everytime i see antis imply that katara somehow secretly still hates zuko by the end of the show, i'm like
... "yup. that's exactly how i look at people i hate."
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Dabi might keep his past a secret but the league definitely know he (used to have) siblings
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kaycee "off the wall"
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Since people seem to really like my vision requirements illustrations, I figured I could elaborate on my theories/headcanons!
(EDIT: Since people keep mentioning it in the tags of the illust. post, so just to be clear, I am well aware Archons don't hand out visions personally😅 it IS however heavily implied they have a subconcious effect on who gets one, even if they have no active say. It's why no electro visions where granted during Inazumas vision hunt decree, for example)
Anemo: Purpose.
Anemo users have been unsure or hesitant about how to live their lives or what to do at some point, but all ended up finding something to strive for. Venti found purpose in rebuilding Mondstadt after Decarabian fell, to make the nation a place that the nameless bard would've loved to live in.
Jean found purpose as the Dandelion Knight, Xiao found purpose in serving Morax, Wanderer found purpose in freedom etc. Everyone has something they find fullfilment in.
Geo: Determination.
Geo users have a set path and/or ideal they live by, something they will not budge on no matter what. Zhongli is solid on his contracts, the written word is law and cannot be allowed to go broken, regardless of circumstances. His path is one of mutual agreement and fairness, to ensure everyone and everything gets their due.
Ningguang walks the path of Liyue's pillar, Noelle walks the path of self-improvement, Itto walk the path of acceptance etc. They are determined in their ways and will not bend them.
Electro: Protection.
Electro users all have something/someone they hold dear, and will do anything to ensure it's safety and longevity. Ei loved her sister more than anything else, and would've done anything to keep her safe and alive. Her actions in Inazuma was her terribly misguided way of "protecting" it from erosion, to keep the nation her sister loved so much in prosperity in her place.
Sara wants to protect her people, Keqing wants to protect Liyue's prosperity, Fischl wants to protect her imagination and fantasies etc. They hold things close to their heart and will do anything to protect it.
Dendro: Understanding.
Dendro users are seekers of knowledge and wisdom, wishing to understand the world around them and all that lives in it. Nahida wants to understand people, for wisdom means nothing when it can't be put to practice. People aren't something that can easily be comprehended by textbook knowledge, they must be observed extensively first-hand to even begin to understand.
Baizhu wants to understand the secrets of immortality, Kirara wants to understand human society, Collei wants to understand how to help others etc. They earnestly search for ways to expand their world.
Hydro: Duty.
Hydro users tend to have a strong sense of responsibility and personal principles they live by. We don't know enough about Furina to say for sure what her deal is right now, but I speculate her duty is closely connected to the Heavenly Principles, and that she views herself as Celestia's "executioner" so to speak.
Ayato's duty is to the yashiro commision, Candace's duty is to the desert-dwellers, Childe's duty is to the Tsaritsa etc. They have solid loyalties and set principles they work by.
Pyro: Passion.
Pyro users are full of love and passion for what they do, dedicating themselves whole-heartedly to their chosen field. We know very little about Murata, so it's hard to say what she's like. As the God of War I assume she has a passion for battle? Who knows.
Yoimiya is passionate about fireworks, Bennett is passionate about adventuring, Diluc is passionate about defending Mondstadt etc. They have a profound love of life and what is in it.
Cryo: Contradiction.
Cryo users are at odds with themselves, rife with inner conflicts and clashing desires. The Tsaritsa is described as an archon with no love for her people, and has been noted to have grown cold post-cataclysm. Her harbingers, most notably Childe, say otherwise, though. She's not unloving, but she is disillusioned and vengeful. Her hatred for Teyvat and Celestia is at odds with her love of her people.
Rosaria is conflicted with her lifestyle(s), Ayaka is conflicted with her status and wants, Kaeya is conflicted with his loyalties etc. They are torn by irreconcilable opposites.
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Legend and Sky as a duo is so funny to me!!
Red to the last pic
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special operatives
(silly interaction beneath read more)
[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]
[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]
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I like the general fandom trend to just take the plot of Hyrule Warriors as a loose guideline at best and just use the whole concept as a good excuse to get blorbos to interact across timelines, BUT I'm very disappointed that everyone is missing the comedic potential of a very specific squad of characters:
Young Link (aka Mask), who walks out of the nightmare of Majora's Mask and immediately gets portal kidnapped into a temporal war, takes one look at the whole mess and decides that you could not fucking pay him to admit to being the resident expert on Time Shenanigans. He introduces himself with the title of Hero of Termina, and definitely doesn't have any other ones, that would be crazy. Hero of Time? Never heard of him.
Tetra, who is a kickass pirate captain with zero patience for people trying to shove her into the Designated Princess role, and realizes immediately that Oh Fuck, this Hyrule has a lot of Ideas about how the Hero and the Princess are supposed to properly play their parts, the second they realize she's technically a Zelda they're gonna shove her in a goddamn dress and damsel her again, that's not happening. So she's definitely just a really cool pirate captain, nothing else going on here at all, definitely not the heir of the Hylian royal family in her time, that'd be crazy.
Ravio, who is literally just a palette swapped Link, meaning that the second his hood comes off, things are gonna get Awkward. There's no way in hell he's dealing with all that Hero baggage, that's Link work, so that giant bunny hood/mask is practically superglued to his head, and he's not taking it off for love or money.
Spirit Tracks Zelda, who is just in the Phantom Armour the whole time, and passing herself off as just a friendly ghost posessing a suit of armour to help the Hero of Spirits. Of course she isn't Princess Zelda, that's ridiculous, if she were a Zelda then people would start getting really weird about her technically being dead, and boy does that ever sound like a whole Thing she doesn't want to deal with, so she can't possibly be Zelda, she's just a nice ghost knight. Also, her teenage grandma is here, and that's kinda weird, so it's easier to just not admit to being royalty and avoid that awkward conversation.
Finally there's Sheik, who is not the Princess Zelda of the era straight up abandoning her war torn country for months at a time so she can risk her life in extreme cosplay for no clear reason, but is instead the actual Sheik from Ocarina of Time, who just beat Ganondorf like a month ago and is still trying to process what the fuck to do now. Also, he's been pretending to be a boy since he was ten, and is realizing there's a pretty good chance that he isn't pretending anymore, so that's a whole other can of worms. But for the last seven years of his life, being Princess Zelda meant certain death, so he's not really inclined to introduce himself like when in a new and stressful situation (not to mention he might actually just not be a girl named Zelda anymore), so he automatically introduces himself as just Sheik the spooky ninja man, and fuck he's in too deep to back out now, looks like he's committing to the bit. If you think you sense the Triforce of Wisdom on him, no you don't.
Cue shenanigans as the five of them attempt to hide that they're all actually kind of A Big Deal. The group motto is "Nobody says shit", which is usually delivered as a frantic hiss whenever someone slips up. Just the reunion between Sheik and Mask alone would be absolutely buckwild given how they parted, and how they're both frantically pretending to Not be involved with each other. For added hilarity and/or drama, Sheik gives his semi-bullshit cover story of having just been a friend of the Hero of Time, then runs into said Hero of Time and they both have to desperately pretend not to know each other, because if anyone picks up on the mountain of baggage between them then Mask is busted, and he won't hesitate to drag Sheik down with him out of sheer spite. Not to mention the weird balance of Sheik being used to this Link being a teenager that's actually a small child, and now has to adjust to Link who is a small child that's actually a teenager.
Also, i really feel like we're all missing out on the comedy potential of Ganondorf recognizing Young Link on sight and the two of them immediately launching into a grudge match with some extremely personal and specific insults on both sides. Meanwhile literally everybody else is just standing there watching, trying to process the fact that out of every single person that's been pulled out of time, Ganondorf only has personal beef with a literal nine year old.
I just feel like we're all really sleeping on the potential for Shenanigans here. The whole thing is an absurd mess, why not have some fun with it?
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“oh no people tell me I have no sense of personal space and I'm a man and her unofficial coach what if I've been making her uncomfortable- and Akane is like nah. You're not gonna do anything to me I can feel it. Like hes the only person who can overpower her but he just uses that strength to be there for her” og my god. i need a minute after that ome. god i had a whole long winded analysis of this and i was gonna put it all here but i seriously have no words. this is so real in every possible way and a lil too relatable lmfao
ITMEANS A LOT TO ME OKAY. I too could rsnt but idk where it would go
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Do people not realise that using Vecna tormenting Will about his complicated feelings towards El to make Will out to be a bad person who just hates her is literally exactly what Vecna does lmfao. That’s his whole MO—he digs into the character’s pain and twists things, convinces them their worst thoughts and fears are who they truly are, tries to make them succumb to the black hole of their trauma. He doesn’t reveal some secret dark evil truth in the person, he exploits their internalised suffering and tells them they are an awful person for it. I fear the point of the show went straight over some heads…….
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i remember when people would say that stede would be really mad at ed for leaving his crew to die on a tiny island but i guess that is not going to be the case at all because he's saying "i don't care what any of you say, he's actually a good guy" right to the faces of the people he stranded lmao
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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people being like "hunter needs structure and stability" respectfully hunter DOES need stability - in that he needs an environment where he's no longer afraid of the people around him & is confident that he'll always have a safe place to stay n safe people to call - but the kid absolutely DOES NOT need structure. if anything hunter needs LESS structure. this is mister "teens are probably into the same things as me, like authority and rules" please be nice to him.
my absolute favorite hunter darius dynamic is one with like, hunter asking to stay out late on a school night or whatever bc luz has some cool-as-shit event happening in the human world that he wants to attend & darius is just like "you can do whatever you want forever" & hunter's like "aren't you...??? going to....??? give me a curfew????"
darius: why would you need a curfew?
hunter: because i-! what if i'm TIRED before SCHOOL
darius: then you can skip a day.
hunter: [HORRIFIED GASP]
darius: kid. look. you already extensively weighed the risks and benefits of going to this thing on a school night. right?
hunter: ......i did make three charts.
darius: and you determined that the benefits outweigh the risks. with your three charts
hunter: .....yes
darius: ok.
hunter:
darius: so.
hunter:
darius: in conclusion. you can do whatever you want forever.
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