#like... thinking about how hes canonically disabled. he is missing a hand!!! that is so important to me and i think about it a lot | Explore Tumblr Posts and Blogs

room-surprise · 3 months

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Hey! Fun question, how do you think an in-canon kabumisu confession would go? People keep portraying mithrun as blunt and straightforward about their relationship, but would he be scared to tell kabru in the chance that he'd say no and leave? Is the desire to just be in a relationship with kabru, or is the desire of not wanting to scare him off greater than that? I'm so starved on the lack of post-canon kabumisu content, they make me go crazy

As usual, I'll try not to go into TOO much detail because then I won't be motivated to write fic about it... and I AM planning to write a post-canon Kabumisu fic anon, so don't worry. I'll get there eventually :3

They make me go crazy too 😔

I think Mithrun's a complicated guy with complicated emotions. Even when he was "empty" in the dungeon he actually showed a lot of feelings - smug satisfaction, annoyance, anger, even a little bit of subtle happiness.

So while I DO think he will still be blunt in general, I also think it's a mistake to assume that means he doesn't feel things and won't have anxieties and insecurities just like any other person.

Mithrun used to be WILDLY insecure, and jealous, and paranoid. He just stopped caring about anything, but if, like the end of the manga suggests, he is going to try to START caring again, he will then start to have feelings, too.

I think Mithrun is intensely aware of his own "undesirability", that's one of the reasons he's BEEN so depressed. Most of his self-worth before the dungeon hinged on being "better" than his brother, and better than other people. Then he looses that (or maybe he was never actually better at all!), so what does he have left? And now his youth is gone too, he's middle-aged and lost his "best years" to depression. He's disabled, he's scarred, he's a bastard that nobody wants.

It's a pretty huge fall from "most eligible bachelor in the empire"!

So I think no, he won't just bluntly tell Kabru that he likes him. It will take Mithrun awhile to realize how he feels, and once he does, he'll be afraid to reach out, so he's going to do what I call "playing silly little elf games". He's going to try and flirt via writing letters and sending gifts, to hint that he likes Kabru.

Luckily for Mithrun, Kabru also knows how to play Silly Little Elf Games (he's an Olympic champion), so he picks up the signals and starts reciprocating, though he's also uncertain and worried that he's misunderstanding. Captain Mithrun couldn't be flirting with him, could he? But... what if he is?

(I will go into Kabru's feelings at a later date anon i promise.)

I think the thing that will ultimately push Mithrun to act is the fear that he'll miss his chance. Mithrun realizes Kabru is a limited time deal that he can only enjoy for the next 60-something years, and he wants every minute of that time for himself, no matter how much it will someday hurt to lose Kabru.

And he also knows that Kabru is very handsome and charming, and he can't expect Kabru to wait for Mithrun to get himself figured out. Someone else will swoop in and snatch that man up, so Mithrun has to hurry.

ALL OF THAT SAID... I think their confession is a lot less of a confession, and much more "we have both been picking up these signals of interest for months/years, and finally one of us pushes it a little bit further than we've ever pushed it before and we acknowledge the unspoken thing that has been growing between us."

Maybe it's a hand resting on someone's leg, or a gentle touch on the arm. Maybe it's leaning in so their shoulders touch. Maybe it's looking into each other's eyes a little bit longer than normal.

Probably it involves both of them admitting "Spending time with you makes me happier than anything else in the world. Whenever we're apart all I think about is when I'm going to see you again. I spend hours composing letters to you in my mind. I want us to spend our days together, no matter what shape that takes."

It's very vulnerable and scary for both of them, and I think they're both DEEPLY relieved after they finally get it out, and they don't get rejected. They know each other so well, and they're so good at reading people - they both thought that the other might feel the same way, but it's so scary to take that leap of faith and hope that they're right.

And just for the record, I think that Kabru worries about if Mithrun will be interested in sex or not, because sex is something that matters to Kabru, but what if Mithrun just doesn't have any desire for it?

And so before they get into a relationship Kabru has a long hard think about it, and decides that even if they never have sex, he wants to be in a romantic relationship with Mithrun anyway, because just being around him makes him feel happy, and understood, and like he isn't alone anymore. There's someone who sees him as he is, all the good and the bad, and says "I love you anyway."

And Kabru decides that he's willing to just jerk off for the rest of his life if that's the price of this relationship that he wants.

Luckily for Kabru, I think Mithrun does want to have sex with him, but I like to think that Kabru thinks through all the possibilities and decides that no matter what they end up doing together, being with Mithrun is worth it.

#dungeon meshi #delicious in dungeon #dunmeshi #kabru #mithrun #kabumisu #my stuff #theories #kabrun

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lgbtlunaverse · 6 months

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A slightly unhinged case for jin guangyao knowing about the core transfer while WWX was still alive

Ok. SO. In chapter 101, during guangyin temple, Jin Guangyao clearly knows about the golden core transfer. He uses it to bring Jiang Cheng off-kilter and stab him and simultaneously reveals to wwx that jc himself now knows about the golden core transfer.

I've always wondered exactly when he figured it out. The most obvious explanation is that he pieced it together after hearing about Jiang Cheng asking everyone to unsheathe suibian (also? jgy? how the fuck do you know that? You were already going to/at Guanyin temple at this point! Did you just have people listen in on rumours from Yunmeng and report back to you for that?? Did you tell your spy network where you were going? My whole kingdom for a retelling of this arc from the pov of these random jin disciples seeing their sect leader start spiralling. He's diggin up random tombs? Fleeing the country? And threatening the heir's life?? What was random Jin cultivator #6 thinking of this before Nie Mingjue turned him into minced meat?)

BUT.

The first time I read that line I was like "oh so he's known for a WHILE." I mean, the line "I've always found it peculiar [that wwx never took his sword anywhere]" does indicate he's been thinking about this for a while, but it doesn't have to mean he knew back then. So I absolutely can't say with certainty that my instinct was right. But I DO have some decent canon backing for how he might have potentially figured things out as early as before Wei Wuxian's death. Specifically, after the discussion scene that takens place when wei wuxian does his thing with the wens and dissapears.

Cause, see, Wen Chao would definitely have bragged about Wen Zhuliu crushing Jiang Cheng's core to his father. He killed the current sect leader, and then permanently disabled the only heir. He did it! the Jiang are gone! I bet he was very loud about it until, a few weeks later, Jiang Cheng suddenly strolls up to the battlefield, with Zidian on his finger, cultivation very much intact, looking for Wei Wuxian.

That must've been fucking baffling if you were Wen Chao and/or Wen Zhuliu and/or any other cultivator who was there and definitely saw Jiang Cheng's core get crushed. They must have assumed something went wrong, or he faked having his core destroyed, but we've never heard of something like that happening before, and they tortured him for hours! It wasn't a quick batle where Wen Zhuliu must have missed in haste, he would've noticed!

Now, by the time Meng yao arrives, wen zhuliu and wen chao are both long dead, but that kind of thing would at least still be a source of gossip among the other Wen. The only time the core melting hand ever failed!

It might be something that, say... a very careful spy with a perfect memory looking for information... might pick up on in his stay with the Wen, no?

So, Meng Yao has heard the rumour that sect leader Jiang got his core crushed but somehow managed to... still have a core.

Independantly of his, Wei Wuxian is being really weird and refusing to carry his sword. His primary concern there is wwx stirring shit up, he has no reason to believe these things are connected yet.

But then Wei Wuxian runs off with a bunch of Wen, and before he is cut off, Jiang Cheng tells everyone that after the siege on lotus pier, he and wei wuxian were helped by Wen Qing and Wen Ning! Jiang Cheng doesn't get to say how, which is good for jgy in this moment because he's trying to steer the conversation as such that no one gets mad at the Jin sect for all the war crimes, but even if his goal is for everyone else to forget Jiang Cheng said that, he'd remember it.

So... after the moment where jiang cheng, according to rumours that were contained to the wen, lost his core, he was helped by wen ning and wen qing, who is a really good doctor. And, in canon, had written theoretical proposals on core transfers before, just never experimented on them. Were these available for others among the Wen to read? Did jgy read them? We have no way of knowing. But if he did, he remembers them. Either way, he knows her reputation.

And Wei Wuxian disappeared right round that same moment, only to resurface with his demonic cultivation, at which point he never touched his sword again. Not even in the middle of a dangerous war. Not even when he was public enemy number one and it would do wonders for his reputation if he was seen cultivating the traditional path. When doing so would have made not just him but the 50 people he was shielding safer! if Jin guangyao was somehow in his position, he'd immediately do everything he could to counteract the narrative of beign a dangerous madman who'd left the straight path. Wei Wuxian has been in absolutely desperate situations and still refuses to pick up his sword...

The saying doesn't exist yet, but i'm sure someone like jgy, more competent than everyone around him, is intimately familair with at least the sentiment of "never ascribe to malice what is adequately explained by incompetence" He is helping spread the narrative of Wei Wuxian as a violent madman, sure, but does he believe it? If it makes no sense for wei wuxian, no longer a privileged young master but an outcast, to not pick up his sword again out of arrogancy, the most reliable explanation is that he... can't.

So Jiang Cheng, who got his core melted, got help from Wen Qing, an incredible doctor, after which he coud cultivate just fine but Wei Wuxian, no matter how desperate, never used traditional cultivation ever again...

Hm. interesting!

It's likely no one else in the jianghu outside of the wen even knew Jiang Cheng lost his core to begin with. And Jin Guangyao was never given wwx's excuse of Baoshan Sanren owing him a favor like Jiang Cheng was. He has all the puzzle pieces in front of him and... if anyone as gonna put them together, it'd be him.

And that's my unhinged case for why I believe Jin Guangyao knew Wei Wuxian didn't have a golden core anymore years before anyone else did. He just never told anyone, because why would he?

I think this adds a whole other level to his speech to Jiang Cheng about how everything could've worked out if he'd just trusted Wei Wuxian more and stood by his side. He saw it all play out in real time knowing there was more going on beneath the surface!

Now the really interesting question becomes: When did he figure out Jiang Cheng himself wasn't in on it? Did he piece it together immediately from remembering seeing jiang cheng berate wwx for not carrying a sword, a thing he should've known he couldn't do? Or was it not until later, maybe the fake yunmeng bros fallout, or the REAL fallout when Jiang Yanli died? Or was it still the news of Jiang Cheng going around and asking everyone to unsheathe subian that made him realize that oh my god this stupid bitch had no idea the whole time.

#mdzs #meng yao #jin guangyao #wei wuxian #wen qing #jiang cheng #mdzs headcanons #mdzs meta #<- tagging both cause it's like... in between #i don't think this is clear-cut canon i'm theorising but i'm also not just throwing spaghetti at the wall to see what sticks #i am looking at the wall very carefully to see what places are the stickiest #the concept jgy thinking jc just. let wwx put his core in him and then didn't protect him from the fallout.#would really color their relationship like he would not show it but ohhhh there'd be resentment there!#yeah no sect leader jiang he's NOT letting jin ling go alone on a nighthunt with you he might not get back with all his organs intact!#i do think it's more likely he did at some point realize jc had no idea tho

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pftones3482 · 4 months

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"Ummm they toned down the abuse from Gabe in Percy Jackson because it's a kids show, stop being mad about it"

Ignoring the fact that it's also a children's book, let's take a look at some children's media in the last couple decades that depict parental abuse towards children that isn't physical, but still makes the abuse feel real:

1. Harry Potter. I'm loathe to even put it on here bc of how much I hate JKR, but HP DOES depict child abuse in probably one of the best ways of any modern media. As far as I can remember (correct me if I'm wrong), the Dursley's never lay a hand on Harry. But it is never even questioned if they're awful people towards Harry - they literally make him sleep in a closet.

2. Matilda. Like do I even need to explain this one? Abuse from not only her whole family (again, NONE of it physical from what I recall), but also from other authority figures. And she's not the only character who deals with parental abuse - Miss Honey is a grown adult shown to be dealing with the negative effects of an abusive parental figure.

3. Phineas and Ferb. Laugh all you want, but Doofenshmirtz's parents were genuinely awful to him. His stories are just tamed down in a way that's palpable to a much younger audience while still also being clear abuse - a young child can chuckle at his stories but STILL understand why maybe some of his stories would turn him evil.

4. Avatar the Last Airbender. Zuko's father physically disables his own son. Not to mention the constant emotional neglect and manipulation on top of it, the writers never held back on how bad his father was. Even if he hadn't scarred Zuko, he would still be a clear depiction of an abusive parent.

5. The Willoughbys. The parents are so awful that the kids literally plot to murder them. The parents abandoned them to freeze to death on top of a mountain. Enough said.

6. Percy fucking Jackson.

Percy Jackson IS a book made for kids that depicts child abuse from a parent - and not only does it depict child abuse, it depicts spousal abuse.

I know Percy doesn't know that Gabe is physically hurting Sally in the beginning of the book. But we as the audience know that Gabe DOES hurt Percy. There is not a single sign in the new show that Percy has anything more than a snarky, annoyed view of Gabe.

Gabe is supposed to be smelly and disgusting, a drunk (which, even if they can't depict that in a Disney show, you can still play around with his grossness), a slob, and a gambler. He's barely even greasy in the show. Literally they could have just had him belch a few times or eat messily and it would have given off a better impression of his character. Instead, he just quips back and forth with Percy and then later is just...whining. He's whiney. He does not ring as a man who abuses his family, emotionally OR physically, he rings as a pathetic step-dad figure who can't support himself (which is ALSO not canon, because in the book he runs an auto store! His abuse towards Sally is not for lack of money, it's just because he's a dick!!!) The fact that I think that Doof's parents in Phineas and Ferb are more overtly abusive than him on screen is actually absurd.

And Sally fell flat. Her character in the book doesn't yell literally ever - not once in the whole series can I recall her legitimately yelling at someone. Her persona is kind and gentle in the books and as for wits, she's clever, and sneaky, and cunning. She fights back with Gabe in ways that we as the audience can see, but Gabe misses because he's so dense.

Take the bean dip scene.

In the show, she basically is like "Yeah yeah I'll make the bean dip, shut up" and Gabe just whines about the sour cream while they yell at each other.

In the book? That's her bargaining chip to take the car for the weekend. That's her ticket out of the house. Bribery. Not just placating a whining husband - she bribes him in the books.

And her yelling back? Just feels so unnatural to Sally Jackson as a whole. I saw someone say she feels like Disney girl-bossed her, and they're right. She doesn't feel like Sally Jackson. She feels like just another cut and paste Disney woman who's snappy and doesn't take shit.

And to be clear - the OG Sally Jackson also didn't take shit. She was just so much more clever about it, in a way that made sure Percy never saw her actively yell. She doesn't have to be snarky and rude to get her way. Percy knows she's fighting back without physically fighting, and that's what makes her so strong. Sometimes you have to fight more with your wits and cleverness than you do with screaming and fists

(Gee...wonder what other character Percy ends up really admiring that also holds that philosophy in life?)

Anyway...all that said, stop blaming the fact that it's a children's show on Gabe's watered down personality. Children's shows/movies and family shows/movies have been depicting serious parental abuse and neglect for decades, in both realistic and more humorous ways that don't take away from the neglect. Kids can handle it, because there are kids going through it.

To say that "It's a kids show, kids shouldn't have to see that," is a disservice to the kids who need to see that, so they know that they can get away too, and they don't have to get physical to do it.

Also, this version of Gabe? Doesn't deserve to die. He's just annoying, not an asshole that scares Percy more than literal monsters do.

#pjo #percy jackson #pjo series #gabe ugliano #sally jackson #disney #yo ho yo ho a pirate's life for me

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gay-disabled-characters-showdown · 17 days

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LGBTQ+ Disabled Characters Showdown Round 1, Wave 1, Poll 13

A character being totally canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included.

Check out the other polls in this wave here.

Jedidiah A.A. Martin-Camp Here and There

Qualifications:

refuses to label his sexuality but BOY does he like men (looking at Mr Sargent for this one :3) also has ADHD! but its not known how attention deficient or hyperactive he is

also is a stupid cringefail loser who I want to push down a slide that's been fermenting in the sun all day during summer <3!!!!!!!!!!!!!

Propaganda:

Raised in a religious yet wealthy household, Jedidiah Abraham Adonias Martin--also known as "Jed", "Jeddie", "The archivist", "The clockmaker", or various misspellings and mispronunciations of his name--refuses to label his sexuality, but BOY does he like men (looking at Mr Sargent for this one), and also has ADHD! He may have dropped out of medical school and is "too repressed to write poetry", but he's still one of the camp nurses, alongside Sydney October Sargent! After talking to a bunch of birds, we found out that Jedididididiah will die on a Thursday (not a spoiler as of writing this). It has also been confirmed that he has a photo of Sydney on his desk (aww) and he plays D&D. Oh, and he's terrified of all things shelled. Would you like a snail as you think about voting for this loser? (affectionate)

Submitted by @spud-the-stupid

Ballister Boldheart-Nimona (Film)

Qualifications:

He has a boyfriend (and then they have a sort-of-breakup but they're back together by the end) and he has a prosthetic arm.

He’s gay and missing an arm.

He’s explicitly gay, in love with a man. He loses his arm then builds himself a prosthetic while on the run like a badass.

His boyfriend cut his arm off :( he uses a prosthetic now. His arm got chopped off after being falsely accused of killing the queen, he spends the rest of the movie with a prosthetic metal arm. His arm was also chopped off by his lover, Ambrosius Goldenloin, during said false assassination.

Canonically has a boyfriend and built his own prosthetic

Qualifies by both being canonically disabled (amputee) + canonically gay

Propaganda:

Please plz plz vote for him

His boyfriend cut off his arm. He made himself a prosthetic. He used his arm to block someone’s sword. He kissed his boyfriend. He has sad wet cat eyes, which isn’t relevant but still. He has them.

He’s so GOOD even though he’s having like the worst day ever (specifically talking about movie but webcomic also applies). He has the biggest wettest eyes how can you not root for him????

People love him! He kinda looks like a sad, poor little cat. A real soggy wet kitten man.

Let's see. He and Ambrosius are lovers, or at least boyfriends, from the moment they're introduced. Ballister gets his arm chopped off by Ambrosius during the false assassination. Ballister spends the rest of the movie trying to convince Ambrosius and the kingdom of his innocence, with a metal arm replacing his missing one. It originated the phrase "Arm Chopping is not a love language!" Did I mention he's a main character too?

Is a science nerd, built his own prosthetic arm with his non-dominant hand, accidentally adopted a trans chaos demon of a 1000yo being

A knight, Nimona's best friend and father figure of sorts, but the plot mostly revolves around him- Ballister is framed for murder and has to hide while trying to figure out who framed him and how to prove he's innocent. Nimona becomes his sidekick (he didn't want one, she just showed up at his place one day like a very chaotic stray cat) and together they form a great duo against the corrupt government. This is complicated by Ballister's ex Ambrosius, who accidentally cut off Ballister's arm and is a bit brainwashed by government propaganda. Oops. You should watch Nimona it's great 💞🦈

Submitted by @foulfirerebel (fifth person) and at least 7 others.

#polls #poll #disabled characters #lgbtq characters #disability #lgbtq #lgbtq dcs round 1 #lgbtq dcs wave 1 #jedidiah a a martin #camp here and there #ballister boldheart #nimona #nimona film

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cripplecharacters · 15 days

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Hello! Sorry this is going to be a long ask.

I'm writing a cast of four characters, all of whom have some form of disability and I'd like your input, especially since a few of them fall into tropes I've seen talked about on the blog.

I have autism, ADHD, and chronic joint pain that is undiagnosed but probably related to hypermobility. All of them have ADHD and autism but I'm not going to talk about that at length for any of them because I'm pretty comfortable with writing them.

Dispite the amount of disabled characters I have and the questions I have about how to portray them, this is not a story about disability or the disabled experience, but I do want to showcase my disabled characters in a nuanced way that highlights that their disability is not separable from them.

This is also for a fanfiction, and the source has some trouble with how it portrays disability (evil character with an eye patch, bionics that completely negate the disability) and I'm trying to figure out what I can modify and what I need to just throw out.

I'll go in alphabetical order and talk about them and the tropes I'm worried about falling into/what I want advice on.

Autumn (he/they)

He has ADHD, autism, classical EDS, is mildly HoH (about 20-30 decibels less than normal range), and has three fingers on his right hand due to an injury. They use a variety of mobility aids throughout the story, starting with only occasionally using a cane and ending with using forearm crutches on good days and a wheelchair on bad days.

The tropes/things I'm concerned about with them are the “good” wheelchair user, the noble dead disabled character, and finger prosthetics

The "pure/good" wheelchair user trope I'm partially concerned about because he becomes the moral core of the cast as time goes on and he gets more disabled. He doesn't become a better person, really, but everyone else gets Worse. He's still snarky and can be selfish and jaded at times, but I feel like it's harder to demonstrate that at the end.

Being the most honest and least willing to capitulate to doing terrible things leads to his execution, which is a turning point and a point of no return. I feel like this ties into a trope of the disabled character dying first, especially since he's the one who's using disability aids/is most explicitly disabled.

I've seen the posts about why finger prosthetics aren't useful/common, but I was thinking that he'd start off with canon-typical bionic fingers before eventually realizing that he doesn't need them and it's more hassle to put them on and off than it is to just not have them. Is this an okay use of finger prosthetics since it's kind of grappling with the trope itself? Or would it be better for him not to have them in the first place?

Right now I have it so Autumn’s sister Summer died and he named himself in her honor when he transitioned. That's pretty immutable at this point. However, right now I have her as d/Deaf, with much more profound hearing loss than Autumn. (Which is also why he knows ASL) Does this fall into a disabled dead character issue?

Chauncey (he/him)

Chauncey has ADHD, autism, burn scars, chronic pain (unspecified, based on my own experiences) and dyscalculia.

Chauncey's the one I'm frankly least concerned about any specific tropes. There are only one or two concerns I have with him:

As an author, it's important to know what disability a character has even if they don't know. I know in your FAQ you say “I'm disabled is it okay to x” is generally okay, but do you think I should have a more specific disability in mind that matches my symptoms or can I keep it no specificity?

He's a clone who was rapidly aged and I wasn't sure how to figure out if/how that might affect his dyscalculia since it's not exactly a situation that happens in real life but that's about it.

Morticia (she/her)

She's my protagonist. She has autism, ADHD, a visual impairment in the form of a missing eye, and visible scarring on her face.

She's heavily based on the canon character who was an “evil eyepatch” guy. I changed it so she actually has issues with said eye and made her less evil during the period of time she uses it but I'm not sure if I should just ditch the eyepatch all together.

She starts with a bionic eye (it's not perfect, but she can see out of it to some extent). Then she gets into some sci-fi bullshit and starts piloting around a robot telepathically, but her signals get crossed with her bionic eye, so she covers it with an eyepatch while she's piloting the robot. She does use this scheme to commit 28 murders, but the murders are kind of justified by the plot? She's really written as doing some ehh things for what she believes is right. I definitely wouldn't write the eyepatch that way if it wasn't in the source, but it was like the way to identify her character in the source, so it feels weird to not have it at all.

After that, she gets arrested, gets her bionic taken, and gets a prosthetic to keep appearances and hold the shape. Stuff happens, and she gets another bionic with some more visual info that is sometimes too much for her. She gets a lot worse than when she had the eye patch, but she does still have a noticeable eye difference. Her later bionic is totally customizable and she normally keeps it a glowing gold.

I have questions about her facial scarring because she uses it to play on people's perceptions. When she's campaigning and trying to look innocent and kind, she covers it as much as she can. However, when she feels like she is in control and can do whatever she wants without consequences, she doesn't bother or even chooses to try to cover her freckles but avoid her scars because she thinks they make her more intimidating. This results in her having her scarring visible during scenes where she's being "evil" but not when she's being "good." Is that okay? It feels like it's playing into the "villain with scars" but since she as a character is doing that, it feels less like the story itself is doing it (especially since Chauncey has similar or slightly more prominent scarring and doesn't do similar things), but I'm unsure.

She is evil, and disabled, but I don't want her to be an evil disabled character. I try to associate her covering up her scarring more with masking/trying to fit in than with her being “good” but I'm not sure if it comes off that way.

Mortimer (he/him)

ADHD, autism, and limb difference (upper arm amputee)

Mortimer is probably the character I'm most worried about with my disability rep (shocking considering the five huge paragraphs I just wrote about Morticia). He's the trope of “amputee that fixes his own prosthetics/tinkers on himself.” He also makes Autumn and Morti’s aids (at least until the arrest). He also kind of falls into an autistic savant but I'm less worried about how to navigate that since I'm very familiar with the autistic community, am autistic, and have other autistic characters.

I'm worried that if I make the prosthetics he makes not “cybernetic fix-all” it'll defeat some of what I'm trying to do with making him just as good as inventors who have done that in canon. I don't know how to retcon that canon without using an author's note, which feels disjointed and I want to avoid it.

To try to work with this and not ignore the fact he's disabled, I show the prosthetics needing maintenance and try to show them sometimes being uncomfortable or heavy.

However, this leads into my second problem with how I'm handling his disability. His character arc causes him to go from being the nicest one in the cast who is very meticulous but can sometimes have a temper, to becoming reckless, rude, and seemingly uncaring.

As he becomes more reckless and less willing to care for himself, he stops doing some of the necessary maintenance on his prosthetic, causing it to break more often and rust. I'm worried this looks like I'm tying his disability getting “worse” with his morality, since he also stops caring for others as much when he stops caring for himself.

I'm also not sure if it is okay for him to paint his bionic arm to try to look like a flesh arm, since he was a criminal and he was trying to make himself look less identifiable at a glance. And if it is, when he stops doing his maintenance on it, it makes sense for the paint to chip, but that would strengthen the association of him being more visibly disabled as he becomes meaner and harsher. I'm not sure if having Autumn bring the only one who's personality remains more or less the same while becoming more visibly disabled balences this out a little bit or if it's a point of having two tropes at the same time doesn't make either better. (If Autumn is a “good wheelchair user”)

Questions involving more than one character:

Autumn knows some ASL. Mortimer is an unrealistic character that knows far more than any one person can know, and he knows basically any language as far as the story is concerned. Autumn teaches Morti a little ASL, as well. Since Autumn can understand most conversation, they generally use it instead of whispering rather than in normal conversation. Is that an acceptable use of ASL?

Currently all of my visible facial and limb differences are due to injury. I have extremely few other characters with any prominence or description at all, certainly to the extent where it would be reasonable to know if someone has a difference due to injury or birth. Do I change/add something to these four so it's less All Injuries?

I mentioned before Mortimer and Morticia trying to hide their differences for different reasons. I don't really want to go into any sense of shame they have over it, just them hiding for practical purposes. If it's not appropriate to hide them for practical purposes, do I have people react as if they had hidden them or is that erasure? (e.g. Mortimer doesn't paint his arm and it's visibly mechanical. Is that something the police are looking to identify him by or do I ignore it? It feels weird to ignore it, but if it's causing problems for the characters it feels like a reasonable reaction would be to try to blend in, but is trying to blend in/hiding their disability just heightening the sense that disabled people need to hide?)

I'm so sorry I wrote an Entire Essay I promise I tried to be concise but I have a lot of questions about the tropes I fear I'm hitting and whether I'm missing anything trying to portray the disabilities I don't have

Hi!

I will answer only some of your questions because I don't have enough experience with a lot of the subject matter here. I'd recommend looking at this post some time after it's published to see if maybe a follower had an answer/suggestion for you.

Now for the questions I'm able to answer:

For Chauncey;

It's 100% okay to base it on your own experience. At times disabilities are mysterious and unspecific, that's just how it sometimes is. The problem with this that appears from abled authors is that the symptoms or treatments just often don't make sense, because they have no clue what they're doing; confusing basic terms, making weird conclusions...

But you are a person with lived experience. You understand how your symptoms work and how you manage it from the best - first person - point of view. If someone is well-equipped to write a character with your disability, it's you.

For Morticia (cool name BTW);

As of the bionic eye; as far as I'm aware they don't really exist yet, but this is a sci-fi scenario so it's a bit different. (If you want to hear about the currently real options, here's a post that could interest you).

I'm slightly puzzled by her eyepatch fixing the signal issues; I would've assumed that it would transmit things either way (?) because with an eyepatch she would still see, just the inside of the patch and not the usual stuff. But my cluelessness here might be my fault by the fact that I'm not familiar with the source material. But if it's meant for a general (non-fandom) audience, I think it would be great if you could elaborate on the science here!

With the later eyes she gets, I advise you to keep her visually impaired even if her vision improves somewhat. It shouldn't be a cure. You potentially could think of it like hearing aids, where they can be more or less helpful, but are often more annoying than anything else and aren't fully "restoring" the sense by any means. Maybe her bionic eye has static, or weird spots, or causes double vision.

Now for the "hmm" part...

"When she's campaigning and trying to look innocent and kind, she covers it as much as she can. However, when she feels like she is in control and can do whatever she wants without consequences, she doesn't bother or even chooses to try to cover her freckles but avoid her scars because she thinks they make her more intimidating."

Please, please, please don't do this. To answer your question; not okay.

I have written a post somewhat about this kind of thing. I really dislike playing with ableism in this way. Portraying scars as "intimidating" on an already dicey character... just no.

To pull this off in a way that's not offensive, you would have to research disfiguremisia in and out. It would need active commentary and a lot of teaching-the-reader-why-this-is-bad, and if you have to ask if it's okay, then you just aren't ready for it. And that's fine! You don't have to write a scenario based on heavy disfiguremisia, so don't. Remember, it's not her acting a certain way, it's you writing her to act a certain way.

I don't want you to take this personally, but please just don't write this. Not like this, at least.

For the "fitting in" part, I addressed it in the post linked above; I don't think that I have anything to add that wasn't included there.

For Mortimer, the best I can do right now is give you a bunch of links that will hopefully be helpful to you. This is just way beyond my answering capabilities and we don't have any mods who are amputees at the moment, so you're at the mercy of follower input for the most part. But;

Post of posts about arm prosthetics

Our general amputee tag

@cy-cyborg 's account, xe posts great writing advice, often regarding prosthetics. I believe that ze accepts asks as well.

For the rest of the questions;

"Currently all of my visible facial and limb differences are due to injury [...] Do I change/add something to these four so it's less All Injuries?

I would say yes! Some of the tropes that you're working if are Not Great, so adding a few additional characters that don't fall into them will help a lot. Try having some characters with similar disabilities that don't tick the issue-causing boxes. Throw someone with a facial difference that doesn't commit any kind of mass murder in there.

"I mentioned before Mortimer and Morticia trying to hide their differences for different reasons. [...] If it's not appropriate to hide them for practical purposes, do I have people react as if they had hidden them or is that erasure?"

In real life they would probably be recognized by it, though I need to say that there is absolutely a part of the population who just Doesn't Notice. People can absolutely be oblivious, especially if the lack of limb is hidden by clothes. Particularly if there are a lot of things going on.

That said, if whoever seen them has noticed, then they would look for that. That's just the logical outcome. But I don't think an eyepatch helps much to hide the actual disability, they would still assume that the person with a bionic eye and the eyepatch-wearing person are probably the same.

You can potentially avoid it by making a large chunk of the population disabled, lol. "Girl without an eye" isn't very helpful information to hunt someone by when there's dozens of people with that description in the city.

For the end, I'm sorry that some parts of it might have come off as Not the Most Encouraging (the Morticia part...), please remember that I'm just criticizing the tropes and implications. I can kind of tell that whatever the source material is, it is way worse about its treatment of disability/facial difference, so I would consider it an improvement nonetheless. Still, it could be better. I hope that the above links and answers will help you with your project.

If any followers are familiar with the topics discussed here, you can leave a reply or reblog with your suggestions. Remember to be constructive.

I hope this helps!

Mod Sasza

Hey! Mod Patch hopping in here to talk a bit about Autumn. I think that you’re aware of the tropes this could fall into is a good first step.

First of all, you mention Autumn is missing some fingers and has classical EDS. Both of these could make using a manual wheelchair more difficult. Is the wheelchair in question manual? If it is perhaps consider adding a power assist (perhaps like a fantasy version of a smart drive.

I’m not too concerned about him being “pure” because you mention that they are 1) working with other “immoral” folks. My suggestion would be to try and lean into the selfish and jaded parts of the character. Show his motivations aren't exclusively disability-related. I am a bit concerned about his execution. I understand that you might not be able to change that plot point but can you have other characters who use mobility aids and survive longer? They don’t have to be as major in the story.

mod Patch

#mod sasza #face difference #long post #writing reference #writing advice #mod patch #wheelchairs #tropes #mysterious disability

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theconstantsidekick · 9 months

Text

Captain America: Civil War ft. Static (7) | s.r

Pairings: Steve Rogers x Stark!Reader, Tony Stark x Stark!Reader (siblings), Bucky Barnes x Stark!Reader (future)

Genre: Angsty city babyy!

Summary: The Avengers have a reunion... in Germany... at the airport... with a few new members.

(These scenes incorporate y/n, codename—Static, into the pre-existing story as a character without making drastic changes to the plot or mythos. All the major plot points from the MCU remain in place with the addition of the reader as Static, who is not only a Stark but also enhanced. Whatever events from the canon aren’t mentioned, take place without much change.)

Warnings: Swearing, Mentions of Past Trauma, Canon Typical Violence

a/n: this was so hard to write wtf?

As soon as she and Steve have the grounded chopper in sight, An electro-disabler slams onto the chopper, frying the systems and rendering it useless. Steve and Y/n look up.

She watches with burning annoyance as Tony and Rhodey descend.

“Wow!” Tony fakes surprise looking at Rhodey, “It's so weird how you run into people at the airport. Don't you think that's weird?”

“Definitely weird,” Rhodey answers.

“Hear me out, Tony,” Steve pleads. It almost seems genuine. “That doctor, the psychiatrist, he's behind all of this.”

T'Challa leaps over a truck, “Captain.”

“Your Highness,” Steve replies.

“Anyway” Tony begins, as he walks around, “Ross gave me 36 hours to bring you in. That was 24 hours ago. Can you help a brother out?”

“You're after the wrong guy.”

“Your judgment is askew.” She’s seldom seen her brother this fucking furious, but then again, maybe it’s cause it’s Steve. “Your old war buddy killed innocent people yesterday.”

“And there are five more super soldiers just like him,” Steve argues. “I can't let the doctor find them first, Tony. I can't.”

And then,

“Steve—you know what's about to happen,” Natasha chimes in joining the growing confrontation. “Do you really wanna punch your way out of this one?”

No one’s addressed her since this entire thing—

“Why are you being so uncharacteristically fucking quiet!?” Tony screams at her.

Taken aback a bit, she straightens up. “What’s left to say?”

“Are you seriously going along with this? You know how this ends, way better than him,” Natasha tries to reason with her.

She shrugs. “I don’t—Frankly, I don’t care about any of this. I just want to go home.” She says it simple and sweet. Because it’s true. She understands that there is a threat looming but she’s sure Steve can handle it. If you asked her two weeks ago, she would have been enthusiastic about the whole thing, a mission to take down the last vestiges of HYDRA, of her nightmare—what’s not to love?

But that was then and this is now, and now she has to fight her way through her friends to fight with some villain and that just—call her selfish but that just seems unnecessarily tedious. She just wants this all to be over. Part of her wishes things could just go back to that party at the Tower before Ultron attacked. Everything was… It was all so easy then. She misses it.

“Then let’s go home!” Tony urges.

And all she can do is let out a laugh in disbelief. “I said I wanna go home… Not a fucking prison cell.”

Tony clenches his jaw. “ All right, I've run out of patience.” He cups his hands around his mouth and yells out, “Underoos!”

And suddenly, there is liquid spilling out onto tying up her and Steve’s hands. A person in tight fitted red and blue suit flips over and snatches the shield. He lands on top of a truck, joining the ensemble.

FUCK TONY! She thinks. What did you do?

“Nice job, kid,” Tony compliments with a smile.

“Thanks. Well, I could've stuck the landing a little better. It's just the new suit—Wait! It's nothing, Mr. Stark. It's--it's perfect. Thank you.”

“Yeah, we don't really need to start a conversation,” Tony comments.

“Okay. Cap… Captain,” Spider-Man nods. “Big fan, I'm Spider-Man.” If he weren’t wearing a mask, Y/n is sure he’d be smiling.

“Yeah, we'll talk about it later. Just—” He waves his hands dismissively. “—Good job.”

“Hey, everyone,” Spider-Man greets.

“You've been busy.” Steve notes, there is a blatant hint of disapproval in his words.

“And you’ve been a complete idiot!” Tony counters, pissed. “Dragging in Clint. ‘Rescuing’ Wanda from a place she doesn’t even want to leave—a safe space.”

“How are you any fucking different, Stark?!” Y/n bites back. She’s pissed too. If she hasn’t made it clear yet, she would like for it to be put on record that she is outraged, beyond outraged that she has to fight the tiny little family she has been able to piece together over something as heinous as her fear of being imprisoned again. She hates every second of it but this?

This is a new level of stupid on Tony’s part.

“What the fuck were you thinking? Why would you bring him here?” She asks, pointing at Spider-Man. She’s well aware of who he is. It is her job to know. Which means she knows, that he’s just a fucking kid!

Y/n is about to blow a fucking gasket.

Tony just runs a hand over his face, looking exhausted. “I did what I had to do. You’re not giving me a lot of options here.”

“Fuck off, Tony!” She throws back because that is nowhere near a valid excuse to bring the kid into this.

“I'm trying to keep—” He sighs. “I'm trying to keep you from tearing the Avengers apart,” Tony urges.

“You did that when you signed,” Steve answers.

That might be the only thing that she and Steve agree on.

“Alright, We're done,” Tony announces. “You're gonna turn Barnes over, you're gonna come with us. NOW! Because it's us! Or a squad of J-SOC guys—with no compunction about being impolite.” He pauses for a second, and then a final plea, “Come on.”.

Sam’s voice rings out over the comms, “We found it. Their Quinjet’s in hanger five, north runway.”

Instantly both she and Steve hold their hands up and Clint shoots the web off.

Tony’s helmet goes up as he turns to look at the source of the arrow.

“Alright, Lang,” Steve signals Lang to get to it.

And Lang does not disappoint.

“Hey, guys, something—” Spider-Man is cut off by Lang sizing back up from Cap’s shield and retrieving it.

“Whoa. What--what the hell was that?” Rhodey asks aloud, confused as fuck.

Lang hands the shield back to Steve, “I believe this is yours, Captain America.”

“Oh, great. Alright, there's two on the parking deck. One of them's Maximoff, I'm gonna grab her.” Tony announces all their locations. “Rhodey, you want to take Cap?” He asks before flying off.

“Got two in the terminal, Wilson and Barnes,” Rhodey calls out, as he begins to take flight.

Steve launches his shield, aiming for the chest of Rhodey’s suit, temporarily incapacitating him.

“Barnes is mine!” T’Challa runs off and Steve swiftly follows behind.

Spider-Man swings away upon receiving whatever order he receives from Tony.

“I’m gonna—” Lang points over to Rhodey, to which Y/n just nods in response.

“Guess that just leaves you and me,” Natasha notes.

Y/n smiles a little, “In any other circumstance I would’ve enjoyed that more.”

Natasha smiles too, before she lunges at her.

Y/n easily dodges every attack that Natasha throws at her. Nat’s trained. She’s amazing, agile and utterly formidable… But Y/n is better. Looking at her, it’s easy to forget that while she’s damn near ancient at this point. But she is. She has done this a lot longer than any other member of her team.

“You’re not fighting me,” Natasha notes.

Dodging another punch, “I don’t want to,” Y/n answers.

“How do you plan on fixing this?” She asks.

Taking a step back, with furrowed brows, “Why am I supposed to solve it?”

“Well, it was supposed to be us—you and I, together. But then you decided to leave with Steve.” Natasha counters. Her attacks are getting more intrusive, it’s taking a lot more work to dodge them.

“I left cause of Sergant Barnes, Steve cannot handle him alone and you know it,” Y/n reasoned.

“And you can?”

“I’m not alone, am I?” Y/n’s getting a little annoyed.

“That doesn’t feel like a betrayal at all,” Natasha bites back, kicking her hard in the side.

“Fuck!” Y/n curses. Clicking her tongue, she swallows a groan while holding her side. “Yeah, like you didn’t fucking betray me signing that goddamn document.”

“These boys are demarcating the playground, claiming a side of their own.” Natasha lands another blow on her chest, making her stumble back sputtering. “They can’t clean up after themselves. They are too headstrong, too naive to see sense. We have to fix this!”

Y/n has had enough. When Natasha carges at her again, she stops her. Blocking with one hand, she knees Nat in the side. “It’s not my fucking responsibility!” Pushing her back, she counters Nat’s attacks easily. “I never wanted to be a part of this shit show. I didn’t want it then, I don’t want it now. This is not my fucking mess!” Y/n throws a punch. ”I just want to go home.”

Natasha blocks her. And then… then she fucking smiles.

It’s not a cunning one. It’s not mocking either. It’s something like sympathy.

“You’re fighting me,” Natasha notes. And belatedly, Y/n realises, that yeah… yeah she is. “You’re always going to be a better fighter than me, Y/n. But this,” she taps at Y/n’s chest, right above her heart, “you let this loose way too easily. You make it too damn easy for me to do this.” Natasha manouvers herself around Y/n and pins her to the floor, trapped between fucking her legs. Fuck me, Y/n thinks. With a crippling elbow punch to the gut, Natasha gets up on her feet, leaving Y/n coughing on the floor.

“Just say what you want to say,” Y/n asks from where she’s lying flat on her ass.

“You cannot keep claiming Switzerland. You don’t want to pick a side? Don’t. Be on your own side, but don’t keep pretending to be uninvolved. Look around you, Y/n… you already are involved.”

With that, Natasha is off too, leaving Y/n to gather up her leftover dignity.

The fight, or well should she call it the fights—cause there are multiple—the fights continue. Vision enters the arena and draws a literal line in the sand.

“Captain Rogers,” he says, levitating above them, “I know you believe what you're doing is right. But for the collective good you must surrender now.”

As politely as it’s worded, it still remains a warning. Warning Steve to stop, but come on. Has that ever fucking worked with Steve ‘Bullheaded’ Rogers?

Both teams charge at each other and Y/n just hates all of it. It feels absurd to fight against the people she has fought shoulder to shoulder, but in the moment, it feels like she just doesn’t have a choice… Does she?

She loses track of everyone she faces off, but rest assured it’s everyone but the Spider-Man. She tries her best to avoid using her powers, bringing up her armour only as defence. The powers—her attacks are meant to harm. These aren’t the people she would ever wish harm upon.

Eventually she stumbles upon Spider-Man, barely holding up what once must have been a gangway. Manifesting the armour onto her arms and then curling her hand around the hilt of her sword as it’s forming into existence from her dimension, she glitches in just above him and free falls to the ground, cutting the whole thing down.

She lands on her knee.

“Miss Stark!” Spider-Man yells out in excitement, dropping the halved gangway with ease. “It is so great to meet you! I am a huge fan, especially of your—”

She cuts him off, her sword disassembling out of existence, “Who did that?” she asks, pointing at the completely unrecognizable gangway.

“Captain America,” he answers easily. “Aren’t you on his team?”

“I don’t know which fucking team I’m on!” Y/n answers, throwing her arms up in utter frustration.

The kid for his part remains calm, giving her a moment to compose herself again.

Sighing, she looks up at him, “Do you make it a habit of willing following men dressed like stop signs to Germany, or is this one off thing?”

“Mr. Stark said he needed help… How could I say no?”

There so much fucking ernestness in his words it burns Y/n from within.

“Go home, kid,” she tells him. “Tony—he…” She shakes her head. “All this is way too bigger than you…”

“I can handle it,” he replies, sounding almost desperate.

“I don’t doubt it,” She answers, because she doesn’t. “But you’re better at being the friendly neighbourhood Spider-Man.” With that she begins to walk away.

The kid, however, has other ideas. He shoots a web at her and instantly her sword manifests once again, cutting it down before it can stick to her. “Don’t be dumb, kid,” she scolds gently, glitching a few meters away. “Go home!” She yells out and glitches out of his sight.

As it goes on, at some point, a realization strikes them all.

“We gotta go,” Barnes’ voice rings out over the comms. She’s not sure she’ll ever get used to having that voice in her ear speaking anything but crude monosyllabic words in German. “That guy's probably in Siberia by now.”

“We gotta draw out the flyers. I'll take Tony. You get to the jet,” Steve replies. “Y/n, think you can take on Vision?”

“You bet you star-spangled ass—” She’s cut off before she can verbally assault Steve for questioning her at all.

“No, you get to the jet! All three of you!” Sam reasons, sounding a little strained. When she spots him in the air, Rhodey hot on his trail. “The rest of us aren't getting out of here.”

She wants to cut in, but before she gets the chance to, T’Challa throat punches her, pissing her off. Her focus shifts to handling the King of Wakanda.”

“As much as I hate to admit it, if we're gonna win this one, some of us might have to lose it,” Clint chimes in.

“This isn't the real fight, Steve,” Sam urges softly.

“Alright, Sam,” Steve acquieces. “What's the play?”

“We need a diversion, something big,” Sam says.

“I got something kind of big, but I can't hold it very long,” Scott answers instantly over the comms. “On my signal, run like hell. And if I tear myself in half—don't come back for me.”

“He's gonna tear himself in half?” Barnes questions, sounding just as confused as she feels.

“You're sure about this, Scott?” Steve asks him.

“I do it all the time. I mean once…in a lab,” Scott answers.

“And then what happened?” Y/n asks, finally being able to find her voice, having pinned T’Challa on the ground with her thighs roped around his neck.

“Then I passed out,” Scott answers.

“Awesome,” Y/n remarks before, T’Challa lands a blow on her side, making her losen her grip. Both are quickly on their feet again.

“You’ve gotten better, your majesty,” She tells him. T’Challa has always been a great fighter—trained by the Dora Malaje, of course she expects no less. “It feels like it was yesterday when I saw your father teaching you how to wield a staff.”

He charges at her with so much anger. “How dare you talk about my father when you choose to protect his murder!”

“T’Challa—” She tries but he’s not in a listening mood. He’s in an attacking mood; he keeps coming at her relentlessly. She dodges every strike.

“After all the kindness he showed you, you protect Barnes!? You are a traitor!”

“He didn’t kill your father, T’Challa! You have to know that,” Y/n tries to reason but clearly it has no affect. In the end she realizes she is not left with much of a choice.

Before she can react on her realization, however, Scott fucking Lang decides to grow to the size of fucking building.

“Mother of whore-loving motherfucker,” Y/n is damn near astounded.

“I guess that’s the signal,” Sam’s voice comes in from the comms.

As soon as the shock fades, T’Challa charges at her again and she does the same. Running at him, she uses the momentum kneeing him in the chest. He stumbles back a little, she takes that moment to kick him in the back of calve, disbalancing him to make him fall and as he falls, she strikes him in the chest.

With that, she glitches away.

“Y/n, you coming?” Steve asks over the comms.

“I don’t know,” she answers honestly, spotting Vision who’s eyes are set on Steve and Bucky who are running towards the quinjet.

She’s glitching in and out. Popping out of her dimension to attack Vision and then popping back in to stop herself from falling. It’s a fucking taxing thing, fighting an super-enhanced android with weird magic powers in the air, especially when you can’t fly.

“What do you mean you don’t know?” Sam asks her on the radio.

“It means I’m fucking thinking about it!” She bites back.

“What’s there to think about?” Clink asks.

“I don’t know!” She glitches into her dimension. “Fuck” She says to herself, then glitches out. “Something about my responsibility in all this—I don’t fucking know!”

And then Vision decides to shoot a beam at her with the mindstone. Her armour deflects but the force throws her to the ground.

The fall hurts, it aches. It makes her ache in places she hasn’t ached since HYDRA had her. It’s all very fucking meloncholy if you ask her. So, you cannot blame her when she lies on her ass for a couple seconds, trying to recuperate.

Meanwhile, Vision uses his beam to cut the control tower in half. It begins to collapse over the entrance to the hanger the quinjet is in. Wanda tries to hold off the debris from crumbling to the ground, keeping the way clear for Steve and Barnes who are fast approaching on foot. However, Rhodey intervenes, blasting her with a sonic boom, making her loose control.

All of that is for naught, though, because Steve and Bucky do make it in.

“Need a hand?” A gold-titanium allow hand, painted bright red is extended to her.

She takes the hand, letting it help her stand on her feet. “Thanks,” she tells him. “Shouldn’t you be spending this time stopping them?” She asks, pointing at the scene unfolding behind them.

“I’m trying to stop you,” Tony says evenly. And then, before she can even tell him she’s not sure if he needs to, if what she really wants to do is stick around and fix it—she doesn’t know how exactly but she wants to try, if any of this is necessary, she hears a sound. It’s a sound that has become almost ambient to her, a sound that used to bring her comfort, a sound that used to mean there was someone watching her back—the sound of Tony’s repulsors being activated.

She feels the hit before he even aims for it.

“Don’t make me stop you, Stark,” Tony says sofly, his eyes are welling up but so are hers. She has categorically avoided him the entire time, knowing full well that faced with him, she’d just surrender and find a way to escape at a later point. But this… This fucking hurts.

It burns her. It burns her from within.

The man doesn’t even have to take the shot to make her bleed.

But his arms come up to aim the repulsors at her anyway.

“Really?” She asks him.

“I don’t want to do this,” he begs.

It doesn’t matter though, it doesn’t fucking matter because he is doing it. He’s aiming at her. Her baby brother is aiming his weapons at her, hesitantly but he’s aiming nonetheless. It fucking breaks her her.

Her hands clench into fists. A tear escapes her eyes. And a single word slips out of her lips “Traitor.”

She glitches away.

When she glitches out, she’s facing Natasha.

As their eyes meet, Natasha fires a widow bite from her wrist. Y/n waits for the hit but it never comes, turning back she met with T’Challa, who’s being incapacitated by the low voltage shocks from the widow bite.

“Oh,” Y/n notes, turning back at Natasha.

Her brows forrow at that reaction. “What?” When all Y/n does is point at T’Challa behind him, Nat continues, “What are you waiting for? Go!”

“I—I’m not going…” she answers, dumbly. “I came here to stop you from stopping—” her eyes fly to Barnes and Steve who are already inside the jet. “—them…”

“Not going?” Natasha asks, with a smile.

Clenching her jaw, Y/n replies, “Not yet.”

Natasha just nods at her.

As the two super soldiers take off, T’Challa frees himself and tries to grab onto the jet but fails inevitably, landing easily on the ground.

He comes to face Natasha and even with the mask on Y/n can practically see how pissed off he is.

“I said I'd help you find him, not catch him. There's a difference,” Natasha tells him with a somewhat false sense of confidence, knowing very well herself that she’s lying.

This is awkward, is all Y/n can think as she stands between the two of them.

As the three of them make their way out, she watches as Lang is going down in all his (Gi)Ant-Man might, Spider-Man’s webbing tied around his legs. Tony and Rhodey punch him out of the sky and Y/n can see the last vestiges of her ‘side’ crumbling.

In front of her, a few meters ahead, Vision has Wanda in her grasp, holding onto her and protecting her gently.

While the jet flies off, Rhodey and Tony both take off after it, Sam is hot on their trails. Either of the two iron-men must call out an order because then Vision looks up at them in the sky. He uses the mind stone again, shooting off a beam. She’s sure it’s meant for Sam, but he folds away his wings, dropping altitude so the beam misses him entire, hitting Rhodey instead.

For the next minute or so, everything happens in slow-motion.

Rhodey begins to fall. He begins falling from the sky.

Her confusion over his inaction only lasts a second but the moment its clear that the beam hit Rhodey’s core, shutting the suit down, Y/n runs into action.

She begins glitching in and out, trying to get higher and closer to Rhodey, coming out only to calculate how much farther he is from her reach.

Glitch, need to be higher.

Glitch, need to be closer.

Glitch, need to be further.

Glitch, need to be faster.

She can reach him. She’s sure.

But…

But the ground is creeping in and Rhodey’s been falling for way too long.

She needs to slow his speed or he’ll—

No time to think.

No time for anything but action.

The next time she glitches out, she grabs Rhodey.

“Y/n!” He yells out, afraid and lost.

“I got you,” she tells him. “I got you, Rhodey.”

She glitches him into her dimension, trying to decrease his speed.

“FUCK!”

It’s not easy.

Fuck it’s damn near impossible for her.

She’s not good enough.

Especially not good enough at controlling her dimension when he’s been freefalling from the sky, in an impeccably heavy suit of weapons, and machine and metal. He’d been falling too long, with too much weight.

She holds onto him, making her dimension denser, not enough but still, denser.

Manouvering herself under him, she extends her armour from her arms to span across her back. If she can’t slow him to a halt, she can cushion his fall.

When they glitch out of the dimension, the change in force hits them hard, slowing them down a little bit more. But the wind does not cooperate. The wind is a fucking bitch. Y/n cannot completely sustain the suits weight on her, but she tries her best.

As they brace themselves for what will undoubtedly be a rough fucking landing, the last thing she sees is Tony flying towards them.

They crash.

The impact creates a fucking pit in the ground.

Before she can try helpless to move Rhodey off of her to check on him, Tony lands next to them and does it.

He pulls off Rhodey’s face plate, and asks F.R.I.D.A.Y. to check his vitals.

“Heartbeat detected. Emergency medical is on its way,” F.R.I.D.A.Y. replies.

His eyes fly over to Y/n then. Hand on her chest in an instant, He says, “ F.R.I.D.A.Y. assess damage.”

“I’m fine,” Y/n tries, pushing him off of her but the blood she coughs out makes it seem like an act.

“Six broken ribs and heavy internal bleeding, sir. But her hearbeat holding steady. Miss Stark will be fine till the emergency medical arrives.” F.R.I.D.A.Y. tells him.

Y/n doesn’t care, she tries to get up but struggles somewhat hopelessly. Tony’s hands come to help her and she manages to get onto her knees to look at Rhodey.

He’s bleeding, she notes, from his nose.

Her jaw clenches, eyes watering up.

Somewhere behind them, Sam lands on his feet and apologizes. Tony blasts him with his repulsors but Y/n can’t bring herself to give a damn.

Both siblings wait there—lost and scared, each with a hand on the chest of their best friend, and prayers on their lips to a God they stopped believing in, waiting for help to arrive.

Find the next part here. Find the series masterlist here. Find other Static Verse works here.

tag list : @aryksworld @freeflyingphoenix @arikarapli @just-anotherstan @justab-eautifulmess @ceo-of-daichi @roxannejblack @liketearsintherainn @paintballkid711 @starkleila @heyitsmereading @fairlygothparents @euphoria-svt @sidepartskinnyjeans @mini-kunoichi @third-broparcelicito @siwiecola @haleybutnotthecomet @mvaldez7821 @rockybutmakeitlame @romanoffswoman @ashpeace888 @hopeofwinter @percabethfangirl987 @lilfuturescars @hailqueenconquer

hit me up if you wanna be added to the tag list.

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joelletwo · 2 months

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(second post) extensively noted im RLY unclear on a lot of endgame gintama. i am disabled and it makes me a bad reader and im irritable abt it and i dont really want anyone to explain things to me on this Specific post lol. im just thinking things thru to myself.

hard to hold a lot of sugi's gayass trauma mental processes in my head all at once. the elisions between destroying the world [math symbol] destroying gintoki who stands in the way of that as a universal constant [math symbol] destroying the political foundations of the country from the inside using connections with the same forces (this guy does NOT understand the larger background plots of gintama and isnt sure if this is correct ->) that in part got his teacher killed and set this whole thing off* [math symbol] destroying himself.

(*side note i think there was a real missed opportunity to bookend all of sugi's political maneuvering which was treated by the plot as. SIGNIFICANT. and extensive. and effective. and one step ahead of all the chars we see pre-utsuro reveals. by revisiting it after the utsuro reveals and coming down on his schemes as either ultimately fruitless and really just getting him in over his head bc he didnt understand the real forces at play OR still effective bc sorachi wanted to retroactively say he and katsura understood all the shadowy background shenanigans. but zura kind of takes over the role of political maneuverer. but worse and stupider.)

(not a WHOLE lot under the cut its just getting unwieldy as a post.)

like if he just wants to kill himself why does he have to take the world down with him (katsura planning a beautiful death seppuku line). if he's doing this out of love for gintoki (canon fact.) why does gintoki need to be broken.

but if i stop trying to untangle what materially he means by all of that then i can understand sugi's actions post-execution as kind of in parallel with my understanding of oboro and utsuro's, which is to say, they are acting on behalf of what they think are universal laws of nature both because they believe in them and also to push the world to the breaking point to test their immutability and prove their fatalistic worldviews right or wrong. [with gintoki as the main tool to do so.]

sugi's inability to reconcile gintoki's decision to save them over sensei bc he cant understand how he'd possibly deserve it + resents gintoki for going against their understood mutual sensei as number one priority + grieves for gintoki having to bear that cross. um. turns into the desire to. destroy the world that made gintoki cry -> gintoki is an unshakeable barrier of protection in front of that world -> prove that the world sucks and isnt worth protecting by making it into sugi's own most pessimistic conceptions of it from childhood that shouyou had started to prove him wrong about -> push gintoki to a point where he will realize that he chose wrong and sugi was meant to die instead

and in parallel. avenge the death of the man who had shown him a better path in life -> throw away the life that man had sacrificed himself to protect -> um if i go down this path i just start rewriting reductionisms' proofs on seppuku and bushido again. waves hand. take the contradictory tragedy as laid out.

like utsuro trying the open mind+open heart gambit for one life and then immediately giving up. and oboro. well oboro is harder to unpack and summarize for me. but he serves utsuro's goals in service of his own goal of. proving rebellion like he and shouyou tried is futile? takes it upon himself to destroy shouyou's legacy to prove it's okay that shouyou-the-concept died. idk a lot of layers going on in oboro its not important to focus on here.

the. making a half-step of progress into a better world that you're having to pioneer and imagine into existence. and then, when u fail under the world's pushback, deciding to undo all that progress with your own hands. and one guy says no, it's still possible, and im going to do it. and you're like. what if i made it as hard as possible so that if u succeed despite that u realize my dearest hopes with IRREFUTABLE proof so that i dont have to face how scary it is to try without knowing if its even possible.

WHIIIIIIIICH. i find all of that incredibly sexy on all of their parts. i enjoy it a lot i like it when humans act out of irrepressible existential fear bc fuck man. living is scary. thats basically the backbone of every gintama antagonist and gintoki [who carries on shouyou's desire to fight and win against his own nature, and thus is himself an antagonist].

whiiiiiiiiiiich. makes it so interesting that these three specifically. other than bansai lol. are the ONLY!!!!!! real casualties of the story conclusion. that gintoki DOES carry thru and realize all their hopes of the world for them by beating them as obstacles. AND they dont get to live and see the fruits of it. but im not prepared to unpack what that means narratively at this point in time.

#sopping wet gintoki posting #[googles something and gets into topology] well thats enough of that. for tonight.#my beautiful faildaughters #and their faildad whos a small child afraid of dying

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thereareeyesinsidethetrees · 8 months

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was going to do the actual headcanon part of the gravity falls form first but that part is taking far too long and we need to talk about this so this one is happening first

(also, if you were the person who said this, im giving you the benefit of the doubt and saying this is a case of ignorance and not maliciousness)

someone, in the section about physical disability headcanons, said that no one showed any signs of obvious physical disabilities, and that, if there are, they cant be particularly debilitating (otherwise its not canon-adjacent)

uh so fun fact stan is canonically physically disabled. he has hearing aids, dentures (if not having teeth isnt a disability i will be genuinely shocked), and also deals with daily pain (potentially, the cane he uses in tours could double as a walking cane for when the pain makes it difficult for him to walk)

also, mr. poolcheck canonically has a prosthetic hand

what is the connection between all of these things? we didnt know about them until we were directly told.

if he hadnt removed his prosthetic, you would have never known that mr. poolcheck was missing a limb. because its not obvious otherwise.

you dont know that stan uses hearing aids until the end of season one/beginning of season 2 when the cameras in the gideon pins mess with them. if that hadnt happened, you would have never known that stan uses hearing aids. because its not obvious.

you dont know that stan has dentures until you are directly shown so. because its not obvious.

you dont know that stan suffers from daily pain until late season 2. you wouldnt have known about that if we hadnt gotten his perspective waking up, because he never talks about it. its not obvious.

moving on to real people, scoliosis is a great example of this. is it obvious in some folks? yes. but theres also plenty of cases where its not. and it can absolutely still cause issues for those latter people

you know, it also completely ignores internal physical disabilities. you cant look at someone and just know that they dont have a heart condition. or that they dont have an intestinal disorder. or that they arent immunocompromised. or that they dont have a blood disorder. or that they dont have arthritis. or that they dont have nerve damage. or that they dont have diabetes. i cant possibly list every single "non-obvious" physical disability here. there are so many, and they all just get completely sidelined when you think like that

the point is that "you cant have a debilitating physical disability because its not obvious" is a harmful way to think. it just doesnt work like that.

if you yourself are physically disabled and notice i said something incorrect here, please tell me so i can fix it. i dont want to misinform anyone- thats how you get these sorts of sentiments in the first place

#gravity falls #physical disability

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noxexistant · 11 months

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Would Kid Blink or Mush have any mental illnesses?

I CANT BELIEVE I FORGOT TO TALK ABOUT MUSH when i literally had ideas for him!!! ouhh and blink my beloved

cw; this gets a bit graphic about injuries (particularly nose/mouth stuff) and hallucinations/delusions

i totally see both blink and mush having severe touch aversion due to trauma. mush freaks out if anyone touches anywhere near his mouth, and blink is protective of his face in general, but especially his empty eye socket.

it’s mentioned on mush’s trading card that his nickname came from him missing his front teeth and thus having a speech impediment when he first joined the newsies, which could obviously just be from him naturally losing baby teeth - and i agree that they were baby teeth, but i prefer to think someone helped him lose them. his face is a state when he first comes to the lodging house, front teeth missing, nose out of place and bleeding, top lip swollen, eyes already starting to bruise. his teeth don’t grow back for ages, because they were knocked out much earlier than they would’ve fallen out, and that’s how the nickname manifests - because there’s all that time when the newsies are first meeting him where he remains toothless.

(and, also, because race stared with horror at mush’s battered face when he first saw it and said his nose and mouth were “basically mush”.)

his nose and mouth don’t ever really go back to how they were. the speech impediment never goes away either, but he learns to adapt to it. he never learns to adapt to how terrified he suddenly is of anything anywhere near his mouth - on that first night, specs reaches out to try and check him over, pull mush’s lip out of the way with his thumb to see the damage to his teeth, and mush kicks him as hard as he can in the ribs. he spits blood at specs and scrambles away, and everyone finally sees his missing teeth because he curls his swollen top lip up to bare them, trying to look scary. him being covered in blood helps, despite how scrawny he is, and specs backs off with an apology. it doesn’t take everyone long to learn not to touch mush.

mush finds that anything in his mouth is too much, though. he eats with his hands because feeling hard silverware in his mouth - against his teeth - triggers him, and suddenly all he can think about is his new teeth being knocked out against something hard. he tells himself he has to be tough and fight, be the muscle, so that he can defend himself if anyone tries to hurt him like that again, but he panics hard if he gets punched in the face during scraps. he’s paranoid about losing his teeth, grabbing blink once the fight’s over and making him look, making him swear over and over that mush’s still got all of them.

it’s also entirely possible, since we’ve been given no canon answer as far as i know, that blink’s blindness is something he was born with or was a natural degenerative condition, but i also prefer to think of that as a result of physical trauma - a fight, maybe, or getting hit with something - requiring the eye to be removed, probably at some point when he was a kid. he doesn’t seem to be well-adapted emotionally to being disabled, since he mocks crutchie for it in the movie and even calls him a “crip”, so i think it’s a point of insecurity. the physical aspect of it particularly - he won’t take his patch off in front of anyone, and is reluctant to even do it in the lodging house to sleep. he’s as protective of his patch as specs is of his glasses - it’s the same one he’s had since his surgery was first done.

generally, blink is just very insecure. he’s brutally hard on himself, and he’s jealous of jack despite how much he likes him. he feels like jack is all blink could’ve been, but isn’t, ‘cause he’s his lousy self, half-blind and bad at selling papes and ugly even without the hole in his face. he fights too, just like mush does, but he does it for a sense of control and to prove that he still can. he always tries to goad people into going for his missing eye, because it doesn’t mean anything to be hit there, but if anyone tries to touch that whole side of his face he’ll try and break their wrist. mush is the only one who’s allowed, just like he’s the only one who’s allowed to touch mush’s lips or nose. mush has got a scar down his cupid’s bow, kind of bisecting his top lip, and blink loves it.

i can see blink having some symptoms of schizoaffective disorder, particularly bipolar type. his moods and self-esteem are unstable, switching between extremes of feeling he’s entirely worthless - a coward, a failure, not worth living - and feeling like he’s everything, better than jack, better than everyone, people just don’t understand. any hallucinations he has are mainly auditory or sensation-based, like feeling someone touching him - he particularly feels things around his missing eye, or feels someone touching around his good eye like they’re about to gouge it - and he has delusions about people hating him or talking shit. he tries desperately hard to trust mush and his other closer friends during his episodes, but often can’t, so he’ll isolate himself instead. he knows he’s safe if he’s alone, and he can’t hurt anyone else then either.

mush has anxiety, and - like blink - has self-esteem issues marked by him comparing himself to jack. he doesn’t think he’s worth much if he’s not fighting, and he believes that everyone else is worth more than him. he can have some depersonalisation issues and doesn’t have much sense of self, particularly not before meeting blink, but he knows he’s an important touch point for blink - especially when he’s having his episodes - and that helps him know that he’s real and matters some. and fighting helps too, if he’s honest - he knows he’s alive if he’s fighting, feeling his knuckles burning and throbbing, feeling his heart pounding. he’s alive if it hurts. but maybe he’s alive if people are smiling at him too.

#this is some NICHE projecting #cw violence #answered #anonymous #kid blink #mush meyers #newsies #blush #blush newsies #sorry this was so blush tinged i hope you don’t mind anon #it’s just where my brain goes for them

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messydiabolical · 1 month

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Just saw a poll about what in fanfics you dislike the most and it reminded me about a specific plot line I see in Thane fics a fair bit and, well I have a lot to say. I've thought about writing this before but I chickened out tbh, I hate getting into discourse generally. I feel the need to preface that this is personal opinion and feelings, no fic authors owe readers a damn thing, and you can write what you damn well want to! Just to make that abundantly clear. This is also not written with any one fic/author in mind, this aint some vague posting attack on any person in particular. It is a trope I have seen occur on multiple occasions with Thane in particular, and one that gives me a lot of feelings. I bloody LOVE a Thane lives AU. That's my jam, no doubt. It's a cathartic, soothing balm for me. And how you choose to get there can vary massively and I love that too. I would say that I prefer when his motivation to persue treatment is based in wanting to live for Kolyat and especially for himself, and not just because his love of Shepard. And while they break my heart, I also think stories that follow canon, or divert from canon but still have him die, are also super important and I applaud the writers who go there, because ouch. Disability and terminal illness are difficult, real subjects and having that representation is so important. I completely understand why there are people who dislike Thane lives. So to the thing I really dislike: nothing makes my stomach drop faster than the disregarding or removal of Thane's bodily autonomy/consent on his own health. They tend to go like this: Thane has decided not to persue any potential treatments, collapses/is rendered otherwise unable to have his say on the matter past his already stated wants, and while unconscious Shepard overrides his DNR wishes and has him given life saving or extending treatments. He wakes up and is upset at Shepard, but ultimately forgives or even thanks them for making that decision for him (basically saying that he was 'wrong' and Shepard was 'right'.) I do think this can be written in an interesting, character study way. There's also those grey area tangents: For example, what if the treatment suddenly becomes available after he's already unable to give consent, one that he was not aware of. Or what if the source of the treatment changes; before he was against a transplant because it would mean taking from another drell, but suddenly cloning or something else becomes available? etc. Perhaps such plot lines have been explored and I've missed them, because unfortunately after reading a handful of the type where he is just wholesale disregarded by Shepard if I get even a whiff of this kind of plotline I abandon the reading. As for why this does not sit well with me at all? It creates a situation where you have to basically make out that Thane was somehow in the wrong for ever feeling that way, that his acceptance of his terminal illness is bad, his motivations wrong. Again, something that can be explored- but not by just wholesale disregarding and overriding him then later teaching him why he was 'wrong'. We are getting into the very murky area of "if a person is depressed/mentally compromised by trauma/their past enough, they are no longer able to make decisions on their own health, this is for their own good'. And- yikes. Red alert. Because that is a story that needs to be handled with so much care, and it absolutely should not be used as a temporary source of angst to further a fucking romance plot. I think this hits hard for me especially as a disabled person who has had to deal with my fair share of medical fuckery. I'm also neurodivergent and have mental health issues. Advocating for myself is something I have had to battle many a time. Anyway hoo I had that one pent up hey? Again, I hope no one feels personally attacked by this. It's my own ick, one that might resonate with some, one that others might completely disagree with.

#md personal #fanfic tropes

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social-muffin · 1 year

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🔥New Khr OC Questions🔥

💞Anyone welcome to participate! 💞

People really enjoyed themselves with the last list of questions I made! So I made an even bigger one!! So much so, I don't really expect anyone to answer all these questions. Just pick and choose whatever you want to answer if it's too much lmao

‼️This is not just for OCs! If you feels you've modified one of the canon characters so much that they're a whole different person now, tell me about them as well please!‼️

I will also tag a bunch of people whomst OCs I really enjoyed and remembered from the last list of questions! There will be some repeat questions here, so you can elaborate if you wanna or just skip those lmao

Tags under the Cut cause I will also give a lil commentary on the OCs I know so far. :3

‼️Also these Questions are mostly spoiler free so don't worry! Only one question asks about something that's introduced after the Varia Arc I think. I put a 🌸 next to that one.‼️

@juudaimes-true-form Amara & Ricardo were both very fun and I like knowing about them! But l Alexandros is a very good vibe I wanna know the him uwu

@einsatzzz Kana, Kurumi & Yui are Hella intriguing! Do pls elaborate on all of them! Particularly Yui has spiked my interest! Did you finish that art of him you were working on?

@heryemily5927 Hanabi is adorable please tell me more if you feel up to it! :D

@kiralushia Nozomi & Cloud! I would like to see both of them for this! But I also wanna know more about Arashi because she gets mentioned often too :3

@acedragontrainer Ayane & Yuki may have been randomly created but they are so gawddang fun! Please give them backstories with the questions here. If you wanna of course ^^

@masterdisastre Xavier is babiest Boi, but what about Dani!? And also pls tell me of any other OC you wanna talk about!! I'll treasure each and every single one of them! :D

@cloudspark You reblogged the old Questions once wondering if you'll find the time and motivation to introduce your OC, so I will tag you here too since there are more questions here. :3

@ciaossn Amalia is best lady pls tell me more even if her true origin story has been tragically lost ;w; I wish to know her as much as possible!

The Basics:

What's their name? Their pronouns? Sexuality? Gender Identity? Their Age and Ethnicity?

What do they look like? Body type? Identifying characteristic? Art or picrew of your oc? (No AI art pls.)

Why did you create this character? Just for fun? Or is there a purpose behind them? Maybe a canon character you created them for? As a friend, love interest, sibling, child, parent, rival, nemesis?

What's the family situation of your OC? If they have family, how about a brief summary of the relationships of their family to the canon characters?

What are their other notable relationships to Canon characters? (Example: Hibari's little brother also happens to be Tsuna's childhood best friend and Gokudera's love interest) If there are none right now, are there any plans for relationships in the future?

Does your Oc have disabilities? Mental illnesses, neurodivergencies, missing limbs, chronic pains, physical limitations, some kind of food sensitivity? Anything that affects their day to day life goes!

Combat Questions:

What are your OC's flames, if they have any? And how do they use their flames? Do they ever use them outside combat?

How do they prefer to fight? Do they know how to fight in a way they dislike or hate? (Example: Hibari prefers hand-to-hand combat and dislikes firearms, but he knows how to shoot someone if he has no choice)

Do they have formal training? How many fighting styles do they know? What weapons can they wield?

What are their strengths? Their weaknesses?

🌸Do they have a flame weapon, or a box weapon/animal? How did they get these weapons? What level ring (best S>A>B>C>D>worst E) do they wield? Can they use their ring efficiently? If no, why not?🌸

Oh no! Your OC is unable to fight! (Too tired, injured, whatever) How do they deal with the enemy now? Do they flee, still try to fight, call for backup, or what do they do?

Philosophical Questions:

Answer this first before reading/thinking further! Would your OC change anything about themselves if they could?

What's their favourite colours? Their favourite season? Their favourite weather? Their favourite animal?

What are their hobbies? What are they passionate about? Is there a passion they had to give up? If so, why?

What kind of people do they dislike? Do they like who they themselves are?

What is their biggest secret? What's the biggest/worst lie they ever told? What lie do they frequently tell themselves?

What's their darkest desire? What's their biggest hope for the future? If they had the money, how would they want to change the world they live in?

If the world ended tomorrow, how would they spend their last day on earth? Who would they want to be with? Their worst fear stands between them and saving the world, would they be able to overcome that fear to save the world?

What would be their civilain dream job? If they had to kill someone innocent to save a friend, would they be able to do it? How long would their choice haunt them? Would they be able to face their friend if they decided to sacrifice them, but things ended up working out?

Your OCs biggest, wildest dreams all just came true! What do they do next? Who do they celebrate with? How do they celebrate? Loud exhilaration or quiet disbelief?

After these questions, I ask again, what would your OC change about themselves if they could? Did the answer change?

Khr Character Questions! [Or 'I am putting the OCs in ✨situations✨']

Vongola:

Sawada Tsunayoshi burst into flames, flew into the sky and took out a missile that was headed towards the area your Oc was in. How do they go about interacting with Tsuna after that?

Gokudera Hayato dragged your OC to an empty classroom to investigate ghosts, but it turns out it was just teenagers. Hayato seems genuinely disheartened, does your Oc want to comfort him?

Sasagawa Ryohei just pulled your Oc away from oncoming traffic! He proceeds to ask them to join the boxing club! How do they go about rejecting him, given that he just saved their life?

Bovino Lambo just send your Oc ten years into the future! What situation did your Oc end up in? What's their reaction to this future?

Yamamoto Takeshi is sitting by himself, holding a baseball and looking oddly melancholic. Your OC does not know what is going on, except that usually Takeshi is a cheerful guy. Do they approach him? What do they say?

Hibari Kyoya comes across your Oc with a bleeding wound at his side. He is most obviously unwell, but also pissed, how does your Oc approach this situation?

Chrome Dokuro knows what your Oc did and it feels like she is judging them for their dirty secrets. How does your Oc try to buy her silence?

Rokudo Mukuro wandered into the dream your Oc had last night! Does he leave with even more trauma, creepily amused, weirdly charmed or thoroughly bored?

Fuuta DeLa Stella fianlly ranked your Oc first in something! What category did he rank them first in? What is your OC's reaction?

I-pin just blew up and then landed gently in the arms of your Oc. How do they react to this literal pipe bomb baby?

Sasagawa Kyoko handed your Oc Valentine's friendship chocolates and thanked them for looking after her brother! This might be a misunderstanding, but these are also the only/first chocolates your Oc was given, so what do they tell her?

Miura Haru made your Oc their dream outfit! But something significant about it is wrong, how does your Oc give critique on that?

Kurokawa Hana just called your Oc a monkey to their face. How ready, if at all, are they to throw hands with this civilain middle/high-school girl?

Arcobaleno:

Fon wants to share spicy curry with your Oc, but the spoon is glowing red hot. Does your Oc risk it?

Reborn shot someone infront of your Oc. Tsuna won't believe them. What will they do now?

Verde wants to study your Oc so he asks if they'd volunteer for science. No money is involved but they do get to hang out with Verde, do they take the offer?

Lal Mirch has taken over the CEDEF and there is a party that your OC somehow ended up invited to! Do they bring Lal a gift? If so, what kinda gift?

Colonnello got drunk from sipping some wine, he is sad, melancholic and heavily armed. How does your Oc handle the situation?

Skull thinks you're really cute and creative! He wants to know how you came up with your Oc? And your favourite scene of your Oc!

Viper just gave your OC a slice of pizza. Will they eat it? Are they aware of the risks? Are there risks?

Varia:

Xanxus meets your Oc at a bar and tells them to get him a drink. What does your Oc do? If they make an order, what would they order for Xanxus?

Belphegor is staring at your OC from a distance and chuckling maniacally. What wardrobe malfunction did he notice on your OC?

Lussuria slings his feather scarf around your Oc and tells them they're a cutie. How does your Oc respond to the sudden flirting and closeness? Do they know Lussuria is powerful as well as queer?

Levi-a-Than just told your Oc that they'd be so pretty if they put a bit more effort into their look. How does your Oc react?

Superbi Squalo yells so loud it's almost bothering your Oc! How do they tell him to quiet down? How long do they last in the every-man-for-himself Varia-style brawl that comes next?

Mammon is wanting to extort your Oc for money. What blackmail material does Mammon have to do so? (What is an embarrassing thing your Oc did that Mammon could reasonably find out about?)

Fran is getting on your OC's nerves, constantly and seemingly very much on purpose. Everyone else is already using that boy as target practice, so does your Oc join in?

Others:

Dino Cavallone compares your OC to Tsuna. Is your Oc insulted by the comparison? What if it was accurate?

Dino's right hand man Romario invites your character out for a drink! What drink do they order to impress, intimidate, or endear themselves to the Cavallone Familia? Or do they reject the invite entirely?

Hibari's right hand man Kusakabe Tetsuya thinks your Oc is too noisy and tells them to shut up if they don't want to get bitten to death. Does your Oc take that as a challenge? Hibari Kyoya does not seem to be nearby in the first place... (He is watching from a nearby roof)

Something got past the safety on your OC's garbage cans and made a massive mess! Ken stands as the main, but not the only suspect. Does your Oc make that accusation? Do they worry they would offend Ken for accusing him of that, just for having more animalistic behaviours?

Chikusa's yoyo just flipped off it's string and bonked your Oc on the head. He acts apologetic, but your Oc has a feeling he did that on purpose. How does your Oc proceed?

The Last Question!!

Please gimme links as to where people can find stories or art about your OCs!

Thank you for reading and answering if you do! :D

#katekyo hitman reborn #khr original characters #long post #I'm holding your hands actually #Follow me and celebrate the beauty of creativity #There is love to be found in the khr #Catch me putting people's OCs in my pockets to snack on later

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