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#masked ask
dduane · 3 months
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From the Writing Advice dep't: A complicated ask, a serial answer (part 1)
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Every now and then I get an ask in the box that's complex enough that it has to be taken apart and answered in pieces. Also, sometimes I get queries in that are painful enough (in varying ways) that I elect not to attribute them when answering. This one is both.
I read the ask (and reread it, and rereread it, four or five or six times after it came in, and a bunch more times while I was on my back this week being sick), and gradually came to realize that for it to be properly handled I had no choice but to break it into pieces for best management.
There are three main strands to the issues this ask brings up: motivation, growth as a writer, and coping with or succeeding despite the current state of the publishing industry.
So let's dig in. Here's the first part of the ask:
I know there's no One True Path, but I'm struggling with this, and I'm sure others are too, so I'll just ask it. I want to make a career out of writing, but with shrinking attention spans and so much content to mindlessly consume, how do you keep the motivation to write? My friends get mad at me for getting discouraged when not even they read my writing. They get mad and say, "write for yourself, not for the validation!"
Welp. (sigh)
First of all, I think your friends are absolutely right. But we'll come back to that.
You have to understand that as far as the Search for Motivation goes, I'm probably Spiders DD, the outlier who seriously should not have been counted. I have been motivated to write stuff pretty much nonstop since I was eight, and did my first novel in crayon in a school notebook. (It was one of the thick notebooks. The ones with the black and white marbled covers. Most of you who come of US schools know the kind.)
So I'm really the wrong person to be asking about this, especially since it's now nearly the Year of our (Wood!) Dragon 4722, which would make me nearly, uh, six Years of the Dragon old. And being of such age, and a career midlist genre writer, I have the same source of motivation as the vast majority of my similarly-aged colleagues: the need to write or starve. (There's an Irish saying perfectly descriptive of my situation: "Too old to dig ditches and too scared to rob banks." That's my situation exactly. There's nothing left for me to do but to write.) :)
...Anyway, it's kind of amazing how that kind of motivation'll focus your intention, and help you keep it in place, once you're been working with it for a while.
At the beginning of a career, though, things can look a lot different as you start getting a handle on exactly what it is you like to write and why you like writing it. And having another job to keep you afloat while you find your way is seriously a very good idea if you can manage it.
It sounds very much to me as if you're still in the early "finding your way" stages. This is a place that a lot of writers pass through, so don't be concerned. It's rare for sudden perfect motivation-to-write to crystallize out of nothing. And never forget, the word itself is based on old Latin roots for movement, and provokes the question, "Yeah, okay, but which way?" Movement without intended direction tends to turn into a lot of unfocused flailing, which looks good on Kermit, but not so much on the rest of us.
(inserting a cut here, because honestly, this is gonna go on a bit)
So you need to sit down and start asking questions—and answering them—so you can draw some kind of map. "I want to make a career out of writing"? Fine. What kind of writing? Fiction? Nonfiction? If fiction, what kind? What do you like to read? Why? Is that something you'd like to write? Why? Why not? If there's something else you'd rather be writing—what else? And why?
The more you ask the questions and answer them—"Keep asking the next question," Ted Sturgeon never used to stop saying—and the further along your investigations get, the more likely you are (as you get close to the answers that matter) to start getting the itch to write something, something in particular. This process may take a while, and the itch may take a good while to manifest. Don't be alarmed by that. The old saying is that the fire from Heaven won't descend until you've built the altar for it. And it may take a while piling the rocks up into the right shape. Don't hurry. If this is something you intend to spend a lifetime on, make sure the foundations are sound. The time taken will be worth it.
And BTW, do you intend that kind of length of commitment? If you're not sure, that's fine. But there's no one else to ask at this point who can give you meaningful answers. This is the time to get into it. Work out what "having a career in writing" looks like for you. Then start investigating to see whether your conception has any foundation in reality as a kind of lifestyle you actually have decent odds on achieving. (Again, I'm an outlier here. I'd been writing for pleasure for a long time before I had the good fortune to befriend an actual career writer, examine his habits [and those of other writers in the LA area] at close range, and realize that this line-of-work choice was actually something that could be successfully pulled off by mere mortals.) After investigation, this is a call that only you can make.
But anyway. Once you've started experiencing the kind of motivation that comes of increased certainty about what you want to do and why, you'll find you're way less concerned about sourcing or supporting it externally. It tends to fuel itself. (As once it does descend, the fire from Heaven is tenacious stuff: more Greek than otherwise.)
But also: trying to designate outsourced exterior stimulants for motivation is a bad idea. The reason's simple: one day you'll need them and they won't be there. Conditions will have changed, or the outside-of-you sources into the hands of which you've resigned your motivational agency may not be available for one reason or another, temporarily or permanently... and then where are you? The concept's a nonstarter. If your motivation's acting up, you need to be looking inward, not outward, for ways to kickstart it. This is one of the most personal parts of the writing process. You need to own it.
(And yeah, even career writers' motivation slips sometimes: annoying career things happen, cyclic lows cut in at a bad time, you name it. Most of us work out ways to jar the motivation back into correct operation when it acts up. But for such corrections to work you must first know what it's like to generate or mine yours yourself... and you're still working on that. The methods you find to generate motivation toward doing the Work will also assist you in diagnosing it when it goes south, and putting it right again.)
Also: (sighing) Please let your friends off the hook as regards reading your material, and feedback. Your motivation to write should not be dependent on their feedback, and it's not a good idea to try to make friends feel responsible for keeping you on the creative track. Chief among reasons for this: they may not feel themselves up to the task of giving you the writing support you're apparently asking them for—possibly because they simply don't feel competent to. (This is where we could get into how I had to stop @petermorwood from rewriting his third novel for the third time due to conflicting notes from friends... but let's leave that for later.) At best you're possibly making your friends deeply uncomfortable. At worst, the pressure may damage the friendships.
Tl:dr; our friends may love us dearly, but that doesn't make them competent editors. If you're online, so are many writers' groups who'll welcome a new member who needs advice. Wait till you've got more data and clarity on your motivational issues, and then start shopping around for assistance that seems friendly and trustworthy.
And finally (for the moment), about other people's attention spans:
It'd be good if you can start training yourself away from the habit of worrying about those. For one thing, there's absolutely nothing you can do about them. You might as well worry about the 11-year sunspot cycle. The attention-span issue is just one more distraction from things you should usefully be thinking about. But also: A lot of what we hear about that situation strikes me as fearmongering (as, IIRC, it was supposed to cause the downfall of western civilization around the time I started writing for Scooby-Doo).
If you look around, you'll see that loads of people are willing to spend HUGE amounts of their attention on stuff they love. (I mean, have you been on AO3 lately? And we're just talking about free stuff, there. Lots of other people will do the same for traditionally published work, given the chance and the money.) Your job is to get on with writing, start putting what you're doing out there where people will have a chance to fall in love with it, and then deal with the consequences.
More of this next time. (And please bear with me, as I'm still not up to best operating speed after the last week's illness. I'll get to everything else you sent me, I promise.)
HTH!
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cafffine · 4 months
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my prof just explained on the syllabus that he’s included more points in the class than we needed to pass, so we could skip up like?? 20 small assignments/quizzes/participation!! and still get a very high grade!!
the idea was that we could focus on assignments that played to our strengths - only do the participation stuff if we like to talk out loud - only do the quizzes/readings if we want to do the class remotely - only do online discussions if we like to talk and share opinions but struggle with anxiety in class ect.
and that’s cool enough but then he pulled up DnD character sheets with drawings he’d done of these hypothetical student player classes and how our various accessibility needs could be gamified to ‘max out’ different aspects of the class to get high grades and like!!!!!
hell yeah!!!! let’s treat accessibility in higher education not just as a necessity but as the fun, engaging, and creative aspect of learning that it is!!! I love this!!
EDIT: For proper credit or further questions about his system please find my professor on twitter @/kurtishanlon
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egberts · 6 months
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and this is why when i told some teenagers they could have as much as they want and they took half the bowl i didn't get mad. teens are still kids too and some of them are more childish than others, some of them want to go have fun and get free candy too. i was a trick or treating teen! i was a poor teen that wanted free candy! i really looked forward to trick or treating every year! thankfully i had a young brother to help but my point still stands. if you're giving fucking candy away for free why does it matter if it goes to a 9 year old or a 16 year old?
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crayonurchin · 4 months
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First art of the new year is all about re-structuring your internal monologue.
In my early 20s I was working full time in London with many social commitments and a variety of hustles and side projects.
In my later mid 20s I cater to many sensory and social drain needs I have and indulge in special interests while respecting my lower energy reserves and celebrating my different way of processing the world.
Did I get more autistic? Nah. I got less fake.
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[Art description: Three panels showing figures on a black background. Long descriptions follow.
1. A drawing of OP as a person with hip-length hair and a dress standing sadly with her hands clapsed together in front of her. She is coloured a muted rainbow gradient. Behind her, two pairs of nondescript figures chat while smiling. White text says, ‘I’m getting more and more autistic the older I get.’ 2. OP’s colours are brighter, and her expression looks happier. Crayon-like scribbles have crossed out the text from the previous panel. 3. OP’s colours are vibrant, and she balances on one leg and throws her arms out as she dances. The text above has changed to say, ‘I’m becoming more and more myself the older I get.’ \End descriptions]
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nell0-0 · 3 months
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I am totally in love with your design for young Link/Mask it's adorable and full of mischief. Your Hyrule Warriors comics are amazing. I know this isn't an ask but thank you!
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Mask being a little shit is like, my favorite thing ever. Warriors is so confused. The fact Mask is not technically lying, tho-
Glad you like them! Dw about proper asks or whatever, I love getting these, so ty!
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metamatronic · 4 months
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Okay, but did Mike get the message?
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no he did not—he’s dense as bricks sometimes. continuation of this.
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kabukiaku · 5 months
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when u accidentally kiss ur bandmate during a show (the feelings were too strong)
bonus:
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gambeque · 5 months
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updated my spidaman oc
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achillean-knight · 4 months
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Part 1 - Part 2 Here you go, the final part. This is for you, Anon's who requested the continuation of this JKHGDSHGS
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saucywendeee · 1 year
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💀❤️💀
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semisolidmind · 12 days
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if you must know what's keeping from drawing fanart:
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(one of my self assigned projects for this semester was to make a series of alternate reality magazine covers. i figured a slasher version of sp/orts illustrated would go over well, haha. made two versions cause i liked both poses too much)
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creepysmiles · 8 months
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Another Ben drawing to add to the collection-
So Ben brained recently
IN OTHER NEWS my iPad is fixed and I am in the process of answering asks!
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hypogryffin · 22 days
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Thoughts on Akesumi?
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not my cup of tea romantically but i do love their platonic dynamic
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nell0-0 · 19 days
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*EATS YOUR HYRULE WARRIORS ART* /pos very good food thank u thank u :D
Also, you got any silly stuff about Wind or is he just Vibin™️ ?
Glad you like it! There will be more, I assure you (brainrot demands it)
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Wind is very much around, but he's also just vibing by being an absolute menace of a big brother. Mask is not amused.
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And later, Time isn't either.
There's more stuff with Wind/Tune in "time travel shenanigans" here:
1 2 3 4
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cozylittleartblog · 1 year
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hey. hey anon? youa re. so right,
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temeyes · 23 days
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banging fists on table NIKTO
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SHASHAHS WHY HE'S SO HARD TO DRAW,,,,,??
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