my whole heart and apparently also Narita's #kageyama is so fucking gay for Hinata oh my god

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ciaossu-imagines · 1 month

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For Day 16 of the event, I used number 24 from prompt 18 for Ronaldo and Draluc from The Vampire Dies in No Time! I absolutely adore this series and I hope any other fans will enjoy 😊

If social media existed in the character’s universe, would they be on it? Which platform(s)?

I definitely do think that social media exists within this world and that both of the characters do use it. Draluc is honestly more skilled at using it than Ronaldo is, despite what people would assume (which is the exact opposite).

I do think that Ronaldo set up Facebook, Twitter, and Instagram accounts for the Ronaldo Agency. They’re there to hopefully spread news about the agency out there, to get more attention and jobs and they do work well enough before Draluc shows up but aren’t really as effective as they could be.

It’s really because Ronaldo isn’t someone who is really great with technology. It’s just not his forte; he can think of catchy posts and words things really well but he’s terrible with photography and the actual use of the apps.

When Draluc comes along and joins the Agency, he really steps in and takes over running the social media aspect. Draluc is good with most mobile apps, has more free time to actually dedicate to making posts, but he has a hard time thinking about what to post related to the Agency, so it really is a cooperative effort.

On top of the Agency’s social media, both Ronaldo and Draluc have Facebook accounts, like nearly 90% of the population. Ronaldo uses his a lot more than most of his other social media accounts, just because it’s the easiest platform to use. Draluc barely ever uses his, except to keep up with his family.

Ronaldo also has a twitter account, and he has a TikTok account. He hasn’t really posted much on his TikTok because again, he’s bad at that kind of stuff but he’s guilty of opening up TikTok because he has some time to kill and then falling down the rabbit hole and the next thing he knows, three hours are gone, oops. I feel like if Ronaldo found tumblr, he’d actually be really into this site and would be able to get the hang of the simplicity of liking and reblogging and making occasional posts of his own.

Draluc has a Twitch account and streams frequently. He honestly does have accounts on all major social media but uses Twitch and Discord the most.

Another joint account the Draluc and Ronaldo run together? John’s TikTok and Instagram accounts.

#unrequested prompts #the vampire dies in no time #headcanons #ronaldo #hideo kinoshita #kinoshita hideo #draluc

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galacticrainbowsaz · 2 years

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Karasuno watching horror films!!

The first years (who always watch together);

Hinata: Constantly excited. Legit, every little thing excites him and he ends up cheering for both sides. The killer is kinda cool, what can he say? (And the "heroes"/victims tend to be dumbasses. Tsuki agrees on this point)

Tsukishima: Critically assessing every idea the film has. The killer made a sloppy kill? Tsuki will mention it. The people running make a wrong turn? He laughs and calls them idiots. The end where the killer is defeated? He lists about four different methods the killer could have used to get away. Not at all fazed

Kageyama: He's terrified. He's not really had friends before who wanted to watch these films, so he has no idea what he's getting himself into. After the second death, he's sat behind the couch, eyes wide and staring into an abyss no one else can see. He does however, manage to peek over the back in time to see the killer get defeated, and cheers.

Yamaguchi: It took him exactly sixteen minutes to fall asleep. If the start isn't engaging enough, Yams usually just chooses to nap instead.

Yachi: Straight up said "No" and didn't turn up.

The second years;

Tanaka and Noya: They watch together all the time, in a constant state of excitement, even if the film is terrible. They'll scream at the "horror" elements, but it's mostly because they love being dramatic. They're no longer allowed to watch these films with Saeko home for this reason

Ennoshita: Stopped joining Tanaka and Noya's film fests when it became clear that the two would be "pains in the necks" while watching. Enno prefers watching films quietly so he doesn't miss anything

Narita: He'll watch them with Kinoshita and Suga every so often, but he's not a massive fan of them. Every time he's one move away from squeezing a cushion to death

Kinoshita: Sometimes watches with Narita and Suga, and sometimes joins Tanaka and Noya. He laughs when people die and deflates when the killer is defeated. You have to watch out for the quiet ones

The third years;

Kiyoko: Completely unfazed

Daichi: Stays strong for whoever he's watching it with (could be anyone), but jumps at the bigger scares. He relishes when the film is over and always says he enjoyed it

Sugawara: Laughs at people reacting to it. Watching it? Oh, he already watched it in the cinema. (He doesn't know this, but he's on the verge of being kicked out every time for his laughter)

Asahi: Yeah, no. He knows he'll get scared, so he just straight up says no. Although, the one time he was dragged to watch Friday the 13th with Suga and Daichi, he didn't actually get scared. Maybe he's fine with horror things? ... Yeah, no, he has no intention of finding that out

Coach!;

Ukai: He is also unfazed. "Horror films these days just aren't that scary". Give him a black and white horror film any day. Though, that won't faze him either

Takeda: He watches with a smile the entire time, and right at the end, he applauds the work put in to making the film

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ofluminance-a · 10 months

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akane loves making bentos! she actually loves cooking, quite a lot! she finds it a bit of stress reliever and is always more than happy to cook for anyone else.

often in her bento, you'll find more veggies and fruits than you will meat. thanks to her paychecks, especially around the time her rent is due, she cant afford much more but works just as hard to spice up the food!

since fruits and veggies can be a tad more expensive and hard to come by in japan, akane thinks of them as healthy treats! watermelon & strawberries are always her favorites! usually the meat inside is chicken, eggs, or fish! but in her apartment, you'll always finds some sweets.

for someone she cares for, she'll make a cute animal our of rice or something special that addresses to them to bring a smile to their face!

#⋆ ― ✧ m: akane kinoshita.#headcanon #⋆ ― ✧ flower on a high peak. / akane kinoshita.#idk man i have akane on the brain #i need to make verses for her

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transmascotd · 3 months

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transmasc character of the day: hideyoshi kinoshita from baka and test

#baka and test #hideyoshi kinoshita #headcanon

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le-amewzing · 2 years

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Happy Narikino Day~ (8/7)!

And a month later, better inspo strikes for these two, even tho I'm behind in reading bonus chaps, *lol*. Pls, tho: Narita is fine with being teased over his Certified Dad™ glasses because he's got the cutest husband ever. 🧡 | Done in Clip Studio Paint. have some bonus timeskip!narikino hcs

Kinoshita was the first person (outside of Narita's fam) to learn he needed glasses, and he did tease him some...

...joke's on Kinoshita, tho, bc megane!Narita's a wonderful sight 🙏

Narita going into realty fits with some old hcs I have, that he's got older parents, comes from a stricter/more traditional fam, so this line of work provides some interest for him plus appeased his parents plus it helps that he makes some decent moolah Narita monehhhhhhh

Kino's still a homebody, so working for a train company allows him to explore in a comfy way

Best thing about their jobs, tho, is their schedules: Kino's day starts before Narita's, but they've got things coordinated so that Narita hops on Kino's line on the way to work =w=

(not only is Narita one of Kino's regulars, but other regular riders find them adorable)

((tbqh Narita prolly planned the proposal with the help of his fellow regular passengers XD))

(((just imagine all the happy Narikino/Kinonari feels, okay!!! 🧡🧡🧡)))

***No reposting allowed; no re-uploading allowed–please reblog this link instead***

#hq!!#haikyuu!!#narikino #kinonari #narita kazuhito #kinoshita hisashi #mew's art #mew goes digital #headcanons

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anime-fan-05 · 7 months

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Can you do a headcanon of the break up prank with Karasuno team members (not the coaches, the managers and Ennoshita, Kinoshita and Narita), please?

Thanks in advance!

Haikyuu!! ~Break up prank~

Manga/anime: Haikyuu!!

Warnings: nothing

Hinata S.

The smile he had disappeared in a flash

He hugged you and he began to cry

"W-w-why?"

When you told him it was a prank, he stood still for a few seconds

After, he hugged you tightly

Kageyama T.

He would stop whatever he was doing

His expression went from shock to sadness

He was a statue

When you told him it was a prank, he hugged you

He murmured he didn't want to lose you

Tsukishima K.

At first, he thought it was a prank, but he saw your serious face

He turned, his back to you

His shoulders were shaking

When you told him it was a prank, he breathed a sigh of relief

"Baka, don't you ever do it again."

Yamaguchi T.

He felt his heart break

He fell to his knees and started crying his eyes out

He thought it was his fault and he apologized to you

When you told him it was a prank, he stood up and hugged you

He cried with relief

Nishinoya Y.

He looked at you with sad questioning eyes

He reached his arm out to you, but he doesn't dare move any further

He asked you what he did wrong

When you told him it was a prank, he hugged you tightly

He told you never to do it again

Tanaka R.

He knelt down and hugged your legs

He begged you not to leave him

The more he spoke, the less you could understand his words

When you told him it was a prank, he was relieved and happy

He picked you up and spun you around telling you to never do that again

Sawamura D.

Whatever he had in his hands was on the floor

His eyes began to water

He slowly took your face in his hands and asked why you wanted to break up with him

When you told him it was a prank, he held you in his strong arms

He said you shocked him to death

Sugawara K.

He cried on the spot

"W-why? What did I do wrong? Why do you want to break up with me?"

His eyes were very swollen and red

When you told him it was a prank, he slowly hugged you, but he also gave you a long lecture

Sugamama in action

Azumane A.

He felt his legs give way

He buried his face in his hands, crying

He thought it was his fault

When you told him it was a prank, he hugged you

He held you as if you were about to leave

💮 Rules 💮 Masterlist 💮

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celluceta · 6 days

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✭ Law, Bepo, Penguin, Shachi & Ikkaku finding out you like Vocaloid + headcanons ✭

Hi there! Here are some silly headcanons I've been thinking about the past few days. I've been listening and drawing Vocaloid a lot lately and this idea popped in my head, so I hope you like it!! A good friend of mine helped me with this💚

Please keep in mind that english isn't my first language so there might be grammar errors🫠

I had a lot to write about Law and Bepo...

Also I won't be talking about UTAU that much since I'm not very familiar with them,,, sorry.

🎐Please keep in mind these are MY headcanons! If yours are different, that's perfectly fine! Feel free to drop them in the comments if you want🎐

⭐Gender neutral reader⭐

Law

Ok so I headcanon there is a common room in the Polar Tang, with a couple of long sofas and where every member of the crew has their own little space somehow, like walls covered in posters and shelves filled with, books and even plushies of marine animals and their hobbies.

You were spending one morning there, listening to your favorite Vocaloid playlist in a den den mushi (you know, like the ones that appear in film red) when Law arrived, looking for a medicine book he didn’t have at his office.

Normally he would have just walked out the room, but as your den den mushi started playing Tokyo Teddy Bear, his eyes couldn't help but rush to look at you.

You noticed it and glanced at him as well. As your eyes met, he quickly looked back, grabbing the book and heading out the room.

"You like Vocaloid, captain?"

It took him a few seconds to answer before leaving you there. "Why would I do? It's a waste of time".

You were confused but didn't think much about it.

Until a couple of days later, when you walked past the door of his office and heard something familiar...

"Shinkai shoojo mada mada shizumu"

You couldn't believe it. You opened the door and looked at him with a smirk on your face, meeting with his shocked, flushed red face.

"IT'S NOT WHAT IT LOOKS LIKE!" He shouted at you before you left the room giggling, hoping you wouldn't tell the rest of the crew.

He's not the biggest fan, but since Bepo is, he ended up liking a few songs. He would never admit it out loud though, he thinks it would ruin his image.

I can't stop thinking he listens to the most edgy Vocaloid songs... . ...

You know, Lost One's Wheeping, Ghost Rule, Aishite Aishite Aishite and more.

Definitely enjoys Kikuo more than any other vocaloid producer. Also Wowaka.

Nobody knows about this, but he knows the whole lyrics of The Disappearance of Hatsune Miku.

Bepo

Do I have to say it?

Seriously, do I have to say it?

This guy's OBSESSED. He's been listening to Vocaloid for years.

Maybe even before leaving Zou.

Everyone in the crew learned about Vocaloid thanks to him, so when he discovers you also enjoy it, he'll go so excited you'll get trouble understanding what he's saying. You'll see his eyes shining as he's speaking.

One day, on a karaoke session they decided to have not so long after you joined the crew, he started playing Ring no Shitensi.

"Oh, I know this one!"

And his sprakling eyes rapidly landed on you, his lips drawing a bright smile on his face.

He runs into you, not midning the music still playing as he holds your hands and starts talking to you so fast you can barely understand him.

You glanced nervously at Penguin and Shachi for a moment, and they just lifted their thumbs, telling you it was normal.

His favorite producers are definitely Mitchie M, Kinoshita and Livetune.

No matter how many redesigns Miku gets, he'll always prefer the first one.

He knows all the producers mentioned in Kagamine Let's Say the P Names. All of them.

He's one of those people who blast christmas music once it's October 1st, but instead of Mariah Carey it's just Snow Miku songs.

He has a space in his room dedicated exclusively to his lightstick collection, and he knows all existing choreographies from the concerts.

Obviously, in their karaoke sessions, he'll just sing Vocaloid (and Uta) songs.

He has dragged Penguin and Shachi with him, and the rest of the crew knows the lyrics of at least one song or two. Knowing about Vocaloid is inevitable when he's around.

When he discovers a new song Law might like, he eagerly shows him. Law always says he's not interested, but he ends up listening to it on repeat when he's alone.

And he's just as obsessed with UTAU as he is with Vocaloid.

Penguin & Shachi

I feel like instead of them reacting to you, you'd react to them.

Like, again, on a karaoke session, you'd see how they sing along with Bepo, and that just surprises you.

"I didn't know you guys liked Vocaloid!"

"You never asked" They said to you with a playful smirk.

They are glad you also enjoy the music, but don't mind as much as Bepo. Shachi would maybe express it better than Penguin.

Sometimes they join Bepo with the lightsticks, specially if he's playing classics as World is Mine or Luka Luka Night Fever. They ended up learning the movements from watching the bear.

Huge. Deco*27. Fans.

Also they enjoy a couple of Mitchie M and Neru songs, but leave the edgy ones to Law.

Would have a whole discussion over what Miku's voicebank is better on a daily basis.

"V4 pronunciation is way better, man"

"Yeah but it doesn't sound as robotic as V2. What's the point of Miku if she doesn't sound like a robot?"

Shachi's a Rin fan while Penguin prefers Len. Sometimes they tease each other like little kids over who's better, but at the end of the day they both enjoy the twins.

Not that much to say about these guys, just average fans.

Ikkaku

(so sad there aren't more GIFs where Ikkaku appears😭 but this one's fire anyways)

Short because she doesn't really care about Vocaloid that much.

She would be like "Oh that's cool" and continue what she was doing. She just doesn't care at all.

Definitely the most chilled listener among all of them.

V Flower and Gumi. That's it.

She doesn't listen to Vocaloid that often, just from time to time when she remembers they exist.

At first she was like "Wth are they doing..." whenever Bepo, Penguin and Shachi danced with the lightsticks, but now she's gotten used to it.

Has no problem listening to Bepo talk about Vocaloid for quite the long time.

But the bear made her hate Snow Miku songs. She wouldn't have if he didn't played them on repeat from October until the next one is released.

She actually enjoys some of the classics.

Specially Magnet.

You know why... 🧡🤍🩷

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