#mostly because this is definitely on the list of. funniest things that are wrong with me. like. who has this problem

[nyoomfruits]

ok ok ok now we neeeeeed a list of dutch pet names from you pls pls pls

little disclaimer beforehand that this is based on my experience/opinions/knowledge and therefor there's probably going to be dutchies that disagree with me BUT hey ho lets go i guess

also!!! babe/baby is actually VERY commonly used in dutch. i think babe takes up 50% of my pet name usage for my own boyfriend. excluded it from the list because its not technically a dutch pet name but still good to keep in mind i think

(putting most of these below a cut because this DID get out of hand and i am sorry. also lit = literal translation)

schat/schatje lit; treassure.

i don't have to elaborate i think we ALL know this one, dutch or not.

lieverd (sometimes shortened to lief or lieffie) lit; love (as in the english pet name).

very popular but also very commonly used by parents to adress their kids, like this is a very general pet name, not necessarily purely romantic

mop/moppie lit; there's not literal translation for this actually. google translate translates it to honey but i dont think that really covers the VIBES if you know what i mean.

according to this research by a dutch radio station this is the second most popular dutch pet name. i'm going to keep it short by saying that if my bf ever called me this i would break up with him.

poepie lit; poopy.

i wish i was joking. have never heard anyone use it in a serious context and i hope i never will.

engel lit; angel

one of my personal faves, it's not as overused as it's english counterpart sometimes is. idk it short its sweet and it doesn't want to make me fling myself off a building so for those reasons it gets a win in my books.

prins/prinsess lit; prince, princess

my mom still calls my dad prins so i'm VERY biased but i think it's cute :))))

spetter lit; splash of water

used to call someone attractive. very fun like truly we don't use this enough. google translate translated it to hot stuff which i think has the same vibes

lekker ding lit; tasty thing

also used to call someone hot. mentioned this yesterday and someone tagged it 'it's cute if said by someone you know and makes you want to commit murder if its someone you don't know' and i think that covers it rlly well lmao. mostly used jokingly as a pet name i'd say.

scheetje lit; fart

once again not kidding what is WRONG with this country

borrelnootje lit; cocktail nut

honorary mention to this one because i found it in a list of pet names and lost my fucking SHIT this is the FUNNIEST fucking pet name ever calling my boyfriend this forever now

--

anyway this is definitely not all but these are some of the common ones i think????

#lestappen #tagging this lestappen in case people want to use some of these absolute BANGERS in fanfic #highly recommend lekker ding or spetter

[jennagrinsoverml]

I've been through your rec lists already, do you have any more funny stupid ladrien recs? Or in general?

Usually I don’t revisit lists that I’ve already made, but I haven’t recced ladrien in a while and I love them and I do, in fact, have a couple of other fics in mind! Not all of these are funny, especially because I find that the ladrien pool of fics is already on the smaller side, but hopefully you still enjoy these!

(I have, of course, previously recced ladrien: hidden gems ladrien and funny ladrien and ladrien fake masks and flirty Ladybug/Marinette (which featured a lot of ladrien))

Bedroom Talk: The Awkward Edition by @botherkupo

“Do you want to come in?” Adrien had blurted. Yeah. He should have kept his mouth shut.

One-shot. These two are so crazy for each other, and I do mean crazy. Watching them bumbling around like two awkward, enamoured beans was so much fun. I seriously cackled through the whole thing.

identity crisis by @e-milieeee​

Chat Noir discovers that despite wearing a supersuit, it’s still possible to get a concussion. He also discovers that after hitting your head hard enough, it’s practically impossible to keep a secret identity.

Ladybug is not sure what to make of concussed-Chat-Noir, who is either suffering an identity crisis and thinks himself to be Adrien Agreste, or is Adrien Agreste.

The first option seems more believable.

One-shot. (This is actually part two of a loosely connected series, but it can be read as a standalone.) This one is so well done with the way Ladybug’s distracted thoughts are interwoven with the akuma battle. But more importantly, these two are just SO DUMB. (Though at least Chat has the excuse that he’s concussed haha)

œuf ouch owie by @ominousunflower 

Chat Noir enlists Rena Rouge's help to create an Aspik illusion. Absolutely nothing goes wrong.

Ladybug smiles. “I wanted to drop by and welcome Aspik. I know it must be a little intimidating, being surrounded by so many veteran heroes…so, welcome! We’re glad to have you on board.”

“I look like an egg!” Aspik announces, T-posing.

Chat turns to Rena, feeling like he has been punched in the solar plexus. What the hell? he mouths.

Rena grimaces, her eyes wide with panic. Stomach sinking, Chat remembers one of the first things he learned about the Fox Miraculous: that if Rena Rouge isn’t focused, her illusions go haywire.

Oh, no.

One-shot. This isn’t ENTIRELY ladrien, but it definitely hints at Ladybug’s feelings for Adrien and illusion!Aspik makes some comments about his feelings for Ladybug. Mostly I’m reccing it because it’s hands down the FUNNIEST fic in the entire fandom asdfghjkl like I have read this fic at least 50 times and I still laugh out loud every single time. If you have somehow failed to read this fic before, read it now. You won’t regret it!

Resolution by @thelibraryloser​

Ladrien: New Year's Eve Resolutions and also... another Ladrien specific bonus trope which is a surprise and I will give you a hint: it isn't gratuitous blushing

One-shot. Yes, it’s a seasonal fic, but don’t let that stop you! Besides, I think we’re close enough to the holidays now to break out the seasonal fics! (Real talk: I never stopped.) This fic is so lovely. I love all the little reminders of how well Adrien knows Ladybug, and then oh my gosh there’s so much YEARNING here. The dynamic between these two is so perfectly done with all of the little hints that Adrien’s feelings are requited, even as he thinks it must be wishful thinking, and then that ending 😍😍😍 This fic hasn’t gotten nearly as much love as it deserves, please read it!!

Hold Me Close by @ck2k18

Alya has a plan to get Marinette and Adrien together, and the result is Adrien is spending a lot more time in Ladybugs arms. But what happens when an akuma shatters the illusion?

One-shot. OMG the premise is so ridiculous and these two three are so stupid and I love them so much!! Alya is the wingwoman to end all wingwomen, Ladybug came around awfully fast, and Adrien is just living his dream! Seriously, this is so cute and funny!

scales and steps by @settledownsummer

Adrien left something behind while running from an Akuma. Ladybug has a five-step plan to return it to him.

One-shot. This is adorable. For once one of Marinette’s plans re Adrien actually works! It’s so cute being in her head as she works her way through her plan, and Adrien, of course, is super responsive, and the whole thing is just so sweet and pure.

Sleepless in Paris by @2manyfandoms2count

Adrien receives a relationship-threatening text from Ladybug. A sleepless night later, his overthinking is bad. Thankfully Ladybug comes over and puts him out of his misery.

Or, Adrien is a drama queen (affectionate).

One-shot. This one starts a little sad with Adrien freaking out over the text from Ladybug and while we all know he’s being stupid, I still felt for him! And then it just leads into utter ridiculousness that makes me so happy with a nice happy ending.

Operation Marichat by @coffeebanana​

When the news gets out that Ladybug and Adrien are an item, Alya and Nino make it their life's mission to comfort Marinette. Because obviously she'd be sad that Adrien's off the market, right? (Never mind the fact that Alya knows exactly who's underneath Ladybug's mask.)

And if Nino's plan to cheer up Marinette involves setting her up with Chat Noir...what could possibly go wrong with that?

One-shot. This one is just so much fun! EVERYONE is stupid and meddling and asdfghjkl Just FANTASTIC shenanigans and the whole thing is hilarious and the identity reveal is awesome.

#ml #miraculous ladybug #ml fic rec #ml fanfic #ml love square #ladrien #ml fic recs #jennarecsml

[johnandrasjaqobis]

Okay I don't know your current batch of characters, so from the super detailed character questions list: 15,22,31 for whoever would provide the funniest or most interesting answers.

15. Are they good at cooking? Do they enjoy it? What do others think of their cooking?

out of the space kids i think April is the best cook, but mostly because she had the right mixture of a wide variety of things to cook and the time to practice. It's definitely a relaxing thing, not one she gets a lot of opportunity to do on the base.

Vic is. not great. at anything besides what you can make on a campfire in the middle of the mountains. He can, at the very least, make the regular rations not as immensely boring, given the time, but he's lost in a full kitchen. Definitely something he works at learning now that there is. plenty of time to do so. But he also has to figure out what he was allergic to in Pride's Call. Jack conversely is a genuinely excellent cook, once he knows the layout of the kitchen. He's not great to cook with, somewhat ironically, because people initially tend to assume he'd want help and are incredibly wrong about that. His specialty is fish (and he's incredibly picky about the quality of said fish) and it's gotten to the point that he's kind of the designated cook at the house. He'll take requests to an extent but also dear gods why would you do it like that, no look there's a much better way, give me twenty minutes --

22. What are their favourite insults to use? What do they insult people for? Or do they prefer to bitch behind someone’s back?

Murphy for the most part is immensely polite and professional to everyone. Until they leave. And then it's immediate muttering of sun-scorched morons, trying to teach me how to do my own fucking job and then instant professionalism slapped on again for the next one. (Nathic insults have a lot about the sun they are. not fans) similarly April being the epitome of Technically Royalty is very adept at the political passive aggression and excellent at maintaining nothing but the epitome of cordiality until the person is walking away, at which point it's the gritted teeth grinning and go sit on a beach, buddy Ilharess (now Rika) is kind of the opposite in that she knows how to be very politically polite and follow noble proprieties and actively chooses not to, much to the chagrin of...almost everyone else. Three lifetimes have given her a very wide range of insults in multiple languages and sometimes it's as simple as I am a Light-chosen motherfucking Zolaed and I can end you (always at least a tiny bit funny coming from this little goblin lady)

31. Do they drink? What are they like drunk? What are they like hungover? How do they act when other people are drunk or hungover? Kind or teasing?

Joseph is the first to come to mind because practically every version of him at least starts out never drinking. He's fine hanging out with friends who are, he'll make sure no one is too stupid about it, but he's got his own hangups and is happy to act as the one sober guy keeping Nate from getting into a bar fight. Absolutely will give people shit for being hungover, though, every time. Vic doesn't drink often at all; he's got the lingering paranoia of letting anything make him slower or less able to keep an eye on things. The few times he does he is a very...contemplative drunk, a lot of staring into middle distance and coming to very abrupt revelations that vary in their validity. Most of the time he's the one making sure people get to bed safely, making sure they have at least some water, using the knowledge that he can be a genuinely intimidating presence to keep the creeps at bay Jarek I feel is an immense lightweight. He considers it an advantage because it's effectively much cheaper to get drunk when he does want to. There has been one (1) time he went drinking with friends on a station that had somewhat lower gravity and still cites that as an "I nearly died" experience because he will attempt to go around and talk to Everyone about Something and the low gs threw off the already terrible balance with every step. His boyfriend cherishes the bits of video he got of that ordeal. The hangover period is just locked in a very dark room in sub-human state with nothing but vague grumbling until the pain killers kick in.

#thank u friend it was entertaining running through the long list of characters #i miss the space kids they're such a funny group

[paintball169]

Bio Dad Bruce Wayne Month 2021!

Day 2 - Family

Day1 - Day2 - Day3

Marinette Wayne was the baby of the Family. She loved her brothers to no end.

Maybe a little more because they treated her as the baby.

Being the youngest had both its advantages and disadvantages. On one hand they listened to her every demand. On the contrary they were over protective.

Being the youngest also had other perks. No one could ever say to Marinette. Growing up Marinette was given lots of love by her older siblings. She got everything. She always loved the attention her crazily big family paid her. Don’t get her wrong, She loved her family a lots.

They gave her everything she asked. All she had to do was ask.

A ride in the Batmobile. Done. Modelling her clothes. Done. A baby Tiger. Also done. But mostly Marinette enjoyed spending time with her crazy family.

She loved the gifts and all, But the most? It was spending time together.

Playing pranks, Making gifts for each other, Game nights, Cooking nights.

Yeah those were definitely her most fond moments.

Her father and Siblings tried not to blow up the kitchen. That was something straight out of the funny TV shows for Baby marinette. She always loved her brothers and father trying to cook, and later accidentally blowing up the Kitchen. That was the funniest part. She would fall down laughing while clutching her stomach every single time.

Don’t blame her, Her family managed to do the most impossible things. Setting water on fire, Blowing up an egg in the microwave, Her father couldn’t even make coffee!

And that was funny itself. Marinette loved sitting on a chair and watching her Dad trying to make sense of the Coffee maker. Everytime she ended up laughing out loud.

She also loved doing the trapeze with Dick. Playing pranks on everyone with Jay. Trying to stay up all night with Tim. Walking Titus with Damian. Dancing with Cass. Doing ridiculous things with Stephanie. Watching Babs help through the Comms. Baking with Alfred too.

Also there was another thing she loved the most. Going to WE with her Dad. The Employees were made to sign NDA’s so her Identity wouldn’t get out. Many times she got bored in Dad’s meetings. So she ended up talking to one of the employees while they worked. Marinette was curious about business. So she often ended up with her bombarding a person with Queries. At the end of the Day, her dad would realize she wasn’t with him. That ended with him panicking and announcing on the huge microphones in WE. She enjoyed scaring the shit out of her Dad.

So when it was time to stay with her mother. Everyone ended up crying. Marinette was confused and sad. Did heer family not love her anymore? Did they hate her now? What about Jay-Jay? And Dami? Sure he was four years older than her, but he loved her, Right? She pulled her father’s coat and timidly asked

“Do you all hate me now? Is that why you're sending me away?”

Gasps were heard among many. “No darling, we don't, we love you lots. But your mother gave birth to you right? Don’t you think she wants to meet you too? You can still visit every summer and winter break.We won't miss a single christmas without you. I promise we’ll all call you daily!” Her father says. Yes, that makes sense. She should thank the lady for giving birth to her. Maybe the lady wants to know what she looks like.

“Pinky Promise?”

“Pinky Promise.”

And the promise was kept. Every Summer she ended up with new memories. She also got to thank the lady who gave birth to her. She was her Maman now. And there was Papa too! Marinette hopes that her Dad finds her another Mom! Then she would get to keep two Moms and two Dads! One will always be her Dad, Bruce. Second will be her Maman. Third, her Papa Tom. And fourth her Mom or another lady her Dad finds.

Marinette loved her new life too!! She also missed her Brothers and Sisters and the craziness they brought. She loved cooking with her Maman. Also she loved Baking with Papa. She also had a two year old sister Bridgette! She looked just like her! Now she has a small Sibling. It’ll be just like her and Damian!

Marinette made a lot of friends. Bonded with her sister. Also Introduced her to her Dad!

She had such good friends! She also became a superhero. Her both families knew about that. But all that changed one day. Why? The one and only Lila Rossi.

She took all of Marinette’s friends. Except Chloe, Kagami, Luka and Nathaniel. Chloe is dating Nathaniel. And Kagami is dating Luka. She also has a boyfriend, Jon kent. She started dating him Last year. Her family knew about Lila. So did Bridgette. She always called Lila a Witch.

This year she won't be going to Gotham to visit her family! They will be coming here! She was Psyched. Now Bridgette could meet them in person! She and Bridgette were currently sitting in Le Grand Paris waiting for the Waynes. Her Class was also going to be there. Instead they will be talking with Mr.Agreste. Oh Boy, She was going to enjoy this.

As she was thinking about what her family brought her, They said it was a surprise. They even got Bridgette one! Bridgette wanted to become a Cop, Just like Dick. She wondered if that was related. Maybe a famous cop’s autograph. Ooh maybe Commissioner Gordon’s.He was her role model after all! As she was soaked in her thoughts she missed the group of men wearing suits. Everyone’s Jaw Dropped. Aurore started filming. Her train of thoughts were cut off when she fell down from weight. She looked to see it was Jason Todd.

“Ouch Jay-Jay! Get off!” Marinette shouts. “What? Am I not allowed to hug my Baby Sister anymore?” He asks with fake hurt. “Of course you can! But seriously you are jumping on me!”Marinette Retorts. Then she’s under a dog pile. “I’m gonna join the pile too!!” Bridgette and Damian shout. “Boys get off your sister!” This earns a lot of Gasps. “Thanks Dad, I missed you.” Marinette then hugs her father. “Missed you too.”

“Hey Bridgette, nice to meet you formally!” While the waynes are absorbed in their conversation they miss a class with a teacher and principal coming in and taking a seat. Mr.Agreste is here in person.

“Aren’t those the Waynes? Why are they sitting with Mari-trash?” Lila asks getting a lot of Gasps. “Lets go talk to them, they will make an excellent Buissniess partner.”Mr.Agreste says to Adrien, getting a nod in return. Everyone follows them. The first thing they here is

“-A whole fabric shop for me? Thank you!” Marinette says hugging her Father.

“Is this Commissioner Gordon’s Autograph? That’s so cool!” Bridgette says.

“Mr. Wayne! A surprise seeing you here!” The Waynes turn to see Gabriel.

“Hello Gabriel. A surprise indeed.” Bruce answers smoothly.

“If you don’t mind, What are you doing here?” Gabriel asks.

“Oh, I decided that this year I should visit my daughter in Paris, Instead of the other way around,” Bruce says Patting Marinette’s head.

“She’s your daughter? She has quite a lot of potentiel Mr.Wayne.” Gabriel says Surprised.

“Right? She’s MW! Marinette Wayne!” Bruce exclaimed. Everyone Gasps.

“Oh?I’m glad our kids are such good friends.” Gabriel says fuming to the fact she’s on the top of the Designers list. To his surprise Mr.Wayne Scoffs.

“Good friends? Good Friends? These children bully my daughter on claims of a liar! Your son knows the truth, Yet he let’s kids bully my Daughter!On what note are they Good Friends?” Bruce Fumes. Everyone pales.

“I apologise, I had no idea.” Gabriel says.

“Not your fault. You should pay more attention to your son. Like even I’m a lot of busy. I still make time for my family. Although I'll still be pressing charges against the class and School.”

That’s how Lila’s Reign ended. She loved her Family no matter how much Chaotic they were. Yes she loved them lots.

@maribat-bdbwm

#mbdbwm2021 #Bio Dad Bruce Wayne #maribat #Bio!dadbrucewayne2021

[bokashi]

Legit My Favorite Fics of All Time Holy Shit (Haikyuu)

I'll organize it by ship and try to include some details. I have a massive, well-organized folder of fics (probably over 100 fics jeez), but these are my favorites, the ones I've reread the most, or have taken up a lot of my headspace. Enjoy. :)

Bokuaka <3

Rules - ConesOfDunshire - Explicit, AU: Musician Autistic Bokuto, Accountant Akaashi - A bokuaka classic and probably my favorite Haikyuu fic of all time. Truly my favorite (top 3 at the very least). It's such a lovely story with minimal angst and a frick ton of fluff, and we get to watch as these two beautiful boys fall in love with each other. Well worth the read.

This Smacks of Rainbows - darkgaaraluver - Teen, AU: soulmates, still volleyball players at fukurodani, pre-canon, reincarnation - I love reading stories from Akaashi's perspective because he is a poetry gay and so we get the most beautiful language when describing Bokuto. There is so much pining and angst in this it hurts. Truly, this fic causes pain, but the comfort that follows is so sweet, that it makes it worth it. I reread this one at least 5 times after first discovering it.

like patience on a monument - titanscrow - Teen, Canon Compliant, slow-burn - Literally just read this one. That's how good it is. I already KNOW that this will be on my list. As the author says in the notes, they're allergic to sadness, so although this is a slow burn, there isn't a lot of angst in my opinion. Seeing Bokuto from Akaashi's eyes is once again, one of the most beautiful things, but we also get peeks at how Bokuto views Akaashi and that's honestly what changed this story from really good to an absolute favorite. (Note: it's all from Akaashi's POV, but when you get there, you'll know what I mean.) The author also came out with a new bokuaka fic (~5000 words) and I am IN LOVE WITH IT. So please read that too!

O-week is Wild - KnottyRoses - Teen, AU: College, FLUFF, COMFORT, BEAUTY, GRACE - This is my comfort fic. Feeling down? Read this because your mood will be lifted. We follow bokuaka during O-week (a Canadian term, but basically college/uni orientation). Bokuto is such a sweetheart. Characterization may be a little off (for Akaashi moreso), but I truly dream that this is how their personalities would develop in this universe, so it doesn't matter!!

polaris - ClementineKitten - Teen, AU: reincarnation, pining - Honestly what really gets me about this fic is Fates' little mentions of their previous lives. I love watching these boys fall in love through snippets and this is the perfect fic for that.

how you wish it would be all the time - drifting_i - General, Slow burn, post-time skip, "domestic bliss" - I think about this fic all the time. It hits me when I least expect it. Personally, I love the idea of Bokuto and Akaashi keeping in contact and seeing each other when they can, and this fic is an amazing example of that. And really, it is so freaking well written. I fell in love with this story and I hope you do to.

Iwaoi

Six-Month Lover - afuzzyowl - Explicit, pining, fluff and angst (a lovely combo, but if you're afraid of angst, it's not that bad!) - This one is so cute, and it's from an alternating POV, which is always nice with longer fics. It's particularly lovely because we get to watch Iwa fall for Oikawa (and using the best metaphor to justify it, a door opens—I realize now that sounds like a flattykawa joke, but I really just like that metaphor). But anyways, the way Hajime falls is soft and beautiful and it makes me believe in good things?! I just love it.

I sure hope that guy gets fired - Xov - Teen, time loop, pining, pre-time skip - This is another fic that is in my top 3. Truly, one of the best. *chef's kiss* I'm a sucker for fics with supernatural elements (body swap, etc.). We once again watch Iwa fall in love (are you sensing a pattern), and his POV is so wonderful. It's so well written and feels in character. Watching the relationship between Oikawa and Iwa bloom makes my heart swell. Please, please read this one.

and suddenly, we were strangers - izayas - Teen, angst with happy ending, amnesia, canon divergence, time skip - This made me cry for so many reasons. It's a rollercoaster of feelings and although the angst is there, iwaoi are still pretty much together, so it doesn't always feel like angst, it just feels like a speedbump on their road to happiness. And it diverges from the other two: this time we watch Oikawa fall in love, although for very different reasons! :) :(

you'd be happier instead if you stayed in [my] bed // sometimes b sides are the best songs - ClementineKitten + overwhelmingly_awesome - Mature, time skip, angst (up the wazoo), alcohol, pining, infidelity (iwa has a fiance) - CRAP! I love this one!! I think this is the last of the top 3. It's a two-parter, links included for both parts. We return to formula with Iwa being behind on the whole feelings thing (what's new). And it hurts and it heals? This fic is truly hurt/comfort for the soul. And also shockingly rational, which is often unusual in Iwaoi fics. They approach situations like adults (mostly... cheating is wrong straight up, so that's immature). If you're looking for adult Hajime and Tooru, I'm pleased to say that this feels like two adults figuring out a tough situation patiently. That's just one way to sell this wonderful fic, I could go on... But I won't...

lips like sugar - ohhotlamb - Teen, first kiss, canon compliant, (1 teeny tiny boner), kissing practice - YES! I shall include 1 kissing practice fic, it would be rude not to! No more elaboration because it's short enough for you to enjoy on your own!! And it's KISSING PRACTICE, come on, why are you still here, GO READ THIS FIC!

Matsuhana

聞けよ [Ask] - AshenBee - Teen, slow burn, time skip, quarter-life crisis (lol relatable tag), unemployed hanamaki <3 - What a beautiful story... I love Matsuhana content. We get little snippets of these boys just trying to figure out life and it's wonderful. LOTS of pining. Hanamaki moves in with Matsukawa for a bit. I don't even know how to sell this fic because it kind of sells itself. It's a character study of Hanamaki and as a young adult going through similar quarter-life crises, it's relatable and helps to deal with those feelings.

call me maybe - totooru - Teen, partially a text fic (not all of it, lots of writing), HUMOR, fluff, AU where Mattsun goes to Karasuno - Let me tell you this is straight up the funniest fic I've read. I cackled out loud so many times. It's insane. I'm an easy laugh, so maybe that says something, but either way, if you need something to lift you up, this is a greater fic for it. No angst, just prolonging the inevitable, and two boys who basically fell for each other right off the bat. A dynamic duo truly.

Miya Atsumu & Osamu (BIG BIG SPOILERS FOR THE FIC IN THIS DESCRIPTION, JUST BEWARE IF YOU WANT TO GO IN BLIND)

for just another day - sieges - General, canon divergence, photography, BIG SPOILER BUT I DON'T WANT TO SEND PEOPLE IN BLIND BECAUSE IT MIGHT WRECK YOU: major character death - This fic holds a special place in my heart for many reasons, but mostly because I lost my brother a little over a year ago. Completely different from this situation, but nonetheless, incredibly difficult. I 100% sobbed reading this fic. And it really helped me unpack a new part of my grief and my relationship with my brother. I really love what this story did with handling the death of a sibling, not sure if the author went through something like this, but it felt very real to me. (And now all I crave is Miya twins angst...) Also, I swear there's some form of closure. It's not terribly sad! It obviously deals with heavy topics, but at least for me, it felt like being wrapped up in a blanket and being told that everything will be okay.

I try to avoid sadness and angst at all costs (that one bokuaka fic that shall go unnamed really did a number on my grieving ass, so I can't handle anything like that anymore—it was so bad that I had to unpack it in therapy, jeez...). Most of these fics have mild angst or a lot of fluff to make up for heavy angst. There are definitely a lot of angst fics that I have saved, but obviously, that's not always my favorite brand for shipping (I just want everyone to be happy most of the time). Let me know if you read/have read any of these, I'm always up for discussion. :)

#fic recommendation #haikyuu #bokuaka #iwaoi #matsuhana #miya twins #atsumu #osamu #haikyuu!! #fics

[bellamyroselia]

Who could replace Hades as the new big bad? Overly long essay

Like pretty much everyone else in this fandom, I love Hades. Guy’s your typical pure evil villain with a personality larger than life itself and he’s having so much fun with it that it’s contagious. Every time he pops up, I’m delighted to see him. It’s so fun to see him do his shtick and have the time of his life with it, which also makes beating him feel so great. After all the crap he has put the main cast through, it’s so satisfying to blast him into the face because for a moment that confidence finally breaks and once it's all over, people cheer because they don’t have to live in horrible fear for a while at least. This characterization is mostly rooted on the sheer fear factor Hades had in the eyes of ancient people - even in civilizations which have rather chipper afterlife people tended to prefer living over dying, and this of course meant that they were absolutely terrified of the Underworld deities. Hades was mostly addressed by epithets in texts because people thought that if they called him by his name, they were drawing his attention and the last thing a sane person wants is the attention of an powerful god who has power over the dead. So if a god has this level of appeal, be it positive or negative, you may not even need excessive amount of mythological content to create a frame for a character!

This being said, I don’t believe his chances of coming back are as the big bad of a next game are high - that is unless we have to wait another 15-20 years to get a new game, but I’d like to be more hopeful than that. So if he isn’t coming back, who could possibly replace him as the new big bad of Kid Icarus? It’s not like the writers could ever run out of source material because there’s so many monsters to deal with and every god is more or less morally grey, meaning that there’s many possibilities for new bad guys regardless of the scale.

This took a lot longer than I originally expected and I’m sorry for that - there’s no worse idea than to jump into a rabbit hole and bringing a shovel with you because things will quickly spiral out of control into new interesting directions. The more info I gathered, the more interested I was on looking more into it and sometimes it even spiraled out of mythology into history and philosophy. If you’re interested on some specific reasons for why this took so long, here’s few: myths are long and there’s many different versions of them, epics are even longer, Peloponnese people couldn’t be bothered to write their own things down so I had to look what travelers wrote down, it takes Plato way too long to get into the point, Herodotus never gets into the point, someone translated the term metic as resident alien of all things which I thought was the funniest thing ever and Ludovisi Ares is really pretty.

This is the point where I give the obligatory warnings, so here - since I'm discussing mythology here, it's inevitable that there's some talk about violence and death. I'm not going to linger on the gruesome details, but know that it's there. At couple points this will spiral into a full-on history lesson because I thought that understanding the historical context was important regarding the topic I was discussing. Also this is a one long essay - and by long, I mean really, really long. If you want to read it all at one sitting, prepare some time for yourself. But with that all out of the way, let’s jump straight into the discussion on who could be the next possible big bad, shall we?

I’m limiting this mostly to the main 12 Olympians with the addition of some other big names to keep things simple - while some smaller mythological figures such as Arachne or Arke would work fantastically as villains, they don’t have that recognition or presentation the more well known characters have. We’re trying to speculate who could fill Hades’ shoes as the new main bad guy here after all, not who we could add on the list of great yet less significant antagonists like Medusa, Pandora and Thanatos. I’m excluding Zeus, Athena, Hephaestus and Demeter from this list for rather obvious reasons - Zeus because the the guy seems to be MIA for good so Palutena could rule the place, Athena and Hephaestus because Palutena and Dyntos practically are them and Demeter because Viridi pretty much is Mycenaean Demeter on steroids in a package way too small to contain all that anger within. I also don’t think her relationship with Pit and Palutena will change drastically, so she’s sitting comfortably on her friendenemy-zone.

As for already existing characters, I don’t think anyone of them could snatch the title of the big bad. Viridi is off the competition for already mentioned reasons and I don’t see anyone from Forces of Nature defecting to become the new main villain. Pyrrhon is either gone for good or went back to whatever is this world’s equivalent of Egypt to lick his wounds, so I don’t think he’s coming back anytime soon - and if he’s coming, I don’t think he’s coming back as a main bad guy since he really wasn’t one to begin with. Thanatos’ only major mythological appearance is the myth of Sisyphus capturing death which doesn’t exactly strike confidence on his abilities in general and if that version of Thanatos couldn’t do his job correctly when meeting one guy too stubborn to die, do you really think that I believe our Thanatos has any chances of becoming the new big bad? Bringing back Medusa would be beating a dead horse at this point unless they really twist the formula and I don’t think that’s going to happen, so Medusa is off the competition. Pandora wasn’t all that big of a threat to begin with, so if she comes back she most likely stays that way. So it’s definitely going to be a new character, but who could it be?

As for who for sure can’t replace Hades as the new main bad, it’s Hestia. She probably has the lowest chance of any big Greek god to even appear in a possible future Kid Icarus game simply because there’s next to no material of her and that’s for a good reason. She was the goddess of hearth, domesticity, family, home and state. Most of these were and still are considered private, so that explains why there’s very little material of Hestia actually doing anything - we don’t write epic poetry about cleaning the house, making a macaroni casserole for dinner or going to bathroom and so didn’t the ancient people. With Hestia, you’re dealing with the bare bones of a character because she’s so passive and non-confrontational figure. It would be hard to make her a central figure in any kind of plot, especially for a one centered around action, so she’s out.

Hermes is also a figure I don’t think would work as a big bad or as an antagonist in general and I don’t really have any concrete reasons for why I think so. I just feel that he would be unfit for the role. He’s a trickster who started his shenanigans on the day he was born and the rest is mythology - by cunning escapades and underdog tactics he became the messenger of gods and from that point onward he kept collecting even more jobs such as becoming the god of merchants, shepherds and thieves, being a psychopomp, guiding dreams and helping heroes whenever he felt like it. He has a lot of going on but he’s always regarded as someone who knows all the tricks and isn’t afraid to use them, not all bad for a guy whose name was derived from a word meaning a pile of rocks.

As for why I think Hermes would make an terrible antagonist is mostly because of his status as the god of thieves and how it’s pretty much the easiest way to turn him into an antagonist. The thing here is that I just can’t stand antagonists whose main thing is that they’re amazing thieves and/or tricksters in games. While I think they can be enjoyable in other forms of media if they’re written on a smart way, in games this is almost never the case because gameplay and story don’t always match perfectly and writers need to use cheap tactics to make the character work - and by cheap I mean either A.I stands for artificial incompetence and the character is simply bad at being a thief/trickster despite all the characters and lore saying otherwise or that the game just starts cheating against the player to make them feel dumb even though they did nothing wrong. Thieves and tricksters are just really hard to balance in a game when it’s not the player character doing the deceiving. That perfect sweet spot for a great character is too goddamn tiny and if the thief/trickster isn’t exactly in there, you have an annoying character either because they’re incompetent at their job or because computer is a cheating bastard. So while there’s many enjoyable antagonists who share traits with Hermes, combine them all into a one character with the problems I already mentioned and most of the time you have a figure everybody hates due to how infuriating they’re to deal with. We’re trying to make people interested of going on and seeing what happens next here, not trying to annoy them to the point where they can just drop the game and never pick it up again. As for another reason I don’t think Hermes would work all that well as an antagonist is because his whole shtick is that despite his incredible powers, he still manages to be an underdog. Needless to say, the way underdogs are represented in media is vastly different from the way major antagonists are and while it can work, it’s hard to pull off. And of course there’s the thing of Hermes being portrayed almost always as a positive figure in myths, meaning that I and many others have a hard time imagining him as a bad guy. At his most evil we imagine Hermes doing stuff such as saying to his nephew that grandpa equals target practice, not anything that could threaten the world. Though if Hermes is included into the cast of a future game, I can image him having a theme that sounds similar to the BW rival theme for some reason. It has that I’m a one chipper fella but I’m also extremely busy right now so goodbye for a moment, see you soon-energy in it that I associate with Hermes.

As for what kind of role Hermes could be playing, he could work rather well as a quick cameo like Poseidon was in KI:U, where he offers help in some form. If one wants to go deeper into it, he could possibly run some service since he was the god of merchants and trade as well - though if one want to involve the fact of him being the god of thieves in addition to previously mentioned things, make him an occasional scammer because that’s what one would expect from a trickster. Or have him as a boss in a training gauntlet. Works either way.

______

If Artemis was introduced into the series, I don’t think she would be antagonistic. I can totally see her having a cold personality and her being bit of a hard person to deal with, but I don’t see her being actively malicious character - only example of Artemis being overly cruel towards figures KI-characters seem to be based on would be her sending the Calydonian boar to cause chaos in Calydon. It’s interesting if you believe Magnus and Gaol are at least partially inspired by Meleager and Atalanta like I do, but I don’t think it’s enough to make Artemis an antagonist, much less the main villain so she’s off the competition. Not to say she isn't wrathful, I looked into it and her wrath far outnumbers her blessings, though it's rather messy at times and some of them even can't co-exist the ones about Orion and Callisto definitely can't but her wrath is divorced from the main KI-cast. You'd have to create new characters to excuse it and KI already has a rather large cast, so I don't think it would be all that wise to create new characters just for the sake of goddess cursing them for a plot line that's resolved in couple chapters. Maybe she’s just a cameo or possibly a boss in a training gauntlet.

Apollo would be an antagonist. I just don’t see any other way how he could be introduced into the series. He has potential to be a charismatic, funny and mostly harmless antagonist who isn’t there to cause any trouble, he just really hates Pit and only Pit. But why would he hate Pit? It’s not like the mythological Apollo dislikes Icarus or Perseus and that’s indeed true, but there’s one more thing. For a god who we associate with a celestial body mostly made out of hydrogen and helium, Apollo has extremely high levels of sodium chloride within him - which is to say that he has been salty starting from the moment Hermes robbed him that one time and that lake of salt inside him has only become larger ever since. That salt is directed at people he dislikes and while he doesn’t dislike Icarus or Perseus because he never met either of them, guess who he does dislike? Angel-like gods, or just Eros to be more specific.

The story goes that Apollo’s enormous ego took the better of him one day and so he started to mock his nephew for what he thought was mediocre use of the bow and arrow. Insulted Eros decided that Apollo had officially lost his uncle-license which led him to curse Apollo to have the worst love life imaginable, starting with Daphne. And as we all know Cupid is Roman version of Eros and Pit is named after Cupid, so this was hatred made in heaven and it would be disappointing to not use the opportunity when it has been given to us on a golden platter. And you don’t even have to come up with an detailed and intriguing story to explain why Apollo hates him - something could’ve very well happened during the three years Pit’s consciousness was in that ring. His body may have ruined Apollo’s chances to hit it off with people because it was destroying their cities or something similar. Or just leave it as a noodle incident that’s referenced multiple times, everyone wonders what the heck actually happened but only Apollo knows, refusing to tell the story because he just assumes that everyone already knows it and they’re just messing with him by pretending to not know. Either way, Apollo should be an antagonist if he’s featured in a sequel. Not a villain, definitely not the big bad but fun antagonist to deal with.

______

This is something that most of you probably already know or at least you would know if you’ve actually read something other than Ovid’s Metamorphoses, or as I like to call it Jaded man screams at Emperor Augustus because apparently telling the Roman citizens to go all out on every monument the prude ever built clearly wasn’t enough, please tell me you have but Medusa isn’t an only child. She’s in fact one of Phorcys and Ceto’s seven children, both of them being somewhat monstrous primordial ocean deities - Phorcys has been described as a merman with red skin and crab claws, Ceto’s name in the other hand just literally means sea monster. Besides Medusa and the two other gorgons Stheno and Euryale, the list of their children includes the graeae sisters, serpentine dragon Ladon and Echidna, which is quite a lot of snake monsters for two deities who themselves don’t have any snake traits. There’s a lot of potential in this group but ideas of any of them becoming the new big bad end up falling apart because just like Medusa, they’re all rather bland characters like you’d expect from a mythological monster. They’re less like characters and more like plot devices that the hero needs to deal with. The only two members of this family besides Medusa who actually get to do something of importance are Ladon and Echidna and even those acts aren’t all that interesting. Echidna gets to have her many monstrous children with Typhon and then she’s apparently is killed by Argus, Hera’s servant-giant while sleeping on a cave just like her sister. Ladon guarded the garden of Hesperides which was well known for its golden apples and he doesn’t get to die with much dignity either, since Heracles just shoots him in the back and literally the next day other Argonauts find nymphs looking at his still twitching body. Alternatively Heracles just tricks Titan Atlas to do all the apple picking, which leaves Ladon alive.

Possibly one of the biggest problems writers have to deal with is setting. Ladon is very strictly tied into the garden setting and Echidna was cave dweller who never left her home, so writers would have to come with rather specific situations for them to appear. Of course if one wants to be lazy, Underworld could possibly serve as their home. It could very well house caves big enough to house a snake monster and Greek Underworld does have Elysium, which is basically Paradise and it could very well also function as a garden. But honestly even with the right setting, I don’t think either of them would make all that interesting big bads. They would definitely work fantastically as large-scale villains, but they don’t really have that much intimidation factor all things considered - you can blame Argus and Heracles for that.

But I’m not done with this family yet as there’s one character connected to them who’s probably the most feared monster of all Greco-Roman mythology and that’s Typhon, Echidna’s mate. He’s essentially an ancient Greek equivalent of a kaiju, more a destructive force of nature than a monster and everyone fears him - and by everyone, I mean everyone. There’s couple of versions of what happens but the most popular one goes that when the gods saw him, their first instinct was to shapeshift into animals and flee into Egypt. Those who did stay behind such as Hades were said to cover in fear in their homes while Typhon ravaged the land. Zeus tried to fight him but when he went for the kill, Typhon caught him and cut off his sinews, then threw him into a cave under the watch of another snake monster Delphyne. This didn’t stop Hermes and Pan from getting the sinews back and saving Zeus, and once his strength has been restored he and Typhon fought once again. Zeus eventually wearied Typhon down and then either casted him down into Tartarus or dropped a mountain on top of him, that being Mount Etna.

He could work very well as a big bad, problem here are just how high the stakes need to be for him to work. He’d had to be the ultimate villain if that was the case, the stakes need to be higher than they were with Hades. And considering how Hades was pretty much your typical pure evil villain causing chaos, what separates Typhon from him? Just some more chaos and no wisecracking dialogue because everyone is too scared to talk? He comes off as way too similar to Hades without all the fun personality. Maybe if KI:U became a KI:U-trilogy he could work as the ultimate big bad of the last game, but I got to say no otherwise. The bar for making him work is already sky-high due to how destructive he is and we don’t want to repeat the plot of Uprising here. So while he definitely can work, maybe save him for later.

______

Hera and Poseidon both have potential to be serious antagonistic forces, but I don’t think they have it to be main villains. Hera simply fits the bill because most of the times she’s the antagonistic force actively trying to make people’s lives worse, all because she can’t direct her anger at correct people. Some times she’s just blatantly evil, like how she imprisoned her own daughter Eileithyia or you may better know her as Lucina to prevent the birth of Artemis and Apollo or how she tricked her pregnant great-granddaughter into disintegrating herself Semele is her great-granddaughter by the way. As for examples of Hera being wrathful which don’t involve Zeus being horny, she was said to be the one who sent Sphinx to Thebes, no reason given why or if there’s one, I couldn’t find it. Works either way.

Because she might as well be the personification of divine wrath, it’s pretty easy to see why one would think she would make a great villain. However that wrath also gives us a big problem, it being that her evil escapades are mostly rooted on anger and spite - while wrath is a good driving force for a villain, it needs more to work. With Hades, he does evil things for fun and is having a blast while doing it. Hera on the other hand just rages and most of the times it’s because of Zeus, who seems to be out of the picture. She’s not there to have fun and when you add her general lack of charisma on the top, you don’t end up with the most endearing character. While wrath can serve as a character motivation, it can become stale very quickly and this means that unless the story regarding villainy her is short (as in solved in 1-3 chapters) it starts to feel like dragging. I overall think that Hera does have very low chances to appear in general, but if she does appear as an antagonist she should preferably be a minor one in the same way Viridi was. You know the meme of what makes villain a supervillain and the answer is presentation? Hera doesn’t have that presentation. Writers can certainly just give her that which is what they did with Hades whose mythological counterpart was more or less a basement dweller, but why go trough all that trouble when there’s so many better candidates to work with?

On to Poseidon, who’s an important figure in the founding myth of Athens - it’s honestly quite odd how it’s never mentioned in any shape or form in KI:U despite Palutena being based on Athena. But then again, considering how much “care” this series put on the names of its cities and towns, this being ignored doesn’t really surprise me even if it does disappoint. He was a really big deal during the Mycenaean period, besides being the god of ocean he was also seen as the head god and the ruler of the Underworld. Then the Late Bronze Age collapse happened and Poseidon was nerfed in the lack of better words - during the Dark Age, Zeus became the new head god and Hades popped seemingly out of nowhere, taking over Poseidon’s role as the god ruling the Underworld. On the other news Poseidon’s antagonistic potential is somewhat dwarfed by the fact that most of his escapades involve banging and they don’t really feature any figures the main cast of KI seem to be based on. It’s annoying because he does so much but because it’s mostly banging people and either helping or bullying very specific heroes, it’s just not something that’s all that relevant in the context of KI. But there’s couple myths and stories that would make him an easy bad guy, first one is that of Atlantis - and we’re going to jump straight to the source material because on it’s core, it’s technically just another tale of Athena and Poseidon having a conflict. Fish people under the sea is fun as well, but by using the source directly it gives us the most potential.

So Plato tells in his dialogues Timaeus and Critias that when Athenian statesman Solon visited Egypt, he found some interesting records about certain events during 10th millennium BCE and translated them into Greek. Only thing here that’s true is Solon visiting Egypt, everything else was made up Plato - if you need more proof, know that 10th millennium BCE was during the stone age for context, Britain wasn’t sharing a land border with just France, but also with Belgium, Netherlands, Germany and Denmark during this time. It was that far into the past. As for the actual story, it begins by gods choosing lots of land for themselves and Poseidon chooses Atlantis. He then falls in love with a mortal woman Cleito, builds her a luxurious home, they have five sets of twin boys together and once the kids have all grown up, they divide Atlantis into ten parts and so is born ten different lineages of kings. But by each generation the kings become more and more human, meaning that it’s much more easier for their wealthy lifestyle to hit them in the head - compare that to Athenians in the story, who’re not tempted by luxuries and have quite Spartan lifestyle interestingly enough. This wealthy lifestyle of the Atlanteans quickly leads into colonialism and war mongering, leading into them trying to take over the Mediterranean but they’re are stopped by Athens because naval warfare was the only type of warfare Athenians actually excelled at. Zeus eventually looks down to see what the heck is going on and then tells Poseidon to do something because this racket is technically speaking all his fault. Poseidon agrees, causes an earthquake and then sweeps Atlantis under his rug, that being the ocean. So Atlantis is pretty much an antithesis of a perfect society, a concept that’s discussed more in Republic and the lesson here is that being consumed by hubris in the search of luxury leads to ruin - but since we’re not here for philosophy lessons, let’s forget all of that and think what kind of plot one could craft out of this mess.

Island nation in search of wealth is a good set-up for some action, so I don’t think there’s much that needs changing. Have Atlanteans attack some cities which alerts Palutena and that leads Pit into a mission in which he tries to tell Poseidon what’s going on. After 2-5 chapters of war against Atlanteans, Poseidon deals with the problem either willingly or by force - whether he just destroys the place or makes Atlanteans full on aquatic folk who can’t survive on land meaning that they have to give up the conquest is up to writers. It’s honestly quite refreshing to have the original tale working so well, because usually everything related to Atlantis in media is so divorced from what Plato told. Sure, a submerged city full of fish people could still work but by using the original tale as base we get a story with clear beginning and end which makes perfect sense in context of KI. Or maybe have the a plotline inspired by the original story first and then later have something related to the submerged city with the fish people. Best of both worlds, amazing!

Also orichalcum, the metal Atlanteans were said to have aplenty, is pretty much just copper. Reddish metal and only gold is more valuable than it, it couldn't be anything else but copper. The term even translates into mountain copper! So why is it never portrayed as copper in fiction?

Besides Atlantis, Poseidon has couple other myths I’d like to talk about too. The first one has him and Apollo losing their divine authority for a while and as punishment they have to serve Trojan king Laomedon father of king Priam and grandfather of Hector among some others if you’re wondering. The king makes them to build the legendary walls of Troy and he promises them great rewards, but once he doesn’t deliver them Apollo sends the plague upon Troy and then Poseidon sends a sea monster to terrorize the place Heracles kills it if you’re wondering. There’s also certain another situation which I’ve actually already talked about on a different post and how with little shaking it could work nicely on a future game - what I said was that Pit should do something Poseidon is going to hate to the point that the god is screaming for his head and that he wants to settle things on court.

The myth I used as reference was that of the supposed first trial in history, in which Ares kills Poseidon’s son Halirrhothius for assaulting his daughter and Poseidon loses his marbles over it. The gods gathered on Areopagus which is a real place in Athens, fun fact and I’ve heard two versions of how the trial goes. In the first version everyone agrees that Ares’ actions were justified and in the second one gods side with Poseidon, but goddesses side with Ares and since there was more goddesses present than gods, their words mattered more. Either way, Poseidon loses the trial and Ares gets away scot-free.

Were a future KI-game do their own twist with this myth, Pit would obviously take the role of Ares. Besides the fact that we’re trying to make Poseidon more antagonistic, Pit just being on a situation similar as Ares makes sense thematically speaking and I’m going to talk more about this later since it’s rather interesting. As for why the trial happens in the first place, it could very well be over anything. Maybe mix it with the one where Poseidon sends a sea monster to terrorize Troy just replace Troy with some unimportant city as this series always does and he’s so attached to it that seeing it getting slayed deeply saddens and angers him. You don’t even need to get rid of the idea that it was over a girl, even if the motive for killing the monster is changed along with what kind of relationship the girl could possibly have with the main cast. This is something I’ll get back into later because there’s in fact one other character who I’d like to talk about and how their most cruel and personal form of villainy happens to bound to a certain girl.

So back to Hera and Poseidon. There’s definitely potential for them to be antagonistic, but I’d say they would work much better as arc villains rather than as the main bad guy. There’s only so many things you can do with characters whose actions are rooted on anger or wrath, especially when they don’t have all that striking personalities.

______

As for someone who could well work as the big bad, Dionysus is the first serious candidate. It’s partially due to how inconsistent his characterization has been, which I guess is something one should expect from a figure who has been around since the Mycenaean times and who happens to be the god of insanity, vegetation, orchards, fruit, grape-harvest, winemaking and wine. Does this sound like someone you’d expect to be a member of Forces of Nature? Because it sure does for me and I’d honestly be surprised if he wasn’t one if he was introduced to the franchise.

Symbolism behind Dionysus’ birth is pretty neat, my favorite version of it is the one written down by Diodorus of Sicily in Bibliotheca Historica and in that one Demeter is his mother. It starts the usual way in which the poor kid is killed shortly after his birth by Titans and Demeter comes back just in time to gather his remains to allow his rebirth shortly after. It references the harvest process and wine making - the god wine is born from the union of rain and earth just any plant is, he’s torn apart and boiled alive symbolizing the harvesting and wine-making process, his remains represent the fallen bare vines which become fertilizer for the earth and lastly wine itself is supposed symbolize the now reborn Dionysus. All of the versions of his birth myth do have this symbolism to a certain degree but I’d say this version has it the strongest because unlike his other the mother candidates, Demeter is a nature goddess first and foremost and also the goddess of agriculture.

This next point is somewhat tied to the previous one which is that he actually has valid reasons for his absence, that being his meanderings. Long story short - Hera’s angry over the fact that he exists, she injects him with madness and he wanders around like a madman for a while, then Rhea cures said madness and tells him to go on a journey so he could teach people how to make wine. So he goes and wanders around the world with the exception of Britain and Ethiopia for some reason teaching people the art of winemaking and does some other things in the meanwhile, such as apparently founding a city it’s told that on his campaign Alexander the Great came across a city that was supposedly founded by Dionysus. And this is a fun fact, apparently Dionysus’ popularity exploding around late 4th century BCE can be directly linked into Alexander, which is pretty neat. Once he comes back home he firmly establishes his place as a god and then he starts doing shenanigans much more familiar to us, such as giving king Midas his golden touch and marrying Ariadne.

So why do I think Dionysus is the first real contender for a possible new big bad? Well, do you know what’s the first thing he did once he came back to Greece? According to Bacchae, he brainwashed a city to worship him, caused an earthquake, set a palace on fire, gleefully watched when his worshipers teared a man into pieces and then turned some other people into serpents. Now that’s an entrance Viridi would be proud of!

Besides this, there’s also two similar stories in which Dionysus meets some pirates and they both show him as an unhinged god. They capture him and in the first one Dionysus shapeshifts into a lion and unleashes a bear against his captors, causing the scared pirates to abandon the ship and then Dionysus turns them into dolphins. In the other one he turns the mast and oars into snakes, fills the ship with ivy and the sound of flutes to make the pirates go mad and once again when they abandon the ship, Dionysus turns them into dolphins. The tale of him giving Midas his golden touch could also count as him being antagonistic since the act gives Midas nothing but suffering. So while he is much more friendly towards humans than your average god, Dionysus definitely has an antagonistic flare deep inside him and a place in the Forces of Nature and you can’t change my mind.

If Dionysus was a major antagonist or the big bad, I could see the plot going a lot like this - he comes home, causes some racket because he feels neglected, Viridi is happy about all of this and tries to control it while keeping him on this state of mind because who wants a happy party guy when you can have a chaotic deity, for a while she can do it but not for long before things snowball out of control and he becomes an unhinged god dead set on causing chaos. As for how he’s defeated, I can’t really come up with anything concrete on a fly but I don’t think Dionysus would be defeated the same way Hades was. And while he has the personality and presentation needed for a main antagonist, I just can’t see him as a pure evil villain like Hades was. He’s very much redeemable in my eyes and as for what happens to him after his defeat, I could see it leading to him mellowing down kind of like how Greek wine was watered down before it was used for anything - he’s still part of Forces of Nature and perfectly capable of doing all the same stuff he did as a major antagonist, but he would prefer partying with humans over destroying them. Viridi probably isn’t going to be all too happy about this, but it’s not like she’s going to be all that angry about it either.

Also fun fact at the end - in Dionysiaca, Ariadne laments if Eros and Anteros hate her because she had amazing dream about a wedding, only for Theseus to piss off and abandon her on Naxos. But as we all know, she would soon meet Dionysus who she does end up marrying so hey, the dream just wasn’t about the guy she thought she would marry. So if Dionysus isn’t going to be the big bad and the arc devoted to his villainy is relatively short, this could very well be used as a blueprint for a funny side story. Ariadne lamenting about Eros and Anteros would give Pit and Dark Pit valid reasons to be there.

This is not a joke, by the way. The part of Underworld which wasn't either Elysium or Tartarus was commonly referred as "the House of Hades" in ancient texts.

As for someone else who could also work quite well as the big bad, that would be Persephone. You all know the drill with her - Hades takes her, Demeter panics and goes to search her, she causes the Mediterranean summer on the meanwhile and does a thing which looks awful without context Demeter sets a baby on fire which is supposed to make him immortal if you’re wondering, everyone else decides that enough is enough because endless Mediterranean summer is a nightmare, they beg for Hades to give her back and he does that but not before the pomegranate trick. Demeter causes Mediterranean winter to come, the trouble is solved, we have a nice functional couple in our hands and they continue to appear together when Underworld is relevant to the plot - which surprisingly isn’t all that often as only Adonis, Heracles, Theseus who loses his arse and friend in the process, Orpheus who loses his wife and will to live in the process, Odysseys, Psyche and Aeneas managed to go to Underworld and back. That’s not really all that much all things considered.

And before anyone says anything about seasons here - Mediterranean climate is a thing and it’s best known for its hot, dry summers and mild, wet winters. One of these is much more preferable for plant life and in this case, it’s not summer. The more you know.

While there’s not much material of her when compared some other people in this list, I’d say there’s enough to create a frame for a character. In both Theogony and Iliad Persephone is described as dreaded and in Odyssey Odysseus assumes Persephone is the one sending ghosts to torture him while he’s visiting the Underworld. Just like Hades she has her fair share of vague epithets like Despoina (mistress) and Kore (maiden), presumably for the same reason as to avoid getting her attention. And while the etymology behind her actual name is rather muddied, the popular theories are that it means something in the vain of to destroy, to bring/cause death and she who brings destruction. And people have the gall to say she isn’t scary!

With this info and Hades’ characterization from KI:U in mind, you could very easily create a powerful pure evil villain who’s not going to be happy to learn what happened to her husband. As for why I believe she would be pure evil instead of redeemable one like Dionysus, it’s simply so she and Hades would match on their villainy. Considering how the big thing about Hades and Persephone is that they genuinely love each other to the point of possessiveness Pirithous and Minthe learned it the hard way, it would be weird if they hadn’t rubbed on each other during the time they were together. There’s an amazing chance for drama here and it would be dumb to ignore it when it has been given to us on a golden platter. And besides, unholy matrimonies are quite fun in fiction. Villains too have something they love.

As for attempts of villainy that don’t revolve around her being antsy at Pit about Hades, we interestingly need to look at the list of those she granted favors rather than those that had to deal with her wrath - or just one of them in particular, Psyche. As I’ve already mentioned she was one of those mortals who managed to go to Underworld and back and to make things better, she went to Underworld specifically so she could speak to Persephone. Persephone greets her with a nice cushion to sit on and a banquet, which Psyche declines because it’s a trap this is practically just the pomegranate trick on a larger scale. She tells why she came into the Underworld in the first place and Persephone fulfills her request, which is to say that she gives Psyche boxed death.

Coming to Underworld to speak to Persephone in particular definitely gives Psyche an edge compared to others when it comes to exploring Persephone’s potential villainy. But just why is Psyche such a big deal when compared to someone else like Orpheus, Adonis or Aeneas? Well, Psyche just happens to be the girl who would become the goddess of soul, a job that isn’t currently filled by anyone in KI-universe which Hades has kindly illustrated to us in KI:U by eating and repurposing souls for his own purposes. She’s also Eros’ wife with the addition of being the mother of his daughter and as we all know at this point, Pit is mostly inspired by Eros. While Persephone just being angry about her husband’s treatment makes a perfectly fine motivation, why not use the chance when it has been represented to us on a golden platter? Because while KI has a large cast of characters, most them are quite divorced from one another when it comes to their mythological counterparts interacting with each other. This subverts it since Persephone actually gets to interact with someone important to the figure Pit’s inspired of, which is more than almost anyone else in this list can say. The opportunity is there and there’s an open position for a new god, so why not take it?

Also if Persephone is going to be in a future game, I say I’m going to be so disappointed if there's not at least one pun about her epithet Kore. Like imagine if she was introduced on a chapter called Lost Kore or something similar and then the characters would just continue on making bad puns, annoying her. Wouldn’t be too out of line when it comes to this series humor.

______

I know what I’m going to say next is probably going to be controversial, but anyway - if Ares ever makes an appearance, I don’t think he would be a bad guy and this is mostly due to how Pit has been characterized. I know that may sound weird at first but trust me, I do actually have a point with this.

So let’s start with something that may seem completely unrelated at first, these being a history lesson and some talk about over-demonization. We honestly don’t know much about how some city states worshiped gods and what specific versions of the myths they had because some people just couldn’t be bothered to write things down. Besides it being extremely annoying for me, this is also probably where the misconception of all of ancient Greece being either like Athens or Sparta came from, which just is completely false. However what is correct is that city states didn’t really like one another all that much and often engaged on stupid wars with each other, only uniting when there was a much bigger threat looming on the horizon - and with war comes propaganda and when only some people write things down, we’re usually left with really one-sided information when it comes to both good and bad. For one example of this coming off as hilariously hypocritical to me is Athena being worshiped under the epithet Areia in Athens. Areia is very obviously derived from Ares and means warlike, but Athenians had their heads so far in their arses that they came up with a reasoning that this version of the epithet is actually derived from areô or areskô, meaning to propriate or atone for. It’s most likely just some crap Athenians came up with to excuse the worship of Athena Areia, which I just can’t help but find pathetically funny - you can only blame your own propaganda for this, guys.

Historically speaking Ares most likely originates from Thrace since besides his popularity in there Herodotus notes in Histories that only gods from Olympian Pantheon that Thracians worshiped were Ares, Artemis and Dionysus, a really odd trio if I have to say so myself, it’s also said to be his birthplace in the myths. His name can be found on Linear B scripts, a writing system that goes as far back as 1450 BCE and which disappeared during the Late Bronze Age collapse around 1100 BCE. This informs us that he was part of the Mycenaean Pantheon in some way, most likely even then as a war god - it also informs us that he predates gods such as Apollo, Hades and Aphrodite who just don’t exist in Mycenaean texts at least in any recognizable forms. As for Ares during the Archaic, Classical and Hellenic period, especially when it came to places that weren’t either Athens/Attica or Sparta, I had to mostly rely on travelers who wrote things they saw down because some people just didn’t bother to write their own stuff down. Pausanias’ Description of Greece was especially helpful with the research, but what must be remembered is that he lived during 2nd century CE and that he was an outsider to these cultural aspects so how old some of this stuff here is and what the exact context behind it was, I don’t know and neither do others at least currently, one sure can hope so we know more in the future. Then again past is another country so maybe I'm setting my hopes way too high. When given anything in Linear A, people channel their best "I never learned how to read!"-impression.

As for how Ares’ Roman counterpart Mars came to be, it’s mostly due to syncretization. He probably was originally an agricultural god who was later associated with warfare once the Roman Republic started expanding. It’s possible that he was syncretized with an Etruscan deity called Maris, who was usually portrayed as a young boy whose caregiver was Menrva, a goddess who was later identified with Athena and Minerva. While this isn’t an universally agreed take, it’s still pretty interesting in context of Kid Icarus even if it wasn’t intentional or in the case of the take, true. Once Romans started to interact with Greek settlers from Magna Graecia Mars was syncretized with Ares, giving us the Roman god that looks familiar to us. One notable thing to keep in mind is that most of those Greek settlers in Magna Graecia originated from Peloponnese and what I’ve managed to find, they held Ares on much more higher regard than those originating from Attica did.

Okay, now when that has been cleaned out of the way, let’s go to the slightly more interesting stuff which is cult titles and epithets. Just like any other god he has his fair share of both, some examples include Teichesipletes (stormer of cities/walls), Hippius (horseman, of the horses), Theritas (beastly/brutish), Enyalius (warlike), Obrimus (strong/mighty), Thurus (violent/furious), Chrysopelex (of the golden helm) and Chalcocorustes (armed with bronze). I’m using Latin spelling of these to make things easier for myself if you’re wondering. But there’s two titles I specifically want to talk about, both them originating from Arcadia around Tegea because apparently all the cool stuff happens in Arcadia.

Interestingly also in Tegea there was a temple of Athena under epithet Alea. Pausanias tells that her priest there was a boy who held the title until he reached puberty, meaning that her priest was a child. Now this has nothing to do with Ares, but it’s pretty interesting when thinking of Pit. It’s not exactly same for sure, but could this mean that he would leave Palutena if he ever grew up?

The first one is Gynaecothoenas, meaning “Feasted by women” - and no need to worry, it’s nowhere near as sexual as it sounds. The story goes that Tegeteans were at war with Sparta and what decided the victory was an ambush by Tegetean women. Because of this, they offered Ares a sacrifice and celebrated the victory alone. The king of the Spartans at the time was said to be Charilaus, meaning that this victory must have happened around early-to-mid 8th century BCE, making this rather old cult title by the time Pausanias was writing. If only the research for everything else here could’ve been as easy as this.

The other and much more interesting title was Aphneius, meaning “Abundant” and under this title he was worshiped as the giver of food or abundance. The story behind this title goes that Ares fell in love with Tegetean princess Aerope and they had a child together, but she died during childbirth. Ares, doing his damndest to keep his son alive, managed to find a way for the baby to still have milk. Once he grew up, his son Aeropus then managed to do the thing that’s near impossible for a demigod, which is to live a normal life as the lord of Tegea. Now this would make a great character backstory…

… What was I talking about again? Oh yeah, history lesson is over! Finally! Now into the fun stuff, which is Pit’s characterization. It’s pretty common knowledge at this point that that Pit’s inspirations are Icarus, Perseus and Eros but when it comes to his characterization, Eros definitely takes the cake as the main inspiration. He is a fully realized character with multiple myths under his wing, unlike Icarus or Perseus.

Starting with Icarus, he isn’t even a character but a plot device. He’s a tool for Daedalus’ character development and that’s where his importance ends. He’s a miniscule part on a much larger narrative in which the most important part is the Minotaur, as it drives the plot for everything else in it. Icarus’ death serves to drive Daedalus’ character to the point which eventually leads into him killing Minos. He exists for a metaphor that pop-culture has blown out to be way more important than it originally was and that’s it.

As for Perseus… The guy is just really bland. While all the other heroes have their flaws like hubris and wrath, Perseus doesn’t really have any flaws. He doesn’t have that many achievements in either bravery or stupidity due to his method of dealing with things being the quickest way possible. This makes all of his battles extremely boring and because he’s one of the first demigod heroes in the mythological timeline, he doesn’t even get to interact with anyone who could be interesting. How many of you even know that he’s supposed be the founding hero of Mycenae? Not many, I’m sure about that. The most interesting thing about the guy his that he’s an ancestor to people such as Tyndareus, Alcheme, Heracles, Penelope and Telemachus but this doesn’t save him from being any less boring. He's that famous ancestor nobody gives a damn, so to speak. Pit certainly doesn’t get any part of his personality from a plot device or a blank of wood, only a literary reference and an antagonist.

Also can I quickly rant about the Angels in art vs. Angels in Bible meme because I hate it? For some reason most of times when people show art of these supposed angels, they aren’t even showing biblical angels but Erotes/Amores or Nike/Victoria instead. Erotes/Amores and Nike/Victoria are winged Greco-Roman gods, not biblical angels and using art of them proves absolutely nothing. Also you may have forgotten that there’s in fact hierarchy of angels and not all of them look identical. In Christian faith angelic hierarchy is composed of three orders, there being nine different kinds of angels - Seraphim, Cherubim, Ophanim/Thrones, Dominions, Virtues, Powers, Principalities, Archangels and Angels. Seraphim and Cherubim do indeed look terrifying and so do Ophanim, but Thrones are just bizarre because apparently they’re elderly carrying God’s throne, whatever that means also I’ve seen people use Ophanim and Thrones interchangeably which just makes the whole deal even bigger of a mess. And then there’s Dominions, who’re just really pretty winged people, proving that the idea of all biblical angels looking terrifying is completely false. I couldn’t find what Virtues looked like, but if they’re anything like Powers, Principalities, Archangels and Angels they’re most likely pretty winged humanoids. So yeah, surprising amount of biblical angels are indeed just pretty winged humanoids and only the highest order of them is clearly inhuman - so if you ever wondered why so many angels in art actually featuring Biblical angels have them looking so humanlike, now you know! It's not the highest rank's job to interact with the human world. Though in modern language, the term angel is simply used as an umbrella term which refers into a winged humanoid being regardless of which religion they originated from - so by using this as a frame, it would indeed make Erotes/Amores and Nike/Victoria angels along with some other winged gods such as Eos and Iris. This would also make Iris’ twin sister Arke a fallen angel because as punishment for siding with the Titans during Titanomachy, she was casted into Tartarus and her wings were ripped off so she could never escape from there. And then much later her wings are given as a wedding gift to Achilles’ parents, my god! You could actually a craft a plot out of this, hmmm. When it comes Pit and Dark Pit, I do think they’re angels only on this broad, modern way definition due to them being mostly inspired by the Greco-Roman Erotes/Amores and it’s possible that they’re only referred as angels because not only is the term Erotes/Amores is strictly associated with Aphrodite and only Aphrodite, it's also much more specialized term than just "angel". There has also been cases in art featuring multiple Nikes, but Nike's special role as the goddess of victory still prevents its use as a broad term. So I believe that in the case of KI, angel is just an useful umbrella term and nothing more.

So Pit’s mostly an Eros-expy when it comes to his personality and attributes, so what makes him so special when compared to many other Eros-expies in media? It’s actually a surprisingly small thing, but boy does it make a difference - on a thematic sense, Pit’s a total daddy’s boy and in this case the dad would be Ares. Most of the Eros-expies you see in media are completely divorced from anything related to Ares despite the guy being Eros’ dad but not in Kid Icarus, where we have a very blatant Eros-expy whose connections to his main mythological inspiration come almost exclusively from Ares. Just why is Pit doing Nike’s job? Because Nike happens to be Ares’ daughter according to some sources, like in the Homeric hymn dedicated to him. Why’s he a soldier in an army? Because Ares was a soldier and in some parts of Greece he was seen as a model of a perfect one who’s resilient and has physical strength that isn’t matched by anyone else. Apparently in Sparta they even had a statue of shacked Ares, supposedly as an attempt to keep the martial spirit and victory in Sparta I don’t know about you but for me this sounds like a very bad move, as if they were asking for the god’s wrath. Then again Athenians did the same thing with wingless Nike, so I guess it was fine in some twisted way. Why does Dark Pit exist? Because would you know it, there’s myth in which Ares and Aphrodite spot lonely little Eros and decide to create Anteros to be his brother, their only differences being hair, wings and weapons of choice Anteros has longer hair, plumed butterfly wings, golden club and lead arrows when compared to Eros' golden bow + both golden and lead arrows. Why does Magnus possibly being based on Meleager matter? Because would you know it, the dude’s sometimes a son of Ares. Why did he spend three years trapped inside a ring? It could parallel the tale of Ares and the giants, in which he spent a lunar year trapped inside a jar. Why does a dog help him during that section? It could still very well be reference Ares and the giants as Hermes and Artemis came to save him and one of Artemis’ sacred animals is a dog and Hermes is the god guard dogs. Also one of Ares’ sacred animals is dog as well, meaning that it could reference this as well. Honestly if Pit ends up having a divine parent and it’s not Ares, I call bullcrap.

So now when that has been made clear, what can writers do with Ares? Well if you take the myth of Poseidon wanting to settle things on court and give it to Pit, you end up losing one of his three major myths in which he’s wrathful towards someone odd I know, you’d probably expect a god of war to be much more wrathful but no, he’s not. The two ones that are left don’t really give all that great material either because in the first one, the target is Adonis and whether it even was Ares’ wrath that killed him is left open - in some versions it’s Artemis who wants him dead because she’s angry at Aphrodite for causing the situation which lead to the death of her hunter Hippolytus, sometimes it’s Apollo who still hasn’t forgiven Aphrodite for blinding his son Erymanthus, occasionally it’s Persephone of all people because she’s angry at Adonis for wanting so spend time with Aphrodite and at times it’s just an accident this all makes me think it was an elaborate coup. There’s always a reason for a divine being to be angry at Aphrodite because she just can’t help but cause trouble whenever she can. When it comes to the second one, it’s honestly pretty odd because not only does Ares forgive the man who originally was the target of his wrath, it illustrates how good of a parent he is on Olympian standards not that it’s a high bar but anyway - even better than the lady whose favorite boytoy he is, and she’s well known for being an overprotective parent.

The myth starts with this lad called Cadmus, who founds the city of Thebes, becomes its king and then kills a dragon residing on a nearby spring. Ares is furious about this since the dragon was sacred to him and apparently it’s sometimes his son, don't know how that works and as punishment, Cadmus has to serve Ares for eight years he got it easy when compared to Adonis and Halirrhothius. Once that service is over, Cadmus marries one of the two daughters of Ares and Aphrodite, this being Harmonia, the goddess of harmony. However not everything is all sunshine and rainbows because Hephaestus is still salty about how his marriage with Aphrodite went south and once he hears about a wedding, he prepares two gifts for the bride - first one was a beautiful necklace that could keep its wearer eternally youthful and the other one was a luxurious robe. But there was a catch, since both of these objects were cursed to bring bad luck to those who owned them. The bad luck eventually took its take on Cadmus’ mental state and one day he remarked that if gods fancied those serpents so much, maybe his life would be so much better as one. Gods fulfill this wish, he’s turned into a serpent and once Harmonia notices what has happened, she wishes the same. At one point Dionysus comes to the city, trashes the place and then gives them a propechy of this happening. Either way, Ares comes down to get the unlucky couple and then scoots them to safety in paradise-like Elysium, where they get to reside from now on.

You may already be familiar with this myth to a certain degree because Pokemon B/W could technically count as an adaptation of it. N is of course the most obvious parallel due to him getting his second name from Harmonia and Ghetsis takes a role comparable to Hephaestus. It all becomes even funnier because Harmonia hits some characteristics associated with yin - she’s passive, feminine figure who represents harmony which can only exist due to lack of action, an idea. It gains even more hilarity points thanks to existence of Adrestia, Harmonia’s sister and the goddess of revolt - she’s pretty much yang to Harmonia’s yin and to make things even more hilarious, she was often portrayed as a beautiful winged maiden. Now who would expect the goddess of revolt to be a lovely winged lady and the goddess of harmony to be at least momentarily a serpent?

While this is indeed an interesting myth, I don’t think it would make all great material for future KI-game, at least on its current form. The cast of KI doesn’t really get to interact with humans on a personal level, which is something this myth largely relies on. Honestly, I think the best way it could be referenced in game would be just Pit going to Elysium and meeting Harmonia still trapped on a draconic form. Considering the way Hades had been characterized in KI:U, it wouldn’t surprise me if he had just kept trapped Harmonia as a pet lizard in his garden. Maybe say something on the vain of him eating the husband’s soul or using it for something else to explain why she’s there all by herself. And if you want to make fun of the fact that the fourth wall might as well not exist, throw Adrestia in Elysium as well as a dragon as a nod to Pokemon. “The Twin Dragonesses of Elysium” sounds like it would make a very cool boss fight.

So a wrath or blessing, Ares gives us not much to work with either of those at least when it comes to him actually doing stuff - but that doesn’t mean we’re left with nothing because there’s three myths that I’ve glossed over quickly that could give us something, one just for comedy and two others actual plot. As for the one that’s just for comedy, it’s the one in which Sisyphus captures Thanatos. Ares is actually the one to save Thanatos from the tough situation since after it has continued for a month, he bursts into Sisyphus’ house, frees Thanatos and drags Sisyphus’ spirit to the Underworld… Only for him to come up with a sad story, which leads into Persephone letting him go only for it to backfire. Ares then disappears from the story, but it ends up with Sisyphus doing P.E for eternity in Tartarus once he dies for real as you all already know. This is pretty funny if a bit morbid myth, so it could be really easy to use it as a comedy goldmine if Ares ever interacted with Thanatos. Maybe have Thanatos trying to act like they’re friends, only for Ares to become more and more frustrated the longer Thanatos continues. Maybe once he mentions some of his escapades involving Pit, Ares finally decides that enough is enough and shows to Thanatos that mortals don’t call him by the name Thurus for nothing.

To the myths you could get some serious plot out of, the first one is very predictably the one in which he earns the title Aphneius. It just has everything a great character backstory needs on its original form, meaning that it could easily be inserted on the game with minimal changes and it could still work fantastically. It has a romance between a god and a mortal which ends up on a tragedy during a moment that was supposed to be joyous not because of any divine whim or I guess it could’ve been Aphrodite being salty because she has a habit of releasing her wrath upon Ares’ loved ones or relatives, usually grandchildren such as Hippolytus, but I think it would’ve been written down had the story actually said it was Aphrodite behind Aerope’s death, but because of something beyond their control. And instead of taking his frustrations on the baby like so many fathers in these stories do, he instead does everything to keep him alive and so Aeropus grows up to be fine ruler, if an unremarkable demigod. A writer could easily use Aeropus as a base for an interesting heroic character… And I guess you can already see where this is going. I already said that Ares would make the most sense as Pit’s divine parent if he indeed has one, so this would make an excellent backstory if that was the case.

I could see the timeline going something like this if this was true - Ares meets KI-universe’s equivalent of Aerope, the two have an adorable romance and are expecting a kid but something goes horribly wrong and Aerope dies, instead of letting Aerope’s family to take care of the kid Ares takes the baby with him because who knows what they would do to a winged baby so many myths have families abandoning their kids for dumber reasons than this so why wouldn’t he take the kid with him + this dude had 3-6 winged kids, one all by himself, so he definitely is the one hogging all the wing genes instead of Aphrodite, he tries single parenting but it’s hard when certain goddess is constantly shooting stinkeyes and paralyzing glares at his direction and it leads into him asking help from Palutena because a winged kid wouldn’t look too out of place among her angel minions. Considering how Palutena and Poseidon were capable of having a conversation in KI:U without any horrible atrocities being committed, I don’t think it’s too far-fetched to imagine her relationship with Ares being along your typical sibling-relationship rather than what Atheanians wrote down Ares and Athena were actually worshiped together in the town of Olympia under titles Hippius and Hippias, fun fact. You could also see it as a favor inspired by how Menrva took care of Maris. Anyway, this deal goes swimmingly for a while until the events of a certain other myth take place, which makes Palutena the sole caregiver of Pit - some unspecified amount of time later que the events of the original Kid Icarus and onward.

Fanfic time over, now to the other myth which could explain Ares’ absence - it’s the one about him and the giants. Long story short, there’s these two giants called Ephialtes (derived from the word meaning nightmare) and Otus (either derived from the word meaning insatiate, doom or horned owl) who’re sons of Poseidon because of course they are, goddammit Poseidon and a mortal woman Iphimedeia, they’re also called by the name Aloadae. They were planning to storm into Olympus to kidnap some wives for themselves, Otus wanting Artemis and Ephialtes wanting Hera what great choices, you complete imbeciles, absolutely amazing. So one day Olympians are surprised to find these two giants piling up mountains on top one another and as expected, there’s a big fight between them because no one comes to the Olympian home turf without facing the consequences. Once the two giants finally leave, the Olympians notice that someone is missing, that being Ares. Ephialtes and Otus probably realized way too late that kidnapping the god of war wasn’t the brightest idea and because letting him go wasn’t an option, they locked him inside bronze jar of which he tried to break out without success. It took around a lunar year for the giants stepmother to rat this out to Hermes, who went to save Ares with Artemis. While she distracted the giants and made them throw their spears at each other, Hermes lockpicked Ares out of the jar and so the three returned to Olympus.

So how could this myth be used while crafting a plot for a future game? I’d say it depends on whether writers want to use Ares as a full-blown good guy from the start or as an antagonist at first - and while I do still believe that Ares wouldn’t be a bad guy on his own free will, who said he’s going to burst out of that jar with that free will still intact? It’s not like we haven’t seen brainwashed antagonists in the series before, Gaol was a one.

So if we have Ares as an antagonist who’s brainwashed and crazy, how could the possible plot be handled? I could see it starting with the two giants resurfacing for something trivial but because they’re being destructive, it catches the attention of Palutena who sends Pit down to deal with them. The giants are dealt with in 1-3 chapters and one way or another Pit finds a large jar and breaks it, releasing the crazed Ares. Neither side recognizes each other and there’s possibly a boss fight which ends with Ares leaving and him becoming a wandering antagonist who causes racket when someone angers him. He most likely isn’t connected to any other antagonist or the main villain, but I could see them trying to recruit him without any success. As for how he was brainwashed in the first place, it could be the Aloadae wanting to get some use out of their prisoner and they decided to make him into an indestructible living weapon either to themselves or someone else - maybe it even was commissioned by the big bad because who wouldn’t want an powerful living weapon who’s loyal to you and only you. Either way it proves fruitless as Pit frees Ares from the mind control and slowly but surely he starts to establish himself as a good guy and an ally to Pit and Palutena.

This would actually go pretty well along with a certain another thing about Ares, that being helmet and symbolism connected to it - you see, mythological Ares was often portrayed to have something I like to call Meta Knight-syndrome. He was said to be a beautiful man with a lovely face, apparently much more prettier than any other male Olympian which could possibly explain why he’s Aphrodite’s favorite boytoy and he wasn’t particularly proud of it - just what kind of self-respecting enemy would take you seriously if you have a face of an angel? But that didn’t stop people from drawing or sculpting him without a helmet, and the result were indeed pretty my goodness is Ludovisi Ares a one beautiful sculpture. Just considering how the art we see of Ares can be categorized into him either with or without a helmet, writers could easily craft a narrative out of this - while wearing a helmet he’s under mind control and once freed he fights helmetless, allowing player to see him as who he really is. Helmet obscuring the face equals bad guy and once it cracks, we can have a very confused ally who cries over the fact that his baby is a big boy now, cries some more because there’s two of them now, may or may not join us to missions if there’s a two-player mode for story or just help with training and also maybe cracks dad jokes few times because humor is a valid coping mechanism. This all kind of reminds me how one other popular trend relating to Ares in art was to have him disarmed with young Eros playing with his armor. Cute!

Somewhat relating to the idea of Ares starting as a brainwashed antagonist turned ally once the helmet is smashed, I could see him having two different themes which illustrate the different natures of him. First one should be something brooding and terrifying, maybe something similar to Gustav Holst’s Mars, the Bringer of War which a really great piece of classical music that has inspired composers all around the world, even at Nintendo. If you haven’t heard it, you certainly have heard at least one song inspired by it metal genre can thank its existence on Mars, no kidding. As for the other theme, I think it should be a warm, calm and welcoming one with a hint of sadness, a complete opposite of the battle theme when it comes to the first expression. I’ve been recently listening a lot of TSFH and Hans Zimmer so if I had to say what kind of energy I’d want this possible theme to have, I’d probably say something between TSFH’s Friendship To Last from the demonstration album Nemesis, Final Days of Rome from album Unleashed and Now we are free from Gladiator. They all have this bittersweet yet beautiful feeling in them I love. Maybe there’s a shared leitmotif or something between the two themes connecting them into each other. Thurus and Aphneius were both titles for the same god after all, even if they were about wildly different aspects of him.

So just like with Apollo, I think there’s only one way to bring Ares into the franchise and in this case it would be making him Pit’s dad. It just makes way too much sense to me considering how Pit has been characterized that it would be odd if there wasn’t any connection between the two. And there’s even couple out-of-universe reasons why I don’t believe he would be the bad guy, the first and most notable being that the names Ares and Mars are already associated with morally righteous characters or at least characters we’re supposed to root for in Nintendo games. Sakurai certainly knows this, Marth has been in Super Smash Bros since Melee as a playable character and his name just blatantly is Mars in Japanese and his English name is just the Japanese way of saying Mars. You don’t bastardize the face of another franchise in your own one, especially if you’re both exclusives to the same company and the other franchise is much more bigger and important than yours is.

Since it would be hard to introduce Ares into the franchise, I would be completely fine with him not being featured in next game at all even though I would find it extremely disappointing. But if you’re not going to have him, at least have a reference to him in form of a weapon like Blade of Ares or Blade of Mars because would you know it, the legendary sword of Attila was also known as the sword of Mars. We’re probably never going to get actual swords in KI but blade has been used as a synonym for them, so there being a blade with said name could work just fine. That or finally add spear and shield combo into the game. But if you want to use the character who would work as the big bad the best into their fullest, maybe it would be a good idea to have Ares as well... All roads may lead to Rome, but not to the arms of Genetrix in this case.

______

Call me crazy, but I think that Aphrodite would make the perfect big bad. Does she have that charisma and personality comparable to Hades? Yes she does, and unlike him she had all that in real life - one of her titles was Pandemos, quite literally meaning “of the people”. This made her extremely popular among people regardless who they were or where they lived, and how can you blame them since there’s not many people whom things such as beauty, love and sex don’t matter in some shape or form. Only Olympian who really matched her when it came to popularity was Zeus, but considering how he was the king of all gods it was to be expected that he’d outrank her on the popularity board. She was the most popular goddess in Greece by a longshot and that was also true for Venus in Rome, even if Mars took the place as the second most popular god after Jupiter. Due to her being the mother of Roman founding hero Aeneas, she was viewed as the mother of all Rome and it was used by people as a way to climb up the political ladder. The Julio-Claudian dynasty claimed to descend from her through Aeneas and it didn’t stop there - you can actually trace the ancestry of multiple mythological European figures all the way back to her! Some notable examples of this include Bladud/Blaiddyd, Leir of Britain, Goneril, Regan, Cordelia of Britain and supposedly even king Arthur himself last one is a bit iffy, but all the others are concrete, Aphrodite just flat out is their ancestor through Aeneas. She definitely has the charisma and presentation needed for a big bad because you simply couldn’t be able to pull of any of the previously mentioned things without them and if she could do it in real life, who says she couldn’t do it in a fictional world?

Pretty much only thing about Aphrodite that stays constant is her popularity because in the myths, her characterization is wildly inconsistent - I guess that something one should expect from a goddess who rules over matters such as beauty and love, two things one can never truly understand. However with that being said, there’s trends that stay with her regardless her ever-changing personality. She’s technically speaking an outsider to the Olympian family tree as her most popular and possibly the oldest one as well birth story has her as the motherless child of Ouranos, emerging fully formed from seafoam. Hestia, Hades, Demeter, Poseidon, Hera and Zeus form the first generation of Olympians and Ares, Athena, Hephaestus, Artemis, Apollo, Hermes and Dionysus are principal members of the second generation. By adding Eileithyia, Persephone and Hebe into the mix you get the main Olympian family, making Aphrodite feel like even more of an outsider. She only starts to fit among the family when the third generation is added and speaking of said generation, part of it forms her attendants. The two most important ones are her sons Eros and Anteros, love and love requited, whom she let’s to do pretty much all they want as long as they stay loyal to her. However once that loyalty shifts, she can be quite cruel towards them which is illustrated in the myth of Eros and Psyche quite well - and I’m going to let Aphrodite herself to do all the talking, so here’s a quote from from Apuleius’ The Golden Ass:

‘This is a fine state of affairs, just what one would expect from a child of mine, from a decent man like you! First of all you trampled underfoot the instructions of your mother--or I should say your employer--and you refused to humble my personal enemy with a vile love-liaison; and then, mark you, a mere boy of tender years, you hugged her close in your wanton, stunted embraces! You wanted me to have to cope with my enemy as a daughter-in-law! You take too much for granted, you good-for-nothing, loathsome seducer! You think of yourself as my only noble heir, and you imagine that I'm now too old to bear another. Just realize that I'll get another son, one far better than you. In fact I'll rub your nose in it further. I'll adopt one of my young slaves, and make him a present of these wings and torches of yours, the bow and arrows, and all the rest of my paraphernalia which I did not entrust to you to be misused like this. None of the cost of kitting you out came from your father's estate.’

Let’s file that under yikes. She’s saying this to her injured child and it’s about a girl he loves more than anything but she can’t stand her. And it’s not like Aphrodite dislikes her for any valid reasons, it’s all because Psyche is pretty and Aphrodite took it as a personal attack. This temperament is a stable with her, be the fuss she causes either positive or negative. It goes well in the line of the idea that she was never a child and was born fully formed, as it’s pretty hard to learn those important childhood life lessons as an adult. And do you want to know the best part about this mess? After this massive rant she’s confronted by Hera and Demeter, two goddesses who in all intents and purposes should understand what she’s feeling right now and guess what they do? They call Aphrodite a hypocrite in her face because that’s exactly what she is. Why is she so angry at her child for growing up and experiencing romantic love for the first time when she spends most of her time either being in love or making others fall in love?

Let’s leave the sad lovers behind for a while and talk about Aphrodite in some other myths. There’s not many myths about her that don’t feature romance or sex in some form, but those few are usually about her competitive nature. There’s a myth about Hermes and Aphrodite participating on funeral games yes, this was a real tradition organized by Apollo and she won, her prize being a zither which she later gave to Paris. There’s also a myth about her and Athena having a weaving competition which ended on her losing miserably because as one might expect, challenging the goddess of weaving into a weaving competition couldn’t possibly end well. But since these kind of myths are about things out of her assignments, there isn’t many of them. Most of them are about her helping people with their relationship problems, some examples could be her giving Galatea life on Pygmalion’s wishes and gifting Hippomenes the three golden apples so he could win the race for Atalanta’s heart. But it’s also really easy to earn her anger, some notable immortals who were victims of her wrath are the titan goddess of dawn Eos (she didn’t want to share Ares so she cursed Eos to feel uncontrollable desire towards a new man every day), the titan god of sun Helios (he ratted out her relationship with Ares so she cursed him to forget everyone he ever loved romantically and then made him fall in love with princess Leucothoe - it ends badly and that’s how we got heliotropes), the muse Calliope (Aphrodite saw Zeus asking her help for covering the whole deal about who gets to keep Adonis as a personal attack and so she cursed her son Orpheus to have a horrible death in the hands of Dionysus’ worshipers - interestingly enough this has nothing to do with the fact that Calliope did also sleep with Ares or that she married Oeagrus who’s sometimes said to be Ares’ son, which would make Orpheus his grandson), a minor ocean deity Nerites (he refused to follow her into the land so she turned him into a shrimp) and Pan (Aphrodite and this handsome lad Acheilus had a beauty competition and Pan was the judge - he said Acheilus was prettier so Aphrodite turned the poor lad into into a hideous shark-creature and then cursed Pan to be hopelessly in love with the nymph Echo, the very same Echo who had her eyes on Narcissus). It could even be said that her blessings aren’t going to last for long and by using Hippomenes as an example once again, we learn that in one version of the story she turned him into a lion all because he didn’t pay his respects back to her soon enough. Guileful Aphrodite indeed.

Due to her temperament and general lack of caring about the consequences of her actions, Aphrodite has earned the ire of many gods - just look no further than Adonis, there’s four possible culprits who could’ve caused his death. Because of their contradictory natures, she’s often portrayed as not getting along with Hestia, Athena and Artemis and while there’s not much material for Hestia there’s multiple myths of Aphrodite causing unpleasant situations for Artemis and her hunters, Hippolytus being the shining example of this. The judgement of Paris establishes her relationship with Hera and Athena as a rocky one and the Trojan war has them full-on enemies on opposite sides, Athena even telling the Greek Diomedes during the war that he should avoid fighting literally any god with the exception of Aphrodite - it leads into him throwing a spear at Aphrodite, piercing her wrist and this leads into Aphrodite cursing Diomedes in return. Also in some records such as Cypria Helen’s mother is stated to be the goddess Nemesis, so add her into the list of gods Aphrodite has angered so it turns out the goddess who truly was Nemesis’ enemy was never the one from Blue Sea Star but rather the one who represented Morning Star, how ironic. Her relationship with the male Olympians are a bit better but not always, in fact she has no meaningful one with Apollo at all. Her marriage with Hephaestus was an unhappy one and only after they divorced were they both allowed to be happy, Hephaestus by marrying Aglaea and having a family with her and Aphrodite by continuing her many affairs without any worries. She did scorn Zeus when he tried to get it on with her, but otherwise there’s not much either good or bad blood between them. Besides Ares, Aphrodite did find both Poseidon and Dionysus handsome and had affairs with them, but it’s unclear if they resulted any children - Rhodos has Telchine Halia and Amphitrite as her other mother candidates, Peitho is almost always said to be a child of Tethys and Oceanus instead, the Charites were more often said to be children of Zeus and Oceanid Eurynome rather than Aphrodite’s and Priapus just has no parents set in stone because no telling was seemingly more popular than others. The birth myth of Hermaphroditus starts with Aphrodite telling Hermes to piss off because he doesn’t come even close to her standards, so he asks little help from Zeus to get what he wants and therefore I can’t imagine them having a positive relationship because of this. And after reading so many myths in which Aphrodite targets Ares’ grandkids for whatever reasons, I’m starting to think that he should start running away and quickly. Maybe she really did kill Aerope.

Now returning to the love story with a happy ending which has the most famous victim of Aphrodite’s wrath, Eros and Psyche. It begins in a town with no name given oh, so this isn’t completely baseless in KI where princess Psyche (meaning either soul or breath of life) is having trouble socializing - the people have declared that she’s as if not more beautiful than Aphrodite and they have started worshiping her, denying normal human interaction from her. This obviously pisses off Aphrodite because it has been established that she has the self-control skills comparable to a toddler and so she orders her son Eros to make Psyche to fall in love with something hideous. While he agrees to do the deed, once he sees the beautiful Psyche he can’t help but to fall in love with her and then he chooses to defy his mother, crafting a plan on what to do next. In the meanwhile the loneliness is making Psyche miserable and that doesn’t go unnoticed by her parents, so they go to visit the oracle of Apollo for help. Considering how Apollo is still very much salty at Eros for cursing him to have the worst love life imaginable, his words aren’t all that comforting (another quote from The Golden Ass):

‘Adorn this girl, O king, for wedlock dread, and set her on a lofty mountain-rock. Renounce all hope that one of mortal stock can be your son-in-law, for she shall wed a fierce, barbaric, snake-like monster. He, flitting on wings aloft, makes all things smart, plaguing each moving thing with torch and dart. Why, Jupiter himself must fearful be. The other gods for him their terror show, and rivers shudder, and the dark realms below.’

She and her parents are obviously horrified by this, but they do as they were told to and Psyche is left alone on a cliffside where the god of west wind Zephyrus picks her up. He brings her into a lovely meadow where she takes a refreshing nap and after she wakes up, she sees a beautiful palace and goes in. She’s charmed by the looks of the place and then a disembodied voice tells her that she will be provided by many invisible servants while living in there. Once night falls she’s nervous to meet her husband, but after the first meeting she starts looking forward on their nights together. This continues for quite some time, but in the meanwhile Psyche’s family is starting to get worried about her and she’s in return worrying about them. Eros promises that her sisters can come to visit, but also tells her that she shouldn’t listen them if they sound jealous. Psyche agrees and Eros gets Zephyrus to scoot the sisters down to visit, but as expected the sisters get jealous really quickly and start to make her worry if what the oracle told about her husband was indeed true - what finally broke the camels back was the sisters suggesting that he’s planning to kill her and their unborn child. So when the next night falls, she has prepared herself a lamp and dagger to see if her husband really is a monster - once she draws the lamp near and sees that he’s in fact Eros himself, she’s awestruck and accidentally stabs herself with one of his arrows, making her fall for him even harder. But while admiring him some oil spills from the lamp on Eros, causing him to wake up and leave. Earlier in the story Psyche had said that she’d much rather die than throw this marriage away and she’s willing to live by that statement, so she goes to search Eros and atonement - meanwhile Aphrodite is beating her son in the head by talking how horrible child he is for daring to fall in love and then she imprisons him Genetrix knows nothing in this case. Hera and Demeter call her a hypocrite, which doesn’t ease her anger in the slightest.

Psyche eventually finds her way into a temple of Aphrodite and she calls her two servants to beat the poor girl to make herself feel better. After having a good laugh over Psyche’s suffering, she gives her another beating herself and then dumbs different kinds of grains on the ground, saying that she should sort them by night if she ever wants to see Eros again. Sometimes prompted by him, ants nearby take pity on Psyche and help her - predictably Aphrodite isn’t all too happy about this and she comes up with a much more deadlier task. By morning she tells her that she should get some golden fleece from the sheep living on a grove across nearby river. This disheartens Psyche because she knows gathering the fleas directly is a suicide mission, but she’s consulted by local river deity who tells her how the sheep behave and that instead of approaching the sheep at all she should just collect fleas caught on foliage. She does as was told and Aphrodite becomes even more enraged, telling her to go gather water from river Styx. While she finds her way to Styx without much hassle, she’s overwhelmed by the hopelessness of the situation - luckily for her everyone has come to the conclusion that Aphrodite is being horrible and Zeus sends one of his eagles to help Psyche to get the water.

At this point Aphrodite’s patience is running thin and she gives Psyche a box, tells her to go into Underworld to get a part of Persephone’s beauty and come back with it because this whole deal of torturing her little daughter-in-law has been so hard for her and she needs to look good while going to the divine theatre. After being consulted by a tower on how to actually get into the Underworld without dying, she does as was told and and it doesn’t take long for her to be greeted by Persephone. After refusing to fall into an obvious trap, Psyche told her why she was visiting her and Persephone agreed to help her without hassle - but after returning into the mortal world, Psyche’s curiosity took the better of her and she wanted to see that beauty herself. Turns out it was Stygian sleep fancy words for boxed death and Psyche drops on the ground like a rock, but at this point Eros has escaped his imprisonment goes straight to her. He draws the sleep back into the box, gently pricks her with an arrow to wake her up, the two have a heartfelt reunion and Eros brings Psyche to Olympus, asking Zeus if the two can now get properly married. Everyone agrees, Zeus tells Aphrodite to stfu and they give Psyche ambrosia, making her the goddess of soul. The two have a glorious wedding and some time after it Psyche gives birth to their daughter, either named Hedone or Volupta(s) depends if it’s a Greek or Roman telling the story, the personification of pleasure, joy and delight. I personally prefer the name Volupta, it rhymes much more nicer with rest of the family.

And since we’re at here, that gorgeous painting by John William Waterhouse that everyone thinks has Pandora wearing a pink dress? It’s actually Psyche opening the deathly beauty box. Don’t believe me? Just check Psyche opening the golden box and you see who’s right. He however did create an equally pretty painting about Pandora though.

So now when the story time finally over, what can we do with all of this info? Well, it does tell how perfect of an antagonist Aphrodite makes for an Eros-expy. She has power over him and isn’t afraid of abusing it when she feels betrayed. Compare this to the tales of Icarus and Perseus which really don’t have a main antagonists - Icarus has no personal stakes in the story because he’s a plot device rather than a character and from Daedalus’ point of view, the main antagonist is Minos but mythology doesn’t really treat him as all that horrible person. After he died he became one of the judges of the Underworld and probably sent Daedalus to Tartarus once he died, which illustrates a one seriously big missed opportunity which should’ve been used if Icarus truly was that important inspiration for Pit. Instead it just makes it even more clear how irrelevant Icarus and the narrative about the Minotaur are to KI. As for Perseus, I already talked about how Medusa is a mcguffin while alive and the other ones aren’t much better. Polydectes, Phineus and Acrisius are all dealt with so quickly that they don’t really matter - his only fight that isn’t solved by a handwave is against Cetus and it’s just a sea monster sent to kill Andromeda by Poseidon. Poseidon’s antagonistic potential is a topic I’ve already discussed and the already mentioned possible fusion of the myths of Poseidon sending a sea monster to harass Troy and Ares’ trial covers the idea of Pit saving a girl from a sea monster which is bit funny because in the former one, oracle tells that king Laomedon should let it eat his daughter Hesione to get rid of the monster, so that doesn’t really add anything new here. But with Aphrodite as the big bad it could be rather easy to craft two different but overlapping plotlines, one with a main goal and the other with a personal one. Aphrodite always was Eros’ biggest personal antagonist who treated him as a trophy child and didn’t take it well when he stepped out of the line - how dare her little doll grow up, behave like a man and then decide that he wants to move on to build a family of his own, which now takes the priority over her? Him choosing Psyche over his mother is his defining myth, with the addition of it being the myth in which he finally gains the respect of the other gods. Besides having its message about heart and soul being capable feeling and creating joy while together, it also functions as a coming of age story for its main couple - and when those stories have an antagonist, things tend get really personal.

So going back to those possible two plotlines and goals, what could they possibly be about? I’d say that the main plot line shouldn’t really be based on any myth but instead it should take advantage of her popularity among ancient people, more so when it comes to Venus and Rome. Even as a city, Rome was massive - by the time of 1st century CE it had reached the population of million people, being the first city in history to do that. And this was only the capital of the empire! Rome wasn’t build in a day indeed. Venus wasn’t worshiped by the thousands, her popularity was in the millions during this time period. That’s a lot of power for one goddess and as we all know, too much power can easily hit one in the head - especially when remembering that we’re dealing with a Pantheon composed entirely of manchildren. Give Aphrodite an empire that looks up to her, doesn’t do anything without a last world from her and you’re set with a supervillain who has it all from power to personality. In this case, the reason why Aphrodite should be stopped is that she’s a conqueror who rules by fear, saying that if she was ever abandoned she would curse them and take away all the blessings she has ever granted, leading her empire to ruin. If you want to make her feel even more villainous, don’t even give her an army of her own like Hades and Viridi had but make her use the people of the empire she rules over. There’s nothing more evil than using people who look up to you for protection for your own selfish goals. What those selfish goals may be, writers can be creative with them - maybe she wants to be viewed as the supreme goddess above everyone else, maybe she wants everyone to worship her and isn’t afraid to use extreme measures to get what she wants, maybe she wants to wipe out everyone who could be a threat to her, everything goes. Considering her role on the judgement of Paris, her causing a war or chaos for selfish reasons isn’t out of character. But whatever her reasons may be, there’s going to sparks in the air and fights of massive proportions. Ares may be Pit’s father but Aphrodite definitely isn’t his mother, so she’s not going to show him any sympathy or kindness if he gets in the way of her plans.

This would be the plotline that’s more on the background and focused on Aphrodite’s relationships with Palutena, possibly Ares and the other gods, the main goal is their goal. It’s why they want her defeated. If Palutena is anything like Athena, she can’t get along with her and she understands that allowing Aphrodite to do whatever she wants will have catastrophic consequences even if she herself couldn’t care less about those. If Ares was featured on a future game along with Aphrodite, their relationship would probably be focused on how they feel betrayed by each other. The myth of her cursing Eos illustrates how she sees their relationship open only from her end so she’s very likely still angry at him for leaving her, be it for Aerope or something else entirely. If you want to go with the depressing idea of her being the one who ordered Aloadae to kidnap him, she probably feels even more betrayed because even under mind control he didn’t come back to her like she had anticipated. And if it’s indeed her favorite ex-boytoy’s son with some other lady who has been foiling her plans, her blood quite possibly starts to boil. Ares’ feelings of betrayal would likely stem from Aphrodite trying to kill his child for no other reason than sheer pettiness, along with orchestrating his kidnapping and torture just so she could get her boytoy back. Other gods probably want her stopped for similar reasons as Palutena, maybe with some selfishness rippled in - the consequences of her actions are hurting them and because she doesn’t care, something must be done to stop her. For example, Viridi could possibly oppose Aphrodite because she doesn’t care about how she’s hurting nature on her attempts to viewed as the supreme goddess. Not to say that Pit doesn’t also care about this goal since he’s an empathetic youngster, but I think that the more personal plotline should be his and it’s goal his main motivator during the story.

As for the plotline with the more personal goal, the myth of Eros and Psyche makes the perfect outline for it. Aphrodite is already the main antagonist of the tale, so there’s no need for any massive changes when it comes to her jealousy and want to dispose Psyche. The tasks she gives to her could also be mostly unchanged, if adjusted with something that makes gameplay more immersive assuming we would get to play as her like we got to play as Dark Pit in chapter 22 in KI:U. However what needs to changed is Aphrodite’s relationship with Pit, how he and Psyche first meet and how their relationship is evolves from that point onward since following the myth to a T isn’t an option in this case. I could see Pit and Psyche’s first meeting being a result of Aphrodite’s wrath manifesting on a relatively harmless way, meaning that she already knows about this new, pretty princess that challenges her status as the supreme goddess and she’s not having any of it. As for how her wrath could manifest, it could be a your garden-variety monster attack in the first chapter disguised as someone else’s troops so no one would suspect it was her behind it. The sheer weirdness of it could catch Palutena’s attention so she sends Pit down to investigate it and to get rid of the monsters. While getting rid of them, he meets Psyche in one way or another - maybe she’s trying to escape from them or she’s trying to fight against them, either way Pit comes to her aid and they befriend each other. Maybe she’s featured on a few following chapters as minor character doing something on the background, giving them more possibilities to interact and become better friends - in these chapters Apollo could possibly be introduced along with reintroducing Poseidon, to foreshadow the roles they would play later on. What side plots would these chapters have, it could anything - maybe Pit meets Ares for the first time at this point of the story, but he’s not freed from mind control just yet.

At this point Aphrodite could be getting more angrier but she doesn’t want to out herself as the main villain yet, so she crafts a plan that would eventually lead into Poseidon hating Pit into the point of him wanting to take things into the court. Maybe she tricks Poseidon and Apollo into becoming mad at Psyche’s home city for whatever reason, like how they got angry at Troy in mythology proper. If this was the case, I think that she would keep Poseidon in the dark while letting Apollo fully know what’s going on - if Poseidon doesn’t know the true reason why Aphrodite wanted his sea monster to terrorize the city and why it was killed, he would be much more enraged when it happens. I’ve already established reasons as for why Apollo would dislike Pit, so he probably wouldn’t really need any prompting to cause Pit suffering since he’d still want some payback from that embarrassing noodle incident. So Poseidon sends his sea monster to terrorize the coastline and once citizens start asking help from the gods, Apollo lets the hate flow through him and offers nothing useful - instead he tells them to take the Hesione/Andromeda-approach and let it eat someone to calm it down oh look, it’s a reference to Perseus that’s not about Medusa for once, nice. In this case, it would be Psyche and Pit’s of course not going to let his friend die so he goes to save her, be it with or without Palutena’s approval. In my head I did imagine this as a chapter that would work amazingly with multiplayer, starting with Pit and Dark Pit distracting the monster, then Pit freeing Psyche and them setting out to kill the monster before it causes more harm. Player 2 would have to deal with changing characters on the fly but if Pittoo and Psyche had similar weapons, I don’t think it would be too distracting since they’d be playable on different parts of the chapter. But once the monster has finally been defeated, the joy is cut short by Poseidon interrupting and wanting vengeance for what happened to his monster, ending the chapter. The plot would immediately catch on the next one and what I could see happening on this chapter is that Pit’s taken into the court by Poseidon and he’s not allowed to have anyone defending him, but Dark Pit and Psyche go into his defense anyway Pittoo being the playable character. After a long and treacherous journey they find they way to the divine courthouse and tell their point of view on the events, which gives Pit the sympathy of the court and he gets away scot-free. Poseidon and Apollo may face on consequences at this point and they may even rat Aphrodite out on a subtle way, but the main group doesn’t catch it.

The following few chapters would be breathers before the plot kicks in again, Aphrodite ousting herself as the big bad in one way or another. Maybe she has sent her troops to attack some place, possibly in search for Ares since he would make a great ally on this brainwashed state. Much to her dismay he declines her offers, he and Pit fight and the helmet is smashed, but Palutena recalls Pit before anything can come out of it. The fight continues for couple following chapters, Palutena and Aphrodite are gradually getting more and more mad at each other and maybe she comes down to face Pit herself because the little brat getting on her way is starting to be really annoying now this would make a pretty cool unwinnable boss fight, but Ares comes just in time save him - que silent, cold anger between them, confusion from Pit and Palutena’s end with some extremely awkward reunions and explanations.

What could follow from here is another set more lighter chapters focused less on Aphrodite’s plans to become the supreme goddess and more of the cast getting to know each other better - Palutena and Ares reconnecting, Ares trying to form a meaningful relationship with Pit and Dark Pit, Pit and Psyche becoming better friends, etc etc. Not to say Aphrodite has given up on her plans - she’s still doing things on the background, but it’s implied that what little chaos she currently causes is serving as distraction to hide her bigger plans. Persephone could possibly be introduced at this point of the story, making it clear that she knows about the events of KI:U and that she’s going to get her payback on what happened to Hades in one way or another, possibly drop an implication that she’s working together with Aphrodite. But since everything good comes to an end and so do the breather episodes, plot would go on with Aphrodite kidnapping Pit and getting Persephone to throw him into some dark part of the Underworld, maybe even to Tartarus. And now we get into the fun part of the myth, Psyche’s four tasks!

I could see the plot separating into two directions from here on, first one being Pit’s great prison escape from wherever Persephone threw him into and the second one being the titular four tasks. The prison escape is more focused on traversing the Underworld and Pit trying get out of there while Persephone throws all kinds of obstacles at him - maybe it ends with a ghost gauntlet, since Odyssey illustrated that she can summon ghosts. Arke would make a pretty great boss fight here as well, since she could be classified as a fallen angel. Maybe her motive for going after Pit is to get his wings for herself as a mean to escape, since her own ones were ripped off as punishment for siding with the Titans. But since Pit’s a brave boy, this isn’t enough to stop him and he eventually finds his way out so there could be reunion and a final battle against Persephone.

While Pit’s great prison break is going on, Aphrodite makes an empty promise to rest of the cast that she can give Pit back, with some conditions - but just like in the myth, all she actually wants is Psyche’s death so the danger factor is amped up to eleven. I honestly don’t know how the one about sorting grains could be handled I guess it could work as a puzzle chapter, but the rest work rather well without massive changes. The one about gathering te golden fleas could now take a more direct approach, the one about getting Styx’s water is now missing the helpful eagle and the Underworld trip is largely same with the exception of Persephone not being cooperative. This would be the point where the two plotlines merge together and they take Persephone down together before leaving from the Underworld. Psyche falling for Stygian sleep in this version is up to debate, I say it could work either way. It mostly depends on when she’s going to wake up - if it’s too early it might as well not matter, if it’s after the final battle I’d say that’s too late.

As one might expect Pit’s escape makes Aphrodite furious and she challenges him into a one final battle - that brat has stolen her favorite boytoy from her, satisfaction of getting rid of the annoying princess and also her chances to become the supreme goddess way too many times, she has reached her third-act breakdown and at this point she has nothing left to lose anymore. Ares isn’t going to come back to her, Psyche is not going to die and the people under her empire have started to become less dependent of her, the last thing she can do is get rid the troublesome kid that brought her into this situation. Of course Pit ends up winning, sending the goddess to Aether to hang with Hades where they can now together sulk over the fact that they got defeated by an angel. Pit triumphantly returns to Skyworld where Palutena and others have been waiting, there’s a joyful reunion between all of them and if one wants to follow the original myth at this point, Psyche could gain divinity or immortality for her bravery for standing against Aphrodite as a mere mortal. People have become immortals for dumber reasons in Greco-Roman mythology, so at least Psyche doesn’t become immortal merely because one god thought she was pretty. Have some little banter at the end between the cast and then credits can finally roll in.

When thinking of some nice bonus content, maybe there could be a secret ending player can unlock after beating all the chapters on a certain difficulty, which confirms that everyone is doing well. If we have to deal with another long hiatus that could last for decade or two or eternity, best the game can offer is closure. Pit doesn’t have to a married man with a daughter, but at least show that he’s doing well and ready for a new adventure or that he has had many of those under his belt at this point. All one can do is hope at this point that there will be a new adventure or a happy ending that ties all the loose ends together. Praise Volupta, maybe one day dreams can come true.

______

Welp, this turned out to be much more longer and heavier than I originally expected! If nothing else, that would make an interesting fanfic. Anyway, I think I made my point clear - Aphrodite has everything a big bad needs from power to personality and motives to harass the already existing KI-cast. Even if you don’t want to go with the ideas I came up with, there’s so many myths to use and modify in which she could fill the role of the main villain. And just because there’s heavy themes it doesn’t mean it has to be without humor - I mean, there’s a lot of heavy implications in KI:U yet the game still manages to be a comedy gold mine despite those heavy implications. Writers just need to know when to be serious and when levity is needed, good pacing is something that every great story needs. For some reason I could definitely see there being a gag in which Pandora has regained her true form, only for Aphrodite to snatch it away because Pandora was living on borrowed beauty anyway and she’d like to have it back.

Though I must say that I’m proud of all of these plot bunnies I came up with. It was a fun journey to me to research, overthink, adapt and mix myths while trying to imagine who could be the next possible big bad and what the plotline relating to their villainy could be. And I came out wiser from it, so I really can’t be angry over it even if it took so me so much longer than I originally planned. I never thought that me wanting to write about a Nintendo game would make me read this much about history and philosophy yet here I am. Also now when I’m thinking of it, that last one would tie a lot of threads nicely together if they had a plotline like it on a future game - Poseidon gets to be an antagonist, Apollo gets to be an antagonist, Persephone gets to be an antagonist and Aphrodite gets to be the villain. It’s so nice when things work out this well together! Dionysus is left out though, but I guess it’s not all that bad because having too many antagonists would make the plot feel overly complicated.

Anyway, I hope you enjoyed my thoughts of who could replace Hades as the big bad. You can’t change my mind on Aphrodite being the best possible candidate but if you disagree with me, who do you think it could be? I’m always open for discussion so feel free to talk with me. Now there’s only one question remaining on my head - if a future Kid Icarus game had Arachne, would she be a jorōgumo?

#kid icarus #kid icarus uprising #ki #kiu #pit #dark pit #palutena #viridi #tagging them all since they're relevant at certain points #and all of them expect pittoo are featured in my doodles in some way so there's that as well #does this count as a doodle dump? #bella draws #bella writes #overly long essay #mythology typical violence tw

[introvertguide]

15 Badass Movies for a Fun Time at Home or with Friends

There is a buzz in the air as COVID-19 vaccines are rolling out and the hope of having a movie night with friends is again becoming a reality. Watching alone isn’t as fun because I want to talk to somebody about what I have just seen. A full theater does not agree with my introvert nature because somebody screaming or laughing or talking on their phone will ruin it for me. Watching with a fellow cinephile or two is perfect. But what to watch first? People have been stuck inside, so fantasy and alternative worlds have been overly popular. All I do is talk over zoom for a living. I think what I need most right now is a movie about realistic people with realistic skills that go into a situation and just wreck house. I need a badass movie. What is this “badass” movie you might say? Well, here are some basic criteria: 1) There must be a tough lead character who kicks butt while spouting one liners and doesn’t need superhuman powers (high levels of peak skill with speed, aim, or strength is OK if they are plausible in the real world), 2) most of the characters (good and bad) must be likable, admirable or at least memorable, 3) the lead must face and defeat overwhelming odds against them, and 4) extra points for memorable one liners. Also, I am only dealing with human protagonists (sorry Terminator), but slightly superhuman opposition is acceptable. This list is by no means exhaustive, it is just an example of some badass movies. So in no particular order:

1) Raiders of the Lost Ark (1981)

To start off the list, I want to mention the most well known American badass. Indiana Jones is a smart guy with a gun and a whip. He is rugged and punches guys in the face. He has weaknesses but works through them to get the job done. Harrison Ford was in his early 40s for this role and had this tough-as-nails and seen the world kind of feel while still being young enough to fight hand to hand. Any of the first three films featuring Indiana Jones would work here, but this is the original and it started the fun. Easy to watch. Easy to cheer for. Great movie. You can’t really go wrong with any age or group with this one. 

2) 13 Assassins (2010)

This movie is extremely badass but not for everyone. This is one of the goriest films I have ever seen as 13 warriors kill off a couple of hundred soldiers and the evil leader that they guard. The movie was directed by Japanese extreme horror icon Takashi Miike if that means anything to you (hey made Audition and Ichi the Killer). The movie has gallons of blood, but also an amazing story of redemption and honor. There are tons of scenes of a single warrior taking on dozens of soldiers and managing to overcome. Not for everyone, but still very much a badass movie.

3) The Raid (2011)

This is an Indonesian action thriller with the word action in bold. The film is directed by Gareth Evans and stars Iko Uwais as part of a small police force that tries to take down an old building that houses a drug lord and his violent gang. It has a lot of what I like in badass movies: one-on-one fights between the lead and almost superhuman villains, long well-choreographed scenes, a banging soundtrack, ridiculous weapons, and ridiculous gore. The fight scenes in tight places and the use of the environment for weaponry is amazing and the sound design makes sure you can feel every punch. The lead character should have no chance, but he makes up for it with skill and being a pure badass. This movie is one of the few that I would describe as having non-stop action.

4) Jon Wick (2014)

When did Keanu Reeves become so cool? I grew up with him being part of the Bill and Ted duo. He decides to learn martial arts and play a god-like being in the Matrix movies and then becomes a one man wrecking crew? I guess he is a badass because he does it so well. Keanu plays a retired hitman who is wronged and decides to go back to work for vengeance. He just won’t stop coming and seems to constantly survive out of pure hatred alone. There are 3 films in the series and any one of them will impress. Pure fun too watch.

5) Casino Royale (2006)

When I was asking around, there were many people who thought that James Bond was the ultimate badass. I disagree in that many of the older films show Bond as overconfident with the assistance of many people. In fact, Q is more of a badass in many ways than James Bond. However, when the series was taken back to its roots with the last book that had not been made into a serious film and made darker, it reached badass levels. From the parkour chase to a poisoning to an extreme torture scene, this was not like any James Bond movie before it. Roger Craig plays a much colder lead who gives no quarter, much more like what the greatest secret agent would have to be. Heavy on violence but light on gore, this film is more for all audiences than other films on this list.

6) Desperado (1995)

What makes this movie is not all about Antonio Banderas and Selma Hayek. It is that every other character is memorable and badass as well. The street standoff with Bucho’s men versus El Mariachi, Quino, and Campo is iconic. El Mariachi murders everyone in a bar with precise skill. The rogue assassin Navajas with all the knives played by Danny Trejo. Nothing but extreme shoot outs and fight scenes with a ridiculous variety of guns and explosives. I think what makes this movie so amazing is that all these amazing assassins are incognito and, when they suddenly produce an arsenal out of nowhere, it is always a pleasant surprise. Quino and Campo are amazing when they bring their guitars. 

7) Pulp Fiction (1994)

Truly the role that made Samuel L. Jackson into the ultimate badass. He and his partner Vincent are hitman that keep running into the worst situations. The thing about the film is that everybody is so cool. The characters are cool, the music is cool, the dialogue is cool, hell even the diner featured in the movie is cool. The movie only spans a couple of days (in completely separate segments shown out of order) but packs in 7 distinct situations that are all berserk. From the mind of Quentin Tarantino, this movie is dripping with the best characters traveling through the best story. Highly recommend.

8) Leon: The Professional (1994)

Also known simply as The Professional in the U.S., this film features the debut of Natalie Portman. It is directed by Luc Besson at his best period, right between La Femme Nakita and The Fifth Element. The lead is actually a quiet hitman who reluctantly takes a little 12-year-old girl on as an apprentice to become a paid assassin. Her parents were killed by a corrupt cop and she wants Leon to help her exact revenge. He is an absolute badass and somewhat of a caring surrogate father to the girl. Unlike a lot of the films on this list, the premise is not simply kicking butt in a bad situation. There is serious character growth. Apparently you can be a caring parent and a cold-blooded murderer...and that is badass.

9) Kill Bill (2003)

Being a badass is not exclusive to men and The Bride is a prime example of this. She survives a shot to the head, kills deadly assassins, slaughters a gang, and takes on a crazy school girl bodyguard. She is tougher then any lead I can think of and she has the bad attitude and sense of vengeance that makes for a badass. Combine this with the soundtrack and beautiful cinematography associated with director Quentin Tarantino and you have a beautifully violent movie in which the hits keep coming. Even on this list, the fight scene between the bride and Gogo Yubari is insane. Also note the nod to Bruce Lee with the bright yellow motorcycle suit. Beautifully badass film.

10) Aliens (1986)

In nature, there are few things more dangerous than a mother protecting their young. A mother will fight you to the death and make sure that, at the very least, you won’t be able to go after her kids. Now imagine an alien planet covered with hostile beings created in the mind of James Cameron and Stan Winston and you have a setting made to create a real badass. In the beginning, Ripley (Sigourney Weaver) is just desperate to survive and barely knows how to use a weapon. She meets a little survivor named Newt and then has a real reason to become aggressive. She and a group of marines fight through a station filled with super destructive xenomorph aliens made straight from nightmares to save this kid. The transformation is truly amazing and culminates in a mech suit versus a giant queen alien and it is extremely badass.

11) Army of Darkness (1992)

Far and away the funniest movie on this list, this is the third film stemming from Evil Dead and again stars Bruce Campbell taking on the deadites that were raised by reading from the Necronomicon. The opposition is the undead evil that faces the world which makes the violence very unrealistic. This was early work from Sam Raimi and features a variety of different shots done to the extreme. What really makes this film stand out is how Bruce Campbell is amazing at delivering a one liner. His classic quips have been used as fun Easter eggs in video games like Duke Nukem and World of Warcraft for decades. The quintessential horror comedy and a perfect example of a badass.

12) Die Hard (1988)

Apparently, I am a big fan of single characters that need to work their way through a building of villains using mostly intelligence and the element of surprise. Throw in some one liners and I am all for it. That is exactly what this is with Bruce Willis crawling barefoot around a 40 story building and fighting off a gang of villains. The movie also has Alan Rickman as the main bad guy and he is chewing the scenery. This is a great example of being a badass, but it is too bad that the follow up sequels were so poor. Definitely stick to the original and let the rest pass by.

13) The Good, The Bad, and The Ugly (1966)

An OG of the badass movie genre, this is some of the best of Sergio Leone and the spaghetti western. Instead of one badass, this movie has three different leads that are all amazing. You have the good, Clint Eastwood, who is an amazing shot and a heart of gold under a rough exterior. You have the bad, Lee Van Cleef, playing an conniving assassin that will kill anyone that he doesn’t have a use for. Finally, you have the ugly, Eli Wallach, as a desert rat that will do anything to survive. They all gain information about a gold stash and need to work together to get it, but this creates a vortex of cheating, undercutting, and straight up murder. Clint Eastwood is more of the classic badass with his cigar, hat, and poncho, It is an iconic look on an iconic character in an iconic movie. That is what I call badass.

14) Ong-Bak (2003)

This less of a badass movie and more houses some of the most amazingly badass fight scenes that can only be described as badass. This movie introduced the great Tony Jaa to the western world and showed the high flying nature of Thai boxing and Muay Thai in general. The main character is entered into a street fighting tournament and the moves include a flying double knee drop and a full splits kick. If the whole movie was the tournament, it would be the best movie that ever existed. The variety of opponents makes the fighting even better and the cinematography is top notch. Tony Jaa is truly badass in this film.

15) Dredd (2012)

Not the crappy version with Stallone, this movie is seriously badass. It features Karl Urban who is helmeted for the entire film (as Dredd would be) taking on a 200 story mega slum filled with residents that want to shoot him dead. There is a drug dealer high up in the building and she locks down the entire compound with instructions to kill Dredd, who only has his rookie partner to help. He takes on random resident mobs, groups of gang members, and even a trio of mini guns that have bullets that can rip through walls. He has a smart gun with a bunch of ammo that he uses judiciously to kill everybody. This movie was seriously underrated since it had not been that long since the garbage Judge Dredd came out in 1995. The 2012 is a far superior movie, being much more violent and dark instead of having Rob Schneider as the comedy relief (not badass).

-----------------------------------------------------------------------------

I know there will be a lot of opinions about what makes a badass film and what movies i didn’t add. Feel free to add your own movies or critique my choices. I will stand by my choices, however, and recommend any of these films for a night of cheers and badass action.

#top 15 #badass movies #badass characters #dredd #the raid #ong bak #die hard #aliens #raiders of the lost ark #leon the professional #best movies #introvert #army of darkness #staying in #watching a movie #movie list #awesome movies #great movies #action #adventure #female lead

[highladyluck]

Fortuona Athaem Devi Paendrag playlist

Direct link: https://open.spotify.com/playlist/5KLghlM9nCF1WLKBNoLt5z?si=b1e1d244810e4ae9

26 songs, 1 hr 23 min. A character playlist for Tuon Athaem Kore Paendrag, aka the High Lady, aka the Daughter of the Nine Moons, aka “Precious” but only if you’re Mat Cauthon, aka Fortuona Athaem Devi Paendrag, aka the Empress of Seanchan.

She’s a fascinating mixture of good and evil, person and tool, sympathetic and unsympathetic by turns. I tried to capture that in this playlist, which is organized roughly chronologically by her personal timeline.

There are spoilers in the playlist and commentary for Winter's Heart through A Memory of Light, since this is meant to mirror the narrative.

Track List:

1.      Second Child, Restless Child – The Oh Hellos

2.      Game of Survival – Ruelle

3.      Sit Still, Look Pretty – Daya

4.      When I Rule The World – LIZ

5.      Bad Moon Rising – Creedence Clearwater Revival

6.      The Thief and the Moon – Shawn James

7.      Pomegranate Seeds – Julian Moon

8.      Zebra – The Magnetic Fields

9.      Jolene – Dolly Parton

10.   Maybe, This Time – OK Go

11.   Big Guns – Ruelle

12.   Fascinated – Ivy

13.   The Bullpen – Dessa

14.   Pretty Little Head – Eliza Rickman

15.   Greek God – Conan Gray

16.   Emperor’s New Clothes – Panic! At The Disco

17.   Rat Queen – The Mountain Goats

18.   Carmina Burana: O Fortuna – Carl Orff

19.   you should see me in a crown – Billie Eilish

20.   Muse with a Dagger – Taylor Castro

21.   Please Don’t Say You Love Me – Gabrielle Aplin

22.   Daisy – Ashnikko

23.   Mother’s Daughter – Miley Cyrus

24.   I Walk The Line – Halsey

25.   Glory and Gore – Lorde

26.   Trouble – Stripped – Halsey

Commentary and lyrics underneath the cut. Listen to it here: https://open.spotify.com/playlist/5KLghlM9nCF1WLKBNoLt5z?si=b1e1d244810e4ae9

1)      Second Child, Restless Child – The Oh Hellos

See, I was born the second child With a spirit running wild, running free

The Empress’s second child, the only one who goes across the ocean.

2)      Game of Survival – Ruelle

Are we the hunters? Or are we the prey?

"Keep this doll to remind you that I will always hear you if you say my name. If I am still alive, of course."

3)      Sit Still, Look Pretty – Daya

Oh, I don't know what you've been told But this girl right here's gonna rule the world Yeah, that's where I'm gonna be because I wanna be No, I don't wanna sit still, look pretty

Tuon wishes she looked more intimidating, and threw a full-blown temper tantrum when she was told who she’d have to marry.

4)      When I Rule The World – LIZ

When I rule the world, then I'm gonna make you sweat Dog collar 'round your neck, on your knees and scrub the deck

I promise I didn't forget about the sul'dam thing. This should be as jarring as her initial POV in Winter's Heart is.

5)      Bad Moon Rising – Creedence Clearwater Revival

I see the bad moon a-rising I see trouble on the way I see earthquakes and lightnin' I see bad times today

Such a good “Seanchan invade Ebou Dar” song! I definitely stole this from someone else’s Mat playlist, but I don’t think it’s on 8tracks anymore.

6)      The Thief and the Moon – Shawn James

Said the Thief to the Moon "I'll extinguish your light soon I'll put an end to all the light that you shed On this world in its darkened state"

I can imagine this as a Seanchan myth; covers Tuon's opinion on her prophecy & getting kidnapped.

7)      Pomegranate Seeds – Julian Moon

Kore, Kore, fauna and flora How did you get your throne? (Hey!) You made a deal You traded daffodils For a kingdom of ash and bone

Had to sneak in a reference to Tuon's middle name. Tuon's POV on her bargain with Mat.

8)      Zebra – The Magnetic Fields

so there's one thing I crave when my days become ho-hum and blah I want a zebra

Took this from my Mat/Tuon book playlist because it is truly the funniest song on there. It's a zebra in our hearts!

9)      Jolene – Dolly Parton

Jolene, Jolene, Jolene, Jolene I'm begging of you please don't take my man

This is very tongue-in-cheek, but at the same time, if you pay attention you can see that Tuon's particularly annoyed by/threatened by Joline Maza.

10)   Maybe, This Time – OK Go

So listen, I'm not trying to prove anything at all here But don't you think that maybe, this time, you were wrong?

Mat to Tuon after confiscating the a'dam from her.

11)   Big Guns – Ruelle

Every little move is fixed Like a game of chess The blood on your hands is thick And you're placing bets Can't hide in the den of lions

A really perfect song for Tuon's 'lion on the high plains' realization; I know technically Mat doesn't have cannon or grenades yet, but shhhh, the rapid-fire crossbows are more or less machine guns. Let me have this. Call it foreshadowing if you must.

12)   Fascinated – Ivy

Never turned out like we talked about Never could tell how to read your mind Never found out what you're all about In this lifetime, baby, you will be mine

Tuon's POV on the marriage ceremony.

13)   The Bullpen – Dessa

Forget the bull in the china shop There's a china doll in the bullpen

Returning to Ebou Dar to kick ass and take heads. This was the song that made me create this playlist, because of "china doll in the bullpen," which is such a great description of Tuon.

14)   Pretty Little Head – Eliza Rickman

Catch yourself a looker, let him go, go, go Wanna have your baby, but I'm so, so slow

Tuon misses Mat, but don’t you dare breathe a word about it. Besides, it’s just business.

15)   Greek God – Conan Gray

And since you always swear that you wanted me gone Then why don't you go get your gun? 'Cause you don't really hate me (You're a little baby) You don't wanna end me (You wanna befriend me)

The Tuon vs Rand confrontation (take two, where Tuon's actually there.) Rand has quite enough confidence, really, but most of the song really works.

16)   Emperor’s New Clothes – Panic! At The Disco

Welcome to the end of eras Ice has melted back to life Done my time and served my sentence Dress me up and watch me die

Declaring herself Empress after meeting with Rand.

17)   Rat Queen – The Mountain Goats

We who have never once tasted The stench of defeat Victory sweet as the dregs of the fast food dumpster Look how they jump when we show up Like they've just seen a monster

H/T to @anyboli, who first suggested this to me as a Tuon song. This is a good soundtrack to planning the raid on the White Tower…

18)   Carmina Burana: O Fortuna – Carl Orff

O Fortune, like the moon you are changeable[…]

I literally cannot imagine a Tuon playlist without this song. It’s White Tower raid time!

19)   you should see me in a crown – Billie Eilish

Count my cards, watch them fall Blood on a marble wall I like the way they all Scream

Yeah, this was inevitable too. I’m using it for that absolutely horrifying POV of hers where she's in the damane training room and decides it's time to plan a full-out attack on the White Tower.

20)   Muse with a Dagger – Taylor Castro

You're making fun of my people Pretend I don't hear you Cause I won't forgive myself For fueling or burning you

Tuon's thoughts on Mat in the garden. This didn't lean as as far into the dagger/knife imagery as I'd hoped for- remember, this is the blog that insists Athaem means Magic Dagger Curse- but it seemed so strangely apt for the two of them that I had to include it.

21)   Please Don’t Say You Love Me – Gabrielle Aplin

There's no need to worry when You see just where we're at Just please don't say you love me Cause I might not say it back

Her conversation with Mat in the garden.

22)   Daisy – Ashnikko

Respect a bitch, I'm a maverick Flexible, so elastic But don't you dare bend a bitch backwards

This is what you married, Mat. (The Mat POV version of this character sketch is probably Cake's Short Skirt Long Jacket.) I will not apologize for the number of #girlboss songs on this playlist.

23)   Mother’s Daughter – Miley Cyrus

Oh my gosh, she got the power Oh, look at her, she got the power So, so, so Don't fuck with my freedom I came up to get me some

The confrontation with Egwene. I see this as mostly Egwene's POV, with Tuon doing a sort of echo, the way she does in the original scene. They are fascinatingly alike here, and the way Egwene controls the scene and gets in Tuon's head- when that's Tuon's signature strategy- is amazing.

24)   I Walk The Line – Halsey

You've got a way to keep me on your side You give me cause for love that I can't hide For you I know I'd even try to turn the tide

Tuon admitting that her heart tells her to return to save Mat (and the armies of the Light).

25)   Glory and Gore – Lorde

Glory and gore go hand in hand That's why we're makin' headlines (Oh! Oh!) You could try and take us (Oh! Oh!) But victory's contagious

The Seanchan army comes back for the kill.

26)   Trouble – Stripped – Halsey

Don't forget me, don't forget me I wouldn't leave you if you'd let me Hmm, when you met me when you met me You told me you were gonna get me

Death threats are just their deranged way of flirting; if Tuon wanted Mat dead she wouldn't warn him, you know? And in that final scene with the fireworks Tuon's telling Mat that she wants him around, and he understands it as such.

#this is my celebration for hitting 200 followers! #SURPRISE IT'S MORE TUON CONTENT #this is what you get for following a blog with a tuon pun in the username #wheel of time #wheel of time playlist #playlist #tuon paendrag #fortuona paendrag #fortuona athaem devi paendrag #tuon athaem kore paendrag #problematic fave tuon #wheel of time spoilers #the gathering storm spoilers

[ordinaryschmuck]

Why I (Want To) Love Amphibia

Salutations random people on the internet who probably won't read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons. If you've been paying attention to my posts, you would have known that I made a top twenty list of the best-animated series of the 2010s. And if you read my Honorable Mentions list, you would have known that I consider Amphibia one of those shows that, while I like it, I wouldn't go so far as to say that it's one of the best. Don't get me wrong. It's good. But there are issues that I have with Amphibia, and I can't recommend it without being hesitant. I still like it fine, but I doubt some people will be as forgiving as me. So I'm going to explain the quality and faults that the show has, while still being considerate to those who do love it. Because unlike some people who would make a two-hour-long video essay about how much they hate something, I can at least acknowledge that while something doesn't entirely work for me, that doesn't mean it won't work for everyone else. Because there is a reason why this show has such a following...I don't think it's earned, but I won't knock people down when they love something I find passable. And I hope that respect goes both ways as I explain why I (want to) love Amphibia.

Also, this review is going to contain spoilers for the entire series. So if you haven't checked it out yet, I recommend you do it to form your own opinion. Season one is on Disney+, and you're on your own for season two. And I suggest you find a legal way to watch it if you can, because I'm not going to leave a link to a pirating website filled with every animated series and movie you can find. And I'm definitely not going to insert that link into a random letter in this review with the thought that if you have to pirate something, then you might as well work for it. Because that would be crazy.

...

Stop being crazy.

....

Anywho, let's start with:

WHAT I LIKE

The Comedy: Let it be known that this show is funny. Like, really funny. I wouldn't go so far as to say that it's funnier than Gravity Falls, which got me chuckling with every episode, but Amphibia definitely hits more than it misses. There are occasions when the jokes aren't really character-oriented and could be said by anybody in the Plantar Family, but if they're still funny, then who am I to complain. Although there is one issue that I have with the comedy. But I'll save that for when I talk about what I don't like. For now, I can assure you that if you're hoping for some laughs, Amphibia has plenty to offer.

Warnings Against Toxic Relationships: But even the best comedies know when to offer some substance. Because I won't lie, when Anne described what is clearly a toxic friendship in the second episode, I was hooked. I love it when kids shows breach topics that can be important for children down the line. And for the most part, I think Amphibia does it well. There are so many instances that the writers' point out the several red flags that a person should avoid when it comes to a friendship and when it's time to either cut that person from your life and stand up for yourself. One of my favorite episodes is "Prison Break," where Sasha explains how she manipulates people and shows zero remorse for it. Then there's the episode "The Sleepover to End All Sleepovers" that shows how a person's influence can affect others and how much it changes perception as Anne and Marcy still believe they need someone like Sasha in their lives...At least I hope that's what the intention is. Because if the writers are trying to say that Anne and Marcy really need someone like Sasha...Well, I'll save that for my dislikes. Because even though it could use a little polishing, warning kids about toxic relationships is what keeps me hooked into seeing what happens next in this series.

It’s Not Afraid to go Dark: On top of breaking borders with morals intended for kids, I just gotta respect a show for playing around with what's considered "too dark." Especially if that show is on the Disney Channel!

The writers are not afraid to imply that death happens in the world of Amphibia, primarily because it is like a swamp ecosystem filled with predators and food chains. And I feel like because the characters are mostly amphibians, the writers can get away with an entire cave filled with the bones of victims as long as they're not humans. But frogs? No one gives a crap about them. There's a reason they're the ones who get dissected in schools.

Plus, a good majority of the monsters that Anne and the Plantars face are pretty horrifying at times. The crew who work on the show do a great job balancing the line of making these creatures look scary, but never go too far that they'll scar kids for life. Except in the Halloween special...How the f**k did they get away with the monsters in the Halloween special? And while they don't ever show what these monsters do, the implications honestly make things much worse, which again, I kind of respect. It's good to have shows like Amphibia that can scare kids a little bit. Getting through something fictitiously dark helps make kids feel braver and prepare them for the real horrors in the world. Especially since most of these creatures are just exaggerated versions of real-life predators...google them.

The Season One Finale: It was "Reunion" that made me realize that Amphibia has the potential to be amazing...it's also the last episode of season one, so let that sink in.

Joking aside, I honestly do love this episode. It's funny, it brings in elements from other episodes, nearly everybody does something useful, and it all ends with a satisfying and equally gut-wrenching climax. A climax, by the way, that is so perfect that I'm going to do a scene breakdown for why it's so good...so, you know, add that to the to-do list (I have so much s**t to make -_-). "Reunion" has so many elements about what makes a season finale so good that I feel like future writers should take notes for their own series that they plan to make. While I wish every episode of Amphibia had this level of quality, the writers know that the last impression is one of the most important. Because I will defend this show if this is the episode people use to trash it.

Marcy: I will also defend this show if someone trashes Marcy. Trust me, the best way to tell that someone is just hating on Amphibia for little to no reason is if they utter the word, "Marcy is a bad character." That is not true. Marcy is a great character, and I'd go so far as to say she's the best character in the series. She's sweet, adorable, and has a story ten times more interesting than Anne's. Anne learns what a sincere relationship is like through the Plantars, where Marcy falls victim to another manipulative relationship through King Andreas. It's her co-dependency that has the chance to get fleshed out more, and I can't wait to see if she has a moment to break out and form her own path.

Also, in the mass expanse of the multiverse, there exists a world where Amphibia is about the adventures that Marcy had in Newtopia as she uses Dungeons and Dragons logic to get by. And I want to see that universe! Because this clumsy nerd is already a blast to watch with the briefest of cameos. Imagine how much fun she would be if she had her own series!

Sprig: I don't know how much love Sprig gets within the fandom, but I got a feeling that it's not enough. He's funny without being annoying (most of the time), there's a whole lot of heart and sincerity to his actions, and above all else, he's the best friend that Anne needed. When Anne explained her very flawed views about friendship in "Best Fronds," it is clear how essential someone like Sprig is as he teaches Anne what friendship really means. It means caring for each other, supporting each other, making equal sacrifices for one another, and just being on the same page as each other. It is genuinely sweet seeing their friendship bloom, and I honestly hope the Amphibia fandom gives Sprig the amount of appreciation he deserves. Sure, he can be annoying sometimes, but for the most part, he's easily up there as one of my favorite characters.

Wally: Same with Wally! Who would have guessed that a character who appears as an dumb source of comic relief has a level of depth and lovability to him? "Wally and Anne" shows that while he is a nonsensical goofball, he doesn't really care what the frogs of Wartwood think of him. What matters is what he thinks of him. And that is just an incredible lesson to teach kids that just makes me love Wally more. 

(It also helps that he's probably the funniest character in the show. I know I said that he's dumb, but when he works, he works.)

Kermit the Frog Cameo: ...It's Kermit the Frog, y'all. I physically can't hate him. Especially since this is the perfect show for him to make a cameo in!

WHAT I DON’T LIKE

Anne’s Character: I don't have a problem with Anne. I think she's a serviceable protagonist, and I love the fact that she's Thai, offering a form of Asian representation other than Chinese, Japanese, or Korean. But here's the problem with Anne: After a season and a half, I still don't know what her character is. If you were to ask me to describe a Disney show protagonist within one sentence, I could do it effortlessly. Watch:

Star Butterfly: An adrenaline junky of a warrior princess who slowly learns to be responsible with each passing season.

Luz Noceda: A generous nerd that obsesses about fantasy and fiction, who still understands when to take a step in reality when the moment calls for it.

Scrooge McDuck: An old Scottish miser who has the heart of adventure and is a duck that almost loves his family as he loves his money.

For Anne, I don't know where to start because her personality is so inconsistent. Sometimes she makes friends with others without even trying, and other times, she gets on others' nerves easily. Sometimes she's a thrillseeker with the heart of adventure, and other times, she's a person who prefers to hang back and avoid doing work. And sometimes she's the only sane character with logical advice, and other times she's the most insane character who needs advice. Now, you could argue that these are all character traits that make Anne multidimensional. But if you ask me, it seems like her personality is dependent on what the writers want her to be for the episode. Someone like Luz going back and forth between two traits only works if there is a dominant personality trait that takes over the other. If Luz spends an entire episode being angry and serious, it proves that there's more to her than just a character that's nerdy and optimistic. But it's clear she is still that lovable nerd by having her say a corny line like, "Talk to the glyphs, Witch!" But because Anne has so many personality traits, it's hard to tell which is the norm and what is out of character. Case in point: Having Anne obsess over hang-gliding in one episode and doing a puzzle in the next is off as neither correlates with each other. Nor do they tell me who Anne is, other than the fact that she's clearly a character lacking a singular identity. And seeing how she's the main character, the one audiences are supposed to root for and identify with, it's probably not a good thing.

The Story: For the record, I have no problems with the story itself...the way it's written, however...

First off, there's too much filler. This isn't necessarily a bad thing, as filler episodes have the potential to be fun when written well. The problem is that relying on filler instead of telling your story can leave some people (me) uninterested and angry. And the thing is, there is a perfect way to avoid filler that doesn't involve telling the overarching narrative: Introduce personal plotlines. Look at The Owl House, for example. There are several character-oriented narrative threads that get introduced within the first few episodes. Such as Luz learning magic, Eda's curse, her relationship with Lilith, and Amity's redemption. Therefore, The Owl House avoids any filler episodes just as long as it focuses on any of these plotlines and even introduces new ones. Amphibia has the plotlines, but it rarely focuses on them. Especially since the story takes way too long to develop. 

Every time I think the show is finally going to start moving forward and we can continue the story, there are like ten more filler episodes where everything comes to a screeching halt. Now, to be fair, there is an explanation why we're forced to wait for the story to move forward, and it's because the characters are forced to wait as well. But, even then, there could have been better ways to pad out that waiting than just adding filler. For example, I may not have been forced into an alternate universe where nearly everything wants to kill me, but if I was, I WOULD SPEND EVERY WAKING MINUTE I HAVE TRYING TO FIGURE OUT A WAY BACK! In the first season, how many episodes does Anne spend trying to figure out the mystery of how she got there and how to go home? Two. There are two whole episodes, out of thirty-nine, where Anne tries to figure things out...That is insane to me. But to be fair, season two is doing a much better job at moving things along...but it doesn't change the fact that the writers are kind of bad at telling their own story.

There are two episodes, "Anne Vs. Wild" and "Lost in Newtopia," where the story continues, but it's only in the last few minutes. The problem is that if you take those endings out, the episodes themselves do not change a bit. BUT because those are significant and essential moments for the plot, you can't take them out. Resulting in scenes that, while intriguing, come across as awkward in the long run. So now, my question is why. Why is the story handled so poorly? And I have one theory.

It Feels Like the Writers Can’t Decide What they Want the Show to be: Sometimes it seems like Amphibia is written as a pure slice of life series like Big City Greens. However, there are times when the show seems like it's intended to mix slice of life with fantasy like Gravity Falls. Now here's the problem: Big City Greens and Gravity Falls are two very different shows in terms of storytelling, tone, and character work. Big City Greens is an episodic comedy series where character development is unimportant, and the adventures rarely go beyond just being wacky. As for Gravity Falls, it is a show that is semi-serialized where the character development is constant, and the fantasy-adventures are always prevalent in every episode. And there are several episodes of Amphibia that could be a part of either show. Episodes like "Stakeout," "Lily Pad Thai," and "Little Frog Town" have plots that I can see being in Big City Greens. Then there are episodes like "The Domino Effect," "Toad Tax," and "Marcy at the Gates" that I could see being in Gravity Falls. These two groups of episodes are vastly different from one another that it causes Amphibia to feel disjointed in the process. Usually, I'm a fan when a series mixes different genres together, but do you want to know why something like Gravity Falls does such a great job at mixing slice of life with fantasy-adventure? Because, as I said, fantasy-adventures are always present in every episode. "Dipper vs. Manliness," "Boss Mabel," and "Roadside Attraction" each have the most basic slice of life plots of the show, but there is always a fantasy element or a monster to fight. There are entire episodes of Amphibia where there is no monster, and even when there is, it doesn't have the same amount of tension and weight that the creatures in Gravity Falls have weekly. A show like Big City Greens doesn't have to worry about monsters or evil villains every week because it doesn't need to. It's a show about the wacky adventures of a family of farmers adjusting to city life. Why would they have to worry about a monster every week when they just have to worry about each other. If Amphibia was the same way then there would be no issue. But because if it wants to be a mix of slice of life with fantasy, then it does need to worry about a monster every week. I usually try to defend shows that try to play both sides, but this show has to be the one occasion where I have to say pick one or the other. Because the writers tried hard to be both, and personally, I don't think they did a good job.

Characters Don’t. Stop. SCREAMING!: It's here we move on from what's objectively wrong with Amphibia to the things that just bother me personally...and this is one of those things. I get it. An over-the-top reaction to something minimal can be funny on occasion...but it's never "on occasion" with this show. Nearly every episode has characters screaming to get a laugh, and most of the time, it's more annoying than it is funny. It's Hop Pop who does this the most, and I just feel so bad for Bill Farmer. That voice already seems like it's hard to do, so being forced to scream and yell with it for the sake of comedy can't do him any favors. Other shows, especially ones on the Disney Channel, have characters overreact for the sake of humor, but it's Amphibia that I feel like it relies on this the most. I'm sure some people aren't bothered by this, but I am, and this is my review, so I'm mentioning it.

Poly: Speaking of things that probably don't bother other people...I feel like I'm making some enemies with this one. Because, boy, do I not like Polly. Her voice is annoying, she mostly causes problems for the family, and to me, her entire character seems pointless. No, really. Think about it. Anne is the main character, Sprigs acts as her emotional support, and Hop Pop acts as the voice of reason. What's Polly's purpose? Because all she adds are unnecessary jokes, character traits that could have gone to anybody, and acting more as a plot device than an actual character. The only justification for her that I can think of is that she adds gender balance to the main cast. Which would be more than acceptable if there was a point to her existence. But I think it's pretty evident with her exclusion from the original pilot pitch for the program that Polly's personality is practically pointless...that is most likely the only alliteration I'll ever do for a review, so you have better appreciated it.

If you like Polly, then more power to you. For me, I just don't enjoy her.

Sasha: Oh, nelly. I can already see the hateful messages I'm gonna get from this.

Now, as a character, I actually do like Sasha. I think her personality is interesting enough to dissect, and I think she acts as a perfect antagonist to Anne, the Plantars, and even Marcy if you want to get into it. My problem relies on how much the fanbase is already jumping on the "Forgive Sasha" train. Because, "Aw, she's just like Catra and Amity! So sweet, tortured, shippable with the main character, and--" STOP IT! Stop it right now...and think. With Catra and Amity, you see the environment they grew up in, you feel the abuse they deal with, you understand the reasoning of their actions, and you come to forgive them for who they are...At least for Amity, you can. For Catra, it requires more of an argument. But Sasha? Did we see the same cruel mistreatment to her friends? Did we hear the same coldness in her voice as she describes how to manipulate people? Did we witness the same damage she's done to Anne and Marcy in how they perceive healthy relationships? Apparently not! Because while everyone else is already on the same page that Sasha deserves redemption, I'm sitting here thinking that maybe it's for the best to be a little more hesitant. So far, we have yet to see any way to understand her reasoning and have yet to see how she deserves forgiveness. Sure, Sasha was willing to sacrifice herself for Anne, but did Sasha really earn that? It works as a sudden realization that Anne deserves better, but Sasha has yet to do anything that proves she can be better. Especially since the next time we see her, she's trying to help a fascist ruler get back up on his feet...THINK ABOUT THAT!

But, sure, she's meant to be forgiven. That can work. Because while Sasha shows kids the type of people they should avoid, she can also work as a warning for what kids should avoid becoming. That is a great thing to teach...but it can also be potentially dangerous. Because if incorrectly interpreted, Sasha can show kids that every person who seems toxic just needs a chance to change. And that is the last thing you want to teach, given how very few toxic people actually change. You want to know why The Owl House gets away with an equally dangerous lesson about how not every bully is awful? It's because it shows two sides of the spectrum by proving why someone like Amity did the things she's done while also saying that characters like Boscha and Mattholomule are just a-holes for the sake of being a-holes. Sasha has no one to compare to. Sure, there's King Andreas, but he's a government figure. They're built to be manipulative. Sasha needs someone that's on her level of cruelty to prove that while some people can change and have reason to do so, others don't. And seeing how I don't think she deserves to change, at least not yet, that is an issue. It's the biggest issue out of all the issues I have with this show.

------------------------------------------------------------------------------------------

So, yeah, I think it's pretty evident how I feel about Amphibia when I can write paragraphs about the stuff I don't like while barely being able to talk about the things I do like. Because I do enjoy this show. It's funny, most of the characters are enjoyable, and its discussion on toxic relationships still has me hooked to see what happens next. My issue lies with inconsistency. The main protagonist, storytelling, genre, and thematic purposes are all inconsistent. I'm interested enough to watch more, and who knows, maybe I'll make a final verdict review once the series comes to an end. For now, if you had to ask me what I’m excited to make a return, I don't know if I'll be willing to hop to it by saying Amphibia.

(Also, if you're still looking for that link for that pirating website I mentioned, now would probably be a good time to tell you that I really never did put one in. I told you, that would be crazy...That should teach you to try to break the law.)

#amphibia #what i thought about #why i want to love #anne boonchuy #sasha waybright #marcy wu #sprig plantar #polly plantar

[cats-moss-gays]

@terflies

You’ve been all over my posts so I’m just going to consolidate into this one. I’m tired of scrolling past your long and quite frankly boring responses. This post will be divided into sections. If you’re going to respond please say something interesting. However I doubt either of us will ever change the other’s mind. These are kind of like closing statements and I doubt I’ll make anymore major responses because I’m trying to stay focused on offline things.

1. Unanswered Questions

There are some questions and statements in my reblogs that you conveniently ignored.

Definition of a woman? You responded with some generic bs that very clearly isn’t an answer. I’ll be more specific, what should the dictionary definition be? Any ideas?

If I don’t feel like a woman am I allowed to identify as one? You said you weren’t going to humour this question but it is applicable to me and many other gc women. I definitely don’t have any internal feeling of womanhood, or any gender. Does this mean I have to be agender? Is the female gender label restricted to a certain feeling? Or is there absolutely nothing that women have in common?

What is the feeling of womanhood? You kind of answered this but I have a follow up question. You say the feeling of womanhood is enjoying being perceived as a woman. If I feel indifferent to this does it mean I’m not a woman? Additionally, many women feel uncomfortable with being perceived as a woman because of the misogyny associated with the label, does this make them men?

2. Inaccurate Statements and Lies

I don’t believe any “TRAs” define women by gender roles

You may not but there are many who do. It’s also important to point out how deeply ingrained gender roles are in society; you can’t stop them by just saying your choices exist in a vacuum. I’m sure you think I’m just making this up for fun, so here are some examples ;)  x - x - x - x - x - x - x - x - x - x - x - x - x - x - x - x

So this whole…thing is dishonest from the start. Gender does not replace sex.

In another post you said that laws should be based on gender instead of sex. So which is it, either gender isn’t replacing sex or it is. When feminists talk about sex based oppression they’re called terfs. When gay people say their attraction is based on sex they’re called transphobic. When people were saying that only females get cervical cancer, they were called violent transphobes. Gender is absolutely attempting to replace sex as the basis of legal protections, safe spaces, political movements, etc. Two of the top post on my blog are more extreme example of this. x - x

BONUS: You’re saying TERF rhetoric

3. The “Questions” Post

You seem very confused about how to define biological sex and to some extent I understand that but you have to stop playing dumb. There must be some way that doctors are able to identify the sex of a fetus before it’s even born in the vast majority of cases, right? And before you try to say I’m just ignoring the existence of intersex people or trying to deny science, I’ll point out that I have watched and read a lot of “sex is a spectrum” stuff. I understand that DSDs exist and that biology is complicated. Our disagreement is mostly not over the facts but over how to define them. I know that however I explain it you’ll pretend you don’t understand it, so instead I’ll just link you to some other sources that explain it more in depth. x - x - x - x - x - x - x - x - x

A third sex—and many creatures have more than two—does not necessarily mean a third gamete. Mostly this question is a childish distraction, but if you were to use a strict, gamete-based definition of sex the answer would be “none”.

So all infertile people are a third sex? To be female you have to be able to bear children? And you call me regressive, yikes. This can be debunked with the same sources from above but I wanted to feature it in my post because I want people to know that you think there’s a third sex.

I made a quick little chart to compare all the things gender has been compared to! The difference is that while many are socially defined, gender is socially constructed. If someone never interacted with other humans, they would still have a skin color, have or not have specific abilities, have a sexual orientation, and be male or female. They would not have an observable gender identity.

1 - You refuse to humor my questions about being a woman who doesn’t feel like one, however this is not in bad faith; I do want to know what you think. Many gc/radfems, including myself, and many women in general do not have a specific feeling of gender. This is especially true for gnc women, who often feel a disconnect from the feminine gender role and subsequently, the feminine gender. The solution is to realize that there are no standards to conform to to be a woman, no clothes or interests or feelings, just the biological reality one is born with.

2 - You say “the feeling of womanhood is enjoying being called a woman” but what does that mean? It’s circular reasoning, a fallacy called begging the question. How do you know you are a woman? If I gave up being a terf on tumblr, how would you advise that I identify if I don’t think I feel like a woman? My current plan was to just pick the mogai flag with the prettiest colors, but I’m thinking maybe there’s more to it than that...

3 - See my explanation above. Sex is comparable to race or disability or sexuality; gender is not.

4 - You say genders are social classes. If they are indeed social classes, they are unnecessary ones that reinforce oppression. They are undefinable when not based on biological sex or gender roles. The other example of classes I can think of is wealth. Wealth classes have obvious divisions, you can’t just identify into more money. Gender has nothing that is shared by every woman, man, or nonbinary, so you can just identify in and out of classes. Additionally, if there are like 100 genders, are there 100 classes? 

4. The “Biological” Sex Post

Gender does not replace sex

Then why are TRAs trying to say sexuality, legal protections, bathrooms, spaces, political movements, etc should be based on gender instead of sex? You keep contradicting yourself; you should talk to your fellow trans activists because many would disagree. Also see my response in part two.

A number of points here aren’t factually wrong but simple (*simply) irrelevant

So you would agree that biological sex is important and that it is relevant to many conversations? Then why were people getting mad about this?

Or this?

On to the specific examples. This post is long enough already and I’m not going to spoon feed basic biology to you because you’ll probably just ignore it. I referenced a variety of sources earlier. I’ll just reference Invisible Women since it’s an amazing book.

1. This first point is, appropriately enough, true in isolation; it just doesn’t support Paradox Institute’s argument. Listing it leads the audience to believe that truth is on their side, but PI do nothing at all to justify that.

So nothing here is true? They’re just lying? Here are their sources btw.

2. Generally irrelevant, but not entirely biologically accurate, either. It isn’t that ‘male’ and ‘female’ are categories intrinsic to nature that produce small, motile and large, immotile gametes respectively; ‘male’ and ‘female’ are labels we assign (generally, but not always) according to gamete size.

So it’s not relevant that one sex has the ability to carry children or menstruation or get an abortion? It’s not like there’s any issues women face specifically for that, right? So we assign the labels male and female to gametes. If you want to play semantics, sure, we created the words, but the gametes themselves already existed. Not really sure what you’re trying to say here other than disagreeing for the sake of disagreeing and moving some words around. Are you implying that the categorizations of gametes are subjective? Are you saying there’s a spectrum of gametes?? Are eggs just big sperm and sperm just small eggs??? Genuinely have no idea what the fuck you’re trying to prove here.

3. Whatever your opinion of evolutionary psychology, this does not preclude gender. (On the contrary, we ought to include gender in our understanding of cultural development with respect to sex.)

The only gender in history was gender roles, and both were tied to sex in most cases. Sex absolutely came before gender and is more integral to our existence. In any time before the last few decades, gender and sex were basically synonyms.

4. Entirely a straw argument. And, to the contrary, precision greater than two sex categories would be beneficial (i.e. specific sex characteristics, history, endocrinology etc.).

Obviously doctors don’t just diagnose based on sex, they factor in medical history and other traits. Precision is irrelevant because it still focuses on sex not gender. If it’s “entirely a straw argument” why did someone else reblog your response with this?

Speaking as a member of a medical family, the medical one fucking OFFENDS me.

Blood type HAS NOTHING TO DO WITH GENDER. Or biological sex! Both are totally irrelevant! And medication dosage is determined by AGE and SIZE. A 25-year-old 160-pound person with a penis needs the exact same dose as a 25-year-old 160-pound person with a vagina. In fact, possibly LESS of a dose, if the person with a penis is 5’10” and the person with a vagina is 5’5”. (The taller person may be underweight.)

This is just. UGH. I could scream.

@prismatic-bell​ this is one of the funniest and dumbest replies I’ve ever gotten. First of all “member of a medical family” tf is that lmao. This reminds me of that post where the “medical worker” tra turned out to be a garbage collector guy. I have no idea why you brought up blood type when it is literally never mentioned in the original post. Strawman much? Fucking obviously blood type isn’t affected by sex, and you’re completely missing the point if you think gender has anything to do with this. Medication dosage is decided by age and size, yes, but also biological sex. This is like basic medical science, dumbass. Mandatory reading from Invisible Women as punishment for your stupidity crimes:

People called her a terf for this :)

5. How sports are best divided is a far broader question than this point implies. We could, for example, segregate sports by relevant physical attributes (as is already the case in some sports) rather than by sex or gender. This point also presupposes (but does not justify) that a woman having an advantage in women’s sports by dint of being trans is significantly greater than an advantage any woman might have by dint of her natural attributes (which, empirically, she does not) and hence would be unfair. That said, enforcement of “female” sports is already marred by racism and perisexism.

You agree sex and gender are different, yes? So then why should males be in female sports? You’re trying to distract me with that stuff about physical performance and whatever. Focus on the question at hand, should males be allowed into female sports? We cannot eradicate sex-segregated sports because female athletes will be even more systematically disadvantaged. If you were truly a feminist you’d understand that female sports are the result of the movement you claim to support. More Invisible Women facts plus some interesting info about the plough hypothesis:

6. Simply untrue. Excluding trans women from statistics about women on the basis that doing so would affect those statistics is arbitrary at best. Those statistics may change, but that does not mean they are unsuitable or inappropriate. The exclusion of any subset of women can be justified in exactly the same way.

Nope! Stop trying to use women of color and intersex women as justifications for why we should let men pretend to be women. You’ve seen the hundreds of receipts of trans women committing all sorts of male violence. Has anyone found anywhere near a comparable number of trans men doing similar things? They have not, even though if trans men were truly men they would be much more violent.

7. The majority of single-sex spaces are, functionally, just as much single-gender (owing to the traditional equivalence of ‘sex’ and ‘gender’ and to the majority of the population being cis. Trans people have been using spaces appropriate to their gender for decades, whereas concerns about them doing so are based on speculation and hypotheticals rather than fact. (Aided, as with a lot of bigotry, by bad and manipulated statistics.)

I’ve spoken about my opinions on the bathroom debate before. If a passing trans person uses the bathroom of their choice I don’t really care, but there have already been many examples of men making women uncomfortable in their bathrooms, or worse. Making all bathrooms gender neutral is by far the worst idea, but unfortunately that seems to be where we’re headed. More Invisible Women, just for fun:

8. This is the worst red herring, exploiting violent misogyny for the sake of argument. It is another straw argument, too, since—even ignoring trans-positive feminism in practice and assuming trans people act only in self-interest—trans people are concerned with addressing such injustice.

Sure, many trans people are supportive of feminism. But we can’t effectively dismantle the patriarchy if we can’t accurately describe the (sex-based) oppression involved. Women are routinely silenced when talking about our biology, even when there is no “transphobic” language involved. “Trans-positive feminism” also often reinforces misogyny by supporting sex work and porn, and by shutting down analysis of things like femininity and makeup because “some women like it.” See also from trans activists: misogyny racism homophobia + lesbophobia

9. Similar to (7) there is no consistent distinction between sex and gender across law. Even so, this is another red herring as it is possible to recognise both sex and gender in laws and policies. Some laws already do (at least functionally, if not explicitly).

You can deny it but the TRA train is leaving without you and they’ve been clear about their goals. As you’ve seen in this post, gender is intended to replace sex. Those who bring up sex-based issues are silenced as “terfs” who deserve the hatred thrown at them.

Sorry for making such a long post but I was on a roll so I just kept writing. I don’t expect @terflies​ to respond to all of this but I wanted an excuse to make some sort of masterpost that links to a lot of my other posts and can be used in the future. Online school is going pretty well and I’m trying to start some doing some hobbies that are better than tumblr blogging.

#my posts #discourse #factfem #receipts #masterpost #there's so many things mentioned in this post i'm not going to bother tagging them all #debunking anti terfs #terf

[johannas-motivational-insults]

Adora might be autistic too

Alright, most people in the SPOP fandom agree that Entrapta is autistic, as her coding is extremely obvious. However, some of us also believe that our beloved protagonist Adora is on the spectrum as well. She comes off as quite the aspie, and while Asperger’s is no longer a diagnosis in the DSM-V (but is in other manuals), it falls under the blanket diagnosis of Autism Spectrum Disorder (ASD) and its diagnostic criteria is still useful in analyzing people for signs of the disorder. In analyzing Adora’s character I will refer somewhat to both disorders, with the understanding that Asperger’s is a specific manifestation of ASD.

I would like to preface this by saying this is a headcanon and people are free to disagree with me. Some of these characteristics I’m going to bring up could also manifest because of her very sheltered upbringing in a cult-like atmosphere or mental illnesses such as anxiety and complex PTSD (both of which she arguably has). I am autistic myself, so obviously I am inclined to interpret these symptoms this way, but to each their own. It’s also worth noting that Adora has a lot of symptoms that cross over with AD(H)D, a cousin disorder to ASD, and it’s totally possible she has both.

In any case, there is now enough evidence hinting at Adora’s neurodivergence (especially now that the Rebel Princess Guide has been released) that I feel the need to explain this theory in detail instead of just occasionally mentioning it. So here goes...

She’s naive/easily manipulated

This one doesn’t really need explaining, we’ve all seen it. Adora assumes people are telling the truth because why would anyone lie to her? That is such a relatable spectrum feel. She was handily brainwashed by Shadow Weaver in the Horde, while some of the others didn’t seem to swallow the propaganda so easily. This is of course partly because of the special attention and affection Adora got from Shadow Weaver, but she had to be vulnerable to manipulation in the first place for it to work.

Later, she trusts Huntara easily in the Crimson Waste despite Bow and Glimmer’s warnings about her questionable character. Adora happily follows her into a trap even once Bow and Glimmer tell her they're going the wrong way, reasoning it’s probably a shortcut rather than reevaluating her misplaced trust. This can be partly explained by how she‘s gay af for Huntara, but still.

(Interestingly, the episode cuts straight from this moment to the obviously autistic Entrapta going against her own friend's advice and refusing to give up on the portal machine despite the obvious warning sign of Hordak’s violent dismissal. Parallels, much?)

Her difficulty understanding other points of view

A lot of Adora’s conflict with Catra is predicated on misunderstandings, and she has a hard time understanding the effects her actions have on other people, Catra in particular. For instance, she misunderstands Catra talking about ruling the Horde together as being purely about power, while Catra’s actual goals are safety and Adora’s companionship. That miscommunication is not just Adora’s fault, but it illustrates that she has difficulty understanding other people’s needs and motives without being explicitly told.

This isn’t just a problem with Catra, either. In general Adora has a difficult time understanding other’s motives and feelings. For instance, she doesn’t understand Glimmer’s insecurity over Bow’s friendship with Perfuma at Princess Prom, and she can’t fathom why Entrapta would choose to work for an evil faction, going so far as to assume she must have been brainwashed into it. This is because, just like with Catra, she doesn’t understand that some people’s priorities are not the same as hers.

Autistic kids tend to reach developmental milestones at different times than neurotypicals, sometimes being way ahead and other times falling behind. One such marker that is usually slower to develop and often stays impaired is theory of mind, our ability to a) understand that other people have different perspectives and b) understand those perspectives. Adora’s difficulties being able to put herself in someone else’s shoes definitely lines up with this symptom.

She’s clumsy

For someone so athletic, Adora sure lacks coordination. This is a commonly cited symptom of people with Asperger’s, though it shows up in people with other forms of ASD too. In general, autistic people often have difficulty with fine and/or gross motor skills, and this can lead to being accident and injury prone. According to Catra in 3x05, Adora bumps her head a lot. That may have just been a callback to 1x01, but either way clumsiness has been part of her characterization since the beginning, one of her many loveable, adorkable qualities.

Her lack of social and self awareness

Adora can be painfully oblivious to her own inappropriate behavior. There’s several examples of this throughout the series, one of the more costly ones coming at Princess Prom. Shocked by Frosta’s youth, Adora fails to register how maybe this (in front of Frosta, with all eyes on her) is not the time to remark on it. She immediately realizes this was the wrong thing to say (or at least not something she should shout), but that small delay causes both her and Glimmer a lot of embarrassment.

Part of the issue here is that she loses control of her volume, which in itself is a common problem for those of us on the spectrum. This isn’t the only time we see her have this problem, either, and it’s amplified (tee hee) when she’s drunk/infected.

More generally, one of the funniest examples of Adora’s poor social awareness comes when she barges into Huntara’s flirtation with the bartender in the Crimson Waste. She’s so focused on her task of recruiting Huntara that it doesn’t even occur to her that this is an intimate moment and intruding would be rude.

In the Rebel Princess Guide Adora also says she wishes Queen Angella would let her make some adjustments to the uniforms of the Bright Moon guards, which implies she tried to make these suggestions already. Maybe she figured She-Ra could suggest anything, but as both a newcomer and a royal subject that’s a bit of a faux pas. Chances are, that went right over Adora’s head.

She can’t read a room to save her life (literally)

This is another, more specific aspect of social awareness. Adora has difficulty picking up on the implicit rules (social norms) when she enters unfamiliar situations, and has a tendency to step on toes because of it. She also doesn’t understand when her friends try to nonverbally communicate what she’s doing wrong, and nonverbal communication deficits and problems with social awareness and insight are two major symptoms of ASD. One specifically listed example is “difficulties adjusting behavior to suit social contexts”, including:

Lack of response to contextual cues (e.g. social cues from others indicating a change in behavior is implicitly requested)

Unaware of social conventions/appropriate social behavior; asks socially inappropriate questions or makes socially inappropriate statements

Here’s a couple specific example of times where Adora misses or misunderstands nonverbal cues to change her behavior:

At her first Rebellion meeting she doesn’t realize that maybe she shouldn’t sit in the special-looking chair, and doesn’t clue in that that’s why everyone is freaking out.

In the Crimson Waste, Glimmer responds to the growling bar patrons surrounding them by suggesting that maybe these aren’t the kind of people they should be asking for help, but Adora persists. She jumps up on the bar and makes a speech trying to get directions (which is socially inappropriate for the context as well as dangerous), somehow missing all the scowls from the patrons as well as Bow and Glimmer’s wild gesturing.

Panic over unfamiliar social situations

Adora’s anxiety about going to Princess Prom could be attributed to many things, not just a spectrum disorder. Her obvious anxiety, for one, though to be fair there’s a high comorbidity between the two disorders. In any case, it seems the unfamiliarity of the situation is a sticking point for Adora in particular, while Bow and Glimmer are nothing but excited for their first ball.

Adora’s anxiety seems to stem mostly from being overwhelmed by the prospect of entering a new social situation with a whole bunch of unfamiliar rules to remember. She’s still learning behavioral norms outside of the Horde, and this is a huge jump up in terms of difficulty for her fledgling social skills.

To cope with her stress she goes overboard trying to prepare by making a conspiracy board of sorts, flash cards, and an obstacle course. And at the ball itself, it seems like she’s even rehearsed how to behave.

This probably isn’t only relatable to autistics, but it’s very relatable to us. Creating and rehearsing behavioral scripts is a common strategy to avoid embarrassing ourselves in public. Unfortunately, as we saw above, this works for about five seconds before Adora botches the whole thing by commenting on Frosta’s age.

Extreme stress over details

In general, Adora is a very anxious, perfectionistic person who hyperfixates on details, a very autistic trait. As mentioned above, this is wonderfully illustrated by her overpreparation for Princess Prom. She’s broken down the overwhelming list of rules in the invite into categories to make it more manageable, gone into detail categorizing people’s relationships to each other, and learned trivia about the guests in order to feel more prepared. Yet, somehow she missed the important fact that the hostess is only eleven years old.

Unfortunately this hangup doen’t only affect her, but also her friends and allies. The overarching theme in “Roll With It” is how debilitating Adora’s anxiety and perfectionism can be. Her eye for detail and ability to see flaws in plans is actually very valuable, but she gets so hung up on every possible thing that could go wrong that she can’t accept imperfect solutions with calculated risks.

Her propensity to be overwhelmed by too much information (like with the Princess Prom invite) shows up here too. Adora grows more and more frustrated and overwhelmed as more princesses join the planning session, adding more variables to deal with and more people to manage. She begins lashing out and shooting down every possible solution that doesn’t satisfy her need for perfection immediately. Her behavior looks like it may be headed for a meltdown until it culminates in an epic rant revealing all her anxiety and how it ties into her insecurities about her own imperfection.

Thankfully her friends are able to reassure her that she has support and doesn’t have to be perfect, but it’s an ongoing battle, one we already saw her struggle with in “Flowers for She-Ra” and “The Battle of Bright Moon”. It’s a strong tenet of Adora’s personality that is proving difficult to shake.

What she misses about the Horde

The recently published Rebel Princess Guide contains a list by Adora of things she misses about the Horde, and this list screams neurodivergent. I’ll go through it point by point, since there’s a lot to unpack here.

THINGS I MISS ABOUT THE HORDE

1. I miss the rigid schedule. It never changed, and I always knew what to expect.

Ritualistic behavior and an insistence on sameness are often seen in individuals with ASD. In fact, it’s a major symptom. Many of us have diifficulty adjusting to changing schedules, changes in diet, or even minor changes in our environment (such as placement of objects, boy do I have stories there). We need warning when things are going to change, and even if we know it’s coming it’s still a struggle to adjust.

2. I miss the constant sound of machines and whirring. In Bright Moon, there’s always music playing, or people laughing, and birds singing. It’s nice but it makes it hard to focus!

Autistic brains process sensory information differently from neurotypicals, that’s basically our disorder at its core. Over or under reactions to sensory input are common and in fact considered a major symptom, and this entry of Adora’s specifically refers to difficulties with sensory filtering. We have a hard time filtering out information that’s irrelevant to our current task, which makes us easily distractable.

3. Believe it or not, I miss my hard cot in the barracks. My bed in the castle is way too soft!

This ties into both the insistence on sameness and sensory issues.

4. Catra… sometimes.

This isn’t autistic, it’s just gay.

Speaking of which...

She’s gay

Adora's relationship with Catra has always been queer-coded, but any doubts about her sexuality were dispelled in season 3 by the way she fawns over Huntara like a baby gay over her gym teacher. Her obvious queerness might seem unrelated to the topic of autism, but those of us within the community can attest there’s probably just as many queer people among us as there are cishets. It’s so notable that there has been quite a bit of scientific research confirming people with ASD are more likely to be LGBT and gender atypical and exploring the cause of this link.

(This needs no proving at this point, but enjoy these gifs anyway...)

In conclusion

Overall, there’s a lot of hints and circumstantial evidence suggesting Adora could have ASD. Was this the creators’ intent? Hard to say. Adora is the protagonist and one of the most developed characters, so she’s definitely not a cardboard cutout or checklist for ASD symptoms (compare that to Entrapta, a secondary character whose behaviors can often easily be attributed to autism). It’s totally possible the creators just characterized her as naive and awkward and obsessive without realizing the implications of that cluster of traits together.

Regardless of authorial intent, it’s perfectly valid to look at Adora and see representation of the ASD community. The groundwork is there. And if someone else looks and doesn’t see it, or sees something else causing this behavior, that is also fair. No one is forcing anyone to accept this headcanon (or at least they shouldn’t be), but in return please don’t disparage it. Even if she is not autistic Adora is definitely autistic-coded, and we could use some more heros with the disorder, given how we’re mostly relegated to being villains and anti-heroes (not that there’s anything wrong with us filling those roles sometimes, but a little variety would be nice).

Adora is often referred to as a dumbass, but she’s actually quite intelligent, just sometimes slow to understand how she should act and how people feel. Still, she tries her hardest, just as she does with everything else. Adora is heroic and compassionate, even if she sometimes struggles to understand others. When autistic-coded characters are so commonly portrayed as cold and unforgiving, Adora is a sorely needed exception.

#spop #she-ra #she ra #meta #autistic adora #adora #autism #asd #asperger's #actuallyautistic

[kingluffy]

My top 10 anime’s/manga series

One piece (simply the goat) rating 9.75/10

Gintama (slow start but great anime all round especially the comedy) 9.25/10

Black Clover ( from 3 to 10 they are was below how I view the top 2 and my only problem with black clover is my interest In what’s going on goes on and off but when it’s on it’s absolutely fantastic) on it’s day 9.5/10 but average 8.65

Bleach (Great anime fantastic was my number 1 till I watched 1 and 2 but if I’m being honest I don’t think I’ll ever rewatch it again) when watching 8.5/10 looking back 8

Magi and sinbad (can easily be third pushing second but they just stopped both series for some reason, like its really good easily recommend if your not looking to watch over 100 episodes) rating is 9/10 but it only has like 50 episodes combined

FMA (just great I think it’s overrated but it’s still a great anime binged watched it and it’s movie in a weekend) 8.5/10

Tower of God ( The manga before people get confused I was really hooked on the manga a couple of weeks ago but I stopped reading it Idek why but am now struggling to get back into it since I forgot a lot it’s really is good but idk I’ll probably get back into it before the end of the year) 8/10 but certain parts were 9.5/10

Konosuba (Gintama was the funniest anime for me till I watched the konosuba movie and rewatched the anime and I can say hands down this is probably the funniest anime you’ll watch, like I now watch clips when I’m angry or something because I’ll know it’s crack me up no matter what) 9.9/10 for comedy but overall 8.5/10

Quanzhi fashi and hitori no shita ( now these two are Chinese so probably unknown but quanzhi fashi is really good got me hooked since episode one but I won’t lie the ending of season 4 kind of put me of that’s why it’s so low before it was like number 4/5 on the list. For hitori no shita it’s first two episodes are boring I’m not going to lie and it put me of the anime twice but I’m consistent and from episode three it just got better and better and season 2 was absolutely great I didn’t have any issues with it at all, season 3 came out a while ago but it’s very confusing to me now that’s why it’s this low before it would have been at 7). 8/10

My hero academia (I’ll be honest this was the first anime that I watched as in like after childhood with dragon ball,Pokemon etc and it got me hooked on anime I thought it was the greatest thing ever until I started watching other anime’s and stuff even then I still thought it was top 5 but then as I started to watch MCs like luffy, asta, ichigo even kazuma and main girls like nami,Darkness, rukia and others, I found myself disliking delusions and oraka because to me deku was too much of a crybaby and still is and he just lacks that spark for me to be that funny mc or that cool/badass one to me he literally just feels like a child and then oraka is just dull in my opinion and doesn’t really get enough moments that being said I love everything else in the anime it they had different main characters it would be like 3-5 on my list) at first before I watched any other anime 10/10 but now 8/10

Ones you should still definitely check out

Black lagoon (current time pirates and badass characters would have been on the list if it was longer)9/10 but is only like 35 episodes

One punch man (used to be on the list and now that I think about idk why it isn’t 😂😂 it’s tied 10th I liked season 1 much better than 2 but two was ok just a let down from one imo)8.5/10 but is short too

Prison school (very funny top 5 funniest but very highly sexual)8/10

Grand blue (for me this is top three funniest behind gintama and konosuba)8/10

Shokugeki no soma ( when I watched this at first it was my number 1 for sooooo long mostly because I just felt like soma was the anime version of me always proving the doubters wrong but then when he started getting respected and feared it just lost that element and slowly left my top 10 still a fantastic anime but again very sexual)8/10

Attack on titans (great anime pulled an all nighter watching season 1 when I had a huge exam same day(dw I aced it) shows how good it is but why it didn’t make my list is just that it���s general theme I really don’t like the zombie apocolyse types of shows but aot is the only exception so yeah.

Probably forgetting a few to mention oh well hope people check some of this out to me all this anime’s are over 8/10 and please feel free infact no please recommend me anime’s you think I’ll like

#anime #shounen #comedy #onepiece #bleach #my hero academia #full metal alchemis brotherhood #quanzhi fashi #hitori no shita #tower of god #magi #sinbad #black clover #konosuba #food wars: shokugeki no souma #black lagoon #grand blue #prison school #top 10

[thevagueambition]

i haven't rewatched most of them in a while but here's the second half of rhe Harry Potter Movies from worst to still very bad

Irredeemable: Order of the Phoenix

absolutely horrendous. takes my favourite of the books and goes through its motions without capturing any of its feeling. First of all Harry doesn't yell at Ron and Hermione about being isolated all summer to the point where Hermione starts crying when they reunite which is fake and bad and Let Your Movies Have Pathos. is this why people think Harry isn't canonically traumatised lmao

I don't mind Neville getting the credit for Dobby tipping them off about the Room of Requirement although it does make his reappearance in the DH part 1 movie really weird because iirc we haven't seen him in the movies since CoS, but cutting Marietta Edgecombe and making the discovery of Dumbledore's Army not a betrayal from within but something literally forced out of Cho with veritaserum that is then still treated as if it were a betrayal is very bad. In the books, Harry and Cho drift apart because Cho insists on defending her traitor of a friend whereas in the movie Harry is apparently just victimblaming Cho for being fed a truth potion???

also they cut so many cool sections of the climax in the Department of Mysteries and it's like ?? prioritise your time to get just some of this in there damn. you don't really fully get the sense that this is For Real the time the golden and silver trio are On Their Own in the Real World outside Hogwarts the way you do in the book because they're simply there for way too short a time before the adults show up for that to get through also they don't really establish the veil much so Sirius falling through it is super random

okay maybe the one redeemable thing is that they did Luna alright. even if she is way more autistic in the books

I Hate It Here: Deathly Hallows Part 2

Book!Harry spends the entire book obsessing about Dumbledore's backstory only for movie!Harry to show up like "I really don't care what happened with you and your brother" WHO IS THIS DIPSHIT IMPOSTER.

did they like. think the Dumbledore story line wasn't hugely thematically relevant because it absolutely is. every book in the second half of the series is partially about growing up and dealing with the adults you look up to being fallible

since 1) they cut the Dumbledore sl and 2) men aren't allowed to cry in these movies, the scene at King's Cross is pointless outside it's completely utilitarian function of giving Harry the choice to go back to life or not. again, Dumbledore tearfully apologising to Harry is fucking important. Harry's empathy for the piece of Voldemort's soul screaming under a bench somewhere is relevant

also cutting the Dumbledore Plot makes the ollivander and Grindelwald stuff with the wand super fucking random lmao

Voldemort dying in a puff of smoke because Cool Visual Effects when again, him dying *like the regular human he is at the end of the day* is hugely thematically important is also bad

Have Dumbledore's Army even been doing anything at Hogwarts before the golden trio show up??? you don't super get the sense they have lol.

generally this movie just seems interested in doing all the hashtag cool memorable moments with no thematic or even like narrative coherence

Really Bad: Half-Blood Prince

the stuff in diagon alley is done really weirdly and that attack on the burrow they added is also really weird

the mischaracterisation of Dumbledore present ever since Gambon took over becomes a particular problem because like a really big problem once Dumbledore becomes a central character because all the super poignant moments between Harry and Dumbledore are bereft of most of the emotionality they have in the book especially the cave seen where Gambon!Dumbledore is too manly to cry hysterically I guess

the death scene is also absolute nonsense like the ONLY reason mister "has a saving people thing" doesn't act to stop Dumbledore's murder/assisted suicide in the book is that he LITERALLY CAN'T, he's petrified under an invisibility cloak, under literally no fucking circumstances would he just stand around while someone threatened Dumbledore least of all Draco fucking Malfoy

they also like??? cut the actual climax of the book in favour of making the cave the climax I guess?? like in the book there's a giant fight happening at Hogwarts between Dumbledore's Army + some Order of the Phoenix members and the Death Eaters while in the movie I guess the Death Eaters just wandered in, killed Dumbledore, burned Hagrid's hut and left??? and no-one did anything lmao????

movie!Ginny is such a disgrace to book!Ginny, it's not the actors fault they don't have chemistry after probably feeling like siblings having known each other that long but by god is every romance scene they have an awkward mess

young!Tom Riddle is like hilariously obviously evil, even in his teenage appearance where he's supposed to be CHARMING slughorn into giving him information

also this is a petty point but young!Dumbledore should have looked gay and flamboyant like in the book and he doesn't this is homophobia

the best thing about this movie is that one video on YouTube where someone cut the funny moments together to look like the trailer for a teen movie because yeah to be fair this probably IS the funniest of the movies so at least it has that going for it

Still Very Bad: Deathly Hallows Part 1

Mostly just kind of boring iirc?? They fail to get a lot of the ways muggleborn witches and wizards are being overtly discriminated against accross in their version of the scenes in the Ministry of Magic which is uh bad when that's a huge point about how easily a reactionary government is turned fully fascist and Umbridge isn't just "haha toad" she's specifically super mega fascist and has always been so, the shift in power is conveniet to her as a fascist who would make do with what she could do under a conservative government but can now do those things overtly and openly. the fact that she existed comfortably under Fudge and is now showing herself to be fully onboard with Voldemort's preferred policy is an important point

all the movies hate Ron and they are wrong they shouldn't fight me irl Steve Kloves like never is your Harmony agenda more obvious than this movie

this becomes an even bigger problem when you have Ron's arc of letting his inferiority complex get to you because if you don't understand Ron, you won't be able to do him justice

since the movies hate Ron as well as men having feelings, the stuff when Hermione is being tortured upstairs by Bellatrix and Ron is fucking losing it is also not done justice

the Dobby stuff just feels like Here's A Cool Moment For The Fans in the movie because again Dobby hasn't been the presence throughout that he is in the books. like Dobby is legitimately their friend in the books in the movie it just feels like he's doing it as a sort of life debt thing for Harry freeing him or something

the first four movies were fine. the third is probably my favourite even though that one definitely also includes Some Choices. my full preference list is: 3, 1, 2, 4, 7p1, 6, 7p2, 5 (for comparison, my books preference goes 5, 6, 3, 7, 1, 4, 2)

#the HBP movie is kind of both better AND worse than DH p1 #like i like it better but i also hate it more #siggi rambles

[shyficwriter]

Yondu is a Tickle Monster Headcanons:

So I suggested I could make this headcanon list after replying to this ask about this post with a video of Rooker being silly, and you guys really seemed to want it, so here it is! (I know you guys asked for this months ago, and then I went on hiatus and never delivered, but since I’m checking in anyway I thought I’d finish it and post it so those of my followers in quarantine can have something to make you smile. Sorry it took so long, enjoy!)

He may try to portray himself as a hard-ass, he’s got a total goofy/softy side. I mean...

Need I say more?

This means he definitely wouldn’t be above tickling, assuming you’re on his good side. If he doesn’t like you, you’re more likely to get the arrow. Weighing the pros and cons of each, I suggest you stay on his good side!

In front of his crew he obviously wanted to look more tough, so he wouldn’t ever really be that playful around them, so that’s generally where Peter was safest from tickles as a boy. Buuttt... that didn’t mean Yondu wouldn’t totally get him back later for acting up.

He’s really only a tickle monster with those who he sees as his kids. So mostly Peter and you. Gee, how’d you get so lucky? *eyeroll*

He’s not really one to deal out “cheer up tickles,” unless you’re being cranky and mopey directly at him. In that case he’ll do it just to piss you off (Because you want to be mad at him, dammit! You don’t want to laugh!) and it always ends with you smiling and a little happier, despite your threatening to punch him in the face.

He’ll definitely not hesitate to tickle you for being sassy. If you mouth off to him and he’s in the right mood he’ll just give you this spine tingling look that lets you know you’re screwed before he attacks you and makes you apologize.

Watch out if he’s in a teasy mood.

Like, he’ll deny that he’s tickling you, as he’s tickling you, just to fluster you. He’ll poke you in the ribs and ask, “Why ya jumping for? I ain’t touchin’ ya.” Or he’ll squeeze your knee and ask you what’s so funny, pretending to be oblivious to your squirming giggles and attempts to push his hand away.

He’ll aim a poke or squeeze to your side and grin when you react, asking, “What’s wrong? Ya ticklish?” despite the fact that he already knows full well that you are. 

When you look at him with wide eyes and try to suppress your grin he’ll tease you more, saying, “What? Ya ain’t gonna answer?” before full on attacking you for being “rude.”

Also watch out if he’s bored.

He’s not above sneaking up behind you to tickle you, as long as it isn’t too obvious that you’re doing something like cleaning a blaster that might result in bodily injuries due to your flailing.

He thinks it’s just the funniest thing to come up behind you and start poking your ribs while you’re busy with something like the dishes. He’ll definitely laugh as you whine that it’s not fair because your hands are kinda occupied. (How can you be expected to fight back properly when your hands are covered in soap???)

Don’t try to get him back!!!

If you discover it works on him too, you’ll have a few moments of satisfaction getting him back, but you’re gonna regret it!

It doesn’t work as well on him, and he’ll easily turn the tables and get you back ten times worse for trying it!

#imagine #yondu tickle #yondu #headcanon #gotg headcanon #yondu imagine

[utilitycaster]

what do you think are the different strengths of the GMs in the various actual plays you watch?

This is a good question.

The actual plays I watch or have watched are:

Critical Role (caught up)

TAZ (caught up, so I’m going to use Griffin as the GM since Travis is newer to it - I think he’s doing a good job, it just feels weird to judge him based on four episodes).

Relics and Rarities (finished...hopefully they do a second season?)

Dimension 20 (caught up on Fantasy High/Fantasy High Live, finished Escape from the Bloodkeep, am still relatively early on in Unsleeping City)

[I also just started listening to Rusty Quill Gaming, but I’m like 4 episodes in and right now they’re still sort of getting used to the Pathfinder rules so it’s going a little slowly; I’m not including Undeadwood for a couple reasons, but mostly it was short, I don’t know the rpg system used very well, and I never watched Deadwood so its harder for me to judge a couple aspects of Brian’s GM-ing but I did really like it]

Anyway:

Critical Role - I mean, it’s kind of established fact that Matt Mercer is exceptionally good in pretty much all ways at DM-ing, so I’ll focus on some things he does particularly well.

He’s the only DM/GM here for whom I can’t think of any examples where I was like “that seemed kind of railroaded”. Like, I’m sure he’s done the DM trick of “both paths lead to the same end”, and I don’t blame other DMs for doing this - it’s tough when people get super chaotic - but it’s definitely admirable and something I really appreciate because while it means things can go very badly, it also puts the plot in the hands of the players.

To that end I think the reason he can have such an open world is because of how built out the world of Exandria is. And again - I love the worldbuilding the other GMs I’m going to talk about have, and this is more a recognition of how incredibly detailed and thorough his world is.

TAZ - So I think all the GMs on this list do a great job with NPCs and making us care deeply about them, and all of them do that through having the NPCs clearly have lives even when the camera isn’t on them, so to speak, but I believe this is absolutely one of Griffin’s strengths and worth recognizing.

I also think he’s had probably the most unique worlds in terms of structure - I also love extraplanar weirdness as a setting and were I to run a serious, long-running game that’s something I’d want to incorporate.

Relics and Rarities - I mentioned this before, but I think Deborah Ann Woll did the best job of running a game that could make another GM say “Oh, I could do that!” - and not in the sense of her DM-ing not being very good and experienced, but rather it was episodic, and the props were for the most part home-made (which is something she specifically talked about being a goal). Don’t get me wrong, I love a giant battle-map, and I should note that TAZ probably doesn’t use fancy maps being a podcast and played over skype, and that CR used graph paper until the Chroma Conclave arc, but I loved the homemade puzzles and thought they were really creative and yet accessible. As for being an episodic game - it’s a particular style, and it works well if you run a game for beginners or if you can’t meet that regularly, both of which are true for me. It’s hard to make a story that works both as a series of one shots but with a through line as well, and she did an excellent job with it.

She also did, as some of those episodes, some very good self-contained mysteries. All the GMs here did a great job of having characters uncover mysteries, but it’s really hard to run a mystery in a couple of hours, rather than over the course of a long-running game.

Dimension 20: As the explicit comedy one, I have to recognize the amazing improv in this game. Several of the most iconic NPCs or funniest scenes were almost entirely made up on the spot. I think to be a really good and flexible DM you either have to be like Matt Mercer and already have almost every answer thought out, or you just need to be excellent at rolling with it, and Brennan is so good at the latter.

I also think it’s a great example of using heightened versions of real settings in a fun way - it works especially great in comedy. Using an 80s high school movie or a magic New York or a thinly veiled parody of Mordor are great ideas for a D&D game, and he does a great job running it.

Finally, this is something the Escape from the Bloodkeep commentary episodes cover (I don’t listen to Adventuring Academy regularly but I’ve watched a few episodes specifically about the shows) but I really like the way he’s handled villains both when they were the protagonists (Escape from the Bloodkeep) and in-game normally. There’s a reason we cheer for the Escape from the Bloodkeep team and for Gortholax and not for the actual enemies in the story, and it’s that they’re like “well yeah we kill people but we wouldn’t like, be racist, or lie about killing people”. It’s something most D&D games have as an undercurrent, but the comedy comes from it being so openly out there.

#d&d #dungeons & dragons #dimension 20 #critical role #the adventure zone #taz #relics & rarities #Anonymous

[neoduskcomics]

Ranking All 10 Star Wars Movies

The final installment in the Skywalker Saga (as it is now retroactively being christened) is upon us, and so I’ve decided to do a bit of a retrospective on all the films leading us here.

The purpose of this personal ranking is not to put down any particular films or to invalidate anyone else’s opinions. In fact, I will be focusing largely on what I like about each movie, rather than what I think was wrong with it. I’ll still touch on criticisms of each film, but know that even if I don’t think they’re all objectively amazing films, I still like every single one of them, and have watched each one numerous times.

The fandom, as it always has been, is so weighed down with hatred and lashing out and segregation, that it overshadows the unabashed joy and love that many still hold for that galaxy far, far away. And so, I’d like to put that anger away for a second, and just talk about why each of these movies holds a special place in the Star Wars saga.

10. The Phantom Menace

Chronologically the first film in the series, and also the first on this list. I saw this movie when I was pretty little, and I have to say, it’s the first Star Wars film I ever saw that I actually enjoyed. When I was a kid, I never cared for the original trilogy. Those movies bored and, to be honest, kind of frightened me. But Phantom Menace was replete with colorful visuals, whacky humor and loads of CGI action. That appealed to me quite a lot.

Yes, in retrospect, the plot is contrived, the characters are incredibly bland and pacing is all over the place, but it was my gateway drug into the magic that the rest of the franchise had to offer. And I’m gonna say it -- Jar Jar Binks was probably half the reason the movie kept my attention for as long as it did. All the other characters were so stuffy and stoic, and all they talked about was an overly complicated plot of political intrigue; Jar Jar added some much needed humor and levity for my childhood self to stay interested. It’s heavily flawed for sure, but I can’t rag on this movie too much when I have it to thank for the love that I have for the series now. Besides, Darth Maul kicks ass, right?

9. Attack of the Clones

Is it controversial to rank this above The Phantom Menace? My reasoning is twofold: 1) The movie has an actual emotional throughline to follow, that of Anakin being frustrated with his feelings of fear, resentment and love; and 2) There’s a lot more action. The Phantom Menace was my first step into the shallow side of the Star Wars pool, but this movie is what got me to dive in headfirst.

Is the dialogue embarrassingly terrible? Yes. Is it 75% CGI fluff? Yes. And as a kid, I ate all that stuff up. Plus, honestly, the movie’s not all bad. People started liking Ewan McGregor as Obi-Wan with this movie, as the charming, dry-humored, slightly exasperated mentor. We got a load of lightsaber fights, and chases through cityscapes and asteroid fields. There was a ton to think was cool about this movie. Sure, it’s still messy and awkward, and it’s loaded to the brim with outbursts of teenage angst, but this is the film that really got me to think lightsabers, starships and bounty hunters were just the most awesome things ever. You can bet I had a few specific items on my Christmas list that year.

8. Solo

I saw Solo a second time this year, and on a re-watch, I actually enjoyed it quite a lot more. It’s fun and frantically paced, there’s loads of Star Wars fanservice, and the lead actor actually does a pretty good impersonation of a young Han Solo. The supporting cast is pretty likable, too, and the dialogue is always snappy. The action sequences were exciting, and while the movie does go out of its way to try to answer every single question about Han-related trivia, I still think it’s fun to see how things unfolded.

Sure, the movie is pretty hollow when it comes to its themes. Han doesn’t get a very solid character arc in the movie, and we definitely don’t see a very cohesive transformation from relatively altruistic kid to completely self-centered nerf-herder -- and that’s a real shame. But honestly, as a Star Wars side story and blockbuster action film, I think it’s a pretty solid couple hours of entertainment. If you shrugged this movie off when it came out or weren’t impressed and haven’t seen it since, I say maybe give it another chance. You might still not like it, which is totally fair, but maybe tempered expectations and a slightly more lenient attitude will allow you to enjoy it a bit more this time around.

7. Rogue One

Now, as much as I enjoyed Solo as a relatively shallow but fun Star Wars action movie, it is not my favorite Star Wars movie of that brand. That honor goes solely to Rogue One. This movie is pure Star Wars fan service. You got X-wings, TIE fighters, stormtroopers, AT-STs, AT-ATs, star destroyers, new ships and infantry armor, and let’s not forget Darth Vader. That scene with him at the end of the film is one of my all-time favorite scenes in any Star Wars movie. I got chills watching that sequence. It was everything I’d ever wanted from a Darth Vader cameo.

Now, Rogue One might be almost nothing but action and fanservice -- most of the main cast of characters is not terribly interesting or memorable -- but that’s okay. This is a lot of people’s new favorite Star Wars movie, and I don’t think it’s hard to see why. It’s basically everything fans loved most about the prequels -- the spectacle, the new worlds, the new weapons, the new soldiers, while still trying to keep true to the spirit of the franchise, and making nods to its roots. The characters can be bland, and some of the fights drag on a bit, but it’s still a thrilling ride. Also, K-2SO is probably the funniest character in any Star Wars film.

6. The Last Jedi

This movie has some of the greatest, most powerful moments in the entire franchise. Rey’s relationship with Kylo Ren and their confrontations with Luke were an incredible emotional foundation to the story. Many of the visuals were dazzling, and not all but many of the jokes landed pretty well. Luke was provided with a realistic and interesting character arc that gave room for actual growth and depth and struggle -- not simply making him another wise old Jedi Master with a padawan who turned to the dark.

This movie took a lot of risks, and not all of them panned out for sure. I disagree with a lot of the narrative choices in this film, especially when it comes to how Kylo Ren and Rey’s relationship ends up by the end of the movie, and what they did with Poe and Finn. However, I cannot understate how great I think other elements of the story were. This is the movie that made me actually start to feel like Rey was a more fleshed-out character, and it made Kylo Ren my new favorite character in the sequel trilogy (also I really like the fight with the praetorian guards, which I guess is a controversial opinion?). While the movie is deeply flawed, it also has a lot in it that is deeply good, and that is definitely worth something.

5. Return of the Jedi

It was very close for me between this movie and The Last Jedi, but I settled on placing episode 6 higher because, to me, it just presents a more elegant narrative with a more cathartic resolution. Return of the Jedi gives us a strong and satisfying conclusion to Luke’s story, and is probably full of more heart and love than any other installment in the series, showcasing bonds between Han and Leia, Leia and Luke, and a reforged bond between Luke and his father. The team is reunited, and it feels so good.

That being said, the movie does have its share of flaws, many of which are in common with The Last Jedi. A lot of the movie feels like needless padding and sort of wasted screentime for the main characters, aside from Luke, who didn’t get much of a meaningful role in the story. However, I feel that it’s counterbalanced by the fact that this film also has some of the most powerful drama in the series. Luke’s confrontation of Vader and the Emperor is wonderfully tense and exciting, and it comes to a stirring conclusion. Plus, Han, Leia, Chewie, C-3PO and R2-D2 are all still their lovable selves, bantering away and getting in way over their heads. It’s kind of hard to not find the film charming. All in all, a great way to wrap up an iconic trilogy.

4. Revenge of the Sith

I remember when this film came out, some critics even went so far as to say it was “better than the original trilogy.” While that’s certainly up for the fans to debate, I do think this movie demonstrated a sense of clarity that was lacking in either of the other prequels. It’s a story all about one thing -- Anakin wants to stop his wife from dying a certain death, and will do whatever it takes to make that happen. The resulting story is filled with incredibly potent pain, fear, anxiety, suffering and darkness, as Anakin fights and eventually gives into temptation.

Okay, yeah, the dialogue is still mostly terrible, and the acting can still feel forced and awkward, but I think if you’re able to look past that, you’ll see what it easily the strongest narrative in the prequel trilogy. It also has a lot of things that the other two prequels were missing: humor (the entire beginning sequence is a fun and largely comical ride not found in the other prequels), memorably dramatic scenes (“Did you ever hear of the tragedy of Darth Plagueis the Wise?”) and the wickedly over-the-top Emperor finally taking the spotlight with his cackling and pontificating. It may not be the most gracefully crafted movie in the series, but it does have one of the most powerful stories to tell, and I think that’s what ultimately shines through.

3. The Force Awakens

I love this movie. The action, the effects, the characters, the humor -- it is a cavalcade of blockbuster science-fantasy wonder. Abrams did an outstanding job retooling the original trilogy to suit a modern audience, with new, creative takes on the faceless, nameless stormtrooper, a Darth Vader stand-in who knows he’s a stand-in and hates it, and a burgeoning hero doesn’t run toward adventure but away from it. There is an energy, a sort of vitality, to this film that I don’t think you can find in any other installment in the series. It’s dazzling, powerful and full of spirit.

And yes, it has its own fair share of flaws. The political situation is weirdly under-explained, the movie heavily relies on the original films as a template for the plot’s structure, and Rey could’ve used more coherent development as the protagonist of the film. However, I wholly and heartily believe that the movie more than makes up for all of that with its unique and charming cast of original characters. I loved Poe Dameron, Kylo Ren, Finn, and the returning Han and Chewie in this story. They all did wonderful performances with snappy dialogue, great performances and thrilling fights. It would’ve been great if the studio had tried to stray from the norm more, sure, but The Force Awakens, in my eyes, is still an exhilarating, warm and entrancing entryway into the territory of a new era for the franchise.

2. A New Hope

This one was tough to place. If I’m being completely honest, I think I probably actually like The Force Awakens more as a film, but it just doesn’t sit right with me to not give priority to the original. And I think credit should be given where credit is due: this movie, for better or worse, revolutionized cinema. It’s the movie that started it all, defying all odds and expectations. It’s the ideal archetype of the hero’s journey; a boy from humble beginnings meets with an old mentor who shows him a much bigger, brighter, and scarier world that he must face for the good of the world he lives in. Along the way, we meet some of the most iconic and memorable characters in the history of film -- Han Solo, Princess Leia, C-3PO, R2-D2 and the ever-lovable Darth Vader.

Now, has this movie been overly mythologized? Yes. Has it in many respects aged poorly? Sure. It totally has. The dialogue can be goofy, the action can look hokey and the pacing can feel terribly slow. But a lot of people will throw statements around like “It’s only famous because it was the first” when looking at movies like the original Star Wars, or the characters contained within. But I think that line of reasoning is misguided. Cheesy sci-fi features, space operas, action movies, roguish characters, princesses and humble heroes were not invented by Star Wars or George Lucas, just as people with superhuman abilities were not pioneered by the creators of Superman. And yet, this movie stood out in all of moviemaking history, proving that it had accomplished what no film like it had before. It is not a beloved film simply because it was the first. It’s the first because it was beloved.

Honorable Mention: The Clone Wars

Not the movie, the series (because the movie was basically just the pilot to the series that honestly shouldn’t have been shown in theaters). It doesn’t technically qualify for this list, but I just have to mention it (honorably). This series took a look at the prequels, for all their flaws, and said “I can make people like this era of Star Wars.” And you know what? They succeeded. The versions of Obi-Wan, Anakin and the many clone troopers featured in this series are now often the versions people think of when remembering the Clone Wars era of the saga. It was a rollercoaster of a series, with surprisingly dark and dramatic stories, as well as shockingly good action and visuals.

Sure, there were a lot of subpar episodes, but those aren’t what people remember. People remember a version of Anakin that made him a likeable hero, a new Jedi padawan for the audience to identify with, new stories that deepened and expanded upon the lore of the universe, and some really cool warfare that honestly blows a lot of what we saw in the actual prequel films out of the water. If you haven’t seen it yet, get a free trial of Disney + and start binging.

1. The Empire Strikes Back

Okay, okay, yeah, we all saw this coming. Not exactly an original opinion, is it? Still, I can’t deny that I solidly believe The Empire Strikes Back to be the best-made Star Wars film. It may not have the razzle-dazzle of the prequels or the sequels, and it may not have the satisfactory finality of Revenge of the Sith or Return of the Jedi. But what this film does have is care. It’s a movie that feels like it was carefully crafted from top to bottom, with every scene, every narrative throughline, every theme and every line of dialogue.

This is where we got “Do, or do not. There is no try.” This is where we got “I am your father.” This is where we got “I love you/I know.” This is where Vader really cemented himself as the end-all-be-all big bad of the Star Wars galaxy. This is where Han and Leia became the cinematic couple of a lifetime. This is where we really learned about the Force, the Jedi and what sorts of trials Luke would have to face were he to take on that legacy. It’s a magical film, full of wonder, hope, darkness, tragedy and love.

I won’t say it’s a perfect Star Wars movie, because it’s not. No Star Wars movie is. But that’s the beauty of the franchise. Everyone values something different about Star Wars. Everyone has their own favorite movie or series or book or comic or even theme park ride. It’s a phenomenon that spans generations, each one looking back fondly on the era that came before. There were people who grew up on the original trilogy, and now we have people who grew up on the prequels. And in just a few short decades, we’ll have people who grew up with BB-8, Kylo Ren and Rey, and that, to me, is just fantastic.

I know many of you have already written off Star Wars, or at least the new movies, but I am both nervous and excited to see where this all goes in seven days. And I know that there are many of you out there still celebrating Star Wars, holding it dear to your hearts, and not forgetting the feeling it gave you whenever you first fell in love with the franchise. I hope that feeling stays with us, and that it cuts through all the hatred and shouting and derision.

Now if you’ll excuse me, I need to watch today’s episode of The Mandalorian.

#star wars #ranking